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37 episodes with Barry Green
13 episodes with Barry Green
4 episodes with Barry Green
2 episodes with Barry Green
2 episodes with Barry Green
2 episodes with Barry Green
2 episodes with Barry Green
2 episodes with Barry Green
2 episodes with Barry Green
Hub & Spoken: Data | Analytics | Chief Data Officer | CDO | Strategy
Jason's co-author, Barry Green, joins this next episode as they discuss the release of the second edition of "Data Means Business" on 25th March. Returning for his third conversation on the podcast, Barry shares updates on the evolving landscape of data and AI, the impact of generative AI, and the importance of business capabilities. They delve into the changes since the first edition, including the role of the Chief Data Officer and the significance of adaptability in today's fast-paced world. Tune in to hear their thoughts on driving transformational change and delivering value with data & AI. The second edition of Data Means Business will be out on 25th March and will be available on Amazon. *********** Cynozure is a leading data, analytics and AI company that helps organisations to reach their data potential. It works with clients on data and AI strategy, data management, data architecture and engineering, analytics and AI, data culture and literacy, and data leadership. The company was named one of The Sunday Times' fastest-growing private companies in both 2022 and 2023 and recognised as The Best Place to Work in Data by DataIQ in 2023 and 2024. Cynozure is a certified B Corporation.
In this engaging first podcast episode, I, Karin Bonelli, flutist with the Vienna Philharmonic Orchestra and founder of Penthesilea Academy, delve into a meaningful conversation with Barry Green, renowned for his time with the Cincinnati Symphony Orchestra and his impactful book, "The Inner Game of Music." Our discussion spans the crucial role of mindset in enhancing stage presence, the significant influence of Barry's work on music education, and what truly distinguishes unforgettable performances. Barry's approach, which harmonizes the mind, body, and artistry, offers fresh insights into perceiving music not just as a career but as a life philosophy. This episode is a rich source of inspiration for musicians aiming to deepen their expressive skills and for anyone interested in the profound connection between our inner selves and musical expression. Join us as we explore the timeless value of music as a pathway to personal growth and artistic fulfillment. More from Barry Green: - Website: innergameofmusic.com/ - Mail: barry@innergameandmusic.com - Book: The Inner Game of Music Would you like to hear more? Website: penthesilea.academy Instagram: @karintbonelli @penthesilea.academy produced by Eli Cardich and podcastly
On today's show, Barry Green discusses the media landscape in Western Australia, regenerative agriculture and its impact on health. GUEST OVERVIEW: Barry Green is owner and managing director of Western Tourist Radio. He has 30 years' experience as a technician in the communications and broadcast industry, including 13 years as a senior technician in commercial television in Bunbury, Western Australia. https://www.touristradio.com.au/
Very grateful to be joined by Barry Green. Barry host Western Community Tourist Radio In Western Australia... Barry is known for “Telling the stories of people and places in Western Australia”... An article on Barry was quoted as saying "Barry is a spirited conversationalist who holds some interesting and unorthodox opinions." Barry has an incredible story of awakening and he is doing his part in waking up the community... Enjoy this beautiful conversation with an open mind!! Thank you for listening and watching wherever in the world you are.. Interview With The Light Australia as mentioned in the Podcast:Video: https://www.youtube.com/watch?v=DVzjVJ4LdDo&t=4sAudio:https://open.spotify.com/episode/4TEkRHc0oDeyjdAXPplGIr?si=f43d9138a6494f1bJump on BonCharge and grab yourself some protection from wifi, 5G, blue/red light and so much more…At the Checkout Use Code “Nath22” to receive 15% offRight here: https://www.boncharge.com/?rfsn=7434501.689abcThe Venus Twins Jab Removal Course For Healers: Podcast Here: https://www.youtube.com/watch?v=d13BtEHs1ak&t=1131sAt the Checkout for the course Use the Code "Nathan10" for 10% Off: Enrol for our Course: https://www.wisdomhealing.com.au/courses/Connect With Barry Green:Facebook: https://www.facebook.com/barrygreen1999Podcast: https://podcasters.spotify.com/pod/show/radio-wa Sound Cloud : https://soundcloud.com/westerntouristradio Sound Cloud: https://soundcloud.com/radiowa Facebook: www.facebook.com/WesternTouristRadioWebsite: www.touristradio.com.au Email Barry: barry@touristradio.com.auConnect With Me (Nathan Francis Youth Self Sabotage Coach/Mentor) Facebook Page: https://www.facebook.com/OSS.Health.MindPersonal Facebook: https://www.facebook.com/nath.francis69 Tiktok: https://www.tiktok.com/@nathanfrancis222?_t=8iKxXw8R2ee&_r=1Telegram: https://t.me/nathf94 Instagram: https://www.instagram.com/nathanfrancis__/Website: https://www.teenageselfsabotage.com Services: https://www.teenageselfsabotage.com/services Podcast: Spotify https://open.spotify.com/show/1fHxmfb... Apple: https://podcasts.apple.com/au/podcast... Email me anytime: nathanselfsabotage@gmail.com
Today on the podcast we have another fable from Aesop about stewardship along with a parable from the gospel of Matthew. This episode is about money, and ultimately it is about what we value in life and how what we value will drive the way we live. Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
In today's episode, we'll talk about kindness amidst anger. How do we bring kindness into the assumptions we make about each other? We'll dig into another fable from Aesop and a couple scriptures to help us explore this question, and we'll also discuss another question that is extremely helpful in determining if our feelings are appropriate for the situation. Resources: The Phrontisterium on Substack: https://shaneroberts.substack.com Boundaries by Townsend and Cloud: https://rb.gy/c2l2w Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Approval is not love. If it was, it would be unloving for me to tell you if I disapproved of something you've done. Love desires God's absolute best for others at all times. We'll explore this further along with some scripture in today's episode! Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Over the past couple of weeks, we've talked about what can happen when we don't seek the truth. First, we looked at a man who was seeking approval or acceptance from others. He gave in to every criticism he received, causing him to become completely insecure and unstable. He failed to take responsibility for his life, his choices, and the people and things he was supposed to care for. In short, he was a poor steward. Next, we discussed Icarus and his father, Daedalus. Icarus ignored his father's warning and arrogantly chose pleasure instead, which led to his death. Today, we're going to delve deeper into what happens when the wise are ignored. And I have a tale for you from the Brothers Grimm that I think you'll recognize. Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
"Whoever loves discipline loves knowledge, but he who hates reproof is stupid." Proverbs 12:1 Today I want to talk about the consequences of not listening to wise counsel. We'll dig into the tale of Icarus and Daedalus - as told by Josephine Preston Peabody. The 4 questions referenced in this episode that can be used to better understand something: What is it? What is it about? Is it true in whole or in part? Why does it matter? The Books Referenced: How to Read a Book, Mortimer J. Adler. https://rb.gy/erwwv Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
In today's episode, we'll discuss one of Aesop's fables about the perils of people pleasing. We'll also explore what it looks like to combat this way of living with ownership, due diligence, and the pursuit of truth. Mentioned in this episode: The What Why and Cry (Processing difficult and painful things): https://rb.gy/vujta Appearance and Deception (developing a logical process that can help us discern truth about what we're thinking and feeling): https://rb.gy/8codx Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
This episode is about developing a logical process to help us reason through difficult and painful things. I like to sit down and ask questions like, what am I feeling? Why am I feeling it? This is just the start, but so much can be discovered by asking these simple questions. Mentioned in this episode: https://shaneroberts.substack.com/p/the-plague-of-misidentification-e25 Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Welcome back to Friends and Fables on the meant for good podcast. Today I want to talk about slow, consistent work and how it pays off over time. And we'll start off with one of Aesop's wonderful fables called the Crow and the Pitcher. Mentioned in this episode - The Phrontisterium essay on The Non-Achiever: https://shaneroberts.substack.com/p/the-plague-of-misidentification-26f Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Today, we're going to discuss two of Aesop's fables that deal with self-conceit, comparison, and ultimately, pride. We've all heard the saying 'pride comes before the fall.' When we misperceive reality and assess ourselves in a way that is inaccurate—either thinking that we are greater than or less than who we truly are—we create a delusion. The first fable is about self-aggrandizement. The second is about self-deprecation. In both cases, the result is destruction. Mentioned in this episode - The Phrontisterium by Shane Roberts: https://shaneroberts.substack.com/p/the-plague-of-misidentification-26f Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Appearances can be deceiving and our thoughts and emotions don't always line up with reality. What can we do about this? One solution is to develop a logical process that includes questions that help us understand and discern the truth about what we're thinking and feeling. We'll discuss this along with two of Aesop's fables on the subject of appearance, and I've included some resources to help us in this endeavor. Resources: How to Read a Book - Mortimer J Adler: https://rb.gy/q4thu The Phrontisterium - Shane Roberts: https://shaneroberts.substack.com/ Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Today as we explore a couple of Aesop's fables, we'll discuss blaming, the harm it causes when we lay blame where it doesn't belong, the importance of self reflection, and how owning our mistakes helps us change for the better. I hope you enjoy it, and please share with anyone you think might appreciate it. Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Welcome to another episode of Friends and Fables, with special guest Linda Billson. Linda is a dear friend, poet, writer, and long time supporter of the podcast. She's been on the show before and I'm very excited to have her back and to hear her perspective on a pair of Aesop's Fables. Today we're discussing facades, community, and the benefits of speaking the truth to one another, even when it is scary. Check out Linda's writings at her Substack: https://lindabillson.substack.com/ Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Continuing in this series of fables by Aesop, today's focus is gratitude, its presence and absence. We'll discuss one of Aesop's most popular fables about the lion with the thorn in his paw, and the importance of valuing truth and the ones who are willing to share it with us, even when it is painful. I hope you enjoy it, and please share with anyone you think might appreciate it. Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
"You may share the labors of the great, but you will not share the spoil." In today's episode of Friends and Fables, Matt and I discuss Aesop's fable about the King of Beasts and his entitlement. As usual, there is much to draw from this story that we can apply to our own lives, including not giving away your power. I hope you enjoy this episode and share it with anyone that might benefit from it! Thanks for listening. ~Hannah Connect with Matt on Instagram and Youtube:www.instagram.com/mattykguitarwww.youtube.com/@mindsonguard/videos Mentioned in the episode - Boundaries by Townsend and Cloud: https://a.co/d/3R74LAq Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Episode 3 of the Friends and Fables series, featuring material from The Phrontisterium by Shane Roberts and “The Goose With the Golden Eggs” by Aesop. In this episode we explore two different approaches to learning and to life. The locked circular model, which is not open to change, and the unlocked linear model, which incorporates new information and is constantly growing. We'll discuss the differences between the two, how they can be driven by fear or love, and we'll look at a few examples. "The Phrontisterium" Essays: https://shaneroberts.substack.com Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Episode 2 of Friends and Fables featuring The Mountains in Labour, by Aesop. “Much outcry, little outcome.” This episode addresses fear and solutions. I'd like to mention that many of the solutions I'm sharing here were things that my good friend and mentor Shane Roberts taught me, and things that have really changed my life. I hope this information can help you or someone you know. For more solutions, helpful questions, thinking tools and ideas, please check out The Quest for The Real episodes that feature Shane Roberts and his substack, The Phrontisterium. The Phrontisterium: https://shaneroberts.substack.com Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Shane Roberts returns to the podcast to discuss The Phrontisterium, a place for thinking and sharing thoughts. Shane wrote a series of 50 essays that you can read at The Phrontisterium in which he shares various philosophical materials, thinking tools and systems that can help us grasp and discern deeper truths about reality. In this interview, we also discuss how different disciplines reveal truths about reality, and how science and theology can work together. For more of Shane's thoughts and observations check out The Phrontisterium on Substack: https://shaneroberts.substack.com Find him on Instagram: https://www.instagram.com/thephrontisterium Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Special thanks to Brandon Adams for engineering the podcast: @brandonadamsj You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Hey friends, This is a short episode with some of Aesop's Fables. It is part of a moral series I'm working on with some life lessons that we can all use, but it is especially made for the younger folks. I hope you enjoy it! ~Hannah Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Linda Billson is a writer, musician, artist, and painter from Canada. She's supported this podcast from its inception and has a vision for impacting the world for good with her writing and her art. Linda has a passionate love for Christ and she shares about this and an encounter she had with him that changed her life and is a foundational part of her deep dedication and relationship with Jesus. Her thoughts always leave me feeling peaceful and with a deeper awareness of God and his love and sovereignty. I hope you enjoy this episode, and please visit her Substack to find more of her writing and thoughts that can help you draw closer to God. Check out Linda's Substack: https://lindabillson.substack.com Find Linda on Instagram: https://www.instagram.com/lindabeats Also mentioned in the episode: Check out The Phrontisterium from Shane Roberts: https://shaneroberts.substack.com/p/as-we-begin Find The Phrontisterium and Shane Roberts on Instagram: https://www.instagram.com/thephrontisterium/ Boundaries - by Townsend and Cloud The Boundaries video mentioned on guilt - https://youtu.be/FSJpaYagWWU As a Man Thinketh - by James Allen Special thanks to Brandon Adams for engineering the podcast: @brandonadamsj Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Matthew Odmark shares about his experience in the music industry, joining Jars of Clay in his late teens when the band had immense success... and life afterward. As a musician, producer, songwriter, and family man in Nashville, TN, he loves to mentor and empower up and coming artists and figure out how to put new projects together and release them into the world. I hope you enjoy the interview, and please check out Matt and Jars of Clay's music (link below)! I grew up listening to Jars of Clay and was very inspired by them. Find Matt on Instagram: www.instagram.com/anoriginalmaster Listen to Jars of Clay: www.jarsofclay.com Special thanks to Brandon Adams for engineering the podcast: @brandonadamsj Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
This is part 2 of The Quest for The Real with Shane Roberts, a man who has devoted much of his life to the study and mastery of multiple disciplines and to the work of teaching and helping others develop their potential. In this episode we continue the conversation about honesty in our motivation, the state of education, the importance of critical thinking, and contextualizing ourselves in God's reality. I hope you enjoy, and please share it with your friends! For more of Shane's thoughts and observations check out The Phrontisterium on Substack: https://shaneroberts.substack.com Find him on Instagram: https://www.instagram.com/thephrontisterium Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Special thanks to Brandon Adams for engineering the podcast: @brandonadamsj You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Have you met a polymath before? It's fairly common to meet individuals who have devoted their lives to one particular discipline or another, but when I met Shane Roberts and discovered that he had managed to develop mastery in multiple disciplines and that he uses this knowledge to mentor and help others to develop their own potential, that really inspired me! Shane drops some golden nuggets in this episode that have helped me immensely, and my hope is that this interview will inspire and help you as well. For more of Shane's thoughts and observations check out The Phrontisterium on Substack: https://shaneroberts.substack.com Find him on Instagram: https://www.instagram.com/thephrontisterium Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Special thanks to Brandon Adams for engineering the podcast: @brandonadamsj You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Dave Stewart tells about his musical journey as an English singer/songwriter/producer, and half of The Eurythmics. It was an injury that led to an extended time at home in Northeastern England when he was young, and during this time he discovered his father's record collection, the guitar, the blues, and a passion for music. Dave is a fabulous storyteller. I think you're gonna like this episode :) Find Dave on Instagram: https://www.instagram.com/davestewarteurythmics Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- Support this podcast: https://podcasters.spotify.com/pod/show/meantforgood/support
Barry Green is active as a bass soloist, recording artist, author and teacher. He has been directing bass camps and schools for over 44 years, and is founder and director of the Ohio State Bass Camp. Green has studied with the legendary bassist François Rabbath. Barry's most recent project includes a unique exercise program called Stringersize.
