Podcast appearances and mentions of london evening standard

Simon and Rachel speak with ⁠Joshi Herrmann⁠, the founder of local journalism startup ⁠Mill Media⁠. Joshi founded The Mill, a newsletter covering Greater Manchester, as a one-man band in June 2020. The company now has staff writers and editors across six British cities: Manchester⁠, ⁠Glasgow,⁠ Birmingham, ⁠Liverpool⁠, Sheffield and ⁠London⁠. Mill Media is known for deeply reported long reads and its paid newsletter model; it is read by more than 150,000 email subscribers. The company has received investment from figures including Sir Mark Thompson, chief executive of CNN and a former BBC director-general. Joshi was formerly editor-in-chief of ⁠Tab Media⁠, and he has reported for the Times, the Telegraph, the Guardian and the London Evening Standard. We spoke to Joshi about ⁠working at the Standard⁠, his stints at the Tab, and his current venture, which is looking to reinvent local journalism.We have recently also overhauled our offer for those ⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Tristan Kirk, Courts Correspondent for London Evening Standard

Today, we delve into the dark world of exorcisms and the tragic case of Kennedy Ife, a 26-year-old man from Enfield, London, whose shocking death in 2016 raised unsettling questions about faith, mental health, and the dangers of so-called demonic possession.We explore the history and controversy surrounding exorcisms—age-old rituals performed to cast out supposed evil spirits—and how belief in possession has led to terrifying and sometimes fatal consequences. Then, we take a deep dive into Kennedy Ife's case, where his family claimed he was possessed and restrained him in an attempt to drive out the "demon"—a decision that ultimately led to his tragic demise.Was Kennedy a victim of supernatural forces, or was his suffering the result of a misunderstood medical or psychological crisis? Join us as we analyze the facts and the trial that followed, unraveling one of the most disturbing exorcism-related deaths in recent history.Connect with us on Social Media!You can find us at:Patreon: The Book of the Dead PodcastInstagram: @bookofthedeadpodX: @bkofthedeadpodFacebook: The Book of the Dead PodcastTikTok: BookofthedeadpodOr visit our website at www.botdpod.com Don't forget to Rate, Review, & Share with someone who would like the PodcastPromo for Missing in the PNW PodcastThe Pacific Northwest is known for it's beautiful coastline, green interior, rainy weather, and spectacular mountains, but because of all of this it's also the perfect place to go missing.Listen hereAmes, J. (2019, February 5). Family deny killing their ill son in home exorcism. The Times. https://www.thetimes.com/article/family-deny-killing-their-ill-son-in-home-exorcism-hdf8vn23kBBC News. (2019, February 4). Kennedy Ife death: Man “killed by family in botched exorcism.”https://www.bbc.com/news/uk-england-london-47116344Broken heart syndrome. (2021, October 16). Johns Hopkins Medicine. https://www.hopkinsmedicine.org/health/conditions-and-diseases/broken-heart-syndromeDearden, L. (2019, February 4). Man died after being tied up by family at London home in belief he was ‘possessed', court hears | The Independent. The Independent. https://www.the-independent.com/news/uk/crime/exorcism-possession-uk-london-death-kennedy-ife-parents-family-brothers-restrained-a8763026.htmlDepartment of Health & Human Services. (n.d.). Fever. Better Health Channel. https://www.betterhealth.vic.gov.au/health/conditionsandtreatments/feverExorcism. (n.d.). USCCB. https://www.usccb.org/prayer-and-worship/sacraments-and-sacramentals/sacramentals-blessings/exorcismFrater, J. (2014, June 21). 10 deadly exorcisms. Listverse. https://listverse.com/2014/02/04/10-deadly-exorcisms/Garcia, F., & Garcia, F. (2024, August 9). Inside the global exorcism ‘Boom' VICE. https://www.vice.com/en/article/exorcisms-rise-2019-pentecostalism-catholicism/Herndon, K., RN. (2024, March 7). When is a fever too high? Verywell Health. https://www.verywellhealth.com/when-is-a-fever-too-high-770347Independent. (2019, February 12). Family accused of killing man during apparent exorcism “believed a demon was in him”, court told | The Independent. The Independent. https://www.the-independent.com/news/uk/crime/family-exorcism-demon-kenny-ife-enfield-north-london-a8775321.htmlKaptchuk, T., Kerr, C., & Zanger, A. (2009). Placebo Controls, Exorcism and the Devil. Lancet, 374(9697), PMC2819054. https://doi.org/10.1016/s0140-6736(09)61775-xReynolds, T. (2025, January 28). Bad Medicine: The horrific “Exorcism” and death of Kennedy Ife. Medium. https://medium.com/tftunderworld/bad-medicine-the-horrific-exorcism-and-death-of-kennedy-ife-77a016da0556Symptoms of food poisoning. (2025, January 31). Food Safety. https://www.cdc.gov/food-safety/signs-symptoms/index.html#:~:text=The%20most%20common%20symptoms%20of,down%2C%20and%20signs%20of%20dehydration.Wills, E. (2019, March 14). Kennedy Ife death: North London family cleared of killing man, 26, during suspected exorcism | London Evening Standard. The Standard. https://www.standard.co.uk/news/crime/kennedy-ife-death-north-london-family-cleared-of-killing-man-26-during-suspected-exorcism-a4092131.htmlYuki, E. (2022, October 2). Exorcisms: The Centuries‑Long History of Expelling Evil. History. https://www.history.com/news/exorcisms-christianity-gospels-movie

David M. Watts: Hello, fashion enthusiasts! Welcome to another exciting episode of "Just A Fashion Minute," the podcast where we explore the latest ideas in fashion and shine a spotlight on the incredible talents shaping our industry. I'm your host, David M. Watts, and I couldn't be more thrilled to have you join us today.I have a truly fascinating guest lined up for this episode—Maurice Mullen. Maurice, who you may know from his influential roles at the London Evening Standard and ES Magazine, shares unparalleled insights from his extensive career in fashion publishing. We dive deep into some compelling topics, including the current state of print media, the evolving role of AI in fashion, and the indelible importance of quality journalism in today's digital age.One of the standout moments in our conversation is Maurice's recounting of an unforgettable day at the Ascot races, where he unknowingly spent time with Rocco Ritchie, Madonna's son. Maurice also opens up about his early career decisions, moving from a potential legal career in Northern Ireland to following his passion for fashion in London. His stories are both enlightening and entertaining!We'll also touch upon some pressing issues in the fashion world, from the impact of digital media on traditional magazines to Maurice's thoughts on the future of fashion publications. His views on the complementary relationship between print and digital media are sure to spark some thoughts.And as always, we have our "Just A Fashion Minute News Round Up," where we bring you the latest buzz in the fashion world. This week, we'll be covering Jacquemus' quirky marketing strategies, Glenn Martens' transformation of Diesel into a lifestyle brand, and all the speculation surrounding Chanel's next creative director.Don't forget to subscribe to "Just A Fashion Minute" on your podcasting app of choice so you never miss out on our latest episodes. Now, let's dive into this week's fascinating discussion with Maurice Mullen.Timestamps & Topics00:00 - Introduction and Just A Fashion Minute News Round-up: Updates on Jacquemus store openings, Diesel's collaboration with H&M, and Chanel creative director speculation.05:01 - Early Fashion Interest: Maurice discusses buying Vogue magazines as a teenager in Northern Ireland during the mid-seventies.07:54 - Career Transition: His journey from a legal career in Northern Ireland to London's publishing industry in the early eighties.13:18 - Definition of Fashion: Maurice defines fashion as nonverbal communication, a language people use to convey how they want to be perceived.15:57 - State of Print Media: Discussion on print media's resilience, with 13.6 million UK adults still reading daily print publications.20:00 - Digital vs Print: Analysis of how print and digital media coexist rather than compete.28:11 - Role of Professional Journalism: The importance of professional journalists in filtering accurate information from misinformation.31:35 - AI in Fashion Publishing: Discussion on AI's role as an enabler rather than a replacement for creative professionals.42:12 - Quick Fire Questions: Maurice answers questions about embarrassing fashion moments, industry unsung heroes, and his outfit.Guest BioMaurice Mullen is a prominent figure in fashion publishing with over three decades of experience. Until recently, he served as the head of luxury and fashion at the London Evening Standard Newspaper and ES Magazine. His career began unconventionally, transitioning from a legal background in Northern Ireland to London's publishing industry in the 1980s. Known for his expertise in luxury and fashion media, Mullen has worked with countless luxury brands globally and is a respected voice in fashion education, frequently speaking to students about the industry. He is Deputy Chair of the Graduate Fashion...

On April 25, 2004, Broadmoor Hospital inmate Peter Bryan attacked a killed fellow inmate Richard Loudwell, a man awaiting sentencing for the murder of an eighty-two-year-old woman. The fact that the murder occurred in England's most famous and supposedly secure psychiatric hospital was shocking, but more shocking was that this was Bryan's third murder, and the second in as many months. Indeed, just two months earlier, while he was under the care of doctors and social workers in an open in-patient mental health hospital, Bryan left the facility in February and a few hours later he'd killed, dismembered, and partially cannibalized forty-three-year-old Brian Cherry.Peter Bryan's murders were highly sensationalized by the press, particularly the tabloids, who fueled the ongoing moral panic over the abysmal state of England's mental health system. While the reporting did little more than exacerbate the public's growing anger with the government, they nonetheless highlighted a very important question everyone wanted answered: How was a man with Bryan's mental health and criminal history able to get released institutional care, and moreover, why was he not under surveillance when he murdered a third time—this time in heavily guarded psychiatric hospital?ReferencesBennetto, Jason. 2005. "Care in the community patient sought `buzz' from killing and eating his victims." The Independent, March 16.Bowcott, Owen. 2009. "Cannibal who killed three had seemed normal, NHS finds." The Guardian, September 3.Chelsea News. 1994. "Grudge ended in murder." Chelsea News, March 3: 1.Cheston, Paul. 2005. "Cannibal set free to kill in London." London Evening Standard, March 15.Feller, Grant. 1993. "Police hunt evil King's Road murderer." Chelsea News, March 24: 3.Garvey, Geoff, and Peter Dobbie. 1993. "Girl battered to death in King's Road." Evening Standard (London, England), March 19: 73.Mishcon, Jane, Tim Exworthy, Stuart Wix, and Mike Lindsay. 2009. Independent Inquiry into the Care and Treatment of Peter Bryan - Part I. Mental Health Treatment Review, London, England: National Health Service (NHS).Raif, Shenai, and Andrew Barrow. 2005. "Triple-killer 'cannibal' told: you'll never be freed." The Independent, March 14.Tendler, Stewart, and Laura Peek. 2004. "Cannibal fears after body found cut apart." The Times (London, England), February 19.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join a transformative conversation with Grace Harry, the Joy Alchemist, as she redefines joy as a heartfelt communication rather than mere positivity. Grace reveals the importance of feeling deeply, rather than thinking our way through life, and how reconnecting with our emotions unlocks a true sense of joy. We dive into signals of joy's absence — like judgment or frustration — and explore her actionable practices for creating joy daily. From limiting digital distractions to embracing gratitude in small moments, Grace's approach challenges us to become “Chief Energy Officers” of our own lives. She even offers a powerful nighttime technique for cultivating joy, helping us carry it into each new day. Grace's insights empower us to nurture our joy and build lives that feel richly aligned and deeply fulfilling. Grace Harry is an artist, entrepreneur, creative muse, pleasure instigator, and speaker. After an illustrious 30-year career in entertainment, Grace, “The Joy Strategist,” found her calling leading what she calls “the Revolution of JOY.” Through her popular playdate community “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue, The Times UK, The London Evening Standard, and many more. —Grace's Instagram: https://www.instagram.com/graceharry  —Grace's Website: https://thejoystrategist.com/  —Grace's Book: Joy Strategist, The: Your Path to Inner Change: https://amzn.to/4fEjDYE  —Grace's YouTube: https://www.youtube.com/@thejoystrategist  —Grace's Podcast: https://open.spotify.com/show/5HZ9R1A6XPOUsuY6ukdQvT?si=6de8dd9ea1894c24  Resources: —Ready to transform your relationships? Download The Relationship Toolkit for free and learn the 5 essential skills to thrive in love and life! https://go.markgroves.com/relationship-toolkit-podcast  If you want to dive deeper into Mark's content, search through every episode, find specific topics we've covered, and ask him questions, go to his Dexa page: https://ask.markgroves.com Themes: Grace Harry Joy Alchemist, Rediscovering Joy Podcast, Authentic Joy Journey, Embracing Deep Emotions, How to Cultivate Joy Daily, Joy Beyond Positivity, Signs of Joy's Absence, Practical Tips for Joyful Living, Reconnecting with Emotions, Mindful Joy Practices, Becoming Chief Energy Officer, Grace Harry Nighttime Joy Technique, Limit Digital Distractions for Joy, Gratitude and Joy Practices, Creating a Fulfilled Life, Emotional Connection and Joy, Grace Harry Joy Techniques, Joyful Life Transformation, Living Aligned and Fulfilled This episode is sponsored by: —Organifi: Use code CREATETHELOVE for 20% off sitewide at http://www.organifi.com/createthelove —Cozy Earth: Use code MARK for 40% off sitewide at http://www.cozyearth.com Contact us at podcast@markgroves.com for sponsor product support, questions, comments, or just to say hello! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Media Confidential Q&A, Alan Rusbridger and Lionel Barber dig into the mailbox to tackle listeners' questions about the media industry.The topics on the table this week: what led to the downfall of the London Evening Standard? Will newspapers be able to afford their foreign correspondents in future? Are traditional journalistic skills still useful…and can you guess which presenter failed his shorthand exam?Plus, a confession from one of the editors…who may have been less than candid in a career-defining job interview.Send your questions to Alan and Lionel via email to mediaconfidential@prospectmagazine.co.uk, or via X @mediaconfpod Hosted on Acast. See acast.com/privacy for more information.

Amar is the Head of Content and Comms at @MKTG_UK and the owner and presenter of the Sports Marketeer podcast. He has over 20 years experience in print, digital media, broadcasting and documentaries. Amar's previous employers include West Ham United FC, the London Evening Standard and Budweiser, where he was the Senior Brand Manager in Europe, leading on their football strategy around the English Premier League and Spain's La Liga.  

Brain Rush!  Gen AI, AI Hallucinations and Retailers with Peter Cohan, an Associate Professor of Management Practice at Babson CollegeMeet Peter Cohan, an Associate Professor of Management Practice at Babson College, the founding principal of Peter S. Cohan & Associates, a management consulting and venture capital firm, and has completed over 150 growth-strategy consulting projects for global technology companies and invested in seven startups, three of which were sold for about $2 billion and one of which went public in 2021 at an $18 billion valuation.  Impressive numbers.Peter tells us about his 17th book, another impressive number, Brain Rush, and we get deep into GenAI, whether the current concentration of AI development amongst the most prominent tech players will help or hurt the development of valuable and safe AI, AI hallucinations and how retailers should think about their impact on customer service, AI flyers for the masses and much more!About PeterPeter Cohan is an Associate Professor of Management Practice at Babson College. He teaches strategy, leadership, and entrepreneurship to students in the college's undergraduate, Master of Science in Entrepreneurial Leadership (MSEL), MBA, and Executive Education programs. He is coordinator of Babson's required undergraduate strategy course and the creator and teacher of advanced strategy courses for undergraduate and MSEL students. Cohan is the founding principal of Peter S. Cohan & Associates, a management consulting and venture capital firm. He has completed over 150 growth-strategy consulting projects for global technology companies and invested in seven startups, three of which were sold for about $2 billion and one of which went public in 2021 at an $18 billion valuation. He has written 17 books, includingBrain Rush: How to Invest and Compete in the Real World of Generative AI andNet Profit: How to Invest and Compete in the Wild World of Internet Business. He is a senior contributor to Forbes and an Inc. contributor. He is a frequent media commentator who has appeared on ABC's Good Morning America, Bloomberg, CNN, CNBC, Fox Business News, American Public Media's MarketPlace, WBUR, WGBH, New England Cable News, and the Boston ABC, NBC, and CBS affiliates. He has been quoted in the Associated Press, the Christian Science Monitor, the London Evening Standard, the Times of London, the New York Times, Nikkei, USA Today, the Wall Street Journal, The Washington Post, Portugal's Expresso, the Economist, Time, BusinessWeek, and Fortune. He also appeared in the 2016 documentary film We the People: The Market Basket Effect. Prior to starting his firm, he worked as a case team leader for Monitor Company, Harvard Business School Professor Michael Porter's consulting firm. He has taught at MIT, Stanford, Columbia, Tel Aviv University, New York University, and Bentley University.About Brain RushMy most recent book (the 17th I have authored) Brain Rush: How to Invest and Compete in the Real World of Generative AI, discusses both the benefits and challenges of implementing AI in the retail and eCommerce markets and some of the specific topics I could discuss on your podcast include:How can retailers distinguish the few high payoff generative AI applications from the many losing ones?Which generative AI applications are creating the most value for retailers?What are the most significant risks retailers could face if they introduce generative AI to customers and partners?How should retailers capture the benefits and minimize the risks of these high payoff generative AI applications?Peer pressure forces CEOs to tell Wall Street how generative AI will transform their business but at the same time, CEOs fear generative AI hallucinations could threaten their company's reputation. This fear is based in reality. For instance, Google's AI advised people to add glue to pizza,Forbes careers contributor Jack Kelly noted. And Air Canada's AI chatbot made up a refund policy for a customer — and a Canadian tribunal forced the airline to issue a real refund based on its AI-invented policy, Wired reported.This inconsistent battle has significant implications for business. Of 200 to 300 generative AI experiments the typical large company is undertaking, a mere 10 to 15 have been rolled out internally, and perhaps one or two have been released to customers.  Babson College Associate Professor of Management PracticePeter S. Cohan & AssociatesLinkedIn PageBooksForbes and Inc. columns About MichaelMichael is the president and founder of M.E. LeBlanc & Company Inc, a senior retail advisor, keynote speaker and media entrepreneur. He has been on the front lines of retail industry change for his entire career. He has delivered keynotes, hosted fire-side discussions and participated worldwide in thought leadership panels, most recently on the main stage in Toronto at Retail Council of Canada's Retail Secure conference with leaders from The Gap and Kroger talking about violence in retail stores, keynotes on the state & future of retail in Orlando and Halifax, and at the 2023 Canadian GroceryConnex conference, hosting the CEOs of Walmart Canada, Longo's and Save-On-Foods Canada. Michael brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, Pandora Jewellery, The Shopping Channel and Retail Council of Canada to his advisory, speaking and media practice.Michael also produces and hosts a network of leading retail trade podcasts, including the award-winning No.1 independent retail industry podcast in North America, Remarkable Retail, Canada's top retail industry podcast; the Voice of Retail; Canada's top food industry and the top Canadian-produced management independent podcasts in the country, The Food Professor, with Dr. Sylvain Charlebois. Rethink Retail has recognized Michael as one of the top global retail influencers for the fourth year in a row, Coresight Research has named Michael a Retail AI Influencer, and you can tune into Michael's cooking show, Last Request BBQ, on YouTube, Instagram, X and yes, TikTok.Available for keynote presentations helping retailers, brands and retail industry insiders explaining the current state of the retail industry in Canada and the U.S., and the future of retail.

