Podcasts about Liggett

The search warrant that initiated the prosecution of Richard Allen in the Delphi murders rested on a probable cause affidavit authored by Detective Tony Liggett. According to the appellant's brief, that affidavit allegedly contained material misrepresentations of witness testimony and strategic omissions of details that would have undermined the connection between Allen and Bridge Guy.The defense identifies specific alleged discrepancies. Witness Betsy Blair described the man on the bridge as young, in his twenties, with poofy brown hair — a description that does not match Allen, who was 44 with a crew cut. The defense alleges Liggett included Blair's jacket description while omitting her physical description of the person. Blair's sketch of the vehicle at the scene allegedly did not match Allen's Ford Focus — omitted from the affidavit. Sarah Carbaugh reportedly described a tan jacket; the affidavit allegedly characterized it as blue and added "bloody." Blair reportedly told investigators these were two different men. Allen reportedly told investigators he didn't know what he was wearing; the affidavit allegedly stated he admitted to a blue Carhartt jacket and head covering. The defense requested a Franks hearing to challenge the warrant's validity. The trial court denied the motion.The defense's position is that without this warrant, no subsequent evidence exists — no search, no firearm recovery, no bullet comparison, no arrest, no custodial confessions.The appellate filings also present the investigation's treatment of alternate suspects excluded from the jury's consideration. One suspect allegedly created artwork in 2018 depicting the exact positioning of a victim. He admitted to pagan rituals four days post-murder. He possessed a .40 caliber firearm matching the caliber found at the scene. His recorded interview was allegedly erased. The firearm was never collected. His employer's offer of alibi surveillance footage was allegedly declined. An ISP Trooper's request for further investigation was reportedly denied by superiors. Neither this suspect nor his associate has been charged. The appellate court will determine whether these exclusions and omissions constitute reversible error.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #SearchWarrant #FranksHearing #DetectiveLiggett #HiddenKillers #TrueCrime #AbbyAndLibby #JusticeForAbbyAndLibby

Before solitary, Richard Allen wouldn't break. According to defense filings, Detective Holeman lied to him for over an hour during the arrest interrogation. Allen's response: "I am not going to say something I did not do." Five months in the most restrictive solitary cell in a maximum-security prison changed that.IDOC's own policy imposed a thirty-day limit for inmates with Allen's mental health diagnosis. He was held for thirteen months. By April 2023, he weighed 135 pounds. He was confusing nightmares with reality. He believed he'd started World War III. Prison doctors diagnosed him as gravely disabled and psychotic. IDOC forcibly injected him with antipsychotics. When his lawyers begged for a transfer, the prosecutor allegedly mocked their concerns on the same day IDOC designated Allen gravely disabled.Then came the confessions. Over sixty of them. He confessed to shooting Abby and Libby — they were killed with a blade. He confessed to acts there is no evidence occurred. He got basic facts of the crime wrong. His first confession to his wife wasn't "I did it." It was "I think I did it." Dr. Westcott produced a 127-page evaluation that ruled out faking and concluded the psychosis was caused by solitary confinement. The jury heard the confessions. They never heard the audio of Allen's psychotic episodes. They never heard the expert who would have called the confessions false.The appellate filings also challenge the foundation of the case itself. The search warrant rested on Detective Liggett's probable cause affidavit — which the defense alleges misrepresented witness descriptions and omitted details that would have broken the connection between Allen and Bridge Guy. Betsy Blair described a young man in his twenties with poofy brown hair. Allen was 44 with a crew cut. Blair reportedly told Liggett these were two different men. The defense requested a Franks hearing. Denied. Without this warrant, there's no search, no gun, no bullet match, no arrest, no confessions. The entire case, the defense argues, grows from a document the witnesses wouldn't recognize. An appellate court will decide.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #SolitaryConfinement #FalseConfessions #Westville #SearchWarrant #HiddenKillers #TrueCrime #JusticeForAbbyAndLibby

The search warrant that launched the entire case against Richard Allen rested on a probable cause affidavit written by Detective Tony Liggett. According to the appellant's brief, that affidavit allegedly misrepresented what witnesses told investigators and omitted the details that would have undermined the connection between Allen and Bridge Guy.Betsy Blair described the man on the bridge as young, in his twenties, with poofy brown hair. Allen was 44 with a crew cut. The defense says Liggett included Blair's jacket description but left out her physical description of the person wearing it. Blair's sketch of the car at the scene didn't match Allen's Ford Focus — allegedly omitted. Sarah Carbaugh reportedly described a tan jacket. Liggett's affidavit allegedly changed it to blue and added "bloody." Blair told Liggett these were two different men. ISP said the same thing publicly. Allen reportedly said he didn't know what he was wearing. The affidavit allegedly claimed he admitted to a blue Carhartt and head covering. The defense requested a Franks hearing to challenge the warrant. Denied.Without this warrant, there's no search, no firearm, no bullet match, no arrest, no confessions. The defense argues the entire prosecution grows from a document the witnesses wouldn't recognize.The appellate filings also lay out the investigation's treatment of alternate suspects the jury never heard about. According to the defense, one suspect created a painting in 2018 depicting the exact positioning of a victim at the crime scene. He admitted to pagan rituals involving bloodletting four days after the murders. He owned a .40 caliber firearm matching the round found at the scene. Investigators recorded his interview — then erased the tape. They never collected the gun. His employer offered surveillance footage to verify his alibi. Officers declined and marked him cleared. An ISP Trooper who found "concerning similarity" to the murders pushed for further investigation. His superiors shut it down. Neither this suspect nor his associate has been charged. The jury heard none of it. An appellate court will decide whether any of it should have reached them.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #SearchWarrant #DetectiveLiggett #BridgeGuy #HiddenKillers #TrueCrime #AbbyAndLibby #JusticeForAbbyAndLibby

According to the defense's appellate filings, an ISP Trooper found "concerning similarity" between the Delphi murders and a suspect who had been flagged repeatedly by tipsters for posting images of dead girls with sticks over their bodies on social media. He pushed for further investigation. His superiors said no.This same suspect, according to the filings, sat across from investigators four days after the murders and admitted to practicing pagan rituals involving bloodletting. He owned a .40 caliber firearm — the same caliber as the round recovered at the crime scene. They recorded his interview. The Delphi Police erased the tape. They never collected the gun. When officers went to verify his alibi, his employer offered surveillance footage. They declined to review it and marked him cleared. In 2018, he allegedly created a painting of Odin hanging upside down — right leg tucked behind the left — matching how one victim was positioned at the scene. His associate, a self-described pagan religious leader who reportedly knew the murder woods "very well," had his interview go unrecorded. His alibi wasn't checked for six years. Neither man has been charged.The jury that convicted Richard Allen heard none of this. The defense argued it should have been admitted as third-party suspect evidence. The trial court excluded it.On the other side of the appeal is the document that started the case against Allen. Detective Liggett's probable cause affidavit allegedly misrepresented witness descriptions to connect Allen to Bridge Guy. Betsy Blair described a young man in his twenties with poofy brown hair — not a 44-year-old with a crew cut. The defense says those physical details were omitted while her jacket description was kept. Blair reportedly told Liggett these were two different men. Without this warrant, the defense argues, there's no search, no gun, no bullet, no arrest, no confessions. A Franks hearing to challenge the warrant was denied. An appellate court will now decide whether the exclusions and the omissions matter enough to change the outcome.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #AbbyAndLibby #ISP #Odinism #HiddenKillers #TrueCrime #DelphiInvestigation #JusticeForAbbyAndLibby

The behavioral shift is the center of the Delphi appeal. Before solitary confinement, Richard Allen sat across from Detective Holeman during the arrest interrogation and — according to defense filings — was lied to for over an hour. Allen's answer: "I am not going to say something I did not do." That was the man who walked into Westville.Thirteen months later, he was a different person. IDOC's own policy limited solitary for inmates with his mental health diagnosis to thirty days. Allen was held in the most restrictive cell in a maximum-security prison for over a year. By April 2023, he weighed 135 pounds. He was confusing nightmares with reality. He believed he had started World War III. Prison doctors diagnosed him as gravely disabled and psychotic. He was forcibly injected with antipsychotics. His lawyers begged for a transfer. The prosecutor allegedly mocked their concerns on the same day IDOC designated him gravely disabled.Then came the confessions. More than sixty. He confessed to shooting victims who were killed with a blade. He described acts there is no evidence occurred. He got basic facts wrong. His first confession to his wife: "I think I did it." Not "I did it." Dr. Westcott's 127-page evaluation ruled out malingering and concluded the psychosis was caused by the solitary conditions themselves. The jury heard the confessions but never heard the audio of his psychotic episodes and never heard the expert who would have testified they were false.The appellate filings also attack the warrant that started the case. Detective Liggett's probable cause affidavit allegedly misrepresented what witnesses described. Betsy Blair said Bridge Guy was young, twenties, poofy brown hair — not a 44-year-old with a crew cut. The defense says Liggett kept the jacket and cut the person wearing it. Blair reportedly told him she was describing two different men. Without this warrant, the defense argues, the entire case collapses — no search, no gun, no bullet, no arrest, no confessions. An appellate court will decide whether any of it holds.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #FalseConfessions #SolitaryConfinement #BridgeGuy #AbbyAndLibby #HiddenKillers #TrueCrime #JusticeForAbbyAndLibby

According to the defense's appellate filings, one suspect sat across from Delphi investigators four days after the murders and admitted to practicing pagan rituals involving bloodletting. He owned a .40 caliber firearm — the same caliber as the round found at the scene. They recorded his interview. The tape was erased. They never collected the gun. His employer offered surveillance footage to check his alibi. Officers declined and marked him cleared.In 2018, this suspect allegedly created a painting of Odin hanging upside down — right leg tucked behind the left. That is how one of the victims was positioned at the crime scene. Tipsters repeatedly flagged him posting images on social media of dead girls with sticks over their bodies. An ISP Trooper found "concerning similarity" to the murders and pushed for further investigation. His superiors shut it down.His associate — a self-described pagan religious leader who reportedly knew the murder woods "very well" — had his interview go unrecorded entirely. His alibi wasn't checked for six years. Neither man has ever been charged. The jury that convicted Richard Allen heard none of it. The trial court excluded it as third-party suspect evidence.Then there's the warrant. Detective Liggett's probable cause affidavit allegedly described witnesses saying things they didn't say and left out the details that would have broken the connection to Allen. Betsy Blair described a young man in his twenties with poofy brown hair. Allen was 44 with a crew cut. The defense says Liggett kept her jacket description and cut the rest. Blair reportedly told investigators these were two different men. Allen reportedly said he didn't know what he was wearing. The affidavit allegedly said he admitted to a blue Carhartt. Without this warrant — no search, no gun, no bullet match, no arrest, no confessions.The defense argues the entire case was built on a document the witnesses wouldn't recognize and a jury that was denied the full picture. An appellate court will decide.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #AbbyAndLibby #Odinism #SearchWarrant #BridgeGuy #HiddenKillers #TrueCrime #JusticeForAbbyAndLibby

He didn't say "I did it." He said "I think I did it." That was Richard Allen's first confession to his wife — after five months in the most restrictive solitary cell in a maximum-security prison, after being diagnosed as gravely disabled and psychotic, after being forcibly injected with antipsychotics, after his weight dropped to 135 pounds, and after he started confusing nightmares with reality and believing he'd started World War III.Before solitary, Allen sat across from Detective Holeman during the arrest interrogation. According to defense filings, Holeman lied to him for over an hour. Allen's response: "I am not going to say something I did not do." IDOC's own policy limited solitary for inmates with his diagnosis to thirty days. He was held for thirteen months.The confessions that followed — over sixty of them — got the crime wrong. He confessed to shooting Abby and Libby. They were killed with a blade. He described acts there is no evidence occurred. Dr. Westcott's 127-page evaluation ruled out faking and concluded the psychosis was caused by the conditions of his confinement. The prosecutor allegedly mocked defense concerns about Allen's mental state on the same day IDOC designated him gravely disabled. The jury heard the confessions. They never heard the audio of his psychotic episodes. They never heard the expert who would have called every one of them false.The case didn't start with confessions. It started with a search warrant — and the defense says that warrant is built on a lie. Detective Liggett's affidavit allegedly changed what witnesses described. Betsy Blair said Bridge Guy was young, twenties, poofy brown hair. Allen was 44, crew cut. Blair reportedly told Liggett these were two different men. The affidavit allegedly said Allen admitted to wearing a blue Carhartt. Allen reportedly said he didn't know what he was wearing. Without this warrant — no search, no gun, no bullet, no arrest, no confessions. The defense argues the entire case grows from a document the witnesses wouldn't recognize and confessions a psychotic man made about a crime he described wrong. An appellate court will decide.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #FalseConfessions #SolitaryConfinement #SearchWarrant #AbbyAndLibby #HiddenKillers #TrueCrime #JusticeForAbbyAndLibby