Barry Green is active as a bass soloist, recording artist, author and teacher. He has been directing bass camps and schools for over 44 years, and is founder and director of the Ohio State Bass Camp. Green has studied with the legendary bassist François Rabbath. Barry's most recent project includes a unique exercise program called Stringersize. Barry Green served as principal bassist of the Cincinnati Symphony for 28 years, the principal bassist of the California Symphony and Sun Valley Idaho Summer Symphony. As former executive director of the International Society of Bassists, he taught at the University of California–Santa Cruz for 22 years before moving back to Cincinnati in spring 2018. Green joined the Ohio State School of Music faculty in autumn 2018. The following year Green was named International touring artist to tour all the state capitals of Australia sponsored by the Australian String Teachers Association. In summer 2021, Green was awarded the Special Merit honor from the International Society of Bassists. In autumn 2021, Barry organized the Bass Club Cincinnati, sponsoring several clinics for bassists of all levels including an international public concert series. Green is currently teaching bass and his inspirational courses on the mind-body and spirit at The Ohio State University School of Music.The Bass Shed on IG / The Bass Shed on Twitter / View More Episodes
Barry Green is active as a bass soloist, recording artist, author and teacher. He has been directing bass camps and schools for over 44 years, and is founder and director of the Ohio State Bass Camp. Green has studied with the legendary bassist François Rabbath. Barry's most recent project includes a unique exercise program called Stringersize. Barry Green served as principal bassist of the Cincinnati Symphony for 28 years, the principal bassist of the California Symphony and Sun Valley Idaho Summer Symphony. As former executive director of the International Society of Bassists, he taught at the University of California–Santa Cruz for 22 years before moving back to Cincinnati in spring 2018. Green joined the Ohio State School of Music faculty in autumn 2018. The following year Green was named International touring artist to tour all the state capitals of Australia sponsored by the Australian String Teachers Association. In summer 2021, Green was awarded the Special Merit honor from the International Society of Bassists. In autumn 2021, Barry organized the Bass Club Cincinnati, sponsoring several clinics for bassists of all levels including an international public concert series. Green is currently teaching bass and his inspirational courses on the mind-body and spirit at The Ohio State University School of Music.The Bass Shed on IG / The Bass Shed on Twitter / View More Episodes
Transcript included below…As I've talked about in the two part collection of Episode 17 and Episode 18 of Guitar Serious Fun, there are many different seasons of our guitar playing.In the early seasons of my guitar playing, whenever I got up onstage to play, whether as a performer or a worship leader, I experienced varying levels of nervousness. And I was easily distracted or thrown off when something unexpected happened. Public speaking has been considered one of the biggest sources of fear in Americans.But what about public singing, public guitar playing, or both? I consider those to be on another level of intensity above public speaking. And there are a ton of different types of distractions that can crop up. Some of them can be on the negative side of distractions.Kids in the front row might wiggle and fidget. Someone walking down one of the rows in the venue might drop and spill a beverage. Or my gear may go haywire. My guitar cable might short out. There might be feedback in the monitor. I might break a guitar string mid-song. These have all happened on my guitar journey at least once.In terms of the congregation, someone might be bold enough to visibly state their preference that the volume could be decreased. One time, a man stood up and put his fingers in his ears, staring at me until I “got the message.” But I've also witnessed positive distractions when people I hadn't seen in ages came in during my opening song, and they smiled and waved at me. I've even had people walk up to me in a coffeehouse setting and reach out to shake my hand – in the middle of my concert. I've shaken their hand, even though it didn't occur to them that I'd still be there to do that after my set.Other times, I've looked out and caught someone singing who normally didn't sing along in worship. That's a distraction that has pleasantly surprised me.As a guest at churches, I've watched the worship service order get changed before my very eyes as some very enthusiastic and supportive people from the church family have stepped up onto the platform for an unplanned presentation or announcement…at least unplanned by the pastor. You know, some congregants like to surprise their pastor with something special around a birthday or wedding anniversary, or something. In these kinds of scenarios, we just need to ride the wave.Playing for younger kids, like schools or camps, sometimes presents an environment where the children may feel compelled to share their thoughts verbally with me, especially as I'm playing my music. In these situations, sometimes there's a parent or counselor nearby who can help quiet them down, but not always.I've played some family-friendly events where young kids have just gotten up and danced right in front of me for most of my concert. These kinds of distractions don't really rattle me these days, at least not nearly as much as they have in the past.But in my early guitar months and years, I had a much harder time being flexible. I had a plan, and deviating from that plan almost always meant an increase in my stress level, and perhaps me playing the wrong notes and chords, stumbling over my words, or stopping altogether.And I made a big deal about those struggles.One time as a guest musician at a church, I broke a string just as I was getting started with a song, and I cried out, “Oh no,” and stopped. My expression of disappointment was so dramatic and pronounced, that some people later told me that they thought at first that it was a planned part of the presentation!Do you think my stumbling and losing my bearings, or even stopping was distracting? Yes, it most certainly was. As I mentioned in Episode 7 of Guitar Serious Fun, what the congregation or audience doesn't know, won't hurt them. People don't need to know that we are distracted. But what about us? We know. What do we do when we get distracted mid-song? My suggestion is simple: keep on playing…if you can.Even with a broken guitar string, I've been able to bring songs to a conclusion, much like pulling a car over to the side of the road when I've gotten a flat tire.Even with spur-of-the-moment changes to the service, or unplanned participants in the concert, we can still prevail if we just…stay…calm…and keep going.Some of these distractions are self-induced. I'm talking about musical mistakes or memory lapses, which have certainly happened to me. I can think of several songs over the years for which I have “composed” new lyrics on the fly, simply because the original lyrics just left my mind, often right when I needed them. But because I've maintained my mental composure through these various distractions, again, what the audience or congregation hasn't known, hasn't hurt them. We really can continue forward with a song, and even with temporarily revised words, and even amidst some of the most annoying and unexpected distractions, most people tend not to notice.What's the mental process behind this? Well, some of it involves mentally acknowledging that the distraction is there. This is something I learned from an incredible book called The Inner Game of Music by Barry Green. In his book, Barry talks about how, when confronted with a distraction, rather than trying to ignore it, we should mentally acknowledge that it is there, and continue forward with our music. This is easier said than done, but it is possible, especially with practice. Every time we are presented with a distraction, we can grow stronger in this area. Barry talks about how if we try to ignore the distraction, we can actually cause more disruption to our process.Don't ignore the distraction. Silently acknowledge the distraction, and keep playing. Distractions may seem like exceptions, but as guitarists who either play on stage or hope to, we need to be ready for anything. And I mean anything. And oh, have I got stories.America's Got TalentMy first story comes from my audition for America's Got Talent. Several of my friends had told me they thought I should audition, and my wife found out they were coming to town. She and I agreed that if I didn't at least try out, I'd always wonder.So, we drove for a couple hours to a huge convention center where several thousand other contestants had gathered. I got my numbered sticker, and we carried our gear slowly through a serpentine line that seemed like it would never end.After about 4 hours, we finally made it to the waiting area outside the room where I and about 20 other people had about 30 seconds each to share whatever we did that was unique to us. My wife patiently waited as I went into a windowless room to audition.The two judges sat on one side of the room at a table with laptops. The contestants stood along the wall and each waited their turn. I was all prepped with two guitars – one for my hands, and the other for my feet. My foot guitar was lashed to a cradle in front of a custom stool so I could play both guitars at the same time.Everyone else who presented before me sang an acapella section from a pop song. When it got to be my turn, I sat down on the stool, began playing and singing the chorus to my original song “Four Limbs,” and I let my hands and feet fly across the frets. Everything was feeling and sounding great.And then it happened.One of my fellow contestants unwittingly leaned against the light switch on the wall.And the entire room went black. Remember, this was a windowless room.Just shy of helpful, right? I remember thinking, “Oh no…what do I do?” But the only thing I didn't do was stop. I just kept playing. And after maybe 10 seconds (which felt like much longer), this person realized what they had done, and they turned the light switch back on.I hadn't missed a single note. I knew my song so well, from all those years of practicing and performing it, that I played it perfectly. I recall mentally acknowledging the distraction (thank you, Barry Green), and just thinking, “Well, there's not much I can do about this except to keep playing.”Now, the judges didn't make any comments either way, even though I wished they had said, “Man, that's incredible – and you stayed on track, even in the dark!” But I was pleased, because a) I didn't buckle under pressure and b) even if I didn't get called to the next level, I was confident that I had offered my very best.And I didn't get called to the next level, which, I'm not tremendously disappointed about. Going through the levels of AGT may have introduced complexity to my life that I just didn't need.But if I had stopped and lost my cool, I would have disrupted the song. Instead, I offered what ended up being a rather smooth audition, in spite of the challenges.Camp Concert for the StaffersAnother story comes from a camp I played at several years ago. I was hired to do a concert for the staff, and they were a very enthusiastic, gracious audience. These were high-energy counselors who had just gone through their week of training in anticipation of a summer of God-glorifying fun with campers from all over.And I was a special treat brought in to minister to this staff. So, I brought a great concert set that included some innovative techniques and tools. One tool I frequently like to pair with my guitar is a loop station. If you're not familiar with it, a loop station is basically a digital guitar pedal that allows you to record live sound. It carries with it the option of being able to stack and record sounds in as many layers as you can think of. The loop station I was using for this concert had two pedals – one for recording and completing the loop, and the other for stopping and/or erasing the loop.Well, part way through the looping of a song I wrote called “Receive Me,” the unexpected happened…I broke a string. Yes, this has happened a lot in my past, and I've gotten better about changing out my strings more frequently before shows. But in this instance, just after I had created an intricate, sonically interesting loop, the string went “thwap,” and I was presented with the opportunity for adapting, pivoting, and maintaining my composure.I took that opportunity. Instead of erasing the loop I had just made, I let it cycle as I grabbed my spare set of strings and string winder (both of which I like to keep onstage for such an occasion), and I began re-stringing mid-song. Now before you get too excited and think, “This guy has nerves of steel,” I have to be fully transparent with you and let you know that I put the wrong string on first. Partway through, I realized my error, and corrected the mistake by putting on the appropriate string.This process of re-stringing added about two minutes to the song, while the staff smiled and a few people chuckled, shaking their heads.But once the (correct) string was on, I stood back up and finished the song, which was received with some very loud applause.Had I stopped and freaked out, well, nothing good would have happened, and it would have been a poor example to those counselors, who were preparing to model godly character to countless campers throughout that summer. Instead, I showed them true perseverance, to the glory of God.Church Prelude MusicI have a pair of events which I'll combine for this next story. They involved instrumental prelude music on the hammered dulcimer. I know this is Guitar Serious Fun, but as you might imagine, I've played a lot of instrumental prelude music on the acoustic guitar as well.As I played some very technical instrumental hammered dulcimer music before two different worship services, two godly men felt like they needed to connect with me in those very moments.The first incident happened at a normal worship service where I was playing for about 10 minutes to help usher in the worshipers.One man who has always appreciated what I do felt compelled to come up onstage and put his arm around me, offering his verbal appreciation…while I was playing. I literally couldn't see him coming, because my back was to him. I didn't have words. In an attempt to respond, I just nodded, as my eyes got really big. He returned to his seat, completely oblivious to the fact that he had stepped right into my musical circle and added a level of distraction that could have derailed me. But I didn't let it. I just kept playing.Another service was a Christmas Eve service, and I again was playing about 10 minutes of instrumental Christmas music. This time, my unexpected collaborator was my pastor. He (and I) see great value in praying before the service. However, for some reason, we were not able to sync up to do this in the moments beforehand, and as people started coming in, I needed to be at my musical station to welcome them.That did not deter my pastor from coming up to me and praying with me. To his credit, he did give me a verbal heads up. He said, “Hey, bro, I'd love to pray with you as people are coming