What if the answer for feeling more joy in our life is already inside of each of us? Today we have a delicious episode with “The Joy Strategist,” Grace Harry.  This episode is full of reminders, truth bombs, insight, magic, and so many actionable things to help you experience more joy right now! And guess what, it's not a lot of work! (Our favorite!) Grace is an artist, entrepreneur, creative muse, pleasure instigator, author and speaker.  After an illustrious 30-year career in entertainment, Grace found her calling leading what she calls “the Revolution of JOY.”  We talk about: How to access our own GPS for joy How to gift more joy for those around you Being a pioneer for Weirdness How to manage your own Energy How to be your own best partner so you can attract aligned relationships How to create a “me alter” And so much more! Through her popular playdate community “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue Online, The Times UK, The London Evening Standard, and many more. Find Grace on Instagram Get a copy of "The Joy Strategist" The JoyCast Podcast on Spotify JoyCast on Youtube And everything else Grace Harry See you next week beauties!

Daniel Keane, health reporter with the London Evening Standard, reports that new research from Kings College London found feeding children peanuts until the age of five reduces the risk of developing a peanut allergy in early adolesence.

What is the government doing regarding mandatory sexual reporting? After £200 million spent on IICSA, Independent Inquiry into Child Sexual Abuse, what has been the outcome?Today's conversation is with two of the leading voices campaigning against child sexual abuse.Lawyer and partner, Dino Nocivelli and author, Alex Renton. What does this new amendment mean? And what can you do? To find out more about Voices Unbound please visit: https://voicesunbound.org.uk/ And Mandate Now: https://mandatenow.org.uk/ For the lastest article from Mandate Now about the new legislation: https://mandatenow.org.uk/the-governments-useless-child-sexual-abuse-reporting-law/ And this is the letter/ press release that you can send to your local MP: https://voicesunbound.org.uk/current-campaigns/ Alex Renton is a writer and journalist whose career has ranged from arts and food writing to politics and the investigation of child abuse. His career as a war reporter and development worker took him to the Middle East, Africa, East Asia and the Balkans. He has worked for The Independent, The Times, Newsweek, and the London Evening Standard and contributed to a host of other newspapers and magazines. He is also the author of the e-book Planet Carnivore: how cheap meat costs the earth (Guardian Shorts, 2015). Dino Nocivelli is a partner in the abuse department at Leigh Day law firm and joined the company in 2022. Dino specialises in actions for child sexual abuse survivors. Dino has appeared in a significant number of media publications providing his expert opinion and commentary, including among others the BBC, ITV and the Guardian. He has also provided evidence to the Independent Inquiry into Child Sexual Abuse (IICSA). Questions for Alex and Dino:What's happening with regards the mandatory reporting, IICSA and the Criminal Justice Bill?The government came out with the latest ruling regarding mandatory reporting last week. What was changed?Alexis Jay, the head of IICSA said that she was deeply disappointment by the new bill. Do you agree. If so why?“The measures are a sham – worse than useless: this legislation will put back the cause of getting good law in place to protect children today in any institution, from schools and care homes to hospitals and sports clubs.” Voices Unbound What can we do to turn this around? Who can we contact or speak to?--- Piers is an author and a men's transformational coach and therapist who works mainly with trauma, boarding school issues, addictions and relationship problems. He also runs online men's groups for ex-boarders, retreats and a podcast called An Evolving Man. He is also the author of How to Survive and Thrive in Challenging Times. To purchase Piers first book: https://www.amazon.co.uk/How-Survive-Thrive-Challenging-Times/dp/B088T5L251/ref=sr_1_1?dchild=1&keywords=piers+cross&qid=1609869608&sr=8-1 For more videos please visit: http://youtube.com/pierscross For FB: https://www.facebook.com/pierscrosspublic For Piers' website and a free training How To Find Peace In Everyday Life: https://www.piers-cross.com/community Many blessings, Piers Cross http://piers-cross.com/

“Dance Talk” ® with Joanne and special guest, Betti Franceschi.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with a very Special Guest, 90 year old Betti Franceschi. She is an artist, painter, sculptor, and now new author.  Betti joins me on her very first podcast interview where we talk about her lifelong love of ballet, dance, and art.  A life-long stutterer, Betti talks about her constant search for grace in all things she does.  She candidly shares that stuttering is seen as a lack of grace, but let me assure you- this beautiful lady is FILLED with grace and exudes it! Listen in as we laugh and share stories and learn about her new photography book that embodies the longevity of the elder dancer titled, Ageless Dancers. You are going to want to get this book and if you're like me, you are going to want to listen to this inspirational and light-filled lady over-and-over again! Betti Franceschi is an artist who has done a double major in school and in life: fine art and ballet. Born in 1934 and raised in Cleveland, Ohio, she studied ballet with Marguerite de Anguera at Indiana University, Bloomington, fine art with Roger Anliker at Carnegie Tech (now Carnegie Mellon), and art history with Rosalind Krauss at Hunter College. Her Still Point drawings—vertical-hatched, tightly realistic nude close-ups of dancers' centers—were published in London as a book (The Still Point, 1987) designed by Simon Rendall, which won six nominations to the National Trust Show in London and Frankfurt, and were exhibited at Sadlers Wells in London, the National Museum of Dance in Saratoga Springs, New York, and the Philharmonic Center in Naples, Florida, among other venues. Her explosive, almost abstract, zen-calligraphic Signature Drawings (1983–1986) of dancers in motion, have been exhibited in several venues, including the New York State Theater, home of the New York City Ballet. Her early work was mostly portraits, then turned to focus on movement, with figure drawings and paintings, and later sculptures of dancers. In 2016 her interest in gesture brought her to photography for her Ageless Dancers project, a series of elegant, joyous portraits of dancers in the latter years of life. Her work has been reviewed in the London Evening Standard, The New York Times, the Saratogian, the New York City Ballet Playbill, and Dance Magazine. Franceschi lives in New York City. Follow on Instagram @brsfran19Learn More:https://www.bettifranceschi.com/ Purchase Betti's book:https://brilliant-editions.com/collections/new-arrivals/products/copy-of-refractions-2-ralph-gibson Join Betti April 18th in NYC for her book launch Jason McCoy Gallery41 East 57th StreetNew York, NY 10022 Thursday, April 18, 2024 - 5:00pm https://brilliant-editions.com/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey Dates:Tickets:"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

John Lennon's controversial statement that the Beatles were more popular than Jesus was first published in the London Evening Standard on 4th March, 1966. The reporter, Maureen Cleave, documented the eccentricities of Lennon's life and his dissatisfaction with fame and wealth; his musings on religion went almost completely unnoticed. That all changed months later, when American shock jocks unearthed Lennon's comments, sparking widespread outrage, leading to a media frenzy that inspired boycotts, record burnings, and KKK death threats. In Memphis, fear reached its peak when a cherry bomb sparked panic during a Beatles concert - one of the last live gigs they would ever perform. In this episode, Arion, Rebecca and Olly expose the cynicism of the DJs who jumped on the Beatles-burning bandwagon; explain how the fallout from Lennon's statement lingered long after the tour, even inspiring Mark David Chapman's fanaticism; and discover which board-game the Beatles used to unwind with in the evenings… Further Reading: • When John Lennon's 'Jesus' Controversy Turned Ugly (Rolling Stone, 2016): https://www.rollingstone.com/feature/when-john-lennons-more-popular-than-jesus-controversy-turned-ugly-106430/ • ‘Beatle bonfires' (The Pop History Dig, 2017): https://pophistorydig.com/topics/tag/beatle-bonfires/ • ‘The Beatles Press Conference' (Aug 12, 1966): https://www.youtube.com/watch?v=5ZaI7m1xpAg Love the show? Join

Pippa Crerar has reported on all there is to in politics, general elections, referendums as well as breaking some of the biggest stories over the past decade. Pippa also covered London for almost a decade, throughout Boris Johnson's time as mayor, for the London Evening Standard. Pippa is now the Political Editor of the Guardian newspaper, having moved there after 4 years at the Daily Mirror. Pippa takes us inside the daily print and online lobby, and the Scottish press mafia! Hear about her journey into journalism and life covering Whitehall. We look at how digital news has changed the traditional print lobby and the nature of the changing media landscape. Follow and comment on Twitter: @Whitehallpoduk

Branden Jacobs-Jenkins (winner of a 2016 Windham-Campbell Prize for Drama) chats with Prize Director Michael Kelleher about British theater legend Caryl Churchill's Far Away, the power of language on the page and stage, and the point of having a playwright at all. Reading list:  Far Away by Caryl Churchill • Escaped Alone by Caryl Churchill • Top Girls by Caryl Churchill • Prince • Jasmine Lee Jones on Lorraine Hansberry's A Raisin in the Sun • Cristina and Her Double: Essays by Herta Müller Branden Jacobs-Jenkins is a playwright whose plays include Girls, Everybody (Pulitzer Prize finalist), War, Gloria (Pulitzer Prize finalist), Appropriate (OBIE Award), An Octoroon (OBIE Award), and Neighbors. A Residency Five playwright at Signature Theatre, recent honors include the Charles Wintour Award for Most Promising Playwright from the London Evening Standard, a London Critics' Circle Award for Most Promising Playwriting, a MacArthur Fellowship, the Windham-Campbell Prize for Drama, the Benjamin H. Danks Award from the American Academy of Arts and Letters, the Steinberg Playwriting Award, and the inaugural Tennessee Williams Award. Jacobs-Jenkins has taught at Yale, NYU, Juilliard, Hunter College, and the University of Texas-Austin. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

Episode 31: Joanne MallonJoanne Mallon is an author, podcaster and the UK's most experienced media career coach. She trained as a coach in 2001, after a 10 year career as a TV producer for shows including GMTV and This Morning.Joanne regularly features in the media and is known for her friendly, practical and down to earth approach. She's been in The Guardian, The Independent, Daily Telegraph, London Evening Standard, LBC Radio, BBC national and local radio and many others. She has also been a featured expert on The Guardian's live web chat events discussing media careers. An experienced journalist, Joanne has written for a wide range of magazines and websites. Joanne writes a popular wellbeing blog Opposable Thumbs and books including How to Find Joy in 5 Minutes a Day, Change Your Life in 5 Minutes a Day and Find Your Why (a guide to finding your purpose in life). Her newest book, on how to find calm, is out now.Joanne also produces and hosts the podcast, 5 Minutes to Change Your Life, one of the UK's top 5 self improvement podcasts. An accredited life coach and NLP Practitioner, Joanne has a BA (Hons) degree in English & Communications and a Post Graduate Diploma in Broadcast Journalism.#hygystpod #JoanneMallonHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

How do you define joy? Is it something that you feel, something that you experience, or something that you create? Grace Harry joined the podcast today to chat about her debut book, ‘The Joy Strategist, ' a compilation of her own experience and knowledge on bringing joy back into your life and keeping it a recurring feeling day in and day out! About the Guest:Grace Harry is an artist, entrepreneur, creative muse, pleasure instigator, and speaker. After an illustrious 30-year career in entertainment, Grace, “The Joy Strategist,” found her calling leading what she calls “the Revolution of JOY.” Through her popular playdate community, “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue Online, The Times UK, The London Evening Standard, and many more. In her thirty years working as a music industry executive at Island Def Jam and Jive Records, Grace Harry has lived her many creative lives at the intersection of music, art, and the passionate pursuit of joy—a long-forgotten but vital birthright. Many of us have no idea what joy truly is, and capturing it is often easier said than done.In The Joy Strategist, Grace takes readers on a journey to explore all dimensions of joy: how we find it, how we can re-discover it, and how we can incorporate it into our daily lives.Sometimes lighthearted and always real, The Joy Strategist shows readers how to break through creative or emotional ruts that keep them from tapping into their innate ability to feel true and unfettered joy. Grace coaches readers with meaningful autobiographical anecdotes and her toolbox of playful activities.https://www.instagram.com/graceharry/?hl=enhttps://thejoystrategist.com/https://books.disney.com/book/the-joy-strategist/https://calendly.com/gracevoler/playwithgrace?month=2023-12About the Host: Following the crumbs in the chaos is a full-time job as a Productivity Coach. As a busy mom of three and the founder of Chaos N' Cookies, keeping moms from crumbling is my main objective. After gaining 10+ years of experience as a Director of Marketing helping build multiple 6 & 7-figure businesses for other women I've created the Chaos Control System to equip moms to overcome their own objections so they can live the life they want to live and start that business they have always wanted. The Family Playbook, or standard operating procedure, is the tool every mama needs to save time and stress-less when chaos ensues at home. For new biz owners, I also help simplify systems on social media and other business platforms to automate processes to get their business up and running quickly and efficiently with how-tos and hands-on coaching. I have helped hundreds of women to be more productive and self-sufficient in their homes and businesses allowing them to reclaim control of the chaos. www.chaosncookies.comhttps://www.instagram.com/chaosncookies/https://www.instagram.com/theheathergreco/https://www.facebook.com/Chaos-n-Cookies-111324364538688https://chaosncookies.com/shophttps://linktr.ee/hsteinker Thanks for listening!Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page.Do you have some feedback or questions about this episode? Leave a comment in the section...

