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You create your own opportunities. Success doesn't just come and find you–you have to go out and get it.
In this episode of The Plant Trainers Podcast, we talk with Murray Hidary about MindTravel and taking music beyond entertainment. Buckle up, because today we not only talk to Murray about music for meditation and healing, but we actually get to have a live MindTravel experience here. Understanding more about neuroplasticity in order to prevent and deal with stress is key in the MindTravel philosophy. Murray shares how he found meditation, his connection to music and how the combination ripples into all areas of a healthy lifestyle. Stay tuned to learn more about our MindTravel and find a place to relax and come traveling with us! Through music, the language of emotion, MindTravel creator and composer Murray Hidary seeks to open the heart to healing and transformation with his evocative, live-piano compositions. Recently, the music of MindTravel has also served to bring awareness and a call to action on issues like social justice and climate change. Hidary has brought MindTravel to iconic theaters and spectacular outdoor venues in over 100 cities the world over. From the deserts of the Middle East to the first-ever piano concert on the continent of Antarctica, Murray seeks to bridge gaps in understanding through the universal language of music. Murray is also an entrepreneur and tech pioneer and in the early days of the Internet co-founded and built companies including EarthWeb, Dice Inc, Vista Research and eBillity. Today, he is focused on the human experience and, through MindTravel, helps people better connect with themselves and one another. In this episode we discuss: Sunsets Becoming veg Finding music Meditation MindTravel The neuroplasticity of meditation Different brain frequencies Who it's for Collective experience and individual experience Our media diet Navigating emotional state A MindTravel experience here live Links to things we mentioned: Sign up for our newsletter – Murray Hidari - MindTravel - , , MindTravel Relaxation For The Mind And Body – Powering Your Redox Potential with Shoshana Chaim –
Daniel Levitin is a neuroscientist, cognitive psychologist, bestselling author and musician whose work encompasses music, the brain, health, productivity and creativity. He is the Founding Dean of Arts & Humanities at Minerva University in San Francisco and Professor Emeritus of Psychology and Neuroscience at McGill University in Montreal. He is the author of the best-selling books This Is Your Brain on Music, The World in Six Songs, The Organized Mind, A Field Guide to Lies and Successful Aging (published in the UK as The Changing Mind). He has published more than 300 articles, in publications that include Science, Nature, PNAS, The New Yorker, The Atlantic, and The Wall Street Journal. As a musician, he has performed with the likes of David Byrne and Sting, has released two solo albums, produced and consulted on albums by artists including Stevie Wonder, Steely Dan and Joni Mitchell, and has been awarded 17 gold and platinum records.
ID:Earth is a singer, songwriter, and music producer from Seoul, Korea. She sings about human civilization, existence, birth, and the Earth with her music providing a fantastic backdrop for these explorations. Her latest album Space Station was released on December 12, 2023. We sat down with her to learn more about her music, her life, and being an artist in South Korea. ID:Earth Instagram: https://www.instagram.com/iamidearth/ YouTube: https://www.youtube.com/@UCVo9uVMP5JWUfXQh_hUDK0g Her latest album Space Station: https://www.melon.com/artist/song.htm?artistId=2622503 Discussion Outline* 0:00 The Birth of ID: Earth 14:18 “Aliens” 22:18 Finding a Minimalist Sound 27:18 Being an Artist in South Korea 35:23 “Fire” 41:57 Writing Choruses 48:18 Creating OSTs for Dramas and Movies 1:03:21 “Sky Where You Are” 1:06:40 People's Brains 1:10:37 ID:Earth's Favourite Song 1:17:25 What ID:Earth is Listening to These Days 1:21:34 ID:Earth's Plans for 2024 1:26:00 Advice for Young Artists 1:28:22 Message to the Fans *Due to copyright reasons on audio platforms, we had to remove the audio of the 3 songs we played in the studio. You can find the tracks on YouTube or anywhere else. This episode again featuring Jeon Yunseo Find her on Instagram: @y_jeon_s Korea Deconstructed by David Tizzard ▶ Get in touch: datizzard@swu.ac.kr ▶ Support us on Patreon: https://www.patreon.com/user?u=62047873 ▶ Watch us on Youtube: /davidtizzard ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com/ ▶ Music: Fighting by Disorientalz (https://www.instagram.com/disorientalz/) ▶ Recorded at 허브 36.5: https://www.instagram.com/the_story_from_you/
@therealbabyyb storms the scene in our latest episode, laying down her truths in the powerful anthem "I Am That." Her music isn't just a beat to groove to—it's a declaration of self-worth and a call to action for anyone who's ever been short-changed in love or life. As we unravel the layers behind her fierce track, Babyy B's palpable energy and candid insights offer an empowering message: Your time is precious, and real connections are worth more than any currency.But the rhythm doesn't stop there. Our conversation expands to include two entrepreneurial spirits who riff on the harmonies between their melodies and their business ventures. @Iam_jadakiss & Babyy J artists-turned-entrepreneurs share their roots, from Connecticut to the Bronx, showcasing the rich tapestry of influences that shape their music. They're not just hitting notes—they're creating beauty outside the booth, with ventures like an eyelash business that offer more than just financial freedom. Their stories are a symphony to those who dare to dream and hustle in harmony.Closing the set, we explore the delicate dance of privacy in the public eye. Our guests, adept in both music and the dance arts, share their choice to keep their moves behind the curtain of social media. It's a refreshing take on fame in the digital age, underscoring a respect for personal boundaries without stifling the celebration of their craft. As they hint at future collaborations, we're reminded that true artistry thrives in the spotlight and the shadows alike. Join us for this episode—where beats, businesses, and the beauty of staying true to oneself come together in one unforgettable melody.Support the showFollow our IG & Twitter for live updates @LFTGRadio
多元分散、價值選股,無懼市場震盪富蘭克林穩健型月配息基金-富蘭克林穩定月收益 ➢ 多元收益,提升息收穩定度! ➢ 債優於股,債券兼顧收益與品質;股權均衡布局、維持低本益比配置立即了解#富蘭克林穩月收>>https://go.fstry.me/47CJ21p —— 以上為播客煮與 Firstory DAI 動態廣告 —— ------------------------------- 通勤學英語VIP加值內容與線上課程 ------------------------------- 通勤學英語VIP訂閱方案:https://open.firstory.me/join/15minstoday 社會人核心英語有聲書課程連結:https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法: 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 官方網站:www.15mins.today 加入Clubhouse直播室:https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道:https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信:15minstoday@gmail.com ------------------------------- 以下是此單集逐字稿 (播放器有不同字數限制,完整文稿可到官網) ------------------------------- 國際時事跟讀 Ep.K687: The Healing Power of Melancholy: Music's Impact on Pain Perception Highlights 主題摘要:Music as Pain Relief: Certain music, especially melancholic tunes, can temporarily reduce pain perception, providing a unique and side-effect-free approach to managing physical discomfort.Emotional Connection: The study highlights the emotional impact of music, revealing that bittersweet and moving songs are more effective in relieving pain than calming or cheerful tunes.Health Benefits of Music: Beyond pain relief, embracing music—whether melancholic or upbeat—offers various health benefits, including stress reduction and improved sleep, encouraging its therapeutic exploration. Listening to music may offer more than just a pleasant auditory experience; it could serve as a temporary remedy for physical pain, according to a recent study featured on CNN. The research suggests that certain types of music, particularly those with bittersweet and emotional themes, can alleviate individuals' perception of pain. Notably, the study found that the most effective pain relievers were sad songs, capable of tapping into the emotional dimensions of our experiences. 