Podcast appearances and mentions of jaime laredo

SynopsisPerformers need composers and composers need performers. And some performers really like composers–and vice versa.  That seems to be the case with the Kalichstein-Laredo-Robinson Trio, comprised of Joseph Kalichstein, piano; Jaime Laredo, violin; and Sharon Robinson, cello, and the Pulitzer Prize-winning American composer Ellen Taaffe Zwilich.On today's date in 2011, at a La Jolla Music Society concert in San Diego, California, the Trio premiered the fourth work they had commissioned from Zwilch.  She created a blues-y piano quintet, scored for the same ensemble as Schubert's famous Trout Quintet, so for this “blue trout” Quintet, the Trio were joined by violist Michael Tree and double-bassist Harold Robinson.In notes for her new piece, Zwilich wrote: "My Quintet is in three movements, the second of which has the title ‘Die Launische Forelle' (roughly translated: ‘The Moody Trout'). I couldn't resist using a very small quote from the Schubert song on which his Quintet is based. I also took the liberty of allowing that movement to spin out musical images of a ‘moody' trout. In all three movements the weight and character of the contrabass is an important element in the overall design.”Music Played in Today's ProgramEllen Taaffe Zwilich (b. 1939) Piano Quintet The Kalichstein-Laredo-Robinson Trio; Michael Tree, vla; Harold Robinson, db. Azica 71292

Synopsis On today's date in 1996, a trio of soloists joined forces with the Minnesota Orchestra for the premiere performance of a new concerto by the American composer Ellen Taaffe Zwilich. This “Triple Concerto” was commissioned by those soloists – pianist Joseph Kalichstein, violinist Jaime Laredo, and cellist Sharon Robinson – and no less than five orchestras in addition to Minnesota's. Now, the MOST famous Concerto for Piano, Violin, Cello and Orchestra is by Beethoven, as Zwilich well knows. “My Triple Concerto is scored for exactly the same instrumentation as Beethoven's,” she writes, “although Beethoven would certainly be startled by some of the American jazz techniques and the extraordinary facility the modern timpanist can be expected to have at his fingertips... My piece has other vague and hidden references to Beethoven, as a kind of homage to a composer who has deeply affected my life." “As contemporary artists always have,” continues Zwilich, “today's composers exist at a juncture between past and present. And all of us, whether we write, perform, or listen to music, face a similar challenge: how to relate meaningfully to the past without becoming imbedded in it; how to press toward the future without abandoning the richness of our heritage.” Music Played in Today's Program Ellen Taafe Zwilich (b. 1939) — Triple Concerto (Kalichstein-Laredo-Robinson Trio; Florida State University; Michael Stern, cond.) Koch 7537

Last year, the Vermont Symphony Orchestra's long-time music director, Jaime Laredo, stepped down after over 20 years with the orchestra. Now, the VSO has several candidates to fill that position. They'll be coming to Vermont, meeting with the orchestra and the audience, as well as conducting concerts this coming season. The first, conductor, Akiko Fujimoto, will be conducting the orchestra's October 30th concert that's taking place at the Flynn Center in Burlington. I had a chance to chat with Akiko, via zoom.

Pittsburgh Symphony cellist Will Chow talks about his recording of Zoltan Kodaly's Cello Sonata made Center Stage at Heinz Hall. Will picks a favorite recording of the Kodaly among many. In this discussion with Jim Cunningham he recalls his work with the Pittsburgh Symphony since joining in 2016, an appearance on From the Top with Chrisopher O'Riley, heading out with Curits on Tour during his workk at the Curtis Institute, recording Two by Four for the Cedille label with Jaime Laredo and Jennifer Koh and looks forward to working with fellow Curtis scholar conductor Earl Lee in the Tchaikovsky Rococo Variations at Hartwood Acres this summer.

Jaime Laredo is a world-renowned violinist and conductor. I had a chance to speak with him via Zoom recently, as we are celebrating his 80th birthday and over 70 years of public performance. Jaime's also served as the music director of the Vermont Symphony Orchestra since the year 2000. It was announced in 2019 that he would be stepping down from that position and I asked Jaime what his feelings were about this change.