The search warrant for Richard Allen's home, car, and electronics is the foundation of the State's case. Without it, there is no gun, no bullet comparison, no arrest, and no confessions from solitary confinement. According to the appellant's brief, the affidavit that secured that warrant contained statements and omissions that painted a misleading picture. Betsy Blair — the only witness who saw Bridge Guy face-to-face — described him as a young man in his twenties with poofy brown hair. Detective Liggett's affidavit reportedly mentioned her blue jacket description but omitted the rest. Blair also described the car at the scene as something resembling a 1965 Comet — nothing like Allen's black Ford Focus. That was allegedly left out too. Witness Sarah Carbaugh reportedly said "tan jacket" and "muddy" in her 2017 interview. The affidavit allegedly read "blue jacket" and "muddy and bloody." Blair told Liggett those were two different men. ISP said the same thing in a public statement. The defense also argues Allen never admitted to wearing a blue Carhartt as the affidavit claimed. The defense requested a Franks hearing to challenge whether the affidavit contained deliberate falsehoods. The trial court denied it. The State maintains probable cause was sufficient regardless. The appellate court will weigh in. But if the defense is right, the judge who signed the warrant was given a picture with the most important details removed.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #DetectiveLiggett #SearchWarrant #BridgeGuy #TrueCrime #HiddenKillers #WrongfulConviction #JusticeForAbbyAndLibby

Every piece of evidence used to convict Richard Allen traces back to one document: Detective Liggett's probable cause affidavit. According to the defense's appellate filings, that document told the judge a version of events the witnesses themselves would not recognize. Betsy Blair saw Bridge Guy up close and described a man in his twenties with poofy brown hair. The affidavit allegedly included her jacket description and omitted everything else. Her sketch of the car at the scene didn't match Allen's vehicle — allegedly omitted. Sarah Carbaugh reportedly told investigators the man she saw wore a tan jacket and was muddy. The affidavit allegedly changed it to blue jacket, muddy and bloody. Blair and ISP both said Carbaugh's man and Bridge Guy were different people — allegedly omitted. Allen reportedly said he didn't know what he wore that day. The affidavit allegedly attributed a blue Carhartt admission to him. The defense argued every alleged misstatement served one purpose: making Allen look like Bridge Guy. They requested a Franks hearing. The court said no. Without this warrant, the State has no gun, no bullet comparison, no arrest, and no confessions from solitary. The defense's position is direct: the entire case is fruit of this document, and the document, they argue, is built on half-truths. The appeal will settle it. But the facts Liggett allegedly kept from the judge are the facts that would have mattered most.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #DetectiveLiggett #SearchWarrant #BridgeGuy #TrueCrime #HiddenKillers #WrongfulConviction #JusticeForAbbyAndLibby

According to the appellant's brief, Detective Tony Liggett secured the search warrant against Richard Allen with an affidavit that allegedly omitted and altered key witness statements. Blair described Bridge Guy as a young man in his twenties with brown poofy hair and sketched a car that looked nothing like Allen's Ford Focus — details Liggett allegedly left out. Carbaugh reportedly said tan jacket and muddy; the affidavit allegedly read blue jacket, muddy and bloody. Blair and ISP both said on the record these were two different men. And Allen, according to the defense, never admitted to wearing a blue Carhartt as the affidavit claimed. Without the search that followed, there is no gun, no Oberg bullet opinion, no arrest, no confessions. The defense calls the entire case fruit of this warrant. They supported their Franks motion with depositions, police interviews, and reports — and the trial court denied both the suppression and the hearing. The defense points out the court had been willing to schedule a Franks hearing under different defense attorneys but reversed course when the original team was reinstated. The State maintains probable cause survives even with the omitted information. An appellate court will decide. But the central question remains: if the judge had known that the one witness who saw Bridge Guy up close described someone who looks nothing like Richard Allen, would the warrant have been signed?Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#Delphi #RichardAllen #DelphiMurders #DetectiveLiggett #SearchWarrant #BridgeGuy #TrueCrime #HiddenKillers #WrongfulConviction #JusticeForAbbyAndLibby

Explore the music of the Indianapolis saxophonist, bandleader, and music educator Larry Leggett, known professionally as Larry Liggett. We'll share rare recordings from Liggett, including his work for the legendary Chicago label Chess Records.  Larry Liggett was born in Brazil, Indiana in 1921. He began playing music at an early age. At 10-years-old, he became the youngest member of the Brazil High School Marching Band. He continued to distinguish himself in college, becoming the first Black musician in the symphonic band and orchestra, at Indiana State University.  Liggett moved to Indianapolis during the 1940s and began teaching at Crispus Attucks High School in 1948. He continued working in the Indianapolis Public School system for the next 40 years. During that time, Liggett was performing jazz music at nightclubs across Indianapolis. Liggett also enjoyed success as a recording artist. During the 1950s, his recordings for Chess received national airplay.  In 2004 his contributions to Indiana music were acknowledged by the Indianapolis Jazz Foundation, who inducted Liggett into the Indianapolis Jazz Hall of Fame.

Explore the music of the Indianapolis saxophonist, bandleader, and music educator Larry Leggett, known professionally as Larry Liggett. In 2004, his contributions to Indiana music were acknowledged by the Indianapolis Jazz Foundation, which inducted Liggett into the Indianapolis Jazz Hall of Fame. We'll share rare recordings, including his work for the legendary Chicago label Chess Records.

Matt and Phil reconvene after the holidays and catch up the latest movies they saw and more on the basketball players that were drafted into the NBA but are exercising college eligibility. Guests: Mike Irwin, Dr. Liggett, Connor O'Gara   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Richard Allen's appeal makes a stunning allegation: the search warrant that launched the entire Delphi case was built on misrepresentations. In 2017, witness Sarah Carbaugh told police she saw a man walking down the road wearing a tan jacket. He was muddy. In 2022, Detective Tony Liggett swore under oath that Carbaugh described the man as wearing a blue jacket - and that he was muddy and bloody. Tan became blue. Muddy became muddy and bloody. According to the defense, that's not a mistake. That's allegedly altering a witness statement to fit a narrative. But it doesn't stop there. Betsy Blair - the eyewitness who saw a man on the High Bridge platform - gave a detailed description three days after the murders. Young, early twenties, medium build, brown poofy hair. She rated her sketch ten out of ten for accuracy. Richard Allen was 44 with short hair. He looks nothing like that sketch. The jury never saw it. And according to the appeal, Liggett never told the judge about it either. Blair also told Liggett directly that she and Carbaugh saw two different people. The Indiana State Police agreed - they issued a press release in 2019 saying explicitly they were "not the same person." Then Allen gets arrested and suddenly they're the same guy. The car descriptions don't match Allen's vehicle either. Blair described sharp angles, not black. Wilson described a purple PT Cruiser. Allen drove a black Ford Focus hatchback. Without this warrant, no search. Without the search, no gun. Without the gun, no bullet match. Without the bullet match, no arrest. Without the arrest, no solitary. Without solitary, no confessions. The entire case flows from this document. This episode breaks down every alleged misrepresentation in Detective Liggett's affidavit and why the defense is arguing the warrant should never have been signed. #DelphiMurders #RichardAllen #RichardAllenAppeal #DelphiCase #AbbyAndLibby #Delphi #TrueCrime #BridgeGuy #DelphiWarrant #JusticeForAbbyAndLibby Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Richard Allen's appeal makes a stunning allegation: the search warrant that launched the entire Delphi case was built on misrepresentations. In 2017, witness Sarah Carbaugh told police she saw a man walking down the road wearing a tan jacket. He was muddy. In 2022, Detective Tony Liggett swore under oath that Carbaugh described the man as wearing a blue jacket - and that he was muddy and bloody. Tan became blue. Muddy became muddy and bloody. According to the defense, that's not a mistake. That's allegedly altering a witness statement to fit a narrative. But it doesn't stop there. Betsy Blair - the eyewitness who saw a man on the High Bridge platform - gave a detailed description three days after the murders. Young, early twenties, medium build, brown poofy hair. She rated her sketch ten out of ten for accuracy. Richard Allen was 44 with short hair. He looks nothing like that sketch. The jury never saw it. And according to the appeal, Liggett never told the judge about it either. Blair also told Liggett directly that she and Carbaugh saw two different people. The Indiana State Police agreed - they issued a press release in 2019 saying explicitly they were "not the same person." Then Allen gets arrested and suddenly they're the same guy. The car descriptions don't match Allen's vehicle either. Blair described sharp angles, not black. Wilson described a purple PT Cruiser. Allen drove a black Ford Focus hatchback. Without this warrant, no search. Without the search, no gun. Without the gun, no bullet match. Without the bullet match, no arrest. Without the arrest, no solitary. Without solitary, no confessions. The entire case flows from this document. This episode breaks down every alleged misrepresentation in Detective Liggett's affidavit and why the defense is arguing the warrant should never have been signed. #DelphiMurders #RichardAllen #RichardAllenAppeal #DelphiCase #AbbyAndLibby #Delphi #TrueCrime #BridgeGuy #DelphiWarrant #JusticeForAbbyAndLibby Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Richard Allen's appeal makes a stunning allegation: the search warrant that launched the entire Delphi case was built on misrepresentations. In 2017, witness Sarah Carbaugh told police she saw a man walking down the road wearing a tan jacket. He was muddy. In 2022, Detective Tony Liggett swore under oath that Carbaugh described the man as wearing a blue jacket - and that he was muddy and bloody. Tan became blue. Muddy became muddy and bloody. According to the defense, that's not a mistake. That's allegedly altering a witness statement to fit a narrative. But it doesn't stop there. Betsy Blair - the eyewitness who saw a man on the High Bridge platform - gave a detailed description three days after the murders. Young, early twenties, medium build, brown poofy hair. She rated her sketch ten out of ten for accuracy. Richard Allen was 44 with short hair. He looks nothing like that sketch. The jury never saw it. And according to the appeal, Liggett never told the judge about it either. Blair also told Liggett directly that she and Carbaugh saw two different people. The Indiana State Police agreed - they issued a press release in 2019 saying explicitly they were "not the same person." Then Allen gets arrested and suddenly they're the same guy. The car descriptions don't match Allen's vehicle either. Blair described sharp angles, not black. Wilson described a purple PT Cruiser. Allen drove a black Ford Focus hatchback. Without this warrant, no search. Without the search, no gun. Without the gun, no bullet match. Without the bullet match, no arrest. Without the arrest, no solitary. Without solitary, no confessions. The entire case flows from this document. This episode breaks down every alleged misrepresentation in Detective Liggett's affidavit and why the defense is arguing the warrant should never have been signed. #DelphiMurders #RichardAllen #RichardAllenAppeal #DelphiCase #AbbyAndLibby #Delphi #TrueCrime #BridgeGuy #DelphiWarrant #JusticeForAbbyAndLibby Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Richard Allen's appeal just dropped — and it's not a narrow legal technicality. It's 113 pages alleging the entire Delphi case was built on lies, omissions, and constitutional violations. The defense claims Detective Liggett's warrant affidavit changed witness descriptions to fit Allen. Betsy Blair described Bridge Guy as young, early twenties, with poofy brown hair — and rated her sketch 10 out of 10 for accuracy. Allen was 44 with short hair. The jury never saw that sketch. Sarah Carbaugh originally said the man wore a tan jacket and was muddy. Liggett wrote "blue jacket" and "muddy and bloody." Blair told investigators directly that she and Carbaugh saw different people. The ISP agreed publicly in 2019. Then Allen got arrested and the story changed. The confessions came after thirteen months of maximum-security solitary confinement — in violation of IDOC's own 30-day policy for mentally ill inmates. Allen lost 45 pounds, ate feces, drank toilet water, banged his head until he had black eyes, and was declared "gravely disabled." He confessed while psychotic — and got basic facts wrong. Said he shot the girls. They weren't shot. Said a van scared him off at a time that doesn't match when the van actually arrived. The state had security footage and FBI data proving their own witness's timeline was false. The jury never heard about the ritual killing investigation that law enforcement pursued for years. Never heard expert testimony on the Norse pagan symbolism at the scene. Never heard about Brad Holder and Patrick Westfall — suspects connected to Odinism whose interviews were lost or destroyed, whose alibis were never properly verified, and whose social media showed disturbing parallels to the crime scene. This episode breaks down every major claim in the appeal and what it means for this case. #DelphiMurders #RichardAllen #AbbyAndLibby #DelphiAppeal #TrueCrime #RichardAllenAppeal #DelphiCase #BridgeGuy #Delphi #JusticeForAbbyAndLibby Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Richard Allen's appeal just dropped — and it's not a narrow legal technicality. It's 113 pages alleging the entire Delphi case was built on lies, omissions, and constitutional violations. The defense claims Detective Liggett's warrant affidavit changed witness descriptions to fit Allen. Betsy Blair described Bridge Guy as young, early twenties, with poofy brown hair — and rated her sketch 10 out of 10 for accuracy. Allen was 44 with short hair. The jury never saw that sketch. Sarah Carbaugh originally said the man wore a tan jacket and was muddy. Liggett wrote "blue jacket" and "muddy and bloody." Blair told investigators directly that she and Carbaugh saw different people. The ISP agreed publicly in 2019. Then Allen got arrested and the story changed. The confessions came after thirteen months of maximum-security solitary confinement — in violation of IDOC's own 30-day policy for mentally ill inmates. Allen lost 45 pounds, ate feces, drank toilet water, banged his head until he had black eyes, and was declared "gravely disabled." He confessed while psychotic — and got basic facts wrong. Said he shot the girls. They weren't shot. Said a van scared him off at a time that doesn't match when the van actually arrived. The state had security footage and FBI data proving their own witness's timeline was false. The jury never heard about the ritual killing investigation that law enforcement pursued for years. Never heard expert testimony on the Norse pagan symbolism at the scene. Never heard about Brad Holder and Patrick Westfall — suspects connected to Odinism whose interviews were lost or destroyed, whose alibis were never properly verified, and whose social media showed disturbing parallels to the crime scene. This episode breaks down every major claim in the appeal and what it means for this case. #DelphiMurders #RichardAllen #AbbyAndLibby #DelphiAppeal #TrueCrime #RichardAllenAppeal #DelphiCase #BridgeGuy #Delphi #JusticeForAbbyAndLibby Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Richard Allen's appeal just dropped — and it's not a narrow legal technicality. It's 113 pages alleging the entire Delphi case was built on lies, omissions, and constitutional violations. The defense claims Detective Liggett's warrant affidavit changed witness descriptions to fit Allen. Betsy Blair described Bridge Guy as young, early twenties, with poofy brown hair — and rated her sketch 10 out of 10 for accuracy. Allen was 44 with short hair. The jury never saw that sketch. Sarah Carbaugh originally said the man wore a tan jacket and was muddy. Liggett wrote "blue jacket" and "muddy and bloody." Blair told investigators directly that she and Carbaugh saw different people. The ISP agreed publicly in 2019. Then Allen got arrested and the story changed. The confessions came after thirteen months of maximum-security solitary confinement — in violation of IDOC's own 30-day policy for mentally ill inmates. Allen lost 45 pounds, ate feces, drank toilet water, banged his head until he had black eyes, and was declared "gravely disabled." He confessed while psychotic — and got basic facts wrong. Said he shot the girls. They weren't shot. Said a van scared him off at a time that doesn't match when the van actually arrived. The state had security footage and FBI data proving their own witness's timeline was false. The jury never heard about the ritual killing investigation that law enforcement pursued for years. Never heard expert testimony on the Norse pagan symbolism at the scene. Never heard about Brad Holder and Patrick Westfall — suspects connected to Odinism whose interviews were lost or destroyed, whose alibis were never properly verified, and whose social media showed disturbing parallels to the crime scene. This episode breaks down every major claim in the appeal and what it means for this case. #DelphiMurders #RichardAllen #AbbyAndLibby #DelphiAppeal #TrueCrime #RichardAllenAppeal #DelphiCase #BridgeGuy #Delphi #JusticeForAbbyAndLibby Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

