Podcast appearances and mentions of jim burton

Episode 164 Chapter 25, Electronic Music in Japan and The Asia-Pacific. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 25, Electronic Music in Japan and The Asia-Pacific from my book Electronic and Experimental music.   Playlist: ELECTRONIC MUSIC IN JAPAN AND THE ASIA-PACIFIC   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Toshiro Mayuzumi, “Les Œuvres Pour La Musique Concrète X, Y, Z” (1953). Early work of tape music. 13:50 01:36 2.     Toru Takemitsu, “Vocalism Ai (Love)” (1956). For magnetic tape (condensed from a 72-hour tape montage. 04:11 15:22 3.     Makoto Moroi and Toshiro Mayuzumi, “Shichi No Variation (7 Variations)” (1956). Tape music for sine wave generators. 14:51 19:32 4.     Toru Takemitsu, “Sky, Horse And Death (Concrete-Music)” (1958). For magnetic tape. 03:28 34:24 5.     Group Ongaku, “Object” (1960). Recorded on May 8, 1960, at Mizuno's house. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 07:34 37:50 6.     Toru Takemitsu, “Water Music” (1960). For magnetic tape. 09:41 45:26 7.     Michiko Toyama, “Aoi No Ue (Princess Hollyhock) (Music Drama for Tape and Narration).” For magnetic tape and reader. 07:05 55:06 8.     Group Ongaku, “Metaplasm Part 2” (1961). Live performance, 1961, at Sogetsu Kaikan Hall, Tokyo. Tadashi Mori (conductor), 09:08 01:02:10 9.     Akira Miyoshi (composer), opening excerpt to Ondine (1961). For orchestra, mixed chorus and electronic sounds. 04:32 01:11:18 10.   Joji Yuasa ‎– “Aoi No Ue” (1961). For voice and tape and based on The Tale of Genji written by Murasaki Shikibu in 11th century. Tape parts realized at NHK Electronic music studio. 29:50 01:15:50 11.   Kuniharu Akiyama, “Noh-Miso” (track 1) (1962). Tape music. Hitomi-Za is an experimental puppet theatre group. They had performed in February 13-17 in 1962 at Sogetsu Kaikan Hall. This program was consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. 01:44 01:45:40 12.   Toshi Ichiyanagi, “Parallel Music” (1962). Tape music recorded at NHK Electric Music Studio, Tokyo Japan. 09:12 01:47:22 13.   Kuniharu Akiyam, “Demonstration of Nissei Theater” (excerpt) (1963). “Demonstration of Nissei Theater” composed in 1963 for a public demonstration of the stage machinery of the newly opened Nissei Theatre in Tokyo. 05:15 01:56:36 14.   Toshi Ichiyanagi, “Sound Materials for Tinguely” (1963). “Music For Tinguely” was composed at the studio of Sogetsu Art Center. This rare track comprises sound materials used for that composition. 03:31 02:01:54 15.   Joji Yusa, Tracks 1-4 (1963). Incidental music for NHK Radio, based on Andre Breton's "Nadja". "The actual chart of constellations was played by three players (violin, piano, vibraphone) which was supposed as the music score. And birds' voices, electronic sound, sound generated from inside piano, through music concrete technique and constructed at the NHK Electronic Music Studio." 04:24 02:05:26 16.   Maki Ishii, “Hamon-Ripples (For Chamber Ensemble, Violin And Taped Music)” (1965). Tape piece for violin and chamber orchestra. 10:01 02:09:46 17.   Joji Yuasa, “Icon on the Source Of White Noise” (1967). Tape work using white noise as material and designed for a multi-channel system. In the original version, several sound images of various widths (e.g. three loudspeakers playing simultaneously) moved at different speeds around the audience, who were positioned inside the pentagonal loudspeaker arrangement. 12:13 02:19:44 18.   Makoto Moroi, “Shosanke” (1968). Tape work fusing electronic sounds with those of traditional Japanese instruments. 13:20 02:31:54 19.   Minao Shibata, “Improvisation for Electronic Sounds” (1968). Tape piece for electronic sounds. 09:27 02:45:12 20.   Toshi Ichiyanagi, “Love Blinded Ballad (Enka 1969)” from the Opera "From The Works Of Tadanori Yokoo" (1969). Tape collage. 06:57 02:54:40 21.   Toshi Ichiyanagi, Music for Living Space (1969, Bijutsu Shuppan-Sha), composed for the Electric Faculty of Engineering of Kyoto University. Early Computer Music combined with Gregorian chant for Osaka Expo '70. 08:49 03:01:34 22.   Toshiro Mayuzumi, “Mandara” (1969). Tape piece for electronic sound and voices. 10:22 03:10:24 23.   Takehisa Kosugi,  “Catch-Wave” (Mano Dharma '74)” (1974). “Mano-Dharma '74” is an excerpt from a meta-media solo improvisation performed by Takehisa Kosugi. From his notes: “Sounds speeding on lights, light speeding on sounds music between riddles & solutions. ‘the deaf listen to sounds touching, watching.” 26:32 03:20:42 24.   Yoshi Wada ‎– Earth Horns with Electronic Drone, excerpt, (1974). Electronics by Liz Phillips. Pipehorn players Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada. Composed by, recorded by Yoshi Wada. Recorded at Everson Museum of Art, Syracuse, New York, Sunday 2-5pm, February 24, 1974. 10:51 03:47:10 25.   Matsuo Ohno, Takehisa Kosugi, “B.G.M. Parts A-F” (1963). Music and effects later used for Astroboy. 06:59 03:57:48 26.   Joji Yuasa, “My Blue Sky (No. 1)” (1975). Tape parts realized at NHK Electronic music studio. 15:43 04:05:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