根據CNN最新報導,聆聽音樂可能不僅是帶來愉悅的聽覺體驗,還可能成為緩解身體疼痛的暫時良方。研究表明,特定類型的音樂,尤其是那些帶有苦澀和情感主題的音樂,能夠減輕人對疼痛的感知。值得注意的是,研究發現最有效的止痛劑是能夠觸動我們情感維度的悲傷音樂。 The study, conducted with 63 young adults, involved participants selecting two of their favorite songs—one representing their all-time favorite and the other a song they would bring to a desert island. Additionally, participants chose from a set of unfamiliar relaxing instrumental songs. The impact of these songs on pain perception was evaluated through a series of 7-minute sessions where participants listened to their favorite music, the relaxing instrumental songs, a scrambled version of both, or sat in silence. A hot object was applied to their left inner forearms to simulate a painful experience. + Sure? 這項研究涉及63名年輕成人,參與者選擇了兩首他們最喜歡的歌曲,其中一首代表他們的最愛,另一首是他們會帶到荒島上的歌曲。此外,參與者還可以從一組不熟悉的輕鬆演奏曲中進行選擇。通過一系列7分鐘的會話,參與者在聽他們最喜歡的音樂,輕鬆的演奏曲,兩者的混合版,或者靜坐中評估這些歌曲對疼痛知覺的影響。過程中一個發熱物被放置在他們的左前臂內側,以模擬疼痛感。 Results revealed that individuals reported feeling less pain when listening to their favorite songs compared to hearing unfamiliar relaxing tunes or sitting in silence. Interestingly, songs with bittersweet and moving themes were more effective in reducing pain than calming or cheerful ones. Lead study author Darius Valevicius, a doctoral student of neurosciences at the University of Montreal, highlighted the significance of this finding, suggesting that people intuitively turn to melancholic music for its pain-relieving effects. 結果顯示,與聽不熟悉的輕鬆曲調或靜坐相比,當參與者聽他們最喜歡的歌曲時,他們報告感覺到的疼痛較少。有趣的是,具有苦澀和動人主題的歌曲在減輕疼痛方面比安撫或愉悅的歌曲更為有效。研究的主要作者,蒙特婁大學神經科學博士生Darius Valevicius,強調了這一發現的重要性,暗示人們本能地轉向憂鬱音樂以獲得緩解疼痛的效果。 The study also explored the connection between listening to bittersweet songs and experiencing chills, commonly associated with pleasurable music. While not thoroughly examined, researchers hypothesized that these musical chills might contribute to pain-blocking effects, possibly through a mechanism known as sensory gating. Although music may reduce pain perception by approximately 10%, experts caution that it is not a substitute for medical intervention. Nevertheless, embracing music, whether melancholic or upbeat, offers various health benefits, including stress reduction and improved sleep. The findings encourage individuals to explore the therapeutic potential of music for enhancing well-being. 該研究還探討了聆聽苦澀音樂與感受放鬆之間的聯繫,放鬆通常與愉悅的音樂相關。雖然沒有進行深入研究,研究人員假設這些音樂帶來的放鬆可能通過一種稱為感覺閘門的機制對阻擋疼痛產生影響。儘管音樂可能將疼痛知覺降低約10%,專家提醒這不能替代醫學干預。然而,擁抱音樂,不論是憂鬱還是愉悅的曲子,都能帶來各種健康的益處,包括釋放壓力和改善睡眠。這些發現也鼓勵了人們探索音樂對提升身心健康的治療潛力。 Keyword Drills 關鍵字:Particularly (par-ti-cu-lar-ly): The research suggests that certain types of music, particularly those with bittersweet and emotional themes, can alleviate individuals' perception of pain.Instrumental (in-stru-men-tal): Additionally, participants chose from a set of unfamiliar relaxing instrumental songs.Melancholic (me-lan-cho-lic): Lead study author Darius Valevicius, a doctoral student of neurosciences at the University of Montreal, highlighted the significance of this finding, suggesting that people intuitively turn to melancholic music for its pain-relieving effects.Pleasurable (plea-su-ra-ble): The study also explored the connection between listening to bittersweet songs and experiencing chills, commonly associated with pleasurable music.Approximately (ap-pro-xi-mate-ly): Although music may reduce pain perception by approximately 10%, experts caution that it is not a substitute for medical intervention. Reference article: https://edition.cnn.com/2023/10/25/health/listen-to-sad-songs-less-pain-wellness/index.html
It's time for another Val / Chad episode on All This Noise, and they've got plenty of takes to go around the Thanksgiving podcast table. Their overarching conversation is how fame is changing and the cascading effect it's having on the Pop Culture and music landscape, including: recaps of the Fred Again shows at the Shrine, does the average person know who he even is?, why the EDM boom in America can be attributed to Downtown LA in the late 2000's, wondering if your mom knows any of the current music stars, why we have less and less universal headliners, the impact of celebrity-endorsed fast food menu items, Pumpkin Spice vs. Ice Spice confusion, the current deconstruction of artists like Justin Timberlake and Drake, why country music slaps, and the things they are grateful for this year. Hosted by Valerie Lee & Chad Kenney Produced by Jose Guzman Original Music by RamonPang Recorded at ICON Collective Music Production School https://www.iconcollective.edu/ All This Noise drops every Thursday, wherever you get your podcasts: https://linktr.ee/allthisnoisepod https://www.instagram.com/allthisnoisepod https://linktr.ee/browniesandlemonade
In this episode, I join jazz bassist, composer, and bandleader Omer Avital in his beautiful, intimate studio in Brooklyn, NY. Born in Givatayim, Israel, to Moroccan and Yemeni parents, Omer studied classical guitar from age 11 before eventually shifting to acoustic bass. We talk about his 1992 arrival in New York, where he shook up the city playing in groups with jazz legends Roy Haynes, Jimmy Cobb, Kenny Garrett, and Rashied Ali. We discuss his musical influences and the importance of learning about the elders and jazz masters who paved the way for him, as well as politics in the Middle East and how he views it all as an artist. Lastly we consider the Brooklyn oasis he created called Wilson Live. Founded in 2018, Wilson Live provides a platform that enables local artists to document and present their work in an easy and effective way, all while forming a musical community in the heart of the borough. Wilson Live hosts weekly musical happenings with great homemade food by its culinary curator, Yoav Adereth.https://www.omeravital.com
Afrobeat to the world: what it feels like to tour Europe as an artiste. This episode is about Nigerian music acceptability in the world. If you are planning to travel to Europe, this is also a great episode for you. #MemoirOfANaijaGirl is available on YouTube: like, comment and Subscribe. Podcast is available on all podcast Platforms. @helen.moang on Instagram
Much love to you beloved Cartel! I must apologize in advance for this episode. It feels very selfish of me to have a musician as a guest & nerd out on some very similar musical interests. Britt & I discuss his new amazing album The First Domino & all the semantics involved in it's creation. We then get into different similar musical tastes such as our favorite vocalist & musical savant Mr. Mike Patton of Faith No More fame, Phil Collins & Genesis! We then hook into the spiritual matters of everything we do & much more! Please enjoy! Find Britt & his music on Instagram here: @vidalandtheshadowyfigures https://instagram.com/vidalandtheshadowyfigures?igshid=MzRlODBiNWFlZA== Please like, share, subscribe and leave a review on #iTunes! Also you can feed Nigel the goat some extra shekels at my patreon if you would be so kind. He will love you for all eternity. Patreon here: patreon.com/redpillcartelpodcast Telegram here: t.me/redpillcartel Instagram here: @redpillcartelpodcast Always feel free to ask to get on the show! Email redpillcartelpod@gmail.com One stop shop for all links: https://linktr.ee/redpillcartelpodcast
Dr. Julie Jaffee Nagel has written a new book entitled "Career Choices in Music Beyond the Pandemic: Musical and Psychological Perspectives" and Dave Wagner talked with Dr. Nagel about the challenges facing everyone who is considering a career in the performing arts.
