Podcasts about interwar years

The United States Army Ground Forces During the Interwar Years 1919-1941: Infantry Cavalry Field Artillery Coast Artillery by MSG Jim Irwin (Retired)The United States Army Ground Forces During the Interwar Years 1919-1941 covers the period of the Interwar years 1919-1941. It is intended for individuals interested in US Army history of that era. Insignias and pictures lend to the experience of the era.MSG Jim Irwin (Retired) is a retired community college professor. He taught business and technology courses. He served two years in the US Army during the Vietnam war, and spent another twenty-seven years in the Indiana Army National Guard. His biggest hobby is reading fiction and non-fiction alike.https://www.amazon.com/United-States-Ground-Interwar-1919-1941/dp/B0CK2ZXNBJ/ref=sr_1_1?keywords=The+United+States+Army+Ground+Forces+During+the+Interwar+Years+1919-1941:+Infantry+Cavalry+Field+Artillery+Coast+Artillery&qid=1706538230&s=books&sr=1-1http://www.urlinkpublishing.com   http://www.bluefunkbroadcasting.com/root/twia/5924mjiurl.mp3   

A special thank you goes out to Al Hirsch for providing the music for the podcast, check him out on YouTube.Find merchandise for the podcast now available at:     https://washington-history-by-jon-c.creator-spring.comIf you enjoy the podcast and would like to contribute, please visit: https://www.buymeacoffee.com/EvergreenpodIf you have any questions, episode ideas you'd like to see explored, or just have a general comment, please reach out at Historyoftheevergreenstatepod@gmail.comTo keep up on news for the podcast and other related announcements, please like and follow:https://www.facebook.com/HistoryoftheevergreenstatepodcastFind the podcast over on Instagram as well: @HISTORY_EVERGREENSTATEPODCASTYou can also find the podcast over on YouTube:http://www.youtube.com/@historyoftheevergreenstatepodThank you for listening to another episode of the History of the Evergreen State Podcast!

Populist leaders want polarization. They start polarization. They confront. Kurt WeylandProudly sponsored by the Kellogg Institute for International Studies. Learn more at https://kellogg.nd.eduAccess Episodes Ad-Free on PatreonMake a one-time Donation to Democracy Paradox.A full transcript is available at www.democracyparadox.com.Kurt Weyland is the Mike Hogg Professor in Liberal Arts. He has written many books. His most recent is Democracy's Resilience to Populism's Threat: Countering Global Alarmism. He has also authored the article "Why Democracy Survives Populism" in the Journal of Democracy.Key HighlightsIntroduction - 0:45Democratic Breakdown in Peru - 2:56The Populist Threat - 18:46Institutional Strength - 25:19Countering Global Alarmism - 46:19Key Links"Why Democracy Survives Populism" by Kurt Weyland in Journal of DemocracyDemocracy's Resilience to Populism's Threat: Countering Global Alarmism by Kurt WeylandAssault on Democracy: Communism, Fascism, and Authoritarianism During the Interwar Years by Kurt WeylandDemocracy Paradox PodcastKurt Weyland Distinguishes Between Fascism and AuthoritarianismJason Brownlee Believes We Underestimate Democratic ResilienceMore Episodes from the PodcastMore InformationApes of the State created all MusicEmail the show at jkempf@democracyparadox.comFollow on Twitter @DemParadox, Facebook, Instagram @democracyparadoxpodcast100 Books on DemocracySupport the show

For Episode 127 of the podcast, Chris and Alex travel through (film) history to examine the negotiation of the past through computer manipulation, focusing on Peter Jackson's They Shall Not Grow Old (2018) and its use of digital techniques to re-articulate the sounds and images of the First World War. Joining them to discuss the technological mediation of national traumas and triumphs is Dr Lawrence Napper, Senior Lecturer in Film Studies at King's College London, who is an expert in early silent and British cinemas and author of the monographs British Cinema and Middlebrow Culture in the Interwar Years (2009), The Great War in Popular British Cinema of the 1920s: Before Journey's End (2015) and Silent Cinema: Before the Pictures Got Small (2017). Listen as they discuss digital enhancement, discourses of truth, and the authenticity of the film's added frames; historical screen representations of WW1 and the fictionalisation (and colourisation) of real-world events; the appeal and opportunities of archival footage in crafting cultural understandings of the Front; and how They Shall Not Grow Old offers spectators a landscape of imagination that captures the complexities of war while ‘animating' the very fantasy of bringing the past back to life. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