In January 2023, the Food Foundation estimated that 24% of UK households with children were living in food insecurity. This staggering figure brings to light issues affecting their life chances. We'll hear about how IOE research is raising awareness and informing policies and efforts in the midst of a new school and academic year now underway, another challenging winter and a general election in 2024. This season's guests: Dr Jake Anders - the links between food poverty and hunger with academic attainment Professor Alice Bradbury - educational responses to the cost of living crisis and in particular how schools are doubling up as food banks for their local communities Professor Gary McCulloch - the history of school meal provision and nutritional standards. More episodes of Research for the Real World: ⁠⁠https://bit.ly/researchfortherealworld⁠⁠ The IOE Podcast: ⁠https://bit.ly/ioepodcast --- Audio snippets featured: Children's health chief calls for free school meals for all to end ‘disturbing' food poverty - The Independent Rishi Sunak rejects Marcus Rashford's call for free school meals extension - The Indepdendent Sadiq Khan says making free school meals programme permanent is his ‘aspiration' - London Evening Standard 'Inside the Factory', Series 7: Rice Pudding - BBC Two

For over a century, 19th century criminal history has been dominated by a single name. With his murders so violent, his acts so senseless, his victims so vulnerable and his legacy so profound, Jack the Ripper is as synonymous with Victorian London as the Queen herself. But whilst Jack was busy ripping, there was another series of murders being carried out that were equally as gruesome, executed by a killer equally as mysterious and whose story shared all the same traits of the Ripper, though despite it all, it is a story that has forever remained in the shadow of Jack, whose reign of terror consumed everything in its path, relegating all other mysteries to the back pages, for well over a hundred years. SOURCES Hebbert, Charles A. (1889) An Exercise in Forensic Medicine.  Trow, M. J. (2011) The Thames Torso Murders. Pen & Sword Books, LTD. Yorkshire, UK. Stubley, Peter (2012) 1888: London Murders in the Year of the Ripper. The History Press, Gloucestershire, UK. The London Evening Standard (1887) To-Days Telegrams. The London Evening Standard, Wed 11 May 1887, p4. London, UK. Bradford Daily Telegraph (1887) The Rainham Mystery. Bradford Daily Telegraph, Mon 16 May 1887, p3. Bradford, UK. Essex Newsman (1887) Horrible Discovery At Rainham. Essex Newsman, Sat 21 May 1887, London, UK. Essex Standard (1887) The Rainham Mystery. Essex Newsman, Sat 13 Aug 1887, London, UK. Tavistock Gazette (1888) A Thames Mystery. Tavistock Gazette, Fri 14 Sep 1888, Tavistock, UK. Daily Telegraph & Courier (1888) The Whitehall Murder. Daily Telegraph & Courier, Wed 3 Oct 1888, London, UK. Newcastle Daily Chronicle (1888) More Remains Discovered. Newcastle Daily Chronicle, Sat 6 Oct 1888, Newcastle, UK. Birmingham Mail (1888) The Whitehall Mystery. Birmingham Mail, Tues 9 Oct 1888, Birmingham, UK. Tamworth Herald (1888) The Whitehall Mystery. Tamworth Herald, Sat 27 Oct 1888, Tamworth, UK. Dundee Courier (1889) The Victim Identified. Dundee Courier, Wed 26 June 1889, Dundee, UK. Derbyshire Courier (1889) The Battersea Mystery. Derbyshire Courier, Sat 29 June 1889, Dundee, UK. Illustrated Police News (1889) The Latest Thames Horror. Illustrated Police News, Sat 15 June 1889, London, UK. Northern Daily Telegraph (1889) The Inquest. Northern Daily Telegraph, Wed 11 Sep 1889, Lancashire, UK. Glasgow Evening Post (1889) Whitechapel In Panic. Glasgow Evening Post, Tues 10 Sep 1889, Glasgow, UK. Shields Daily Gazette (1889) The Pinchin Street Mystery. Shields Daily Gazette, Tues 24 Sep 1889, London, UK. ------- This episode is sponsored by BetterHelp, check out betterhelp.com/darkhistories to get 10% off your first month. -------   For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.        

Top music executive, GRACE HARRY, who guided the careers of legendary hip-hop, R&B, and pop singers, shares her insights on how to get inspired and reconnect with our purpose. In her thirty years working as a music industry executive at Island Def Jam and Jive Records.Grace Harry has lived her many creative lives at the intersection of music, art, and the passionate pursuit of joy—a long forgotten, but vital birthright. Many of us have no idea what joy truly is, and capturing it is often easier said than done. In The Joy Strategist, Grace takes readers on a journey to explore all dimensions of joy: how we find it, how we can re-discover it, and how we can incorporate it into our daily lives.“The Joy Strategist,” found her calling leading what she calls “the Revolution of JOY.” Through her popular playdate community “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue Online, The Times UK, The London Evening Standard, and many more. THE JOY STRATEGIST YOUR PATH TO INNER CHANGE https://thejoystrategist.com/ The Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.com If you have a comment about this episode or any other, please click the link below. https://ratethispodcast.com/douglascolemanshow Please help us to continue to bring you quality content by showing your support for our show. https://fundrazr.com/e2CLX2?ref=ab_eCTqb8

Grace Harry joined the show for a conversation about her book The Joy Strategist: Your Path to Inner Change.Grace Harry is an artist, entrepreneur, creative muse, pleasure instigator, and speaker. After an illustrious 30-year career in entertainment, Grace, “The Joy Strategist,” found her calling leading what she calls “the Revolution of JOY.” Through her popular playdate community “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue Online, The Times UK, The London Evening Standard, and many more. 

What makes a bar work? How do you make the math work?  And how do you keep it working for  years to come? We interview UK based Tyler Zielinski to get his opinion. He writes for PUNCH, Food & Wine, London Evening Standard, Eater, Class Bar Mag, Condé Nast Traveler and more. And he is a Brand and Hospitality Consultant for bars, spirit companies and industry events. Our loyal listeners, intellectually curious business owners, want to know better ways to improve their business, in an ever changing environment. This episode will suit you if you own a bar, run a business with a bar, or need a refresher to get your mind thinking of how to make the small changes that make a big difference.  Tyler shares that owners should be in the habit of costing your bar menu.  Here is the link to the Bar Metrix costing seminar mentioned in the show. Our geeky team and listeners always appreciates resources on numbers and math.  This episode explores Pillar I and III, of the Six Pillars of a Successful Business. Pillar I explores the message, mission and brand. Pillar III explores the systems that make your business operate, and operate efficiently.  If you wish to learn more about Tyler Zielinski, follow him on Instagram here, and if you want to learn about his seminars look on IG, the next session is called "Building Your Bar's Brand Through Communications". Tyler, we support your efforts to share your knowledge and educate those who are curious for more!

In this episode I'm joined by Martin McGlown who was once a crime journalist at the London Evening Standard newspaper and went on to head-up media relations at the world's leading cancer charity; Cancer Research UK. We talk about the moment Martin made his career-defining decision and why he and the charity have never looked back. We cover the changing media landscape and how Martin's journalism background and skills have shaped the way his team operate as a newsroom. Martin shares the Cancer Research UK overall objective and how that flows into his team's strategy and KPIs. He also talks about the importance of budget scrutiny in the charity sector and the work his team does in-house in order to make the most of the donations made to Cancer Research Martin also shares some of their memorable campaigns that PR delivers so well; educating and raising awareness of prevention and treatments to help people live longer and better lives. And ultimately Beat Cancer. Special Guest: Martin McGlown.

Gordon Glenister is a global expert on influencer marketing having set up the UK association arm of the Branded Content Marketing Association influence division. He is also an award-winning author with Influencer marketing strategy and hosts the Influence the Global podcast. Gordon is a regular on the speaker circuit and often hosts panel discussions around influencer marketing and community building. Gordon also writes for the London Evening Standard. He is also a member of the Marketing Podcast network. he is a father to 3 boys and lives in the UK just outside the university capital of Cambridge Little known fact, he is also a qualified tree surgeon. Key Moments [00:05:00] First book success reveals self-doubt struggles. [00:06:56] Quick break, back to show, love it. [00:11:26] Making a difference, inspiring, collaborating, connecting, variety. [00:14:08] Cash flow problems, fluctuating investments, reviewing success, hiring good people, appreciating hard work, questioning affordable charges. [00:17:40] Entrepreneurial upbringing, inspired by gardening, making people happy. Find Gordon Online: https://www.linkedin.com/in/gordonglenister-influencermarketing-membership-speaker/ https://www.instagram.com/gordon.glenister/ https://twitter.com/GordonGlenister https://gordonglenister.com/ If you're enjoying Entrepreneur's Enigma, please give us a review on the podcast directory of your choice. We're on all of them and these reviews really help others find the show. GoodPods: https://gmwd.us/goodpods iTunes: https://gmwd.us/itunes Podchaser: https://gmwd.us/podchaser Also, if you're getting value from the show and want to buy me a coffee, go to the show notes to get the link to get me a coffee to keep me awake, while I work on bringing you more great episodes to your ears. →  https://gmwd.us/buy-me-a-coffee Follow Seth Online: Seth | Digital Marketer (@s3th.me) • Instagram: Instagram.com/s3th.me Seth Goldstein | LinkedIn: LinkedIn.com/in/sethmgoldstein Seth on Mastodon: https://s3th.me/@seth MarketingJunto.com Learn more about your ad choices. Visit megaphone.fm/adchoices

For this preview of Intelligence Squared's new podcast, VS, two cities with hundreds of years of history, much of it shared, and also decades of cultural rivalry go head to head. Joining VS this week to debate London VS New York are our guests who have called each location home for most of their lives. Simon Jenkins is a regular newspaper columnist and formerly editor of the London Evening Standard and The Times newspapers. He was once chairman of The National Trust, the UK's foremost heritage organisation, and he also wrote a book on his home city, A Short History of London. Anthony Scaramucci is a financier and founder of SkyBridge Capital. Also known as The Mooch, you may remember him as former White House Director of Communications for a record 11 days. He's been described by one newspaper as being "as New York as skyscrapers, subways and Sinatra". Coco Khan is our host making sure it's a fair contest but there can only be one winner – you the listeners decide – follow the link below to cast your vote. https://intelligencesquared.com/vs/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for July 10, 2023 is: bon vivant • bahn-vee-VAHNT • noun A bon vivant is a sociable person who has cultivated and refined tastes especially with respect to food and drink. // She has become something of a bon vivant since moving to Paris, going out most nights and delighting in the city's many famous restaurants. See the entry > Examples: “Le Magritte is a humble bar that gets everything right. The service is timely and perceptive, the cocktails ... are subtle twists on spirituous classics that are delightful without trying to be the centre of attention. The bar bites are truly buzzworthy, too ... enough to leave any bon vivant smiling from ear to ear.” — Tyler Zielinski, The (London) Evening Standard, 19 July 2022 Did you know? Do you consider yourself a bon vivant? If you're not sure, perhaps a peek into the word's origin will help. In French, the phrase literally means “good liver.” Fear not if you are among those who are underinformed about the state of their liver. The “liver” here is not the bodily organ, but one who lives; a bon vivant is one who lives well. English speakers have used bon vivant since the late 17th century to refer specifically to those who subscribe to a particular kind of good living—one that involves lots of social engagements and the enjoyment of fancy food and drink. This puts the term very much in the company of some other French words. Gourmet, gourmand, and gastronome all refer to those who love a fancy meal (though gourmand often carries the connotation of a tendency to overindulge). Bon appétit!

David Bowie retired his alter-ego Ziggy Stardust live on stage at London's Hammersmith Odeon on 3rd July, 1973. To the surprise of most of his band, the Spiders From Mars, he announced to a devastated crowd that the gig was “the last show we'll ever do.”  Bowie's management company had plans to take Ziggy on an international tour, but being Ziggy Stardust had taken a mental and physical toll on the singer. “I really did want it all to come to an end,” he wrote in Moonage Daydream.  In this episode, Arion, Rebecca and Olly explain how a ‘fake' Lou Reed influenced Bowie to create the character of Ziggy; discover how, for a while, his fans were called ‘the Uglies' and his genre ‘freakrock'; and reveal how this iconic rockstar felt ‘hopelessly lost' in his own fantasy… Further Reading: • ‘Looking back on David Bowie's most legendary gig: The death of Ziggy Stardust' (London Evening Standard, 2019): https://www.standard.co.uk/culture/music/david-bowie-death-ziggy-stardust-hammersmith-odeon-a4034746.html • ‘How David Bowie killed off Ziggy Stardust' (Far Out Magazine, 2021): https://faroutmagazine.co.uk/how-david-bowie-killed-ziggy-stardust/ • ‘David Bowie – Ziggy Stardust' (Live, 1973): https://www.youtube.com/watch?v=Fq8gG3pzMrU&list=PLNJirx02I6P72KTv5oJPSF-kkagLgfJWr&index=3 #Music #70s #UK #LGBT Love the show? Join 

On December 2, 2018, the parents of twenty-one-year-old Grace Millane, a British tourist on vacation in New Zealand, became concerned when the birthday wishes they sent their daughter went unacknowledged. Having completed her degree at the University of Lincoln a few months earlier, Grace had spent several weeks traveling during her gap year but had been keeping in regular contact with her parents since leaving for her trip. When they still hadn't heard from their daughter three days later, Grace's parents called Auckland police and reported her missing. A week later, Grace Millane's body was discovered in a suitcase near an access road in the Waitakere Ranges, a dense wooded area about twelve miles outside Auckland. A day later, investigators arrested twenty-six-year-old Jesse Kempson, who was the last person seen with Grace on the night of the murder when the two were captured together by a CCTV camera going up to Kempson's room at the CityLife Hotel.Please Consider Signing this PetitionThank you to our favorite David White for research assistanceReferencesBBC News. 2018. Grace Millane: Man appears in court charged with backpacker's murder. December 10. Accessed May 3, 2023. https://www.bbc.com/news/uk-england-essex-46502649.Creed, Rebecca. 2021. "Former flatmate of Grace Millane's killer says he was." The Echo, November 15.Critchell, Matthew. 2019. "Backpacker Grace spoke to men on bondage chat rooms,." The Echo, November 20.Emes, Toby. 2019. "Accused killer admitted Grace was dead in second interview." The Echo, November 14.Faulkner, Doug. 2019. Grace Millane murder: A trial that gripped a nation. November 22. Accessed May 2, 2023. https://www.bbc.com/news/uk-england-essex-50515326.Feehan, Katie. 2018. "Brother of Wickford woman missing in New Zealand says lack." The Echo, December 5.—. 2018. "Police release last known image of missing Wickford woman." The Echo, December 6.Graham-Mclay, Charlotte. 2018. "After backpacker's killing, New Zealand looks again at violence against women." New York Times, December 13.—. 2018. "New Zealand murder case leads to rebuke of Google." New York Times, December 15.—. 2018. "New Zealander accused of killing tourist." New York Times, December 9.Humphries, Will, and Bernard Lagan. 2018. "Distraught father flies to join backpacker search." The Times, December 7.Jesse Shane Kempson v. The Queen. 2021. SC 11/2021 NZSC 74 (Supreme Court of New Zealand, June 29).Kirk, Tristan. 2019. "Guilty: Fantasist who killed Grace." London Evening Standard, November 22.—. 2019. "Guilty: Grace jury takes only five hours to return verdict of murder." London Evening Standard, November 22.Kolirin, Lianne. 2020. "Grace Millane's killer attacked other women." The Times, December 22.Lagan, Bernard. 2018. "Body found in search for missing backpacker." The Times, December 10.—. 2019. "British backpacker's 'killer' lied about their Tinder date." The Times, November 13.Lagan, Bernard, and Will Humphries. 2018. "Father appeals for clues to help find missing daughter." The Times, December 8.Leask, Anna. 2020. Who is Grace Millane's murderer? Unravelling labyrinth of lies and a fatal Tinder date. February 20. Accessed May 1, 2023. https://www.nzherald.co.nz/nz/who-is-grace-millanes-murderer-unravelling-labyrinth-of-lies-and-a-fatal-tinder-date/PDGHMSM67MZQ5VBH4GT2XIXZ7Q/?c_id=1&objectid=12287282.MacDonald, Stuart. 2021. "'Rough sex' defence for murder could be banned." The Times, May 29.Roy, Eleanor Ainge. 2019. "Grace Millane trial: blood in hotel room likely backpacker's." The Guardian, November 8.—. 2019. "Grace Millane trial: witness says she feared she would die." The Guardian, November 11.—. 2019. "'She should have been safe here'." The Guardian, November 22.Smith, Anneka. 2020. "Grace Millane's life: far more than the details of her death." Radio New Zealand, February 21.South Wales Echo. 2020. "Grace's killer 'raped another Brit tourist'." South Wales Echo, December 23.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the 1960s, Vampires were all the rage, with numerous movies and TV shows exploring the horror genre. This obsession had seeped into the public consciousness, making the news of a disturbing act of vandalism at Tottenham Park Cemetery in 1968 even more unsettling. The London Evening Standard reported the incident, and many Londoners immediately jumped to the conclusion that it must be linked to black magic and the undead.Subscribe to our PATREONEMAIL us your storiesFollow us on YOUTUBEJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch LinkResearch LinkVampire Burial?Thanks so much for listening and we'll catch up with you again next week for some more true, scary stories.Sarah and Tobie xx"Spacial Winds" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Marina Amaral é uma colorista digital especializada em adicionar cor a fotografias a preto e branco e “dar vida ao passado”. Artista autodidata, seu processo envolve uma cuidadosa pesquisa histórica para determinar as cores dos objetos retratados. Coroado 'o mestre da colorização de fotos' pela WIRED Magazine, seu trabalho foi apresentado por vários meios de comunicação notáveis, incluindo BBC , London Evening Standard , Washington Post , DW e Le Figaro . Equipe: Apresentação e roteiro: Amanda Ramalho Produção executiva: Natália Daumas Produção e estratégia digital: Juliana Mosca Cenografia: Carol Oliveira Beleza: Natália Stracieri Figurino: Lela Brandão Co, Calma São Paulo, Converse, Loja Kings, MIndse7 C&A e Mizuno Animação: Vinicius Kahan Captação: Agência de Podcast Música e Áudio: Pedro Zimmer Edição e arte: Isabella Garcia Direção: Alexandre Nickel

