Podcasts about i was looking

A Fei Tian College student learns to face hardship with joy. This and other stories from the Minghui website Experience sharing articles on the Minghui website: 1. Hardships and Joys Experienced on the Cultivation Path 2. “I Was Looking for Falun Dafa”

I Was Looking a Long Whileby Walt Whitman (1819-1892)I was looking a long while for a clue to the history of the past for myself, and for these chants - and now I have found it;It is not in those paged fables in the libraries, (them I neither accept nor reject;)It is no more in the legends than in all else;It is in the present - it is this earth to-day;It is in Democracy - (the purport and aim of all the past;)It is the life of one man or one woman to-day - the average man of to-day;It is in languages, social customs, literatures, arts;It is in the broad show of artificial things, ships, machinery, politics, creeds, modern improvements, and the interchange of nations,All for the average man of to-day. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit iwillreadtoyou.substack.com/subscribe

Skid Marks The Spot. I Was Looking for Tractors and Saw Someone Getting Plowed. Smell my sardine fingers. Scott Does Math. Red Robins in Cardinal Directions. No offense to any Jeffs. Racist, but Good Racist. Mickey Mouse is Not a Smurf. I Don't Trust Jeff's Bulgarian Restaurant! Mummifried. There's A Machete In The Other Wall. A Gangly Weirdo. Do You Want to be After Kanye? Bill And The Circle Of Props. Boring Uber Drivers and Earning 1 Star Reviews with Bobby and more on this episode of The Morning Stream.

Skid Marks The Spot. I Was Looking for Tractors and Saw Someone Getting Plowed. Smell my sardine fingers. Scott Does Math. Red Robins in Cardinal Directions. No offense to any Jeffs. Racist, but Good Racist. Mickey Mouse is Not a Smurf. I Don't Trust Jeff's Bulgarian Restaurant! Mummifried. There's A Machete In The Other Wall. A Gangly Weirdo. Do You Want to be After Kanye? Bill And The Circle Of Props. Boring Uber Drivers and Earning 1 Star Reviews with Bobby and more on this episode of The Morning Stream.

I Was Looking for a Purpose in Life, I Found Islam

1 - I Was Looking a Long While - Walt Whitman, recited by Ralph Bellamy - 19442 - The Century of the Common Man - Sir Lancelot – 19423 - Sea-Fever - John Masefield, recited by Norman Corwin - 19404 - Granada by Isaac Albéniz - Andres Segovia – 19495 - The Good Little Boy - Edgar Guest - 19236 - Who Wants a Bad Little Boy - Al Jolson– 19247 - Bankers Are Just Like Anybody Else, Except Richer - Ogden Nash - 19438 - Money - Tex Williams – 19549 - Boots - Rudyard Kipling, recited by Taylor Holmes - 191510 - Boots - Rudyard Kipling, sung by Peter Dawson – 192911 - Homesick Blues - Langston Hughes – 1950's12 - Lonesome Homesick Blues - The Carter Family with Mae Belle Carter – 194113 - The Onset - Robert Frost – 1950's14 - The Snow Is Falling - Ray Charles – 195215 - Do Not Go Gentle into That Good Night - Dylan Thomas16 - Rockin' Chair - Louis Armstrong and his Orchestra – 192917 - Cool Tombs - Carl Sandburg18 - Lonesome Graveyard - Joe Turner with Art Tatum and his Band - 194119 - Neath a Cold Gray Tomb of Stone - Charlie Monroe and his Kentucky Pardners 20 - Deserted - Madison Cawein, recited by Norman Corwin - 194021 - 'Round the Old Deserted Farm - Ruth Gaylor with Bunny Berigan and his Orchestra – 193822 - The Drop of a Hat - Ogden Nash - 194323 - The Girl in the Little Green Hat - George Olsen – 1933