This was a treat! Dr. Pettersson and I interview the wonderful pianist Prof. Daniel Shapiro. Prof. Shapiro was kind enough to spend a few minutes discussing his THIRD complete cylcle of the Beethoven piano sonatas. We talk on a range of subjects and celebrate the greatness of Beethoven's work. DANIEL SHAPIRO continues to gain recognition as a leading interpreter of Schubert, Beethoven, Mozart, Schumann, and Brahms, and as a teacher and coach at the Cleveland Institute of Music.  He has given critically acclaimed performances across the United States, in Brazil, Britain, Ireland, Spain, France, Italy, Korea, and China, at the Amsterdam Concertgebouw, and at Walt Disney Concert Hall in Los Angeles.  This season he performs his third complete cycle of the 32 Beethoven piano sonatas; previous live performances of all the sonatas can be found on this website. His DVDs of all of Schubert's major piano sonatas and his CD of Beethoven’s “Diabelli” Variations have received enthusiastic reviews.  He has taught at CIM for the past twenty-three years, during which time he has become known as an inspiring teacher who helps students achieve profound understanding and develop vivid interpretations of the great masterworks. His students have won important competitions and obtained teaching posts at prestigious universities and schools of music. As a chamber musician,  Shapiro has had the great fortune of collaborating with some of the world’s leading musicians, including Jaime Laredo, Shmuel Ashkenasi, Joseph Silverstein, Cho-Liang Lin, Roberto Diaz, Ronald Leonard, Franklin Cohen and Frank Rosenwein.  He has performed regularly with members of the Los Angeles Philharmonic, the Chicago Symphony and the Cleveland Orchestra.  He has also performed with the Cavani, Mirò, Linden and Rossetti Quartets, and has released chamber music CDs on the Harmonia Mundi and ASV labels. His Beethoven sonata collaborations with violinist Jaime Laredo can be found on youtube.com. His musical scope also includes the study of conducting: he has worked with Daniel Lewis, Victor Yampolsky, Fritz Zweig, and Gustav Meier. He made his conducting debut at sixteen at Tanglewood, and  conducted Mozart’s Don Giovanni with the Akron Lyric Opera. His musicianship has  been enhanced and deepened by extensive collaboration with singers: listening to and working with them has been a source of tremendous inspiration.  He studied art song with Gwendolyn Koldofsky and opera with Natalie Limonick, and was an opera and art song coach at UCLA.  A native of southern California, Shapiro began the study of piano at the age of six.  His teachers included Leon Fleisher, John Perry, Russell Sherman, Joanna Graudan, and Reginald Stewart.  He studied at the University of Southern California and at the Peabody Conservatory, where he received his doctorate. Shapiro is an expert Scrabble player--he is one of the top ranked players in Ohio, having won or placed in several tournaments.  He lives with his family in Cleveland Heights. 

In this episode I'll be talking to one of the greatest living orchestral violinists my colleague Nathan Cole, who is an author, a podcaster, a trailblazer in the online teaching space, and happens to be the First Associate Concertmaster of the Los Angeles Philharmonic. He's kind of a busy guy. We're going to cover how technology has impacted our perception of perfectionism, going into debt to get a music degree, how being an orchestral musician is a lot like being a professional basketball player, and how many hours it actually takes to record 60 seconds of music. Nathan is even going to hook you up with his favorite barbeque resource, so you are going to want to listen all the way to the end of this one. About Nathan First Associate Concertmaster NATHAN COLE, who joined the LA Phil in 2011, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, Kentucky, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York's Weill Hall. Several summers at Marlboro enriched his love of chamber music. Nathan's articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. Visit natesviolin.com for the complete collection. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Links Website: https://www.natesviolin.com/ Facebook: Nates Violin Instagram: @natesviolin   Honesty Pill Links Free Resource Library Facebook Group Mailing List

Performers need composers and composers need performers. And some performers really like composers–and vice versa. That seems to be the case with the Kalichstein-Laredo-Robinson Trio, comprised of Joseph Kalichstein, piano; Jaime Laredo, violin; and Sharon Robinson, cello, and the Pulitzer Prize-winning American composer Ellen Taaffe Zwilich. On today’s date in 2011, at a La Jolla Music Society concert in San Diego, California, the Trio premiered the fourth work they had commissioned from Zwilch. She created a blues-y piano quintet, scored for the same ensemble as Schubert’s famous “Trout” Quintet, so for this “blue trout” Quintet, the Trio were joined by violist Michael Tree and double-bassist Harold Robinson. In notes for her new piece, Zwilich wrote: "My Quintet is in three movements, the second of which has the title ‘Die Launische Forelle' (roughly translated: ‘The Moody Trout'). I couldn't resist using a very small quote from the Schubert song on which his Quintet is based. I also took the liberty of allowing that movement to spin out musical images of a ‘moody' trout. In all three movements the weight and character of the contrabass is an important element in the overall design.”