On Friday, we spoke with Remax real estate broker Jim Burton on our show about their Fall Housing Market Outlook. This morning, local housing researcher and consultant Hope Jamieson joined us with their reaction to that report.

Remax has just released its Fall Housing Market Outlook, and it suggests that the St. John's real estate market is getting even more expensive and competitive. But what does that mean for anyone looking for an affordable place to live? Remax real estate broker Jim Burton joined us in studio to break it all down.

Campaign consultant Jim Burton works everyday to get Republicans elected up and down the ballot.  Burton takes listeners behind the scenes of his 2022 work to get Sen. Bobby Hanig elected in a Democratic leaning district.  Burton also talks about his craft, including how polling informs a political message, the targeting of voters, working directly with candidates, and what he's looking for in the 2024 election.   Democrats announce election targets, Rep. Jon Hardister resigns, former Rep. Grier Martin now a NC Cabinet Secretary, Senate maps approved, ballot signatures, Race of the Week, #TOTW, NC State basketball, and more.   The Do Politics Better podcast is sponsored by New Frame, the NC Travel Industry Association, the NC Beer & Wine Wholesalers Association, the NC Pork Council, and the NC Healthcare Association.  

Doyen of the West Midlands, Jim Burton talks match fishing, reels. rods, big barble and importantly, prostate cancer too. Back to the start, at a very early age Jim found that he was quite often "ill" on a Monday and couldn't go to school. So what else could he do, he went off to join his dad at the Birmingham Smithfield Market Fishing Club! Jim is prolific on Facebook check him out, there's always interesting stuff on there. He's an Aston Villa fan but we won't hold that against him! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on Midday Tom talks about the first Republican presidential debate for the 2024 campaign season. Last night, eight candidates took the stage in Milwaukee for two-hours as they vied to stand out among a crowded primary field. Although there was no shortage of fiery remarks and zingers in the debate, it remains to be seen if the needle has been moved at all in a race that former-President Donald Trump leads by nearly 40 points. The guests for this program include:Amber Phillips, a national political reporter for the Washington Post. Jim Burton, a Republican strategist who has worked with Governors Larry Hogan and Bob Ehrlich, North Carolina Senator Thom Tillis and Harford County Executive Bob Cassilly. Governor Robert Ehrlich, a major force in Maryland politics who served in the House of Delegates and in Congress. In 2003 he was elected governor of Maryland, the first Republican to hold the state's top job since the 1960s.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

ReMax has just released a report recommending higher density, and a better mix of market priced AND subsidized housing. It also promotes the “15 minute neighbourhood” -- the idea that everything you need should be found within a 15 minute walk or bus ride of your home. To find out more, CBC's Jamie Fitzpatrick spoke with Jim Burton, a ReMax broker in St. John's.