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

On today’s date in 1994, at 4:30 a.m. Pacific Coast time, an earthquake struck Southern California. It was located some 20 miles west-northwest of Los Angeles and centered 1 mile south-southwest of Northridge. It registered 6.7 on the Richter scale and caused 44 billion dollars in damage. The event also generated a rock musical entitled “I Was Looking at the Ceiling and Then I Saw the Sky,” which premiered in Berkeley, California, the following year. This was a collaboration among the composer, John Adams, stage director, Peter Sellars, and librettist, June Jordan. Adams spent about a year working on this, his third stage work, which was billed as an “earthquake romance.” The story, told in twenty-five pop songs accompanied by an eight-piece rock band, is both a romantic comedy and a social satire centered on the lives of seven young Americans of varied ethnicities, all living in Los Angeles at the moment of the Northridge earthquake. The original production played in an extended five-month tour of Montreal, New York, Edinburgh, Helsinki, Paris, and Hamburg, and a Nonesuch compact disc recording followed, featuring performances by some rising stars of the American music theater, including Audra MacDonald.

On today’s date in 1994, at 4:30 a.m. Pacific Coast time, an earthquake struck Southern California. It was located some 20 miles west-northwest of Los Angeles and centered 1 mile south-southwest of Northridge. It registered 6.7 on the Richter scale and caused 44 billion dollars in damage. The event also generated a rock musical entitled “I Was Looking at the Ceiling and Then I Saw the Sky,” which premiered in Berkeley, California, the following year. This was a collaboration among the composer, John Adams, stage director, Peter Sellars, and librettist, June Jordan. Adams spent about a year working on this, his third stage work, which was billed as an “earthquake romance.” The story, told in twenty-five pop songs accompanied by an eight-piece rock band, is both a romantic comedy and a social satire centered on the lives of seven young Americans of varied ethnicities, all living in Los Angeles at the moment of the Northridge earthquake. The original production played in an extended five-month tour of Montreal, New York, Edinburgh, Helsinki, Paris, and Hamburg, and a Nonesuch compact disc recording followed, featuring performances by some rising stars of the American music theater, including Audra MacDonald.

Kaitlin Hopkins is an award-winning actress, director, and educator and has worked in theater, film and television for over 30 years. In 2009 she created the BFA Musical Theatre program at Texas State University, recently named one of the top 10 musical theatre programs in the nation. As an entrepreneur, she is the Co-Founder of Living Mental Wellness, which is a holistic evidence-based company that offers educational programs to enhance mental wellness for performing artists through an integrated scientific life skills model. In addition, Hopkins is the proud creator and president of Fontus Green Apple Dry Throat Lozenges, in partnership with Ocu-soft, a multi-million dollar pharmaceutical company. Fontus is the official lozenge of Hamilton the musical, and many other Broadway shows and national touring companies, and is the lozenge of choice for many performing artists including Kristin Chenoweth, Ariana Grande, Jennifer Hudson and Julie Andrews.   As an educator, she received the 2016 Presidential Award for Excellence in Teaching from Texas State University and was recognized by Broadway Dreams Foundation as an innovative voice in education, and one of the 6 top women educators in the performing arts. In 2012, in collaboration with the ProJazz Institute Hopkins created and launched the first musical theater-training program in Chile. Her recent TEDx Talk on the importance of mental wellness education for students, along with her research and curriculum-based mental wellness training program for performing artists at Texas State has garnered international attention.   As an actress her Broadway credits include: Noises Off, Anything Goes with Patti LuPone and originating the role of “Mama Who” in How The Grinch Stole Christmas. Hopkins has a half dozen cast album credits to her name and has originated multiple roles off-Broadway including: Bat Boy-the Musical for which she received a Drama Desk and Ovation award nominations, Bare: A Pop Opera, The Great American Trailer Park Musical, and Nicky Silver’s Beautiful Child. National tours include originating the roles of “Diane” in Disney’s On The Record, and “Margorie” in Dirty Dancing, and originating the role of “Tiffany” in the international tour of the John Adam opera I Was Looking at the Ceiling and Then I Saw the Sky directed by Peter Sellars.   Hopkins has appeared in over 50 television shows including Star Trek- Deep Space Nine, Star Trek Voyager, JAG, Law and Order, Law and Order SVU, Law and Order CI, Rescue Me, Spin City and three years on Another World as Dr. Kelsey Harrison. She has appeared in 11 feature films including The Nanny Diaries, Confessions of a Shopaholic, Crocodile Dundee in Los Angeles and How To Kill Your Neighbor’s Dog with Kenneth Branagh.   As a director, writer, producer her production of The World According to Snoopy, which made its world premiere at Texas State, and its regional premiers at Theatre Under The Stars, and Theatre Aspen, has been licensed by Tams Witmark . Other producing credits include producing radio plays and musicals for LA Theatre Works-The Plays the Thing Series and for The Pet Shop (Animal Planet Network) hosted by comedian Andy Kindler. As a director, favorite credits include: The Boch and Harnick Revue To Life!, which she co-conceived with Tony award winner Robert L. Freedman, The Two Orphans by Theresa Rebeck, and Collision Course by Jim Price (The Lark Play Development Center, NY). She is a member of the Playwright and Director's Workshop at The Actors Studio in New York. Kaitlin’s directing credits at Texas State University include: The Hunchback of Notre Dame, RENT, Anything Goes, Urinetown, Hair, All Shook Up, Oklahoma!, The Wild Party, A Little Princess (world premiere), and Bat Boy-The Musical. Her productions at Texas State have been recognized with numerous awards by the Austin Critics' Table Awards.   In this episode, NYC-based actress and host Maggie Bera chats with Kaitlin about how COVID-19 will impact the future of college auditions.    To join the Actor Aesthetic Alliance Facebook group, click here.   Spread love and don't forget to rate, review and subscribe to the Actor Aesthetic Podcast on iTunes, Google, Stitcher, or your favorite podcast app.   Visit actoraesthetic.com for more info.   Follow Maggie Bera on social media Instagram: @actoraesthetic Facebook: www.facebook.com/ActorAesthetic/ Email: maggie@actoraesthetic.com