In this interview, Professor Tim McKenry (Australian Catholic University) goes deeper about his article, "Why Do We Stop Exploring Music As We Get Older?". While most music fans would say, "That's not me," we learn that it's more prevalent in our lives as we age than we realize. Where nostalgia and familiarity breed comfort, we're encouraged to remain engaged with art that challenges our tastes. New episodes of Yesterday's Concert drop every Monday. Check out our previous episodes here and subscribe wherever you get your podcasts. In addition, you can contact our show at info@yesterdaysconcert.com and follow us on Facebook, Twitter, Instagram, YouTube, and TikTok for the latest news and content. We also host another show: Jam Journals. More: yesterdaysconcert.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In this interview, Professor Tim McKenry (Australian Catholic University) goes deeper about his article, "Why Do We Stop Exploring Music As We Get Older?". While most music fans would say, "That's not me," we learn that it's more prevalent in our lives as we age than we realize. Where nostalgia and familiarity breed comfort, we're encouraged to remain engaged with art that challenges our tastes. New episodes of Yesterday's Concert drop every Monday. Check out our previous episodes here and subscribe wherever you get your podcasts. In addition, you can contact our show at info@yesterdaysconcert.com and follow us on Facebook, Twitter, Instagram, YouTube, and TikTok for the latest news and content. We also host another show: Jam Journals. More: yesterdaysconcert.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Avant Garde music is notoriously difficult to like. But some people say they do. What if we made music that was so bad that it turned out to be amazingly popular amongst the chattering classes? It worked for Stravinsky and The Rite of Spring' (which is actually quite good really). Our Music Department has a technique that deliberately offends the ears to assure its future as a classic! Can you take it?The only university that makes you chuckle AND learn at the same time.
How have music careers and options changed as a result of COVID-19, and how should we change how we educate musicians moving forward? How can musicians think outside the “music box” to expand options for rewarding and creative work? Why is our career choice as musicians especially linked to our personal identity? Why do we choose a career in music, given the inherent challenges in the industry? Musician and psychologist Julie Jaffee Nagel addresses these topics and more in her new book, and in this preview conversation. Links and notes related to this episode can be found at https://mpetersonmusic.com/podcast/episode155 Connect with us: Newsletter: https://mpetersonmusic.com/subscribe Facebook: https://www.facebook.com/EnhanceLifeMusic/ Instagram: https://www.instagram.com/enhancelifemusic/ LinkedIn: https://www.linkedin.com/in/mpetersonpiano/ Twitter: https://twitter.com/musicenhances Sponsorship information: https://mpetersonmusic.com/podcast/sponsor Leave us a review on Podchaser.com! https://www.podchaser.com/podcasts/enhance-life-with-music-909096 In-episode promo: The Business Side of Music podcast https://www.businesssideofmusic.com
"Some of the shared concepts - even words that psychoanalysis and musicians use - such as conflict, ambiguity, silences, dissonance, resolution or not, working through, is in the Mozart you've heard. What you hear in the very opening four measures was worked through this entire sonata, it was thematic. If we play the whole sonata, and even in the first movement, you get a taste of it. Those themes are present throughout the sonata just like in the patient's associations and interactions with you - we have music themes and we have core conflicts, and they get developed.” Episode Description: We begin by listening to the opening of Mozart's A minor sonata, performed by Professor Louis Nagel. Mozart wrote this during the time of his mother's death, and it was one of the very few instances of his utilizing a minor key. From that example, we explore the interface between the dynamic mind and the layering of classical music. Concepts of core conflict, displacement, and resolution represent important meanings in both fields. Julie shares clinical examples of how music enters her clinical space with her patients. She also shares with us her life story and how music played a central role in helping her negotiate tumultuous personal circumstances. She demonstrates what it means to be an ambassador for both music and psychoanalysis - on and off the couch. Our Guest: Julie Jaffee Nagel, PhD is a psychologist, psychoanalyst, and musician. She graduated from The Juilliard School, the University of Michigan, and The Michigan Psychoanalytic Institute. She has presented widely on Stage Fright, Careers in the Arts, #Me Too and Music Education, The Value of Music in Mental Life, and “Injustice, Oppression, and Prejudice As ‘Heard'” in Music.” Her fantasy dialogue, A Conversation Between Mozart and Freud, was performed in Steinway Hall, NYC, in February 2020. She is the author of Managing Stage Fright and Melodies of the Mind. She has served as chair of the American Psychoanalytic Association's discussion group Psychoanalytic Perspectives on Music, was a member of the Program Committee, Symposium Committee, and is currently Chair of the Ticho Award Committee. She has presented at The College Music Society, Music Teachers National Conference, and National Conference on Keyboard Pedagogy, from whom she received their Distinguished Service Award. Additional Awards include two Nathan Segal Awards (MPI), The Karl Menninger Award, and the Ernst and Gertrude Ticho Award for contribution to psychoanalysis and music. Her latest book, Career Choices in Music Beyond the Pandemic: Musical and Psychoanalytic Perspectives, offers unique musical and psychological perspectives on one of the most important decisions made in a musician's (or anyone's) lifetime: choosing a career. She is in private practice in Dexter, Michigan. Louis Nagel is Professor Emeritus of Piano at The University of Michigan School of Music Theatre and Dance and the winner of the Harold Haugh Award for Excellence in Teaching at The University of Michigan Recommended Readings: Anderson, E. (1966) The Letters of Mozart and His Family (Second Ed. in two volumes, completed by A. Hyatt King and Monica Carolan). London, Melbourne, Toronto: Macmillan and New New York: St. Martin's Press. Barale, F. and Minazzi, V. 2008. Off the Beaten Track: Freud, Sound, and Music; Statement of a Problem and Some Historico-critical Notes, 89(5), October: 937-57. Cheshire, N.M. (1996) The Empire of the Ear: Freud's Problem with Music. Int. Journal of Psychoanalysis.77: 1177-78. Feder, S. 1993. “Promissory Notes”: Method in Music and Applied Psychoanalysis, in S. Feder, R.L. Karmel, and GJ. Pollock (eds). Psychoanalytic Explorations in Music. Madison, CT. : International Universities Press. 3-19. Feder, S., Karmel, and GJ. Pollock (eds) 1990 and 1993. Psychoanalytic Explorations in Music.