About our guest, Tony Rodriguez: The work of Cuban-American illustrator and educator, Tony Rodriguez, infuses flat color with bold line to convey a sense of spontaneity and simplicity. Although the art is created digitally, it has the look of traditional pen and ink gestural, dynamic, and expressionistic drawings. Rodriguez's works have been recognized by The Society of Illustrators New York, Communication Arts, NBC Universal, Creative Quarterly, 3x3, American Illustration, Latin American Ilustración, The Illustration Academy, Visual Arts Passage, Illustration Age, Applied Arts, Entertainment Tonight, The Society For News Design, Grey Cube Gallery, and The United Kingdom's World Illustration Awards. U.S. & International clients include: Rolling Stone Magazine, The L.A. Times, The Wall Street Journal, The New Yorker, GQ, Smithsonian Magazine, The Village Voice, The New Republic, The Boston Globe, The Washington Post, The Dallas Morning News, American Cowboy Magazine, Computer Arts Magazine, WIRED Magazine, Country Weekly, DAS Magazine, Blow Up Magazine, Yankee Magazine, Nurant Magazine, Ace Entertainment, Facebook TV, Videodrome, Humanities Magazine, Rhapsody Magazine, Misc Magazine, Peeps Magazine, The London Evening Standard, BBC Focus Magazine, Milk X Magazine, Flaunt Magazine, Black Key Group, Atlantic Records, Rock Ridge Music, The Beach Boys, and Red Light Management. Rodriguez currently teaches Illustration at Middle Tennessee State University. Join our community on Discord: https://discord.gg/aaz4CrXk3c Learn more about our Art Mentorships Illustration Mentorship Track: https://visualartspassage.com/illustration/ Commercial Gallery Mentorship Track: https://visualartspassage.com/commercial-gallery-art/ Character Design Mentorship Track: https://visualartspassage.com/character-design/

On this episode, Liz and Michelle are joined by successful author and award-winning journalist, Alice Hart-Davis. The world is changing fast and having cosmetic work ‘done' is more common and normalised than ever, especially among celebrities. What are ‘tweakments', why do we often feel the need to alter ourselves as we age and if you're considering it what do you need to know? Alice, Liz and Michelle discuss all these questions and more in an open conversation all about tweakments, including Alice's own knowledge and her expert guide: ‘The Tweakments Guide' KEY TAKEAWAYS  Tweakments are non-surgical cosmetic medical procedures.  Only consider having Tweakments done by an expert. In the UK, there are a lot of untrained people offering these services, so research carefully. A good practitioner will spend a lot of time studying your face while talking to you, so they can provide you with treatments that are tailored to the way your face looks and moves. Aging is complex with many factors, you often need a variety of treatments for the best result. Take a gentle approach, try one treatment. Then, if you like the results you can do it again and maybe try something else too. Wanting to look your best is not vanity. It's all about what is right for you. BEST MOMENTS  “I feel good when I look a bit better if I'm honest and I'm not anti-aging” “These are cosmetic medical procedures. They involve needles, local anaesthetic, or energy-based devices.” “The consultation becomes almost the most important part of the whole treatment journey.” “There's no one tweak that will fix it all.” “I like a liposomal vitamin C supplement.” If you enjoyed this episode, please rate, and review it on your podcast platform.  We read every email sent to us at twowomenchatting@gmail.com so please get in touch! Check out our supporting blogs on this topic at www.twowomenchatting.com. EPISODE RESOURCES   Wentworth Aesthetics The Tweakments Guide Website Alice Hart- Davis Instagram Alice Hart-Davis LinkedIn YouTube The Tweakments Guide The Tweakments Guide newsletter Contact The Tweakments Guide - hello@thetweakmentsguide.com Alice Hart-Davis's Books Facebook Shirley Ballas Neogen Plasma Jowl Lift Photos ABOUT THE GUEST For over 20 years, Alice Hart-Davis has written about skincare, beauty, anti aging, cosmetic procedures and health for The Telegraph, the Mail on Sunday, the London Evening Standard and many others. That wealth of knowledge that has enabled her to create The Tweakments Guide. Her content platform provides independent information about non-surgical aesthetic treatments, like fillers and lasers.  It is a great resource to find out what procedures are available, what it involves and how to find the best practitioner.  ABOUT THE HOSTS Liz Copping is a networking pro & event consultant, leaping out of her comfort zone to co-host this podcast. Lizcopping@outlook.com. Insta @lizcoppingtwc Michelle Ford is a professional voice actor and empty nester pressing reset, enjoying a new career in podcasting! michelleford1000@gmail.com. Insta @michellefordtwc CONTACT METHOD https://www.instagram.com/twowomenchatting/ https://twitter.com/ChattingTwo https://www.facebook.com/twowomenchatting PODCAST DESCRIPTION Join hosts Liz and Michelle redefining life over 50 as empty nesters, embracing the highs and lows of midlife with celebrity guests and experts, sharing a laugh on their podcast sofa. We talk about real concerns, issues, and fun topics that affect us, our friends, and our family.  Midlife is not just about the menopause (although we'd be the first to admit it's right up there!) but it is a time of adventure, change and reset - with plenty of opportunities and challenges along the way.  Whether we're chatting about ‘boomerang kids,' diet failures (and occasional successes!), pro-ageing, travel, changing relationships, or inspiration for new jobs or activities, there's always room for one more on our sofa.See omnystudio.com/listener for privacy information.

Edward VIII reigned as King of the United Kingdom for 325 days in 1936. He is the only British monarch to voluntarily renounce the throne, a decision which eventually led to the reign of the late Queen Elizabeth II. The reason why 1936 was a year of three Kings was Edward's infatuation with American socialite Wallis Simpson. Among royal observers, Edward VIII has become a shorthand for a monarchy in crisis, and for dereliction of duty. But is this fair? Was Edward badly treated? Would it have been a good thing for Britain to keep hold of a King who manifestly didn't want to do the job? My guest today is the journalist and writer Anna Pasternak. Anna has devoted much of her working life to writing about the British Royal Family, and is the author of The American Duchess: The Real Wallis Simpson, and the controversial Princess in Love, which documented Princess Diana's affair with James Hewitt. She also writes regularly for the Daily Telegraph and the London Evening Standard. 

David Buttress, who hails from Cwmbran in South Wales, joined JUST EAT in March 2006 to launch its UK business, and was appointed CEO in January 2013. David led JUST EAT in the UK from startup to becoming Europe's largest technology IPO in a decade. JUST EAT has over 67,000 restaurant partners and 100+ cuisine types available to over 17 million customers worldwide.David is now a Partner at 83North – a global venture capital firm with offices in Israel and London.Described as one of UK's standout entrepreneurs of the last decade, David got a taste for delivery-based businesses when he created his own newspaper-delivering service at the age of 11.David holds a Bachelor of Arts (Hons) in Law and Business from Middlesex University Business School and an Honorary Doctorate Degree in Entrepreneurship.In 2014, 2015, 2016 and 2017 David was named Debrett's 500 Most Influential People in Britain. Named by Glassdoor as one of the UK's Top 5 CEO's 2015 and 2016. In 2014, 2015 and 2016 David was named London Evening Standard 'Progress 1000' London's 1000.Listen in to find out more about leaving corporate, taking a startup to IPO and exiting a business.Find out more about David Buttress via: LinkedIn and Twitter. A new episode EVERY WEEK, showcasing the journeys of inspirational entrepreneurs, side hustlers and their mentors. We discuss their successes, challenges and how they overcame setbacks. Focusing mainly on what they wish they had known when starting out. The podcast aims to give aspiring entrepreneurs the confidence to START UP and START NOW by showcasing real and relatable entrepreneurs. After all, seeing is believing! Join the conversation using #startupstartnow and tagging us on Instagram, Twitter, Facebook and LinkedIn. Don't forget to leave a review as it really helps us reach those who need it and allows us to get the best guests for you! Connect with START UP. START NOW. and to nominate a guest please visit: www.startupstartnow.co.uk.  To connect with Sharena Shiv please visit: www.sharena.co.uk.

John Sweeney is an old school writer and reporter. He remained in the Ukrainian capital throughout the Battle of Kyiv and his latest book, Killer In The Kremlin, paints Vladimir Putin as "the monster he is". Sweeney's philosophy is: ‘I poke crocodiles, if crocodiles they be, in the eye with a stick.' He's helped free seven people falsely accused of killing babies, starting with Sally Clark, reported on wars, revolutions and trouble around the world, gone undercover to Zimbabwe, Chechnya, twice, and North Korea. He upset Donald Trump by asking him about his links with the mob - Trump walked out on him - and upset Vladimir Putin by asking him about Russia's role in the shooting down of MH17. But he is probably best known for shouting at the Church of Scientology. In this episode we discussed the feeling on the ground in Ukraine and the relationship between Boris Johnson and Evgeny Lebedev (owner of The Independent and the London Evening Standard). https://www.johnsweeney.co.uk/  https://byline.tv/kompromat/ https://twitter.com/johnsweeneyroar  DONATE and help the channel grow - https://donorbox.org/help-me-buy-stuff  PRE-ORDER MY GAMESTOP BOOK - https://wen-moon.com  Buy Brexit: The Establishment Civil War - https://amzn.to/39XXVjq    You can listen to the show on Spotify, Apple, and all major platforms - https://chatterpodcast.podbean.com/  Watch Us On Odysee.com - https://odysee.com/$/invite/@TheJist:4    Buy Brexit: The Establishment Civil War - https://amzn.to/39XXVjq  Join My Mailing List - https://www.getrevue.co/profile/thejist  Follow Me On Twitter - https://twitter.com/Give_Me_TheJist  Website - https://thejist.co.uk/    Music from Just Jim – https://soundcloud.com/justjim  Extract Labs CBD - https://extract-labs.pxf.io/n10JMa  Canva Premium Graphics - https://partner.canva.com/b3A9X6 

In 1838 a violent murder took place in the Lambeth area of London that set a trend for the stories of the Victorian penny papers for decades to come. Inspiring Charles Dickens, who paid close interest to the case, supplying him with the details he would later adapt to in several of his murder scenes, it was a grim affair that made headlines for months whilst the murderer was blindly chased across London. But was it really an isolated crime or part of something much bigger? Murder, confession and conspiracy all manage to play a role in what would become known as The Grimwood Murder.   SOURCES   Somerville, Alexander (1841) Eliza Grimwood: A Domestic Legend of the Waterloo Road. B. D. Cousins, London, UK   Bondeson, Jan (2017) The Ripper of Waterloo Road. The History Press, Gloucestershire, UK.   Bracebridge, Hemyng (1851) Prostitution in London. Griffin, Bohn & Co. London, UK.   Mayhew, Henry. Et al. (2005) The London Underworld In The Victorian Period. Dover Publications, USA.   Ion, J.L. (1838) Post Mortem Appearances of Eliza Grimwood. The Lancet, Volume 30, Issue 772, P399-400, June 16, 1838. UK.   Kelly, Debra & Cornick, Martyn (2013) A history of the French in london. University of London School of Advanced Study Institute of Historical Research. London, UK.   The Morning Chronicle (1838) Murder and Suicide. The Morning Chronicle, Mon 28 May 1838, p.3. London, UK.   Aberdeen Press & Journal (1840) Murder fo Lord William Russel. Aberdeen Press & Journal, Wednesday 13 May 1840, p.4. Aberdeen, UK.   The Globe (1840) Re-Examination of The Valet Corvoisier at Bow Street. The Globe, 14 May 1840, p.3, London, UK.   London Evening Standard (1840) Murder of Lord William Russel. London Evening Standard, 11 May 1840, p.3. London, UK.   Edinburgh Witness (1840) Confession of Courvoisier. Edinburgh Witness, 1 July 1840, p.2. Edinburgh, UK.   ---------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.  

We speak to Michelin Star Chef Adam Handling about food waste, sustainability in restaurants and cooking for the G7! ABOUT ADAM HANDLINGMichelin-starred Chef Adam Handling started out at Gleneagles 16 years ago where he was the first ever apprentice chef, before he went on to become Fairmont's youngest ever Head Chef. Adam has a number of impressive awards under his belt, including Scottish Chef of the Year, British Culinary Federation's Chef of the Year, Chef of the Year in the Food & Travel Awards. Adam was (and still is) the youngest person to be one of the Caterer's ‘30 under 30 to watch' in the 2013 Acorn Awards. Voted for by both the public and a selection of esteemed industry judges, Adam was named Restaurateur of the Year in the British GQ Food and Drink Awards 2020, before earning his first Michelin star at his flagship restaurant, Frog by Adam Handling, in 2022.Passionate about the best quality British ingredients and sustainability, Adam's beautifully presented dishes start with careful sourcing of top quality, seasonal ingredients, prepared in a number of different, creative ways to bring their true flavour to life.In 2016, Adam was keen to shake up the restaurant scene and he did just that with The Frog E1. Adam's first restaurant, located in the Old Truman Brewery, was one of the first of its kind in London that offered high quality small plates and tasting menus in a cool and casual environment. The focus was on the 4 pillars that Adam deems make a successful restaurant – food, drink, art and music.In September 2017, Adam opened his flagship restaurant and bar, Frog by Adam Handling and Eve Bar in Covent Garden. The restaurant has been heralded as a “smash hit” by the London Evening Standard and one of the “best restaurants in London right now” by Condé Nast Traveller. Frog by Adam Handling has won ‘Best Newcomer Restaurant' in the 2018 Food & Travel Reader Awards, was voted ‘Best Overall Wine List' at the 2019 Wine List Confidential awards and ‘Cocktail List of the Year' at the National Restaurant Awards 2019. Frog by Adam Handling was awarded its first Michelin Star in February 2022. Eve Bar was awarded ‘Cocktail List of the Year' at the 2019 National Restaurant Awards.In May 2021 Adam opened his first ever venue outside of London and his first-ever pub - The Loch & The Tyne, a restaurant, pub, and rooms in the countryside of Old Windsor. Adam intends to make this one of the most sustainable pubs in the UK, complete with luxury bedrooms for overnight guests. Everything about The Loch & The Tyne is rooted in ‘Sustainable British luxury', with exceptional attention to detail in every corner and truly personal touches throughout. The venue is the perfect countryside location for weddings, private events, and country getaways. In another first for Adam, he has named two of his chefs as Co-Chef Proprietors. Steven Kerr, his Group Executive Chef, and Jonny McNeil, Head Chef at Adam Handling Chelsea, have taken up the reins as an opportunity to showcase the skills they have learnt during their time with Adam. In fact, the name of the pub is representative of where Adam first met both Steven and Jonny - 2008 in Newcastle and 2010 in St Andrews. The Loch & The Tyne was included in The Sunday Times ‘Best Places to Stay' list 2021, awarded Highest New Entry (no. 27) in the Estrella Damm Top 50 Gastropub Awards 2022, and has recently been awarded 5-stars from the AA.The latest opening for the Adam Handling Restaurant Group is Ugly Butterfly, which is chef Adam's most sustainable brand of restaurants, which launched at the luxurious Carbis Bay Estate on August 2nd 2021, offering British food, inspired by Cornwall. In keeping with both Adam's and the Estate's ethos, there's a strong focus on sustainability. Adam has appointed Jamie Park – who has been one of the key chefs in the group for seven years – as Head Chef. The menus in...