Mezzo-soprano Wallis Giunta is a multi-faceted artist with a variety of interests, a great take on mindful practice, and a truly wonderful personality.  In our conversation, we discuss, among other things, the importance of making choices that will allow you to thrive, how she prepares for a role, and how she uses mental practice to learn and memorize music at a deeper level. We elaborate on: Her journey from Ottawa, Ontario (Canada) to Toronto, New York, and, more recently Leipzig as a member of Oper Leipzig Her experience as a young girl in the Ottawa Youth Choir, and the importance it had in her becoming a professional singer Her experience at the Glenn Gould School and the Canadian Opera Company and the various opportunities she found there How making choices that fit her well were very important in her development and allowed her to thrive Her life as a member of Oper Leipzig Her fun, mindful way of curating a recital program that is meaningful to her How she prepares for a role How she went from a more repetitive form of working on songs to a more mindful and mental approach to practicing as she evolved as an artist o   Translate the text and understand the meaning o   Listen to various recordings and interpretations o   Break it down o   Memorize it How practicing mentally first thing in the morning and last thing before bed is tremendously effective for her and helps her cement the repertoire to memory How she has developed the skill to learn repertoire mentally, now that that is in a place where she feels confident about her technique How singers practice difficult passages How she brings operatic characters to life     ALL ABOUT WALLIS: Wallis Giunta's website Wallis' YouTube channel Wallis' Facebook page Wallis on Instagram The Complete Sherlock Holmes (Knickerbocker Classics) The Complete Sherlock Holmes (2 Volumes)   Irish-Canadian mezzo, Wallis Giunta, has been named “Young Singer of the Year” in the 2018 International Opera Awards, and was named both “Young Artist of the Year” by The Arts Desk and “Breakthrough Artist in UK Opera” in the What's On Stage Opera Awards for her work in 2017. She has been praised by OPERA NEWS for her “delectably rich, silver-toned mezzo-soprano, with a beautiful sense of line and effortless, rapid runs”, with her performance as Mozart's Sesto for the Canadian Opera Company celebrated as “a triumph…remarkable in its combination of intelligence and beauty”. Her 2018/19 season includes debuts with the BBC Proms Festival in a program celebrating Leonard Bernstein, with the Grange Festival as Cherubino at The Barbican, London, with the MDR Sinfonieorchester as Haydn's Berenice, and with the Royal Opera House Muscat in La Traviata. She also debuts the title roles in Carmen and Der Rosenkavalier, along with Rossini's Rosina for Oper Leipzig, and Idamante for Toronto's Opera Atelier. She began the 2017/18 season with two role debuts for Opera North, the title role in Ravel's L'enfant et les sortiléges, and Dinah in Bernstein's Trouble in Tahiti, both to great critical acclaim. She returned to Oper Leipzig, where she has been an ensemble member since 2015/16, for her house roles of Angelina, Cherubino, Rossweise & Wellgunde, and debuted Prince Orlofsky in Die Fledermaus and Der Gymnasiast in a new production of Berg's Lulu. She also returned to the Munich Radio Orchestra, Toronto's Koerner Hall and the Music & Beyond Festival in concert, and debuted at the Oregon Music Festival as Anna I in Weill's The Seven Deadly Sins. The 2016/17 season saw her debuts with Opera North, performing the title role in Rossini's La Cenerentola, with Teatro Communale di Bolzano as Cherubino, and with the Munich Radio Orchestra, Tokyo Metropolitan Symphony Orchestra, and Symphony Nova Scotia in concert. Wallis returned to Opera Atelier to debut the