( Vols. 1 and 2) Madison, CT. : International Universities Press Freud, S. (1914a). The Moses of Michelangelo. S.E.. XIII: 211-36. Lipson.C. (2006) The Meanings and Functions of Music that Comes into One's Head. Psychoanalytic Quarterly. 75 (3) 859-78. McDonald, M. (1970). Transitional Tunes and Music Development. The Psychoanalytic Study of the Child. 25: 503-20. Nagel, J.J. 2013. Melodies of the Mind. Routledge, London and New York. Nagel, J.J. 2017 Managing Stage Fright: A Guide for Musicians and Music Teachers. Oxford University Press. Nagel, J.J. 2022. Beyond the Consulting Room: How I Discovered “Heard” Immunity Through Music and Psychoanalytic Knowledge. The American Psychoanalyst. Nagel, JJ. (2023) Career Choices in Music Beyond the Pandemic: Musical and Psychological Perspectives. Rowman and Littlefield. Lanham, Maryland. Nagel, J.J. (2018) Music. Ch. 32. A Conversation Between Mozart and Freud. In Textbook of Applied Psychoanalysis, (Akhtar, S., and Twemlow, S. Eds.) London and New York. Routledge/Taylor and Francis, 2019. ( This Conversation was revised and performed at Steinway Hall, in New York City on February 13, 2020.) Noy, P. 1966-1967 a,b,c,d The Psychodynamics of Music. Journal of Music Therapy, 3(4) :126- 34, 4(1);7-23,4 (2);45-51, 4(3);81-94, 4(4);117-25. Polisi, J. 2005. The Artist as Citizen, New York. Amadeus Press Ross, A. (2007) The Rest is Noise. New York. Farrar, Straus, and Giraux Recordings: Waltz from Gounod's Faust (Liszt-Gounod-Nagel transcription) - Louis Nagel, Piano - live performance Variations on a Theme of Beethoven for 2 Pianos, Op. 35 , Camille St. Saens- Julie and Louis Nagel - live performance
Tim Brown is a Free Diving instructor I met during my time in Guatemala over the holidays. He's a 21-year-old kid from Australia who decided one day that he wanted to try free diving and now he's teaching tourists how to do it in Lake Atitlan, a gorgeous lake in Guatemala. For more Ari: Get tickets to see Ari on the road: https://www.arishaffir.com/tour Cool merch & more: https://www.arishaffir.com/ Ari Shaffir - JEW (2022) FULL SPECIAL Tim Brown Freedive Atitlan - Lake Atitlan, Guatemala https://www.instagram.com/freediveatitlan/ The Music: Beyond the Sea- Bobby Darin Lake of Fire- Nirvana Holy Diver- Pat Boone Black Water- The Doobie Brothers
Audionautic | Covering the Latest in Music Production, Marketing and Technology
This week Eonlake, Kh3rtis and Sunwarper sit down to discuss a number of new (and old) free plugins that are worth looking into as the holiday G.A.S. comes to us all. They'll also discuss some new tools available in Spotify for Artists and an interesting fan study looking at listener trends and the rise in older "catalog" or discography listens. Finally they open it up to the livestream chat to answer questions and get their take on ways to promote music beyond what seems like shouting "I have a new release" into a collective void. Check out our new Eco T-Shirts: https://audionauticrecords.bandcamp.com/merch/audionautic-space-eco-tee Special thanks: McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords Join the conversation:
Beyoncé and Drake released house music albums this year, leaving fans confused by their shift from pop-soul sounds to dance beats. Despite popular belief, house music comes from the the 70s disco era and fostered a safe space for Black and queer folk to feel true liberation. Daily Show producer, Chelsea Williamson, house music great, DJ Derrick Carter, and music scholar and writer, Craig Seymour, join host Roy Wood Jr. to discuss the forgotten origins of house music. Beyond The Scenes is a podcast from The Daily Show with Trevor Noah. Check out more episodes wherever you get your podcasts or YouTube.com/TheDailyShowSee omnystudio.com/listener for privacy information.
The party fights against the Arsenian Hobgoblins, who block their path to the center of the Great Waste. ---- Theme Music by Shibley inspired by Davy Paul Editing by Tom Whitehead | Audio Engineer/Editor/Producer whitehead.tom1994@gmail.com "Fantasy Forest Battle" Music by Eric Matyas http://soundimage.org/ (http://soundimage.org/) Music: [Fantasy + Motion] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Melodic Interlude] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Beyond the Horizon] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Fall Asleep] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Wonderland] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Dark n Deep] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Sounds from Zapsplat.com
تهش یه نفس عمیق بکشید.متن و اجرا : #محسن_رحمانی..Music :Beyond the Fray - Jacob LaValleeEvalia - Paul Dinletir Neo (Modern Classical Cello Themes)
Måneskin sits down with iHeartRadio's Shannon Burns to talk about LGBTQ2S+ allyship & representation, being part of the epic Baz Luhrmann's Elvis soundtrack, Celebrity encounters including Breakfast at Chris Martin's house! Måneskin tell us about coming to America, the inspiration it brings to their work as well as American movies they enjoy! Måneskin talks about how fans might perceive them as wilder than how they actually are! (And their love of darts) Måneskin gives their thoughts on rock music and the way they want it to see it go as well as their thoughts on labelling music by genres. Måneskin lets us know what aspect of Rockstar life fulfils them the most.
The break-in at the dwarven capitol continues as the party attempts to convince the king that he is in danger - can they make it to his chamber? ---- Theme Music by Shibley inspired by Davy Paul Editing by Tom Whitehead | Audio Engineer/Editor/Producer whitehead.tom1994@gmail.com Music: [Fantasy + Motion] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Mystery Palace] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Haven] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Tavern Brawl] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Tension] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) Music: [Beyond the Horizon] by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/)
Ini adalah bagian terakhir dari rangkaian Music Beyond Jakarta. Kali ini, Alvin Yunata dan David Tarigan mencoba bertanya kepada punggawa kancah Banjarmasin, Kalimantan Selatan, Ozzy. Selain menjadi gitaris dari Binal (yang sebelumnya menjadi band favorit Alvin dan David di Bedah Musik Suka-Suka), Ozzy juga menjalankan Sonic Pop Records, menjalankan proyek noise, Gilababi, dan aktif menghidupkan kancah musik independen di kotanya. Sedikit lucu, sedikit blak-blakan, dan lumayan frontal, ini lah hasil perbincangan mereka.
Setelah berbincang dengan dua wakil dari barat dan satu wakil dari Timur Indonesia, kali ini David Tarigan dan Alvin Yunata beranjak ke tengah Indonesia. Adalah Timmy, manajer dari unit twee pop asal Lombok, The Dare yang mereka ajak memetakan kancah independen Nusantara kali ini. Timmy yang sebelumnya bersama Sundancer dan bandnya membuka jalan ke beberapa kota di Jawa pasti punya banyak cerita menarik dari kampung halamannya.