What's the science of what makes humans special? Neil deGrasse Tyson, Chuck Nice, and Gary O'Reilly explore how we evolved to be different from eachother, what's up with Neanderthal DNA, and humanity's superpower with evolutionary anthropologist, Herman Pontzer.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/the-power-of-adaptability-with-herman-pontzer/Thanks to our Patrons PMC, Nannette Bartels, Dawn Dudzinski, Bernd Hendricks, crobarian, jobe, Malik, Christopher Jones, Jason Antone, Sean G, Hunky DOrk, Soumik Das, Wayne Arnold, Elizabeth, Rajan Thankurdesai, Wesley Westandorf, Philip Heller, james Liggett, Steve Lustig, Tan, Jimmy Golightly, Juniel Lugo, Patrick Hill, Tan Ngyuyen, kirenia, Flynn Dockery, Gabor Kalman, Roger L Chamorro, PlanetJomo, Rees Jones, Stacy Ford, t, Ash, Cesar Moya, Jacob, Jacob Kelley, Raymond Daigneault, Tyler Fleck, Tatiana Corleto, Paulo Dutra, Ryan Parish, Nic D., JKW, Allison Bergseng, Thomas Jones, Amelia Joselow, Austin Blair, Christian lara, Eric Bayer, Christopher Martin, David Gavrin, UntraProGamerNL, Vance Uribe, Marissa, K.D., Collin Wolfert, and Stephen Mueller for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