Dr. Stephen Phillips interviews Captain Benjamin "BJ" Armstrong, discussing his latest book, Naval Presence and the Interwar U.S. Navy and Marine Corps: Forward Deployment, Crisis Response, and the Tyranny of History. Naval Presence and the Interwar U.S. Navy and Marine Corps on Amazon.com: https://www.amazon.com/Presence-Interwar-Corbett-Maritime-Studies/dp/1032530049/USS Panay incident at NHHC: https://www.history.navy.mil/browse-by-topic/wars-conflicts-and-operations/world-war-ii/1941/prelude/panay-incident.html

"Destroyer Flag-Flying Visits, Civic Ceremony, Empire and Identity in interwar Britain," by Dr. Jayne Friend, British Journal for Military History, Volume 7, Issue 2, July 2021.

In the latest episode of the ⁠London History Podcast⁠, we're going to dim the lights and step back in time, exploring the smoke-filled, jazz-infused London nightclubs of the roaring 1920s and tumultuous 1930s. These were places where new music was forged, societal norms were challenged, and the intoxicating glamour of the era unfolded under the warm glow of chandeliers. For this enthralling journey into the past, we are accompanied by a distinguished guest, a scholar whose pen dances as smoothly on paper as the flappers did on those long-ago dance floors. Please welcome historian, author, and expert on British popular culture, Lucy Santos. With her extensive knowledge and passion, we'll delve into the hidden histories of these clubs, uncovering stories of the people who frequented them and ran them, the culture they created, and the impact they had on London society during the interwar years. We'll discover how these clubs, both celebrated and notorious, formed a microcosm of the larger societal changes in London, reflecting the shifting dynamics of class, race, and gender. From the glitzy sophistication of the Kit-Cat Club, famed for its membership of artists and intellectuals, to the eclectic sounds and sights of the Shim Sham Club in Soho, where jazz and the emerging Lindy Hop dance scene brought diverse crowds together, our exploration today will take us to the heart of an exciting era. So, ladies and gentlemen, put on your dancing shoes, cue the jazz, and join us as we dive into the smoky allure of London's nightclubs in the 1920s and 1930s. Stay tuned, the night is young and the history is rich. Let us know if there's a particular person, event or place you want to know more about in our podcast: ⁠londonguidedwalks.co.uk/podcast⁠ ⁠⁠⁠Send a voice message --- Send in a voice message: https://podcasters.spotify.com/pod/show/londonguidedwalks/message

Jordan Adams, Interim Director of Curriculum at Hillsdale College K-12 Education, joins host Scot Bertram to discuss the "The Interwar Years & World War II" unit from Hillsdale's K-12 American History curriculum.See omnystudio.com/listener for privacy information.

Join Josh and Han as they look into the life of and shine a spotlight on a relatively forgotten member of Les Six - Germaine Tailleferre. Intermezzo pour 2 pianos - https://youtu.be/gtDTO7uULqg Piano Trio - https://youtu.be/b9fdJsAePek Sonata per 2 pianoforti (1974) - https://youtu.be/jsO4UomRwv0 Boulanger Initiative - https://www.boulangerinitiative.org/ https://contemporaryartmusicproject.org/ SOURCES: Orledge, R. Tailleferre, Germaine. Grove Music Online https://www-oxfordmusiconline-com.ezaccess.libraries.psu.edu/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000027390. Laura Ann Hamer, "Musiciennes: Women Musicians in France during the Interwar Years, 1919-1939" Germaine Tailleferre - https://en.wikipedia.org/wiki/Germaine_Tailleferre