in. You don't have to say anything – I'll just pray out loud. Sound good?”I remember nodding as I mentally processed what was going on.But then, he put his arm around me with a brotherly side-hug and began praying. And his love for the Lord was evident, not just in his words, but in his enthusiastic shaking of me as he expressed his gratitude for the Lord coming to earth to redeem and restore us. I was grateful too. But I was also trying to play some very technical music, of which he was not really aware. He loves music, but doesn't really play. So he didn't realize the effect his shaking had on my ability to concentrate. We were praying, and I was playing…but I didn't stop.And that was the right choice, because the Christmas Eve mood was not disrupted. My mind was racing, but my hands were not. All the practicing I had done for each of those moments paid off, along with my focus and my willingness to keep on playing.And if you're wondering, I was a solo instrumentalist, so I didn't have the option of letting the band carry things forward – it was all on me. And also, as you may be wondering, I did take the time to regroup later and kindly express to each of these men my preference that they connect with me before or after I play, not during. As non-musicians, when they realized that it had impacted me a bit, it made sense to them.My Sister's DogOne more story. And really, this is the story that inspired the creation of this episode. I was enjoying family time with my wife and kids, as well as my sister and her family and my parents, at their home.I had brought my guitar, and everyone gathered to enjoy listening to me sing and play. My father, for whom I have deep love and admiration, enjoys music immensely, even though he doesn't understand it. For more about his experience with music that I have played for him, I invite you to listen to Episode 9 of Guitar Serious Fun as I ask the question, “Do we need to understand music to enjoy it?”As we were hanging out, I was sitting “crisscross applesauce” on the floor with my guitar. My father had requested that I sing “Cat's in the Cradle” by Harry Chapin. If you know this song, you know it's a powerful ballad about the importance of being present in the lives of our kids, because they grow up so fast. So, as I began to sing, everyone was listening to these words.And then something happened. My sister's dog, who is a good sized black lab, came right up to me and began to lick my face. Her big tongue was all over my cheeks, nose, mouth, and everything.If you think it's easy to sing while a dog is licking your mouth with her big tongue, well, you might want to reconsider that thought.In that moment, everyone just sat there. My hands were busily occupied fretting and picking the strings of my guitar as I kept singing the song. I didn't resist or turn my head, but I did hope that someone would grab the dog's collar and move her back.But no one did.Everyone, including the kids, thought that someone else would pull the dog back. So, she just kept on licking, and I just kept on playing and trying to sing.My smile grew as I realized that I was sort of stuck. But my practicing and concentration kicked in, and I stayed the course.I did not stop playing the guitar. I suppose I could have. I could have paused, moved the dog away, and regrouped, but for some reason I just kept on going, and I finished the song, not missing a single note or word.And there was applause and laughter, and for me, a sigh of relief.Wisdom from an ExpertRon Mallory, an incredibly gifted multi-instrumentalist and highly published composer and arranger, is also a friend and colleague of mine. His level of musicianship is astounding. I interviewed him as one of our guest experts in our online membership at GuitarSuccess4U.One of the most profound and simple statements he made to me was this:“In music, as in life, when you make a mistake, keep on going.”I think that sums it up well. Keep on going. Don't stop playing your guitar unless you have to. Most of the time, staying the course will result in a smoother presentation. The audience or the congregation will appreciate the opportunity to stay in the moment with you.Keep Playing Through the SeasonsAs I began this episode, I came back around to this idea that there are different seasons of guitar. Even if we've gotten to the point to where we are pretty confident in our ability to finish a song, even amidst distractions, there may come seasons where we take an extended break from playing.An intentional break can be a good thing. But just stopping playing the guitar for months or years at a time for no real reason, is not as good. I know people who have just stopped playing, even though they have had the time and the bandwidth to play.The tyranny of the urgent may intrude. They may just forget their love for the guitar and music. Or they may not know how to start up again.I spoke with one guitarist who had a really nice instrument, and I asked him how it was going with that guitar. “Well,” he said, with a bit of annoyance in his voice, “I'm enjoying looking at it.” He had not played it in a few years, to his dismay.I want to encourage all of us to cultivate a long-game mindset for playing our guitars…so I invite you to play that thing, even just once or twice a week for fun. It doesn't have to be a long, focused time of intense practice – it can just be bringing the guitar out at the end of a long day as you unwind with some songs you know.Believe it or not, time can fly by, and our many tasks, even the legitimate and important ones, can be a source of distraction from our musical pursuits at times. If we aren't careful, that distraction can be a form of subtraction, taking away opportunities for us to fulfill our potential. What will we do to stay on course?Will we prioritize our music so that our songs can take flight, even at lower altitudes in seasons when our lives are full?Today was a great opportunity to reflect on the simple choice we have when something unexpected happens as we play our guitars for others.As a guitarist and a musician, there are many ways in which you can grow in your skills, including the ability to navigate distractions.Seasoned performers and worship leaders didn't get to be seasoned without a little, well, seasoning.It's the challenges, whether technical, mechanical, or relational, that make us stronger on the stage or platform. Sometimes, things go exactly according to plan. But when we encounter unforeseen distractions, events, or mishaps, we can do our best to meet them with grace and patience, trusting that the Lord will meet us where we are. Philippians 4:19 says “And my God will meet all your needs according to the riches of his glory in Christ Jesus.” What is our need in the moment when things go topsy-turvy? Perhaps to stay focused and to complete the task.Having a plan is important, but having the ability to adapt is equally important. I'd say that serious fun is a true component of staying focused as well.So keep playing your guitar. And always be open to how the Lord might shape you through unexpected challenges.If this episode was encouraging to you, please share it with someone else. I'm excited to have more people experience what I've worked hard to put together here at Guitar Serious Fun.And if you're looking for the next level of musicianship for your guitar playing, please check out GuitarSuccess4U.com. Thanks for checking out this episode, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com
Rob sits down with Barry Green, Surf Coach at Centered Surfing, and they discuss methods to acquire skills for surfing and the various benefits and limitations of each. They cover their co-coaching trip to Lakeside Surf, trips to Kelly Slater's Surf Ranch, Boat Surfing, Surf Skating, and other methods.
If you, like me, have been into music for some time, the name RICHIE FURAY should be very familiar to you. He was a founding member of Buffalo Springfield with Neil Young and Stephen Stills and then formed Poco with Jim Messina. Today, Richie Furay runs solo and has just released a terrific new album of his favourite tunes, called 'In the Country'. He joins me this week to chat about the album and the highs and lows in his life to date. BARRY BLUE started out as a singer in the UK but quickly turned his talents to writing. He found success with several big name acts like Diana Ross, Andrea Bocelli and Celine Dion and even scored hits in the 80's when he got into the disco craze. Meeting Barry this week was a real treat and I learnt so much about him. Who knew his real name had been Barry Green? Find out why he changed it by tuning in. A regular feature of our show is the requests we get from you and this week's no exception. I was asked to check in with with Australia's soft-rock duo, AIR SUPPLY to see what the guys are up to these days. So, I hunted around and found GRAHAM RUSSELL in the mid-west of the USA where he spends a great deal of time when he's not playing - gardening! We talked about the hits and touring and his enduring passion for both music and the land. Amazing what you find out really. Definitely worth a listen. Don't forget, if you'd like to hear from one of your favourite artists from the 60s, 70s or 80s - just ask me to find them for you. Send me a message sandy@abreathoffreshair.com.au https://linktr.ee/abreathoffreshair
Today's episode features a performance of Andrés Martin's bass quartet Kitsune with Andrés (bass 1), Barry Green (bass 2), Owen Lee (bass 3), and Jason (bass 4). To purchase a copy of Kitsune, you can email Andrés at mgandres@gmail.com, and you can learn more about his great music on his website, YouTube, Instagram, and Facebook! Subscribe to the podcast to get these interviews delivered to you automatically! Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass. Thank you to our sponsors! Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Dorico - Unlock Dorico for iPad – For Life! Want to enjoy all of Dorico for iPad's subscription-only features – including support for unlimited players, freehand annotations in Read mode with Apple Pencil, support for third-party Audio Unit plug-ins, and much more – but don't want to pay a monthly or annual fee? Dorico for iPad now provides a lifetime unlock option, so you can access all current and future subscription-only features for a single, one-off in-app purchase. Visit the App Store today and unlock Dorico for iPad for life! theme music by Eric Hochberg
Barry Green hit the ground running when he moved back to Cincinnati a few years ago, and I was fortunate to be a part of two recent Ohio events. This short episode features an interview with Barry and is a great example of his enthusiasm for the double bass and the community surrounding it. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically! Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass. Thank you to our sponsors! Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Dorico - Dorico 4 is here to supercharge your workflow. Steinberg's latest major version of music notation and composition software for macOS & Windows is packed with powerful new features that are designed to accelerate your workflow and make it quicker and easier than ever to go from inspiration to finished product. If you're a composer, arranger or orchestrator, you'll be delighted by the sophisticated new tools on offer – and there are improvements across the whole application, whatever your focus. For more information and to download a free 30-day trial of Dorico 4 visit steinberg.net/dorico. theme music by Eric Hochberg
W. Timothy Gallwey (nacido en 1938 en San Francisco, California) es un autor que ha escrito una serie de libros en los que se ha establecido una nueva metodología para el entrenamiento y para el desarrollo de la excelencia personal y profesional en una variedad de campos, que él llama "The Inner Game." Desde que comenzó a escribir en la década de 1970, sus libros incluyen El juego interior del tenis, El juego interior del golf, El juego interior de la música (con Barry Green), Esquí interior y El juego interior del trabajo. El libro más importante de Gallwey es El juego interior del tenis, con más de un millón de copias impresas vendidas. Además de los deportes, sus métodos de entrenamiento han sido utilizados en el campos de los negocios, de la salud y de la educación. Contraportada: Muchas veces somos nuestro peor enemigo. no es el adversario externo el que nos derrota, sino nuestras propias dudas, nuestro propio miedo y nuestra falta de concentración. el juego interior del tenis nos muestra la forma de superar estos obstáculos y de lograr un óptimo rendimiento. Este libro está basado en el tenis, pero sus principios pueden aplicarse a cualquier tipo de actividad. si practicas el tenis te enseñara a mejorar tu juego, a aprender con más rapidez y eficacia y a confiar más en la sabiduría natural de tu cuerpo. si no lo practicas, te ayudará a desarrollar ciertas habilidades que te servirán para tener éxito en cualquier tipo de juego o en cualquier campo de actividad. Tim Gallwey es uno de los pioneros de la psicología deportiva. Fue jugador profesional de tenis y profesor de ese deporte. La presente obra ha sido un gran éxito internacional, con más de un millón de ejemplares vendidos. W. Timothy Gallwey. (2011). El juego interior del Tenis. USA: Nirvana Libros, S.A. de C.V. Contraportada: https://linktr.ee/ContraportadaPodcast E-M: lacontraportada@outlook.com Fitos Ruiz: IM: https://www.instagram.com/fitosr23/ Hiram Castro: IM: https://www.instagram.com/hiram_castrod/
Heather Keranen is an educator, missionary, and an epic adventurer! She's also one of my best friends and it was such an honor to have her on the show and hear more about her heart for God, her delight in His great tapestry, and how she and her husband are serving their community in Beirut! Get in touch with Heather: Email: EduAfrica@psmail.net Special thanks to Brandon Adams for engineering the podcast: @brandonadamsj Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
Have you ever considered giving away a kidney? Would you give one to a complete stranger? These questions crossed Harold Mintz' mind, and he soon found himself choosing between continuing to live with a kidney that he didn't really need and saving the life of someone who might die that week. He chose the latter and something beautiful happened. Harold joins us on the show to talk about his passion for organ donation, mustaches, trade shows, and the unfortunate hot sauce incident. Get in touch with Harold: Email: Haroldharold13@yahoo.com Instagram: @haroldshairold Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) (www.instagram.com/hannahonthekeys) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
It's not every day a futurist and inventor agrees to sit down and tell epic and nerve-racking stories about inventions breaking and fixing on national television, innovation in women's education in Europe (when it was very unpopular), and how his family escaped the Nazi's in WWII, partially thanks to the music of Brahms. I met Ray at a trade show called NAMM many years ago. I played several performances on his Kurzweil keyboards (which are my favorites), and I had heard Ray tell some of his stories at a few parties over the years. One night he ended with a phrase that stuck with me and helped inspire this podcast: “You never know how you might change someone's life.” This is one of my favorite interviews, and I'm so thankful to Ray for sharing and opening up his home in October of 2019 so I could bring a microphone in and we could catch up over breakfast. I hope you enjoy it as much as I did! Check out Ray's website: https://www.kurzweilai.net/ Talk to Books: https://books.google.com/talktobooks/ Kurzweil Keyboards: https://kurzweil.com/ KNFB Reader: https://www.knfbreader.com/ Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/hannahonthekeys) (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