BOSSes, are you ready to nail those voiceover auditions? In this episode of the VO Boss podcast, Anne Ganguzza talks with special guest Kelly Moscinski, owner and head of casting at The VoiceCaster. Kelly, who oversees thousands of auditions, reveals what truly stands out to casting directors and how you can stop being predictable to book more jobs. Get ready to transform your approach to commercial auditions with invaluable insights straight from the source!   00:00 - Anne (Host) Hey bosses, Anne Ganguzza here. Are you ready to take the next step in your voiceover career? At Anne Ganguzza Productions, I specialize in target marketed coaching and demo production that gets you booked. If you're thinking about elevating your performance or creating an awesome demo, check me out at anneganguzza.com.  00:22 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a vo boss. Now let's welcome your host and gang guza hey everyone, welcome to the vo boss podcast.  00:44 - Anne (Host) I'm your host, Anne Ganguzza, and today I am thrilled to welcome very special guest, Kelly Moscinski. Kelly, the owner and head of casting at the Voice Caster, which, very impressively, is the oldest voiceover casting house in the country, established in 1975. So, with almost 20 years of experience in voiceover and even more in entertainment, Kelly casts and directs all things voiceover. She's also a coach for voice actors, teaching group classes, private coaching, and I am so excited that she's going to be teaching a VO Boss workshop coming up on July 16th, which I am super excited for. She is also the founder of the VoiceCaster Lab, a digital VO training and community platform offering a variety of learn-at-your-own-pace courses, seminars, a membership community and other resources dedicated to giving voiceover artists the chance to learn from the casting perspective, which is so, so important. Kelly, it is absolutely wonderful to have you here today. Thank you so much.  01:43 - Kelly (Guest) Thank you so much for having me.  01:45 - Anne (Host) I am just excited to chat with you. It's been I feel like it's been not so long ago that I saw you, but, like we always, we're like we kind of just pass each other because we're always like on these schedules which are insanely busy, and I always think that you know, I think I'm pretty busy in this industry, but my goodness, you're doing an awful lot over there at the Voice Caster with your classes and you've got all sorts of fun new things that I've seen you come out with this year. So for the bosses who are not familiar with you, let's let's kind of start at the beginning and tell us a little bit about how you got started in the industry and your casting journey. What led you to the voice caster?  02:24 - Kelly (Guest) For me it was, you know I did. I did drama club, you know theater in high school. When I went to college I originally went to school for pre-med. I wanted to be a psychiatrist, so I was focusing on psychology and then from there it was just. I was so involved in the theater department and eventually, after, after a little hesitation, I decided to get my degree in theater instead of following the pre-med path I had.  02:51 And then I got my master's degree in writing and you know it was kind of while I was working on that that you know I had friends. I was doing a ton of directing. So I just had some friends who were like working at local radio and TV stations. They'd ask me for advice on an actor. You know I need this kind of a voice for a spot, you know. So I was starting to do some voiceover before I even really realized what I was getting into. And then I moved out to Los Angeles and you know I had actually interviewed in the same week at voice caster and at a talent agency the same week at VoiceCaster and at a talent agency. Talent agency wanted to bring me on as an agent and VoiceCaster wanted me to come on as a casting assistant and I was like you know what I feel like casting is my calling. You know, I get to, I get to cast, I get to direct. You know there were opportunities to teach. You know, like, all of the things I wanted were kind of all in one with VoiceCaster. And, you know, as soon as I walked into the office, I was like, yeah, this is home. And so I kind of knew right away. And then that was in 2009.  03:55 In 2013, the previous owner, huck Liggett, came to me and said I'm retiring, I'm gone in two weeks. Do you want to take over? I've had other offers. Yeah, he's like. I had other offers, a lot of money, he's like, but I don't want just anyone to take over. Wow, and so he's like, if you don't want it, we're closing down the doors. Wow, yeah.  04:20 - Anne (Host) And wow, what a compliment.  04:22 - Kelly (Guest) That's amazing, wow, yeah yeah, and it's funny because I actually had just gotten back from a week vacation when he came to me on that Monday and like he's like pulled me aside. I thought I was getting fired, I was like oh no, what's going on?  04:36 Like what did I do?  04:37 What happened while I was gone? It was only a week. Who knew it was going to be the next big step in my career? And yeah, so, within, within within two weeks, I took over completely, so it was a very quick transition but, like I said, as soon as my foot stepped in that office, I just knew that this is where I was going to going to be.  04:59 - Anne (Host) You know it's, isn't that? Isn't that funny. It's like when you step into a home, when you're buying a home, and all of a sudden you're like, oh yeah, this is it. I have so many questions because you seem to just go from like, oh, I went to school for, and then I went into education and then went into voiceover and did you get any pushback from people in your life that said, hey, it's obvious that you have multiple talents, and there's always those people, kind of the naysayers, that are like, really Like theater or the arts. There's always those people, that kind of the naysayers that are like really like, yeah, theater, or you know the arts. And so tell us, did you have any pushback from, let's say, you know, family members or loved ones about that?  05:53 - Kelly (Guest) Yeah, absolutely Absolutely. You know, it's one of those things where I I originally was like, oh, I can't just go into theater, so maybe I can, maybe I can teach theater. So I decided to take the education track, kind of in between that and within like three semesters, I think I I basically I had all of the classes I had needed for an education degree. I just never did the student teaching, so I could have gotten my education degree as well. But instead I was like no, I just I want to commit to this, this is all I can see myself doing. So why? Why have the plan B? You know, it's like when you have plan B, you fall back on plan B and it's like I don't, I'm not, yeah, that's it.  06:36 - Anne (Host) That's a really, that's a really great perspective.  06:38 I like that Because you, you felt it and I think you and you went for it and that's that's so.  06:45 I love that because I feel like I'm kind of that person too, like, if you feel so strongly about it, I feel like, well, that's where I'm supposed to be and that's where I should be, and I feel like my work ethic was there to drive it to the place where it needed to be. And I think a lot of times I never second guess my work, my intuition, my gut feeling I feel like that might be the same thing for you, absolutely, absolutely. So then, along the way right to becoming like, first of all, to have someone say to you I'm going to close the doors if you don't take over First of all, that's what a compliment. And and so obviously I mean there was, there's just a ton of talent there, did you have? Have? It sounds like you had no hardships a long way, but I feel like you might have, like I definitely did so tell us about maybe you know a hardship or something that was a challenge for you.  07:42 - Kelly (Guest) Yeah, yeah. So I mean, first of all it was, you know, through through college my dad was battling leukemia and so it's like he was actually in a hospital in the same city that I was going to school, and so you know I was going over there every day before rehearsals, after classes, you know, anytime I could kind of sneak in, I would go over to the hospital and see him.  08:05 You know, and it's like he couldn't come to my graduation, he couldn't come to some of our shows because just too many people. And you know, and it's like he couldn't come to my graduation, he couldn't come to some of our shows because just too many people. And you know, when you're going through cancer treatments you have to be careful of that Part of I stuck around to get my master's degree. I think I would have probably left after my bachelor's degree, but I stuck around to get my master's degree. I started dating my now husband and so I was like I guess I'll stick around for this guy, I'll stick around for my family, you know.  08:33 And I was originally going to go to New York because I wanted to work in the Broadway world, you know. And then he actually convinced me, my husband, travis, convinced me to come to LA. So we moved to LA with nothing and it took me. I sent out back in the day when you send out, you know, cover letters and resumes through the mail.  08:54 - Anne (Host) Yeah, I remember those days, Not email.  08:56 - Kelly (Guest) I do remember those days I sent out over 350 just different casting offices, talent agencies, knowing like this is where I want to be and I can be a very determined person. It can be challenging and, you know, it's like we went through all of our savings, like we had nothing. And it was very much one of those things where I'm like okay, I took a theater job here, I took another job here. It's like I started to work, you know, retail customer service it lasted about three days and then a theater job, you know, and then a theater job fell in my lap.  09:33 They weren't willing to work with my theater hours, so I was like, well, I'm going to take the lower paying job because it's what I want to do. And that's actually how I met Catherine originally, and you know so it's like I was just taking all these things that I could stage, managing, you know things like that. It was like we have to do something to make money and it's like sure, luckily, you know, my husband was like he does construction as well. So he ended up working for a couple of TV shows where he was building sets. And then Huck called and he was like I have been hanging on to your resume since I got it last June and just waiting for an opening. So it's like he kind of knew this was perfect.  10:13 It came at the perfect timing. You know, it's one of those things where I'm like I always feel like things fall into place exactly when they're supposed to. You know, when they're supposed to, we yeah, we were in that limbo of like are we really going to make it here? You know, like we're going to have to start borrowing money from family or something soon. Like what, what are we doing? Like this is crazy. So yeah, then, then you know, voice caster fell into place and there's that determination.  10:43 - Anne (Host) I think that that came through. Yes, yeah, that's so interesting because I mean I have a little bit of a similar story when we moved out west, I mean from the East Coast, and you know, we moved out for a job for my husband and ultimately, nine months later, he got, like you know, he got laid off. And so then everybody said, well, when are you coming back? And I'm like, no, no, no. And I was like, oh, by the way, I quit my job in education and said, oh, I'm going to try to do this voiceover thing full time. So, Jerry, you're going to have to, like you know, float me for a little bit. And, interestingly enough, we just determination. I was like I am not going back because I love the weather too much and I really was starting to love.  11:23 California, I was like I don't want to go back to the snow and the property taxes, but I did love the East Coast but yeah, and it was like I was just determined to make that work. So, yeah, good for you. I mean wow. And so let's talk a little bit about casting and your love for casting and you said in your bio connection beats perfection every time. I'd love to hear you elaborate on that in terms of, you know, casting either a voice talent or just any kind of talent.  11:58 - Kelly (Guest) Honestly, that is kind of my theory in life. You know, I mean it's in voiceover, it is just in life. You know, it's one of those things where so often I feel like we all strive for some sort of level of perfection. I'm guilty.  12:13 - Anne (Host) Yeah.  12:13 - Speaker 2 (Announcement) Oh, me too.  12:14 - Kelly (Guest) Me too, and it's something that we set for ourselves. You know, it's like we set this bar for ourselves. Nobody else is telling us what perfect means, you know. So it's like we're putting these things on ourselves. And you know, it is one of those things where I always say 70% perfect is perfect. It does not have to be perfect. You know, done is better than perfect. Connection over perfection is my way of saying. I would much rather hear you connected to the script and connected, having a point of view, having an intention having an audience.  12:56 All of that versus every word being perfectly articulate. A few weeks ago I actually just I cast somebody in in a in a. It was a commercial and she actually slurred a word. Most people wouldn't even submit that audition, right, it's like Ooh, I got to clean that up. No, it was one of those things where so often now I am hearing clients say we want to hear the humanness, we want to hear the imperfections, we want to hear the flaws. So it's not about being perfect. They'll make you perfect in the session If you want to book the job. It is more about having that connection and that's something that we can hear in those first three to five seconds that we listen to.  13:30 - Anne (Host) Oh gosh, yes, I love that and I love that you say that, because I mean I always in my, in my, in my genres that I'm that I'm kind of known for in corporate narration and e-learning everybody thinks articulation is, you know, they have to say it perfectly. I'm like, please don't, because that's super robotic and super boring and it just it's not something that that people like to listen to for any length of time, maybe for a few words. I can handle it if you do something articulately. But I'm that teacher that will say, please, I mean, don't. I mean I just need to understand you, but you know, slur it a little bit, like jam those words together.  14:06 I don't, I don't need to hear perfection at all. As a matter of fact, please don't. I just I can't, I can't listen to more than a sentence of it. And so I love that you say that as well, because I think really and you also, you know, talked about hearing that from the very beginning, like from the first words of the script you can hear it if somebody is not connected and you can hear it if they're just kind of glossing over the words or reading the words. Let's talk a little bit more about that the importance of, because in in our workshop, which I'm going to have you talk about in just a minute, I mean it's all about auditioning for your, for commercial genres, and so what is it that gets listened to? What is it that that books the gig or gets them shortlisted?  14:47 - Kelly (Guest) Yeah, it comes down to personality. It comes down to you know? Do they sound like they have an opinion? Do they sound like they're connected to the copy? Is there something else going on besides? I'm reading a commercial script. You know so. We hear so many commercials. You know we have all heard thousands and thousands of commercials that when we look at a script, we know what it's going to sound like. Yes, it's like there's a melody in our head that we play. Oh, it's such a battle then to get out of it, yeah.  15:16 But really like that's not the read, that's going to book the job right it's going to be the thing that is just uniquely you, where it's like oh wow, the final spot would never be like that, but you showed the personality, you made the choices, you had the commitment and that is what stands out. That's what books you the job. And then you get into the session and that's when they're like okay, well, let's clean this up, let's smooth this out, let's inflict, and all of a sudden it sounds exactly like you heard in your head, but you will not book the job if you give that read.  15:47 - Anne (Host) Because it's boring. Can we just? Let's just say that one more time for the bosses out there, Because I've had so many students say, but that's not what I hear and I'm like, but that's not what I'm teaching. I'm teaching you to audition and get the job first, and then whatever happens happens. I mean you don't need me as a coach to tell you what it sounds like in your head. We all hear it and I think we all innately know what that melody is and you don't need me to coach you, but you need me to coach you how to be an actor so that you can get the job. And then ultimately I love that you said it does A lot of times it will end up sounding like what we heard in our head. But to get the job you've got to show the people that are listening, or at least get their attention, because everybody else hears that same melody in their head. And if you're listening, tell us what it's like to listen to 200 auditions in a row with the same melody, with everybody just being predictable. I think it's the person that you know.  16:42 And let's talk a little bit more about point of view, because I think sometimes people don't understand what point of view means, and especially when it comes to commercial. Well, shouldn't I have a point of view, that is, of the company that I'm working for? Or how do I have my own point of view, and why does that matter? And so people would ask me that as well. Why should I have a point of view when it comes to e-learning? Why should I have a point of view when it comes to corporate? Why should I have a point of view for an explainer? Let's talk about point of view.  17:07 - Kelly (Guest) Yeah, so point of view. There's a few different parts to it. So first of all there is. You know what point of view are you coming from? Are you coming from the company point of?  17:18 - Anne (Host) view.  17:18 - Kelly (Guest) Are you the pro? Are you the expert? Do you know what you're talking about? I can tell you that you know for certain products, you have to be a certain level of expert on the product, otherwise, you know, how are we going to trust you?  17:33 - Speaker 2 (Announcement) when you're talking about.  17:34 - Kelly (Guest) You know medical or pharmaceutical, or you know something like that, where it's like we need to be able to trust you. However, there's also the other side, where it's you are the user. Did you just discover this and you're excited to share it, or have you been using it for a little bit and you want to share it with your friend or you know? So it's like you can either be the expert or you can be the real life user of the product. So usually, especially if we're sticking into the conversational zone, then you're going to want to be the user. You don't want to, even if the script says our product blah, blah, blah, or we do this, blah, blah, blah or we do this, like when it's very clearly from the brand point of view, you still need to. Your point of view should still be more personal than that.  18:16 - Anne (Host) Exactly.  18:22 - Kelly (Guest) You know the product, you love the product, but also having an opinion, you know, and it's like not just the anticipated opinion or the typical opinion, it right. It's like if there's something in the script that is like, wow, this is really cool, like then let us hear how cool you think, that is Like that's something that's going to stand out. It's going to be different when other people do. You know, it's like so many commercials they have three product features, right, and so it's like some people say, oh, we'll build each of those or give each one a little bit of a different. You know coloring or you know things like that. And it's like my thing is which is your favorite? Yeah, absolutely, tell me which one is your favorite.  19:03 - Anne (Host) That's going to stick with me more than anything else from a company standpoint, unless you're in some sort of a parody or a character dialogue right where you're going to be angry about it or you're going to be mad about it, or you're going to be crying about it or you won't like it. Right, for the most part, you have to come from that place of authority. You have to like the product, you have to believe in it, and I think that's where the shades of the point of view of you can come through. That and you can make that choice. Like I like how you said, like some people will be like OK, there's different shades of your point of view for different features, but I think as an actor, you make that choice. You make that choice about what do you think is a little bit more important than the other. Not that they're not you know, features are not important but like, maybe one you like a little bit better than the other. No-transcript, no-transcript in front of you, I think.  20:15 - Kelly (Guest) Yeah, yeah.  20:16 - Anne (Host) Point of view, I think is so, so important, and especially coming in with a point of view in the first few words or the first line. And so let me ask you, out of so many auditions that you would get, how often do you listen to the entire audition, do you? I mean, can you just yeah, like you know right?  20:34 - Kelly (Guest) away, I know. So everybody gets about three to five seconds, you know, and that is also why I say like lead, lead with your riskier, take your bolder take the one with the personality, because you only get three to five seconds. You know, on any given project, I have usually between 400 and 1200 auditions.  20:53 - Anne (Host) Wow, that's a lot it gets crazy.  20:56 - Kelly (Guest) Yeah, yeah. So it's like I can't give people more than three to five seconds. So then from there I'm sorting all of the auditions. Once I narrow it down, then I will look at the people that I, you know, passed on to the second round, and usually by that point I have like 100 left, maybe 150.  21:13 - Anne (Host) Wow, and then I will listen to. I'm just thinking. I'm taking the lower number right 400 auditions and you give them five seconds a piece. How long is that I mean? How long does it take you to? You know what I mean? Is it a day? What does that break down to? Hours?  21:27 - Kelly (Guest) Start to finish in a project like that, I mean I can. There are some projects I mean on the lower end. It's like I can knock them out in a couple hours. Yeah, yeah yeah, so that's a lot to listen to in a couple hours.  21:38 - Anne (Host) Yes, so that's why leading with the riskier one, leading with the one that is even. Sometimes I'll even say it's got to be a different melody.  21:52 - Kelly (Guest) But I don't want you to think about it as a melody, right? Think about it as a different point of view that drives the fact that it sounds different. Yeah, yeah, you emphasize a different word because you have a different intention on that take, or you know, yeah, things like that and I love that.  21:59 - Anne (Host) you said like I. Actually, you said that there was a slur on somebody that you cast. And the funny thing is is I have a favorite corporate corporate video that I play when I speak at places and I talk about corporate and how it really is storytelling. And one of my favorite corporate videos is voiced by an artist that has a rasp and a lisp and she slurs her words a little bit and it's the most beautiful take because her point of view is nuanced and it actually brings you along this journey throughout this two minute, this two minute video, and you don't even have to watch the this two minute, this two minute video. And you don't even have to watch the video, you can just listen to it.  22:38 It's so nuanced that I thought to myself gosh, I usually will give somebody the script and I'll say well, this, this is super easy to just say conversationally, right, but she had so many different notes of so many different points of view that she just really told the story and I think that that is the most important thing. And when it comes to commercials, let's talk about stories in commercials. Are you a believer that every commercial has a story to tell?  23:07 - Kelly (Guest) Yeah, yeah, you know it's one of those things where it's like there is the commercials happening because there is something either new or improved right, so it's like there's always a problem and solution. And so, you know, the problem is because things are happening to real people, so it really is figuring out the story and that's why, you know, having that point of view, but also an intention you know, your intention is obviously not to sell, right? I mean, of course it is, it's a commercial.  23:36 - Anne (Host) But I have to sound like you're selling.  23:37 - Kelly (Guest) Exactly, exactly. You're either getting them excited or you're reassuring them, or you're informing someone, or you know there's so many different things that you can play that are not to sell. But yeah, it's absolutely telling that story. You know, even even in the short scripts, you know there's still something behind that.  23:55 And part of your job as an actor is what is that? What is that pre life? You know, it's like I always say a commercial should be thought of like a slice of life. It is mid conversation. Something is happening before this that prompted you to say this to somebody. Something is going to happen after this.  24:12 - Anne (Host) And there's pre life, I think, for every genre. Somebody, something is going to happen after this. And there's pre-life, I think, for every genre for every script really Absolutely.  24:17 And I think there's pre-life also which I try to teach, because if I'm doing longer format narration, you can't forget about life in the middle of the script or life three quarters of the way through the script, because a lot of times people will just slip back into that kind of melody and it's really hard to keep someone engaged. I mean, you think it's hard to keep someone engaged for 60 seconds, right? I mean, try to keep them engaged for a couple of minutes and that is. I think that the pre-life can happen before many sentences in that script and I think that it's important to consider that as you go through the script, that it's important to consider that as you go through the script. So what would you say is the biggest mistake that voice actors make in their auditions?  25:07 - Kelly (Guest) Either just is an immediate dismissal or sometimes angers you. So two things come to mind. First thing is labeling following the instructions. First thing is labeling following the instructions. Like it sounds so basic, but out of 400 auditions I'll usually have at least 20 or 30 who aren't even labeled correctly. So I don't even give, I don't even give them five seconds, they just instantly are like nope, I'm done. They couldn't follow instructions. So that's number one.  25:30 - Anne (Host) Isn't that funny. That's your number one.  25:31 - Kelly (Guest) I know, I know.  25:34 - Anne (Host) Yeah, follow instructions. I'm like that too. I'm like my God, if you can't even name it right, yeah, yeah, because that's. I feel like I will take that as a personal insult to my time, because I literally, if I can't 400, you said 400 to a thousand. Yeah, oh, my goodness, I can't imagine, like, handling a thousand files and if they're not named correctly, right, and you can't like organ. I mean, it's so, organization is so important when it comes to, you know, figuring out who am I, you know, who do I like? Here's my shortlist, here's, you know, who are you going to recommend? And I think, yeah, file naming is so, so darn important, and I don't understand why it's so difficult sometimes that's how I am too.  26:17 - Kelly (Guest) I'm like oh, I try to keep it so simple in our instructions.  26:20 - Anne (Host) you know and you know but okay, so file naming is one, what's another, what's another?  26:25 - Kelly (Guest) The other one is trying to be who you think we want you to be, giving us the read that you think is the right read or the read that we want, I will tell you that we don't know what we want. The client doesn't know what they want. It's like they might have an idea, but sometimes they hear something different and they're like oh, that's brilliant, and so don't try to be what you think we want you to be. You have to be yourself, because what we want is you as you are you?  26:57 - Anne (Host) know authentic unapologetically, you and I think sometimes would you say that the creative process is not complete yet. A lot of times we think we're the last, we're the last to be hired. And so I feel sometimes when people are like, well, I didn't expect that, you know, I auditioned for that and I did not expect that one to book the job, when I feel like, even if the casting specs, if it's something completely different than the casting specs, so would you say that if somebody writes the casting specs nine times out of 10, does it turn out to be different than what they're looking for?  27:28 - Kelly (Guest) or yeah, or some variation of it, because you know, you've seen the specs where they're like, oh, we want it really like mellow and laid back, but it has to have high energy and be upbeat. And it's like, you know, the specs contradict each other and so it's like, well then, what do they want? Typically, that's because there are multiple people in these meetings and it's like, oh okay, one person wants it laid back and mellow, another wants it upbeat, with high energy, and so those get kind of mushed into one. So that's kind of you know, you don't know what they want, because there are six people deciding and they all want different things.  28:05 - Anne (Host) Ah, yeah, right, so it's not always just one person that's deciding. And let's talk about the copywriting, because there's a lot of times when the copywriting doesn't match what the specs really want, like, they'll say, conversational, but yet the writing will be very silly. And so what? What is your best advice for voice actors in that case?  28:27 - Kelly (Guest) Yeah, so a couple of things. First of all, I always recommend recording a couple of takes before you even look at the specs. You know. So it's like you do whatever, whatever your instinct is, and then look at the specs and see you know how that changes. That might be a different take, it might be you scrap all the other stuff you know all together.  28:48 But it is tricky when it is written as an announcer script introducing the all new blah, blah, blah, you know, and it's like, oh, but we want it conversational, super casual you know. So it is a matter of you know. I always say subtext first of all, so instead of introducing, it's like hey, check this out, or you know kind of substituting that in your mind Making sure I think the biggest thing when they're asking for conversational authentic is making sure that you are still connecting, you still have that point of view.  29:20 You still have that intention. It's really easy to lose when you have a word like introducing or something that's very selly.  29:29 So it's kind of, you know, still keeping that story, keeping all of the, the acting elements in there is key. And then if you find like, ah, I can't get out of this, it's just sounding so silly, it's sounding so announcer-y, then honestly lean into that and do a take or two like that, because then you have it out, you have it there and you're not fighting yourself. So it's a little easier, once you get that out, to then try to try to just bring it in a little bit more and personalize.  29:59 - Anne (Host) Would you, would you then recommend to maybe have that take as the second take? Yeah, like, and if you are encouraging people to do more than one take per audition, absolutely.  30:10 - Kelly (Guest) Yeah, if it's your only take to send, I wouldn't do it because they're going to be like I didn't follow directions. But absolutely, especially if you know, a lot of times we ask for two or three takes, that'd be a great second or third take, you know especially if you know it felt good as you were doing it, Then yay, and you're going to be doing a VO Boss now, because VO Peeps is now merged into VO Boss.  30:37 - Anne (Host) but you're going to be doing a VO Boss workout for commercial auditioning, so talk a little bit about what we're going to cover in that class.  30:44 - Kelly (Guest) Yeah. So one of the things going back to these three to five seconds, that is something that I want to make sure that we cover. So I am actually putting together, I'm stringing together three to five seconds of multiple auditions, 5060 auditions so you can hear what I get to hear on the casting side.  31:02 - Anne (Host) So love that.  31:03 - Kelly (Guest) Yeah, so you it. That's. That's a gem. You'll be able to hear if if people are connected or not. You'll be able to hear I love that everything that you can hear. And then I'll play the final. You know, I'll play the audition that booked it and then the final spot so that you can kind of see, you know, how things change throughout the process. But I think kind of giving you a glance into the casting side.  31:26 - Anne (Host) Yeah, I love that.  31:27 - Kelly (Guest) Will help you realize like, oh, okay, it's like I can say it a million times, but until you hear it it's not going to stick. And then you will never look at the opening sentence of your auditions the same again. You know it's going to transform how you read and what you submit.  31:44 - Anne (Host) I feel like that is probably one of the most important things is that very first sentence and I always talk about.  31:50 I talk about it in terms of like melody, in terms of singing, like if you just start with the first word and you don't have a pre-life, it all starts pretty much on the same note and I feel like that's not, that's not necessarily in starting it in the right way or starting it in the way that's going to showcase the fact that you are, have a pre-life and that you're connected and you have a story to tell and a purpose, and so that's very I'm very excited about. Wow, that's going to be really, really valuable for our listeners, so very excited about that. Bosses, I'm quite sure, by the time we air this, that we may be sold out. I'm not sure, but you can always check out vobosscom and we'll be having audit tickets as well as participants. So I'm so excited, Kelly, that you're going to be doing this and tell us a little bit about because we kind of do similar things. I mean, we have a membership, we have a community, we coach classes. Tell us a little bit about your classes and your community.  32:50 - Kelly (Guest) Yeah, yeah, absolutely so. Through VoiceCaster, we have all different levels of classes, beginning to pros. We do commercial, we have animation and video games, we have an accent class. All of those are live classes that we do. Most of themover learn at your own pace course, as well as our signature Finding your Authentic Voice course as well, and you know so. Those are both learn at your own pace kind of a thing. And then, on top of that, we also have our VoiceCaster Insiders membership, which is an online community. We do weekly workouts open to all members. We do monthly calls for any. You know q&a, all of that. We do monthly challenges where you can, you know, working on different parts of the business, performance, business mindset. You know all of that. And we do prizes at the end. And then nice.  33:53 Yeah, and then we have daily things. So we have like our Monday motivation, our take action Tuesday, wednesday wisdom, you know. So it's like we're doing things seven days a week and yeah, it's just, it's been a great community for people just to kind of have a place to go as a sounding board and you know, doing, doing the workouts and you know all of that, sure. So yeah, that's that's been a lot of fun for us, as well as the workouts and you know all of that, sure, um, so yeah, that's that's been a lot of fun for us, as well. As the members and myself, ben and katherine, are, you know, active in there every day. So yeah.  34:23 - Anne (Host) So I'm gonna ask you what people ask me. How do you do it all? I don't sleep yeah, I hear that I hear that, yeah, that's lot, that's a lot.  34:35 - Kelly (Guest) Yeah, it is, it is a lot and it's, you know, it's really prioritizing my days. You know, kind of figuring out as much as I can, because you also know like we're in a business where things change real quick and it's like hey, I need to get somebody in for a session. Hey, I need this casting done by yesterday. Hey, you know putting out fires but trying to, you know, have have my set schedule as much as possible as well.  35:00 - Anne (Host) Well, oh my gosh, it's been so, it's been so nice talking with you.  35:04 - Speaker 2 (Announcement) I really really enjoyed this conversation.  35:06 - Anne (Host) I'm very excited about our workshop that's coming up guys July 16th and check that at VeoBosscom and, I guess, leave us with your one best piece of advice for anybody new coming into this industry. What would you recommend?  35:22 - Kelly (Guest) Be you, be uniquely you. Whatever makes you you. Be that and always you know in everything that you do. I mean that's life advice, but it's also voiceover advice. You know it's like, just be yourself. You know, if you are determined, if you have the passion, if you have the love for this industry, then show up as yourself, and that is going to take you further than anything else.  35:50 - Anne (Host) Love it, love it. Thank you so much again, bosses. I'm going to give a great big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Guys, have an amazing week and we will see you next week. Thank you, Thanks.  36:08 - Speaker 2 (Announcement) Bye. Join us next week for another edition of VO Boss with your host, anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