On September 1, 1939 the German Wehrmacht would begin their invasion of Poland. But before we get there, we need to look at Interwar Poland. During this episode we will look at developments in Polish internal politics and foreign relations. Sources:  - Case White: The Invasion of Poland 1939 by Rober Forczyk - Poland 1939: The Outbreak of World War II by Roger Moorhouse - Appeasement: Chamberlain, Hitler, Churchill and the Road to War by Tim Bouverie - The Origins of the Second World War: An International Perspective Edited by Frank McDonough - The Polish Campaign 1939 by Steven Zaloga and Victor Madej - The Foreign Policy of Jozef Pilsudski and Jozef Beck, 1926-1939: Misconceptions and Interpretations by Anna M. Cienciala - The French Government and the Danzig Crisis: The Italian Dimension by P.R. Stafford - Reflections from Rumania and Beyond: Marshal Smigly-Rydz in Exile by Stanley S. Seidner - Macht Arbeit Frei? Chapter: The War against Poland and the Beginning of German Economic Policy in the Occupied Territory by Witold Wojciech Medykowski - Poland Between the Wars, 1918-1939 Edited by Peter D. Stachura - Poland's Preparation for World War Two by Michael Alfred Peszke - The Rebirth and Progress of the Polish Military During the Interwar Years by Jacek Czarnecki - The Eastern Pact, 1933-1935: A Last Attempt at European Co-operation by Lisanne Radice (1977) - The Lights that Failed: European International History 1919-1933 by Zara Steiner - Agreement of Mutual Assistance between the United Kingdom and Poland, August 25, 1939. - Blitzkrieg Unleashed by Richard Hargreaves - The Great Powers and Poland: From Versailles to Yalta by Jan Karski - The History of the Panzerwaffe Volume 1: 1939-42 by Thomas Anderson - September Storm: The German Invasion of Poland by Gordon Rottman & Stephen Andrew - Britain and Poland, 1939-1943: The Betrayed Ally by Anita J. Prazmowska - March 1939: The British Guarantee to Poland - A Study in the Continuity of British Foreign Policy by Simon Newman (1976) - Poland 1939: The birth of Blitzkrieg by Steven J. Zaloga - The Rise and Fall of the Third Reich by William Shirer - Various Documents from the British Cabinet Papers, particularly CAB 55/19/15, CAB 65/1, CAB 65/3, and CAB 66/1 - Documents on German Foreign Policy 1918-1945 - Reflections from Rumania and Beyond: Marshal Smigly-Rydz in Exile by Stanley S. Seidner - The British War Blue Book: Documents Concerning German-Polish Relations and the Outbreak of Hostilities Between Great Britain and Germany on September 3, 1939 - The French Yellow Book: Diplomatic Documents (1938-1939) Contact sales@advertisecast.com to advertise on History of the Second World War.  History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lena Horne, Moms Mabley, Memphis Minnie and Yolande du Bois Williams were four accomplished Black women whose careers took off before World War II and each one made her mark. Tara Green recounts their path to self-actualization - pleasure - in their personal and public lives. --- Send in a voice message: https://anchor.fm/james-herlihy/message

Munya and Brian discuss the class war that raged in the United States between World War I and World War II. They answer: Why was the American ruling class so obsessed with Mussolini? And, what is the best sales strategy for selling grenade launchers to Firestone? All this and more!

This month, we're talking about troublemakers–from women who made “good trouble” to women who thrived in illicit industries to villains in the truest sense of the word.History classes can get a bad wrap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Encyclopedia Womannica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know -- but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Encyclopedia Womannica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Encyclopedia Womannica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Sundus Hassan, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, and Ale Tejada. Special thanks to Shira Atkins.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

A hero of the Imperial German Army (by his own account), an architect of the rise of two dictatorships, a co-creator of a mystical neo-pagan religion, and an author, General Erich Ludendorff was a force to be reckoned with. A BETTER PEACE welcomes Jay Lockenour to the virtual studio to discuss his most recent look at the persona of Ludendorff as one of the most prominent Germans of the 21st century. Jay joins podcast editor Ron Granieri to talk about Ludendorff's relationship with Hindenburg, Hitler, his wife Mathilde and his behavior in the Interwar Years. TRANSCRIPT: https://warroom.armywarcollege.edu/wp-content/uploads/21-110-TOO-WEIRD-FOR-THE-NAZIS-ERICH-LUDENDORFF-Transcript.pdf

Professor Peter Stanley and his expert panel of Rear Admiral Peter Briggs, Professor Michael White & Rear Admiral James Goldrick discuss the chequered history of RAN submarines in the interwar years.