Performers need composers and composers need performers. And some performers really like composers–and vice versa. That seems to be the case with the Kalichstein-Laredo-Robinson Trio, comprised of Joseph Kalichstein, piano; Jaime Laredo, violin; and Sharon Robinson, cello, and the Pulitzer Prize-winning American composer Ellen Taaffe Zwilich. On today’s date in 2011, at a La Jolla Music Society concert in San Diego, California, the Trio premiered the fourth work they had commissioned from Zwilch. She created a blues-y piano quintet, scored for the same ensemble as Schubert’s famous “Trout” Quintet, so for this “blue trout” Quintet, the Trio were joined by violist Michael Tree and double-bassist Harold Robinson. In notes for her new piece, Zwilich wrote: "My Quintet is in three movements, the second of which has the title ‘Die Launische Forelle' (roughly translated: ‘The Moody Trout'). I couldn't resist using a very small quote from the Schubert song on which his Quintet is based. I also took the liberty of allowing that movement to spin out musical images of a ‘moody' trout. In all three movements the weight and character of the contrabass is an important element in the overall design.”

TBJ122: Shelagh Abate on playing horn on Broadway, meeting Sting and the importance of networking. She gives us a great overview of life in a Broadway pit and what it takes to get (and stay) there. From her bio: SHELAGH ABATE is unquestionably one of New York’s most sought-after musicians. Shelagh’s love for the horn is almost as old as her love for music itself. Known for her simultaneously warm and assertive sound, her versatility and musical intuition has earned her a place in the lexicon of NYC’s busiest performers. Shelagh has opened more than one dozen Broadway productions. Among them are Mary Poppins, A Gentleman’s Guide to Love and Murder, South Pacific, Honeymoon in Vegas, Evita, Fiddler on the Roof, Anastasia, and most currently Disney’s Frozen. Since arriving in New York in 2006, she has performed regularly with The Metropolitan Opera Orchestra, The Mostly Mozart Festival, The American Ballet Theater, The American Symphony Orchestra, The Opera Orchestra of New York, is third horn with the Greenwich Symphony Orchestra and has been principal horn of the Vermont Symphony Orchestra under the artistic direction of Jaime Laredo since 1999. During the course of her career, she has been conducted by some of the great musicians of our time; Seiji Ozawa, Simon Rattle, Andre Previn, James Conlon, Gunther Schuller, James DePriest, Robert Spano, Carl St. Clair, John Williams, Marin Alsop, Jaime Laredo, Keith Lockhart, and Placido Domingo, to name a few. Shelagh has established fluency in the commercial realm as well as the classical, having performed as part of the Lincoln Center Jazz Orchestra with Wynton Marsalis, Michel Legrand, the ensembles of Earl McDonald, Gary Morgan, Jamie Baum, John Allmark, John Vanore and Greg Hopkins. Shelagh has recorded, performed live in concert, as well as on televised events with Sting, The Who, Tony Bennett, Rufus Wainwright, Lady Gaga, Barry Manilow, Joni Mitchell, Trey Anastasio, Club d’Elf, Josh Groban, Brian Wilson, Linda Ronstadt, and most recently with the 2019 Tony Awards at Radio City Music Hall. Chamber music has been at the very core of Shelagh’s success as a musician. A winner of the Coleman Competition (2000), and a founding member of the award-winning Triton Brass (Fischoff, Lyon & Concert Artist’s Guild, 2005), Shelagh has collaborated with her world-class and longtime colleagues in order to achieve what is only artistically possible through such an intimate medium. Together they have shared their gifts with many thousands of others through live performances, recordings, and through education. Shelagh will be returning as faculty with Triton Brass to the Boston University Tanglewood Institute for their 2019 season. She also served as faculty for more than a decade with the renown Atlantic Brass Quintet International Summer Seminar.  Through these summer programs, Shelagh is proud to have influenced, shaped and enriched the lives of many dozens of tomorrow’s musicians. Shelagh is an Artist in Residence at Boston College, and The Boston Conservatory of Music where she has performed and conducted clinics and masterclasses on a regular basis since 2003. Shelagh’s early musical influences include extensive study with the Boston Symphony Orchestra’s Richard Sebring, Toronto Symphony’s principal horn Neil Deland, and renowned pedagogue and performer Laura Klock. She has been a fellow at the Tanglewood Music Center and with The National Repertory Orchestra. Shelagh holds a B.A. from Boston College, an M.M. from The University of Massachusetts at Amherst where she was a recipient of the Howard W. Lebow Scholarship, and an Artist Diploma from The New England Conservatory of Music, where she was a Walkenier Scholar. Shelagh is proud to be a Stephens Horns artist, playing one of the very first horns handcrafted by Stephen Shires https://www.stephenshorns.com.   In this fun and lively discussion, we cover: In the Lexicon! Fun with pronunciations Amhad Rashad Baseball cards Erasers and jewelry Going to school with Andy Bove Trent Austin's bio writer Playing on Broadway eight times a week Playing Disney's Frozen Name-dropping  How playing on Broadway works Dealing with repetition How the sub pool works and how to get started as a player Dormant subs Networking The impact of social media on networking Jeff Nelsen Be nice Pit orchestra size and the state of the industry Horn job pool on Broadway Horn writing rant Horn: The Cornstarch of the Orchestra Triton Brass Working with Sam Pilafian Playing with famous people from Trey Anastasio to Barry Manilow and Sting Being married to Tony Kadleck Facebrace LINKS: Shelagh's site Triton Brass Vermont Symphony Orchestra Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