Because our Patron demanded it! This week, we take a look at Modesty Blaise and the Gabriel Setup. We also review Hellboy and the BPRD 1957: Falling Sky from Dark Horse Comics, Survival Street #1 from Dark Horse Comics, and Sherlock: A Scandal in Belgravia Volume 2 #1 from Titan Comics. We talk Pac-Man! Substack, and a certain pharma bro! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWS https://bleedingcool.com/comics/martin-shkreli-gets-a-dc-comics-batman-allegory-as-marvin-falcone/ https://majorspoilers.substack.com/p/coming-soon https://deadline.com/2022/08/pac-man-live-action-pic-in-works-from-wayfarer-studios-bandai-namco-1235087466/ REVIEWS STEPHEN HELLBOY AND THE BPRD 1957: Falling Sky Writer: Mike Mignola, Chris Roberson Artist: Shawn Martinbrough Publisher: Dark Horse Comics Release Date: August 10, 2022 Cryptozoologist Woodrow "Woody" Ferrier joined the B.P.R.D. to find exciting and previously undocumented cryptids, but unfortunately, most of his cases end in disappointment. But a trip with Hellboy to small-town Virginia where a huge and mysterious creature stalks the woods might provide him with just the opportunity he's been waiting for! Hellboy creator Mike Mignola and longtime collaborater Chris Roberson gives us a new tale from the world of Hellboy. Featuring art by Shawn Martinbrough, colors by Dave Stewart, and letters by Clem Robins. What's hiding in West Virginia? [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3BNOBgu MATTHEW SURVIVAL STREET #1 Writer: James Asmus/Jim Festante Artist: Abylay Kussainov Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: August 3, 2022 After an unbridled wave of corporations take over America, the country is left completely deregulated and effectively carved up into feudal states where billionaires and businesses make their own laws. Among the wreckage, mass privatization shuts down public broadcasting, forcing all the beloved edutainers out on the down and dirty streets. One group of them stick together, determined to keep helping kids across the country and do it by becoming an A-Team-esque band of mercenaries fighting for (And educating!) kids in the crumbling, corporate war zone of New Best America. [rating:2.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3PdAnYY RODRIGO SHERLOCK: A SCANDAL IN BELGRAVIA VOL 2. #1 Writer: Steven Moffat, Mark Gatiss Artist: Jay Publisher: Titan Comics Cover Price: $4.99 Release Date: August 17, 2022 THE BEST-SELLING MANGA ADAPTATION OF SHERLOCK RETURNS! Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler! Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MoD, with secrets that could threaten to threaten international security and topple the monarchy. [rating: 3.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3QAGUyj  DISCUSSION MODESTY BLAISE: THE GABRIEL SETUP Writer/Artist: Peter O'Donnell Publisher: Titan Comics Modesty Blaise, cult creation of best-selling author Peter O’Donnell, is back! The London Evening Standard newspaper strip adventures of this all-round bad girl and spy are now collected in this stunning new Collectors’ Edition paperback! Thrown into searing hotbeds of intrigue, and up against impossible odds, Modesty Blaise proves once and for all that the female of the species is deadlier than the male. With her trusted right-hand man, Willie Garvin, and the underworld resources of ‘The Network’ on tap, no job is too big, no threat too great! CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

Because our Patron demanded it! This week, we take a look at Modesty Blaise and the Gabriel Setup. We also review Hellboy and the BPRD 1957: Falling Sky from Dark Horse Comics, Survival Street #1 from Dark Horse Comics, and Sherlock: A Scandal in Belgravia Volume 2 #1 from Titan Comics. We talk Pac-Man! Substack, and a certain pharma bro! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWS https://bleedingcool.com/comics/martin-shkreli-gets-a-dc-comics-batman-allegory-as-marvin-falcone/ https://majorspoilers.substack.com/p/coming-soon https://deadline.com/2022/08/pac-man-live-action-pic-in-works-from-wayfarer-studios-bandai-namco-1235087466/ REVIEWS STEPHEN HELLBOY AND THE BPRD 1957: Falling Sky Writer: Mike Mignola, Chris Roberson Artist: Shawn Martinbrough Publisher: Dark Horse Comics Release Date: August 10, 2022 Cryptozoologist Woodrow "Woody" Ferrier joined the B.P.R.D. to find exciting and previously undocumented cryptids, but unfortunately, most of his cases end in disappointment. But a trip with Hellboy to small-town Virginia where a huge and mysterious creature stalks the woods might provide him with just the opportunity he's been waiting for! Hellboy creator Mike Mignola and longtime collaborater Chris Roberson gives us a new tale from the world of Hellboy. Featuring art by Shawn Martinbrough, colors by Dave Stewart, and letters by Clem Robins. What's hiding in West Virginia? [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3BNOBgu MATTHEW SURVIVAL STREET #1 Writer: James Asmus/Jim Festante Artist: Abylay Kussainov Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: August 3, 2022 After an unbridled wave of corporations take over America, the country is left completely deregulated and effectively carved up into feudal states where billionaires and businesses make their own laws. Among the wreckage, mass privatization shuts down public broadcasting, forcing all the beloved edutainers out on the down and dirty streets. One group of them stick together, determined to keep helping kids across the country and do it by becoming an A-Team-esque band of mercenaries fighting for (And educating!) kids in the crumbling, corporate war zone of New Best America. [rating:2.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3PdAnYY RODRIGO SHERLOCK: A SCANDAL IN BELGRAVIA VOL 2. #1 Writer: Steven Moffat, Mark Gatiss Artist: Jay Publisher: Titan Comics Cover Price: $4.99 Release Date: August 17, 2022 THE BEST-SELLING MANGA ADAPTATION OF SHERLOCK RETURNS! Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler! Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MoD, with secrets that could threaten to threaten international security and topple the monarchy. [rating: 3.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3QAGUyj  DISCUSSION MODESTY BLAISE: THE GABRIEL SETUP Writer/Artist: Peter O'Donnell Publisher: Titan Comics Modesty Blaise, cult creation of best-selling author Peter O’Donnell, is back! The London Evening Standard newspaper strip adventures of this all-round bad girl and spy are now collected in this stunning new Collectors’ Edition paperback! Thrown into searing hotbeds of intrigue, and up against impossible odds, Modesty Blaise proves once and for all that the female of the species is deadlier than the male. With her trusted right-hand man, Willie Garvin, and the underworld resources of ‘The Network’ on tap, no job is too big, no threat too great! CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

Tristan Kirk, Courts correspondent for London Evening Standard

Broadstone station in Dublin, Ireland creaked, clanked and clattered with the din of everyday rail traffic. In 19th Century Ireland, it was one of the grandest buildings in the country's capital, and every day hundreds of people worked to ensure that its trains, serving over 500 miles of track from one coast of Ireland to the other, were running as efficiently as they could. It was an imposing machine that stood on the hillside of the city, pulsing away, day after day. In 1856, however, it became famous for more than just its trains and vast profits, when the cashier was found dead, locked in an office full of money. The investigation that followed struggled to solve the mystery for a full year, with a conclusion that pretty much no one who had followed the case, which was more or less the whole of Dublin, would find satisfactory.   SOURCES   Dublin Evening Post (1856) Shocking Occurence - Supposed Suicide. Dublin Evening Post, 15 Nov, 1856, p2. Dublin, Ireland.   London Evening Standard (1856) Murder Of The Cahsier Of The Great Midwestern Railway Company. London Evening Standard, p4. London, UK.   Dublin Evening Mail (1856) Terrible Tragedy At The Midland Railway. Dublin Evening Post, 17 Nov, 1856, p3. Dublin, Ireland.   Dublin Evening Post (1856) This Day. Dublin Evening Post, 20 Nov, 1856, p3. Dublin, Ireland.   London Evening Standard (1856) The Broadstone Tragedy. London Evening Standard, 12 Dec, 1856. p3. London, UK.   Leeds Mercury (1857) The Broadstone Tragedy. Leeds Mercury, 1 Jan, 1857. p4. Leeds, UK.   Saunders's News Letter (1857) Murder Of The Late Mr Little. Saunders's News Letter, 24 June, 1857. p1. London, UK.   Manchester Times (1857) The Arrest Of The Suspected Murderer Of Mr Little. Manchester Times, 27 Jun, 1857. p7. Manchester, UK.   Freeman's Journal (1857) The Murder Of Mr Little. Freeman's Journal, 29 Jun, 1857. p3. Dublin, Ireland.   Freeman's Journal (1857) Trial Of Spollen For The Murder Of Mr Little. Freeman's Journal, 10 Aug, 1857. p4. Dublin, Ireland.   Freeman's Journal (1857) Trial Of Spollen For The Murder Of Mr Little. Freeman's Journal, 12 Aug, 1857. p4. Dublin, Ireland.   Greenock Telegraph and Clyde Shipping Gazette (1857) Re-Arrest Of Spollen. Greenock Telegraph and Clyde Shipping Gazette, 26 Aug, 1857. p4. Scotland.   Premium.weatherweb.net (2022) Weather in History 1850 to 1899 AD. [online] Available at:   KBC, S. (2022) Virtual Reality Tour: Explore this grand former railway station in Dublin... with its own murder mystery. [online] TheJournal.ie. Available at: ---------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or via voicemail on: (415) 286-5072 or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.  

Harry Uzoka was a rising star who'd broken into the world of high-end modeling against all odds. But another model envious of his success began a rivalry which lead to a violent showdown that no one saw coming. SOURCES Adey, Linda. “Remembering Harry.” BBC, https://www.bbc.co.uk/news/resources/idt-sh/remembering_harry_uzoka_the_murder_of_a_model. Accessed 8 June 2022. Balogun, Simi. “FAB Editorial: Ty Ogunkoya & Harry Uzoka Featured In Paper Magazine.” FAB, 21 February 2014, http://fabmagazineonline.com/fab-editorial-ty-ogunkoya-harry-uzoka-featured-paper-magazine/. Accessed 8 June 2022. Okeowo, Alexis. “The Tragedy of Harry Uzoka.” The New York Times, 23 April 2021, https://www.nytimes.com/2021/04/20/magazine/harry-uzoka-murder-george-koh.html. Accessed 8 June 2022. “Two charged over stabbing of male model.” London Evening Standard, 16 01 2018, https://www.newspapers.com/clip/103618163/two-charged-over-stabbing-of-male-model/. MUSIC CREDITS:  Missing (Loopable) by Dave Deville Link: https://filmmusic.io/song/9419-missing-loopable- License: https://filmmusic.io/standard-license  The End by Tim Kulig Link: https://filmmusic.io/song/9335-the-end License: https://filmmusic.io/standard-license This episode was written by Troy Larson who also provided additional research.  Thanks to our sponsors: Download your new favorite getaway, BEST FIENDS, for FREE today on the App Store or Google Play. Head over to outschool.com/once and use code once to learn all about Outschools's summer programs and save fifteen dollars on your child's first class. Check out apartments.com. The place to find a place.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Harry Uzoka was a rising star who'd broken into the world of high-end modeling against all odds. But another model envious of his success began a rivalry which lead to a violent showdown that no one saw coming. SOURCES: Adey, Linda. “Remembering Harry.” BBC, https://www.bbc.co.uk/news/resources/idt-sh/remembering_harry_uzoka_the_murder_of_a_model. Accessed 8 June 2022.Balogun, Simi. “FAB Editorial: Ty Ogunkoya & Harry Uzoka Featured In Paper Magazine.” FAB, 21 February 2014, http://fabmagazineonline.com/fab-editorial-ty-ogunkoya-harry-uzoka-featured-paper-magazine/. Accessed 8 June 2022.Okeowo, Alexis. “The Tragedy of Harry Uzoka.” The New York Times, 23 April 2021, https://www.nytimes.com/2021/04/20/magazine/harry-uzoka-murder-george-koh.html. Accessed 8 June 2022.“Two charged over stabbing of male model.” London Evening Standard, 16 01 2018, https://www.newspapers.com/clip/103618163/two-charged-over-stabbing-of-male-model/. MUSIC CREDITS: Missing (Loopable) by Dave DevilleLink: https://filmmusic.io/song/9419-missing-loopable-License: https://filmmusic.io/standard-license The End by Tim KuligLink: https://filmmusic.io/song/9335-the-endLicense: https://filmmusic.io/standard-license This episode was written by Troy Larson who also provided additional research.