Welcome to Words 4 Levites , your weekly source for wisdom nuggets designed for singers, musicians and ministry leaders. Our special guest this week is CEO of Daley Smith Inc., Joanna Smith. Joanna is a classical pianist, singer, teach and geotechnical engineer. We discuss the benefits of music beyond money and Joanna's philosophy of "jack of all trades, master of some". By GOD's grace you will walk away from this episode with an expanded view of the benefits of music, inspiration to spend more time cultivating a talent GOD gave you and a desire to help a child dig deeper into music, math, science, and leadership. It premieres on Youtube tomorrow (Tue. 9/28) @ 9pm ET - https://youtube.com/playlist?list=PLk_D6MZ-R_PmodN30L_JL1xABdlA977R5 It will also be available everywhere podcasts are streamed. - https://li.sten.to/words4levites
Soprano, Elizabeth Hilliard lets her voice "out of the box" in a new work by Gráinne Mulvey celebrating "Great Women".
This episode, we talk to the team at Nuage about their journey into music and how they've been making a big impact on the independent music scene in the city. The boys Abi and Ami break down their latest project: Siamese and leave us with a huge surprise at the end of the show. You don't want to miss it! Check them out @nua9e_
How do you make a piece sound musical? If you tend to read and completely play as the sheet music instructs very often it become mechanical...so how do you make pieces sound amazing? --- Send in a voice message: https://anchor.fm/musicsecretsexposed/message
For months this year, we dug into the Fayetteville Roots Festival archives for musical performances on our show. As 2021 approaches, we consider new ideas for how to celebrate live music as the pandemic continues.
This week we started with Skye Lewin, a composer at bungie and the Beyond Light Music Director. It was a pleasure speaking with him about his background and journey to Bungie, his process in creating music with the team, and what makes Video game music unique. After that he had to leave so Cognito and Ebontis discussed Beyond Light Impressions. The Campaign, Europa, Stasis, Crucible, and Season of the Hunt. This isn't a perfect expansion but it does offer a lot to enjoy and lot to learn from as well. Ebontis Twitter: https://twitter.com/Ebontis Twitch: https://www.twitch.tv/ebontis Youtube: https://www.youtube.com/Ebontis LordCognito Twitter: https://twitter.com/LordCognito Youtube: https://www.youtube.com/channel/UCYiUhEbYWiuwRuWXzKZMBxQ You can support The Last Word Podcast right here -->> https://anchor.fm/ebontis/support --- Send in a voice message: https://anchor.fm/ebontis/message Support this podcast: https://anchor.fm/ebontis/support
Hip-Hop Marketing Manager and DJ extraordinaire, Zainab Hasnain, joins the show to share her story, from Lahore to Long Island. She touches on artists from across the pond, shares the best qualities of great DJs, and commits to being a ride-or-die for the multi-hyphenate. Follow her on Instagram: @zeemuffin Check out her DJ mixes on Audiomack: audiomack.com/zeemuffin Check out the companion playlist: https://open.spotify.com/playlist/7BxjyCU37a6ILw1Rvo4zJl?si=vfqwBJgrS6iQZqDlfVxyaQ Rate us on Apple Podcasts and leave a comment!
This question was sent by Brigitte, and she writes: “Thanks Vidas for the complete pedaling and instructions. It has created a great opportunity for me to focus on the pedal technique for early music beyond toes only.”
Karibu Kwnye final session ya The power of Music Beyond Entertainment, Imekuwa wakati mzuri na session bora na wanafamilia ya nmu podcast, kwenye hii episode ya mwisho tumekusogezea mambo mengi ambayo mziki umekuwa na nafasi kubwa ya ushawishi na kuweza kuleta majibu postive kabisa . kwenye hii session tumezungumzia mziki ambavyo umetumika kupigania HAKI na kuleta majibu chanya, hapa utasikia namna ambavyo baadhi ya wasanii wamekuwepo kuwa chombo cha kusemea kwa wanyonge na wananchi ambao hawana nafasi kubwa ya kupaza sauti, kwakutumia huu mziki na wasanii wake. Pia utasikia Jinsi mwalimu Juliusi Kambarage Nyerere ambavyo pia ameutumia huu Mziki kupenyeza siasa na kuweza kuwashinda wacoroni kwa kutumia majukwaa ya mziki, kwa kumtumia Bibi mmoja ambaye anaitwa BIBI TITI , Hapa ndo utajua ni kwa namna gani ambavyo mziki umekuwepo toka zamani na kuweza kuwezesha mambo mengi kuweza kufanikiwa . Mbali na haya pia utapata kujua baadhi ya Quotes mbali mbali za watu mashuhuri kuhusu mziki na namna mziki umeweka harama kwnye jamii. Kwa haya na mengine mengi hembu tusikilize na tufatilie kwenye Podcast Stores zote na kuweza kuwa mwanafamilia wa NMU PODCAST. --- Send in a voice message: https://anchor.fm/martine945/message
Karibu kwenye familia . --- Send in a voice message: https://anchor.fm/martine945/message
Karibu Nmu Podcast Tuendelee na Topiki Yetu kama session nyingine zilizopita zimekuwa nawe zikikupasha juu ya Nguvu ya mziki, Karibu tusikilize hapa Jinsi mziki Umekuwa sehemu Kubwa sana ya kukuza utamaduni na kusambaza tamaduni za mataifa mbalimbali Karibu. --- Send in a voice message: https://anchor.fm/martine945/message
Karibu kwenye episode Yetu hii mpya, Kwenye session 3 ya The power of music beyond entertainment, kwenye session hii tumeongelea kwa undani sana nguvu ya muziki nje ya burudani, kwa kuangazia upande wa siasa. --- Send in a voice message: https://anchor.fm/martine945/message
Karibu kwenye episode Yetu hii mpya, Kwenye session ya pili ya The power of music beyond entertainment, kwenye session hii tumeongelea kwa undani sana nguvu ya muziki nje ya burudani, kwa kuangazia upande wa mahusiano, Hapa tumeongelea jinsi mziki umekuwa nguzo muhimu na chombo muhimu kwenye mahusiano, ya kimapenzi , kiundugu pia na kuwa kiunganishi bora chenye kuleta maelewano mazuri baina ya wahusika. Pia tumeenda mbali zaidi na kuona mziki huu ukitumika vizuri unavyoweza kuwa dawa , hapa utasikia ni kwanamna gani mziki unaondoa stress, kutumika kuwa moja ya sehemu ya kufanya secretion of dopamine Hormone kuzalishwa na kuweza kukuondolea kabisa stress, pia utasikia kuwa mziki unatumika kama Tiba kwa maana kwamba kuna operation ma hospitalini mpaka zifanyike kuna mziki au chombo cha mziki lazima kitumike na kumfanya mgonjwa ajisikie yupo kwenye utulivu mkubwa sana , tunasema concentration process , kwa haya na mengi ungana nasi kwenye episode hii na session hii Ya Pili uweze kuwa mmoja ya mwanafamilia wa NMU PODCAST Karibu. Tupate mitandaoni @nextmusicuniverse --- Send in a voice message: https://anchor.fm/martine945/message