In the first episode of the Phenomenal 50 from the Chamber Music Society of Lincoln Center, we present Johann Gottlieb Goldberg's Trio Sonata for Flute, Violin, and Continuo, BWV 1037 (long attributed to Johann Sebastian Bach) from a 2009 performance in New York's Alice Tully Hall. Featuring Charles Wadsworth on harpsichord, flutist Paula Robison, violinist Jaime Laredo, and cellist Fred Sherry.

First Associate Concertmaster with the Los Angeles Philharmonic and the creative mind behind Natesviolin, Nathan Cole has incredible insight on practice and performance preparation!  In this episode, he discusses:   His path, from Suzuki beginner, to Curtis student, to the LA Phil, via the St-Paul Chamber Orchestra and the Chicago Symphony How he organizes his time for productivity The importance of scheduling Utilize small pockets of time Know when you are the most productive How he prepares for practice – the importance of having the right environment Not separating the warm up from “playing” Not separating practicing from performing The importance of paying attention every time you are about to start a note The importance of choosing repertoire suited to our level How he takes a piece from start to ready The importance of practicing etudes and to understand what the point of each etude is so we can focus on the proper skill to be worked on How he problem-solves difficult passages The importance of paying close attention to how things sound and feel – being present Why it's important to develop good communication skills with colleagues   ALL ABOUT guest: Website: https://www.natesviolin.com/ Podcast Stand Partners for Life: https://itunes.apple.com/us/podcast/stand-partners-for-life/id1328799919?mt=2 Nathan on Facebook: https://www.facebook.com/natesviolin/ Instagram: https://www.instagram.com/natesviolin/ The Inner Game of Golf by W. Timothy Gallwey The Inner Game of Tennis, also by Gallwey The Inner Game of Music by Barry Green     Nathan Cole, First Associate Concertmaster of the Los Angeles Philharmonic, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, KY, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York's Weill Hall. Several summers at Marlboro enriched his love of chamber music. While in Chicago, Nathan taught at Roosevelt University and coached the Chicago Civic Orchestra. He is currently on the faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have appeared in Strings, Symphony, and Chamber Music magazines. Nathan's articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Nathan is married to Akiko Tarumoto, the LA Phil's Assistant Concertmaster. Together they host the weekly podcast Stand Partners for Life, an inside look at orchestra life, which can be heard at standpartnersforlife.com. Nathan and Akiko live in Pasadena with their three children.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/   (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast.  Thank you for your support.)