This guy. Killing mainly in 1929 when he was 46, the final year of his freedom, Peter Kürten would be charged with nine brutal murders and seven attempted murders in 1930, and then executed 1931. Over the course of his depraved life, he'd be sent to prison over and over, for theft, breaking and entering, fraud, army desertion, arson, rape, and then eventually, murder. Dubbed the "Vampire of Dusseldorf" the year before he was caught, this German monster was a sexual sadist who raped and killed women and children, ejaculating at the sight of their blood. He also sometimes killed the occasional man, becoming sexually aroused at the sight of their blood as well. After killing his victims, he was aroused by the press the crimes received, by revisiting the crime scene and talking to investigators, and also be visiting their gravesites later. All of that turned him on. His own execution turned him on. Dogs and farm animals turned him on. It's another strange and dark journey on another twisted true crime edition of Timesuck. Thank you Space Lizards for helping us give $14,400  to https://supportsurfside.org/ - a hardship fund just established by the Miami Heat basketball team to help those impacted by the devastating building collapse in Surfside, Florida. Watch the Suck on YouTube: https://youtu.be/D2lnAp7s6bw Merch  - https://badmagicmerch.com/   Discord! https://discord.gg/tqzH89v Want to join the Cult of the Curious private Facebook Group? Go directly to Facebook and search for "Cult of the Curious" in order to locate whatever current page hasn't been put in FB Jail :) For all merch related questions/problems: store@badmagicproductions.com (copy and paste) Please rate and subscribe on iTunes and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcast Wanna become a Space Lizard? We're over 10,000 strong! Click here: https://www.patreon.com/timesuckpodcast  Sign up through Patreon and for $5 a month you get to listen to the Secret Suck, which will drop Thursdays at Noon, PST. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. You get to vote on two Monday topics each month via the app. And you get the download link for my new comedy album, Feel the Heat. Check the Patreon posts to find out how to download the new album and take advantage of other benefits. See omnystudio.com/listener for privacy information.

Heard of this guy before? If you haven't, I'm with you. I hadn't either. And then once I got into this story, I wondered HOW had I never heard of him? This story is insane. Karl Denke killed, it seems, at least 30 people in Ziębice, Poland (formerly Münsterberg, Weimar Republic aka Germany). And he ate them. And he sold some of their meat to others. Probably many, MANY others. And he made suspenders out of their skin and shoelaces out of their hair and on and on and on. And he did that out of his apartment, surrounded by neighbors, for over two decades. How? Partially - due to hyperinflation. Yes, hyperinflation in the Weimar Republic led to so much economic chaos that people were a lot more worried about surviving than they were about what their neighbors were up to. And why haven't more of us heard about Karl? Because of another killer operating nearby at the same time who was even more disturbing - Fritz Haarmann. We'll go over some of his crimes as well. True crime, the economic chaos of German's Interwar Years and more on an outlandish edition of Timesuck.  Thanks for helping Bad Magic Productions donate $13,800 this month to The Ocular Melanoma Foundation, in honor of Timesucker Alex Roach. To find out more, go to http://www.ocularmelanoma.org/ Watch the Suck on YouTube: https://youtu.be/oIvZy2JwlHs Merch  - https://badmagicmerch.com/   Discord! https://discord.gg/tqzH89v Want to join the Cult of the Curious private Facebook Group? Go directly to Facebook and search for "Cult of the Curious" in order to locate whatever current page hasn't been put in FB Jail :) For all merch related questions/problems: store@badmagicproductions.com (copy and paste) Please rate and subscribe on iTunes and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcast Wanna become a Space Lizard? We're over 10,000 strong! Click here: https://www.patreon.com/timesuckpodcast  Sign up through Patreon and for $5 a month you get to listen to the Secret Suck, which will drop Thursdays at Noon, PST. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. You get to vote on two Monday topics each month via the app. And you get the download link for my new comedy album, Feel the Heat. Check the Patreon posts to find out how to download the new album and take advantage of other benefits. See omnystudio.com/listener for privacy information.

In the 19th century Europe had thought that they had moved towards liberalism, enlightenment, rationality, progress, that stuff like mass warfare was over and it wouldn't come back. And then you have four years of senseless, mass slaughter, they just totally destroyed or challenged those ideas of humankind getting better off, progress of humankind getting more civilized. In retrospect, it's hard to imagine the coincidence of deep challenges and crises that wrecked the interwar years.Kurt WeylandA full transcript is available at www.democracyparadox.com.Key Highlights IncludeKurt clarifies the concept of totalitarian fascism from conservative authoritarianismA description of the political environment of the interwar periodWhy did authoritarians disliked communism and fascism?Why did fascism emerge during this period?Is there a parallel between the interwar period to today?Kurt Weyland is a professor of political science at the University of Texas at Austin and the author of the new book Assault on Democracy: Communism, Fascism, and Authoritarianism During the Interwar Years. Key LinksAssault on Democracy: Communism, Fascism, and Authoritarianism During the Interwar Years by Kurt Weyland"The Real Lessons of the Interwar Years" by Agnes Cornell, Jørgen Møller, Svend-Erik Skaaning in Journal of Democracy, July 2017Problems of Democratic Transition and Consolidation by Juan J. Linz and Alfred StepanRelated ContentAgnes Cornell and Svend-Erik Skaaning on the Interwar PeriodPaul Robinson on Russian ConservatismMore from the PodcastMore InformationDemocracy GroupApes of the State created all MusicAnother Way PodcastEmail the show at democracyparadoxblog@gmail.comFollow me on Twitter @DemParadox100 Books on Democracy