*THE POWER OF MUSIC BEYOND ENTERTAINMENT*
Our FIRST episode!In today's episode: In it's heyday, striptease establishments were a popular hotspot for Denver nightlife.Ex- strippers P & J explore the differences between male and female exotic dancing from an entertainer's point of view. We also discuss the value that the gentleman's club had in bringing generations together. Grab a beer and fold your dollars.Next on Stage One....Music: Beyond by TrackTribe
Another week, another episode of the Homie Humpday series! Join me as I interview my lil brothas Julio & Moses about music and everything that comes with it! Always a great time catching up with the boys and I hope you guys enjoy this episode just as much as I did. Stay tuned for future HH eps! Timestamps: What's Poppin (3:27) Music & Beyond (8:50) The Plug (32:14)
On the latest installment of the podcast, Mike and Dustin take a look at the Roger Ebert penned, Russ Meyer directed, 1970 gonzo exploitation satire, Beyond the Valley of the Dolls. Music: "Beyond the Valley of the Dolls" (Stu Phillips), "The Long Run" (Stu Phillips, Lynn Carey, Barbara Robinson) Like us on Facebook Follow us on Twitter Join our Patreon Subscribe for free: itunes Stitcher
Sung by Brother Mark Ridge in Wednesday night, April 1, 2020
Even with all the music available today, most of us still listen primarily to just a few comfy genres. But there’s so much more out there — and so much of it defies neat, algorithm-friendly categorization. Original Air Date: * *June 01, 2019 *Guests: * Kevin Gift — Wendel Patrick — Philip Glass — Robert Glasper — Toni Blackman — Clarice Jensen — Evelyn Glennie — Nikka Costa *Interviews In This Hour: * How One Man Became Two Musicians — Philip Glass Asks 'Where Does Music Come From?' — Jazz That Smells Like Teen Spirit — Hip Hop as Diplomacy — A Former Child Pop Star Performs America’s Songbook — An Acclaimed Cellist Goes Rogue — Touching The Sound Of Everyday Objects
Upcoming True Crime Podcast Teaser for Moonshine, Murder, and Mayhem. CAUSE OF DEATH: UNKNOWN. In this series, we will look back to the 1930s, diving into the mysterious death of a cab operator who braved selling moonshine in the dry county of McMinnville, Tennessee. Did he die of natural causes? Or are the rumors true about police involvement? Music: Beyond the Lows - The Whole Other Mixing / Mastering : Julio Silva Iacobelli Join Us: https://tinyurl.com/s248yv4
Yaniv Zarif https://www.instagram.com/yzmusicyz/ is an actor, singer, and polyglot fluent in 6 languages and conversational in 32! http://www.yanivzarif.com/ He tours the world with his show "Music Beyond Language" which celebrates and tells the story of the 32 languages he speaks. Yes, 32!
On today's episode of Close Read* with Elise and Eugene, we discuss and analyze one of our recent movie obsessions: Parasite by Bong Joon Ho. Garnering a lot of attention for its stunning cast and refreshing script, Parasite details the conflicts between the Haves and the Have Nots, while prompting questions on wealth, inequality, and class identity. *SPOILERS* do make an appearance in our conversation. We'd love to hear what you think about the film as well, and for you to participate in our discussion. However, if you are planning on watching the film at some point, we highly encourage you to learn as little as you can about the film before watching it. Go in blind and experience the twists and turns. They are SO worth it. Music: "Beyond the Line" www.bensound.com
Today We’re speaking with Matthew Ellul, the man behind School Of Composition, an online resource for anyone who wants to learn to compose music, offering free tutorials as well as eBooks and personal tutoring for aspiring composers. Composing and song writing are often the end goals which inspire people to join our membership here at Musical U and so we’re very conscious of the things which tend to hold people back from really pursuing or succeeding with writing their own music, and we’re always eager to talk with those who specialise in teaching these skills. Like music theory, composing is often taught in a dry, abstract rule-based way which sucks all the musicality out of it. On his site, School of Composition, Matthew tackles both topics in a way that helps nurture creativity - rather than stifle it. In this conversation we talk about: • Two simple insights which helped Matthew stop comparing himself to others in an unconstructive way • The music theory topic which was a big "aha" moment for him and helped stop his own compositions from meandering aimlessly • How singing, playing an instrument, playing more than one instrument, and mastering notation software can all contribute in different ways to becoming a better composer We also talk about the big thing which holds us back from sharing our own musical creations - and Matthew recommends one effective way to fix that. We often encourage people to try composing or song writing even if they don't expect to pursue it in a serious way - because just like improvising, composing can be a terrific vehicle for applying your inner musicality and exploring what you're capable of in music. Whether you're currently excited by the word "composing" or not, you'll enjoy this conversation with Matthew - because there are a ton of valuable ideas and insights here for any musician. Subscribe For Future Episodes! Apple Podcasts | Android | Stitcher | RSS | YouTube Full Show Notes and Transcript: Episode 198 Links and Resources • School Of Composition • School Of Composition - How to Get Better at Music Composition (15 Do’s and 5 Don’ts) • School Of Composition - Cadences in Music: Beyond the Harmonic Formulas • Musicality Now - About Singing as a Tool • Musicality Now - The Instrument Inside You, with Ben Parry • Musicality Now - About Playing Like Singing • Musicality Now - Find and Make Peace with Your Voice, with Nikki Loney • Musicality Now - Learning to Sing in Tune, with George Bevan • Musicality Now - How to Sing Smarter, with Meghan Nixon • Musicality Now - Singing that Sounds Good – and Beyond, with Davin Youngs • Musicality Now - All Things Vocal, with Judy Rodman • Musicality Now - Rewind: Singing • Musicality Now - Intimidating – or Inspiring? You Choose Enjoying the show? Please consider rating and reviewing it! Click here to rate and review
In this episode we speak with singer and song writer Arielle Alexa about “Music Beyond Borders” and the impact it has socially.