“Get Up, Show Up, Never Give Up” is some good advice from a father. I met David through my friend Anastasia Brown a couple of years ago, and we've collaborated on some music since then! I've appreciated hearing his stories about becoming a father and looking around for other strong men who could teach him how to do his job well. Though he's a private man, David was kind enough to share in this episode about what makes a man, and his journey with some of the men who have impacted him. Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/hannahonthekeys) (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
Sitting around a microphone on the second story of an old Nashville home near 12 South, a train goes by causing us to pause, with some amusement and a little nostalgia. Amara shares her experience creating a poetry class and curriculum for female inmates. She's a model, a musician, songwriter, record promoter, and she still finds time to bring some joy into the prison system. I was struck by her compassion and love for the inmates and her desire to inspire and encourage them by creating a safe space where they could learn and express themselves. Thus, Safe Place Poetry Circle. Donate to Amara's poetry classes: https://safeplacepoetrycircle.com/home Connect with Amara on social media: (https://www.instagram.com/amaragivelove) Check out her music, F.A.B: https://www.instagram.com/fabcrewmusic Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/hannahonthekeys) (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
Voted NFL All-Pro in 1972 and '73, Mike decided he would rather play music than football for a living, so in 1980, he moved to Nashville to pursue songwriting. He shares about getting his start in football, the importance of becoming “competent” at something, and the story behind a song that you're probably familiar with. It's one of my favorites and there are some details I hadn't heard before. Enjoy! And be sure to catch part 1 with Mike if you missed it! Learn more about Mike here: https://www.mikereidmusic.com/bio Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/hannahonthekeys) (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
Talented pianist, singer-songwriter (with multiple No. 1 hits), composer, and former NFL football player, Mike Reid shares about viewing the audience as his guest, being vulnerable, and a special prayer he says before performances. Mike is a deep thinker and he sounds like he was born to be on the radio. I enjoyed interviewing him for this episode and the follow-up, part 2! Learn more about Mike here: https://www.mikereidmusic.com/bio Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). Thanks to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys You can also listen and support on Substack: https://substack.com/profile/71677199-meant-for-good?r=16oahb&utm_campaign=profile&utm_medium=web Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/hannahonthekeys) (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
Zach and Riccoh Interview International Best Selling Author and World-class musician Barry Green. Barry discuss the interconnectivity betwenn the mind, body and spirit. www.innergameofmusic.com
Become a Paddling SUPPORTER for only $3/month A special episode of the Dropping In Surf Show this month. Guest Barry Green, Centered Surfing, and Rob conducted a strike mission to Lake Chelan, WA to visit Lakeside Surf. Lakeside surf is an artificial standing wave using the City Wave technology, and is apparently the largest of it's kind. In this episode, broken into three sections, Barry and Rob discuss our experience, walking in having never surfed a standing wave before to having four to five sessions on this wave. They talk about the journey of learning and how it can benefit you in general, our expectations and emotions throughout the time spent there, and how this wave might help you with your surfing technique. Section 1 is recorded immediately after Rob's first two sessions and after Barry's first. Section 2 is recorded after Rob's 3rd and 4th session and Barry's 2nd and 3rd. Finally, Section 3, has Rob and Barry watching their final session, commenting on what is seen on the screen as well as how they felt transitioning back into the ocean. Each section is roughly 15 minutes in length. Enjoy! Check out Lakeside Surf at https://www.lakesidesurf.com/ Watch the video of this episode at https://www.surfingpaddling.com/dropping-in-surf-show
Hello and welcome to Overdrive, a program that roams through the world of motoring and transport I'm David Brown The times each story appears in the program are noted (mm:ss) News • We look at three significant features on the latest car sales figures • Cars Sales for July 2021 (1:39) • Toyota Corolla bounces back in July (2:33) • Isuzu Ute – Only two models but a big impact (3:33) • Peugeot 508 – A very stylish vehicle (4:34) Feature Interviews • Brian and concept cars –We mentioned last week, some of the interesting feedback we'd had on the unusual, perhaps weird, concept cars at the Chicago Motor show. There were some insightful comments and some monosyllabic such as “I hate it”. So this week we talk to Brian Smith on what is the purpose of concept cars – what do the manufacturers want to get out of making vehicles that are not part of the current style, and how do people react. (5:45) • Barry Green continues reporting on his odyssey of going on great drives in great motor cars in the best places around the world – this time it is the Klausen Pass in Glossglockner Austria (13:50) Motoring Minute • Kia Niro EV sport (20:30) Interview • And Alan Zurvas and I review the oh so powerful Audi RS 7 (21:41) Motoring Minute • Toyota Fortuner (27:58) You can find more information at Driven Media or previous programs are available as podcasts on Spotify: https://open.spotify.com/show/0ah6JZN8LTYURIfNs1IIBs iTunes: https://podcasts.apple.com/us/podcast/overdrive-cars-transport-and-culture/id1001084679 Our Facebook page OverdriveCity – Driven Media https://www.facebook.com/OverdriveCityDrivenMedia/?modal=admin_todo_tour or Our YouTube site https://www.youtube.com/channel/UCKyx5sv6cgF4URRmNq2JiXg/videos So, let's start with the news Originally broadcast 7 August 2021
Hello and welcome to Overdrive, a program that looks at the latest trends in motoring and transport for serious and not so serious issues. I'm David Brown The times each story appears in the program are noted (mm:ss) News • Australia's governance is going backwards (1:23) • Audi RS 7 (2:56) • Fortuner (4:06) • WRX (5:08) • Rogue (6:30) Feature Item • In the first of a series Barry Green takes us on one of his Best Drives: a great car in a great location (7:34) • Ken Dobinson tells us what it is like to work in a transport department with heavy political pressures (15:03) Motoring Minute • Jeep Wrangler Rubicon (20:51) Interview • David Rowley tells us why going to Subaru as the PR manager was a decision helped by knowing they had the WRX – and his children loved it. (22:01) Motoring Minute • Fiat 500 You can find more information at Driven Media or previous programs are available as podcasts on Spotify: https://open.spotify.com/show/0ah6JZN8LTYURIfNs1IIBs iTunes: https://podcasts.apple.com/us/podcast/overdrive-cars-transport-and-culture/id1001084679 Our Facebook page OverdriveCity – Driven Media https://www.facebook.com/OverdriveCityDrivenMedia/?modal=admin_todo_tour or Our YouTube site https://www.youtube.com/channel/UCKyx5sv6cgF4URRmNq2JiXg/videos So, let's start with the news Originally broadcast 31 July 2021
Chance Hoffmann, longtime friend, singer-songwriter and frontman for the band “Not By Chance” shares about his life in ministry, having integrity at home or in work, and lessons he learned from his grandfather in the midst of his passing. * Chance is from Chicago IL. He plays a mix of Americana and folk rock music with thoughtful lyrics seeking wisdom in themes of love, family, work and pilgrimage. He also travels around the Midwest as a worship leader for ministry events, for which he loves to sing spontaneous songs and jam on his guitar. His first album “Last Breaths Of Summer” is available on iTunes, Amazon, and other online distributors. https://music.apple.com/us/album/last-breaths-of-summer/1443424779 https://music.amazon.com/albums/B07KNZD48T?ref=dm_sh_wvjg3WvIG33oTIafTNH6LL6st * Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). And to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
From the beautiful, peaceful prayer room that she and her husband Craig built into their rustic home in middle TN, Lisa Hentrich shares wisdom and encouragement for the single folks, the joy of having one of her songs performed and recorded by Reba, and how age doesn't have to be a hinderance to the desires of your heart. • Check out her music, blog, and the girlfriends she supports and champions here: www.lisahentrich.com • Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). And to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
How many businesses get it right when it comes to using people data to become more adaptable in their thinking? How much does culture play in effectively leveraging data? What can HR learn from building - and being part of - cross-functional teams leading on data projects? The latest podcast talks to Barry Green, co-author of 'Data Means Business' (available here - https://www.amazon.co.uk/Data-Means-Business-organisation-ever-changing-ebook/dp/B08YKDSXHY) about what he's learned in his time working within a change environment, across multiple business functions, and what HR teams can learn about how to get better with using their data.
Fortnightly podacst showcasing the freshest House & Techno presented by MoreCause!Tracklist:Cristoph & Yotto feat. Sansa-Out Of Reach (Club Mix)Gorgon City feat. Hayley May-Never Let Me DownRoisin Murphy-Shellfish Mademoiselle (Paul Woolford Club Mix)Martin Badder-So CloseSandy B-Ain't No Need To Hide (Sam Divine Extended Mix)Angel Heredia-Funkea Me (Extended Mix)Because of Art feat. Ruth Royall-Lost in the Sun (Simon Doty Day Mix)MONKEYE, Bexxie feat. Hamama-Take My FeelinGuy Burns-Jungle Of Love (Original Mix)Alaia & Gallo-Syloo (Extended Mix)Roberto Surace Feat. The Melody Men-CookiesWheats feat. Medusa-Humanic (Original Mix)Joseph Edmund-BaewatchPAX-Intentions (Extended Mix)GotSome & George Kwali-In The Dark (Extended Mix)Robbie Doherty-ColoursGuest Mix by Barry GreenSubscribe Free on iTunes: http://bit.ly/HouseCultureSubscribeGet it from Podomatic: http://bit.ly/HouseCultureFor bookings & remix enquiries email: morecausemusic@gmail.comFor more Info & Music:Facebook: https://www.facebook.com/morecausemusicTwitter: https://twitter.com/morecauseMixcloud: https://www.mixcloud.com/morecauseSoundcloud: https://soundcloud.com/morecause
From a log cabin in the middle of a peaceful wolf sanctuary in Tennessee, Jordan Lawhead shares about surviving cancer, pursuing a career in music, ministering to prison inmates, and living his life to inspire others to tell their stories and use their gifts. You Inspire - www.youinspire.org Music - https://open.spotify.com/artist/5KW7jePhFFCbXtJLSa4Knz?si=gquLgl5aRvCXOocqFXS6GQ Special thanks to Micaiah Rodermond for engineering this episode (https://www.facebook.com/MicaiahR). And to Linda Billson, Barry Green, Byran Saul, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meantforgood/support
The Hump is thrilled to welcome our guest this week! Bassist, educator and all around creative human, Barry Green! Tune in to find out why this episode is called, "The Renaissance Man!"
Hub & Spoken: Data | Analytics | Chief Data Officer | CDO | Strategy
Our host, Jason Foster along with Barry Green were looking to give leaders the tools they needed to start changing the narrative on data and have it focused on what really matters – economic, business, organisational and societal outcomes. They got together, authored and published ‘Data Means Business’, a highly rated and best selling book. In this episode, they discuss the book, the process they went through to go from the gem of an idea to a published best selling book, why they felt there was a gap for this kind of book and some of the key topics, concepts and frameworks.
Barry Green is one of the most prolific and creative artists I’ve even spent time with. He has appeared on the podcast multiple times over the years, and he and I co-organized the International Online Bass Summit during the spring and summer of 2020. In today’s episode, we catch up on all sorts of projects that Barry has been working on, including his incredible Stringersize program and his The Art of a Note article. We also dig into how he approaches projects in general, new ideas he has been developing, and much more. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically! Check out our Online Sheet Music Store with 80+ wide-ranging titles for bassists. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course, available exclusively from Discover Double Bass. Thank you to our sponsors! Dorico - Dorico helps you to write music notation, automatically producing printed results of exceptional quality — and plays it back with breathtaking realism. It is easy enough for anyone to learn, yet has hundreds of advanced notations, features, options and sounds to satisfy even the most demanding professionals. With its streamlined, natural user interface, students and those with less experience in scoring can compose and arrange straight into Dorico, making learning the language of music notation much faster and more intuitive. Editing and making changes — such as instrument, time signature or key — are straightforward, with the notation instantly and correctly adapting to include them, reinforcing the learning outcome. Ear Trumpet Labs - They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design -- the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine! Practizma - The Practizma practice journal is packed with research based strategies to turn your ho-hum practice into extraordinary practice. Develop your curiosity, discipline, creativity, daring, tenacity and zen. Take a journey with four elements each week: goal setting, reflection prompt, action challenge, and journal pages to track your practice. Curious? Download the introductory chapter of the journal for free - this gives you an idea of what it's all about. Modacity - Are you a practice-savvy musician? Get Modacity – the music practice app that organizes, focuses, and tracks your progress. Recorder… metronome… tone generator… timer… note taking… Do away with the random assortment of music practice apps in your arsenal. Modacity™ combines all the tools you need into one easy to use, music practice tool. Organize, focus, and reflect on your practice – motivating you to increase retention in less time. Modacity has a special offer for Contrabass Conversations listeners that includes lifetime access to the app. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging theme music by Eric Hochberg
Tim Matthews talks with Barry Green and Paul Vorderbrugger of Timber Bay Youth Outreach Organization.
