Podcasts about Los Angeles Chamber Orchestra

In the world of arts administration, few careers can rival the breadth and impact of Deborah Rutter's. Her journey began with an early role working under the legendary Ernest Fleischmann at the Los Angeles Philharmonic and evolved into a series of leadership positions at some of the most prominent institutions in the United States. She has served as executive director of the Los Angeles Chamber Orchestra, the Seattle Symphony, the Chicago Symphony Orchestra, and, most recently, as president of the Kennedy Center. Her influence has reached far beyond the walls of any one organization, shaping the national conversation around the arts and the role of cultural institutions in American life.In Part 1 of our conversation, Deborah reflects on her lifelong connection to music, which began in the third grade when she picked up the violin. We follow her path through her youth, her studies at Stanford, and a formative year in Vienna. She shares insights from her early years at the Los Angeles Philharmonic and walks us through her progression into major leadership roles across the country. Along the way, we explore what it takes to guide large arts organizations—everything from working with music directors and guest artists to day-to-day responsibilities, strategic planning, and the ongoing challenges of funding and development.[Subscriber Content] In Part 2, we turn our focus to Deborah's time at the Kennedy Center. She discusses the complexities of overseeing high-profile initiatives like the Kennedy Center Honors, leading the institution through the challenges of the COVID-19 pandemic (during which she took a 95% pay cut), launching the REACH expansion program, and bringing hip-hop into the Center's programming. We also touch on the events of February 2025, when she was dismissed from her role by President Donald Trump, and hear her candid reflections on the future of the Kennedy Center. We close with a powerful quote that captures the heart of her life's work: “Quite simply, the artist holds a mirror to who we are as a people and nation and compels us to be better.”DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Ottorino Respighi (1879 - 1936)Antiche arie e danze per liuto Suite No. 1 I. Balletto, "Il Conte Orlando" (0:00) II. Gagliarda (2:25) III. Villanella (5:52)IV. Passo mezzo e mascherada (11:10)  ***15:16Antiche arie e danze per liuto Suite No. 2  I. Laura soave (0:00) II. Danza rustica (3:51) III. Campanae parisienses & Aria (7:32) IV. Bergamasca (12:41)  ***33:05Antiche arie e danze per liuto Suite No. 3 I. Italiana (0:00) II. Arie di corte (1:55) III. Siciliana (8:39) IV. Passacaglia (12:18) Los Angeles Chamber OrchestraSir Neville Marriner, conductor

Clayton Haslop's journey as a violinist has been nothing short of extraordinary. At just 18, he joined the Los Angeles Chamber Orchestra and rose to become its concertmaster. Over the years, he also served as concertmaster for the Los Angeles Opera Orchestra and contributed his talents to numerous iconic film scores, including Titanic, The Matrix, and many others. But Clayton's path wasn't always smooth. In his forties, he faced a daunting challenge when he was diagnosed with Focal Dystonia in his left hand. Despite years of struggle and bouts of depression, Clayton made a remarkable comeback by relearning to play the violin using only two fingers on his left hand. I'm especially honored to have this conversation with Clayton, as we were roommates in Santa Monica in the early 1980s. Although I was ten years his senior, I learned so much from him during those years. Speaking with him on this podcast is truly a privilege.In Part 1 of our conversation, we delve into what it's like to be a concertmaster for some of the top studio orchestras, the experience of working on blockbuster films like Titanic and The Matrix, and collaborating with renowned film composers, each with their unique personalities and approaches to recording sessions. We also explore Clayton's early years, including his studies with the legendary violinist Nathan Milstein, and discuss the beginnings of his career along with some key concepts from his Violin Mastery Course.In Part 2 [Subscriber Content], Clayton delves into the profound challenges he faced after being diagnosed with Focal Dystonia. Drawing inspiration from the legendary guitarist Django Reinhardt, who famously played with only two fingers on his left hand, Clayton reimagined his own technique to continue playing the violin at an exceptional level. He shares the physical and mental strategies that enabled him to overcome this seemingly insurmountable obstacle. Beyond the technical adjustments, Clayton talks about his deep musical connection with the members of an assisted living community.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features hornist, Dylan Skye Hart, studio musician for thousands of films, television episodes, video games and record albums. You can visit the show notes for this episode here. The Bob Reeves/Dylan Skye Hart mouthpiece video can be found here. About Dylan Skye Hart: You may not know Dylan Skye Hart by name, but you have heard him play horn. Proud Latino and Los Angeles native, Dylan is a busy freelance musician. Depending on the day, he can be found recording for video games, motion pictures, theme parks, or television shows.  He has recorded films with many great composers including John Williams, Hans Zimmer, John Powell, Randy Newman, Alexandre Desplat, James Newton Howard, Bruce Broughton, David Newman, and Alan Silvestri. Some movie titles on which Dylan can be heard playing principal horn include: Star Wars IX: The Rise of Skywalker, Jungle Cruise, Onward, It 2, Call of the Wild, Ready Player One, Deadpool 2, Star Wars VIII: The Last Jedi, Violent Night, and The Jungle Book. Dylan has also recorded albums and appeared on television with music legends Lady Gaga, John Legend, Michael Bublé, Sting, Stevie Wonder, Wu-Tang Clan, M83, Gladys Night, Yo-Yo Ma, Neil Young, and The Beatles. His solos can be heard on his namesake Bob Dylan's albums Shadows in the Night and Fallen Angel.  Dylan has toured with John Williams' Star Wars in Concert, Eden Espinosa of Wicked, and The Who, doubling on horn, trumpet, trombone, Wagner tuba, and mellophone. In the orchestral world, Dylan is principal horn of the Hollywood Bowl Orchestra and recently won a one-year position as associate principal horn of the Minnesota Orchestra. He also performs regularly with the Los Angeles Philharmonic, Los Angeles Chamber Orchestra, Pacific Symphony, and San Diego Symphony. Dylan is a member of the Los Angeles Horn Quartet and Modern Brass Quintet. In addition, Dylan co-produced the 75-minute film documentary entitled 1M1: Hollywood Horns of the Golden Years which recounts the history of the Los Angeles film studios told through the eyes of the legendary horn players of the golden era. In addition, he translated and published a book for musicians called In Tune: Exercises to Improve a Musician's Performance and Quality of Life. Dylan is known for making French horn music videos as seen on his YouTube Channel and specializes in giving masterclasses on a variety of topics ranging from physics and anatomy to motivation and mental health. As an alumnus of the University of Southern California, he studied with Vincent DeRosa, James Thatcher, and Richard Todd. Dylan currently teaches horn at California State University, Northridge. When not performing, Dylan, a “foodie”, enjoys cooking, playing ice hockey and soccer, golfing, and hanging out with his wife and fellow hornist Annie Bosler. Dylan is a Conn/Selmer Artist and owns several vintage Conn 8Ds and currently plays on a C-series that his friend and fellow instrument junky Noah Gladstone helped him find. He also developed a signature mouthpiece line with the help of Brett Kendall at Bob Reeves Brass.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features hornist, Steve Becknell, principal horn of the LA Opera, adjunct professor of horn at USC's Thornton School of Music, and studio musician for thousands of films, television episodes, video games and record albums. You can visit the show notes for this episode here.   About Steve Steve Becknell has had an extensive and varied career as a horn player. In 1982, he moved to Southern California to study with famed studio player Vince DeRosa at USC, but began working professionally while still in school. He has played in orchestras throughout Southern California including the Los Angeles Philharmonic, the San Diego Symphony, the Pacific Symphony, and was a member of the Los Angeles Chamber Orchestra for 8 years. He is also in demand as a chamber musician, and has performed with Santa Barbara-based Camerata Pacifica as well as the Santa Fe Chamber Music Festival and the Mainly Mozart Festival. But the bulk of Steven's time was spent recording in the Hollywood studios. To date, he has played on over 1,000 different motion pictures and numerous television series, as well as playing on the Tonight Show with Johnny Carson and the Ellen DeGeneres Show. Steve has played live for the Academy Awards, sat in the pit for Broadway shows, and has had the honor of recording with such legendary artists as Frank Sinatra, Barbra Streisand, Barry Manilow and Josh Groban. Steve has been playing principal horn with the Los Angeles Opera for over 25 years. In 2010 he performed all the offstage and pit solos of Wagner's complete Ring cycle, the first time it had ever been produced in Southern California. To date, he has played over 1,500 performances with the Los Angeles Opera. Steve is currently on the faculty at the University of Southern California.

In this episode of One Symphony, conductor Devin Patrick Hughes sits down with renowned composer Pierre Jalbert to explore Jalbert's musical journey, creative process, and the spiritual influences that shape his work. Jalbert shares intimate stories about his childhood in Vermont, his collaborations with world-class musicians, and the importance of resonance and reverberation in his compositions. He also pays tribute to his mentor, the late Larry Rachleff, and discusses his genre-bending project with the Apollo Chamber Players. Throughout the interview, Jalbert offers insights into the challenges and rewards of writing for both chamber groups and large ensembles and reveals how he strives to create music that serves the audience. Join us for a fascinating glimpse into the mind of one of today's best composers. Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert's music has been described as “immediately captures one's attention with its strong gesture and vitality” by the American Academy of Arts and Letters.  Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Fromm Foundation commission.   Jalbert's music has been performed worldwide in such venues as Carnegie Hall, Wigmore Hall, Lincoln Center, the Kennedy Center, and the Barbican.  Recent orchestral performances include those by the Boston Symphony, the National Symphony, the Houston Symphony, the Cabrillo Festival Orchestra, and the Cincinnati Symphony Orchestra.    He has served as Composer-in-Residence with the Los Angeles Chamber Orchestra, the California Symphony, and Music in the Loft in Chicago. Select chamber music commissions and performances include those of the Ying, Borromeo, Maia, Enso, Chiara, Escher, Del Sol, and Emerson String Quartets, as well as violinist Midori.  Three new CDs of his music have been recently released:  Violin Concerto, Piano Quintet and Secret Alchemy, and Piano Trio No. 2.   Jalbert is Professor of Music at Rice University's Shepherd School of Music in Houston, and he is a co-founder of Musiqa, a Houston-based new music collective.  His music is published by Schott Helicon Music Corporation, New York.   Thank you for joining us on One Symphony. Thanks to Pierre Jalbert for sharing her music and stories. You can find more info at https://www.pierrejalbert.com.   Pierre Jalbert composed all music featured in this episode, with one exception.   String Theory was performed live by the Kaleidoscope Chamber Orchestra.   Mystical and With Great Energy, from Secret Alchemy, from the album Music From Copland House performed by Curtis Macomber, Danielle Farina, Alexis Pia Gerlach and Michael Boriskin.   The first movement from From Dusk to Starry Night “The Night in Silence” on a text by Walt Whitman features Sasha Cooke and the River Oaks Chamber Orchestra.   Violin Concerto, featuring Steven Copes on violin. Performed by The Saint Paul Chamber Orchestra with Thomas Zehetmair as the conductor.    “Fiddle Dance” from L'espirit du nord. Performed by the Apollo Chamber Players.    Mozart Piano Concerto K488 in A major, first movement improvised cadenza performed by Robert Levin with the Cluj-Nacopa Philharmonic in Romania with Nicole Moldovenau as the conductor.    “Chanson de Lisette” from Le'spirit du nord. Performed by the Apollo Chamber Players.   “Music of air and fire” performed by the Houston Youth Symphony conducted by Michael Isadore.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Today on The Rough Draft, we're joined by Mark Watters, a six-time Emmy Award-winning composer and conductor renowned for his work in film, television, video games, global tours such as Star Wars in Concert, and major events like the Olympics. Mark's career spans iconic Disney classics and collaborations with artists like John Legend, Mary Jo Blige, and Beyoncé. In addition, Mark serves as the Associate Professor of Contemporary Media & Film Composition and Director of the Beal Institute for Film Music and Contemporary Media at the prestigious Eastman University in New York. Join us today as we discuss his creative process, how to embrace technology while guarding authenticity, and the deeply emotional resonance of music across all content mediums. Guest BioMark Watters is a six-time Emmy Award winning composer and conductor whose diverse career spans over 400 television episodes, feature films, DVDs, video games, concert works and music for the theater. He holds the distinct honor of having served as music director and featured composer for two Olympics. First, in 1996 for the Centennial Olympic Games in Atlanta and again in 2002 for the Salt Lake City Winter Olympics. For the '96 games, Mark composed the Emmy nominated song, "Faster, Higher, Stronger." Performed by opera legend, Jessye Norman and featuring lyrics by Grammy-nominated lyricist, Lorraine Feather, the song was the triumphant finale to the Opening Ceremonies. He has served as guest conductor for such orchestras as The Los Angeles Philharmonic, The Tokyo Philharmonic, The London Symphony, The Los Angeles Chamber Orchestra, The Detroit Symphony, The New York City Pops, The Baltimore Symphony and The Atlanta Symphony. In 2002, film score legend John Williams asked Mark to co-conduct the 74th Academy Awards. He has worked with such artists as Beyonce, Sting, Carrie Underwood, John Legend, Mary J. Blige, Trisha Yearwood, Yo Yo Ma and Broadway star, Brian Stokes Mitchell.In addition to his composing and conducting career, Mark is an associate professor at the famed Eastman School of Music where he heads the Media Composition curriculum and is the director of the Beal Institute for Film Music and Contemporary Media.Additional Resourcesmarkwatters.comesm.rochester.edu/directory/watters-mark/Rate & SubscribeBe sure to subscribe to Rev's YouTube Channel in order to stay up to date with the latest episodes and to watch our video production of The Rough Draft.Follow Rev and The Rough Draft on Instagram, LinkedIn, and XThe Rough Draft is produced by Rev, and releases a new episode every two weeks on Thursday. Subscribe now to stay up to date with the newest episodes, and be sure to check out rev.com/podcast for more content.

