Podcast appearances and mentions of joe egg

For Video Edition, Please Click and Subscribe Here: https://youtu.be/6vcHvOUB5Tc It was in Michael Stewart and Cy Coleman's musical I Love My Wife (1977) – a satire on wife-swapping – that Gleason made her Broadway debut, playing Monica, for which she won a Theatre World Award. She returned to Broadway in a 1985 revival of Peter Nichols's play Joe Egg. Along with Marlo Thomas and Olympia Dukakis, Gleason was a member of the opening-night cast of Andrew Bergman's comedy Social Security (1986), for which Gleason won the Drama Desk Award for Outstanding Featured Actress in a Play. Although she had already gained attention and honors for her stage work, her performance as the Baker's Wife in Stephen Sondheim's wry fairy-tale musical Into the Woods (1987) made her a Broadway leading lady. The musical itself won Tonys® for Best Book of a Musical and Best Original Score, and Gleason earned a Tony® for Best Actress in a Musical. Her singing is preserved on the original Broadway cast recording. In the Thin Man-inspired musical Nick and Nora (1991) by Arthur Laurents, Charles Strouse, and Richard Maltby Jr., Gleason played the leading lady, and in Dirty Rotten Scoundrels (2005). A familiar presence in movies and on television, Gleason appeared in two of Woody Allen's films – as Tony Roberts's embarrassed wife in Hannah and Her Sisters (1986) and as Allen's spouse in Crimes and Misdemeanors (1989). In Boogie Nights, she played Mark Wahlberg's abusive mother. On television, she was a regular on the CBS sitcom Love & War as the restaurant waitress Nadine Berkus. Other series in which Gleason appeared regularly are Hello, Larry; Temporarily Yours; Oh Baby; and Bette. She is married to the actor Chris Sarandon.

Stockard Channing is a highly accomplished American stage, television, and film actor, who made her Broadway debut in the 1971 Broadway musical adaptation of "Two Gentlemen of Verona." She is perhaps best known to audiences for playing the feisty Betty Rizzo in the classic film musical, “Grease,” and First Lady Abbey Bartlet on the seminal NBC television drama, “The West Wing.” She originated the role of socialite Ouisa Kittredge in the acclaimed stage and film versions of “Six Degrees of Separation,” for which she was nominated for a Tony and an Oscar. Miss Channing won the 1985 Tony Award for Best Actress for the Broadway revival of “A Day in the Death of Joe Egg,” and has won three Emmy Awards  for her work on The West Wing  as well as for her performance as Judy Shepherd in “The Matthew Shepard Story.” Other film appearances include “The Fortune,” “ The Big Bus,”  Neil Simon's “The Cheap Detective,” and “Practical Magic.” She also played the recurring role of Veronica Loy on the popular CBS drama “The Good Wife.” 

We're back in the legendary Fur Lounge with Joe Egg with his new mix “Goosebumps Every Time” and features Daft Punk, Travis Scott, Megan Thee Stallion, Lady Gaga, Dua Lipa, Kylie, Jessie Ware, Little Mix, Samantha Fox, Róisín Murphy, Five Star, Miley Cyrus and more.

Celebrating 20 massive years of the biggest boldest bear club in the world: this is XXL 20 MASSIVE YEARS Part 2 - Featuring CHRISTIAN M, PAUL MORRELL, JOE EGG & BOBBY BLANCO

Celebrating 20 massive years of the biggest boldest bear club in the world: this is XXL 20 MASSIVE YEARS Part 1 - Featuring CHRISTIAN M, PAUL MORRELL, JOE EGG & BOBBY BLANCO