(Lander, WY) - The Lander Valley High School Tiger football program is looking to continue their success after John Scott stepped down after last season. Jim Burton steps in, coming from Evanston. Burton saw good things that the Tigers did in the previous seasons that he wants to continue with as he takes over. The former Red Devils head coach has years of football coaching experience and has also coached wrestling. He told us he enjoys the community and is looking forward to being a part of Lander. Burton is looking forward to helping provide some fun Friday nights this fall. County 10 caught up with Burton you can listen to the full interview below!

Episode 94 Electronic Drone Music   Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Jim Burton made himself absolute master of a large District in the southwest. All who lived in that territory were forced to pay him tribute or suffer the consequences. His men, outlaws and hired gunmen, openly punished those who refused to pay. Homes where striped, buildings burned, cattle stolen or poisoned, men who stubbornly defied […]

Jim Burton made himself absolute master of a large District in the southwest. All who lived in that territory were forced to pay him tribute or suffer the consequences. His men, outlaws and hired gunmen, openly punished those who refused to pay. Homes where striped, buildings burned, cattle stolen or poisoned, men who stubbornly defied […]

On this edition of This Is The Place Sports Podcast, Austin and Dirk celebrate Utah's big win over USC while bracing for a very bad Utah Jazz season. Special guest Jim Burton stops by for our halftime segment. Check out more great stuff at ThisIsThePlaceSports.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

This time on The Media Scrum we speak with Jim Burton, longtime sports writer and columnist for the Standard-Examiner. Since leaving the Standard, Jim has dabbled in PR and marketing, and even did some editing at the Deseret News. But now he's enjoying work at El Monte golf course in Ogden. We sure enjoyed talking to our old friend, Jim, who definitely has some feelings and observations about journalism and where it's at now.Support the show (https://www.patreon.com/themediascrum)

Eric Jensen and Jim Burton join the Facer Boys to discuss the NCAA Tournament as the brackets enter the Sweet 16 stage. Also they chat about women's hoops, a 3-game winning streak by the Utah Jazz, and the start to the MLB season. Check out more great stuff at ThisIsThePlaceSports.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

I need everyone to blindfold themselves and sit in a circle. Ok. Now, I'm going to spin around and use this sounding rod to locate the member of this congregation with the biggest cock........ ok, here I go........ alright, I'm feeling something....... yes, I am being pulled in this direction..... yes..... ok, the rod has located it's target. Everyone, take off your blindfolds. YES, the person in this room with the largest cock is NATHAN! Patrons Scout Doherty Twitter - Twitter.com/wormzoneinc Youtube - www.youtube.com/channel/UCL5YXcfqqBXy9gTJth4C4Lw Patreon - www.patreon.com/wormzone Discord - discord.gg/qGtcqdEGs5 Two podcasters in a trench coat again Nathan - twitter.com/Nihpyang Garrett - twitter.com/thebunglinghost

Enter................... IF YOU DARE!!!!! Patrons Scout Doherty Twitter - Twitter.com/wormzoneinc Youtube - www.youtube.com/channel/UCL5YXcfqqBXy9gTJth4C4Lw Patreon - www.patreon.com/wormzone Discord - discord.gg/qGtcqdEGs5 Two podcasters in a trench coat Nathan - twitter.com/Nihpyang Garrett - twitter.com/thebunglinghost

CLICK HERE TO ENTER IN THE WEEKLY DRAWING The Facer Boys are joined on this week's episode by longtime sports writer Jim Burton and UteZone.com writer and producer/host at 1280 The Zone Alex Lundberg. The four talk about whether or not Donovan Mitchell has reached the next level, react to the Suns advancing to the Western Conference Finals, the proposed 12-team College Football Playoff, and how the NFL QBs from Utah will fare this season. Produced by Sammy Facer. Check out more great stuff at ThisIsThePlaceSports.com. Merch available here. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