Ottorino Respighi (1879 - 1936) Antiche arie e danze per liuto Suite n. 1 I. Balletto, "Il Conte Orlando"  II. Gagliarda  III. Villanella IV. Passo mezzo e mascherada   ***15:16Antiche arie e danze per liuto Suite n. 2  I. Laura soave II. Danza rustica III. Campanae parisienses & AriaIV. Bergamasca ***33:05Antiche arie e danze per liuto Suite n. 3 I. Italiana II. Arie di corte III. Siciliana IV. Passacaglia Orchestra da camera di Los Angeles Sir Neville Marriner, direttoreMore info: https://www.flaminioonline.it/Guide/Respighi/Respighi-Danzeliutoprima.htmlhttps://it.wikipedia.org/wiki/Antiche_arie_e_danze_per_liuto_(seconda_suite)https://www.flaminioonline.it/Guide/Respighi/Respighi-Danzeliutoterza.html

  This episode of The Other Side of the Bell, featuring trumpeter and composer Anthony Plog, is brought to you by Bob Reeves Brass. Come visit John and the Bob Reeves crew at the National Trumpet Competition, March 8-11th! Anthony Plog has had a rich and varied international career in music—as a composer of operas, symphonic music, and chamber works; as an orchestral musician, soloist, and recording artist; and as a brass teacher and coach at some of the great music conservatories internationally and now online to students around the world. Composer The music of Anthony Plog has been performed in over 30 countries, and he has been the recipient of numerous grants and commissions. After beginning his career writing extensively for brass, he now works in many different musical forms. He has composed three children's operas, the first of which (How the Trumpet Got Its Toot) was premiered by the Utah Opera and Symphony. He completed a major tragic opera (Spirits) based on a Holocaust theme and recently finished a new opera about a drone operator suffering a nervous breakdown (The Sacrifice). Other new works include an oratorio about the first major environmental battle in the United States (God's First Temples), in versions for orchestra, symphonic band, and soprano song cycle; and a cantata using the stories of women who have recovered from sex trafficking, prostitution, and drug abuse (Magdalene). Musician Anthony Plog began studying music at the age of 10, and by 19 he was playing extra trumpet with the Los Angeles Philharmonic under conductors such as Zubin Mehta, James Levine, Michael Tilson Thomas, and Claudio Abbado. He has held positions with orchestras around the world, including the Los Angeles Chamber Orchestra, the Malmo Symphony, and the Basel Symphony, and has performed on tour with the Stockholm Royal Philharmonic Orchestra and Buenos Aires Symphony. As a soloist he has toured throughout the United States, Europe, Australia, and Japan, and has numerous solo recordings to his credit. Brass Teacher and Coach Anthony Plog has taught at some of the greatest music institutions around the world, including the University of Southern California, the Music Academy of the West, and Indiana University (U.S.), as well as the Schola Cantorum (Basel, Switzerland), the Malmo Music Academy (Sweden), the Academia di Santa Cecilia (Rome, Italy), the Norwegian Music Academy, and the Freiburg Musik Hochschule (Germany). His experience teaching in a wide variety of musical cultures, in addition to his work as a composer and former player, allows him to approach teaching and coaching with a unique and fresh perspective. His Plog Program, published by Balquhidder Music, is a seven-volume method book that has been a valuable addition to trumpet methodology. His new online teaching and coaching program is creating a new paradigm for international teaching. The program allows students worldwide to study with Anthony Plog and is available to players at all levels. Besides working individually with students on every brass instrument, he coaches chamber music groups, larger brass sections and ensembles, and wind ensembles, and he guides composers in writing for brass instruments. Anthony Plog lives and works in Freiburg, Germany.

Classical music so often feels divorced from pop culture, but we don't need to dive too deep into the history books to see how much composers of the past embraced the cultural traditions of their homelands. Béla Bartók traveled across Hungary documenting folk songs, Gustav Mahler wove popular tunes into his First Symphony, and even Mozart composed background music for playing the popular card games of his day. Is it possible for today's composers to once again marry concert music with aspects of popular culture? Juan Pablo Contreras thinks so. The Mexican composer-conductor thrives on combining Western classical and Mexican folk music into a single soundscape that's all his own. And in his dazzling 2022 orchestral work Lucha Libre!, he's also incorporating one of his country's most beloved traditions: the choreographed wrestling spectacles that emerged in the 1950s, in which wrestlers act as superheroes waging battles between good and evil. Commissioned by the Los Angeles Chamber Orchestra, Lucha Libre! transforms the stage into a live wrestling match, with six of the orchestral musicians wearing the iconic luchador masks. For Contreras, the work is not only an example of his artistic mission to bring people into the concert hall with music that feels relevant and exciting, but also a way for him to pay homage to the virtuosity of classical musicians. "For me, classical musicians are like superheroes," Contreras says on the latest episode of the Classical Post podcast. "They do something almost impossible with their instrument. They are very gifted, and they have to do things in collaboration with other musicians so the magic happens. The same thing happens in lucha libre — everything is choreographed, so even if the teams are rivals, they have to work together to give the people a good spectacle." In this episode, recorded just before the work's LA premiere, we talk more about the genesis of the piece, how Contreras collaborated with local communities to shape the work, and how he hopes Lucha Libre! inspires people to consider their own superhero persona. Plus, he shares how film and architecture inspire his creativity, the importance of daily meditation, and his favorite West Hollywood spot for Peruvian paella. Stream Lucha Libre!, performed by the Orquestra Latino Mexicana — a group Contreras founded in his hometown of Guadalajara — on Spotify, Apple Music, YouTube Music, or wherever you listen to music. — Classical Post® **is created and produced by Gold Sound Media® LLC, a New York-based marketing agency for the performing arts industry. Explore how we can grow your audience to make a lasting impact in your community.

Conductor John DeMain is noted for his dynamic performances on concert and opera stages throughout the world. In January 2023, he received a Lifetime Achievement Award from the National Opera Association, the association's highest award. During his three decades as the Madison Symphony Orchestra music director, John has consistently raised the quality of the orchestra by introducing blind auditions and continuously expanding the repertoire to encompass ever more challenging and virtuosic works. His active conducting schedule has taken him to the stages of the National Symphony, St. Paul Chamber Orchestra, the symphonies of Seattle, St. Louis, Pittsburgh, Detroit, Columbus, Houston, San Antonio, Long Beach, and Jacksonville, along with the Pacific Symphony, Boston Pops, Aspen Chamber Orchestra, Los Angeles Chamber Orchestra, London Sinfonietta, Orchestra of Seville, the Leipzig MDR Sinfonieorchester, and Mexico's Orquesta Sinfónica Nacional. In 2019, he conducted the world premiere of Tazewell Thompson's Blue at the Glimmerglass Festival to critical acclaim.  He “drew a vibrant performance from an orchestra of nearly 50 players; the cast was superb,” said The New York Times.

In this episode, violinist Moni Simeonov shares how he integrates daily health and wellness practices into his life as a professional violinist. Additionally, we discuss how to find balance, practice techniques and strategies, inner development and reflection, the importance of practicing self-doubt as much as we practice absolute self-expression free of critical thought, and so much more. This episode is a beautiful example of a professional musician actively approaching health and wellness from a three-dimensional and holistic perspective.  Moni Bio: A native of Bulgaria, Moni Simeonov began playing the violin at age 5, and ten years later, came to the United States on a full scholarship to the Idyllwild Arts Academy. He performs with the Los Angeles Philharmonic, Los Angeles Chamber Orchestra and Opera, Ensemble San Francisco, and until recently, was the Concertmaster for the Sacramento Philharmonic. He has also served as a guest concertmaster with Reno Philharmonic, Louisiana Philharmonic and the Pacific Symphony. His doctoral studies included minor fields in Viola Performance, Schenkerian Analysis, Japanese Language, as well as an emphasis on the interpretation of the Balkan folk music. On tour and in Los Angeles, Mr. Simeonov dedicates considerable time and energy to community engagement work and to musical activities and presentations for young people. Moni has performed and coached alongside Midori for her Orchestra Residencies Program American and International tours. Until 2014, he served as a director for the program. Outreach activities have taken him to places as diverse as homeless shelters in Peru and at-risk centers in Tennessee, to Syrian refugee camps in Lebanon, and hospitals for the terminally ill in Sri Lanka. Moni's summer teaching includes engagements with the Interlochen Summer Festival, the Singapore Violin Festival, and the Atlantic Music Festival. Moni is also the founder of Bulgaria's first chamber music academy – “Quartet Intensive” in Sofia. Moni has concertized and taught around the United States, South America, Europe, Asia, and the Middle East. His recordings have been archived by PBS, NPR, KUSC, Bulgarian National Radio and TV, as well as Japanese Broadcasting Company – NHK. Moni received his BM and PC from the Eastman School of Music under Zvi Zeitlin, his MM and AD from Yale University with Ani Kavafian, and his GC and DMA from USC's Thornton School of Music where he studied with Midori. Moni served as Adjunct Instructor at USC's Thornton School of Music until 2014. That year, he was appointed Director of String Studies and Violin Professor with the Bob Cole Conservatory of Music at California State University, Long Beach. Moni is also the creator of zenviolin.com. Show Notes: USC  Midori Bob Cole Conservatory of Music Colburn Mind Over Muscle -Jigoro Kano Nurtured by Love-Shin'ichi Suzuki  The Inner Game of Tennis - Timothy Gallwey  Thinking Fast and Slow - Daniel Kahneman  Atomic Habits - James Clear  Peak - Anders Ericson 