I programmet diskuteras Pianokvartetter av Dvorák, körmusik med Erik Westbergs vokalensemble, Erik Chisholms violinkonsert samt La Fonte Musica med musik från Ars Nova. Sofia möter Håkan Hardenberger. I panelen Anna Nyhlin, Johanna Paulsson och Måns Tengnér som tillsammans med programledaren Magnus Lindman betygsätter följande skivor: ANTONÍN DVORÁK Pianokvartetter nr 1 och 2 Busch-trion, Miguel da Silva, viola Alpha Classics ALPHA 288 CHORUS GLORIOSUS Körmusik av bl.a. Sven-David Sandström och Sofia Gubajdulina Erik Westbergs vokalensemble, Helena Holmlund, orgel Erik Westberg, dirigent Studio Acusticum SA 15 METAMORFOSI TRECENTO Musik från Ars Nova, bl.a. Francesco Landini och Guillaume de Machaut La Fonte Musica Michele Pasotti, luta och ledare Alpha Classics ALPHA 286 ERIK CHISHOLM Violinkonsert m.m. BBC:s skotska symfoniorkester Martyn Brabbins, dirigent Hyperion CDA 68208 Referensen - Dvorák: Magnus refererar till och jämför med en inspelning av Dvoráks Pianokvartett op 87 med Josef Suk-pianokvartett. Utgiven 2017 på Supraphon.  Sofia möter Håkan Hardenberger Sofia Nyblom träffade den svenske trumpetaren då han den 14 december 2017 gästade Berwaldhallen i Stockholm för att framträda som solist i Mark-Anthony Turnages andra trumpetkonsert, komponerad till och för Hardenberger. Detta tillsammans med Sveriges Radios Symfoniorkester under ledning av Daniel Harding. Samtalet kretsade bl.a. runt arbetet med instudering av nya verk samt relationen till sina kompositörer.  Andra i programmet nämnda eller rekommenderade inspelningar: Dvoráks Pianokvartett op 87 med Josef Suk-pianokvartett på Supraphon (Referensen); Emerson-kvartetten och Menahem Pressler på skivmärke DGG; pianisten Emanuel Ax tillsammans med Isaac Stern, violin, Jaime Laredo, viola samt Yo-Yo Ma, cello på Sony samt med pianisten Arthur Rubinstein som spelar tillsammans med medlemmar ur Guarneri-kvartetten på RCA. Ensemblen Mala Punica som framför musik från Ars Nova på märkena Harmonia Mundi, Arcana och Erato. Erik Chisholms pianokonserter med Danny Driver som solist tillsammans med BBC:s skotska symfoniorkester ledda av Rory MacDonald på skivmärke Hyperion. Geirr Tveitts 100 folketonar frao Hardanger.   Inget Svep denna vecka

We’re chatting with violinist Nathan Cole on today’s podcast.  Nathan is a member of the Los Angeles Philharmonic and has just released a new podcast called Stand Partners for Life.  Nathan and his wife Akiko (also a member of the LA Phil) have all sorts of exciting plans for this new venture.  We dig into Nathan’s journey through music, getting into tech, the motivations behind launching a podcast, and much more.  Enjoy, and be sure to subscribe to this new podcast! About Nathan Cole: First Associate Concertmaster Nathan Cole, who joined the LA Phil in 2011, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, KY, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York’s Weill Hall. Several summers at Marlboro enriched his love of chamber music. Nathan’s articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. Visit natesviolin.com for the complete collection. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Nathan is married to Akiko Tarumoto, the LA Phil’s Assistant Concertmaster. Together they host the podcast Stand Partners for Life, which is a weekly “inside look” at the symphony life. Visit standpartnersforlife.com to listen. Nathan and Akiko live in Pasadena with their three children Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings This episode is brought to you by D'Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Subscribe to the podcast to get these interviews delivered to you automatically!