The legendary “Voice of Cycling” Phil Liggett returns to Airey Bros Radio to deliver the ultimate preview of the 2025 Tour de France. With over 50 years of TDF coverage, Phil breaks down every key storyline—from GC showdowns to historic climbs—just days before the Grand Départ.

This is the rhythm of a voice that knows how to tell a story. Anndi Jinelle Liggett didn't set out to become a filmmaker overnight. She started in the fitting rooms of Banana Republic, sharpened her instincts in the fast-paced world of network television, and ended up at Al Roker's side—not as a spectator, but as a quiet observer of how media moves. Born in Reston, Virginia, and now rooted in Brooklyn, Anndi's journey winds through French lectures at Florida State and serendipitous subway rides in New York City. She didn't knock on Hollywood's door. She cracked it open with heart, hustle, and a sharp eye for what makes us human.In this episode of Visual Intonation, we dive into how Anndi's early storytelling, yes, including a Cat-girl with superpowers, evolved into work that's both personal and piercing. She shares how characters, not just plot, drive her creative compass, and why the best stories aren't necessarily the loudest, but the most honest. Her short 'Clementine' flips the rom-com script on its head, while 'Tender Thoughts', backed by Lena Waithe, is already drawing attention from Tribeca to Urbanworld. When Anndi writes, she's writing with—and for—people who have something to say but maybe haven't yet said it out loud.We talk about France. About solitude. About filmmaking and betting on yourself. But more than that, we talk about voice—finding it, using it, and trusting that it matters. Anndi admits that's still a work in progress. But whether she's on set or scrolling Chani Nicholas for horoscope wisdom, she's learning to take up space, ask the question, raise the idea. Not because she knows it all, but because she knows herself.So pull up a chair. Whether you're a creator, a dreamer, or just someone who once tried to relax in New York and ended up on a whole new life path, this one's for you. Anndi Jinelle Liggett reminds us that storytelling isn't about fame—it's about feeling. And when it's done right, it's unforgettable.Anndi Jinelle Liggett's Website: https://www.anndijl.com/Anndi Jinelle Liggett's Instagram: https://www.instagram.com/seranndipity/Anndi Jinelle Liggett's LinkedIn: https://www.linkedin.com/in/anndijliggettSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Bill Liggett writes fiction that blends behavioral and earth sciences in the recent cli-fi (climate fiction) literary genre. His goal is to paint a hopeful future based on solutions to global warming. He holds a BS in geology and an MA in education, both from Stanford University, and a PhD in applied social psychology from New York University. Among the many positions he has held over the years, he taught in high school and college, conducted behavioral science studies for IBM, and consulted with health care and educational organizations. Wherever he lives, he loves being outdoors. Home for him has included the West Coast, East Coast, Alaska, and now Colorado, the state of his childhood. He and his wife, Cathy, live in Niwot, Colorado.   For more information, visit his website: www.williamliggett.com Intro Music by Moby Gratis: https://mobygratis.com/ Outro Music by Dan-o-Songs: https://danosongs.com/   Host Mark Stevens www.writermarkstevens.com   Watch these interviews on YouTube (and subscribe)! https://youtube.com/playlist?list=PLBP81nfbKnDRjs-Nar9LNe20138AiPyP8&si=yl_seG5S4soyk216