This podcast is brought to you by Bob Reeves Brass. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! David Washburn is a Yamaha Performing Artist and serves as Principal Trumpet of the Los Angeles Chamber Orchestra. A much sought-after musician in Los Angeles, he also holds the position of Associate Principal Trumpet of the LA Opera Orchestra. He has served as principal trumpet and soloist with the Hong Kong Philharmonic Orchestra. Active in the recording studio, David has numerous motion picture soundtracks to his credit. He has played principal trumpet for Incredibles 2, Coco, A Quiet Place, Spider-Man Homecoming, War for the Planet of the Apes, xXx: Return of Xander Cage, 10 Cloverfield Lane, Independence Day – Resurgence, Godzilla, The Amazing Spider-Man, The Karate Kid, Avatar, The Legend of Zorro, Troy, A Beautiful Mind, Windtalkers, The Perfect Storm, Titanic and Deep Impact. He has also been part of the John Williams trumpet section for over 20 years and has performed on the soundtracks of Star Wars: The Force Awakens and Star Wars: The Last Jedi. David is a member of the faculty at Biola University and Azusa Pacific University. He has held teaching positions at the University of California Irvine, Chapman University, California State University Northridge, California State University Long Beach, University of Redlands, Idyllwild Arts Academy and the Hong Kong Academy for Performing Arts. David received his Master of Music, with distinction, from the New England Conservatory of Music in Boston and his Bachelor of Music from the Thornton Music School at the University of Southern California. His trumpet instructors have included Rob Roy McGregor, Robert Nagel, John Clyman and Joan LaRue. David has been a featured soloist with many different orchestras, including the Los Angeles, St. Louis, Knox-Galesburg, Hong Kong and California Philharmonics; the Los Angeles, San Diego and South Bay Chamber Orchestras; the Berkeley, Burbank and Glendale Symphonies; and the New York String, University of California Irvine and Pasadena Pops Orchestras. He has also been featured with the New York Chamber Music Society at Lincoln Center, as well as at the Santa Fe, La Jolla and Music@Menlo Chamber Music Festivals. In 2018, David performed the Bach Brandenburg Concerto No. 2 as well as the Telemann, Albinoni and Haydn Trumpet Concertos with the Lincoln Center Chamber Music Society, the Los Angeles Chamber Orchestra and the Knox-Galesburg Symphony. In the summer, David performs at the Orcas Island Chamber Music Festival in Orcas Island, WA; Mainly Mozart Festival in San Diego, CA; Music@Menlo Chamber Music Festival in Menlo Park, CA; and the SummerFest Chamber Music Festival in San Diego. David was also part of the inaugural Chamber Music Festival at the Green Music Center in Sonoma, CA performing Bach's Brandenburg Concerto No. 2 in 2015. Listen to this episode online: https://bobreeves.com/blog/david-washburn-trumpet-interview/

William Bing has recently retired as Director of Bands and Artist in Residence at the California Institute of Technology. During that time, he conducted over 250 concerts with the Caltech Jazz and Concert Band.    He also served on the undergraduate admissions committee and was named an outstanding teacher by the students from Caltech   Bill and his wife Delores have won many teaching awards including the Associated Students of Caltech Teaching Award, Pasadena Youth Music Council Teacher of the Year, and most recently Honorary Membership in the Caltech Alumni Association.  For ten years he was a member of the Los Angeles Opera Orchestra, and for five years he was a performer with the Los Angeles Chamber Orchestra. He has published two method books for trumpet.   Students that have studied with Bill have played with the Red Hot Chili Peppers, Green Day, Reel Big Fish, Poncho Sanchez, the Duke Ellington Orchestra, the Pacific Symphony, the Los Angeles Philharmonic and many other classical, rock, and jazz ensembles. His clinics and concerts  have received rave reviews by other band directors from junior high school through the college level.  For his clinic, Bill emphasizes sound, and from there, balance, intonation, and style.     Links Bill Bing Website Bill Bing YouTube Channel Sign Up for an Appointment with John in Boston at Virtuosity Music Gard Bags at trumpetmouthpiece.com

Marissa Benedict was born in San Francisco, California and raised in Marin County where she started playing piano at age 7, violin at age 9 and trumpet at age 10 (studying with Joe Alessi, Sr.). She continued playing all three instruments until graduating from high school and moving to Los Angeles to attend USC, earning a Bachelor of Music degree in Trumpet Performance (June 1984), studying with Boyde Hood. Marissa is the Assistant Professor of Trumpet at the University of Minnesota, Twin Cities. Before leaving for Minnesota she was a freelance trumpet player in Los Angeles for 34 years. She is currently principal trumpet for The Pasadena Symphony/Pasadena Pops and plays regularly with the Minnesota Orchestra, St. Paul Chamber Orchestra, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and Los Angeles Master Chorale. Marissa recently performed and recorded Mahler's 8th symphony in the Minnesota Orchestra's Mahler Project, played for Charles Lazarus' CD Merrier and Brighter (2022), Jack Stamp's Chamber Music Volume 1 (released July 2023), and the Los Angeles Trumpet Ensemble's Homage (release: August 2023), featuring eight of the top trumpeters in Southern California. She also toured with the L.A. Philharmonic on their “Boston to London” 2018 tour, and on 2019 tours to Asia and Scotland. She played for the 2019 Academy Awards (Oscars®) and recorded Celebrating John Williams with the L.A. Phil under the direction of Gustavo Dudamel. A very active and in-demand studio player, she can be heard on nearly 160 motion picture recordings, including Spider-Man No Way Home, Avatar 2: The Way of the Water, Lightyear, Incredibles II, Spider-Man Far from Home, Coco, Moana, Rogue One, Spider-Man, Homecoming, Indiana Jones IV, Avatar, The Polar Express, Spider-Man 2, Monsters, Inc., and War of the Worlds. Her television studio recording credits include Star Trek : Discovery, Star Trek: Enterprise, Star Trek: Voyager and Deep Space Nine, JAG, Commander in Chief and Galavant. Marissa's current trumpet studio consists of 16 trumpet students (Undergraduate, Master's degree and Doctoral of Musical Arts), ranging from Bachelor of Arts, Music Ed, Music Performance, double majors of Computer Science/Performance and MuEd/Performance. All of her graduated MuEd and Performance majors are currently teaching music and/or performing in the Minneapolis area. She continues to recruit and give masterclasses and special guest performances throughout the Twin Cities and across the US and remains very active in the community.

Synopsis In 1933, Aaron Copland introduced Roy Harris to Serge Koussevitzky, the famous conductor of the Boston Symphony in those days. Now, Koussevitzky was one of the great patrons of American music and was always looking for new American music and new American composers. Roy Harris had been described to him as an "American Mussorgsky," which probably intrigued the Russian-born conductor. When Koussevitzky learned that Harris had been born in a log cabin in Lincoln County, Oklahoma, on Abraham Lincoln's birthday, no less – well, perhaps he hoped the 41-year old Harris might produce music equally all-American in origin. "Write me a big symphony from the West," asked Koussevitzky, and Harris responded with a three-movement orchestral work titled: "Symphony, 1933," which had its premiere performance on today's date in 1934 with the Boston Symphony under Koussevitzky's direction. Koussevitzky loved it. "I think that nobody has captured in music the essence of American life -- its vitality, its greatness, its strength -- so well as Roy Harris," enthused the famous conductor, who recorded the piece at Carnegie Hall in New York just one week after its premiere. And it was Koussevitzky's Boston Symphony that would subsequently premiere Harris's Second, Third, Fifth and Sixth Symphonies as well. Music Played in Today's Program Roy Harris (1898 – 1979) Symphony 1933 (No. 1) Louisville Orchestra; Jorge Mester, conductor Albany 012 On This Day Births 1924 - American composer Warren Benson, in Detroit, Michigan; Deaths 1795 - German composer Johann Christioph Friedrich Bach, age 62, in Bückeburg 1993 - American composer and teacher Kenneth Gaburo, age 66, in Iowa City; Premieres 1732 - Handel: opera "Ezio" (Julian date: Jan.15); 1790 - Mozart: opera, "Così fan tutte," in Vienna at the Burgtheater; 1873 - Tchaikovsky: Symphony No. 2, in Moscow (Gregorian date: Feb. 7); 1882 - Borodin: String Quartet No. 2 in D, in St. Petersburg (Gregorian date: Feb. 7); 1905 - Schoenberg: symphonic poem "Pelleas und Melisande," in Vienna, with the composer conducting; 1908 - Rachmaninoff: Symphony No. 2 in St. Petersburg (Gregorian date: Feb. 8); 1911 - Richard Strauss: opera, “Der Rosenkavalier,” in Dresden at the Hofoper, conducted by Ernst von Schuch, with vocal soloists Margarethe Siems (Marschallin), Eva von der Osten (Octavian), Minnie Nast (Sophie), Karl Perron (Baron Ochs), and Karl Scheidemantel (Faninal); 1920 - Prokofiev: "Overture on Hebrew Themes," in New York by the Zimro Ensemble, with the composer at the piano; 1922 - Vaughan Williams: Symphony No. 3 "Pastoral," by the Royal Philharmonic, London, Sir Adrian Boult conducting; 1934 - Roy Harris: Symphony No. 1, by the Boston Symphony, Serge Koussevitzky conducting; 1952 - Ernst von Dohnányi: Violin Concerto No. 2, in San Antonio, Texas; 1957 - Bernstein: "Candide" Overture (concert version), by New York Philharmonic conducted by the composer; The musical "Candide" had opened at the Martin Beck Theater in New York City on December 1, 1956; 1957 - Poulenc: opera, "Les dialogues des carmélites" (The Dialogues of the Carmelites) in Milan at the Teatro alla Scala, Nino Sanzogno conducting; 1962 - Diamond: Symphony No. 7, by the Philadelphia Orchestra, Eugene Ormandy conducting; 1966 - Dominick Argento: Variations for Orchestra and Soprano (The Masque of Night"), at the St. Paul Campus Student Center of the University of Minnesota, by the Minneapolis Civic Orchestra, Thomas Nee conducting, with soprano Carolyn Bailey; A second performance took place on Jan. 27th at Coffmann Memorial Union on the Minneapolis campus of the University of Minnesota; 1967 - Frank Martin: Cello Concerto, in Basel, Switzerland; 1994 - Elisabetta Brusa: “La Triade” for large orchestra, by the Tirana (Albania) Radio and Television Orchestra, Gilberto Serembe conducting; 1994 - Christopher Rouse: Cello Concerto, by the Los Angeles Philharmonic conducted by David Zinman, with Yo-Yo Ma the soloist; 1995 - Joan Tower: "Duets for Orchestra," by the Los Angeles Chamber Orchestra, Christoph Perick conducting. Links and Resources On Roy Harris

Alex Iles is principal trombonist of the Long Beach Symphony Orchestra and has performed with the Los Angeles Philharmonic, Hollywood Bowl Orchestra and The Los Angeles Chamber Orchestra. In addition, he has toured as lead and solo jazz trombonist with Maynard Ferguson and the Woody Herman Orchestra and performs in many of the top LA based big bands and jazz groups including Bob Florence's Limited Edition, The Seth McFarlane Orchestra, The Tom Kubis Big Band, and Gordon Goodwin's Big Phat Band. Alex can often be found playing in the pit orchestras of numerous Los Angeles  productions of Broadway shows and has performed on hundreds of television and motion picture soundtracks. He has also appeared on numerous recordings with artists such as Barbra Streisand, Michael Buble, Josh Groban, John Williams, Paul McCartney, and Prince. Alex  has been a faculty trombone and jazz instructor at the California Institute of the Arts, Azusa Pacific College and California State University, Northridge. He has appeared numerous times as a featured soloist at the International Trombone Workshop and at The American Trombone Workshop in Washington DC.