title role in Purcell's Dido & Aeneas, and to both the Toronto Symphony and the Real Orquesta Sinfónica de Sevilla for new productions of Weill's The Seven Deadly Sins. The 2015/16 season saw her make several major European debuts, including for Teatro dell'Opera di Roma (Adams' I Was Looking at the Ceiling and Then I Saw the Sky), Oper Frankfurt (Carmen), Oper Leipzig (La Cenerentola, Le Nozze di Figaro, Faust, Der Ring des Nibelungen), the Hamburg Symphony (Candide), and the Deutsche Oper am Rhein in concert. She also returned to the Edmonton Symphony for Messiah and had her first experience teaching, with a series of masterclasses for Toronto's Tapestry New Opera. Early in 2015, she returned to The Metropolitan Opera as Olga in their new production of The Merry Widow, directed by Susan Stroman. Other recent highlights include returns to the Canadian Opera Company as Dorabella in Atom Egoyan's new production of Cosí fan tutte (2014), to Opera Lyra Ottawa as Cherubino in Le Nozze di Figaro (2015), and to Opera Atelier as Bradamante in a new period-production of Alcina (2014), along with debuts at Madison Opera (2014) and the Taipei Symphony Orchestra as Annio in La Clemenza di Tito (2013). In June 2014, she recorded her first album with the RTÉ National Symphony Orchestra in Dublin (NAXOS), of a new work by American composer, William Perry. Wallis also debuted in 2014 with Toronto's 21C Music Festival in Louis Andriessen's one-woman-opera, Anaïs Nin, and brought her acclaimed recital program of Kurt Weill's The Seven Deadly Sins to Miami, New York, Toronto and Ottawa. She had a whirlwind 2012/13 season, making her Metropolitan Opera debut in Rigoletto, debuting the roles of Sesto & Annio in La Clemenza di Tito with the Canadian Opera Company, making her Paris debut with Le Théâtre du Châtelet as Tiffany in John Adams's I Was Looking at the Ceiling…, and singing Dorabella in the Met + Juilliard production of Cosí fan tutte at Lincoln Center. She also made debuts with Fort Worth Opera, L'Opéra de Montréal, the Edmonton, Seville and Nuremberg Symphonies, the Stuttgart Festivalorchester, and the National Arts Centre Orchestra. Wallis is a passionate recitalist, and has recently performed for the Aspen, Caramoor, Banff, Luminato, Music & Beyond, and Ottawa Chamber Music festivals. She is the grateful recipient of the 2016 Bernard Diamant Prize from the Canada Council for the Arts, the 2013 Novick Career Advancement Grant, the 2013 Sylva Gelber Music Foundation Career Development Award, and multiple prizes from the George London Foundation. Wallis is a 2013 graduate of both the Metropolitan Opera Lindemann Young Artist Development Program & the Juilliard School's Artist Diploma in Opera Studies, and a 2011 graduate of the Canadian Opera Company Ensemble Studio. She has also studied at The Glenn Gould School, the Ravinia Festival's Steans Music Institute, and the International Meistersinger Akademie in Germany, and continues her private studies with Edith Wiens. Wallis is also devoted to animal rights, particularly the rescue and rehabilitation of abandoned domestic rabbits. She is an active rabbit foster parent and finds opportunities to foster and volunteer at shelters as she is performing around the world. She is a volunteer and supporter at Rabbit's Rest Sanctuary & WildRescue in Denton, Texas, and works to draw attention to our societal responsibility towards domesticated animals. Please get in touch if you are interested and would also like to help!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. For added fun, join the Mind Over Finger Tribe on Facebook where you will find a community of mindful musicians!   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/     (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast.  Thank you for your support.)