This week, we bring you an interview with Indiana University double bass professor Kurt Muroki. Kurt is an outstanding performer, teacher, and artist, and we had a great conversation about teaching, learning, and performing. Enjoy! About Kurt Muroki: Former Artist Member with the Chamber Music Society of Lincoln Center, Professor Kurt Muroki began his musical studies on the violin at the age of six and subsequently performed concerti with the Honolulu Symphony and the Maui Symphony. Mr. Muroki went on to study the Double bass at the age of 13 and entered the Juilliard School of Music at 17 studying with his teacher / mentor Homer R. Mensch.   At the age of 21 Kurt began performing with the internationally renowned Sejong Soloists under ICM Management. Kurt has performed with the The Jupiter Chamber Players, Speculum Musicae, “Great Performers” series at Lincoln Center, Ensemble Sospeso, Sequitur, The Metropolitan Opera Orchestra, Brooklyn Philharmonic, American Composers Orchestra, Tokyo Opera Nomori, New York City Ballet, 92nd St. Y, and Bargemusic. Festivals include Marlboro Music Festival, Festival L’Autonne at IRCAM, and Aspen Music Festival to name a few. Kurt is also active playing movies, commercials, popular, and classical recordings with titles including the Oscar winning film “The Departed”, “Extremely Loud and Incredibly Close”, “Hitch”, “Julie and Julia”, “The Manchurian Candidate”, “Roger Daltrey Sings Pete Townshend” – The Who, Sting, Peter Gabriel, and Itzhak Perlman.   Mr. Muroki has won numerous competitions including 1st prize in the Aspen Music Festival double bass competition, the first bassist to win the New World Symphony concerto competition, and the Honolulu Symphony Young Artists competition. He has collaborated with members of the Guarneri, Juilliard, Tokyo, Orion quartets, Ensemble Wein-Berlin, Jaime Laredo, Lynn Harrell, Maurice Bourgue, Toru Takemitsu, Peter Schickele, John Zorn, and Brian Ferneyhough among others, and has performed concerto tours throughout Asia and the United States. Professor Muroki is currently tenured faculty at the Jacobs School of Music at Indiana University, Artist/Lecturer at Stony Brook University, Distinguished Artist at the McDuffie Center for Strings at Mercer University, faculty/Director of the Kaplan Fellowship program at the Bowdoin International Music Festival, teaches at New York String Orchestra Seminar, and has been a judge at the Yale Gordon Competition at Peabody Conservatory, ASTA, and others. Mr Muroki is a past Board Member of the International Society of Bassists and is a D’Addario Strings Artist.

This week's show features our new release for April, "Two x Four," with violinists Jennifer Koh and her mentor, Jaime Laredo, along with a look back at the digital playlist we launched in February: "The Virtuoso Paperno"

Happy new year listeners. Welcome to indie classical spotlight. Today’s episode we will be playing several sonata pieces from our classical collection. After 35 years of success the world over, including many award-winning recordings and newly commissioned works, the Kalichstein-Laredo-Robinson Trio continues to dazzle audiences and critics alike with their performances.The Kalichstein-Laredo-Robinson Trio, Joseph Kalichstein, Jaime Laredo, Sharon Robinson "Trio in B-flat Major, D. 898: I. Andante moderato" (mp3) from "Franz Schubert: The Piano Trios and Arpeggione Sonata" (Bridge Records, Inc.) More On This Album An Oregon native, Marcia Hadjimarkos received degrees in piano performance and French literature from the University of Iowa. She has been devoted to the fortepiano and clavichord since the 1980s, and studied with Jos van Immerseel at the Paris Conservatoire National Supérieur de Musique in 1993-94.Marcia Hadjimarkos "16 Deutsche Tänze, D 783" (mp3) from "Franz Schubert: Sonata & Dances for Fortepiano" (Arabesque Recordings) Buy at Amazon MP3 More On This Album From the beginning of the first movement in Sonata No. 1, you can hear a tender, restrained longing behind the notes, which in turn helps illuminate the passionate outbursts that erupt in the First and especially the Third Sonatas. Zina Schiff has the emotional equipment to convey her powerful reading of these works. Zina Schiff, Cameron Grant "Violin Sonata No. 1 in G Major, Op. 78" (mp3) from "Brahms: Sonatas for Violin and Piano" (MSR Classics) Buy at Amazon MP3 More On This Album Robert Quinney is a sub-Organist of Westminster Abbey. In addition to his work at the Abbey, he has a busy freelance career as soloist, ensemble player, and writer on music. In 2002 Quinney was named Royal College of Organists Performer of the Year.Robert Quinney "Sonata I in E Flat Major BWV 525" (mp3) from "Bach: Trio Sonatas For Organ" (Coro) Buy at Amazon MP3 More On This Album

In its 15th season, the Virginia Arts Festival welcomes the acclaimed Kalichstein-Laredo-Robinson Trio back to Hampton Roads. Their concert will offer music of Beethoven, Tchaikovsky and Richard Danielpour. The Danielpour piece, titled "Inventions on a Marriage," receives its world premiere at the American Theatre concert. It was written especially for two members of the KLR Trio, cellist Sharon Robinson and violinist Jaime Laredo. Dwight Davis spoke with Mr. Danielpour about the work.