This week on The Hamilton Review Podcast, Dr. Bob welcomes American conductor Troy Quinn to the show! In this conversation, Troy shares the details of his impressive musical and academic background as well as his deep love for music. Troy is the new conductor of the Santa Monica Symphony Orchestra and the city is excited to have him lead the beloved orchestra.  Don't miss this great conversation! American conductor Troy Quinn is quickly establishing himself as one of his generation's most versatile young artists. Lauded for his energetic and riveting, yet sensitive conducting, Quinn is in his sixth season as Music Director of the Owensboro Symphony Orchestra in Kentucky. He is also the Music Director of the Venice Symphony in Florida where he conducts both the classical and pops concert series. Quinn's engagements have included performances with many prestigious orchestras in the United States, including the Los Angeles Chamber Orchestra, Rochester Philharmonic Orchestra, Chamber Orchestra of Philadelphia, and the Rhode Island Philharmonic, where he serves as the Summer Pops conductor. He is also the former Music Director of the Juneau Symphony. Since making his conducting debut with the Rochester Philharmonic Orchestra in their young conductor preview, Quinn has been the recipient of numerous accolades, including awards from the Presser Foundation, Rislov Foundation, Anna Sosenko Assist Trust, and a Rhode Island Foundation grant for his contributions to the musical landscape in New England. Equally at home in the pops and commercial world, Quinn has performed and recorded with some of the most popular artists of our time, including The Rolling Stones, Barry Manilow, Lee Greenwood, Josh Groban, Jennifer Hudson, Rockapella, Michael Feinstein, and Linda Eder. As an accomplished vocalist, Quinn has also collaborated with such prominent maestros as Helmuth Rilling, Carl St. Clair, and Dan Saunders of the Metropolitan Opera. In addition to his concert work, Quinn has worked extensively in the television and recording industry, having made appearances on such hit TV shows as Fox's GLEE, NBC's The Voice, and The Tonight Show with Jay Leno while recording on films like The Call of the Wild and Indiana Jones and the Kingdom of the Crystal Skull. He has also appeared at many of the world's major music centers and at such famed venues as the Hollywood Bowl and Walt Disney Concert Hall. A native of Connecticut, Quinn pursued a bachelor of arts degree from Providence College where he was the recipient of the Leo S. Cannon award for superior achievement in the music field. He went on to earn his masters degree with honors from the Manhattan School of Music, studying conducting with David Gilbert and voice with highly acclaimed Metropolitan Opera singer Mark Oswald. He completed his doctorate in conducting at the University of Southern California's Thornton School of Music, where he studied with Larry Livingston and Jo-Michael Scheibe and was awarded the outstanding doctoral graduate of his class. Quinn has participated in numerous masterclasses as a conducting fellow, attending conducting institutes at the Royal Academy of Music, Eastman School of Music, and Bard Conservatory of Music. He has been mentored by such renowned conductors as Benjamin Zander, Neil Varon, and Leon Botstein. Quinn serves on the conducting faculty at the University of Southern California's Thornton School of Music and has previously served as a faculty member at Providence College. How to contact Troy Quinn: Troy Quinn website How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656

Playing for John Williams and Paul McCartney?   That's what Pittsburgh Symphony Orchestra guest violinist Josefina Vergara does on a regular basis living in Hollywood as a member of the Los Angeles Chamber Orchestra.  She's a frequent player with the PSO and she's joining them on this European tour.  Jim Cunningham caught up with Josefina and PSO Trumpet Neal Berntsen to talk about the tour, the type of trumpets being used on the Mahler and how this tour is making them feel like a sense of normalcy is returning.      

As a self proclaimed optimist, Giovanna Moraga Clayton has kept joy and gratitude at the forefront of her endeavors.  A freelance musician in Los Angeles, Giovanna credits her optimistic outlook as the key to her successes.   As the daughter of professional musicians,  Giovanna was destined to have a life in music.  “She's going to be a cellist!”,  an exclamation made by her father within hours of her birth set the path for her future. Born in Touca, Mexico and raised in Southern California Giovanna earned a number of accolades as a young child. Making her orchestral solo debut at the age of 14 Giovanna has continued to solo with orchestras in the United States, as well as Central America, as well as holding tenured positions with the Los Angeles Chamber Orchestra and the Hollywood Bowl Orchestra working in the Los Angeles studio scene for the last 18 years.  Giovanna has played on countless movie soundtracks, records and television shows.  In search of a more creatively challenging project. Giovanna became a founding member of the Latin Grammy nominated group, Quattro.  Touring with the group, now known as Quattrosound, has provided a new platform for her to expand her musical reach.  Giovanna has shared stages with many greats, including Yo-Yo Ma, Pinkas  Zukerman, Daniel Hope, Andrea Bocelli, Prince, Beyonce, Adele, Barbara Streisand, Ariana Grande  and many more. Giovanna lives in Los Angeles with her husband, two children and dog. What You Will Hear in This Episode:  Giovanna's personal story The impact of teachers Working as a freelance musician Gaining tenure in an orchestra A musical family Having a  creative outlet Stage presence and poise Challenges faced and overcome The power of optimism Quotes “One of the best things that we can give to our children is a space for them to have an outlet and be creative. I think that that would actually solve a lot of our issues as a society.” “Children emulate what they see. If you decide to become a parent, you have to keep that in mind. You are the example. “ “If I have a moment to really think about what's in my soul and my spirit, then I'm motivated to create something of it.” “My big mission in life, through music or through whatever it is that I'm doing is to spread joy and bring light.” “Just by writing a song, or playing a tune, you can change somebody's outlook or  disposition and it's incredible. It's like magic.” “There's a time in life for everything.” “Give people time and they'll show you their true colors.” Mentioned: IAMMusicGroup IG: @giocellomusic Fb: @giovannamoragaclayton https://bonniemarcusleadership.com/ https://web.facebook.com/bonnie.marcus/  https://www.linkedin.com/in/bonniemarcus https://twitter.com/selfpromote https://www.instagram.com/self_promote_/ Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age Purchase my book Not Done Yet on Amazon:  If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review.

Harpist extraordinaire talks her career both as a classical musician and studio recording artist, including her many collaborations with John Williams on such scores as Angela's Ashes, A.I. Artificial Intelligence and The Book Thief Hosted by Maurizio Caschetto JoAnn Turovksy is one of the most accomplished and talented harpists in the world. She is Principal Harp of several Los Angeles-based orchestras: the L.A. Opera orchestra, the Los Angeles Chamber Orchestra and the Los Angeles Master Chorale. In a career spanning now four decades, Turovsky has been lauded and revered with many accolades: she is the recipient of a lifetime achievement award from the American Harp Society. Harp is an instrument very dear to John Williams as it's often prominently featured in a lot of his film and concert music. Harpist extraordinaire JoAnn Turovsky has possibly the longest and most impressive track record of playing a lot of John Williams' harp parts over the last three decades as his favoured principal harp for studio recordings in Los Angeles. Turovsky is heard playing exquisite harp solos on some of the composer's most lyrical and haunting film scores including Angela's Ashes, A.I. Artificial Intelligence, Munich and The Book Thief. Turovsky's impeccable playing can be appreciated even when not playing a solo part, but when accompanying and enriching the orchestral texture, as the harp is used by Williams like a master orchestrator would do. JoAnn has also been a professor of harp at the USC Thornton School of Music for the past three decades and sits on the faculty of the Colburn Conservatory of Music and the Colburn School of Performing Arts, teaching the next generation of harpists. In this conversation, JoAnn Turovsky talks about her impressive career as a classical and studio musician, remembering her many experiences playing for John Williams, including her solo work for Angela's Ashes and The Book Thief, but also illuminating on the composer's use of harp and how he let the instrument shine within the orchestral palette. Visit https://thelegacyofjohnwilliams.com/ for more information.

Violinist/concertmaster Margaret Batjer celebrates 20 years with the Los Angeles Chamber Orchestra by releasing a new album of violin works, including a piece she helped premiere: the violin concerto by composer Pierre Jalbert. Also on the disc: soulful, beautiful works for violin and orchestra by Baltic composers Arvo Pärt and Peteris Vasks, balanced with a lovely rendition of J.S. Bach's Concerto in A Minor, BWV 1041.

Composer Nina Shekhar joins us to chat about her work exploring identity, vulnerability, love, and laughter in her work and her process for exploring such complex aspects of humanity in seemingly mundane experiences, such as the car horns on the streets of India. We talk about how she approaches the business side of a professional career in composition, and how her work as a flutist, saxophonist, and pianist has informed her comfort with a wide array of compositional styles. And we speak about how we can all be more mindful to empower and promote the agency of composers and performers from marginalized communities and avoid the risks of exploiting any individual's otherness. Nina Shekhar is a composer who explores the intersection of identity, vulnerability, love, and laughter to create bold and intensely personal works. Described as “tart and compelling” (New York Times), “vivid” (Washington Post), and “surprises and delights aplenty” (LA Times), her music has been commissioned and performed by leading artists including LA Philharmonic, Albany Symphony, Los Angeles Chamber Orchestra, New World Symphony, Civic Orchestra of Chicago, Eighth Blackbird, International Contemporary Ensemble, JACK Quartet, New York Youth Symphony, Alarm Will Sound, The Crossing, Chamber Music Society of Lincoln Center, ETHEL, violinist Jennifer Koh, saxophonist Timothy McAllister, Ensemble Échappé, Music from Copland House, soprano Tony Arnold, Third Angle New Music, The New York Virtuoso Singers, Left Coast Chamber Ensemble, Lyris Quartet, Ray-Kallay Duo, New Music Detroit, and Kaleidoscope Chamber Orchestra. Her work has been featured by Carnegie Hall, Metropolitan Museum of Art, Walt Disney Concert Hall (LA Phil's Noon to Midnight), Library of Congress, National Gallery of Art, National Sawdust, National Flute Association, North American Saxophone Alliance, I Care If You Listen, WNYC/New Sounds (New York), WFMT (Chicago), and KUSC and KPFK (Los Angeles) radio, ScoreFollower, and New Music Detroit's Strange Beautiful Music. Upcoming events include performances by the New York Philharmonic, LA Philharmonic (joined by soloists Nathalie Joachim and Pamela Z), Minnesota Orchestra, Seattle Symphony, and her Hollywood Bowl debut with the LA Philharmonic. Current projects include commissions for the Grand Rapids Symphony, 45th Parallel Universe Chamber Orchestra (sponsored by GLFCAM), and Youth Orchestra Los Angeles (YOLA) (sponsored by LA Phil and New Music USA). Nina is the recipient of the 2021 Rudolf Nissim Prize, two ASCAP Morton Gould Young Composer Awards (2015 and 2019), and the 2018 ASCAP Foundation Leonard Bernstein Award, funded by the Bernstein family. The transcript for this episode can be found here. For more information about Nina Shekhar, please visit her website, Facebook, and Instagram.