If you are continually frustrated with something in your life, the answer may not be to try harder. You might have to look at it in a different way altogether. Video Audio The post I Was Looking on the Floor… appeared first on Journey of Life Church.

Recalling "The Jesus Movement" A Love Song to Jesus! Jangling 60's Rickenbacher guitars(ala The Byrds), nice 60's E Bass, Solid Backbeat on the Drums, Tamborines, catchy melody. To all those who met Jesus in the "Jesus People Movement" we pray this video will kindle a fresh renewal of your First Love for Jesus! The Jesus Movement (Youth Revival in the early 70's) was a form of pure Christianity reminiscent of the Early Church. For those of you who were born again during the Jesus Movement, you know that it was a time of First Love, of purity of devotion to the Lord Jesus, and a level of fellowship and love that does not exist in the "Megachurches" so prevalent today. Aren't you so thankful that Jesus doesn't ever want us to lose that first love for Him! The music that was created in the Jesus Movement, in our opinion, is unparalleled in purity, fervency, and commitment to the person of the Lord Jesus.This original worship song itself has a bit of a 60s/70's feel.We pray that it is a blessing to you Lyrics below.blessings,Shiloh Worship Music www.shilohworshipmusic.comLove Never-Ending© 2012 Shiloh Worship MusicI Was Born In a TimeWhen The Times There Were A-Changin'I Was Blowing In the WindWith No Direction Home!Chorus I Was Looking for a Love Never-EndingYou Came to Me--JesusYou Brought Me into Your Heart!I Was Born in a TimeWhen Peace Was All We WantedI Was Searching for The PeaceThat Passes All Understanding!I Was Born in a TimeWhen Love Was Flowers in My HairThen I Took the TimeTo Look Right in Your Heart--Lord!© 2012 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted- www.shilohworshipmusic.comCome and check out our YouTube channel www.youtube.com/user/ShilohWorshipGroup.  Free Christian Worship Music on the iTunes StorePlease check out our free Christian Worship Music on the iTunes Store. We offer 4 free Podcasts that contain our original worship music. Below are the links- if you like them you can subscribe FREE and receive new songs in the form of podcasts as they are released.

Maker of the RiverThe Sky And the SeaYour Love Came to MeWith Love like ThatI'll Never Go BackYour Love Set Me Free!I Was Walking down the Road of LifeI Was Looking for the Way Back HomeI Was Roaming In the Wrong DirectionYour Love UnknownI Was Living in a Desert Of My Own DespairYour Love like a River Came UnawareWith a Love like ThatI'll Never Go BackFrom a Love Beyond CompareThe Love of ChristBrought Me into the LightHe Washed Away All of My SinsHis Sacrifice Gave Me New LifeAnd Freedom From within © 2013 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted www.shilohworshipmusic.com