This week's episode looks at “All You Need is Love”, the Our World TV special, and the career of the Beatles from April 1966 through August 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on "Rain" by the Beatles. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ NB for the first few hours this was up, there was a slight editing glitch. If you downloaded the old version and don't want to redownload the whole thing, just look in the transcript for "Other than fixing John's two flubbed" for the text of the two missing paragraphs. Errata I say "Come Together" was a B-side, but the single was actually a double A-side. Also, I say the Lennon interview by Maureen Cleave appeared in Detroit magazine. That's what my source (Steve Turner's book) says, but someone on Twitter says that rather than Detroit magazine it was the Detroit Free Press. Also at one point I say "the videos for 'Paperback Writer' and 'Penny Lane'". I meant to say "Rain" rather than "Penny Lane" there. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. Particularly useful this time was Steve Turner's book Beatles '66. I also used Turner's The Beatles: The Stories Behind the Songs 1967-1970. Johnny Rogan's Starmakers and Svengalis had some information on Epstein I hadn't seen anywhere else. Some information about the "Bigger than Jesus" scandal comes from Ward, B. (2012). “The ‘C' is for Christ”: Arthur Unger, Datebook Magazine and the Beatles. Popular Music and Society, 35(4), 541-560. https://doi.org/10.1080/03007766.2011.608978 Information on Robert Stigwood comes from Mr Showbiz by Stephen Dando-Collins. And the quote at the end from Simon Napier-Bell is from You Don't Have to Say You Love Me, which is more entertaining than it is accurate, but is very entertaining. Sadly the only way to get the single mix of "All You Need is Love" is on this ludicrously-expensive out-of-print box set, but the stereo mix is easily available on Magical Mystery Tour. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A quick note before I start the episode -- this episode deals, in part, with the deaths of three gay men -- one by murder, one by suicide, and one by an accidental overdose, all linked at least in part to societal homophobia. I will try to deal with this as tactfully as I can, but anyone who's upset by those things might want to read the transcript instead of listening to the episode. This is also a very, very, *very* long episode -- this is likely to be the longest episode I *ever* do of this podcast, so settle in. We're going to be here a while. I obviously don't know how long it's going to be while I'm still recording, but based on the word count of my script, probably in the region of three hours. You have been warned. In 1967 the actor Patrick McGoohan was tired. He had been working on the hit series Danger Man for many years -- Danger Man had originally run from 1960 through 1962, then had taken a break, and had come back, retooled, with longer episodes in 1964. That longer series was a big hit, both in the UK and in the US, where it was retitled Secret Agent and had a new theme tune written by PF Sloan and Steve Barri and recorded by Johnny Rivers: [Excerpt: Johnny Rivers, "Secret Agent Man"] But McGoohan was tired of playing John Drake, the agent, and announced he was going to quit the series. Instead, with the help of George Markstein, Danger Man's script editor, he created a totally new series, in which McGoohan would star, and which McGoohan would also write and direct key episodes of. This new series, The Prisoner, featured a spy who is only ever given the name Number Six, and who many fans -- though not McGoohan himself -- took to be the same character as John Drake. Number Six resigns from his job as a secret agent, and is kidnapped and taken to a place known only as The Village -- the series was filmed in Portmeirion, an unusual-looking town in Gwynnedd, in North Wales -- which is full of other ex-agents. There he is interrogated to try to find out why he has quit his job. It's never made clear whether the interrogators are his old employers or their enemies, and there's a certain suggestion that maybe there is no real distinction between the two sides, that they're both running the Village together. He spends the entire series trying to escape, but refuses to explain himself -- and there's some debate among viewers as to whether it's implied or not that part of the reason he doesn't explain himself is that he knows his interrogators wouldn't understand why he quit: [Excerpt: The Prisoner intro, from episode Once Upon a Time, ] Certainly that explanation would fit in with McGoohan's own personality. According to McGoohan, the final episode of The Prisoner was, at the time, the most watched TV show ever broadcast in the UK, as people tuned in to find out the identity of Number One, the person behind the Village, and to see if Number Six would break free. I don't think that's actually the case, but it's what McGoohan always claimed, and it was certainly a very popular series. I won't spoil the ending for those of you who haven't watched it -- it's a remarkable series -- but ultimately the series seems to decide that such questions don't matter and that even asking them is missing the point. It's a work that's open to multiple interpretations, and is left deliberately ambiguous, but one of the messages many people have taken away from it is that not only are we trapped by a society that oppresses us, we're also trapped by our own identities. You can run from the trap that society has placed you in, from other people's interpretations of your life, your work, and your motives, but you ultimately can't run from yourself, and any time you try to break out of a prison, you'll find yourself trapped in another prison of your own making. The most horrifying implication of the episode is that possibly even death itself won't be a release, and you will spend all eternity trying to escape from an identity you're trapped in. Viewers became so outraged, according to McGoohan, that he had to go into hiding for an extended period, and while his later claims that he never worked in Britain again are an exaggeration, it is true that for the remainder of his life he concentrated on doing work in the US instead, where he hadn't created such anger. That final episode of The Prisoner was also the only one to use a piece of contemporary pop music, in two crucial scenes: [Excerpt: The Prisoner, "Fall Out", "All You Need is Love"] Back in October 2020, we started what I thought would be a year-long look at the period from late 1962 through early 1967, but which has turned out for reasons beyond my control to take more like twenty months, with a song which was one of the last of the big pre-Beatles pop hits, though we looked at it after their first single, "Telstar" by the Tornadoes: [Excerpt: The Tornadoes, "Telstar"] There were many reasons for choosing that as one of the bookends for this fifty-episode chunk of the podcast -- you'll see many connections between that episode and this one if you listen to them back-to-back -- but among them was that it's a song inspired by the launch of the first ever communications satellite, and a sign of how the world was going to become smaller as the sixties went on. Of course, to start with communications satellites didn't do much in that regard -- they were expensive to use, and had limited bandwidth, and were only available during limited time windows, but symbolically they meant that for the first time ever, people could see and hear events thousands of miles away as they were happening. It's not a coincidence that Britain and France signed the agreement to develop Concorde, the first supersonic airliner, a month after the first Beatles single and four months after the Telstar satellite was launched. The world was becoming ever more interconnected -- people were travelling faster and further, getting news from other countries quicker, and there was more cultural conversation – and misunderstanding – between countries thousands of miles apart. The Canadian media theorist Marshall McLuhan, the man who also coined the phrase “the medium is the message”, thought that this ever-faster connection would fundamentally change basic modes of thought in the Western world. McLuhan thought that technology made possible whole new modes of thought, and that just as the printing press had, in his view, caused Western liberalism and individualism, so these new electronic media would cause the rise of a new collective mode of thought. In 1962, the year of Concorde, Telstar, and “Love Me Do”, McLuhan wrote a book called The Gutenberg Galaxy, in which he said: “Instead of tending towards a vast Alexandrian library the world has become a computer, an electronic brain, exactly as an infantile piece of science fiction. And as our senses have gone outside us, Big Brother goes inside. So, unless aware of this dynamic, we shall at once move into a phase of panic terrors, exactly befitting a small world of tribal drums, total interdependence, and superimposed co-existence.… Terror is the normal state of any oral society, for in it everything affects everything all the time.…” He coined the term “the Global Village” to describe this new collectivism. The story we've seen over the last fifty episodes is one of a sort of cultural ping-pong between the USA and the UK, with innovations in American music inspiring British musicians, who in turn inspired American ones, whether that being the Beatles covering the Isley Brothers or the Rolling Stones doing a Bobby Womack song, or Paul Simon and Bob Dylan coming over to the UK and learning folk songs and guitar techniques from Martin Carthy. And increasingly we're going to see those influences spread to other countries, and influences coming *from* other countries. We've already seen one Jamaican artist, and the influence of Indian music has become very apparent. While the focus of this series is going to remain principally in the British Isles and North America, rock music was and is a worldwide phenomenon, and that's going to become increasingly a part of the story. And so in this episode we're going to look at a live performance -- well, mostly live -- that was seen by hundreds of millions of people all over the world as it happened, thanks to the magic of satellites: [Excerpt: The Beatles, "All You Need is Love"] When we left the Beatles, they had just finished recording "Tomorrow Never Knows", the most experimental track they had recorded up to that date, and if not the most experimental thing they *ever* recorded certainly in the top handful. But "Tomorrow Never Knows" was only the first track they recorded in the sessions for what would become arguably their greatest album, and certainly the one that currently has the most respect from critics. It's interesting to note that that album could have been very, very, different. When we think of Revolver now, we think of the innovative production of George Martin, and of Geoff Emerick and Ken Townshend's inventive ideas for pushing the sound of the equipment in Abbey Road studios, but until very late in the day the album was going to be recorded in the Stax studios in Memphis, with Steve Cropper producing -- whether George Martin would have been involved or not is something we don't even know. In 1965, the Rolling Stones had, as we've seen, started making records in the US, recording in LA and at the Chess studios in Chicago, and the Yardbirds had also been doing the same thing. Mick Jagger had become a convert to the idea of using American studios and working with American musicians, and he had constantly been telling Paul McCartney that the Beatles should do the same. Indeed, they'd put some feelers out in 1965 about the possibility of the group making an album with Holland, Dozier, and Holland in Detroit. Quite how this would have worked is hard to figure out -- Holland, Dozier, and Holland's skills were as songwriters, and in their work with a particular set of musicians -- so it's unsurprising that came to nothing. But recording at Stax was a different matter.  While Steve Cropper was a great songwriter in his own right, he was also adept at getting great sounds on covers of other people's material -- like on Otis Blue, the album he produced for Otis Redding in late 1965, which doesn't include a single Cropper original: [Excerpt: Otis Redding, "Satisfaction"] And the Beatles were very influenced by the records Stax were putting out, often namechecking Wilson Pickett in particular, and during the Rubber Soul sessions they had recorded a "Green Onions" soundalike track, imaginatively titled "12-Bar Original": [Excerpt: The Beatles, "12-Bar Original"] The idea of the group recording at Stax got far enough that they were actually booked in for two weeks starting the ninth of April, and there was even an offer from Elvis to let them stay at Graceland while they recorded, but then a couple of weeks earlier, the news leaked to the press, and Brian Epstein cancelled the booking. According to Cropper, Epstein talked about recording at the Atlantic studios in New York with him instead, but nothing went any further. It's hard to imagine what a Stax-based Beatles album would have been like, but even though it might have been a great album, it certainly wouldn't have been the Revolver we've come to know. Revolver is an unusual album in many ways, and one of the ways it's most distinct from the earlier Beatles albums is the dominance of keyboards. Both Lennon and McCartney had often written at the piano as well as the guitar -- McCartney more so than Lennon, but both had done so regularly -- but up to this point it had been normal for them to arrange the songs for guitars rather than keyboards, no matter how they'd started out. There had been the odd track where one of them, usually Lennon, would play a simple keyboard part, songs like "I'm Down" or "We Can Work it Out", but even those had been guitar records first and foremost. But on Revolver, that changed dramatically. There seems to have been a complex web of cause and effect here. Paul was becoming increasingly interested in moving his basslines away from simple walking basslines and root notes and the other staples of rock and roll basslines up to this point. As the sixties progressed, rock basslines were becoming ever more complex, and Tyler Mahan Coe has made a good case that this is largely down to innovations in production pioneered by Owen Bradley, and McCartney was certainly aware of Bradley's work -- he was a fan of Brenda Lee, who Bradley produced, for example. But the two influences that McCartney has mentioned most often in this regard are the busy, jazz-influenced, basslines that James Jamerson was playing at Motown: [Excerpt: The Four Tops, "It's the Same Old Song"] And the basslines that Brian Wilson was writing for various Wrecking Crew bassists to play for the Beach Boys: [Excerpt: The Beach Boys, "Don't Talk (Put Your Head on My Shoulder)"] Just to be clear, McCartney didn't hear that particular track until partway through the recording of Revolver, when Bruce Johnston visited the UK and brought with him an advance copy of Pet Sounds, but Pet Sounds influenced the later part of Revolver's recording, and Wilson had already started his experiments in that direction with the group's 1965 work. It's much easier to write a song with this kind of bassline, one that's integral to the composition, on the piano than it is to write it on a guitar, as you can work out the bassline with your left hand while working out the chords and melody with your right, so the habit that McCartney had already developed of writing on the piano made this easier. But also, starting with the recording of "Paperback Writer", McCartney switched his style of working in the studio. Where up to this point it had been normal for him to play bass as part of the recording of the basic track, playing with the other Beatles, he now started to take advantage of multitracking to overdub his bass later, so he could spend extra time getting the bassline exactly right. McCartney lived closer to Abbey Road than the other three Beatles, and so could more easily get there early or stay late and tweak his parts. But if McCartney wasn't playing bass while the guitars and drums were being recorded, that meant he could play something else, and so increasingly he would play piano during the recording of the basic track. And that in turn would mean that there wouldn't always *be* a need for guitars on the track, because the harmonic support they would provide would be provided by the piano instead. This, as much as anything else, is the reason that Revolver sounds so radically different to any other Beatles album. Up to this point, with *very* rare exceptions like "Yesterday", every Beatles record, more or less, featured all four of the Beatles playing instruments. Now John and George weren't playing on "Good Day Sunshine" or "For No One", John wasn't playing on "Here, There, and Everywhere", "Eleanor Rigby" features no guitars or drums at all, and George's "Love You To" only features himself, plus a little tambourine from Ringo (Paul recorded a part for that one, but it doesn't seem to appear on the finished track). Of the three songwriting Beatles, the only one who at this point was consistently requiring the instrumental contributions of all the other band members was John, and even he did without Paul on "She Said, She Said", which by all accounts features either John or George on bass, after Paul had a rare bout of unprofessionalism and left the studio. Revolver is still an album made by a group -- and most of those tracks that don't feature John or George instrumentally still feature them vocally -- it's still a collaborative work in all the best ways. But it's no longer an album made by four people playing together in the same room at the same time. After starting work on "Tomorrow Never Knows", the next track they started work on was Paul's "Got to Get You Into My Life", but as it would turn out they would work on that song throughout most of the sessions for the album -- in a sign of how the group would increasingly work from this point on, Paul's song was subject to multiple re-recordings and tweakings in the studio, as he tinkered to try to make it perfect. The first recording to be completed for the album, though, was almost as much of a departure in its own way as "Tomorrow Never Knows" had been. George's song "Love You To" shows just how inspired he was by the music of Ravi Shankar, and how devoted he was to Indian music. While a few months earlier he had just about managed to pick out a simple melody on the sitar for "Norwegian Wood", by this point he was comfortable enough with Indian classical music that I've seen many, many sources claim that an outside session player is playing sitar on the track, though Anil Bhagwat, the tabla player on the track, always insisted that it was entirely Harrison's playing: [Excerpt: The Beatles, "Love You To"] There is a *lot* of debate as to whether it's George playing on the track, and I feel a little uncomfortable making a definitive statement in either direction. On the one hand I find it hard to believe that Harrison got that good that quickly on an unfamiliar instrument, when we know he wasn't a naturally facile musician. All the stories we have about his work in the studio suggest that he had to work very hard on his guitar solos, and that he would frequently fluff them. As a technical guitarist, Harrison was only mediocre -- his value lay in his inventiveness, not in technical ability -- and he had been playing guitar for over a decade, but sitar only a few months. There's also some session documentation suggesting that an unknown sitar player was hired. On the other hand there's the testimony of Anil Bhagwat that Harrison played the part himself, and he has been very firm on the subject, saying "If you go on the Internet there are a lot of questions asked about "Love You To". They say 'It's not George playing the sitar'. I can tell you here and now -- 100 percent it was George on sitar throughout. There were no other musicians involved. It was just me and him." And several people who are more knowledgeable than myself about the instrument have suggested that the sitar part on the track is played the way that a rock guitarist would play rather than the way someone with more knowledge of Indian classical music would play -- there's a blues feeling to some of the bends that apparently no genuine Indian classical musician would naturally do. I would suggest that the best explanation is that there's a professional sitar player trying to replicate a part that Harrison had previously demonstrated, while Harrison was in turn trying his best to replicate the sound of Ravi Shankar's work. Certainly the instrumental section sounds far more fluent, and far more stylistically correct, than one would expect: [Excerpt: The Beatles, "Love You To"] Where previous attempts at what got called "raga-rock" had taken a couple of surface features of Indian music -- some form of a drone, perhaps a modal scale -- and had generally used a guitar made to sound a little bit like a sitar, or had a sitar playing normal rock riffs, Harrison's song seems to be a genuine attempt to hybridise Indian ragas and rock music, combining the instrumentation, modes, and rhythmic complexity of someone like Ravi Shankar with lyrics that are seemingly inspired by Bob Dylan and a fairly conventional pop song structure (and a tiny bit of fuzz guitar). It's a record that could only be made by someone who properly understood both the Indian music he's emulating and the conventions of the Western pop song, and understood how those conventions could work together. Indeed, one thing I've rarely seen pointed out is how cleverly the album is sequenced, so that "Love You To" is followed by possibly the most conventional song on Revolver, "Here, There, and Everywhere", which was recorded towards the end of the sessions. Both songs share a distinctive feature not shared by the rest of the album, so the two songs can sound more of a pair than they otherwise would, retrospectively making "Love You To" seem more conventional than it is and "Here, There, and Everywhere" more unconventional -- both have as an introduction a separate piece of music that states some of the melodic themes of the rest of the song but isn't repeated later. In the case of "Love You To" it's the free-tempo bit at the beginning, characteristic of a lot of Indian music: [Excerpt: The Beatles, "Love You To"] While in the case of "Here, There, and Everywhere" it's the part that mimics an older style of songwriting, a separate intro of the type that would have been called a verse when written by the Gershwins or Cole Porter, but of course in the intervening decades "verse" had come to mean something else, so we now no longer have a specific term for this kind of intro -- but as you can hear, it's doing very much the same thing as that "Love You To" intro: [Excerpt: The Beatles, "Here, There, and Everywhere"] In the same day as the group completed "Love You To", overdubbing George's vocal and Ringo's tambourine, they also started work on a song that would show off a lot of the new techniques they had been working on in very different ways. Paul's "Paperback Writer" could indeed be seen as part of a loose trilogy with "Love You To" and "Tomorrow Never Knows", one song by each of the group's three songwriters exploring the idea of a song that's almost all on one chord. Both "Tomorrow Never Knows" and "Love You To" are based on a drone with occasional hints towards moving to one other chord. In the case of "Paperback Writer", the entire song stays on a single chord until the title -- it's on a G7 throughout until the first use of the word "writer", when it quickly goes to a C for two bars. I'm afraid I'm going to have to sing to show you how little the chords actually change, because the riff disguises this lack of movement somewhat, but the melody is also far more horizontal than most of McCartney's, so this shouldn't sound too painful, I hope: [demonstrates] This is essentially the exact same thing that both "Love You To" and "Tomorrow Never Knows" do, and all three have very similarly structured rising and falling modal melodies. There's also a bit of "Paperback Writer" that seems to tie directly into "Love You To", but also points to a possible very non-Indian inspiration for part of "Love You To". The Beach Boys' single "Sloop John B" was released in the UK a couple of days after the sessions for "Paperback Writer" and "Love You To", but it had been released in the US a month before, and the Beatles all got copies of every record in the American top thirty shipped to them. McCartney and Harrison have specifically pointed to it as an influence on "Paperback Writer". "Sloop John B" has a section where all the instruments drop out and we're left with just the group's vocal harmonies: [Excerpt: The Beach Boys, "Sloop John B"] And that seems to have been the inspiration behind the similar moment at a similar point in "Paperback Writer", which is used in place of a middle eight and also used for the song's intro: [Excerpt: The Beatles, "Paperback Writer"] Which is very close to what Harrison does at the end of each verse of "Love You To", where the instruments drop out for him to sing a long melismatic syllable before coming back in: [Excerpt: The Beatles, "Love You To"] Essentially, other than "Got to Get You Into My Life", which is an outlier and should not be counted, the first three songs attempted during the Revolver sessions are variations on a common theme, and it's a sign that no matter how different the results might  sound, the Beatles really were very much a group at this point, and were sharing ideas among themselves and developing those ideas in similar ways. "Paperback Writer" disguises what it's doing somewhat by having such a strong riff. Lennon referred to "Paperback Writer" as "son of 'Day Tripper'", and in terms of the Beatles' singles it's actually their third iteration of this riff idea, which they originally got from Bobby Parker's "Watch Your Step": [Excerpt: Bobby Parker, "Watch Your Step"] Which became the inspiration for "I Feel Fine": [Excerpt: The Beatles, "I Feel Fine"] Which they varied for "Day Tripper": [Excerpt: The Beatles, "Day Tripper"] And which then in turn got varied for "Paperback Writer": [Excerpt: The Beatles, "Paperback Writer"] As well as compositional ideas, there are sonic ideas shared between "Paperback Writer", "Tomorrow Never Knows", and "Love You To", and which would be shared by the rest of the tracks the Beatles recorded in the first half of 1966. Since Geoff Emerick had become the group's principal engineer, they'd started paying more attention to how to get a fuller sound, and so Emerick had miced the tabla on "Love You To" much more closely than anyone would normally mic an instrument from classical music, creating a deep, thudding sound, and similarly he had changed the way they recorded the drums on "Tomorrow Never Knows", again giving a much fuller sound. But the group also wanted the kind of big bass sounds they'd loved on records coming out of America -- sounds that no British studio was getting, largely because it was believed that if you cut too loud a bass sound into a record it would make the needle jump out of the groove. The new engineering team of Geoff Emerick and Ken Scott, though, thought that it was likely you could keep the needle in the groove if you had a smoother frequency response. You could do that if you used a microphone with a larger diaphragm to record the bass, but how could you do that? Inspiration finally struck -- loudspeakers are actually the same thing as microphones wired the other way round, so if you wired up a loudspeaker as if it were a microphone you could get a *really big* speaker, place it in front of the bass amp, and get a much stronger bass sound. The experiment wasn't a total success -- the sound they got had to be processed quite extensively to get rid of room noise, and then compressed in order to further prevent the needle-jumping issue, and so it's a muddier, less defined, tone than they would have liked, but one thing that can't be denied is that "Paperback Writer"'s bass sound is much, much, louder than on any previous Beatles record: [Excerpt: The Beatles, "Paperback Writer"] Almost every track the group recorded during the Revolver sessions involved all sorts of studio innovations, though rarely anything as truly revolutionary as the artificial double-tracking they'd used on "Tomorrow Never Knows", and which also appeared on "Paperback Writer" -- indeed, as "Paperback Writer" was released several months before Revolver, it became the first record released to use the technique. I could easily devote a good ten minutes to every track on Revolver, and to "Paperback Writer"s B-side, "Rain", but this is already shaping up to be an extraordinarily long episode and there's a lot of material to get through, so I'll break my usual pattern of devoting a Patreon bonus episode to something relatively obscure, and this week's bonus will be on "Rain" itself. "Paperback Writer", though, deserved the attention here even though it was not one of the group's more successful singles -- it did go to number one, but it didn't hit number one in the UK charts straight away, being kept off the top by "Strangers in the Night" by Frank Sinatra for the first week: [Excerpt: Frank Sinatra, "Strangers in the Night"] Coincidentally, "Strangers in the Night" was co-written by Bert Kaempfert, the German musician who had produced the group's very first recording sessions with Tony Sheridan back in 1961. On the group's German tour in 1966 they met up with Kaempfert again, and John greeted him by singing the first couple of lines of the Sinatra record. The single was the lowest-selling Beatles single in the UK since "Love Me Do". In the US it only made number one for two non-consecutive weeks, with "Strangers in the Night" knocking it off for a week in between. Now, by literally any other band's standards, that's still a massive hit, and it was the Beatles' tenth UK number one in a row (or ninth, depending on which chart you use for "Please Please Me"), but it's a sign that the group were moving out of the first phase of total unequivocal dominance of the charts. It was a turning point in a lot of other ways as well. Up to this point, while the group had been experimenting with different lyrical subjects on album tracks, every single had lyrics about romantic relationships -- with the possible exception of "Help!", which was about Lennon's emotional state but written in such a way that it could be heard as a plea to a lover. But in the case of "Paperback Writer", McCartney was inspired by his Aunt Mill asking him "Why do you write songs about love all the time? Can you ever write about a horse or the summit conference or something interesting?" His response was to think "All right, Aunt Mill, I'll show you", and to come up with a lyric that was very much in the style of the social satires that bands like the Kinks were releasing at the time. People often miss the humour in the lyric for "Paperback Writer", but there's a huge amount of comedy in lyrics about someone writing to a publisher saying they'd written a book based on someone else's book, and one can only imagine the feeling of weary recognition in slush-pile readers throughout the world as they heard the enthusiastic "It's a thousand pages, give or take a few, I'll be writing more in a week or two. I can make it longer..." From this point on, the group wouldn't release a single that was unambiguously about a romantic relationship until "The Ballad of John and Yoko",  the last single released while the band were still together. "Paperback Writer" also saw the Beatles for the first time making a promotional film -- what we would now call a rock video -- rather than make personal appearances on TV shows. The film was directed by Michael Lindsay-Hogg, who the group would work with again in 1969, and shows Paul with a chipped front tooth -- he'd been in an accident while riding mopeds with his friend Tara Browne a few months earlier, and hadn't yet got round to having the tooth capped. When he did, the change in his teeth was one of the many bits of evidence used by conspiracy theorists to prove that the real Paul McCartney was dead and replaced by a lookalike. It also marks a change in who the most prominent Beatle on the group's A-sides was. Up to this point, Paul had had one solo lead on an A-side -- "Can't Buy Me Love" -- and everything else had been either a song with multiple vocalists like "Day Tripper" or "Love Me Do", or a song with a clear John lead like "Ticket to Ride" or "I Feel Fine". In the rest of their career, counting "Paperback Writer", the group would release nine new singles that hadn't already been included on an album. Of those nine singles, one was a double A-side with one John song and one Paul song, two had John songs on the A-side, and the other six were Paul. Where up to this point John had been "lead Beatle", for the rest of the sixties, Paul would be the group's driving force. Oddly, Paul got rather defensive about the record when asked about it in interviews after it failed to go straight to the top, saying "It's not our best single by any means, but we're very satisfied with it". But especially in its original mono mix it actually packs a powerful punch: [Excerpt: The Beatles, "Paperback Writer"] When the "Paperback Writer" single was released, an unusual image was used in the advertising -- a photo of the Beatles dressed in butchers' smocks, covered in blood, with chunks of meat and the dismembered body parts of baby dolls lying around on them. The image was meant as part of a triptych parodying religious art -- the photo on the left was to be an image showing the four Beatles connected to a woman by an umbilical cord made of sausages, the middle panel was meant to be this image, but with halos added over the Beatles' heads, and the panel on the right was George hammering a nail into John's head, symbolising both crucifixion and that the group were real, physical, people, not just images to be worshipped -- these weren't imaginary nails, and they weren't imaginary people. The photographer Robert Whittaker later said: “I did a photograph of the Beatles covered in raw meat, dolls and false teeth. Putting meat, dolls and false teeth with The Beatles is essentially part of the same thing, the breakdown of what is regarded as normal. The actual conception for what I still call “Somnambulant Adventure” was Moses coming down from Mount Sinai with the Ten Commandments. He comes across people worshipping a golden calf. All over the world I'd watched people worshiping like idols, like gods, four Beatles. To me they were just stock standard normal people. But this emotion that fans poured on them made me wonder where Christianity was heading.” The image wasn't that controversial in the UK, when it was used to advertise "Paperback Writer", but in the US it was initially used for the cover of an album, Yesterday... And Today, which was made up of a few tracks that had been left off the US versions of the Rubber Soul and Help! albums, plus both sides of the "We Can Work It Out"/"Day Tripper" single, and three rough mixes of songs that had been recorded for Revolver -- "Doctor Robert", "And Your Bird Can Sing", and "I'm Only Sleeping", which was the song that sounded most different from the mixes that were finally released: [Excerpt: The Beatles, "I'm Only Sleeping (Yesterday... and Today mix)"] Those three songs were all Lennon songs, which had the unfortunate effect that when the US version of Revolver was brought out later in the year, only two of the songs on the album were by Lennon, with six by McCartney and three by Harrison. Some have suggested that this was the motivation for the use of the butcher image on the cover of Yesterday... And Today -- saying it was the Beatles' protest against Capitol "butchering" their albums -- but in truth it was just that Capitol's art director chose the cover because he liked the image. Alan Livingston, the president of Capitol was not so sure, and called Brian Epstein to ask if the group would be OK with them using a different image. Epstein checked with John Lennon, but Lennon liked the image and so Epstein told Livingston the group insisted on them using that cover. Even though for the album cover the bloodstains on the butchers' smocks were airbrushed out, after Capitol had pressed up a million copies of the mono version of the album and two hundred thousand copies of the stereo version, and they'd sent out sixty thousand promo copies, they discovered that no record shops would stock the album with that cover. It cost Capitol more than two hundred thousand dollars to recall the album and replace the cover with a new one -- though while many of the covers were destroyed, others had the new cover, with a more acceptable photo of the group, pasted over them, and people have later carefully steamed off the sticker to reveal the original. This would not be the last time in 1966 that something that was intended as a statement on religion and the way people viewed the Beatles would cause the group trouble in America. In the middle of the recording sessions for Revolver, the group also made what turned out to be their last ever UK live performance in front of a paying audience. The group had played the NME Poll-Winners' Party every year since 1963, and they were always shows that featured all the biggest acts in the country at the time -- the 1966 show featured, as well as the Beatles and a bunch of smaller acts, the Rolling Stones, the Who, the Yardbirds, Roy Orbison, Cliff Richard and the Shadows, the Seekers, the Small Faces, the Walker Brothers, and Dusty Springfield. Unfortunately, while these events were always filmed for TV broadcast, the Beatles' performance on the first of May wasn't filmed. There are various stories about what happened, but the crux appears to be a disagreement between Andrew Oldham and Brian Epstein, sparked by John Lennon. When the Beatles got to the show, they were upset to discover that they had to wait around before going on stage -- normally, the awards would all be presented at the end, after all the performances, but the Rolling Stones had asked that the Beatles not follow them directly, so after the Stones finished their set, there would be a break for the awards to be given out, and then the Beatles would play their set, in front of an audience that had been bored by twenty-five minutes of awards ceremony, rather than one that had been excited by all the bands that came before them. John Lennon was annoyed, and insisted that the Beatles were going to go on straight after the Rolling Stones -- he seems to have taken this as some sort of power play by the Stones and to have got his hackles up about it. He told Epstein to deal with the people from the NME. But the NME people said that they had a contract with Andrew Oldham, and they weren't going to break it. Oldham refused to change the terms of the contract. Lennon said that he wasn't going to go on stage if they didn't directly follow the Stones. Maurice Kinn, the publisher of the NME, told Epstein that he wasn't going to break the contract with Oldham, and that if the Beatles didn't appear on stage, he would get Jimmy Savile, who was compering the show, to go out on stage and tell the ten thousand fans in the audience that the Beatles were backstage refusing to appear. He would then sue NEMS for breach of contract *and* NEMS would be liable for any damage caused by the rioting that was sure to happen. Lennon screamed a lot of abuse at Kinn, and told him the group would never play one of their events again, but the group did go on stage -- but because they hadn't yet signed the agreement to allow their performance to be filmed, they refused to allow it to be recorded. Apparently Andrew Oldham took all this as a sign that Epstein was starting to lose control of the group. Also during May 1966 there were visits from musicians from other countries, continuing the cultural exchange that was increasingly influencing the Beatles' art. Bruce Johnston of the Beach Boys came over to promote the group's new LP, Pet Sounds, which had been largely the work of Brian Wilson, who had retired from touring to concentrate on working in the studio. Johnston played the record for John and Paul, who listened to it twice, all the way through, in silence, in Johnston's hotel room: [Excerpt: The Beach Boys, "God Only Knows"] According to Johnston, after they'd listened through the album twice, they went over to a piano and started whispering to each other, picking out chords. Certainly the influence of Pet Sounds is very noticeable on songs like "Here, There, and Everywhere", written and recorded a few weeks after this meeting: [Excerpt: The Beatles, "Here, There, and Everywhere"] That track, and the last track recorded for the album, "She Said She Said" were unusual in one very important respect -- they were recorded while the Beatles were no longer under contract to EMI Records. Their contract expired on the fifth of June, 1966, and they finished Revolver without it having been renewed -- it would be several months before their new contract was signed, and it's rather lucky for music lovers that Brian Epstein was the kind of manager who considered personal relationships and basic honour and decency more important than the legal niceties, unlike any other managers of the era, otherwise we would not have Revolver in the form we know it today. After the meeting with Johnston, but before the recording of those last couple of Revolver tracks, the Beatles also met up again with Bob Dylan, who was on a UK tour with a new, loud, band he was working with called The Hawks. While the Beatles and Dylan all admired each other, there was by this point a lot of wariness on both sides, especially between Lennon and Dylan, both of them very similar personality types and neither wanting to let their guard down around the other or appear unhip. There's a famous half-hour-long film sequence of Lennon and Dylan sharing a taxi, which is a fascinating, excruciating, example of two insecure but arrogant men both trying desperately to impress the other but also equally desperate not to let the other know that they want to impress them: [Excerpt: Dylan and Lennon taxi ride] The day that was filmed, Lennon and Harrison also went to see Dylan play at the Royal Albert Hall. This tour had been controversial, because Dylan's band were loud and raucous, and Dylan's fans in the UK still thought of him as a folk musician. At one gig, earlier on the tour, an audience member had famously yelled out "Judas!" -- (just on the tiny chance that any of my listeners don't know that, Judas was the disciple who betrayed Jesus to the authorities, leading to his crucifixion) -- and that show was for many years bootlegged as the "Royal Albert Hall" show, though in fact it was recorded at the Free Trade Hall in Manchester. One of the *actual* Royal Albert Hall shows was released a few years ago -- the one the night before Lennon and Harrison saw Dylan: [Excerpt: Bob Dylan, "Like a Rolling Stone", Royal Albert Hall 1966] The show Lennon and Harrison saw would be Dylan's last for many years. Shortly after returning to the US, Dylan was in a motorbike accident, the details of which are still mysterious, and which some fans claim was faked altogether. The accident caused him to cancel all the concert dates he had booked, and devote himself to working in the studio for several years just like Brian Wilson. And from even further afield than America, Ravi Shankar came over to Britain, to work with his friend the violinist Yehudi Menuhin, on a duet album, West Meets East, that was an example in the classical world of the same kind of international cross-fertilisation that was happening in the pop world: [Excerpt: Yehudi Menuhin and Ravi Shankar, "Prabhati (based on Raga Gunkali)"] While he was in the UK, Shankar also performed at the Royal Festival Hall, and George Harrison went to the show. He'd seen Shankar live the year before, but this time he met up with him afterwards, and later said "He was the first person that impressed me in a way that was beyond just being a famous celebrity. Ravi was my link to the Vedic world. Ravi plugged me into the whole of reality. Elvis impressed me when I was a kid, and impressed me when I met him, but you couldn't later on go round to him and say 'Elvis, what's happening with the universe?'" After completing recording and mixing the as-yet-unnamed album, which had been by far the longest recording process of their career, and which still nearly sixty years later regularly tops polls of the best album of all time, the Beatles took a well-earned break. For a whole two days, at which point they flew off to Germany to do a three-day tour, on their way to Japan, where they were booked to play five shows at the Budokan. Unfortunately for the group, while they had no idea of this when they were booked to do the shows, many in Japan saw the Budokan as sacred ground, and they were the first ever Western group to play there. This led to numerous death threats and loud protests from far-right activists offended at the Beatles defiling their religious and nationalistic sensibilities. As a result, the police were on high alert -- so high that there were three thousand police in the audience for the shows, in a venue which only held ten thousand audience members. That's according to Mark Lewisohn's Complete Beatles Chronicle, though I have to say that the rather blurry footage of the audience in the video of those shows doesn't seem to show anything like those numbers. But frankly I'll take Lewisohn's word over that footage, as he's not someone to put out incorrect information. The threats to the group also meant that they had to be kept in their hotel rooms at all times except when actually performing, though they did make attempts to get out. At the press conference for the Tokyo shows, the group were also asked publicly for the first time their views on the war in Vietnam, and John replied "Well, we think about it every day, and we don't agree with it and we think that it's wrong. That's how much interest we take. That's all we can do about it... and say that we don't like it". I say they were asked publicly for the first time, because George had been asked about it for a series of interviews Maureen Cleave had done with the group a couple of months earlier, as we'll see in a bit, but nobody was paying attention to those interviews. Brian Epstein was upset that the question had gone to John. He had hoped that the inevitable Vietnam question would go to Paul, who he thought might be a bit more tactful. The last thing he needed was John Lennon saying something that would upset the Americans before their tour there a few weeks later. Luckily, people in America seemed to have better things to do than pay attention to John Lennon's opinions. The support acts for the Japanese shows included  several of the biggest names in Japanese rock music -- or "group sounds" as the genre was called there, Japanese people having realised that trying to say the phrase "rock and roll" would open them up to ridicule given that it had both "r" and "l" sounds in the phrase. The man who had coined the term "group sounds", Jackey Yoshikawa, was there with his group the Blue Comets, as was Isao Bito, who did a rather good cover version of Cliff Richard's "Dynamite": [Excerpt: Isao Bito, "Dynamite"] Bito, the Blue Comets, and the other two support acts, Yuya Uchida and the Blue Jeans, all got together to perform a specially written song, "Welcome Beatles": [Excerpt: "Welcome Beatles" ] But while the Japanese audience were enthusiastic, they were much less vocal about their enthusiasm than the audiences the Beatles were used to playing for. The group were used, of course, to playing in front of hordes of screaming teenagers who could not hear a single note, but because of the fear that a far-right terrorist would assassinate one of the group members, the police had imposed very, very, strict rules on the audience. Nobody in the audience was allowed to get out of their seat for any reason, and the police would clamp down very firmly on anyone who was too demonstrative. Because of that, the group could actually hear themselves, and they sounded sloppy as hell, especially on the newer material. Not that there was much of that. The only song they did from the Revolver sessions was "Paperback Writer", the new single, and while they did do a couple of tracks from Rubber Soul, those were under-rehearsed. As John said at the start of this tour, "I can't play any of Rubber Soul, it's so unrehearsed. The only time I played any of the numbers on it was when I recorded it. I forget about songs. They're only valid for a certain time." That's certainly borne out by the sound of their performances of Rubber Soul material at the Budokan: [Excerpt: The Beatles, "If I Needed Someone (live at the Budokan)"] It was while they were in Japan as well that they finally came up with the title for their new album. They'd been thinking of all sorts of ideas, like Abracadabra and Magic Circle, and tossing names around with increasing desperation for several days -- at one point they seem to have just started riffing on other groups' albums, and seem to have apparently seriously thought about naming the record in parodic tribute to their favourite artists -- suggestions included The Beatles On Safari, after the Beach Boys' Surfin' Safari (and possibly with a nod to their recent Pet Sounds album cover with animals, too), The Freewheelin' Beatles, after Dylan's second album, and my favourite, Ringo's suggestion After Geography, for the Rolling Stones' Aftermath. But eventually Paul came up with Revolver -- like Rubber Soul, a pun, in this case because the record itself revolves when on a turntable. Then it was off to the Philippines, and if the group thought Japan had been stressful, they had no idea what was coming. The trouble started in the Philippines from the moment they stepped off the plane, when they were bundled into a car without Neil Aspinall or Brian Epstein, and without their luggage, which was sent to customs. This was a problem in itself -- the group had got used to essentially being treated like diplomats, and to having their baggage let through customs without being searched, and so they'd started freely carrying various illicit substances with them. This would obviously be a problem -- but as it turned out, this was just to get a "customs charge" paid by Brian Epstein. But during their initial press conference the group were worried, given the hostility they'd faced from officialdom, that they were going to be arrested during the conference itself. They were asked what they would tell the Rolling Stones, who were going to be visiting the Philippines shortly after, and Lennon just said "We'll warn them". They also asked "is there a war on in the Philippines? Why is everybody armed?" At this time, the Philippines had a new leader, Ferdinand Marcos -- who is not to be confused with his son, Ferdinand Marcos Jr, also known as Bongbong Marcos, who just became President-Elect there last month. Marcos Sr was a dictatorial kleptocrat, one of the worst leaders of the latter half of the twentieth century, but that wasn't evident yet. He'd been elected only a few months earlier, and had presented himself as a Kennedy-like figure -- a young man who was also a war hero. He'd recently switched parties from the Liberal party to the right-wing Nacionalista Party, but wasn't yet being thought of as the monstrous dictator he later became. The person organising the Philippines shows had been ordered to get the Beatles to visit Ferdinand and Imelda Marcos at 11AM on the day of the show, but for some reason had instead put on their itinerary just the *suggestion* that the group should meet the Marcoses, and had put the time down as 3PM, and the Beatles chose to ignore that suggestion -- they'd refused to do that kind of government-official meet-and-greet ever since an incident in 1964 at the British Embassy in Washington where someone had cut off a bit of Ringo's hair. A military escort turned up at the group's hotel in the morning, to take them for their meeting. The group were all still in their rooms, and Brian Epstein was still eating breakfast and refused to disturb them, saying "Go back and tell the generals we're not coming." The group gave their performances as scheduled, but meanwhile there was outrage at the way the Beatles had refused to meet the Marcos family, who had brought hundreds of children -- friends of their own children, and relatives of top officials -- to a party to meet the group. Brian Epstein went on TV and tried to smooth things over, but the broadcast was interrupted by static and his message didn't get through to anyone. The next day, the group's security was taken away, as were the cars to take them to the airport. When they got to the airport, the escalators were turned off and the group were beaten up at the arrangement of the airport manager, who said in 1984 "I beat up the Beatles. I really thumped them. First I socked Epstein and he went down... then I socked Lennon and Ringo in the face. I was kicking them. They were pleading like frightened chickens. That's what happens when you insult the First Lady." Even on the plane there were further problems -- Brian Epstein and the group's road manager Mal Evans were both made to get off the plane to sort out supposed financial discrepancies, which led to them worrying that they were going to be arrested or worse -- Evans told the group to tell his wife he loved her as he left the plane. But eventually, they were able to leave, and after a brief layover in India -- which Ringo later said was the first time he felt he'd been somewhere truly foreign, as opposed to places like Germany or the USA which felt basically like home -- they got back to England: [Excerpt: "Ordinary passenger!"] When asked what they were going to do next, George replied “We're going to have a couple of weeks to recuperate before we go and get beaten up by the Americans,” The story of the "we're bigger than Jesus" controversy is one of the most widely misreported events in the lives of the Beatles, which is saying a great deal. One book that I've encountered, and one book only, Steve Turner's Beatles '66, tells the story of what actually happened, and even that book seems to miss some emphases. I've pieced what follows together from Turner's book and from an academic journal article I found which has some more detail. As far as I can tell, every single other book on the Beatles released up to this point bases their account of the story on an inaccurate press statement put out by Brian Epstein, not on the truth. Here's the story as it's generally told. John Lennon gave an interview to his friend, Maureen Cleave of the Evening Standard, during which he made some comments about how it was depressing that Christianity was losing relevance in the eyes of the public, and that the Beatles are more popular than Jesus, speaking casually because he was talking to a friend. That story was run in the Evening Standard more-or-less unnoticed, but then an American teen magazine picked up on the line about the Beatles being bigger than Jesus, reprinted chunks of the interview out of context and without the Beatles' knowledge or permission, as a way to stir up controversy, and there was an outcry, with people burning Beatles records and death threats from the Ku Klux Klan. That's... not exactly what happened. The first thing that you need to understand to know what happened is that Datebook wasn't a typical teen magazine. It *looked* just like a typical teen magazine, certainly, and much of its content was the kind of thing that you would get in Tiger Beat or any of the other magazines aimed at teenage girls -- the September 1966 issue was full of articles like "Life with the Walker Brothers... by their Road Manager", and interviews with the Dave Clark Five -- but it also had a long history of publishing material that was intended to make its readers think about social issues of the time, particularly Civil Rights. Arthur Unger, the magazine's editor and publisher, was a gay man in an interracial relationship, and while the subject of homosexuality was too taboo in the late fifties and sixties for him to have his magazine cover that, he did regularly include articles decrying segregation and calling for the girls reading the magazine to do their part on a personal level to stamp out racism. Datebook had regularly contained articles like one from 1963 talking about how segregation wasn't just a problem in the South, saying "If we are so ‘integrated' why must men in my own city of Philadelphia, the city of Brotherly Love, picket city hall because they are discriminated against when it comes to getting a job? And how come I am still unable to take my dark- complexioned friends to the same roller skating rink or swimming pool that I attend?” One of the writers for the magazine later said “We were much more than an entertainment magazine . . . . We tried to get kids involved in social issues . . . . It was a well-received magazine, recommended by libraries and schools, but during the Civil Rights period we did get pulled off a lot of stands in the South because of our views on integration” Art Unger, the editor and publisher, wasn't the only one pushing this liberal, integrationist, agenda. The managing editor at the time, Danny Fields, was another gay man who wanted to push the magazine even further than Unger, and who would later go on to manage the Stooges and the Ramones, being credited by some as being the single most important figure in punk rock's development, and being immortalised by the Ramones in their song "Danny Says": [Excerpt: The Ramones, "Danny Says"] So this was not a normal teen magazine, and that's certainly shown by the cover of the September 1966 issue, which as well as talking about the interviews with John Lennon and Paul McCartney inside, also advertised articles on Timothy Leary advising people to turn on, tune in, and drop out; an editorial about how interracial dating must be the next step after desegregation of schools, and a piece on "the ten adults you dig/hate the most" -- apparently the adult most teens dug in 1966 was Jackie Kennedy, the most hated was Barry Goldwater, and President Johnson, Billy Graham, and Martin Luther King appeared in the top ten on both lists. Now, in the early part of the year Maureen Cleave had done a whole series of articles on the Beatles -- double-page spreads on each band member, plus Brian Epstein, visiting them in their own homes (apart from Paul, who she met at a restaurant) and discussing their daily lives, their thoughts, and portraying them as rounded individuals. These articles are actually fascinating, because of something that everyone who met the Beatles in this period pointed out. When interviewed separately, all of them came across as thoughtful individuals, with their own opinions about all sorts of subjects, and their own tastes and senses of humour. But when two or more of them were together -- especially when John and Paul were interviewed together, but even in social situations, they would immediately revert to flip in-jokes and riffing on each other's statements, never revealing anything about themselves as individuals, but just going into Beatle mode -- simultaneously preserving the band's image, closing off outsiders, *and* making sure they didn't do or say anything that would get them mocked by the others. Cleave, as someone who actually took them all seriously, managed to get some very revealing information about all of them. In the article on Ringo, which is the most superficial -- one gets the impression that Cleave found him rather difficult to talk to when compared to the other, more verbally facile, band members -- she talked about how he had a lot of Wild West and military memorabilia, how he was a devoted family man and also devoted to his friends -- he had moved to the suburbs to be close to John and George, who already lived there. The most revealing quote about Ringo's personality was him saying "Of course that's the great thing about being married -- you have a house to sit in and company all the time. And you can still go to clubs, a bonus for being married. I love being a family man." While she looked at the other Beatles' tastes in literature in detail, she'd noted that the only books Ringo owned that weren't just for show were a few science fiction paperbacks, but that as he said "I'm not thick, it's just that I'm not educated. People can use words and I won't know what they mean. I say 'me' instead of 'my'." Ringo also didn't have a drum kit at home, saying he only played when he was on stage or in the studio, and that you couldn't practice on your own, you needed to play with other people. In the article on George, she talked about how he was learning the sitar,  and how he was thinking that it might be a good idea to go to India to study the sitar with Ravi Shankar for six months. She also talks about how during the interview, he played the guitar pretty much constantly, playing everything from songs from "Hello Dolly" to pieces by Bach to "the Trumpet Voluntary", by which she presumably means Clarke's "Prince of Denmark's March": [Excerpt: Jeremiah Clarke, "Prince of Denmark's March"] George was also the most outspoken on the subjects of politics, religion, and society, linking the ongoing war in Vietnam with the UK's reverence for the Second World War, saying "I think about it every day and it's wrong. Anything to do with war is wrong. They're all wrapped up in their Nelsons and their Churchills and their Montys -- always talking about war heroes. Look at All Our Yesterdays [a show on ITV that showed twenty-five-year-old newsreels] -- how we killed a few more Huns here and there. Makes me sick. They're the sort who are leaning on their walking sticks and telling us a few years in the army would do us good." He also had very strong words to say about religion, saying "I think religion falls flat on its face. All this 'love thy neighbour' but none of them are doing it. How can anybody get into the position of being Pope and accept all the glory and the money and the Mercedes-Benz and that? I could never be Pope until I'd sold my rich gates and my posh hat. I couldn't sit there with all that money on me and believe I was religious. Why can't we bring all this out in the open? Why is there all this stuff about blasphemy? If Christianity's as good as they say it is, it should stand up to a bit of discussion." Harrison also comes across as a very private person, saying "People keep saying, ‘We made you what you are,' well, I made Mr. Hovis what he is and I don't go round crawling over his gates and smashing up the wall round his house." (Hovis is a British company that makes bread and wholegrain flour). But more than anything else he comes across as an instinctive anti-authoritarian, being angry at bullying teachers, Popes, and Prime Ministers. McCartney's profile has him as the most self-consciously arty -- he talks about the plays of Alfred Jarry and the music of Karlheinz Stockhausen and Luciano Berio: [Excerpt: Luciano Berio, "Momenti (for magnetic tape)"] Though he was very worried that he might be sounding a little too pretentious, saying “I don't want to sound like Jonathan Miller going on" --