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

American composer Derrick Skye is known for integrating music practices from different cultural traditions around the world into his work with classical music communities. The Los Angeles Times describes Derrick's music as “something to savor” and “enormous fun to listen to.” During his studies at the USC and the California Institute of the Arts, music across many cultures became an integral part of his musical vocabulary. Skye's music has been commissioned and/or performed by ensembles including Los Angeles Chamber Orchestra, Albany Symphony, Berkeley Symphony, Dayton Philharmonic, Los Angeles Master Chorale among many. He serves as Artistic Director of the new music collective and arts organization Bridge to Everywhere. I really enjoyed hearing Derrick's insights and perspectives on how and why he feels called to incorporate the music of many parts of the world into his composition. Connect with Derrick via his website https://www.derrickskye.com/ Intro Music by Derrick Skye "Prisms Cycles Leaps" from the Album Bridge to Everywhere. Available on all major streaming platforms. the World Music Podcast Jingle- composed by Will Marsh featuring musicians Josh Mellinger (tabla) and Misha Khalikulov (cello). Do you know someone who would enjoy this Podcast? Please take a moment to share and spread the inspiration! COPY THIS LINK TO SHARE! https://anchor.fm/will-marsh This is a master link that allows you to choose which platform to listen on. See below for more offerings from your host, Will Marsh. “Raga for All Instruments” is an online course for musicians/vocalists from any musical background with a desire to explore the magic of Hindustani Raga music. Begin your raga journey now! The first four lesson videos of this course are free. https://willmarshmusic.thinkific.com/courses/raga-for-all-instruments Visit my website to connect with me - https://willmarshmusic.com/ Check out my original world-inspired music - https://distrokid.com/hyperfollow/willmarsh/the-integration Book a lesson with me https://www.willmarshmusic.com/product-category/lessons/ For the finest electric sitar on the market, travel sitars and tanpuras visit - https://www.willmarshmusic.com/shop/ To access written transcriptions of these episodes, go to my blog - https://www.willmarshmusic.com/blog/ Visit my youtube channel for free lesson and music performance videos - https://www.youtube.com/c/WillMarsh Become a Patron and receive exclusive access to patron only content - https://www.patreon.com/WillMarsh?fan_landing=true --- Support this podcast: https://podcasters.spotify.com/pod/show/will-marsh/support

Welcome to the first episode of the CINEMATIC SOUND RADIO NETWORK'S interview show TALKING SOUNDTRACKS WITH JASON DRURY. Jason's first guest is renowned orchestral composer of television, film, and video game scores and concert works, BRUCE BROUGHTON. Broughton has composed several highly acclaimed soundtracks over his extensive career, has won nine Emmy Awards, has been nominated for an Academy Award for Best Original Score, and has contributed many pieces to music archives. Broughton has composed the score for many notable films such as popular westerns Silverado (1985) of which the composer received an academy award nomination, and Tombstone (1993). Other films scored by Broughton include Young Sherlock Holmes (1985), Narrow Margin (1990), Harry and the Hendersons (1987), and The Boy Who Could Fly (1986). He has also written but for Disney films such as The Rescuers Down Under (1990), Homeward Bound: The Incredible Journey (1993) and its sequel, Lost in San Francisco (1996). Additionally, he composed music for the video game Heart of Darkness, and the animated TV series, Tiny Toon Adventures. Broughton has also had a successful career in the concert hall with works performed by the Cleveland Orchestra, the Chicago, Seattle and National Symphonies, the Los Angeles Chamber Orchestra and Philharmonic, the Sinfonia of London and the Hollywood Bowl. The composer is a member of the Board of Directors of ASCAP, a former Governor of both the Academy of Motion Picture Arts and Sciences (AMPAS) and the Academy of Television Arts & Sciences, a Past President of the Society of Composers & Lyricists, and a lecturer at UCLA and USC. In April 2021 for TALKING SOUNDTRACKS, Jason talked to Bruce Broughton via Zoom at his home in Los Angeles, California. In part one of this two part interview, amongst other things, Broughton talks about his way into television scoring, his first film projects and his work on Silverado, Tombstone and Young Sherlock Holmes. And of course throughout both episodes, you will hear samples of music from one of finest composers ever to work in film, TV, video games and the concert hall. Enjoy! Intro supplied by Playlist Wars Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Kadya, Elizabeth & Claytemple Media. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

A native of Dallas, Texas, retired Los Angeles Philharmonic trumpeter Boyde Hood received his BM degree in trumpet performance from the Eastman School of Music and master of music degree in theory and composition from Ball State University. He is a member of the Los Angeles Philharmonic and performs regularly with the Philharmonic's New Music Group and the Philharmonic Brass Trio. Mr. Hood has played principal trumpet with the Los Angeles Chamber Orchestra, Royal Ballet and American Ballet Theater and has recorded extensively for major motion picture and television studios. He has been a member of the Dallas and Milwaukee Symphonies, assistant principal of the Rochester Philharmonic, and first trumpet with the Marlboro Festival Orchestra. Mr. Hood joined the Los Angeles Philharmonic in January 1982 and has appeared as a soloist with the Orchestra at the Hollywood Bowl; as a conductor, he has led Los Angeles Philharmonic Institute Orchestra brass musicians in several fanfares. Since his retirement from the LA Philharmonic and USC, Boyde taught at the Eastman School of Music for one Semester, has resumed his compositional activities, and continues to teach privately from his home and on Zoom. The show notes for this episode can be found at bobreeves.com/blog/boyde-hood-trumpet-interview

Our guest is the renowned orchestral conductor Gerard Schwarz, who will lead the Tulsa Symphony Orchestra in a special broadcast-only concert to be aiared on our sister station, Classical 88.7 KWTU-FM, on Saturday the 27th at 8pm -- with a rebroadcast happening on Sunday the 28th at 4pm. (In both cases, the over-the-air concert can be live-streamed online at publicradiotulsa.org .) Schwarz has had a pioneering, quite remarkable career in music, which he tells us about. Now serving as the Artistic and Music Director of the Palm Beach Symphony as well as the Music Director of the Frost Symphony Orchestra at the University of Miami, Schwarz was previously the Music Director of the Los Angeles Chamber Orchestra (1978 to 1986), the Music Director of New York's Mostly Mozart Festival (1982 to 2001), and moreover the Music Director of the Seattle Symphony (1985 to 2011). The concert he'll soon be conducting with the Tulsa Symphony will include works by Richard Wagner, Max Bruch, and Johannes

Here is the new episode of The Interview Series on the MULTI-MEDIA MEN podcast network, where the show is related to all things Movies, Music, and Entertainment! Here on this new episode, host Bryan Kluger from Boomstick Comics, High Def Digest, and Screen Rant, join in on the fun. Our Feature Presentation this episode is a wonderful talk with composer/musician - BENJAMIN WALLFISCH! About Benjamin Wallfisch: Composer of Andy Muschietti's IT and IT Chapter 2, David F. Sandberg's SHAZAM!, Leigh Whannell's THE INVISIBLE MAN and co-composer of Denis Villeneuve's BLADE RUNNER: 2049 (with Hans Zimmer), Benjamin Wallfisch has worked on over 75 feature films and received Golden Globe, BAFTA, 2x GRAMMY and EMMY nominations for his work.  He is currently scoring Simon McQuoid's MORTAL KOMBAT for New Line/Warner Bros and was recently nominated as 'Film Composer of the Year' in the World Soundtrack Awards for the second consecutive year. To date, the movies he has scored have made over $2.5 billion in worldwide box office receipts, and in 2019 Variety inducted him into their ‘Billion Dollar Composer' series in recognition of this. Other recent projects include Academy Award Best Picture nominee HIDDEN FIGURES, directed by Ted Melfi (in collaboration with Pharrell Williams and Hans Zimmer) and David F. Sandberg's box office hits ANNABELLE: CREATION and LIGHTS OUT. On the invitation of Zimmer, he wrote 'Variation 15', based on Elgar's 'Enigma' Variations, for Christopher Nolan's DUNKIRK. In recent years, Benjamin has also scored Gore Verbinski's A CURE FOR WELLNESS, the Steven Spielberg produced the short film AUSCHWITZ, directed by James Moll, KING OF THIEVES, starring Michael Caine and directed by James Marsh; and Steven Knight's SERENITY, starring Matthew McConaughey and Anne Hathaway. He also recently completed scoring HOSTILE PLANET, a six-part series for National Geographic. With over 25 albums of his music released to date on labels including Deutsche Grammophon and Epic Records, Benjamin has performed live in over 100 concerts worldwide, leading orchestras such as the London Philharmonic, Philharmonia, Los Angeles Philharmonic, Los Angeles Chamber Orchestra, and the Sydney Symphony at venues including the Hollywood Bowl, Sydney Opera House, and Royal Festival Hall. He has collaborated, recorded, and performed his music with artists including Lang Lang, Herbie Hancock, and Yuja Wang, and has over 50 concert music commissions to his name. He has also collaborated three times with Pharrell Williams, including a live performance at the 2015 GRAMMY Awards, and recently partnered with Adele, arranging her 2017 GRAMMY performance of George Michael's 'Fast Love'. A member of the BAFTA® Academy since 2009, Benjamin was appointed an Associate of the Royal Academy of Music, London in 2014. In 2017, he was invited to join the Academy of Motion Picture Arts and Sciences.   Benjamin and I start the show with origin stories, how he got into music and playing piano and his transition from classical to film composing was accomplished. We move onto his work in horror films, his friendship with Hans Zimmer, and even talk about his grandmother, who has an incredible journey and tale of music and history. Then, of course, we get into the fun questions. Enjoy the show! VISIT BENJAMIN WALLFISCH HERE And don't forget to visit iTunes , Stitcher , I Heart Radio, and Spotify to subscribe to our podcast. You can also email us at mybloodypodcast@gmail.com. Enjoy the show and see you next week! Thank you for listening. https://boomstickcomics.com/wp-content/uploads/2021/03/ben-wallfisch.mp3

Ron Samuels recorded music by Bela Kovacs at the center of the Heinz Hall stage to be presented as part of the Symphony on the Air series at 8:30 Monday Through Friday on the Classical QED Morning Show with support from the Spanos Group of Raymond James and the musicians of the Pittsburgh Symphony. He spoke with Jim Cunningham about Hungarian clarinet tradition and Kovacs compositions. Ron Samuels was appointed second clarinetist of the Pittsburgh Symphony Orchestra by former Music Director Mariss Jansons at the start of the 2001–02 season. He joined the faculty of Duquesne University that same year. Previously, he was a member of the Los Angeles Chamber Orchestra, and he served as principal clarinetist of the Toledo Symphony Orchestra, guest principal clarinetist with both the Minnesota Orchestra and San Diego Symphony, and guest second clarinetist with the Cleveland Orchestra. A native of San Francisco, Ron Samuels has enjoyed a richly varied career as a symphonic musician, chamber music and concerto soloist, and as a collegiate professor and master class clinician. He graduated from the University of Southern California where he studied with Mitchell Lurie and where he has frequently returned as a guest lecturer. Lurie had served under Fritz Reiner as clarinet in Pittsburgh and Chicago before his death in 2008.

Welcome to a new edition of the Neon Jazz interview series with Los Angeles-based Jazz Saxophonist & Educator Jeff Benedict .. We spoke with him in January 2021 about his latest 2021 CD with his Big Band – The Weather is Here – Wish You Were Beautiful, COVID-19 and his life as a Professor of Music at the California State University .. Over the years, he has appeared with the Los Angeles Philharmonic, The Los Angeles Chamber Orchestra and a host of others .. Get to know him and dig this interview.Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/

Laurie Dowling is President of The Dowling-Woo Company, a woman and minority-owned small business. Laurie is a consultant who works with non-profit organizations and for-profit enterprises on strategic issues including diversity, general management, fundraising, executive search, strategic planning, management development, and Board development. As a consultant, Laurie is Executive Director for the National Utilities Diversity Council, a national non-profit organization that conducts research to educate, develop best practices and guide efforts that will promote diversity in the utilities industry in the areas of governance, employment, procurement, language access/customer service, and philanthropy. Among her clients have been the Greater Los Angeles Zoo Association, the Museum of Latin American Art, the Hollywood Chamber of Commerce, and the Los Angeles Chamber Orchestra. For eight years Laurie was Executive Director of the Office of Executive Education Programs of the UCLA Anderson School of Management where she was responsible for oversight of all aspects of one of the world’s top executive education programs, from corporate relationship management and sales to curriculum design and program operation -- serving over 1,500 executives annually and taking the Department from #23 in the world to #11 (Financial Times ranking).