We’re continuing our chat with Cincinnati Symphony principal bassist Owen Lee today on Contrabass Conversations. Check out the first segment of this conversation on episode 55 of the program. Owen played for the New World Symphony and the Houston Symphony prior to his appointment with the Cincinnati Symphony, and it was a real pleasure to do this interview along with Contrabass Conversations regular collaborator John Grillo. John, Owen, and I chat about Owen’s experiences recording his solo CD, key selection for the Bach Suites and his use of solo tuning for the recording, his performances of the less popular but extremely engaging Bottesini Concerto No. 1, performing the Tubin Concerto with orchestra, the Harbison Bass Concerto project (which Owen performed with the Cincinnati Symphony), and his practicing habits and exercises. We also feature the first movement from the Cello Suite No. 5 by Johann Sebastian Bach from Owen’s Boston Records CD, plus listener feedback, bass news, and a link of the week. Find Owen Lee on Twitter here. Enjoy!   About Owen: Described as “a true virtuoso” by legendary pianist Gary Graffman and praised by The New York Times for his “deft and virtuosic solo performance” at his New York debut at Alice Tully Hall, double bassist Owen Lee has earned acclaim as a soloist, chamber musician and since 1996, at the age of 26, as Principal Bass of the Cincinnati Symphony Orchestra. Mr. Lee is heard regularly as a soloist with orchestras including the Cincinnati Symphony Orchestra under the direction of Paavo Järvi and Jesús López-Cobos, the Scottish Chamber Orchestra under John Harbison, and the New World Symphony under Michael Tilson-Thomas in Miami and on tour to New York’s Lincoln Center. During the 2006-07 season, Mr. Lee and the Cincinnati Symphony Orchestra, along with a consortium of other soloists and orchestras, will present the world premiere of John Harbison’s Concerto for Bass Viol and Orchestra. Mr. Lee’s prizes in competitions include First Prize at the 1995 International Society of Bassists Competition and Fourth Prize at the 1992 Irving M. Klein International String Competition in San Francisco. He has been presented in recitals throughout the United States, and in Geneva. For the Boston Records label, he has recorded the Misek Sonata No. 2 and Bach Unaccompanied Suites No. 3 and No. 5. American Record Guide praised this disc for its “tasteful phrasing, polish and verve” while The Strad wrote “Owen Lee is a fine player with strong musical ideas. A dark and austere sound is produced for Suite No. 5 and the architecture of each suite is carefully considered and shaped. I look forward to his next recording.” Mr. Lee’s extensive international chamber music experience includes three summers as the bassist of the Marlboro Festival. While there, he performed extensively with such artists as Richard Stoltzman, Midori, Nobuko Imai, Bruno Canino, Pierre-Laurent Aimard, and members of the Beaux Arts Trio, Guarneri Quartet and Juilliard Quartet. He also collaborated with composers Gyorgy Kurtag, Leon Kirchner and Richard Danielpour preparing performances of those composers’ works. Mr. Lee has also performed with the Tokyo String Quartet on tour to Mexico, John Browning, Anne-Marie McDermott, Jaime Laredo, Ida Kavafian, Steven Tenenbom, Peter Wiley, Eugenia Zukerman, the Bravo! Vail Valley Music Festival, San Diego’s Mainly Mozart Festival, Ojai California Festival, Chamber Music L.A. Festival, Tanglewood Festival, Texas Music Festival, and on tour throughout China. With the Rossetti String Quartet he performed the world premiere of Melinda Wagner’s Concertino at the 2005 Bravo! Vail Festival. Mr. Lee was born in Berkeley, California in 1969 to Chinese parents. He began playing bass at age 15 after previous study of the piano. A graduate of the University of Southern California, Mr. Lee’s principal teachers were Dennis Trembly, Edwin Barker and Paul Ellison. Prior to his appointment in Cincinnati, Mr. Lee was a member of the Houston Symphony under Christoph Eschenbach. In addition to his position with the Cincinnati Symphony Orchestra, Mr. Lee serves as Principal Bass of the Shanghai Festival Orchestra. Owen is married to CiCi Lee. He enjoys bicycling, snowboarding, cigars, auto repair and playing drums and writing songs with his rock band Toe (Eric Bates, CSO 2nd Assistant Concertmaster is Toe’s guitarist and lead singer, and Ted Nelson, CSO cellist is Toe’s bassist).  