Summary: Whether you're young or just young at heart, the explosion of Young Adult novels in the last decade has made an impact on the publishing industry and readers alike. Today, Holly and Devin review YA stories from their wheelhouses, showing us the breadth and depth of YA stories - they can get intense, both romantically and horrifically.  Topics Discussed: The Heart (6:23): Devin discussed I Kissed Shara Wheeler by Casey McQuinston, a YA romance following Chloe Green after her rival and prom queen Shara Wheeler kisses her and then disappears from their small Alabama community. Chloe teams up with Rory Heron and Smith Parker, who Shara also kissed, to find her. Along the way, they also realize they're finding themselves. Devin's key takeaways were:  The characters embark on a journey of self-exploration, grappling with their sexuality, ambitions, and the expectations imposed by their conservative community. McQuinston highlights the complexities of discovering and embracing one's true self, especially in a setting that demands conformity. The story explores the tension between individuality and societal pressures, especially within the confines of a rigidly conservative environment. Shara's mysterious game becomes a form of rebellion, challenging the rules and norms of their community while encouraging others to question them too. Through the unlikely alliances and shared experiences of Chloe, Rory, and Smith, the book examines the power of understanding and empathy. It underscores the importance of building authentic connections, healing fractured relationships, and finding common ground with others—even those you least expect. The Dagger (16:22): Holly discussed The Grace Year by Kim Liggett, a YA dystopian horror set in the fictional Garner County, in which a patriarchal society teaches girls they have the power to lure grown men from their beds and drive women mad with jealousy. As a result, each girl is banished from the community when they turn sixteen - they must release their magic into the wild so they can return purified and ready for marriage. Tierney James dreams of a better life, but as her own grace year draws near, she realizes that she has a lot more to fear than the brutal elements outside Garner County. Holly's key takeaways were: This story was particularly well suited for a young adult audience even though it clearly can resonate with anyone of any age. Liggett takes things that teens are dealing with, especially expectations and limitations on girls and women throughout history to today, and shows them in a new light by dialing them up to this extreme, dystopian level.  The Grace Year critiques societal systems that oppress women through fear, control, and systemic violence. The story explores how women are pitted against each other under patriarchal systems and how solidarity can emerge even in dire circumstances. The concept of "magic" is used metaphorically to explore how fear and myths are wielded as tools to control and subjugate populations. Tierney's struggle to survive physically and emotionally highlights themes of resilience and self-reliance inside of the restrictive bounds of that “magic.”  Hot On the Shelf (31:52): Devin: Single Player by Tara Tai Holly: Water Moon by Samantha Sotto Yambao What's Making Our Hearts Race (36:21): Devin: Athletic Brewing NA Beer  Holly: Conclave   Instagram: @heartsanddaggerspod Website: www.heartsanddaggerspod.com   If you like what you hear, please tell your friends and rate and review us on Apple Podcasts and Spotify so that we can find our perfect audience.

We interviewed Carroll County Sheriff Tony Liggett, who also served as an investigator into the murders of Liberty German and Abigail Williams on the jury in the Delphi murders trial. We spoke with Sheriff Liggett about his experience working on tips, running for election, and preparing for the trial.Pre-order our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sheriff Tony Liggett took the stand as witness #25 in the trial against Richard Allen.See omnystudio.com/listener for privacy information.

Listen in as Jay Karen (CEO, NGCOA) and Don Rea, PGA (Vice President, PGA of America) welcome special guests Ross Liggett, Founder and Managing Partner at Metolius Golf, and Del Ratcliffe, COO of Pinnacle Golf Properties and President of CourseRev AI to the show. Listen in as they cover all corners of AI in this episode of Golf Business LIVE – including a look at how golfers are currently engaging with AI, how owner/operators are relying on AI, and all areas in between.   Then Episode 5 of 2024 Golf Business LIVE – Tech Talks returns with special guest Mike Bremer, Sales Manager at Relay. Listen in as host Harvey Silverman dives into the world of walkie-talkie communication. Relay is an innovative platform that combines hardware, cloud software, and mobile connectivity to improve communication at facilities. With features such as real-time language translation between employees and data tracking, are you considering improving the efficiency of your radio system?

Assistant Secretary of the Army for Installations, energy and Environment; Commissioner California Energy Commission and Col. Trotter offer insights about Fort Hunter Liggett's new micro-grid.

On the release of Phil Liggett - The voice of Cycling - we chat with the man himself.

Washington D.C. Center for Military History's Brian Newman shares insights about General Hunter Liggett and his lasting legacy

The Hornet breaks up Liggett's citizenship racket. Poor immigrants have their citizenship tests taken for them by Liggett's men, so he can blackmail them afterwards. The story is complete but the themes have been shortened. --- Support this podcast: https://podcasters.spotify.com/pod/show/iloveoldtimeradio/support

In this episode of The Second Degree Podcast join Emily Merrell on an enlightening episode of the podcast where she sits down with Bryant Liggett and Erin Attaway to discuss their journey towards creating the Fertility Resort, an online community dedicated to supporting individuals navigating infertility and reproductive health challenges.Bryant opens up about her personal struggles with recurrent pregnancy loss and long-term IVF treatments, which led her to envision a space where individuals like her could find support and resources. Erin, a specialist in acupuncture and Chinese medicine, shares how her path intersected with Bryant's, leading to the creation of this innovative platform.The conversation delves into the challenges of marketing their own product, the importance of maintaining authenticity and humor, and the role of community support in the fertility journey. Bryant emphasizes the need for genuine understanding and acknowledgment from loved ones, rather than empty platitudes or unsolicited advice.Together, Bryant and Erin share insights into the unique challenges and triumphs of building the Fertility Resort, while also offering valuable advice for supporting individuals experiencing infertility.Tune in to this episode for a candid and insightful discussion on fertility, community support, and finding humor in the face of adversity.What You'll Learn:Origins of the Fertility Resort: Learn how Bryant Liggett's journey through infertility, paired with Erin Attaway's expertise in acupuncture and Chinese medicine, led to the creation of the Fertility Resort, an online community providing evidence-based support for fertility challenges.Navigating Entrepreneurship: Dive into the challenges of marketing a deeply personal project, including overcoming perfectionism and learning to delegate tasks. Discover the balance between visionary thinking and practical implementation.Supporting Friends Through Infertility: Explore the dos and don'ts of supporting loved ones facing fertility struggles. From avoiding clichés like "just relax" to offering meaningful gestures like engaging in activities together, gain insights into providing genuine support.Adding Humor to Infertility: Find out how the Fertility Resort is breaking the taboo surrounding infertility with humor-infused greeting cards. Explore the power of levity in coping with challenging situations and fostering connection within the community.Holistic Fertility Support: Erin shares her journey from studying Chinese medicine to specializing in fertility support. Discover how her personal experience with pregnancy solidified her passion for helping others navigate their fertility journeys holistically.To learn more about The Fertility Resort, visit their website www.thefertilityresort.com and follow on instagram at @thefertilityresortSign up for The Second Degree Membership! By becoming a member, we're getting more intimate than ever! Get the Membership now! Check our past episodes of The Second Degree podcast! Remember to follow us on Instagram

Join Airey Bros Radio for an exclusive interview with Phil Liggett, the legendary "Voice of Cycling." Phil shares captivating stories from his remarkable career, including his experiences with the Tour de France, overcoming personal health challenges, and his insights into the 2024 Tour de France. Discover how Phil Liggett has shaped the world of cycling commentary and get an insider's view on this year's most anticipated cycling event. Show Notes: Introduction to Phil Liggett's career and achievements Phil's personal health challenges and recovery Memorable moments and highlights from his commentary career Insights into the 2024 Tour de France: favorites, teams, and predictions Phil's thoughts on the evolution of cycling and its future.Timestamps:00:00 - Introduction00:08 - Phil's injury and health challenges01:04 - Phil's career highlights and memorable moments01:49 - Discussing the significance of the 1989 Tour de France02:00 - Phil's early exposure to cycling commentary04:10 - The excitement of the 2024 Tour de France route05:18 - Top American cyclists to watch in 202406:03 - The dynamics of team leadership in cycling08:07 - Strategic insights on the 2024 Tour de France12:46 - Comparing Tadej Pogačar to Eddy Merckx 17:02 - Memorable stories from past Tour de France events21:05 - Predictions and expectations for the 2024 Tour de France27:09 - Phil's excitement for the upcoming race37:19 - The challenges and evolution of the Tour de France47:02 - The Paul Sherwen Project and its impact54:11 - Phil's coffee preferences and daily rituals57:21 - Phil's music preferences and reading habits1:03:02 - Phil's favorite beer and a special story

Clyde has been bumped up to the 5th floor of the Griffiths Collar Factory to oversee collar stamping. There's collars to be stamped and Clyde is being given a shot at this important responsibility. I'm not going to lie - it's A LOT of collars. There's baskets and bundles and paperwork to be filled out, not to mention a bunch of GIRLS sitting around doing the stampin'!Support Obscure!Read Michael's substackFollow Michael on TwitterFollow Michael on InstagramSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's episode we spoke with Taylor Liggett, Chief Growth Officer of ID.me, which is the largest reusable ID network in the United States and may be the largest private digital ID network in the world. With over 100 million user wallets and $150 million in revenue, ID.me has figured some things out about reusable ID adoption and monetization.We talk about how reusable identity reduces the friction required to undergo a verification, and therefore expands the market. Taylor shares specific stats on conversion rates and completion times that are very interesting.We cover a bunch of tactical topics, like:The education process needed to onboard relying partiesHow the go-to-market of a reusable ID product differs from a traditional transaction-based identity verification solutionID.me's decision to prioritize web experiences over requiring a mobile walletThe business model ID.me charges its customersTaylor spoke to some of the common objections that people online and in the media tend to have with ID.me. He did a great job addressing ID.me's tie-in with government, their strategy to build consumer trust in their brand after experiencing both good and bad press, and how they're thinking about the evolution of interoperability in the space.You can learn more by visiting the ID.me website.Listen to the full episode on Apple podcasts, Spotify or find all ways to listen at trinsic.id/podcast.

Explore the music of the late Indianapolis saxophonist, band leader, and music educator Larry Liggett, including his work for the legendary Chicago label Chess Records.

Join PJ & John Liggett tonight for this weeks #Lockboss Show & Giveaway!CONNECT WITH CLK SUPPLIESWebsite: https://www.clksupplies.com/SUBSCRIBE: https://www.youtube.com/@clksupplies?sub_confirmation=1CONNECT ON SOCIALFacebook: https://www.facebook.com/clksupplies/Instagram: https://www.instagram.com/clksupplies/Here at CLK Supplies, we believe a # Lockboss is anyone who works with locks and keys. Maybe you rekey locks, install lock hardware, or help a customer who's locked out; at the end of the day, you show up and get the job done, and you should be proud of what you do.We want to celebrate the # Lockbosses in our community. Every week at 4:00 PM PST on our YouTube Live show "# Lockboss Show & Giveaway," we give away 5 free prizes to lucky individuals. Include #Lockboss in your comment on that week's videos to be automatically entered to win one of the prizes.# Lockboss Show & Giveaway:NO PURCHASE IS NECESSARY TO ENTER. Must be 18 years orolder and U.S. Resident. Void where prohibited. This promotionis in no way sponsored, endorsed, or administered by,sanctioned, or associated with YouTube, Instagram, or Facebook. The winnerannounced Every Tuesday by 11:59pm PST. For Official Rules, click the link below https://www.clksupplies.com/pages/lockboss-giveaway#locksmith #lock #key #security #locksmithlife #locksmithing #lockpicking #locksmithtools #sparekey #rekey #lockpick #clksuppliesABOUT US:Locksmithing is what PJ knows, he grew up watching his dad locksmith. PJ started his locksmith training at age 6 by learning how to cut a key! PJ, President of CLK Supplies shows locksmith tips, does locksmith training videos as a sort of locksmith school, interviews locksmiths goes over locksmith equipment, key cutting machines, and more. If you are interested in locksmithing, want to know how to use locksmith tools, or would like to learn a few new locksmith tricks you are in the right place. Welcome!