Eugene Bullard ran away from home in 1907 to seek his fortune in a more racially accepting Europe. There he led a life of staggering accomplishment, becoming by turns a prizefighter, a combat pilot, a nightclub impresario, and a spy. In this week's episode of the Futility Closet podcast we'll tell Bullard's impressive story, which won him resounding praise in his adopted France. We'll also accidentally go to Canada and puzzle over a deadly omission. Intro: The melody of Peter Cornelius' "Ein Ton" is a single repeated note. Thomas Edison proposed the word hello to begin telephone conversations. Sources for our feature on Eugene Bullard: Tom Clavin and Phil Keith, All Blood Runs Red: The Legendary Life of Eugene Bullard -- Boxer, Pilot, Soldier, Spy, 2019. Gail Buckley, American Patriots: The Story of Blacks in the Military From the Revolution to Desert Storm, 2001. Jonathan Sutherland, African Americans at War: An Encyclopedia, 2004. Alexander M. Bielakowski, Ethnic and Racial Minorities in the U.S. Military, 2013. Edmund L. Gros, "The Members of Lafayette Flying Corps," Flying 6:9 (October 1917), 776-778. James Norman Hall and Charles Bernhard Nordhoff, The Lafayette Flying Corps, 1920. John H. Wilson, "'All Blood Runs Red,'" Aviation History 17:4 (March 2007), 13-15. Brendan Manley, "France Commemorates WWI Lafayette Escadrille," Military History 33:3 (Sept. 2016), 8. Rachel Gillett, "Jazz and the Evolution of Black American Cosmopolitanism in Interwar Paris," Journal of World History 21:3 (September 2010), 471-495. Thabiti Asukile, "J.A. Rogers' 'Jazz at Home': Afro-American Jazz in Paris During the Jazz Age," The Black Scholar 40:3 (Fall 2010), 22-35. Tyler Stovall, "Strangers on the Seine: Immigration in Modern Paris," Journal of Urban History 39:4 (June 14, 2013), 807-813. Nicholas Hewitt, "Black Montmartre: American Jazz and Music Hall in Paris in the Interwar Years," Journal of Romance Studies 5:3 (Winter 2005), 25-31. Frederic J. Svoboda, "Who Was That Black Man?: A Note on Eugene Bullard and The Sun Also Rises," Hemingway Review 17:2 (Spring 1998), 105-110. "Air Force Honors Pioneering Pilot," Military History 36:6 (March 2020), 10. Ann Fotheringham, "Eugene Bullard," [Glasgow] Evening Times, June 8, 2020. Jeremy Redmon, "AJC Local In-Depth Georgia Hero," Atlanta Journal-Constitution, Oct. 10, 2019. Jeremy Redmon, "Only in the AJC: Georgia Hero," Atlanta Journal-Constitution, Oct. 7, 2019. Herb Boyd, "First Black Fighter Pilot, Eugene Bullard," New York Amsterdam News, Aug. 29, 2019. Janine Di Giovanni, "The Yanks Who Chose to Stay," [London] Evening Standard, March 23, 2009. Fred L. Borch and Robert F. Dorr, "Expatriate Boxer Was First Black American Combat Pilot," Air Force Times, Feb. 23, 2009. Brad Barnes, "'Flyboys' Uses Eugene Bullard as Model for Character," McClatchy-Tribune News Service, Sept. 22, 2006. Sherri M. Owens, "1st Black Combat Pilot: He Flew for Freedom," Orlando Sentinel, July 29, 2001. Michael Kilian, "Smithsonian to Honor First Black Combat Pilot," Chicago Tribune, Oct. 11, 1992, 6. "Exhibition Traces Role of Blacks in Aviation," New York Times, Sept. 26, 1982. "Eugene Bullard, Ex-Pilot, Dead; American Flew for French in '18," New York Times, Oct. 14, 1961. Dominick Pisano, "Eugene J. Bullard," Smithsonian National Air and Space Museum, Oct. 12, 2010. Robert Vanderpool, "African-American History Month: Eugene Bullard -- The First African-American Military Pilot," Joint Base Elmendorf-Richardson, Feb. 29, 2016. Cori Brosnahan, "The Two Lives of Eugene Bullard," American Experience, PBS, April 3, 2017. Caroline M. Fannin, "Bullard, Eugène Jacques," American National Biography, October 2002. Listener mail: "A Tale of Two Sydneys: Dutch Teen Tries to Visit Australia, but Ends Up in Nova Scotia," CBC, March 30, 2017. Ashifa Kassam, "Land Down Blunder: Teen Heading to Australia Lands in Sydney, Nova Scotia," Guardian, March 31, 2017. "Italian Tourists End Up in Wrong Sydney," CBC, July 7, 2010. "Oops. British Couple Flies to Canada by Mistake," CBC News, Aug. 6, 2002. "No Kangaroos. But Can We Interest You in a Fiddle?" CBC News, Sept. 19, 2008. "What Is the Most Common City/Town Name in the United States?" U.S. Geological Survey (accessed Feb. 27, 2021). Robert C. Adams, On Board the "Rocket," 1879. This week's lateral thinking puzzle is taken from Anges Rogers' 1953 book How Come?: A Book of Riddles, sent to us by listener Jon Jerome. You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