French Horn player extraordinaire talks his life and career as studio musician in Hollywood and his many collaborations with John Williams, including his work as Principal Horn on The Post and the recent Star Wars sequels The Last Jedi and The Rise of Skywalker, sharing his views on the Maestro's music Los Angeles native French Horn player Dylan Skye Hart is part of the younger generation of studio musician who are carrying over the great tradition of the "Hollywood sound" in film scores established by legendary horn players such as Vince DeRosa and Jim Thatcher, of whom Dylan can really be considered a natural heir. Dylan had the distinguished honour of performing as Principal Horn for John Williams on a few of his more recent scores, including The Post (2017) and the Star Wars sequels The Last Jedi (2017) and The Rise of Skywalker (2019), following in the footsteps of those above mentioned musicians. Since 2008, Dylan Hart has played for many top Hollywood composers including Alan Silvestri, Hans Zimmer, James Newton Howard, Bruce Broughton, John Powell and Alexandre Desplat. Dylan is also a devoted classical musician—he's currently Principal Horn for the Hollywood Bowl Orchestra and has performed with the Los Angeles Philharmonic, Santa Barbara Symphony, Los Angeles Chamber Orchestra, Pacific Symphony, and the San Diego Symphony Orchestra. Dylan is also a member of the Los Angeles Horn Quartet and Modern Brass Quintet. In this conversation, Dylan talks about his life and career as French Horn player in Los Angeles, from his humble beginnings to his years studying with Vince DeRosa and Jim Thatcher. He recalls his first gigs in major film scores and his work performing for John Williams in such scores as War Horse, The Post, Dear Basketball and the Star Wars films, offering his own unique insight about Williams' process in the studio and his writing for the instrument. Dylan also reflects on the great tradition of Hollywood's horn playing style as mastered by his teachers DeRosa and Thatcher and what it means carrying that legacy. For more information, visit https://thelegacyofjohnwilliams.com/2020/12/18/dylan-hart-podcast/

Join Tarik and Anna for a great conversation with composer, Juan Pablo Contreras, a Latin GRAMMY®-nominated composer from Guadalajara, Mexico. In his music, Juan Pablo explores his joyful but complicated relationships with history, place, and his love for both Western classical and Mexican folk music, resulting in a musical journey full of joy, humor, and just a touch of violence. His works have been performed by major orchestras throughout Mexico, including, the National Symphony Orchestra of Mexico, the Salta and Córdoba Symphonies in Argentina, the Simón Bolívar Symphony Orchestra of Venezuela, the Los Angeles Chamber Orchestra, and many others.

Listen to a fascinating visit with a composer who has written music for Popes, Dioceses, Cathedrals, famous Choirs, Colleges, and Concert Halls. Paul Gibson was born in Sacramento, California. A few years later, his family moved to the small village of Chitray, France, near the airbase at Châteauroux where his father worked for the U.S. Air Force. Gibson experienced his first liturgical music – Latin hymns and chants – in the local parish church. He received degrees in composition from Mount St. Mary’s University (Los Angeles) and California State University, Northridge. He studied with Matt Doran, Frank Campo, Aurelio de la Vega, Ian Krouse, and John Harbison.Gibson was commissioned to arrange hymns for the visit of Pope John Paul II to L.A. Publisher G.I.A. released A Mass of Life, a critically acclaimed CD of his sacred music. He took part in the first Composers Symposium at the Oregon Bach Festival, where three of his works were performed.For its 15th anniversary, the Los Angeles Children’s Chorus commissioned Suite: Alice Through a Looking-Glass. Commissioned by Loyola Marymount University for the Golden Jubilee of the choral program founded by the late Paul Salamunovich, Gibson’s Te Deum for chorus and orchestra was premiered at LMU under Dr. Mary Breden. The following year saw his music in first performances at Carnegie Hall and St. Olaf College.This award-winning composer’s music has been broadcast on hundreds of radio stations and received performances by the Los Angeles Master Chorale, the Los Angeles Chamber Orchestra, members of the Los Angeles Philharmonic, three Grammy-winning choruses: Los Angeles Chamber Singers, the Kansas City Chorale, and the Phoenix Chorale, and many others. He is published by Alliance, ECS, Fatrock Ink, G.I.A., Morningstar, and OCP. http://paulgibsonmusic.comMUSIC: Salve Regina Paul Gibson recorded by ZephyrMUSIC: May God Bless Us Paul Gibson recorded by Chorus Angelorum, Dominic MacAller, conductorMUSIC: Dona Nobis Pacem Paul Gibson LA Children’s Chorus, Anne Tomlinson, conductorMUSIC: The Love of Our Creator Paul Gibson recorded in Immaculate Conception Cathedral, Portland, OR for OCP Commissioned by the Diocese of Orange for the installation of Bishop Tod David Brown. Premiered by Matt Gray at Holy Family CathedralMUSIC: Te Deum: 7. Alleluia. Amen. Paul Gibson Loyola Marymount University Choruses and Orchestra, Mary Breden, conductorOriginal air date Saturday, November 3, 2018

TBJ138: Julie Landsman on being the first woman in the brass section of The Met, the teaching of Carmine Caruso and JFL. Legendary is a term that gets thrown around a lot. Sometimes, it is deserved. This is one of those times. We're playing around with the show notes organization. Let us know your thoughts! In this fun and lively discussion, we cover: Julie being on our initial “wish list” of guests Working with both Sam and Mark Gould in a quintet Trio with Dave Taylor and Gould Played Principal horn for the Met for 25 years Andrew Balio (née Anil) and the sheep Getting into The Met in 1985 Working with a bunch of dudes First woman in the brass section at The Met Only a few of them welcomed her, most did not Her only defense was to outplay them Leading by example Challenges growing up that helped shape her abilities, drive, and approach Working to be heard and developing her own voice Disaster at the banjo Joe Greco was her band director and led her to the horn Carmine Caruso was brought in to help out her band program which continued to cement her approach and drive Howard Howard from The Met as another major influence Hearing Denis Brain recordings Caruso method, no-nonsense approach Paralysis through analysis The precision timing of movement A platform for your musicality The importance of repetition JFL Warburton Mouthpiece, JFL model is on the way Missing playing with The Met (she left in 2010) Taking a leave of absence when she turned 50 The Rule of 80 The experience of watching students succeed and perform with them Pilkington playing injured  Starting to teach at the University of Houston and Rice when she played with the Houston Symphony Giving and getting with and from teaching Asking for help and giving help when it is needed Deciding at 13 to become Principal at The Met Moving to California to teach at USC Teaching on both coasts for two years before moving to Southern California permanently Take a chance, follow a dream Meeting Jens for the first time LINKS: Julie's website Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm. Julie's bio: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner’s “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women’s Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today’s generation of horn players. Landsman currently resides in Nyack, New York.

Los Angeles Chamber Orchestra's Meet the Music is a fun and engaging chamber music concert geared to students in grades four through six.(Photo courtesy of LACO, and used with permission.) Chamber music that reflects grade-school students' lives?   A classical program that's informal, nontraditional--and uses kids' creative input? That's exactly what Los Angeles Chamber Orchestra presents, in their free virtual educational concert, "Meet the Music". During isolation, "Meet the Music" offers a new opportunity for homeschooling parents and educators: to add music to the curriculum. It's also just one of LACO's  innovative approaches to making classical music accessible to everyone. On April 28th, LACO posted "Meet the Music" as a virtual on-demand concert, for fourth- to sixth-graders. This is not our parents' chamber music--or even ours, as we were growing up. A new accessibility Los Angeles Chamber Orchestra's Meet the Music is a fun and engaging chamber music concert geared to students in grades four through six.(Photo courtesy of LACO, and used with permission.) Recorded in Santa Monica in November, 2019, for an audience of elementary students, the program immediately gives the young audience a "feel" of informality.  The concert involves the students as active participants--in several different ways. And "Meet the Music" is just one of the free programs which LACO is currently offering, to introduce new audiences to their music.  Through their "LACO At Home" program, they offer in-demand concerts and visits with their various musical professionals. Ben Cadwallader is Los Angeles Chamber Orchestra's Executive Director.  His background includes both educational and musical innovation: prior to his current position, he took some exciting creative risks.  His goal: to take classical music "out of the concert hall" and bring it to wider audiences.  Ben's previous musical experience includes serving as Executive Director of the Vermont Symphony Orchestra, as well as his time as Educational Director at Los Angeles Philharmonic. Ben talked about the ways "Meet the Music" engages young audiences, the other ways in which music can be used to teach S.T.E.A.M. concepts and the additional distance programs LACO is offering during the pandemic.  In addition, he explained how you can add your creative input to Los Angeles Chamber Orchestra's future programming! On this edition of Over Coffee® you will hear: How Ben's own educational journey led him to make live concert music his life's work; The mindset that enables him to create new educational programming and a new direction in unprecedented circumstances; How"Meet the Music" personalizes music to their fourth- to sixth-grade audience; What's coming up, as LACO moves forward with "Meet the Music"; An unexpected response to a recent live concert for elementary students; Ben's perspective on STEAM, and how music can teach science and math; A mini-physics lesson, based on music!; What Ben's experience was like, in his new position at LACO (he started just before the pandemic forced Californians to isolate!) What's inspiring him the most, creatively, during the pandemic; How Ben is looking at personalizing music experiences for future audiences, based on "Meet the Music"; A creative "failure" that led to a future success, in his experience; Some exciting ways in which future listeners can get involved with LACO (think ideas and creative input!)

Ep. 90: Jaime Martín, conductor Off The Podium with Tigran Arakelyan In September 2019 Jaime Martín became Chief Conductor of the RTE National Symphony Orchestra and Music Director of the Los Angeles Chamber Orchestra. He has been Artistic Director and Principal Conductor of Gävle Symphony Orchestra since 2013, and his time there has brought the orchestra a new level of international recognition through highly acclaimed recordings and touring performances. Having spent many years as a highly regarded flautist, working with the most inspiring conductors of our time, Jaime turned to conducting full-time in 2013 and has become very quickly sought after at the highest level. In this podcast we talk about the pandemic and the impact on the world of music, orchestral programming and diversity in Los Angeles. We also discuss the importance of new works, youth and community engagement. Lastly, Maestro Martín talks about the importance of Nikolaus Harnoncourt on his career and musical outlook. For more information about Jaime Martín please visit: https://imgartists.com/roster/jaime-martin/   © Off The Podium, 2020

This week on New Classical Tracks, Margaret Batjer marks her 20th year as concertmaster of the Los Angeles Chamber Orchestra with 'Jalbert, Bach, Part and Vasks,' which features a newly commissioned violin concerto.

Ep. 4 | End of Year Recap by Los Angeles Chamber Orchestra

Violinist Margaret Batjer has been associated with the Los Angeles Chamber Orchestra for a number of years. In their first CD for the Swedish BIS label, Batjer and the LACO begin with a new violin concerto by Quebec-born composer, Pierre Jalbert. With movements titled “Soulful, mysterious”, and “With great energy”, Jalbert’s concerto is in good hands with Ms. Batjer, no stranger to contemporary music. She ties this newest work to established, mystical pieces by Estonian Arvo Pärt (one of his Fratres pieces), and Latvian Peteris Vasks (Lonely Angel). Completing the circle among these spiritualistic composers, J. S. Bach’s Concerto in A Minor reminds us that whether sacred or secular, Bach approached composition with equal seriousness.

Violinist/concertmaster Margaret Batjer celebrates 20 years with the Los Angeles Chamber Orchestra by releasing a new album of violin works, including a piece she helped premiere: the violin concerto by composer Pierre Jalbert. Also on the disc: soulful, beautiful works for violin and orchestra by Baltic composers Arvo Pärt and Peteris Vasks, balanced with a lovely rendition of J.S. Bach's Concerto in A Minor, BWV 1041.