Can the justice system navigate through the turbulent waters of leaked documents and potential malpractice to deliver a fair trial in the high-profile Delphi murders case? This is the question looming over the case of Richard Allen, the man currently at the center of an unprecedented legal whirlwind, as discussed in the latest episode of the "Hidden Killers" podcast with Tony Brueski, featuring former federal prosecutor Neama Rahmani.    Last week, in a dramatic turn of events, Allen's attorneys were withdrawn from the case, leaving the accused in a solitary confined jail cell, awaiting the appointment of new counsel. The decision came after leaked documents from the defense's office raised serious concerns about the integrity of the legal proceedings. According to Rahmani, "the buck stops" with the lawyers, who are responsible for maintaining the confidentiality of evidence, especially when it is subject to a protective order or under seal.    The leak has not only jeopardized Allen's case but has also opened the door for him to file a direct claim against his former attorneys for malpractice or a civil claim. As Rahmani explains, “Richard Allen has a claim against him, and there's an actual conflict.” This conflict necessitates the appointment of new counsel, further complicating an already complex legal saga.    The Delphi murders case has been a source of intrigue and speculation for years, capturing the attention of the public and the media alike. The arrest of Richard Allen brought a new twist to the cold case, with allegations of odinism and misconduct against law enforcement officers coming to light. The recent legal developments have only added to the mystery, with Rahmani noting that “this is one of the strangest cases that we've been following here for years now.”    The timing of these developments raises additional questions. The case was about to proceed to a Franks hearing, where damaging information against Tony Liggett and members of the police force was expected to be revealed. Defense attorney Bob Motta, who was present in the courtroom during the hearing, described Liggett and his crew as looking "very foreboding," adding to the cinematic feel of the proceedings.    But the focus of the discussion on "Hidden Killers" was not solely on the theatrics of the courtroom. Rahmani highlighted the serious implications of the leaked documents, emphasizing the responsibility of lawyers and their staff to maintain the confidentiality of sensitive information. “If you're a doctor or you're a lawyer, and you have access to confidential information, it's your job to keep that information confidential,” he stated.    The complexity of the case is evident, with multiple layers of legal, ethical, and procedural issues to navigate. The question of whether new counsel is in Allen's best interest remains open, with Rahmani pointing out that while his former attorneys appeared passionate about defending his innocence, their inability to prevent the leak is a significant problem.    The "Hidden Killers" podcast shed light on the intricate details of this legal saga, leaving listeners with a deeper understanding of the challenges ahead. As the case continues to unfold, the question remains: Can the justice system overcome these hurdles to ensure a fair trial for Richard Allen, or will the Delphi murders case be forever marred by this unprecedented series of events? Only time will tell, but the eyes of the world are watching, waiting to see how this complex legal drama will play out. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

We're back with a new tasting episode! This week, host and Master Sommelier Chris Tanghe discusses blind tasting practices with MS Steven McDonald and Rachael Liggett-Draper. They explore their tasting challenges, how they have calibrated acid and tannin calls, and the ways they apply blind tasting skills in their everyday work. Steven McDonald is the executive wine director for the Pappas Bros Steakhouses in Houston and Dallas. He moved to Houston from New York City in 2011 to join the Pappas Bros team. Steven passed the Master Sommelier exam in 2018. Rachael Liggett-Draper has worked as a sommelier at The Little Nell in Aspen since 2021; previously, she worked at several restaurants and wine bars in Vail. Rachael is an Advanced Sommelier with the Court of Master Sommeliers, Americas. After their tasting conversations, Steven and Rachael taste the same red wine. Listen closely and guess along with them! We reveal the wine at the end of the episode. Thanks for listening. If you enjoy this episode, please leave us a review to support the show. Cheers!

Can the justice system navigate through the turbulent waters of leaked documents and potential malpractice to deliver a fair trial in the high-profile Delphi murders case? This is the question looming over the case of Richard Allen, the man currently at the center of an unprecedented legal whirlwind, as discussed in the latest episode of the "Hidden Killers" podcast with Tony Brueski, featuring former federal prosecutor Neama Rahmani.    Last week, in a dramatic turn of events, Allen's attorneys were withdrawn from the case, leaving the accused in a solitary confined jail cell, awaiting the appointment of new counsel. The decision came after leaked documents from the defense's office raised serious concerns about the integrity of the legal proceedings. According to Rahmani, "the buck stops" with the lawyers, who are responsible for maintaining the confidentiality of evidence, especially when it is subject to a protective order or under seal.    The leak has not only jeopardized Allen's case but has also opened the door for him to file a direct claim against his former attorneys for malpractice or a civil claim. As Rahmani explains, “Richard Allen has a claim against him, and there's an actual conflict.” This conflict necessitates the appointment of new counsel, further complicating an already complex legal saga.    The Delphi murders case has been a source of intrigue and speculation for years, capturing the attention of the public and the media alike. The arrest of Richard Allen brought a new twist to the cold case, with allegations of odinism and misconduct against law enforcement officers coming to light. The recent legal developments have only added to the mystery, with Rahmani noting that “this is one of the strangest cases that we've been following here for years now.”    The timing of these developments raises additional questions. The case was about to proceed to a Franks hearing, where damaging information against Tony Liggett and members of the police force was expected to be revealed. Defense attorney Bob Motta, who was present in the courtroom during the hearing, described Liggett and his crew as looking "very foreboding," adding to the cinematic feel of the proceedings.    But the focus of the discussion on "Hidden Killers" was not solely on the theatrics of the courtroom. Rahmani highlighted the serious implications of the leaked documents, emphasizing the responsibility of lawyers and their staff to maintain the confidentiality of sensitive information. “If you're a doctor or you're a lawyer, and you have access to confidential information, it's your job to keep that information confidential,” he stated.    The complexity of the case is evident, with multiple layers of legal, ethical, and procedural issues to navigate. The question of whether new counsel is in Allen's best interest remains open, with Rahmani pointing out that while his former attorneys appeared passionate about defending his innocence, their inability to prevent the leak is a significant problem.    The "Hidden Killers" podcast shed light on the intricate details of this legal saga, leaving listeners with a deeper understanding of the challenges ahead. As the case continues to unfold, the question remains: Can the justice system overcome these hurdles to ensure a fair trial for Richard Allen, or will the Delphi murders case be forever marred by this unprecedented series of events? Only time will tell, but the eyes of the world are watching, waiting to see how this complex legal drama will play out. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

In the most recent episode of the "Hidden Killers" podcast, hosted by Tony Brueski, Trial Consultant and Body Language Expert Susan Constantine delved deep into an ongoing criminal case. The revelations from the conversation not only touch on a specific law enforcement figure's alleged omissions and misconduct but also raise broader concerns about the existence of organized and covert "evil" in society.    The focal point of their discussion was Tony Liggett, the Carroll County Sheriff. A 136-page document submitted by Richard Allen's defense claims that Liggett either ignored critical evidence or even lied about its existence. The core sentiment echoed by Brueski and Constantine was a clear mistrust in the system, and more broadly, a quest for truth in a world plagued by deception.    Constantine noted, "There's so much deception that's going on. Reports that go missing don't go missing because they go missing. They're going missing because somebody is hiding them." The implication is clear: there are elements within our system that might be actively working against the truth. But why?    The conversation took an even darker turn when the topic shifted to 'Odinism'. While no documented cases of Odinists performing human sacrifices exist, the larger issue at hand, as presented by the hosts, is the possibility of secretive underground cults, some satanic in nature, involved in heinous acts. The debate then revolved around whether some crimes, including the Delphi murders, could be linked to such cultic practices.    Constantine shared her belief about such dark societies. "I do believe that there are these cultic practices out there... Underground clubs, satanic movements that are happening and self-sacrificing." However, despite these strong allegations, it was clear from the conversation that proving these claims is complex and evidence might be scant.    Drawing parallels with other infamous cases, including the BTK killer, the crux of the discussion revealed a chilling possibility: individuals or even groups, leading seemingly normal lives by day, might be part of dark, underground networks by night.    Brueski hauntingly reflected, "There are boogeymen out there, there's more than we think there are... We see them even institutionally... when they work together, it creates like a mega super monster boogeyman."    Yet, what might be the driving force behind such increasing depravity? According to Constantine, a lack of empathy and emotion might be fueling this rise. "The human depravity has grown so rapidly that we have become desensitized to having emotion or feeling or empathy for other people."    Her assertion raises a pressing question: are we as a society, knowingly or unknowingly, facilitating the growth of such dark networks? Perhaps more troublingly, could there be external evil forces at play, influencing individuals to commit heinous crimes without remorse?    Concluding their conversation, Constantine made a bold statement, emphasizing her belief in true evil forces at work. "There is truly an evil force that is somehow inhabited these types of people that are there being able to do the things that they've done without a sort of conscious or repercussion of it."    This insightful episode of "Hidden Killers" not only sheds light on alleged misconduct in a single case but also forces listeners to confront larger, more profound questions. As we go about our daily lives, who might be lurking in the shadows, and more importantly, are we ready to confront the realities of organized evil?    How secure is the fabric of our society when secret organizations could be operating right beneath our feet? Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

In an era where true crime dominates headlines and TV screens, the conversation between Tony Brueski, host of "Hidden Killers" and retired FBI Special Agent Robin Dreeke delves into the perplexing Delphi murder investigation. But the real question that presents itself - is the integrity of investigations at stake when authorities, in their eagerness to close a case, become too attached to a particular narrative?    The focal point of the discussed episode revolves around Tony Liggett, the Carroll County Sheriff, and the accusations he faces. Richard Allen's defense team has alleged that Sheriff Liggett misrepresented an expert opinion about potential Odinist symbols found on the bodies of Abby Williams and Libby German. The Odinist theory suggests that certain patterns or symbols were present at the murder scene that might hint at a ritualistic motive. However, Liggett's declaration, made under oath, that a Purdue University professor did not find these to be Odinist symbols, has been starkly contested.    Dreeke weighs in on the topic, reflecting on the possibility of investigative tunnel vision, "Yeah, that's definitely what people do. I'm not saying this would happen here, but, once we say something, we get verbally obligated to continue down that path, unless you are a good seasoned investigator, you can actually redirect your path when you need to."    One cannot help but draw parallels with the many TV shows where investigators, sometimes, follow leads or theories with such vigor that they end up sidelining critical evidence or opinions that don't fit their narrative. As the podcast duo pointed out, even the Purdue professor, identified as Jeffrey Turcos, who originally provided the expert opinion on the Odinist symbols, seemed to have been sidelined when his views didn't align with the investigation's theory.    The defense's argument gains traction when considering the limited evidence against Richard Allen. The only tangible link, as discussed, is an unexpended bullet allegedly from one of Allen's weapons found at the crime scene. But as Brueski comments, "That is so thin." Further clouding the situation is a jail confession Allen purportedly made to his wife, a confession the defense argues was extracted under duress.    Yet, one gaping hole remains – motive. In many murder cases, there is often a discernible reason – be it financial gain, love, jealousy, revenge, or a myriad of other motivations. But in this case, the motive is conspicuously absent. Both Brueski and Dreeke seem perplexed. Dreeke emphasizes, "You and I have talked about so many cases... with most of them, especially with murder involved, I'm looking for, Who's getting the money, who's got retribution against so and so, crime of passion or premeditation... But this one, I'm like, what is it?"    The chilling possibility proposed towards the end of their discussion is the idea that the real culprit may still be out there, while Allen remains imprisoned on what appears to be thin evidence and an investigation riddled with questions.    The Delphi murder case, as dissected in the "Hidden Killers" podcast, presents more than just a whodunit. It underscores the importance of diligence, transparency, and above all, integrity in criminal investigations. Because when the very process meant to serve justice is questioned, it becomes essential to ask – how many more 'Richard Allens' might there be, paying the price for investigations that went astray?    In the end, as the podcast hosts suggest, the real tragedy lies in the loss of two young lives. Yet, as we reflect on the numerous twists and turns in the Delphi case, another pressing question emerges: Are we any closer to understanding the true events of that fateful day, or have we been led astray by a tangled web of misdirection and conjecture? Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