Become a Paddling SUPPORTER for only $3/month In this episode of the Dropping In Surf Show, Rob and Jim sit down with Barry Green, Surf Coach and Life Coach located in Santa Cruz, CA. Barry has a unique approach to surf coaching and a rare ability to pull out the best not only in your surfing, but in yourself in general. We dive into topics such as responding to stimuli with grace, surfing as a practice, strategies for crowds, stress management, and more. Learn more about Barry at https://centeredsurfing.com/ Watch the video of this episode at https://www.surfingpaddling.com/dropping-in-surf-show
In Episode 16 of the Dropping In Surf Show, Rob and Jim sit down with Barry Green, Surf Coach and Life Coach located in Santa Cruz, CA. Barry has a unique approach to surf coaching and a rare ability to pull out the best not only in your surfing, but in yourself in general. We dive into topics such as responding to stimuli with grace, surfing as a practice, strategies for crowds, stress management, and more.
Fort Collins is a beautiful, historic college town in Northern Colorado where Larry Baker cuts hair at Headturner's Salon. He's in his 70's and he loves to walk his nightly beat downtown, popping in and out of restaurants and clubs, listening to music, saying hi to his friends on the wait staff, and gathering new friends of all ages as he goes. In this episode, Larry shares a bit of his history, which includes a miraculous healing from paralysis, and his L.O.V.E method of evangelism... which sometimes looks like being the designated driver for a young friend at 2am. Find Larry on Instagram: www.instagram.com/larrygbaker1 Follow Headturner's Salon in Fort Collins, CO: https://www.facebook.com/Headturners-SALON-213478848793218/ Check out Larry's book, It's a God Thing: https://www.amazon.com/Its-God-Thing-Life-Changing-Friendships/dp/0615525237 Special thanks to Bradley Rodermond (www.instagram.com/bradleyrodermond) for engineering this episode. And to Linda Billson, Barry Green, and Ray Kurzweil for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Jess Smith is a leader, mentor, and world traveler who currently works as director for a health tech company in Nashville. In this episode, she shares about the kindness of strangers, shining a light on the potential of others in the corporate world, and the time she set up a free prayer booth outside her home. Find her on Instagram: www.instagram.com/jsmith86 Special thanks to Bradley Rodermond (www.instagram.com/bradleyrodermond) for engineering this episode. And to Linda Billson and Barry Green for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Attorney Barry Green comes to the Messenger Studio to discuss the recent dismissal of the murder charges against his client Aric Maxwell for the death of Lauren Whitener July 5, 2019 in Lake Bridgeport. The charges were dismissed after DNA from the scene did not match Maxwell.
Part 2 of a conversation with Barry Green, Montana Representative for the Rail Passengers Association
Part 1 of a conversation with Barry Green, Montana Representative for the Rail Passengers Association
Welcome to Meant For Good! This episode explores a few of the early, defining moments of Brent Maher, a Grammy award winning engineer, producer, and songwriter. Just to give a little context to the magic of this man, one of his first engineering gigs was for Elvis. Brent shares about some of the people who believed in him early on and championed him at a crucial time in his teenage years when he was losing both of his parents to drug and alcohol abuse. Brent is a husband, father, grandfather, and a mentor and champion to many songwriters of all ages. For more info on Brent visit: www.morainemusic.com/brentmaher Special thanks to Bradley Rodermond (www.instagram.com/bradleyrodermond) for engineering this podcast. And to Linda Billson and Barry Green for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral)
A defining moment from Brent Maher, Grammy award winning engineer, producer and songwriter based in Nashville, TN. Check out the Music and Mentors episode (coming soon) for the rest of the story. For more info on Brent visit: www.morainemusic.com/brentmaher Special thanks to Bradley Rodermond (www.instagram.com/bradleyrodermond) for engineering this podcast. And to Linda Billson and Barry Green for supporting the podcast at www.patreon.com/HannahOnTheKeys Music by Hannah Holbrook & Kevin Dailey (www.instagram.com/kipcentral)
The School of Music's Barry Green has served as the principal bassist for both the Cincinnati Symphony and the California Symphony and Sun Valley Idaho Summer Symphony. His book The Inner Game of Music, has sold over a quarter of a million copies . He shares his thoughts on music, musicianship, and how to drown out the negative thoughts in your head so you can play better music with David Staley on this week's Voices of Excellence on Soundcloud
Bücher aus denen wir zitieren: Der Mozart in uns, Barry Green und Timothy Gallway https://amzn.to/2V234ji Free Play, Stephen Nachmanovitch https://amzn.to/2HwSlW6 Über Bord, Erik Hauth https://amzn.to/39M5YNo
"Es ruft Dich, van Drongelen" Bücher aus denen wir zitieren: Der Mozart in uns, Barry Green und Timothy Gallway https://amzn.to/2V234ji Free Play, Stephen Nachmanovitch https://amzn.to/2HwSlW6 Über Bord, Erik Hauth https://amzn.to/39M5YNo Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.
"Es ruft Dich, van Drongelen" Bücher aus denen wir zitieren: Der Mozart in uns, Barry Green und Timothy Gallway https://amzn.to/2V234ji Free Play, Stephen Nachmanovitch https://amzn.to/2HwSlW6 Über Bord, Erik Hauth https://amzn.to/39M5YNo Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.
Louise Balkwill: Quicke Cheddar, Caws Cenarth, St Giles, and Non-Alcoholic WineTHIS EPISODE: We talked about Louise's influences, her love of New Orleans and the "Sit-in" culture that stands there. We talk about our new healthy lifestyle, Mental health and the importance of great musical relationships, among other things!Louise Balkwill:Louise Balkwill is a jazz singer living and performing in London. She was born in Tooting and raised in Leicester by her hard working single mum of three, Vanessa, who encouraged and inspired her to pursue her interest in music from a very early age. Born into a family of musicians, Louise has never been short of inspiration and was raised as a multi instrumentalist before turning her interests to singing at the age of 16.Louise formed her first jazz ensemble at the age of 17 and later obtained a scholarship at Trinity Laban Conservatoire of Music and Dance."Totally bowled over by Louise Balkwill's incredible vocals and engaging stage presence"- Sarah Chaplin, Jazzwise Magazine, 2015Since moving to London in September 2012, Louise has had the pleasure of learning from and working with musicians such as Leroy Jones, Barry Harris, Pete Churchill, Trudy Kerr, Brigette Beraha, Malcolm Earle-Smith, Ofer Landsberg, Simon Purcell, Liane Carroll, Sophie Bancroft, Sara Colman, Barry Green, Tina May, Nia Lynn, Anita Wardell, Nick Weldon, Martin Speake and Phil Peskett.Louise has performed in top venues all over London, such as Pizza Express Jazz Club, Ronnie Scott's Jazz Club, 606 Club, The Archduke, Charlie Wright's and Oliver's Jazz Bar to name a few. In addition to her UK ventures, Louise has performed overseas and has won the hearts of audiences in New York, New Orleans, Japan and all over Europe alongside household names such as Kermit Ruffins, Leroy Jones and Michael Kanan. Louise collaborates with trumpet prodigy Tim Quicke, with whom she can be found singing and playing in venues in London and beyond. Currently, Louise directs and sings with The Old Jelly Rollers, a New Orleans style second line band that she founded in 2016 whilst in her final year of studies at Trinity Laban Conservatoire of Music and Dance. The group maintain an exciting blog and education resource that illustrates their pilgrimage to New Orleans and features interviews with some of the most celebrated jazz musicians in the western world.https://www.louisebalkwill.com/https://theoldjellyrollers.com/ Giles Thornton:Giles is a composer/arranger based in London who has recently worked with as an arranger and musical supervisor for “Adventures In The American Songbook”, performed by postgraduate vocal studies students from the Guildhall School Of Music And Drama . He has also worked as in the music team for the Heritage Orchestra BBC Prom “New York: Sound Of A City”. Recently graduating from Guildhall School Of Music And Drama, studying Jazz Composition and Arranging, Giles released his debut big band album, "Be In Today" in July 2018. Giles' original compositions are influenced by Vince Mendoza, Maria Schneider, Gill Evans and Mike Walker, among others.He has performed in prestigious venues , such as The Royal Albert Hall, Sadler's Wells, LSO St Lukes, Milton Court Concert Hall and The Barbican Hall.Giles has worked with many artists, such as Jules Buckley, James McMillan, Liane Carroll and Evan Jolly, among others. https://www.gilesthorntonmusic.com/bio https://open.spotify.com/album/2EqLKK40CAJc1eZ8uwxrtZ?si=-4TSuIPKQlCc14zj3bAn6Q
In today's episode, I wanted to celebrate 50 episodes in style by bringing someone who's work has had a profound impact on generations of musicians: bass player and author of The Inner Game of Music, Barry Green. I'm very happy and honored that Barry accepted to be on the show to have this very, very important conversation with me because his authentic approach to music-making has inspired and influenced thousands of musicians and redefined careers throughout the years. In today's conversation, Barry talks about some principles of the Inner Game, including what we should focus on, why we need to “Turn Up the Music” and how this simple act can transform our playing and change our life, how we can reach a state of relaxed concentration, how effective experience-lead learning is, and how to set effective goals. He expands further on: How “When you are playing the inner game, the quality of your experience becomes just as important as your actual success.” How the only game we have control over is doing what we do best How putting our focus on the things that we can control means that we can experience what we're doing fully How we can reach the state of relaxed concentration using: Awareness techniques (what we see, hear, feel, etc.) Commitment techniques (how well we prepare) Trust skills (physical memory and advanced preparation) Experience-lead learning: “Do” instructions VS “Awareness” instructions Having more fun and accomplishing more while practicing Setting productive and effective goals It was a true honor to have Barry on the show and I hope you enjoy his wisdom as much as I did and walk away inspired and motivated! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!!! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com MORE ABOUT BARRY: Website: https://www.innergameofmusic.com/ YouTube videos featuring Barry and Inner Game principles: HERE Barry Green, a native Californian, served as Principal Bassist of the Cincinnati Symphony for 28 years, and more recently Principal Bassist of the California Symphony and ‘Sun Valley, Idaho Summer Symphony. As former Executive Director of the International Society of Bassists, he is currently living in San Diego while teaching at the U. of Calif. Santa Cruz and active as a bass soloist, clinician and motivational speaker. Examples of his lectures can be found on his website at: www.innergameofmusic.com. Green was the first bass soloist ever to solo with the Cincinnati Symphony in 1970 when he commissioned Frank Proto to write the Concerto for Bass and Orchestra conducted by Erich Kunzel. He has since twice appeared with the Cincinnati Symphony under the late Maestro Thomas Schippers who personally commissioned the Frank Proto Violin and Double Bass Concerto (with Ruggiero Ricci). In 1993 Green performed Jon Deak's concerto Jack and the Beanstalk conducted by Jesus Lopez-Cobos. He most recently performed the Deak concerto in February 2005 with the US Air Force Band in Washington DC, Constitution Hall and Duluth Symphony. Barry is known for his creative and eclectic ‘Green Machine' and “Green Man” concerts including the bass in jazz, folk, rock, funk, hip-hop contemporary and world music in combination with, dance, voice, art and theater. Green has written three books on the ‘mind-body and spirit' of performing musicians. He is author of the Doubleday book The Inner Game of Music, with W. Timothy Gallwey, and DVD (1986) which deals with musicians reaching their potential in performance and learning which has sold over 250,000 copies worldwide. He has written seven Inner Game of Music Workbooks published by GIA Music for keyboard, voice, instruments and ensembles. Green's 2nd book, The Mastery of Music, Ten Pathways to True Artistry was published by Broadway/Doubleday in May 2003. The Mastery of Music is based on interviews with over 120 world famous musicians on topics of courage, passion, creativity, discipline, humility etc. It deals with qualities of greatness from the human spirit that transcend all professions. Jazz and classical artists interviewed include Dave Brubeck, Bobby McFerrin, Joshua Bell, Frederica von Stade, Christopher Parkening, Evelyn Glennie, Gary Karr, Jeffrey Kahane and many more. Green's most recent book (and DVD) is called Bringing Music to Life and was published by GIA Music. The book is exploring three techniques of breath, pulse and movement that allow the musician to channel expression through their bodies. This work is based on exploring creativity and inspiration through collaboration with the great improvisation cellist David Darling and his organization called Music for People. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
In today's episode of the podcast I'm joined by Barry Green who is the author of The Inner Game of Music. We discuss his best-selling book, why it's important to be mindful as a musician, and more. Clarineat supporters get access to an ad-free, extended version of today's episode at http://www.clarineat.com/support Show Notes: http://www.clarineat.com/94
I'm delighted to say that in today's podcast we get to meet Barry Green, coauthor of the "Inner Game of Music." This book is a classic, offering practical ways musicians can reach new levels of performing excellence by overcoming obstacles, improving concentration, and reducing nervousness.