Jennifer Marotta is an Adjunct Assistant Professor of Trumpet at the University of Southern California Thornton School of Music. An active freelance musician based in Los Angeles, she regularly performs with the Los Angeles Philharmonic, San Francisco Symphony, San Diego Symphony, Los Angeles Opera, Los Angeles Chamber Orchestra, Los Angeles Master Chorale, and the St. Louis Symphony.Marotta is currently a member of the Grand Teton Music Festival and the Music of the Baroque in Chicago. She was a member of “The President’s Own” United States Marine Band from 2001 to 2005.Originally from Naperville, Illinois, she earned her Bachelor of Music degree from Northwestern University and her Master of Music degree from DePaul University.Marotta was a visiting trumpet professor at UCLA in 2016 and was Assistant Professor of Trumpet at Kennesaw State University from 2006 to 2012. She was also a visiting professor at Illinois State University in 2006 and was an artist-in-residence at Emory University from 2006 to 2010.Jennifer, along with her husband Thomas Hooten, is the most recent editor for Arban’s Complete Conservatory Method for Trumpet, published by Carl Fischer. She serves on the board for the International Women’s Brass Conference and is the editor for their bi-annual newsletter.Support the show (https://thatsnotspit.com/support/)

We welcome Scott Harrison, an arts administrator hailed as a leader with "imagination and ambition" by the LA Times for his tenure as executive director of Los Angeles Chamber Orchestra. Scott has many adventures to tell through his considerable experience in the classical music world. After getting to know Scott Harrison, several contemplative topics were discussed.Do musical instruments have personalities? What leads someone to become an arts administrator? How can we break the barrier of that worrisome wall between the audience and the musicians? And, why are we still calling it “classical” music?__1.  blumehaiti.org - the organization of which I am a founding board member and very proud of our work strengthening the music education ecosystem in Haiti. 2. hawaiisymphonyorchestra.org - Excited to announce that for the next few months, I am helping the Hawaii Symphony Orchestra as interim executive director while they search for their permanent ED 3.  https://internationalmusician.org/hawaiian-oboe-legacy-project-creates-one-of-a-kind-instrument-and-concerto/  - One of the coolest and most community-rooted new music projects I've heard of in a while is one that just concluded at the Hawaii Symphony - the Hawaiian Oboe Legacy Project - an oboe built form local kauila wood with a concerto commisioned by local composer John Magnussen telling the story of the Two Hawaiian Seasons. 

Violinist/concertmaster Margaret Batjer celebrates 20 years with the Los Angeles Chamber Orchestra by releasing a new album of violin works, including a piece she helped premiere: the violin concerto by composer Pierre Jalbert. Also on the disc: soulful, beautiful works for violin and orchestra by Baltic composers Arvo Pärt and Peteris Vasks, balanced with a lovely rendition of J.S. Bach's Concerto in A Minor, BWV 1041.

WQED-FM's Jim Cunningham caught up with trumpet Neal Berntsen outside the Alte Oper Frankfurt, a few hours before the Pittsburgh Symphony Orchestra took the stage to kick off their European tour.  Neal talks about the hall, the repertoire on the tour, and his traditional dinner he had last night.   Jim also has a chat with violinist Josefina Vergara of the Los Angeles Chamber Orchestra, who is performing with the PSO on this tour.        

In this episode, Carlos answers the question "What is an orchestra's role in serving the community it is in?" In my journey to find out why musicians think classical music is relevant and important, Carlos' answer provides some important insight and wisdom as to why a community should care about having a symphony orchestra as part of it's culture.Mastering engineer - Brandon JochumCarlos' bio -Carlos Izcaray is Music Director of the Alabama Symphony Orchestra and of the American Youth Symphony. Praised by the international press as inspiring, spirited and conducting with nuanced sensitivity, he has appeared with numerous ensembles across five continents and is now firmly established as one of the leading conductors of his generation. Throughout his career Izcaray has shown special interest and prowess in tackling some of the most complex scores in the symphonic repertoire, while also championing a historically informed approach.On the symphonic platform he is leading ensembles such as the Pacific, St. Louis, North Carolina, Grand Rapids and Kitchener-Waterloo Symphonies, Los Angeles Chamber Orchestra, Chamber Orchestra of San Antonio, Fort Worth Symphony Orchestra, Orchester der Komischen Oper Berlin, Malmö Symfoniorkester, Filarmonica Arturo Toscanini, Orquestra Sinfónica do Porto Casa da Música, Orquesta Filarmónica de Bogotá, Orchestra Regionale dell’Emilia-Romagna, Orchestre de Chambre de Lausanne, Macedonian Philharmonic, Orquestra Sinfônica da Bahia, Kwazulu-Natal Philharmonic, National Symphony Orchestra of Colombia, Venezuela Symphony Orchestra, and Orquesta Sinfónica Municipal de Caracas, among others. Izcaray’s latest recording, ‘Through the Lens of Time’, featuring Max Richter’s Recomposed: Vivaldi’s Four Seasons with the City of Birmingham Symphony Orchestra and violinist Francisco Fullana, was released in March 2018 on the Orchid Classics label, and has garnered widespread attention and praise.Izcaray is equally at home with opera repertoire, receiving rave reviews for his performances at the Opera Theatre of Saint Louis, Utah Opera, Opera Omaha, International Opera Festival Alejandro Granda in Peru, and in particular at the Wexford Festival Opera, where he has led many productions since the opening of Ireland’s National Opera House. His 2010 performances of Virginia by Mercadante won the Best Opera prize at the Irish Theatre Awards.A strong believer of supporting the younger generations, Izcaray has worked extensively with the world’s top talents and leading music institutions, including his country’s own El Sistema. In 2014 he led a tour of the Filarmónica Joven de Colombia, and he has additionally worked with the Fundación Batuta, Neojiba in Brazil, London Schools Symphony Orchestra, and Cambridge University Music Society, where he has also taught conducting workshops. Following a project at the Interlochen Center for the Arts in summer 2015 he returned there for a performance with the World Youth Symphony Orchestra in 2017. Building on his passion for music education, he became the Music Director of the American Youth Symphony in autumn 2016.A distinguished instrumentalist himself, Izcaray has featured as concert soloist and chamber musician worldwide, and served as Principal Cello and Artistic President of the Venezuela Symphony Orchestra prior to dedicating his career fully to the podium. Increasingly active as a composer, Izcaray’s orchestral work Cota Mil was premiered by the Orquesta Sinfónica Municipal de Caracas. April 2018 saw the premiere of his Strike Fugaz by the American Youth Symphony, commissioned in association with the Human Rights Watch to commemorate, and celebrate, the campaign for worldwide social justice, equality and freedom - a cause for which Izcaray is a proud and committed advocate. Izcaray’s Cello Concerto receSupport the show (https://thatsnotspit.com/support/)

Felicity James is a talented violinist who joined the Minnesota Orchestra in December of last year. At just 22-years old, stepping into the role of Associate Concertmaster was no small feat. Luckily, she already had plenty of sizable experience under her belt having previously served as concertmaster of the Verbier Festival Orchestra, the Colburn Orchestra, and the Aspen Philharmonic Orchestra, and as a substitute with the Los Angeles Chamber Orchestra and the Seattle Symphony. In this episode, Duff and Felicity exchange views on talent vs. work ethic, flow state, and living life on one's own terms. Felicity also expands on her thoughts on the Twin Cities thus far, Orchestra dynamics, favorite compositions to play, music to listen to, and answers Duff's ridiculous lightening round questions like a true sport. Connect with Felicity Here: Facebook Instagram Check Out the MN Orchestra Here! MN Orchestra For More TOL, Follow Us Here: Facebook Twitter Instagram Twitch Youtube

In this episode, I chat with with Anthony McGill, principal clarinetist with the NY Philharmonic.  We have a great conversation about attention and presence, in both practice and performance. Among other things, we discuss his journey to the NY Phil, the importance of absolutely loving music in choosing it as a career, how to nurture focus and make practice more efficient, and how to work towards having more flow in performance. Anthony elaborates on: His musical path, from the Southside of Chicago to the NY Phil The various institutions he attended – the Merit School, the Interlochen Academy, and the Curtis Institute How important the community that surrounds us is as we develop as musicians/artists/people How to nurture focus: The importance of how loving what you do is in fostering focus The quote that really articulated that concept for him How focus starts from figuring out if you truly love what you do Cultivating quality presence, awareness, and curiosity in the practice room are the keys to solid focus How to make practice efficient How he primes and prepares for a practice session How wanting to practice, having a plan, being aware, and being methodical are at the core of a good practice session How he “tricks” himself to practice (which is similar to the trick I talk about in this blog entry: https://www.mindoverfinger.com/blog/commit-to-ten) How listening to music is important Focus in performance: How to work towards flow and overcome mistakes How important it is to develop our public speaking and self-marketing skills Why we should develop an interest in a hobby outside of music   MORE ABOUT ANTHONY: Website: http://www.anthonymcgill.com/ Find some YouTube videos about Anthony HERE Instagram: https://www.instagram.com/mcgillclarinet/ Facebook: https://www.facebook.com/Mcgillab/   Biography Clarinetist Anthony McGill is one of classical music's most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra's first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. McGill was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.   McGill's 2018-19 season includes performances of concertos by Bolcom, Copland, Mozart, and Strauss with the New York Philharmonic, Los Angeles Chamber Orchestra, Tallahassee Symphony, Vermont Symphony, and Austin Symphonic Band. He will also collaborate together with soprano Miah Persson in a performance of Schubert's “The Shepherd on the Rock” together with Iván Fischer and the New York Philharmonic. Additional performances include a collaboration with the Dover Quartet for the Philadelphia Chamber Music Society and a recital with soprano Julia Bullock for the Metropolitan Museum of Art, along with collaborations with the Brentano Quartet for Princeton University and a tour of Asia with the Chamber Music Society of Lincoln Center.   McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.   In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.   A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR's St. Paul Sunday Morning, and Mr. Roger's Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers' inspirational story.   A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, Bard College's Conservatory of Music, and the Manhattan School of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/

Jennifer Marotta is an Adjunct Assistant Professor of Trumpet at the University of Southern California Thornton School of Music. An active freelance musician based in Los Angeles, she regularly performs with the Los Angeles Philharmonic, San Francisco Symphony, San Diego Symphony, Los Angeles Opera, Los Angeles Chamber Orchestra, Los Angeles Master Chorale, and the St. Louis Symphony. Marotta is currently a member of the Grand Teton Music Festival and the Music of the Baroque in Chicago. She was a member of “The President’s Own” United States Marine Band from 2001 to 2005. Originally from Naperville, Illinois, she earned her Bachelor of Music degree from Northwestern University and her Master of Music degree from DePaul University. Marotta was a visiting trumpet professor at UCLA in 2016 and was Assistant Professor of Trumpet at Kennesaw State University from 2006 to 2012. She was also a visiting professor at Illinois State University in 2006 and was an artist-in-residence at Emory University from 2006 to 2010. Jennifer, along with her husband Thomas Hooten, is the most recent editor for Arban’s Complete Conservatory Method for Trumpet, published by Carl Fischer. She serves on the board for the International Women’s Brass Conference and is the editor for their bi-annual newsletter. In this fun and lively conversation, we cover: Teaching at USC Subbing for Jens at UCLA Freelancing and travel Playing in the US Marine Band St. Louis and Atlanta on the way to LA Being married to another professional trumpet player (Thomas Hooten, Principal trumpet in the LA Phil Similar teaching styles with Tom Differences in their playing styles Ambassador of Euphonium, Adam Frey Kennesaw State with Tom Gibson, Wes Funderburk, and Dave Kehler Studying with Barbara Butler Balancing fundamentals with musical communication Treating each student in a way that is best for them Taking the best stuff from her teachers and heroes The USC students study with both of them and switch each semester Teton Festival Playing in "The President's Own" United States Marine Band Joining the band just after 9/11 Seven-week tours and "Tour Babies" Playing for President Reagan's funeral in 90-degree heat Playing with the Atlanta Opera Being on the board of the International Women's Brass Conference and editor of the newsletter Playing with the Monarch Brass Ask a Performer site LINKS: Personal Site USC Bio Page Ask A Performer Site Arban's Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

In this episode host Adam Wolf sits down with the horn section of the Los Angeles Chamber Orchestra, Michael Thornton and Kristy Morrell. They discuss their careers as orchestral players, teachers and Kristy's freelance life.