The Facer Boys are joined by Eric Jensen and Jim Burton once again. The four discuss the NFL Draft, whether or not Jazz fans should be concerned after a few bad losses and the upcoming opening day for the Bees. There's a bunch of weird nonsense in this episode as well haha. Check out more great stuff on ThisIsThePlaceSports.com Produced by Sammy Facer --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

Jim Burton has been successfully selling Real Estate in St. John's for over 34 years. In 1998, Jim founded “Team Burton.” Jim is the owner of www.remaxinfinity.ca , in Newfoundland & Labrador, Canada & RE/MAX Destiny in Cambridge and Jamaica Plains in Massachusetts, USA.Jim holds an Airline Transport Pilots License with 15,000 flight hours and operates a seasonal Airline, North Eastern Sky Services Ltd. with a 1951 Dehavilland Beaver Floatplane in Labrador. He is the past owner of Igloo Lake Lodge & Flowers River Lodge, two of Newfoundland and Labrador's trophy Fly Fishing Lodges.In March 2021, Jim was presented the Canadian 2020 “Community Care Award” from RE/MAX International. In January 2020, Jim was bestowed the Order of Newfoundland & Labrador (O.N.L.) by Her Honour, The Honourable Judy May Foote, P.C., O.N.L., Lieutenant Governor of Newfoundland and Labrador. The Order of Newfoundland and Labrador is the highest honour of the province.Jim is Chairperson of the Liberal Party of Canada (PTB-NL) and Vice-Chair of the Salvation Army St. John's Advisory Council. Jim is also a member of the Atlantic Salmon Conservation Foundation and sits on the Investment Committee. Jim is Co-Founder of Aviation History Newfoundland & Labrador Inc.(a self-sustaining Non-For-Profit that engages the public by supporting and promoting the “Newfoundland & Labrador Aviation History” experience as well as conducting and promoting educational programs).Jim is past Chair of the Board of Directors of Hope Air (2011-2018) and current member of the Hope Air Advisory Council for Atlantic Canada. In November 2018, The Senate of Canada presented Jim with the 150th Anniversary Medal which celebrates the achievements of Canadians who have made significant contributions to their community and commemorates the 150th anniversary of the first sitting of the Senate of Canada on November 06, 1867. In May 2018, the Real Estate Institute of Canada (REIC) bestowed Jim the Pursuit of Excellence Award for Community Services and in 2017 the Rotary Club of St. John's Northwest bestowed Jim the True Rotarian award for the 2017 Rotary year. November 2016, Jim was presented the CLB Governor & Commandants Medallion in recognition of achievements of excellence in support of the C.L.B. and it's programs. In November 2015, Jim was bestowed the 2015 Humanitarian Award from the Canadian Red Cross – Newfoundland and Labrador. In December 2014, the St. John's Board of Trade presented Jim the Community Builder Volunteer of the Year. In 2013, The Salmon Preservation Association for the Waters of Newfoundland and Labrador presented a special award (The Ches Loughlin Conservation Award) to Jim for contributing significantly to the protection of Atlantic Salmon. In 2013, Hope Air named Jim “National Volunteer of the Year”. In 2011, the Canadian Home Builders' Association Eastern Newfoundland named Jim the (non-builder) Member of the Year Award.Jim is also past member of the Board of Director's of the “Rotary Club of St. John's Northwest”, a past member of the Board of Directors of the Canadian Breast Cancer Foundation (Atlantic Canada), a past member of the Board of Directors of the Newfoundland & Labrador Brain Injury Association, past Chairperson of the Canadian Cancer Society – NL “Dream Team” Relay for Life. Jim is also a past fundraising committee member for the new YMCA Building in St. John's. He's also past Honorary Chairperson of Newfoundland & Labrador Volunteer Week 2010 and a past Chairperson of the CHBA Home Show 2009, 2008 and 2007. Jim is a past Director of the Janeway Children's Hospital Foundation. He was the Chairperson of the Liberal Party Leaders Dinner on May 12, 2014 in St. John's, where some 530 supporters gathered. His past community contributions are many, and include Judge at the Annapolis Valley Apple Blossom Pageant 2008, past Chairperson.