After WWI ended in November of 1918, the victorious world powers looked around realized that even the winners were losers. Yea, Britain and France gained a bunch of colonies and protectorates from the defeated Central Powers, and yeah they were theoretically going to get a reparations payday down the road, but HOLY SHIT, if you'll excuse the language, it was not freaking worth it. France alone suffered over a million killed in action with another more than four million wounded. Europe's economy was destroyed, governments had taken on mind-boggling amounts of debt to fight the war, and the fundamental problem of Great Power competition which led to the war had not been fundamentally altered. The Interwar Period is the roughly twenty-one-year period between the end of WWI in 1918 and the start of WWII proper in 1939. During this period, we obviously had the roaring 20s followed by the Great Depression. This episode will cover four topics: first, the Washington and London Naval Treaties which laid out the sizes and types of navies each major naval power could wield; second, the technological shifts the treaties accelerated, specifically the development of aircraft carriers and naval aviation; third, the war planning the United States was doing during this period, and last just a little bit about what the Marine Corps was doing during this period and how that would prove to be significant during WWII. IG/Twitter: @USNavyPodcast email: USNavalHistoryPodcast@gmail.com

While Jazz, Country, Folk and the Blues are being discriminated through the radio, there are other artforms that are growing and morphing during this period. The “high culture” of society is going on its own historical course. In this episode, our last looking at the world as it was before World War II, we examine the path that Western Art, Art Music, and Literature during the 1930s.

There has been a split in music, art, and culture. As Western Art mediums go one way, a new popular culture begins to develop thanks to the advent of the radio. As swing becomes the dominant identity of jazz, the blues and country are developing outside of the city centers of New York, Washington, New Orleans, and Chicago. 

I discuss the Interwar Years for China, including riots, communism, and one 10,000+ kilometer retreat. Check out our site and survey at https://sites.google.com/apps.everettsd.org/militaryhistorybykidsforkids/home/survey --- Send in a voice message: https://anchor.fm/learnrealhistory/message

A look through the spiritual classic "The Seven Storey Mountain" to find out what shaped Thomas Merton's views on war and how those views developed in the first half of his life. (Note: spoilers!)0:00 Intro3:13 Early life8:12 Leaving England/Cambridge (1934)15:48 Communism at Columbia---The Peace Strike and The Oxford Pledge22:23 Merton discovers the need for a spiritual life25:25 The "one truth people need to learn"29:09 Rumors of war---Signing up for the draft40:41 Merton's draft number gets called--discerning whether the war is just48:52 Goodbye to a loved one50:30 Thomas Merton: an enemy?Source text: Merton, Thomas. "The Seven Storey Mountain, An Autobiography of Faith." Introduction by Robert Giroux, Fiftieth Anniversary Edition, Harcourt Inc., 1948. Find CAM here: www.catholicsagainstmilitarism.comRSS feed: http://www.buzzsprout.com/296171

www.usna.edu/museumwww.facebook.com/usnamuseumTwitter @usnamuseum Books mentioned during this episode:"Theodore Roosevelt's Naval Diplomacy," by Henry J. Hendrix"Military Innovations in the Interwar Years," by Williamson Murray and Allan Millet