In an era where true crime dominates headlines and TV screens, the conversation between Tony Brueski, host of "Hidden Killers" and retired FBI Special Agent Robin Dreeke delves into the perplexing Delphi murder investigation. But the real question that presents itself - is the integrity of investigations at stake when authorities, in their eagerness to close a case, become too attached to a particular narrative?    The focal point of the discussed episode revolves around Tony Liggett, the Carroll County Sheriff, and the accusations he faces. Richard Allen's defense team has alleged that Sheriff Liggett misrepresented an expert opinion about potential Odinist symbols found on the bodies of Abby Williams and Libby German. The Odinist theory suggests that certain patterns or symbols were present at the murder scene that might hint at a ritualistic motive. However, Liggett's declaration, made under oath, that a Purdue University professor did not find these to be Odinist symbols, has been starkly contested.    Dreeke weighs in on the topic, reflecting on the possibility of investigative tunnel vision, "Yeah, that's definitely what people do. I'm not saying this would happen here, but, once we say something, we get verbally obligated to continue down that path, unless you are a good seasoned investigator, you can actually redirect your path when you need to."    One cannot help but draw parallels with the many TV shows where investigators, sometimes, follow leads or theories with such vigor that they end up sidelining critical evidence or opinions that don't fit their narrative. As the podcast duo pointed out, even the Purdue professor, identified as Jeffrey Turcos, who originally provided the expert opinion on the Odinist symbols, seemed to have been sidelined when his views didn't align with the investigation's theory.    The defense's argument gains traction when considering the limited evidence against Richard Allen. The only tangible link, as discussed, is an unexpended bullet allegedly from one of Allen's weapons found at the crime scene. But as Brueski comments, "That is so thin." Further clouding the situation is a jail confession Allen purportedly made to his wife, a confession the defense argues was extracted under duress.    Yet, one gaping hole remains – motive. In many murder cases, there is often a discernible reason – be it financial gain, love, jealousy, revenge, or a myriad of other motivations. But in this case, the motive is conspicuously absent. Both Brueski and Dreeke seem perplexed. Dreeke emphasizes, "You and I have talked about so many cases... with most of them, especially with murder involved, I'm looking for, Who's getting the money, who's got retribution against so and so, crime of passion or premeditation... But this one, I'm like, what is it?"    The chilling possibility proposed towards the end of their discussion is the idea that the real culprit may still be out there, while Allen remains imprisoned on what appears to be thin evidence and an investigation riddled with questions.    The Delphi murder case, as dissected in the "Hidden Killers" podcast, presents more than just a whodunit. It underscores the importance of diligence, transparency, and above all, integrity in criminal investigations. Because when the very process meant to serve justice is questioned, it becomes essential to ask – how many more 'Richard Allens' might there be, paying the price for investigations that went astray?    In the end, as the podcast hosts suggest, the real tragedy lies in the loss of two young lives. Yet, as we reflect on the numerous twists and turns in the Delphi case, another pressing question emerges: Are we any closer to understanding the true events of that fateful day, or have we been led astray by a tangled web of misdirection and conjecture? Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

In the most recent episode of the "Hidden Killers" podcast, hosted by Tony Brueski, Trial Consultant and Body Language Expert Susan Constantine delved deep into an ongoing criminal case. The revelations from the conversation not only touch on a specific law enforcement figure's alleged omissions and misconduct but also raise broader concerns about the existence of organized and covert "evil" in society.    The focal point of their discussion was Tony Liggett, the Carroll County Sheriff. A 136-page document submitted by Richard Allen's defense claims that Liggett either ignored critical evidence or even lied about its existence. The core sentiment echoed by Brueski and Constantine was a clear mistrust in the system, and more broadly, a quest for truth in a world plagued by deception.    Constantine noted, "There's so much deception that's going on. Reports that go missing don't go missing because they go missing. They're going missing because somebody is hiding them." The implication is clear: there are elements within our system that might be actively working against the truth. But why?    The conversation took an even darker turn when the topic shifted to 'Odinism'. While no documented cases of Odinists performing human sacrifices exist, the larger issue at hand, as presented by the hosts, is the possibility of secretive underground cults, some satanic in nature, involved in heinous acts. The debate then revolved around whether some crimes, including the Delphi murders, could be linked to such cultic practices.    Constantine shared her belief about such dark societies. "I do believe that there are these cultic practices out there... Underground clubs, satanic movements that are happening and self-sacrificing." However, despite these strong allegations, it was clear from the conversation that proving these claims is complex and evidence might be scant.    Drawing parallels with other infamous cases, including the BTK killer, the crux of the discussion revealed a chilling possibility: individuals or even groups, leading seemingly normal lives by day, might be part of dark, underground networks by night.    Brueski hauntingly reflected, "There are boogeymen out there, there's more than we think there are... We see them even institutionally... when they work together, it creates like a mega super monster boogeyman."    Yet, what might be the driving force behind such increasing depravity? According to Constantine, a lack of empathy and emotion might be fueling this rise. "The human depravity has grown so rapidly that we have become desensitized to having emotion or feeling or empathy for other people."    Her assertion raises a pressing question: are we as a society, knowingly or unknowingly, facilitating the growth of such dark networks? Perhaps more troublingly, could there be external evil forces at play, influencing individuals to commit heinous crimes without remorse?    Concluding their conversation, Constantine made a bold statement, emphasizing her belief in true evil forces at work. "There is truly an evil force that is somehow inhabited these types of people that are there being able to do the things that they've done without a sort of conscious or repercussion of it."    This insightful episode of "Hidden Killers" not only sheds light on alleged misconduct in a single case but also forces listeners to confront larger, more profound questions. As we go about our daily lives, who might be lurking in the shadows, and more importantly, are we ready to confront the realities of organized evil?    How secure is the fabric of our society when secret organizations could be operating right beneath our feet? Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

Jacqueline is joined by Bryant Liggett, the co-founder of The Fertility Resort, an international digital platform that empowers women with the tools and resources they need to tackle the ups and downs of the infertility journey. Bryant shares her own personal story and connects listeners with the resources they deserve at The Fertility Resort.• Learn more about The Fertility Resort•  Connect with The Fertility Resort on Instagram•  Leave a review for the podcast•  Join the Motherhood Intended Community•  Follow @motherhood_intended on InstagramSupport the showLoving the podcast? Then we would love YOUR support with the continued production of this show! With the help of our audience, the podcast will be able to bring you the best content, most interesting guests, fun events, and helpful resources for women everywhere. Show some love here: https://www.buymeacoffee.com/motherhoodintended

Lake County blind broadcaster Allan Wylie and Captains director of broadcasting Cole Liggett join the podcast to discuss Allan's time in the booth. Also, Ben recaps his recent road trip through New York and Pennsylvania, and Sam breaks down the new MLB Pipeline Top 100 prospects ranking. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

By 1954 ninety-eight percent of homes had a radio set. There were still nineteen million U.S. houses that could only be reached by radio. Procter & Gamble led the way with over fourteen million dollars spent, and forty companies, including General Foods, Colgate-Palmolive, Liggett & Myers, Campbell's Soups, S.C. Johnson, and Coca-Cola spent at least one million dollars on radio advertising. However, the four national networks continued a five-year downward trend in radio ad sales. Network radio gross revenue peaked in 1948 at just under two-hundred million dollars. In 1953, it was down to one-hundred sixty million. While TV hadn't fully supplanted radio's total reach, it had decimated its prime-time audience share. On CBS-TV I Love Lucy led all shows with a rating of 58.8. It was seen in over fifteen million homes. Radio's top show, The Lux Radio Theater, was heard in just under three million. The networks reduced ad sale charges for the sixth consecutive year, hoping to offset TVs broadening market share. It didn't work. For the first time in sixteen years revenue fell. The only category to see an increase in sales was local advertising, and even that rose less than one percent. Shows canceled in the first half of 1954 included The Quiz Kids, Dr. Christian, Front Page Farrell, Bulldog Drummond, Rocky Fortune, Ozzie and Harriet, and The Six Shooter. West-coast actors, like Herb Vigran and Herb Ellis were moving into TV, but television was already going through budgetary changes. Radio's top show, People Are Funny had a rating of 8.4. Along with oncoming transistor sets, nearly thirty million cars now had radios, but there was still no system to measure this audience. The next year it was estimated that out-of-home listening added an additional forty percent to at-home audiences. People Are Funny's actual rating was closer to twelve. But these incidentals didn't matter to the industry's character actors. Network production habits were changing. More and more documentaries and news were airing from New York, more and more drama was airing from Los Angeles. That summer, NBC shifted the production of Barrie Craig to hollywood.

Phil Liggett MBE is affectionately referred to as the “Voice of Cycling”. Phil was last on The Greg Bennett Show back in episode 28, almost two years ago!   He truly is the “Voice of Cycling”. In fact, the recent documentary film of his life is called exactly that.   This year is the 50th year that he'll be working at the Tour De France - what a fantastic achievement that is. Add to that his 16 Olympic Games, and you get an understanding of why he is held in such high regard. In 2009, he was inducted into the British Cycling Hall of Fame.   Phil is currently residing with his wife Trish on a game reserve in South Africa where he helps with efforts to protect rhinos from poachers.   Timestamps 0:00 - audio snippet from Phil Liggett - The Voice of Cycling Documentary 0:53 - Introduction to show. 2:55 - Interview starts. 4:55 - When you live in a remote bush location, beware the clever baboons! 8:15 - When you work in the sport of pro cycling ... you must be prepared to work with the animals. 9:05 - The Collins Cup can be a good reason for an old-athlete's reunion. 11:03 - The dangers of staying in too many hotels can be you never remember where the loo is ... 12:49 - The world of commentating live sports has changed dramatically these past two years and Phil explains how and why it might never go back to the way it once was. 17:14 - The Voice of Cycling documentary is a journey of Phil Liggett's personal life, as well his involvement and impact within cycling. It was created by an Australian film crew and has been over 2 years in the making. However it has not been without challenges, Phil explains some of the back story. 21:01 - Phil is incredibly philanthropic and is involved in saving rhinos in South Africa and also building a Vocational School offering quality and relevant skills training programs to vulnerable girls in an area where life opportunities are limited. The Paul Sherwen Project was established to support the good that Paul was enacting in Uganda and across East Africa – empowering local people to drive progress and economic development through education, job skills, and personal training, while promoting & protecting the unique culture and environment of their communities. If you feel this powerful project resonates with you, you can donate here 27:43 - Phil managed to turn his hobby of cycling into a career ... and it all started with his first job for ₤15 (approx $25) Listen in for the clues to Phil's success in life ... his incredible work ethic. 33:37 - Phil greatest career failure was not becoming a pro cyclist ... however it led him to his career for the past 50 years ... commentating pro cycling. 43:44 - Phil describes his greatest career highlight ... The 1989 Tour de France call. Extraordinary! 51:47 - Phil's well known in broadcast circles for his attention to detail in research and preparation. This story from Phil around Eric Zabel who was celebrating his birthday within the peloton proves why Phil Liggett is so loved as a commentator. 54:10 - So where did all the Phil Liggett quotes come from? Liggett-isms are a thing! "Dancing on the pedals ... The Rollercoaster of pain ... He's wearing the mask of pain ... Once again, they've stretched the elastic. ... It's rather like holding back the flood with a little finger ..." Phil explains how all these quotes (and more) came about. 57:46 - Paul Sherwen was a cherished friend and colleague in Phil Liggett's life. Paul Sherwen was an English professional racing cyclist and later a broadcaster on cycling, notably the Tour de France. He raced in seven editions of the Tour, finishing five, and gained a reputation for his ability to suffer over long mountain stages. Paul Sherwen passed on December 2, 2018. 1:05:08 - Phil names his three living people (non-family), that he'd invite to dinner. * Spoiler alert * The story Phil tells of his experience with the warden of the prison that incarcerated Nelson Mandela is fascinating. 1:14:22 - Phil gives us his exclusive predictions for the 2022 Tour de France. 01:18:08 - What's next for Phil Liggett? 01:21:41 - Interview ends.   Links Be sure and check out bennettendurance.com Find Greg on social media: Twitter Greg Bennett Show Instagram The Greg Bennett Show   Find Phil Liggett on social media: AnyQuestion - https://anyquestion.com/phil Paul Sherwen Project website: https://www.paulsherwenproject.com/ Twitter: https://twitter.com/PhilLiggett

LTG Hunter Liggett took command of the American Expeditionary Force's 1st Army in October of 1918. He had his work cut out for him–1st Army desperately needed reorganizing, refitting, and retraining.    Robert J. Laplander and I collaborated on creating an audiobook version of his book “Finding the Lost Battalion: Beyond the Rumors, Myths and Legends of America's Famous WW1 Epic” and here it finally is.    The audio version of “Finding the Lost Battalion” comes to you in podcast form, ready to download and provide nearly 36 hours of the retelling of America's WW1 epic of devastating modern battle and indomitable bravery under horrific conditions.    Purchase here for $25 USD:   https://battlesofthefirstworldwar.supportingcast.fm/   Also available through Spotify:   https://open.spotify.com/show/0qcRm8x3W7gpbFjOk78Z6L   The BFWWP is on Patreon: https://www.patreon.com/BattlesoftheFirstWorldWarPodcast.    Any questions, comments or concerns please contact me through the website, www.firstworldwarpodcast.com. Follow us on Twitter at @WW1podcast, the Battles of the First World War Podcast page on FaceBook, and on Instagram at @WW1battlecast. Not into social media? Email me directly at verdunpodcast@gmail.com. Please consider reviewing the Battles of the First World War Podcast on iTunes.