In this episode we are joined by Ben G Media's own, Ben Goldman! We elaborate on music and how much influences our lives. If you would like to follow Ben G Media on Facebook, check out the link! https://bit.ly/2JkwQL9 If you would like to hear the new music by yours truly, check out soundcloud.com/bankaccount ! You wont be disappointed! --- Send in a voice message: https://anchor.fm/wesleytheactor/message Support this podcast: https://anchor.fm/wesleytheactor/support
With the final ascent up the Glimmershard Mountain, the party enters a steam vent cave to find the Oracle. Music: Beyond the Clouds by George Tsaliagos and No Momentum by OurMusicBox
As the party makes its way South to Talariel's hill, they discover that not all is well, and must work together to put things right. Music: Beyond by Mikromatique, Grandeur of Stars by George Tsaliagos and On the Origin of Species by Savfk
Mezzo-soprano Wallis Giunta is a multi-faceted artist with a variety of interests, a great take on mindful practice, and a truly wonderful personality. In our conversation, we discuss, among other things, the importance of making choices that will allow you to thrive, how she prepares for a role, and how she uses mental practice to learn and memorize music at a deeper level. We elaborate on: Her journey from Ottawa, Ontario (Canada) to Toronto, New York, and, more recently Leipzig as a member of Oper Leipzig Her experience as a young girl in the Ottawa Youth Choir, and the importance it had in her becoming a professional singer Her experience at the Glenn Gould School and the Canadian Opera Company and the various opportunities she found there How making choices that fit her well were very important in her development and allowed her to thrive Her life as a member of Oper Leipzig Her fun, mindful way of curating a recital program that is meaningful to her How she prepares for a role How she went from a more repetitive form of working on songs to a more mindful and mental approach to practicing as she evolved as an artist o Translate the text and understand the meaning o Listen to various recordings and interpretations o Break it down o Memorize it How practicing mentally first thing in the morning and last thing before bed is tremendously effective for her and helps her cement the repertoire to memory How she has developed the skill to learn repertoire mentally, now that that is in a place where she feels confident about her technique How singers practice difficult passages How she brings operatic characters to life ALL ABOUT WALLIS: Wallis Giunta's website Wallis' YouTube channel Wallis' Facebook page Wallis on Instagram The Complete Sherlock Holmes (Knickerbocker Classics) The Complete Sherlock Holmes (2 Volumes) Irish-Canadian mezzo, Wallis Giunta, has been named “Young Singer of the Year” in the 2018 International Opera Awards, and was named both “Young Artist of the Year” by The Arts Desk and “Breakthrough Artist in UK Opera” in the What's On Stage Opera Awards for her work in 2017. She has been praised by OPERA NEWS for her “delectably rich, silver-toned mezzo-soprano, with a beautiful sense of line and effortless, rapid runs”, with her performance as Mozart's Sesto for the Canadian Opera Company celebrated as “a triumph…remarkable in its combination of intelligence and beauty”. Her 2018/19 season includes debuts with the BBC Proms Festival in a program celebrating Leonard Bernstein, with the Grange Festival as Cherubino at The Barbican, London, with the MDR Sinfonieorchester as Haydn's Berenice, and with the Royal Opera House Muscat in La Traviata. She also debuts the title roles in Carmen and Der Rosenkavalier, along with Rossini's Rosina for Oper Leipzig, and Idamante for Toronto's Opera Atelier. She began the 2017/18 season with two role debuts for Opera North, the title role in Ravel's L'enfant et les sortiléges, and Dinah in Bernstein's Trouble in Tahiti, both to great critical acclaim. She returned to Oper Leipzig, where she has been an ensemble member since 2015/16, for her house roles of Angelina, Cherubino, Rossweise & Wellgunde, and debuted Prince Orlofsky in Die Fledermaus and Der Gymnasiast in a new production of Berg's Lulu. She also returned to the Munich Radio Orchestra, Toronto's Koerner Hall and the Music & Beyond Festival in concert, and debuted at the Oregon Music Festival as Anna I in Weill's The Seven Deadly Sins. The 2016/17 season saw her debuts with Opera North, performing the title role in Rossini's La Cenerentola, with Teatro Communale di Bolzano as Cherubino, and with the Munich Radio Orchestra, Tokyo Metropolitan Symphony Orchestra, and Symphony Nova Scotia in concert. Wallis returned to Opera Atelier to debut the title role in Purcell's Dido & Aeneas, and to both the Toronto Symphony and the Real Orquesta Sinfónica de Sevilla for new productions of Weill's The Seven Deadly Sins. The 2015/16 season saw her make several major European debuts, including for Teatro dell'Opera di Roma (Adams' I Was Looking at the Ceiling and Then I Saw the Sky), Oper Frankfurt (Carmen), Oper Leipzig (La Cenerentola, Le Nozze di Figaro, Faust, Der Ring des Nibelungen), the Hamburg Symphony (Candide), and the Deutsche Oper am Rhein in concert. She also returned to the Edmonton Symphony for Messiah and had her first experience teaching, with a series of masterclasses for Toronto's Tapestry New Opera. Early in 2015, she returned to The Metropolitan Opera as Olga in their new production of The Merry Widow, directed by Susan Stroman. Other recent highlights include returns to the Canadian Opera Company as Dorabella in Atom Egoyan's new production of Cosí fan tutte (2014), to Opera Lyra Ottawa as Cherubino in Le Nozze di Figaro (2015), and to Opera Atelier as Bradamante in a new period-production of Alcina (2014), along with debuts at Madison Opera (2014) and the Taipei Symphony Orchestra as Annio in La Clemenza di Tito (2013). In June 2014, she recorded her first album with the RTÉ National Symphony Orchestra in Dublin (NAXOS), of a new work by American composer, William Perry. Wallis also debuted in 2014 with Toronto's 21C Music Festival in Louis Andriessen's one-woman-opera, Anaïs Nin, and brought her acclaimed recital program of Kurt Weill's The Seven Deadly Sins to Miami, New York, Toronto and Ottawa. She had a whirlwind 2012/13 season, making her Metropolitan Opera debut in Rigoletto, debuting the roles of Sesto & Annio in La Clemenza di Tito with the Canadian Opera Company, making her Paris debut with Le Théâtre du Châtelet as Tiffany in John Adams's I Was Looking at the Ceiling…, and singing Dorabella in the Met + Juilliard production of Cosí fan tutte at Lincoln Center. She also made debuts with Fort Worth Opera, L'Opéra de Montréal, the Edmonton, Seville and Nuremberg Symphonies, the Stuttgart Festivalorchester, and the National Arts Centre Orchestra. Wallis is a passionate recitalist, and has recently performed for the Aspen, Caramoor, Banff, Luminato, Music & Beyond, and Ottawa Chamber Music festivals. She is the grateful recipient of the 2016 Bernard Diamant Prize from the Canada Council for the Arts, the 2013 Novick Career Advancement Grant, the 2013 Sylva Gelber Music Foundation Career Development Award, and multiple prizes from the George London Foundation. Wallis is a 2013 graduate of both the Metropolitan Opera Lindemann Young Artist Development Program & the Juilliard School's Artist Diploma in Opera Studies, and a 2011 graduate of the Canadian Opera Company Ensemble Studio. She has also studied at The Glenn Gould School, the Ravinia Festival's Steans Music Institute, and the International Meistersinger Akademie in Germany, and continues her private studies with Edith Wiens. Wallis is also devoted to animal rights, particularly the rescue and rehabilitation of abandoned domestic rabbits. She is an active rabbit foster parent and finds opportunities to foster and volunteer at shelters as she is performing around the world. She is a volunteer and supporter at Rabbit's Rest Sanctuary & WildRescue in Denton, Texas, and works to draw attention to our societal responsibility towards domesticated animals. Please get in touch if you are interested and would also like to help! If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. For added fun, join the Mind Over Finger Tribe on Facebook where you will find a community of mindful musicians! THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast. Thank you for your support.)