In this episode we're heading to the 1960s to meet a man who tried to uncover the difference between fate and coincidence. Have you ever had a feeling that something would happen before it did? Or seen something you couldn't make sense of? In 1967 the psychiatrist John Barker set up a bureau in the offices of the London Evening Standard where members of the public could phone in and report their premonitions. A strange dream. A headache and an overwhelming feeling of dread. A vision without any clear meaning. Over the courses of its two year existence the Premonitions Bureau collected countless sinking feelings and strange suspicions. They were categorised, logged and when a disaster occurred, they were cross-referenced to see how accurate they had been. The premonitions bureau was so much more than a curious oddity. As our guest today, Sam Knight, shows in his new book, the bureau not only gives us insight into this moment in British social history, but also into the human condition. Sam Knight is the author of The Premonitions Bureau. Show Notes Scene One: January 4, 8:50am in the newsroom of the Evening Standard newspaper, just off Fleet Street. Scene Two: April 21, 10am in the office of John Barker on the first floor of Shelton Hospital, outside Shrewsbury. Scene Three: November 5, 9.16pm, Hither Green railway station, south London. Memento: The files containing all the premonitions recorded at the bureau. People/Social Presenter: Artemis Irvine Guest: Sam Knight Production: Maria Nolan Podcast partner: Ace Cultural Tours Follow us on Twitter: @tttpodcast_ Or on Facebook See where 1967 fits on our Timeline