Probably not as many KCs as you expected… 6.1.I.A – New modes of communication – including the Internet, radio communication, and cellular communication – and transportation reduced the problem of geographic distance. 6.2.I.B – Between the two world wars, European imperial states often maintained control over their colonies and in some cases gained additional territories. … Continue reading "Episode 30 – The Interwar Years"

Institute of Historical Research 'Not just a "club for girls" but "a women's movement": the Young Women's Christian Association (YWCA), citizenship and voluntary action in Britain during the interwar years Dr Caitriona Beaumont (London South Ban...

Ask many military historians about the origins of American operational art and many will place it sometime after the Second World War. Conventional wisdom has long held that the American military only developed a rough understanding of operations – the planning and conduct of large-scale (Corps-size or greater) coordinated offensive and defensive actions – in the twin crucibles of the European Theater of Operations and in the US Navy’s drive across the Central Pacific. These traditionalist accounts have generally put the United States Army in the role of either being reluctant students, schooled in the nuances of modern warfare by the masters of the art, the German Wehrmacht, or as being pulled along unwillingly by the more sophisticated Navy and Marine Corps. If that is what passes for conventional wisdom, then Michael Matheny is having none of it. A senior instructor at the United States Army War College and a retired Army officer, Matheny is the author of Carrying the War to the Enemy: American Operational Art to 1945 (University of Oklahoma Press, 2011). In this enlightened study of the US Army’s experiences and educational efforts between 1917 to 1945, Matheny introduces a new perspective in the story of American operational art. Even as the United States Army was struggling to learn how to wage mass modern industrial war in the forested hills of France, insightful officers were considering how best to achieve the maximum offensive result, applying the greatest concentration of force at the minimal cost. The new problems uncovered during the First World War became the subject of intensive study during the Interwar Years in the Army’s professional schools, which, Matheny argues quite persuasively, ultimately gave American military officers a qualitative edge over its foreign allies and enemies in the Second World War. While admittedly a take on the American way of war that is rather exceptionalist and triumphalist, Matheny backs up his claims with four solid case studies – Operations TORCH and OVERLORD in the European-Mediterranean Theater, and Operations KING II and ICEBERG, the 1944 invasions of the Philippines and the 1945 invasion of Okinawa. In the end Carrying the War to the Enemy presents an interesting foundation through which to begin reconsidering the course of American arms in the Second World War, and which makes a strong effort to recast a flawed conventional narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ask many military historians about the origins of American operational art and many will place it sometime after the Second World War. Conventional wisdom has long held that the American military only developed a rough understanding of operations – the planning and conduct of large-scale (Corps-size or greater) coordinated offensive and defensive actions – in the twin crucibles of the European Theater of Operations and in the US Navy’s drive across the Central Pacific. These traditionalist accounts have generally put the United States Army in the role of either being reluctant students, schooled in the nuances of modern warfare by the masters of the art, the German Wehrmacht, or as being pulled along unwillingly by the more sophisticated Navy and Marine Corps. If that is what passes for conventional wisdom, then Michael Matheny is having none of it. A senior instructor at the United States Army War College and a retired Army officer, Matheny is the author of Carrying the War to the Enemy: American Operational Art to 1945 (University of Oklahoma Press, 2011). In this enlightened study of the US Army’s experiences and educational efforts between 1917 to 1945, Matheny introduces a new perspective in the story of American operational art. Even as the United States Army was struggling to learn how to wage mass modern industrial war in the forested hills of France, insightful officers were considering how best to achieve the maximum offensive result, applying the greatest concentration of force at the minimal cost. The new problems uncovered during the First World War became the subject of intensive study during the Interwar Years in the Army’s professional schools, which, Matheny argues quite persuasively, ultimately gave American military officers a qualitative edge over its foreign allies and enemies in the Second World War. While admittedly a take on the American way of war that is rather exceptionalist and triumphalist, Matheny backs up his claims with four solid case studies – Operations TORCH and OVERLORD in the European-Mediterranean Theater, and Operations KING II and ICEBERG, the 1944 invasions of the Philippines and the 1945 invasion of Okinawa. In the end Carrying the War to the Enemy presents an interesting foundation through which to begin reconsidering the course of American arms in the Second World War, and which makes a strong effort to recast a flawed conventional narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ask many military historians about the origins of American operational art and many will