This episode's guest is Eddie Izzard. Eddie is an award winning comedian, film, TV and stage actor, political activist and marathon runner. Since his 1993 West End debut he has performed a number of critically acclaimed shows including Unrepeatable, Glorious, Dressed to Kill and Force Majeure which became the most extensive comedy tour ever performed. His dramatic stage appearances have included Edward II and A Day in the Death of Joe Egg and on the big screen he has appeared in films such as Mystery Men, Oceans 12 and 13 and Victoria and Abdul. Eddie is also a serial marathon runner and in 2009 ran 43 marathons in 51 days raising £1.8 million for Sports Relief. Recorded at the De La Warr Pavilion, Bexhill-on-sea, Kent.Support the show (https://www.patreon.com/stevexoh)

Joe Egg’s Let It All Blow mix:  90 minutes of heatwave-slow, squelchy funk, disco and electronic pop, flowing together to conjure up memories of summertime pulsating flesh and writhing torsos. Featuring Kylie, Bowie, Prince, Pet Shop Boys, Donna Summer, De La Soul, Saint Etienne and more

18 of the most dramatic songs ever recorded, sewn together for your listening and dancing pleasure.

Here’s Joe Egg’s ‘Everything Stuck Together’ mix - another typical XXL Fur Lounge collision of tunes, as golden oldies Fleetwood Mac, The Rolling Stones, Diana Ross, Liza Minnelli, Pet Shop Boys, Prince, Kate Bush and Tears For Fears rub up against Megan Thee Stallion, Dua Lipa, Lady Gaga, Jax Jones, Kim Petras and Solange. And more.

The Ghost of Peter Sellers is a comic-tragic feature doc about what it takes to be a film director and survive your biggest disaster. After 43 years the wounds have barely healed for Director Peter Medak (The Ruling Class, A Day in the Death of Joe Egg, Romeo is Bleeding) and this is his opportunity to tell the story and finally release the weight associated with its failure. At its core lies the story of an unraveling production but also the tale of a young Director firmly on a path to greatness. Medak had made 3 back-to-back successes; most notably ‘The Ruling Class’ in 1972 with Peter O’Toole. This film changed his career forever. In September 1973 Peter Sellers embarked on the production of a 17th Century pirate comedy in Cyprus for Columbia Pictures (Ghost in the Noonday Sun). Structured around the original director Peter Medak and his journey back to the island 42 years later, The Ghost of Peter Sellers is a timeline of events supported by eye-opening and heart-felt interviews with remaining cast members, production staff, Cypriot locals and others from the world of filmmaking. From Los Angeles to New York, from London to Cyprus, Medak recaptures what it was like to work with the genius talents of Sellers and Milligan whilst explaining the saga of the Pirate film and how such a brilliant and funny idea could go so terribly wrong and become a total disaster. Director Peter Medak joins us for a candid conversation on the toll the making of his star-crossed film took on him professionally, personally and psychologically and where he is today. For news and updates go to: theghostofpetersellers.com Watch now on Virtual Theatre: theghostofpetersellers.com Social Media facebook.com/theghostofpetersellers twitter.com/PeterSellers instagram.com/the_ghost_of_peter_sellers

Joe Egg's back with an extra special lockdown Fur Lounge collision of new and old pop, disco and R&B

The XXL podcast is back in the FUR LOUNGE for a lockdown weekend special to keep you dancing in your pants with JOE EGG!

The XXL podcast dives into the fur lounge for a special taste of Fur with Joe Egg

Episode 6. A Day in the Death of Joe Egg at Trafalgar Studios, Translations at the National Theatre with a backstage interview with Rufus Wright, Ian McKellen On Stage at the Harold Pinter Theatre.