This episode of Across The Margin: The Podcast presents an interview with journalist and author Philip Watson. Philip worked for a number of years at GQ, where he was deputy editor, and Esquire, where he was editor-at-large. He has been freelance for the past decade or more, contributing articles and features to many publications in Britain, Ireland and the US, including the Guardian, Telegraph Magazine, Sunday Times, Observer, Irish Times, London Evening Standard, Travel + Leisure, and music magazine The Wire. His most recent work Beautiful Dreamers: The Guitarist Who Changed The Sound of American Music — the focus of this episode — is the definitive biography of guitar icon and Grammy Award-winning artist, Bill Frisell, featuring exclusive interviews with Paul Simon, Bon Iver and more. Over a period of forty-five years, Bill Frisell has established himself as one of the most innovative musicians at work today. A quietly revolutionary guitar hero for our genre-blurring times, he has synthesized many disparate musical elements — from jazz to pop, folk to film music, ambient to avant-garde, country to classical — into one compellingly singular sound. Described as “the favorite guitarist of many people who agree on little else in music,” Frisell connects to a diverse range of artists and admirers, including Paul Simon, Elvis Costello, Lucinda Williams, and Bon Iver. Everybody loves Bill Frisell. Through unprecedented access, and interviews with his close family, friends and collaborators, Philip Watson tells the story of why. In this episode host Michael Shields and Philip Watson discuss Frisell's many music influences that have contributed to inspiring his signature sound while conversing upon how coming of age in Denver helped shape him musically as well. They explore the many mentors Frisell had throughout his musical journey, talk about what Frisell is like personally, consider the immense impact Frisell has had on a bevy of notable musicians, and much much more.Grab a copy of Beautiful Dreamers: The Guitarist Who Changed The Sound of American Music here!Listen to a Bill Frisell Playlist by Philip Watson here! See acast.com/privacy for privacy and opt-out information.

Would you watch the news online or via a mobile app if it were presented by something that looks human, but is in fact an artificially intelligent virtual human? Today's episode features Leon Hawthorne. Leon is a media executive, journalist and academic; a former CEO of two satellite TV channels, three cable stations, a TV production company and a dozen web channels. He created web TV channels for Boot's, Borders and Waterstones, and advised the CEOs of Hearst Magazines, the Independent and London Evening Standard on digital content strategies.In his journalistic career, he was a World News Anchor for both CNN International and CNBC Europe. For BBC News, he was a member of the parliamentary lobby, attending daily briefings at 10 Downing Street, reporting politics and producing current affairs documentaries for BBC One and BBC Radio 4. Leon is presently on an academic sabbatical, researching for a PhD at City, University of London, while lecturing in Media and Corporate Communication.In our conversation, we discussed his PhD Research:  ‘Talking Heads: The use of virtual human presenters in the delivery of personalised news content'. The experiment itself uses AI to detect how participants really feel about the images they see, instead of relying wholly on answers participants give on a questionnaire. After being granted permission, the cloud-based software accesses the participant's webcam to analyse their microexpressions, as they watch the videos. Microexpressions are small, rapid movements of the facial muscles that psychologists believe betray subconscious emotional reactions. The technology for the experiment was developed by Affectiva Inc., the pioneer of Emotion AI.  The research is interested particularly in seeing how opinions vary, depending on the age and sex of participants, and also on how much they use smartphones and other new technologies. Anyone aged over 18, who has access to a computer with a webcam, can take part in the 10-minute online experiment.Links of interest:AITalkingHeads.com - http://www.aitalkingheads.comLeonHawthorne.com Affectiva Emotion AIFull link to participate in online experiment - https://cityunilondon.eu.qualtrics.com/jfe/form/SV_a3glSZjvos49rw2

If you already call yourself a cocktail fan, then I will take it for granted that my two guests are already known to you. If not, I am proud to introduce you to The Cocktail Lovers! Who are the Cocktail Lovers? Just the industry icons who launched the award-winning https://thecocktaillovers.com/ (The Cocktail Lovers) magazine 11 years ago.  Individually they are Sandrae Lawrence and Gary Sharpen. They've been listed on the London Evening Standard's The Progress 1000 of London's Most Influential People, the Bar World Top 100 people in the drinks industry, and too many other lists to list here! They are also my friends, and finally, after ages of trying, we were able to schedule a moment to sit down and have a chat. Our cocktail of the week is the Gin Martini - now Gary likes his super dry, and Sandrae likes it less dry - so I leave the amount of vermouth up to you.  This recipe is slightly on the wetter side. INGREDIENTS  2 1/2 oz gin 1/2 ounce dry vermouth Optional: 1 dash orange bitters Lemon Twist METHOD Add the gin and vermouth to a mixing glass with the bitters if you wish Fill with ice and stir until chilled Strain into a martini glass Express the lemon over the cocktail and add to the drink You'll find this recipe, more gin recipes, and all the cocktails of the week at https://alushlifemanual.com/ (alushlifemanual.com), where you'll find most of the ingredients in our shop. ----- Become a supporter of A Lush Life Manual for as little as $5 - all you have to do is go to https://www.buymeacoffee.com/lushlife (buymeacoffee.com/lushlife). Lush Life Merchandise is https://www.redbubble.com/people/alushlifemanual (here) - we're talking t-shirts, mugs, iPhone covers, duvet covers, iPad covers, and more covers for everything! And more!  Produced by https://podcastlaunch.pro (Simpler Media) Follow us on https://twitter.com/alushlifemanual (Twitter) and https://www.instagram.com/alushlifemanual/ (Instagram) Get great cocktail ideas on https://www.pinterest.co.uk/alushlifemanual/ (Pinterest) New episodes every Tuesday, usually!!

Paul and Charlie are joined by Exeter City captain Matt Jay, London Evening Standard's Dan Kilpatrick and Aberystwyth boss Antonio Corbisero. See acast.com/privacy for privacy and opt-out information.