In this episode host Adam Wolf sits down with the horn section of the Los Angeles Chamber Orchestra, Michael Thornton and Kristy Morrell. They discuss their careers as orchestral players, teachers and Kristy's freelance life.

Harry Bicket is an acclaimed conductor whose specialty is baroque music. He is Artistic Director of The English Concert (the British period instrument ensemble) and Chief Conductor/Music Director of Santa Fe Opera, and his international conducting engagements have included performances at the Metropolitan Opera and Lyric Opera of Chicago, Los Angeles Chamber Orchestra, Cleveland Orchestra, Cincinnati Symphony Orchestra, Los Angeles Philharmonic, Boston Symphony Orchestra and Messiah with the New York Philharmonic. The Handel expert sat down for a conversation with Suzanne about his fondness for certain other Liverpool musicians, and how he achieved his "proper career" quite by accident.

Jennifer Marotta is an Adjunct Assistant Professor of Trumpet at the University of Southern California Thornton School of Music. An active freelance musician based in Los Angeles, she regularly performs with the Los Angeles Philharmonic, San Francisco Symphony, San Diego Symphony, Los Angeles Opera, Los Angeles Chamber Orchestra, Los Angeles Master Chorale, and the St. Louis Symphony. Marotta is currently a member of the Grand Teton Music Festival and the Music of the Baroque in Chicago. She was a member of “The President’s Own” United States Marine Band from 2001 to 2005. Jennifer, along with her husband Thomas Hooten, is the most recent editor for Arban’s Complete Conservatory Method for Trumpet, published by Carl Fischer. She serves on the board for the International Women’s Brass Conference and is the editor for their bi-annual newsletter. The show notes for this episode can be found at www.bobreeves.com/58.

Bone2Pick proudly presents trombonist extraordinaire Alex Iles as our featured artist for the month of May 2016. One of LA’s top call studio musicians and most versatile low brass artists, Alex discusses the many facets of his illustrious career including recording with Prince, Joe Cocker, Henry Mancini, John Williams, Terence Blanchard, to name a few; lending his trademark sound to the motion picture soundtracks of The Incredibles, Polar Express, National Treasure, Pirates of the Caribbean, Planet of the Apes, among many others; and performing with the Los Angeles Philharmonic, Long Beach Symphony and Los Angeles Chamber Orchestra. Enjoy! http://www.hip-bonemusic.com Check out our video lesson series at: https://vimeo.com/hipbonemusic/vod_pages

Hazel Turnbull interviews Bruce Broughton ath 2017's Soundtrack Cologne! Bruce Broughton is best known for his many film scores, which include Silverado, Tombstone, The Rescuers Down Under, The Presidio, Miracle on 34th Street, the Homeward Bound adventures and Harry and the Hendersons. His television themes include Seth MacFarlane's The Orville, JAG, Steven Spielberg's Tiny Toon Adventures and Dinosaurs. His scores for television range from mini-series like Roughing It and The Blue and Gray to TV movies (Warm Springs, O Pioneers!) and countless episodes of television series such as Dallas, Quincy, Hawaii Five-O and How the West Was Won. With 24 nominations, he has won a record ten Emmy awards. His score to Silverado was Oscar-nominated, and his score to Young Sherlock Holmes was nominated for a Grammy. His music has accompanied many of the Disney theme park attractions throughout the world. His score for Heart of Darkness was the first recorded orchestral score for a video game. As a concert composer, ensembles such as the Cleveland Orchestra, the Chicago Symphony, the National Symphony and the Los Angeles Chamber Orchestra have performed his works. His works for wind ensembles, bands and chamber groups have been performed and recorded throughout the world. He is a board member of ASCAP, a former governor of both the Academy of Television Arts and Sciences and the Academy of Motion Picture Arts and Sciences, as well as a past president and founding member of The Society of Composers and Lyricists.

We are chatting with Daniel Smith on today’s podcast!  Daniel recently joined the San Francisco Symphony as associate principal bass after spending two seasons in the San Diego Symphony double bass section. About Daniel Smith: A native to Southern California, bassist Daniel Smith was recently appointed Associate Principal Bass of the San Francisco Symphony after performing for two seasons with the San Diego Symphony.  Mr. Smith graduated from Rice University’s Shepherd School of Music in 2013 under the tutelage of Timothy Pitts. After four years of pursuing music, as well as a biochemistry minor, Mr. Smith travelled to Bali, Indonesia, where he spent four months volunteering and teaching music at an orphanage known as Bali Life. Two months following his return home, Mr. Smith was appointed Principal Bass of the Santa Barbara Symphony in February of 2014. As an active freelancer, Mr. Smith has performed with ensembles such as the New World Symphony, Pacific Symphony, Hawaii Symphony, California Chamber Orchestra and the Los Angeles Chamber Orchestra. His festival appearances include the Music Academy of the West, Idyllwild Festival Orchestra and Pacific Music Festival in Hokkaido, Japan. Mr. Smith loves collaborating with other artists in pursuit of alternative forms and styles of music. Much of this pursuit has been spent writing and touring with Nashville-based Sony singer/songwriter Tim Timmons. Mr. Smith is equally passionate for the discovery of new music as for travel and experiencing world cultures. He has spent time at orphanages and cultural centers in Bali, Indonesia, Sri Lanka, Maldives, Honduras and Mexico teaching proper hygiene, practical life skills, surf lessons and music. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D'Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. The English Double Bass Book The English Double Bass Book examines the great English double bass makers of the 18th and 19th Century, illustrating in fine detail the incredible work they produced. It also explores the fascinating story of how the double bass came to England, its development guided by the great Venetian virtuoso Domenico Dragonetti, and the rise and fall of the English double bass makers. To pre-order your limited-edition copy, please visit www.theenglishdoublebass.com. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Subscribe to the podcast to get these interviews delivered to you automatically!

Iconic American conductor Gerard Schwarz offers his insights about music and conducting gained from an illustrious career at the pinnacle of the classical music world. Topics: Maestro Schwarz' musical beginnings, the American Brass Quintet, and the New York Philharmonic Four steps to success: Talent, Hard Work, Say Yes, Stay Positive Tips for conductors including thoughts about becoming more artistic, even with young ensembles and score preparation The importance of listening to learn styles and listening to your own old performances to gain insight on the music The All Star Orchestra and the Khan Academy Keep analyzing yourself and the perception of your career to keep improving. The conducting institute at the Eastern Music Festival Jerry's Experiences with conducting wind band, particularly the Marine Band Schwarz' new book Behind the Baton: An American Icon Talks Music The relevance of music in modern society and the importance of music in education  Links: Gerard Schwarz Eastern Music Festival All Star Orchestra Khan Academy Mahler: Symphony no. 8 Schwarz: Above and Beyond Behind the Baton: An American Icon Talks Music Biography: Internationally recognized for his moving performances, innovative programming and extensive catalog of recordings, American conductor Gerard Schwarz serves as Music Director of The All-Star Orchestra an ensemble of top musicians from America’s leading orchestras featured in twelve television programs that have aired throughout the United States on public television, worldwide by internet streaming and is the basis for their Khan Academy education platform that has already reached over 4 million students. As in baseball, Schwarz created an “all-star” team of top musical athletes to encourage a greater understanding and enjoyment of classical music. All programs are now released by Naxos on DVD and are awarded four Emmy Awards and ASCAP Award. Schwarz also serves as Music Director of the Eastern Music Festival in North Carolina and Conductor Laureate of the Seattle Symphony. His considerable discography of over 350 showcases his collaborations with some of the world’s greatest orchestras including Philadelphia Orchestra,  London Symphony,  Berlin Radio Symphony, Orchestre National de France, Tokyo Philharmonic, Los Angeles Chamber Orchestra, New York Chamber Symphony and Seattle Symphony among others. Schwarz began his professional career as co-principal trumpet of the New York Philharmonic and has held leadership positions with Mostly Mozart Festival, Royal Liverpool Philharmonic and Los Angeles Chamber Orchestra and New York Chamber Symphony. As a guest conductor of both opera and symphony, he has worked with many of the world’s finest orchestras and opera companies. Schwarz, a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers, completed his final season as music director of the Seattle Symphony in 2011 after an acclaimed 26 years a period of dramatic artistic growth for the ensemble. In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades including Emmy Awards, GRAMMY nominations, ASCAP Awards and the Ditson Conductor’s Award. He was the first American named Conductor of the Year by Musical America and has received numerous honorary doctorates. The City of Seattle and named the street alongside the Benaroya Hall “Gerard Schwarz Place.

On this episode we discuss our summers past and present, Bret Pimentel, provides a guest shoutout on a great woodwind resource, and we are joined by Claire Brazeau, principal oboe of the Los Angeles Chamber Orchestra for our interview! For more info on Claire visit: http://www.clairebrazeau.com/! This podcast is brought to you by Singin’ Dog Double Reeds (www.singindog.com), MKL Reeds(www.mklreeds.com/), Jende Reed Knives (www.jendeindustries.com), and Double or Nothing Reeds(www.doubleornothingreeds.com/). In this episode: -Woodwind Basics: Core Concepts for Playing and Teaching Flute, Oboe, Clarinet, Bassoon, and Saxophone by Bret Pimentel: http://woodwindbasics.com

Concert: Tetzlaff Plays Dvořák Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Los Angeles native Christian Campos is managing artistic director of the Horizon Music Group. Under Campos' stewardship, the ensemble has collaborated with the Cincinnati Boychoir (Bach cantatas), Long Beach Camerata Singers (Handel's Messiah), Pacific Chorale (Lauridsen's Lux Aeterna), and Bach Collegium San Diego (Bach's St. John Passion). Campos has performed at the Oregon, Los Angeles, Long Beach, and Whittier College Bach Festivals. His conducting style has been described as “expressive, varied and tuned perfectly with the music” (Long Beach Grunion Gazette). Campos graduated from DePauw University where he studied music and economics while participating in honors programs in business management and information technology. A champion of world music, he received a grant from the ASIANetwork to study Indian Carnatic Music, the result of which was the first ever online database of ragas, composers, and compositions. Since returning to California, he has worked as a guest conductor and contractor of choirs and orchestras, regularly performing with musicians from the Los Angeles Philharmonic, Los Angeles Chamber Orchestra, and Los Angeles Master Chorale. He has contracted for the American Choral Directors Association, Chorus America, Broad Stage, Santa Monica College, CalState Long Beach, Fullerton, Los Angeles, and San Bernardino, and a host of area performing organizations. Christian has been featured on the Los Angeles Philharmonic's Upbeat Live pre-concert series; in previous seasons he worked as a score reader at the Hollywood Bowl and lecturer as part of the Student Insiders pre-concert series. Campos has served on the faculty at Pomona College and the USC Thornton School of Music, where he recently completed his coursework towards a Doctor of Musical Arts degree.

The annual Halloween show.  Songs include: The Halloween Dance, Mr Ghost Goes to Town, Riders In The Sky, Coffin Blues, The House is Haunted and Music For Stings, Percussion and Celeste.  Performers include: Bing Crosby, Ida Cox, Fred Astaire, the Mills Blue Rhythm Band, Bessie Smith, Russ Colombo and the Los Angeles Chamber Orchestra. The podcast concludes with a reading of Dream-Land by Edgar Allen Poe.

On Oct. 12, 2012, Violinist Daniel Hope and pianist Jeffrey Kahane join composer Nico Muhly for a pre-concert conversation. Speaker Biography: Nico Muhly is an American contemporary classical music composer and arranger, who has worked and recorded with classical and pop/rock musicians. He currently lives in the Lower East Side section of Manhattan in New York City. Speaker Biography: Daniel Hope is a British classical violinist. He was born in South Africa and now lives in Vienna, Austria. Speaker Biography: Jeffrey Alan Kahane is an American classical music pianist and conductor. He is music director of the Los Angeles Chamber Orchestra. For transcript, captions and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6152