Best selling author Robert Banks adds An Irrational Hatred Of Everything to his superb list of books (An Irrational Hatred of Luton (1995), West Ham Till I Die (2000) and The Legacy of Barry Green (2003), and joins us to talk about his latest publication and other West Ham United related topics.
First Associate Concertmaster with the Los Angeles Philharmonic and the creative mind behind Natesviolin, Nathan Cole has incredible insight on practice and performance preparation! In this episode, he discusses: His path, from Suzuki beginner, to Curtis student, to the LA Phil, via the St-Paul Chamber Orchestra and the Chicago Symphony How he organizes his time for productivity The importance of scheduling Utilize small pockets of time Know when you are the most productive How he prepares for practice – the importance of having the right environment Not separating the warm up from “playing” Not separating practicing from performing The importance of paying attention every time you are about to start a note The importance of choosing repertoire suited to our level How he takes a piece from start to ready The importance of practicing etudes and to understand what the point of each etude is so we can focus on the proper skill to be worked on How he problem-solves difficult passages The importance of paying close attention to how things sound and feel – being present Why it's important to develop good communication skills with colleagues ALL ABOUT guest: Website: https://www.natesviolin.com/ Podcast Stand Partners for Life: https://itunes.apple.com/us/podcast/stand-partners-for-life/id1328799919?mt=2 Nathan on Facebook: https://www.facebook.com/natesviolin/ Instagram: https://www.instagram.com/natesviolin/ The Inner Game of Golf by W. Timothy Gallwey The Inner Game of Tennis, also by Gallwey The Inner Game of Music by Barry Green Nathan Cole, First Associate Concertmaster of the Los Angeles Philharmonic, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, KY, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York's Weill Hall. Several summers at Marlboro enriched his love of chamber music. While in Chicago, Nathan taught at Roosevelt University and coached the Chicago Civic Orchestra. He is currently on the faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have appeared in Strings, Symphony, and Chamber Music magazines. Nathan's articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Nathan is married to Akiko Tarumoto, the LA Phil's Assistant Concertmaster. Together they host the weekly podcast Stand Partners for Life, an inside look at orchestra life, which can be heard at standpartnersforlife.com. Nathan and Akiko live in Pasadena with their three children. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast. Thank you for your support.)
With over 30 years experience in organic farming, in Healthy Soils, Healthy Communities, Barry Green hears from a group of Australians concerned about the future of food, and the solution they’re putting on the table. Produced by Barry Green of Donnybrook Community Radio. Supervising production by Ian Hill. Discover more at the Community Broadcasting Association of Australia (CBAA) website.
https://leanmusician.com/podcast Barry Green is a writer, performer and teacher. He was principal bassist for the Cincinnati symphony for 28 years. He’s coached hundreds and hundreds of people on their performance, not just the practical but the inner game. He’s an endlessly fascinated and inspiring musician who’s been on a lifelong quest and exploration of musical mastery. He’s the perfect guest for us to have on. In this episode we discuss, among other things: Barry's 3 books: Mastery of Music, Bringing Music to Life and The Inner Game of Music How Barry became involved in the Inner Game and then how he applied it to music The principles of the Inner Game How Barry has worked with these principles in other professions as well as music The principle of ‘relaxed concentration’ that creates optimal performance How to practice using inner game principles How to deal with distraction and increase your focus The importance of detail and paying attention and more...
An in depth interview with Barry Green, President and 5th generation of Jonathan Green, a leading lawn care products company. Barry helps us understand the difference in grass seeds and shares the development of his company's famed Black Beauty varieties.
Flute 360 | Episode 10: “An Interview with Dr. Sam Hood” (1:16:12) Today, Heidi talks with Dr. Sam Hood about his thesis research, “The Flutist’s MAPP (Movement Applications for Practice and Performance): A Dalcrozian Approach to Flute Pedagogy.” Sam talks about Dalcroze’s method and how it led him to his thesis topic. In addition, he discusses three exercises (tap the balloon, arm flute walking music, and “hoopbrato”) that flutists can incorporate within their own practice session! Episode 10 – Main Points: Background of “The Flutist’s MAPP” (2:40) Sam’s Teachers: Bonnie Jacobi, Fritz Anders, & Dr. Lisa Garner Santa Who is Jaques-Dalcroze? (5:41) Dalcroze’s Violin Concerto (6:04) Alexander Technique (8:11) Eurhythmics (8:47) Sam’s takeaway – it’s a personal experience Teaching Music In The Twenty-First Century by Robert Abramson, et al (11:19) A Soprano on Her Head: Right-Side-Up Reflections on Life and Other Performances by Eloise Ristad (12:50) Resources for Listeners – please see below (14:00) Rhythm and Life: The Work of Emile Jaques-Dalcroze by Irwin Spector (15:40) Dalcroze Videos – please see below (16:30) William Westney at Texas Tech University (18:08) Dalcroze foundation to “The Flutist’s MAPP” (20:26) Three Aspects (22:18) 1.) Improvisation 2.) Time, Space, & Energy 3.) Rhythmic Layers Rhythm and Movement: Applications of Dalcroze Eurhythmics by Elsa Findlay (23:40) 2ndAspect – Time, Space, and Energy (30:18) 3rdAspect – Rhythmic Layers (35:04) 1.) The pulse of the piece (36:00) 2.) The breath (37:03) 3.) The fingers (39:38) Bringing Music to Life by Barry Green (40:02) 4.) The tongue (43:35) Try learning the music without your flute. (45:34) “The Flutist’s Mapp” Exercises – please see videos below 1.) Tap the Balloon (47:27) 2.) Arm Flute Walking Music (52:01) 3.) “Hoopbrato” (1:00:23) Episode 10 – Resources Mentioned: Books: Teaching Music In The Twenty-First Century by Robert Abramson, et al A Soprano on Her Head: Right-Side-Up Reflections on Life and Other Performances by Eloise Ristad Rhythm and Life: The Work of Emile Jaques-Dalcroze by Irwin Spector Rhythm and Movement: Applications of Dalcroze Eurhythmics by Elsa Findlay Bringing Music to Life by Barry Green Rhythm, Music and Education by Jaques-Dalcroze Emile YouTube Videos: Fritz Anders Dalcroze Eurhythmics with Lisa Parker Dalcroze Eurhythmics Skipping Game with Greg Ristow Dalcroze Eurhythmics Stopping-Starting Quick Reaction with Greg Ristow Dalcroze Eurhythmics Jumping Game with Greg Ristow Sam Hood’s Videos: Video 1 – Time, Space, & Energy Video 2 – Tap the Balloon Video 3 – Arm Flute Walking Music Video 4 – “Hoopbrato” Contact Information: Sam Hood’s Website: https://samuelhood.com Sam Hood’s E-mail: hood.samuelj@gmail.com Heidi Kay Begay’s Website: https://heidikaybegay.com Heidi Kay Begay’s E-mail: heidikaybegay@gmail.com Flute 360's Sponsor: J&K Productions: https://jaykayproductions.media
I was driving from Santa Cruz to San Jose with Barry Green recently. We were talking about folks I should connect with for the podcast, and Eric Hansen was the first person Barry suggested. Eric teaches bass at Brigham Young University and is the former principal bassist of the Winnipeg Symphony. Eric and I met in person for the first time in December of 2017 at the Midwest Clinic. He’s great guy with a fascinating musical background, and I had a blast chatting with him about all kinds of topics like: how he got into conducting ways in which conducting has informed his bass playing studying with Eugene Levinson, Audrey Bush, and Hal Robinson what motivates students This is a fun and spirited conversation, and I know you’ll enjoy spending this time with Eric and learning about his unique path through the music world! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Subscribe to the podcast to get these interviews delivered to you automatically!
www.surfmastery.com/podcast/028-barry-greenhttps://centeredsurfing.com
www.surfmastery.com/podcast/028-barry-greenhttp://makingthedrop.com
Barry Green’s creative output is filled with surprises and unexpected new directions. The last tie he was on the podcast, we were chatting with Barry and Jeff Bradetich about Anna’s Promise. An article from Barry just came out in the American String Teachers Association’s journal. Titled “Chair Factor,” this article is an examination of body energy in playing, and how posture can indicate good or bad body energy. We dig into all sorts of fine points about this well-researched article. Anyone who isn't an ASTA member and didn't get the article in the magazine, can send Barry a private message on Facebook or write him at Barry@innergameofmusic.com. and he will be happy to send you a copy. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and are great for all kind os styles of music. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Subscribe to the podcast to get these interviews delivered to you automatically!
Hub & Spoken: Data | Analytics | Chief Data Officer | CDO | Strategy
In this episode of Hub & Spoken we talk to Barry Green, the interim Chief Data Officer for the Bank of Ireland, prior to which he was Chief Data Officer at HSBC and number of roles at Citibank and PWC. This episode explores the main activities, priorities and focuses for Barry in his current role and how he is moving the agenda forward. We discuss his 3 main priorities of 1) creating a policy and data management framework, 2) Telling and selling the story to drive change and 3) defining a future end-state architecture and needs. Thank you for listening to the Hub & Spoken podcast by Cynozure. Visit us at https://cynozure.co.uk/
Venturi's Voice: Technology | Leadership | Staffing | Career | Innovation
In this episode Andy Davis talks to Barry Green, the Chief Data Officer at the Bank of Ireland. He chats to Andy about how best to manage a data team. They also discuss how to instigate a cultural shift in your company to make it more data focused. Barry Green is a Chief Data Officer with a consistent record of delivering business and change programmes. He has achieved this through strong financial, process, consulting and relationship management skills. He also possesses excellent programme management experience in a variety of operating environments. Barry is adept at networking and communicating across an organisation to effect change. Show Notes: 1.06 The role and evolution of the CDO? 2.26 Managing the broad set of individuals who work in Data. 6.25 From your experiences do you find you have to manage the expectations that people have around data. 10.04 Using data as a means to instigate cultural change in a company. 14.07 Being persistent when trying to convert your staff to a data way of thinking. 15.43 Is there ever a concern on an individual level about what people are going to get out of a data driven company. 18.11 Do you rely on your external network when trying to solve your business problems. 19.55 The strength of the CDO network and using the community to instigate change in businesses. 22.25 When did you realise you were motivated by data? 24.29 Being at the forefront of the data revolution? 25.46 Do you think data team’s are helping promote diversity in the tech industry.
Barcelona-born Alexis Cuadrado is one of New York's most sought-after musicians. In addition to performing as a sideman with Kurt Rosenwinkel, Mark Turner, Grammy Award winner Angélique Kidjo, Youssou N'Dour, Dianne Reeves, Omara Portuondo, Steve Wilson and Seamus Blake, Alexis maintains a thriving career as a composer and educator. I had the chance to see Alexis at the 2017 International Society of Bassists Convention, and it was great to catch up with him for this deep dive into his craft. This episode is divided into three parts: Part 1 - discovering François Rabbath starting to play upright in Barcelona and developing severe tendinitis trying to "start the house from the roof instead of the foundation” meeting Barry Green - the link to Francois the benefits of "starting from the beginning" with Rabbath Part 2 - the language of jazz improvisation composition approaches with students work habits Part 3 - 21st-century careers multiple income streams multiple skills sets how you present yourself to the world - what’s your outlook? moving to New York Links to check out: alexiscuadrado.com Alexis on Sunnyside records Alexis on Spotify Albums: Noneto Ibérico Poetica A Lorca Soundscape Nomadic Nature Puzzles Visual All About Jazz article on Alexis Recording session for Noneto Ibérico Alexis Cuadrado's 'A Lorca Soundscape': Live At 92Y Tribeca Alexis on The Third Story Check out all jazz-related episodes at contrabassconversations.com/jazz Contrabass Conversations is sponsored by: The Upton Bass String Instrument Company. Upton's Bostonian was conceived at the 2009 International Society of Double Bassists convention at State College, Pennsylvania, while world-renowned jazz bassist and Professor of Jazz Studies at the University of North Texas, Lynn Seaton and Upton Bass String Instrument Co. President and Founder, Gary Upton Birkhamshaw were playing and discussing the various instruments Upton Bass had created for the convention. They started with a blank sheet of paper, and together began jotting down Lynn’s preferences and suggestion with each model. The result was a rough outline of what would become the UB Bostonian Concert Double Bass. A440 Violin Shop - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Bass Violin Shop - Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!