Jim Burton is on the show, once again, but his presence is relieved by that of Eric Jensen, who works at the Daily Utah Chronicle and as a producer at 1280 The Zone. The four chat about the Masters finish, the four Utah schools in the NCAA Volleyball Championships, check in on the Utah Jazz and get ready for the NFL Draft. Produced by Sammy Facer. Check out more great stuff at ThisIsThePlaceSports.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

In a late night edition of the podcast, the Facer Boys are joined by former sportswriting great Jim Burton and Associated Press writer and fiction author John Coon. The four, battling sleepiness, discuss the Final Four of the NCAA Men's Basketball Tournament, the U's hiring of Craig Smith, the Jazz's plane issues and the success Zach Wilson had at BYU Pro Day. Check out more great stuff at ThisIsThePlaceSports.com. Produced by Sammy Facer. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

The voice of the Salt Lake Bees and the Weber State Wildcats, Steve Klauke, and aspiring professional NBA 2K player and longtime sports writer Jim Burton, join the show. Along with the Facer Boys, the four discuss and preview the NCAA Men's Basketball Tournament, chat about Weber State football, the Jazz and go on a bunch of tangents about other random things. Check out more great stuff at ThisIsThePlaceSports.com. Produced by Sammy Facer. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

In this week's episode, the Facer Boys reunite a pair of alums from the Ogden Standard Examiner, Brandon Garside and Jim Burton. The four chat Weber State football's chances of winning a national championship this year, do a college basketball roundup around the state and discuss what lies ahead for the Utah Jazz. Produced by Sammy Facer. Check out more great stuff at ThisIsThePlaceSports.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

Austin and Dirk threw together a last-second podcast invitation and managed to score a couple of really good guests! The Facer Boys are joined by Tony Parks and Jim Burton. The four chat about how well the top team in the NBA, the Utah Jazz, are playing, the ridiculousness of All-Star voting, the Salt Lake Bees' affiliation agreement with the Los Angeles Angels, and the prospect of NCAA conference basketball tournament. For more great stuff, check out ThisIsThePlaceSports.com. Produced by Sammy Facer. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

Shortly after the final whistle of Super Bowl 55, Dirk and Austin are joined by longtime newspaper greats and friends, Jody Genessy and Jim Burton. The quartet discuss Tampa Bay's victory over Kansas City — to Jimbo's chagrin — as well as the Tom Brady's legacy as one of the greatest athletes of all time. They also chat about former Ute great Alex Smith, who was honored as the NFL Comeback Player of the Year as well as the Utah Jazz's current hot streak as winners of 15 of their last 16. For more great stuff, check out ThisIsThePlaceSports.com. Produced by Sammy Facer. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

Dirk and Austin are joined by Parker Van Dyke, former University of Utah star and professional basketball player, and Jim Burton, former University of Utah attendee and NBA 2K13 Hall of Famer, to discuss a myriad of topics. The four chat about the Jazz's hot start, Donovan Mitchell's awkward run-in with Shaq and the TNT crew, Larry Scott's departure as Pac-12 Commissioner, and the legacy of Hank Aaron, who passed away this week. Check out more content on ThisIsThePlaceSports.com. Produced by Sammy Facer. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplacesports/message