Gigi interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures in spatial audio, mixed reality, and sound technologies. Adam also teaches at UCLA's Music Industry Program at the Herb Alpert School of Music. Adam shares the blockages and doorways from learning saxophone to a wide door into audio engineering at Trident in the UK. He tells us how technology has touched nearly every major change in his career. He shares how designing with his synesthesia had led to his multi-dimensional "Sonic Field" perspective, beyond the speakers. Guest: Adam Moseley Adam Moseley is a multitalented producer, engineer, mixer, composer, music supervisor, and UCLA lecturer at the UCLA Herb Alpert School of Music. Among his many accomplishments, he establish Trident II Studios in London, and he is involved in R&D with several audio and software companies and is exploring new immersive mixing in Surround Sound and Ambisonics. Adam has built an impressive reputation for his eclectic work with solos artists, bands and in film score mixing. Credits include John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz, Beck/Jack White, Claudio Valenzuela, Lucybell, Roxette, Maxi Priest, Richard Marx, Galliano, The Cure, Kiss, Visage, Rush, Wet Wet Wet, Ketama, Buffalo Tom, Marla Glen, The Buggles, The Blow Monkeys, AJ Croce,Jose Carreras, Michael Brecker, Talvin Singh, Branford Marsalis, Vernon Reid, Bill Bruford, Tina Turner, Baaba Maal, Earth Wind and Fire, Melba Moore, Hoagy Carmichael and Georgie Fame. Film and TV credits, that include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams, Amanda Seyfried , Spike Jonze’s “I Am Here, “The Americans” (FX Channel), “True Blood” (HBO), “The Son” (AMC) and the multi award winning feature movie “The Dark Valley (2014). Various other credits include film and tv mixing with Nathan Barr, Lisbeth Scott, Matthias Weber, John Cale, Leonardo di Bernadini, Andrew Gross and Joel Douek. Website: www.adammoseley.net
How do you envision yourself aging as an artist? My guest today never imagined she’d be dancing and performing and teaching into her 70’s and yet she is! This fall we’ll skirt the edges of the spirit world as we talk with guests who channel the dead to write movies and allow their ancestors to play piano with them - starting with this guest, flamenco dancer, writer, avid spiritual practitioner, Marianna Mejia. This episode included music from:Guitar playing by Frederico Mejia recorded by Dave Borson on a reel to reel at the Cabal in Berkeley 1968 or 1963.Carcelero: Freddie Mejia playing Harp on a CD with Luis Agujetas singing and Gary Hayes (Geraldo de Alcala) playing guitar. You might also enjoy these episodes:Episode 1 Perform Like a ShamanEpisode 20 Showgirl Shaman Shares Her SecretsEpisode 36 The Music Beyond the Mash UpTo learn more about Holly Shaw and the Performers & Creators Lab click here
Award winning composer, Steven Chesne, just released his latest album, Sapient which is being called a “landmark recording” by music reviewers. Listen as we talk creating fusion from sacred traditions, musical counterpoint (aka “mash ups”) and monks walking through the streets of Santa Monica. For more than a year, Steven Chesne unearthed the ancient words of peace from Buddha, Lao Tzu, Jesus, Mohammed, the Sikhs, the Hindu, the Jews, the Cheyenne, the Kikuyu, and the Baha’i. Chesne consciously focused on discovering the similarities of themes and shared beliefs, instead of the differences. This special episode includes moving musical selections from the culminating album, Sapient. This episode was sponsored by Artists United - a non-profit organization empowering individual artists to create excellent art and to unite all artists to create social change. Artists who work alone create art. Artists who work together create change. Artistsunited.netTo learn more about Holly Shaw and the Performers & Creators Lab Podcast click here
In this episode of CMA Talks, Kaori Fujii, founder & president of Music Beyond, offers a practical framework for integrating art and social action. She discusses where to begin, when to seek advice, how to develop your personal narrative and mission, and different methods for supporting your goals—including fundraising, sponsorship, and community partners.
Episode 4 is with my good friend James, a student of linguistics. We discuss how we first met, his first time and year in Hong Kong, learning Cantonese or the Mandarin languages, where to eat chicken testicles in Hong, James’s thesis, how the news about the 2014 protests filtered through to James while living in the UK, Hong Kong beer, desire to travel in Hong Kong and mainland China and paying for it, flat hunting, expectations for living again in Hong Kong and advice for others. James can be found on Twitter and Periscope: Bitmapkid.I can be found on Periscope and Twitter with JonathanJK. Music:Beyond 05: 光輝歲月 Thanks for listening.
Greetings friends, long time no podcast. I know I've only recorded like one Full Metal Hipster episode since the beginning of November, but I promise I will rectify that starting now...because it's List Season! That's right, it's that time of the year when metalheads the world over pour over magazines and blogs in order to get mad about someone else's completely subjective list of music they enjoyed. In the spirit of the season (and because I'm a masochist) I've decided to produce a series of podcasts covering all the major subgenres of heavy metal. This is going to take a month or two so I hope you're ready to hear a lot of good-ass music. To kick things off, you're going to hear my picks for the five best traditional heavy metal albums of 2017. Crank that volume up and enjoy! If you're an iTunes user, don't forget to subscribe to Full Metal Hipster, and leave me some good reviews/5 star ratings for God's sake! If you're not an Apple fanboy, you can stream or download each episode from my website FullMetalHipster.com, my Stitcher page, or on the podcast host site. I'm on Twitter at @MetalShayne2000 and Facebook, too, ya bums! For always and forever, the demo was better! Episode Playlist Lady Beast (Buy the Music) - "Vicious Breed" Stereo Nasty (Buy the Music) - "Kill or Be Killed" Sanhedrin (Buy the Music) - "Riding on the Dawn" Satan's Hallow (Buy the Music) - "Beyond the Bells" Pagan Altar (Buy the Music) - "Portrait of Dorian Gray" Download Episode
Elizabeth never set out to be a barrister representing Greenham Common Peace Protesters and Battered women. But she did and she excelled in the role. Her Mum had wanted her to be a member of dance group Pans People .Elizabeth is now a novelist who loves going back to her past when she was Mod in Chelmsford who wore pale pink lipstick and had a beehive and listened to Tommy Steele and loved Motown. Elizabeth tells Josephine about her life, the 60s and about her dynamic career. #60s #Mods #Book #Author #AmReading http://elizabethwoodcraft.com/
Chris Collingwood was the frontman for one of the great power-pop bands in history, Fountains of Wayne. Of course, even *he* doesn't really know what "power pop" even means, other than being kind of a dismissive description. Now Chris has broken away and taken his music in a new direction with Look Park, a more idiosyncratic musical offering. But what rewards does today's music industry hold for a guy who's trying to redefine himself as a musician? And can the fellow who sang on "Stacy's Mom" find a foothold in the savage mess that is 2016's entertainment landscape? NOTES: Follow Chris Collingwood - @lookpark Enter to win a galley copy of Chris Harris's novel War On Sound by joining the Facebook fan page: www.facebook.com/groups/1792363834316273 Follow the show - @JuggernautPod Songs we played during this episode: "Shout Part 1" by Look Park "Breezy" by Look Park "99.9F°" by Suzanne Vega "Stacy's Mom" by Fountains of Wayne "Mexican Wine" by Fountains of Wayne