Joker: What was it about the new DC comic-based film which helped it to win the highest prize at this year's Venice Film Festival? Starring Joaquin Phoenix, it's a dark affair but is it deserving of the plaudits and prizes? Mary Costello's new novel "The River Capture" is set in rural Ireland where a young woman arrives and changes the life of those she meets A revival of A Day In The Death Of Joe Egg at London's Trafalgar Studios comes shortly after the death of its author Peter Nichols. Dublin Murders is an adaptation by Sarah Phelps of the Tana French novels for BBC TV A new exhibition at London's Barbican Centre - Into the Night: Cabarets and Clubs in Modern Art - spans the 1880s to the 1960s, celebrating the creativity of the spaces in which artists, performers, designers, musicians and writers congregated to push the boundaries of artistic expression. Tom Sutcliffe's guests are Alex Preston, Katy Puckrik and Amanda Vickery. The producer is Oliver Jones Podcast Extras: Katie: Twenty Thousand Hertz podcast Alex: The poetry of Mary Oliver Amanda: Unbelievable on Netflix Tom: Kara Walker at Tate Modern Main image: A Day in the Death of Joe Egg L-R Lucy Eaton, Claire Skinner, Storme Toolis, Patricia Hodge, Toby Stephens, Clarence Smith Photographer: Marc Brenner

We are back after a few weeks of r&r with Tony winner Joanna Gleason. The brilliant actor and singer invited Anne and Damian to the Connecticut farm she shares with her Oscar nominated hubby, Chris Sarandon where we noshed on panzanella salad and on Joanna’s meaty oeuvre. You Might Know Her From Into The Woods, I Love My Wife, Dirty Rotten Scoundrels, The Wedding Planner, Boogie Nights, Friends, Hannah and Her Sisters, Bette, Nick & Nora, The West Wing, and her cabaret show Out of the Eclipse. Joanna opens up about working with Stephen Sondheim and Arthur Laurents, loathing LA and finding her own path on the East Coast, and her foray into directing. Happy Pride, chicken tikkas! Follow us on social media @damianbellino || @rodemanne Discussed this week  SATC “Hot Child in the City” (Nick Gilder) is used on Season 3 ep 15, not the Fleet Week ep as Anne erroneously stated. WHOOPS!  NYC Dyke March  Sylvia Rivera and Marsha P Johnson getting monuments in NYC Julius’ Bar Cubbyhole Cara Delevingne & Ashley Benson carrying their sex bench  Nancy Meyers’ kitchens Chris Sarandon  Panzanella salad Joanna’s IMDB || IBDB Chip Zien & Joanna as the Baker & Baker’s Wife Filmed broadway production of Into the Woods  Joanna’s upcoming 54 below show Out of the Eclipse (July 2, 5, 6) Joanna w/ The Moontones I Love My Wife (Jim Naughton, Lenny Baker) Into the Woods (dir: Rob Marshall)  Joanna wins a Tony Love and War (1992-95) Diane English  Louie Anderson  Temporarily Yours (1997) w/ Debi  Mazar, Seth Green, Michael Patrick King Oh, Baby (1998-2000) w/ Cynthia Stevenson, Jessica Walter Bette (2000) w/ Lindsay Lohan, Kevin Dunn “Metabolically didn’t like California” The Normal Heart (The Public)  Dirty Rotten Scoundrels (Broadway) The Royal Family (Ahmanson) Nick and Nora the famous flop Arthur Laurents (librettist: West Side Story, Gypsy; screenwriter: Rope, The Way We Were, Turning Point) Boogie Nights (dir: Paul Thomas Anderson) Hannah and Her Sisters (1986)  & Crimes & Misdemeanors (1989) Last Vegas, Poms, Book Club, First Wives Club Joanna’s posse: Judith Light, Tina Fey, Jessica Walter, Candice Bergen, Stockard Channing, Bette Midler Ocean’s 8 Joanna’s father, Monty Hall hosted Let’s Make a Deal  Joanna in Password James Holzhauer on Jeopardy A Day in the Death of Joe Egg with Stockard Channing 

Tony winner Joanna Gleason is here to talk all about her upcoming concerts. She will be joining award-winning actress Joan Ryan at Birdland Jazz on May 16 and will appear at Feinstein's/54 Below on July 2, 5 and 6. Earning a Tony for Into the Woods, Gleason also was nominated for her work in Joe Egg and Dirty Rotten Scoundrels. Her other Broadway credits include Nick & Nora, Social Security and more. Be sure to follow her on twitter at @therealjgleason.Hosted by Paul Wontorek, Beth Stevens and Caitlin Moynihan