Vintage Electronic Music from Japan, Part 2 Western Influence to Eastern Identity: Electronic Music in Japan between 1960 and 1975. Playlist: Toru Takemitsu, “Water Music” (1960) for magnetic tape (1969, RCA Victrola). Matsuo Ohno, Takehisa Kosugi, “B.G.M. Parts A-F” from Roots Of Electronic Sound (1963). Music and effects later used for Astroboy. Maki Ishii, “Kio-oo” for piano, orchestra and electronic sounds (excerpt) from Mt. Fujiyama Suite and Dipol For Orchestra (1968, Aries). Toshi Ichiyanagi, “Love Blinded Ballad (Enka 1969)” from the Opera "From The Works Of Tadanori Yokoo" (1969). Tape collage. Toshi Ichiyanagi, “Electric Chant” from the Opera "From the Works of Tadanori Yokoo" (1969). Military music with electronic tones. Toshi Ichiyanagi, Music for Living Space (1969, Bijutsu Shuppan-Sha), composed for the Electric Faculty of Engineering of Kyoto University. Early Computer Music combined with Gregorian chant for Osaka Expo '70. Shibata, “Improvisation for Electronic Sounds” (1968) from Japanese Electronic Music (1971, Philips). Toru Takemitsu, “Stanza II” (1971) for harp, tape, and natural sounds from Miniatur II: Art Of Toru Takemitsu (1973, DGG) Yoshi Wada ‎– Earth Horns with Electronic Drone, excerpt, (1974, Edition Omega Point) Electronics by Liz Phillips. Pipehorn players Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada. Composed by, recorded by Yoshi Wada. Recorded at Everson Museum of Art, Syracuse, New York, Sunday 2-5pm, February 24, 1974. Joji Yuasa, “My Blue Sky (No. 1)” (1975. Tape parts realized at NHK Electronic music studio. NHK = Nippon Hoso Kyokai (Japanese Broadcasting Corp.)   The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of vintage Japanese electronic music: Toshi Ichiyanagi, “Sound Materials for Music for Tinguely” (1963). Makoto Moroi, “Shōsanke”for electronic sounds and Japanese traditional instruments (1968).   For more information about the history of Japanese electronic music, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).    

On today's show, Richard Dyson is taking part in his 40th Terry Fox Run. We find out why the Terry Fox story inspires him to keep going. The Dehavilland Beaver is often referred to as the best bush plane every built. And pilot Jim Burton couldn't agree more. We take you to Otter Creek to learn more about his unique air plane. We hear best wishes for a 50th wedding anniversary. It's goose season in Labrador and that means hunters are once again being asked to help provide samples. We tell you more about the lesser goose program. We check in with the Lawrence O'Brien Arts Centre to hear about the first show of the season. We also hang with the Waynes to talk books and TV. We also say best of luck to CBC's Tyler Mugford who's finishing off his contract with us. Lastly, we find out about the letter "p" in the Encyclopedia of Labrador, which is all about partridge.

Jill Power sits down with Jim Burton, owner of Team Burton and REMAX Infinity. Buying real estate as a student seems impossible, but it is doable! Plus some jams and interesting conversation pieces. ~~~ Chill with Jill is available on 93.5 CHMR-FM, 99.3 QCCR-FM, 93.9 CJBI-FM, 103.3 CJUJ FM. You can stream Chill with Jill anytime on Spotify and Apple Podcasts.

Our guest this evening is Jim Burton and oddly like many of our guests, Jim died and opted to come back, but because Jim has had such a fascinating life we aren’t going to address his death until the second hour, our first hour will be devoted to invention, exploration and investigation. In sharing his experience of the life in between lives, he became aware of more available, more options to live in a ways the shares peace and love.

We speak with Jim Burton, owner of Burton Research and Strategies and former N.C. House caucus director, about how candidates can effectively communicate on important issues, how 2018 messaging will differ from 2016, and how candidates can break out of the generic partisan mold. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/longleaf-politics/support

Former NFL Coach and Super Bowl Champ Dick Vermeil joins Elissa Walker Campbell in Hour 1. Also special guests Neil Hayes, Duke Pieper and Jim Burton join The Big E Sports Show

The Lone Ranger. March 21, 1938."Jim Burton". Burton and his henchman are running a protection racket. The Ranger sets a complex trap to capture Jim Burton, using Tonto for bait! Tonto's horse is called "White Feller," not "Scout." Earle Graser, John Todd, Fran Striker (writer), George W. Trendle (creator, producer). oldtimeradiodvd.com

The Lone Ranger. March 21, 1938. "Jim Burton".  Burton and his henchman are running a protection racket. The Ranger sets a complex trap to capture Jim Burton, using Tonto for bait! Tonto's horse is called "White Feller," not "Scout." Earle Graser, John Todd, Fran Striker (writer), George W. Trendle (producer). oldtimeradiodvd.com

Jim Burton has become pretty powerful in the territory selling 'protection.' Tyler has sent money to his niece, instead of paying Burton. The old man tries to cut a deal with Burton - if Burton will leave his ranch alone, Tyler will help Burton capture the Lone Ranger!