We’re speaking with Cincinnati Symphony principal bassist Owen Lee today on Contrabass Conversations. Owen played for the New World Symphony and the Houston Symphony prior to his appointment with the Cincinnati Symphony, and it was a real pleasure to do this interview along with Contrabass Conversations regular collaborator John Grillo. Find Owen Lee on Twitter here. Enjoy!  About Owen: Described as “a true virtuoso” by legendary pianist Gary Graffman and praised by The New York Times for his “deft and virtuosic solo performance” at his New York debut at Alice Tully Hall, double bassist Owen Lee has earned acclaim as a soloist, chamber musician and since 1996, at the age of 26, as Principal Bass of the Cincinnati Symphony Orchestra. Mr. Lee is heard regularly as a soloist with orchestras including the Cincinnati Symphony Orchestra under the direction of Paavo Järvi and Jesús López-Cobos, the Scottish Chamber Orchestra under John Harbison, and the New World Symphony under Michael Tilson-Thomas in Miami and on tour to New York’s Lincoln Center. During the 2006-07 season, Mr. Lee and the Cincinnati Symphony Orchestra, along with a consortium of other soloists and orchestras, will present the world premiere of John Harbison’s Concerto for Bass Viol and Orchestra. Mr. Lee’s prizes in competitions include First Prize at the 1995 International Society of Bassists Competition and Fourth Prize at the 1992 Irving M. Klein International String Competition in San Francisco. He has been presented in recitals throughout the United States, and in Geneva. For the Boston Records label, he has recorded the Misek Sonata No. 2 and Bach Unaccompanied Suites No. 3 and No. 5. American Record Guide praised this disc for its “tasteful phrasing, polish and verve” while The Strad wrote “Owen Lee is a fine player with strong musical ideas. A dark and austere sound is produced for Suite No. 5 and the architecture of each suite is carefully considered and shaped. I look forward to his next recording.” Mr. Lee’s extensive international chamber music experience includes three summers as the bassist of the Marlboro Festival. While there, he performed extensively with such artists as Richard Stoltzman, Midori, Nobuko Imai, Bruno Canino, Pierre-Laurent Aimard, and members of the Beaux Arts Trio, Guarneri Quartet and Juilliard Quartet. He also collaborated with composers Gyorgy Kurtag, Leon Kirchner and Richard Danielpour preparing performances of those composers’ works. Mr. Lee has also performed with the Tokyo String Quartet on tour to Mexico, John Browning, Anne-Marie McDermott, Jaime Laredo, Ida Kavafian, Steven Tenenbom, Peter Wiley, Eugenia Zukerman, the Bravo! Vail Valley Music Festival, San Diego’s Mainly Mozart Festival, Ojai California Festival, Chamber Music L.A. Festival, Tanglewood Festival, Texas Music Festival, and on tour throughout China. With the Rossetti String Quartet he performed the world premiere of Melinda Wagner’s Concertino at the 2005 Bravo! Vail Festival. Mr. Lee was born in Berkeley, California in 1969 to Chinese parents. He began playing bass at age 15 after previous study of the piano. A graduate of the University of Southern California, Mr. Lee’s principal teachers were Dennis Trembly, Edwin Barker and Paul Ellison. Prior to his appointment in Cincinnati, Mr. Lee was a member of the Houston Symphony under Christoph Eschenbach. In addition to his position with the Cincinnati Symphony Orchestra, Mr. Lee serves as Principal Bass of the Shanghai Festival Orchestra. Owen is married to CiCi Lee. He enjoys bicycling, snowboarding, cigars, auto repair and playing drums and writing songs with his rock band Toe (Eric Bates, CSO 2nd Assistant Concertmaster is Toe’s guitarist and lead singer, and Ted Nelson, CSO cellist is Toe’s bassist).