place it sometime after the Second World War. Conventional wisdom has long held that the American military only developed a rough understanding of operations – the planning and conduct of large-scale (Corps-size or greater) coordinated offensive and defensive actions – in the twin crucibles of the European Theater of Operations and in the US Navy’s drive across the Central Pacific. These traditionalist accounts have generally put the United States Army in the role of either being reluctant students, schooled in the nuances of modern warfare by the masters of the art, the German Wehrmacht, or as being pulled along unwillingly by the more sophisticated Navy and Marine Corps. If that is what passes for conventional wisdom, then Michael Matheny is having none of it. A senior instructor at the United States Army War College and a retired Army officer, Matheny is the author of Carrying the War to the Enemy: American Operational Art to 1945 (University of Oklahoma Press, 2011). In this enlightened study of the US Army’s experiences and educational efforts between 1917 to 1945, Matheny introduces a new perspective in the story of American operational art. Even as the United States Army was struggling to learn how to wage mass modern industrial war in the forested hills of France, insightful officers were considering how best to achieve the maximum offensive result, applying the greatest concentration of force at the minimal cost. The new problems uncovered during the First World War became the subject of intensive study during the Interwar Years in the Army’s professional schools, which, Matheny argues quite persuasively, ultimately gave American military officers a qualitative edge over its foreign allies and enemies in the Second World War. While admittedly a take on the American way of war that is rather exceptionalist and triumphalist, Matheny backs up his claims with four solid case studies – Operations TORCH and OVERLORD in the European-Mediterranean Theater, and Operations KING II and ICEBERG, the 1944 invasions of the Philippines and the 1945 invasion of Okinawa. In the end Carrying the War to the Enemy presents an interesting foundation through which to begin reconsidering the course of American arms in the Second World War, and which makes a strong effort to recast a flawed conventional narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ask many military historians about the origins of American operational art and many will place it sometime after the Second World War. Conventional wisdom has long held that the American military only developed a rough understanding of operations – the planning and conduct of large-scale (Corps-size or greater) coordinated offensive and defensive actions – in the twin crucibles of the European Theater of Operations and in the US Navy’s drive across the Central Pacific. These traditionalist accounts have generally put the United States Army in the role of either being reluctant students, schooled in the nuances of modern warfare by the masters of the art, the German Wehrmacht, or as being pulled along unwillingly by the more sophisticated Navy and Marine Corps. If that is what passes for conventional wisdom, then Michael Matheny is having none of it. A senior instructor at the United States Army War College and a retired Army officer, Matheny is the author of Carrying the War to the Enemy: American Operational Art to 1945 (University of Oklahoma Press, 2011). In this enlightened study of the US Army’s experiences and educational efforts between 1917 to 1945, Matheny introduces a new perspective in the story of American operational art. Even as the United States Army was struggling to learn how to wage mass modern industrial war in the forested hills of France, insightful officers were considering how best to achieve the maximum offensive result, applying the greatest concentration of force at the minimal cost. The new problems uncovered during the First World War became the subject of intensive study during the Interwar Years in the Army’s professional schools, which, Matheny argues quite persuasively, ultimately gave American military officers a qualitative edge over its foreign allies and enemies in the Second World War. While admittedly a take on the American way of war that is rather exceptionalist and triumphalist, Matheny backs up his claims with four solid case studies – Operations TORCH and OVERLORD in the European-Mediterranean Theater, and Operations KING II and ICEBERG, the 1944 invasions of the Philippines and the 1945 invasion of Okinawa. In the end Carrying the War to the Enemy presents an interesting foundation through which to begin reconsidering the course of American arms in the Second World War, and which makes a strong effort to recast a flawed conventional narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Peter Scott (University of Reading) presents the inaugural Douglas Byrne Marconi Lecture based on his research on Marconi and radio manufacturing between the World Wars.

Professor Peter Scott (University of Reading) presents the inaugural Douglas Byrne Marconi Lecture based on his research on Marconi and radio manufacturing between the World Wars.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

From Part IV of A History of Money and Banking in the United States: The Colonial Era to World War II: "The Gold-Exchange Standard in the Interwar Years". Narrated by Matthew Mezinskis.

Institute of Historical Research Comparative, Transnational and Imperial Labour History: Britain and Australia from the late 19th Century to the Interwar years Neville Kirk (Manchester Metropolitan History) Franco-British History seminar series

Early Years Gallery