Today's episode features a panel discussion with individuals that started the International Society of Bassists, guided it through the early years, and helped shape it to what it is today. The panel includes: Barre Phillips (via video) Lawrence Hurst (via video) Lucas Drew (thoughts read by David Neubert) David Neubert Gary Karr Tom Knific Barry Green Jeff Bradetich Paul Ellison Madeleine Crouch David Murray Douglas Mapp Kristin Korb Follow along with all ISB-related coverage at contrabassconversations.com/ISB. Here are a few of the key historical highlights for this organization: 1967 - Gary Karr founds the International Institute for String Bass (IISB) 1974 - organization is relaunched by Barry Green and Lucas Drew as the International Society of Bassists (ISB) 1982 - Jeff Bradetich is appointed executive director 1984 - ISB Convention at Northwestern University 1986 - ISB Convention at University of Texas at Austin 1988 - ISB Convention at UCLA 1990 - ISB Convention at New York University 1993 - ISB Convention at Interlochen Arts Academy 1995 - ISB Convention at Indiana University 1997 - ISB Convention at Rice University 1999 - ISB Convention at University of Iowa 2000 - ISBworldoffice.com launched 2001 - ISB Convention at Butler University 2003 - ISB Convention at University of Virginia 2005 - ISB Convention at Western Michigan University 2007 - ISB Convention at Oklahoma City University 2008 - ISB Store and ISB Editions launched 2009 - ISB Convention at Penn State 2011 - ISB Convention at San Francisco State University 2013 - ISB Convention at Eastman School of Music 2015 - ISB Convention at Colorado State University 2017 - ISB Convention at Ithaca College The ISB has a great history page on their website with more detailed information. Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Enter our latest string giveaway for Kaplan strings at contrabassconversations.com/strings! Thank you also to the Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!
What a year 2016 has been! This past year is when I kicked the podcast into overdrive, and the stats bear this out: 125 total podcasts released 907,231 podcasts downloaded this year average of 2.4 shows released per week average daily listens: 2,486 This episode takes a look back at the guests featured this year and features a short quote from my conversation with them. Here's the "guest list" along with a link to their interview: Paul Ellison - http://contrabassconversations.com/paul Lauren Pierce and Geoff Chalmers - http://contrabassconversations.com/laurenpierce Marc Ramirez - http://contrabassconversations.com/marcramirez Ju-Fang Liu - http://contrabassconversations.com/jufangliu Andrew Raciti - http://contrabassconversations.com/andrewraciti Bruce Bransby - http://contrabassconversations.com/brucebransby Douglas Mapp - http://contrabassconversations.com/douglasmapp Ian Hallas - http://contrabassconversations.com/ianhallas Carlos Henriquez - http://contrabassconversations.com/carloshenriquez Brent Edmondson - http://contrabassconversations.com/brentedmondson Susan Lipkins - http://contrabassconversations.com/susanlipkins Nick Lloyd - http://contrabassconversations.com/nicklloyd George Martin - http://contrabassconversations.com/georgemartin Ron Carter - http://contrabassconversations.com/roncarter Barry Green and Jeff Bradetich - http://contrabassconversations.com/barrygreen David Murray - http://contrabassconversations.com/davidmurray Michael Klinghoffer - http://contrabassconversations.com/michaelklinghoffer Inez Wyrick - http://contrabassconversations.com/inezwyrick Gaelen McCormick - http://contrabassconversations.com/gaelenmccormick Andres Martin - http://contrabassconversations.com/andresmartin Bert Turetzky - http://contrabassconversations.com/turetzky Ira Gold - http://contrabassconversations.com/iragold Chuck Israels - http://contrabassconversations.com/chuckisraels Adam Ben Ezra - http://contrabassconversations.com/adambenezra Peter Tambroni - http://contrabassconversations.com/petertambroni Trevor Jones - http://contrabassconversations.com/trevorjones Claus Freudenstein - http://contrabassconversations.com/clausfreudenstein Guy Tuneh - http://contrabassconversations.com/guytuneh Joe Conyers - http://contrabassconversations.com/joeconyers Madeleine Crouch - http://contrabassconversations.com/madeleinecrouch Justin Locke - http://contrabassconversations.com/justinlocke Leon Bosch - http://contrabassconversations.com/leonbosch Robin Kesselman - http://contrabassconversations.com/robinkesselman Jerry Fuller - http://contrabassconversations.com/jerryfuller Arnold Schnitzer - http://contrabassconversations.com/arnoldschnitzer Gjorgji Cincievski - http://contrabassconversations.com/gjorgjicincievski Gabe Katz - http://contrabassconversations.com/gabekatz Brandon McLean - http://contrabassconversations.com/brandonmclean Katie Ernst - http://contrabassconversations.com/katieernst Nicholas Walker - http://contrabassconversations.com/nicholaswalker Lloyd Goldstein - http://contrabassconversations.com/lloydgoldstein David White - http://contrabassconversations.com/davidwhite Jory Herman - http://contrabassconversations.com/joryherman Matthew McDonald - http://contrabassconversations.com/matthewmcdonald Thomas Martin - http://contrabassconversations.com/thomasmartin Thierry Barbe - http://contrabassconversations.com/thierrybarbe Sam Suggs - http://contrabassconversations.com/samsuggs Pablo Aslan - http://contrabassconversations.com/pabloaslan Christine Hoock - http://contrabassconversations.com/christinehoock Emilio Guarino - http://contrabassconversations.com/emilioguarino Danny Ziemann - http://contrabassconversations.com/dannyziemann Peter Seymour - http://contrabassconversations.com/peterseymour Hugh Sung - http://contrabassconversations.com/hughsung Diana Gannett - http://contrabassconversations.com/dianagannett Hans Sturm - http://contrabassconversations.com/hanssturm Nina DeCesare - http://contrabassconversations.com/ninadecesare Corey Brown - http://contrabassconversations.com/coreybrown Craig Butterfield - http://contrabassconversations.com/craigbutterfield Frank Proto - http://contrabassconversations.com/frankproto Shinji Eshima - http://contrabassconversations.com/shinjieshima Sandor Ostlund - http://contrabassconversations.com/sandorostlund Trevor Davis - http://contrabassconversations.com/trevordavis Seth Hanes - http://contrabassconversations.com/sethhanes Rob Knopper - http://contrabassconversations.com/robknopper Allan Santos - http://contrabassconversations.com/allansantos Jonathan Haskell - http://contrabassconversations.com/jonathanhaskell David Heyes - http://contrabassconversations.com/davidheyes Szymon Marciniak - http://contrabassconversations.com/szymonmarciniak Garrett Hope - http://contrabassconversations.com/garretthope Johnny Hamil - http://contrabassconversations.com/johnnyhamil Cornelia Watkins - http://contrabassconversations.com/corneliawatkins Dennis Bergevin - http://contrabassconversations.com/dennisbergevin Alex Ritter - http://contrabassconversations.com/alexritter George Amorim - http://contrabassconversations.com/georgeamorim Reuben Rogers - http://contrabassconversations.com/reubenrogers Yung-Chiao Wei - http://contrabassconversations.com/yungchiaowei Petia Bagovska - http://contrabassconversations.com/petiabagovska Florian Pertzborn - http://contrabassconversations.com/florianpertzborn Rob Anzellotti - http://contrabassconversations.com/robanzellotti David Allen Moore - http://contrabassconversations.com/davidallenmoore Dave Swift - http://contrabassconversations.com/daveswift Scott Devine - http://contrabassconversations.com/scottdevine Ben Allison - http://contrabassconversations.com/benallison Bill Merchant - http://contrabassconversations.com/billmerchant Chris Hanulik - http://contrabassconversations.com/chrishanulik Caleb Quillen - http://contrabassconversations.com/calebquillen James Newcomb - http://contrabassconversations.com/jamesnewcomb Tracy Friedlander - http://contrabassconversations.com/tracyfriedlander Other fun stats from 2016: Most downloaded episodes of 2016: Gjorgji Cincievski Matthew McDonald Peter Tambroni Lloyd Goldstein Nicholas Walker Most-viewed interviews on Facebook of 2016: Reuben Rogers Johnny Hamil Sandor Ostlund Yung-Chiao Wei Dennis Bergevin Multiple Appearances: Lauren Pierce (twice) Peter Tambroni (twice) Justin Locke (twice) Bass Festival Previews: ISB BASS2016 RCM Thematic Weeks: Luthier Week Gary Karr Week A Passion for Teaching Entrepreneur Week Teaching Week Memories from Prague Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. Enter the D’Addario strings giveaway for Contrabass Conversations listeners at contrabassconversations.com/strings! Hosting for Contrabass Conversations is provided by Bass Capos. Bass Capos are an excellent choice for any bass player using or looking to implement a double bass extension. Easy to install and adjust, cheaper and more reliable than hand-built latches, also lighter and quicker in operation.
Today’s episode features composer, teacher, and bassist Andrés Martín. Andrés has written works recently that have become quite popular in the bass community these past few years, and I’ve been looking forward to talking with him ever since hearing his music. Andrés is also the composer of Anna’s Gift and is currently writing the music for Anna’s Promise, the project spearheaded by Barry Green (a former Contrabass Conversations guest) that we featured on episode 189 of the podcast. We’ll be playing excerpts from Andrés’ music throughout this episode, and we’ll start with an excerpt from the second movement of Andres’ bass concerto. He’s a distinctive and exciting new voice in the world of the bass and has captured the bass world’s imagination for sure. Andrés is a great guy and a deep thinker about creativity and the compositional process, and I think that you’ll learn a lot about inspiration and the composer mind from this discussion. Tracks featured: Bass Concerto No. 1 (excerpts from movements 2 and 3) Suite Para Contrabajo Y Guitarra Española (2009) III. Milongitana 43 by Andrés Martín and Donovan Stokes (excerpts from movement 2 and movement 3) Elegia Para Contrabajo Solo (2011) Andrés Martín solo CD Cera andresmartin.net About Andrés: Native of Buenos Aires, Argentina, bassist, arranger, and composer Andrés Martín has performed with orchestras and chamber ensembles in Argentina, Costa Rica, Venezuela, Brazil, Mexico, England, Germany and United States. Since his arrival in Tijuana (Mexico), Andrés has been immersed in teaching as well as performing as a soloist and chamber musician. He is a member of the “Orquesta de Baja California” and “Cuatro para Tango”, a chamber ensemble with whom he has released four recordings. He also organizes and directs “Contrabajos de Baja California A.C. ”, a Double Bass academy who celebrates an international double bass festival and chamber music course held in Tijuana every summer. As a composer and arranger, he works with a wide language which ranges from contemporary techniques to tango and rock. His work has been performed and recorded by very successful orchestras, ensembles, and soloists in Mexico, Argentina, Colombia, Germany, Italy, Denmark, Netherlands, Japan and the United States.
We are diving into a really interesting project today called Anna’s Promise. Anna’s Promise is the third in a series of multimedia works developed by Barry Green (author of The Inner Game of Music and several other works, and also a former Contrabass Conversations guest). Barry is joined by Jeff Bradetich (double bass professor at the University of North Texas and also a former Contrabass Conversations guest) to speak with me about this work. The first piece, Anna's Way, From Inspiration to Artistry, is a 45-minute musical and visual journey of a young bass prodigy and her rediscovery the joy of music after lessons with a Tai Chi master. Written by Alan Scofield, this story is set to music from China, India, Africa, Brazil, Israel, and America by Tony Osborne, Francois Rabbath, Arvo Pärt, Astor Piazzolla, Emily Brown, Mary Knysh, Larry Dunlap, Johann Birkenstock, Frank Proto, and Andrés Martín (who we recently interviewed for the podcast—stay tuned for this!). The second piece, Anna's Gift, is a fifty-five minute story about a musician named Anna was written for solo bass, concert band, and narrator, and includes background visuals. The story takes place ten years after Anna was inspired to become an artist from her studies with retired Tai Chi Master Chen. The piece recounts the emotional journey of a gifted concert bassist who is longing for love and fire in her music and her life. Andrés Martín composed the music for this piece. We delve into Anna's Promise, the third part of this series, today in our conversation with Barry Green and Jeff Bradetich about this project, which is being performed by 34 different soloists all across the world. Andrés Martín is also the composer for this third installment. Anna's Promise is a worldwide effort to spread this inspirational story. The commissioning fee for Andrés Martín and story writer Alan Scofield, is being raised through industry solicitation directed by Toni Buffa of Lemur Music Inc. Toni@lemurmusic.com. When requested, USA non-profit status for charitable deductible contributions to this project will be possible through the Bradetich Foundation. www.bradetichfoundation.org. Further information from Barry Green barry@innergameofmusic.com. There is also a gofundme set up for this project, and Kolstein’s has contributed a bass and bow for auction to support Anna’s Promise. Visit the Anna’s Promise website for complete details about this project. Here’s a line-up of the performers for this project and the country in which each will be performing: South Africa: Leon Bosch Sweden: Jan Alm Mexico: Andrés Martín Brazil: Marcos Machado Argentina: Juan Pablo Navarro Israel: Michael Klinghoffer Australia: Steve Reeves China: Heran Yang, Tian Yang Liu Germany: Claus Freudenstein Norway: Dan Styffe Switzerland: Enrico Fagone Spain: Diego Zecharies Italy: Giuseppe Ettorre Turkey: Esra Gul France: Theirry Barbe Austria: Christine Hoock Bulgaria: Irina-Kalina Goudeva Hong Kong: Chan Shiu Hang Olive Thailand: Pongsathorn Nowbassist Surapab Japan: Kazuhiro Tanabe Russia: Artem Chirkov United States: Barry Green, Jeff Bradetich Singapore: Gennadi Mouzyka Greece: Vassilis Papavassiliou Poland: Irene Olkiewicz Denmark: Andreas Bennetzen Canada: Ali Kian Yazdanfar United Kingdom: Chi-Chi Nwanoku Rumania: Catalan Rotaru Taiwan: Yi-Jung Su South Korea: Ha Young Jung Serbia: Svetozar Vujic Czech Republic: Jiri Hudec
www.AlternativeHealthTools.com Topics covered in this show Studied at the Body-Mind college. Aimee’s teacher was Dr. Barry Green: Healer heal thyself. 5 stages of healing using talk therapy and the problem of getting stuck in awareness: Stuck in awareness, acceptance and commitment of what’s happening, releasing and replacing. integration. Aimee’s blog on the Huffington Post: The Healing Vigilante. Accountability. The lead therapist at the women in prison program - grief and loss. Unhealthy learning - weeds. Identify your top 10 weeds. Identify your top 5 worst learnings. Pull the weed. Plant the flower. The “No Stress Foundation.” Stress is not normal. It’s accepted. The tools taught by Kat and Barry Green: Stress Relief Breathe, Chair Yoga Sequence, Reality Awareness. Ganjaji. You’re no longer in “reality” if you’re in the “CAJE” - Criticism, Assumption, Judgement, Evaluation. Client example: anxiety. A defining moment. Nothing is harder than being a mom. Children are the best teachers I’ve had. If the world was more accountable. Wellness Tip Do something other than nothing. Do a 3-minute daily check-in. What am I feeling? Connect with the feeling: mad, glad, sad, scared? Than do just one thing to take care of yourself. Links mentioned Aimee’s website: http://azgrowth.com/ Body Mind College: http://www.bodymindcollege.com/ Dr. Barry Green, PhD: http://www.barrygreenphd.com/ The Huffington Post: http://www.huffingtonpost.com/aimee-le-zakrewski-clark/ The No Stress Foundation: http://www.no-stress-foundation.org/ Gangaji: https://gangaji.org/ Do Something other than nothing: http://www.huffingtonpost.com/aimee-le-zakrewski-clark/healing-vigilante-do-some_b_5631414.html Aimee’s Facebook page: https://www.facebook.com/aimee.l.clark.39 Contact information Aimee Zakrewski Clark, MA Licensed Marriage & Family Therapist Holistic Approach (760) 803-3600 Email: az@azgrowth.com Website: http://azgrowth.com/ Facebook: https://www.facebook.com/aimee.l.clark.39 For more information www.HealthAndWellnessEncinitas.com www.ThorpInstitute.com Produced by John Biethan and brought to you by: www.AlkaWay.com the makers of UltraStream - working like nature to filter, alkalise and naturally energize water, returning it to its natural pristine state. Podsafe music permission of Plook. Find them here: http://www.reverbnation.com/Plook https://www.facebook.com/pages/Plook/164031980442261 DISCLAIMER The information contained in these podcasts and on this website is not intended to diagnose, treat, cure, or prevent any disease or health condition. Please consult a qualified healthcare professional to diagnose your health condition and prevent self diagnosis. We do not dispense medical advice or prescribe or diagnose illness. The U.S. Food and Drug Administration or the American Medical Association have not evaluated, approved, or disapproved the material contained in these podcasts or on this website or its related material. No specific claims are made in relation to any health conditions or the effectiveness or ineffectiveness of the devices contained in this website.
www.AlternativeHealthTools.com Topics covered in this show Studied at the Body-Mind college. Aimee's teacher was Dr. Barry Green: Healer heal thyself. 5 stages of healing using talk therapy and the problem of getting stuck in awareness: Stuck in awareness, acceptance and commitment of what's happening, releasing and replacing. integration. Aimee's blog on the Huffington Post: The Healing Vigilante. Accountability. The lead therapist at the women in prison program - grief and loss. Unhealthy learning - weeds. Identify your top 10 weeds. Identify your top 5 worst learnings. Pull the weed. Plant the flower. The “No Stress Foundation.” Stress is not normal. It's accepted. The tools taught by Kat and Barry Green: Stress Relief Breathe, Chair Yoga Sequence, Reality Awareness. Ganjaji. You're no longer in “reality” if you're in the “CAJE” - Criticism, Assumption, Judgement, Evaluation. Client example: anxiety. A defining moment. Nothing is harder than being a mom. Children are the best teachers I've had. If the world was more accountable. Wellness Tip Do something other than nothing. Do a 3-minute daily check-in. What am I feeling? Connect with the feeling: mad, glad, sad, scared? Than do just one thing to take care of yourself. Links mentioned Aimee's website: http://azgrowth.com/ Body Mind College: http://www.bodymindcollege.com/ Dr. Barry Green, PhD: http://www.barrygreenphd.com/ The Huffington Post: http://www.huffingtonpost.com/aimee-le-zakrewski-clark/ The No Stress Foundation: http://www.no-stress-foundation.org/ Gangaji: https://gangaji.org/ Do Something other than nothing: http://www.huffingtonpost.com/aimee-le-zakrewski-clark/healing-vigilante-do-some_b_5631414.html Aimee's Facebook page: https://www.facebook.com/aimee.l.clark.39 Contact information Aimee Zakrewski Clark, MA Licensed Marriage & Family Therapist Holistic Approach (760) 803-3600 Email: az@azgrowth.com Website: http://azgrowth.com/ Facebook: https://www.facebook.com/aimee.l.clark.39 For more information www.HealthAndWellnessEncinitas.com www.ThorpInstitute.com Produced by John Biethan and brought to you by: www.AlkaWay.com the makers of UltraStream - working like nature to filter, alkalise and naturally energize water, returning it to its natural pristine state. Podsafe music permission of Plook. Find them here: http://www.reverbnation.com/Plook https://www.facebook.com/pages/Plook/164031980442261 DISCLAIMER The information contained in these podcasts and on this website is not intended to diagnose, treat, cure, or prevent any disease or health condition. Please consult a qualified healthcare professional to diagnose your health condition and prevent self diagnosis. We do not dispense medical advice or prescribe or diagnose illness. The U.S. Food and Drug Administration or the American Medical Association have not evaluated, approved, or disapproved the material contained in these podcasts or on this website or its related material. No specific claims are made in relation to any health conditions or the effectiveness or ineffectiveness of the devices contained in this website.
It’s official! Make plans to celebrate the Summer of Bass Love at the 2011 ISB Convention, June 5-11, at San Francisco State University. Stay tuned for details and mark your calendars! We’re doing a brief podcast interview today with Barry Green, who we recently featured in an interview/performance episode on Contrabass Conversations. Barry describes the setting for the 2011 convention (which will be awesome!), and some other details that I’m sure will make you excited for this event. Enjoy!
We’re featuring double bassist Barry Green on Contrabass Conversations this week. In addition to being an influential bassist and teacher (he served as Principal Bass for the Cincinnati Symphony for 28 years, has written many method books, and currently teaches in the San Francisco Bay Area), Barry is the well-known author of The Inner Game of Music, The Mastery of Music, and Bringing Music to Life.
We’re featuring the multi-talented bassist Dave Anderson on this week’s episode of Contrabass Conversations. In addition to serving as Principal Bass of the Louisiana Philharmonic, Dave is a prolific composer, active teacher, and electric bassist. He serves as Principal Bass of the Britt Festival Orchestra in southern Oregon, and he plays in metropolitan New Orleans and beyond in a variety of bands. Dave’s compositions span the gamut from solo double bass to full symphony orchestra, and his Concerto for Double Bass was commissioned and premiered by Hal Robinson and the Philadelphia Orchestra. He is a former board member of the International Society of Bassists, and his Capriccio No. 2 served as the required solo competition piece at the 1997 ISB convention. Check out Dave online atwww.myspace.com/symphonyboy. Scores to Dave’s compositions have been recently re-released, and you can now purchase copies online. Visit the following link to check out many of these compositions: http://www.reallygoodmusic.com/rgm.jsp?page=composers2&compid=128028 Also, my co-host John Grillo has a recording of the complete Double Bass Duets by Dave with Pittsburgh Symphony bassist Peter Guild. You can check them out here (there are links to each individual duet through the following link): http://contrabassconversations.com/2007/02/12/john-grillo-recital-showcase/ Topics discussed: Dave’s early years studying with Frank Proto, Barry Green, Stuart Sankey, and Warren Benfield his compositional style and how he got into composing talking about composing with Maxim Shostakovich meeting and taking lessons with Jaco Pastorius About Dave: Dave Anderson is a professional double bassist, joined the Louisiana Philharmonic in New Orleans in September of 1996 after winning their Principal Bass audition. Prior to that appointment, he performed and recorded regularly with the Louisville Orchestra and the Atlanta Symphony Orchestra, among others. Since 1994, he has served as Principal Bassist in the Britt Festival Orchestra in Oregon. He has performed extensively with many diverse ensembles including, the Aspen Festival, Chautauqua (NY) Festival, Colorado Philharmonic (NRO), Colorado Music Festival, the LaSalle Quartet, and as a soloist with Richard Stoltzman, Gene Bertoncini, Nigel Kennedy, Bobby McFerrin, Doc Severinsen and many others. He has served as Bass Instructor for the Music School at Loyola University and also on the Board of Directors of the International Society of Bassists (ISB) as bassist/composer. Mr. Anderson began his pursuits in composition in 1984, recognizing that the solo repertoire for his instrument was limited. The influence of Frank Proto, one of his finest teachers, also led him to turn to involved composition. Since then, his published work has expanded to other solo instruments, as well as for chamber orchestras and small ensembles. He has published bass duets and quartets, including a bass quartet that was performed to acclaim at the Chamber Music Festival at Indiana University in 1993. Anderson won first prize in the 1995 Allen Ostrander International Trombone Composition Competition, sponsored by Ithaca college, for Elegy for Van, a work for solo bass trombone and brass choir, which he composed as a tribute to the late Lewis Van Haney, former trombonist with the New York Philharmonic. Several years ago, Anderson completed a concerto for Bass Trombone, commissioned by his father, Edwin Anderson, former bass trombonist with the Cleveland Orchestra. His Concerto for Double Bass, Strings & Harp, commissioned by Philadelphia Orchestra Principal Bassist Hal Robinson was premiered at the ISB Convention in June of 1997 and performed on the 1997-98 subscription series of the Philadelphia Orchestra season, Wolfgang Sawallisch conducting. His current work includes a second symphony, as well as several commissions. Also a prolific electric bassist, Anderson loves playing with pedal steel guitarist, David Easley. The group known as the Anderson/Easley Project perform original music of many genres including free jazz, funk, bop, minimalist and many wonderfully unique approaches to dynamics and expression. Anderson also plays with Algorhythm Method, and SOFA KING BIG SOUL, bands that fuse many different styles including hard rock, funk, blues, jazz, and New Orleans R & B. Anderson has jammed with The Radiators, Walter “Wolfman” Washington, Roy Pope, Darryl Brown, and many other great New Orleans musicians including a killer performance with guitarist Brian Stoltz of the Funky Meters as a main highlight of the French Quarter Festival 2002. In 1984-85, Anderson played for and took lessons with the legendary bassist Jaco Pastorius in New York, who firmly encouraged the idea of being able to cross over between classical and jazz. Here is some of what the Press has said in Anderson’s past: Review of Anderson’s Quintet for Oboe, Clarinet, Violin, Viola & Bass, Louisville Courier Journal music critic Andrew Adler wrote: “Anderson’s new work is splendidly fresh and provocative, ingenious in how it distributes material … the jazzy syncopations and ethnic flavorings reflect a diverse, expertly distilled inspiration. Thoroughly absorbed by yesterday’s performance, the piece offered sustained pleasure.” Reviews of Anderson’s Bass Concerto: Houston Chronicle music critic Charles Ward : “ … thoroughly appealing … his rich scoring of the orchestra and expansive solo melodies came from a composer exuberantly in love with music.” Lesley Valdes, Philadelphia Inquirer: “ … a melodious work, whose moods cohere… the thoughtful, the nostalgic, the provocative. Ideas are fertile and cohesive.” Thomas May, Washington Post: “Anderson shows a gift for fashioning readily accessible music from unusual combinations of timbres.” Featured Music: “Teen Town” by Jaco Pastorius Surf Ride from Yule Loggs for 4 basses Schweik Fahrt with Hal Robinson and Dave Anderson
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