STOCKARD CHANNING is back on the New York stage in Alexi Kaye Campbell's Apologia, which is running at the Laura Pels Theatre through December 16. Many fans first started to love Channing's big-screen splash as Rizzo in the 1978 film Grease. Channing is an accomplished performer of both the stage and screen: She won a Tony Award for her performance in 1985 for Joe Egg a went on to garner both Oscar and Tony nominations for her performance as Ouisa in Six Degrees of Separation on Broadway and on the big screen, Emmy wins for The West Wing and The Matthew Shepard Story, a 1985 Tony win for A Day in the Death of Joe Egg and garnered six additional Tony nominations, including her memorable turn in John Guare's Six Degrees of Separation, which she went on to reprise in the film adaptation, nabbing an Oscar nomination. The star stopped by Show People with Paul Wontorek to talk about the big Grease number that was almost cut, her latest stage work, what she does when she's not working and more.

Welcome to episode 4 of Adapted with Anna and Sam! In this episode, we journey across England, including to Lime and Bath, as we follow the trials and tribulations of Anne Eliot in Persuasion by Jane Austen. Listen along as we summarize the book plot point by plot point, and how it compares to the 1995 version. You can find all the cast lists and other fun trivia on iMDB. Purchase the book and/or movie at Amazon and/or Barnes and Noble, or your favorite indie bookstore, or borrow from your local library in person or via Overdrive. Honorable Mentions --All the Jane Austen: Sense and Sensibility, Northanger Abbey, Pride and Prejudice, Mansfield Park, Emma --Anna will make you watch this version: Persuasion (1971) (don't worry, it's on YouTube) --Related to Jane Austen: Miss Austen Regrets --Anna's Guilty Pleasure: Three Men and a Little Lady --'Stache Alert - Tom Selleck's that is: Quigley Down Under --From the Way Back Machine: Mutiny on the Bounty, Ever After, The Royal Tenenbaums --Fandoms we are obligated to mention every episode: Harry Potter --Sam's Favorite: Eddie Izzard --Why we mention him: A Day in the Death of Joe Egg, Ocean's Twelve, Victoria Hamilton --And something random: Dragon Heart Want to get in touch? We'd love to hear from you! Let us know what you love (or don't) about Persuasion, and the book! Do you prefer another adaptation? Is it the 1971 version? How would you film Louisa's fall? Let us know, either by emailing us at adaptedwithannaandsam@gmail.com, or on Facebook, or even Twitter and Instagram! We'd love to see your favorite memes, GIFs, how you would look in a British naval uniform. And please share your Six Degrees! You can subscribe on iTunes or Google Play, and be sure to share with your friends! Rate and review too! Credits: Theme music credit: "Cheery Monday" Kevin MacLeod (incompetech.com), Licensed under Creative Commons: By Attribution 3.0 License, http://creativecommons.org/licenses/by/3.0/ Logo credit: Fourth Wall Graphics, fourthwallgraphics.com

Manny Azenberg is a theatre producer and general manager whose professional relationship with playwright Neil Simon spans thirty-three years. He first met Neil Simon in 1963 and their professional association began with The Sunshine Boys in 1972 and continued with God's Favorite, Chapter Two, They're Playing Our Song, Biloxi Blues, Broadway Bound, The Goodbye Girl, and Laughter on the 23rd Floor, among others. His additional credits include Mark Twain Tonight!, The Rothschilds, Ain't Supposed to Die a Natural Death, Sticks and Bones, The Wiz, The Real Thing, Sunday in the Park with George, A Day in the Death of Joe Egg, Jerome Robbins' Broadway, Rent, Movin' Out, Stones in His Pockets, and Baz Luhrmann's adaptation of La Bohème. Listen in to hear Manny talk about: The greatest things he learned from David Merrick and Alexander Cohen, and what Merrick would think of Broadway today. How he feels about having so many producers on a project . . . and could we ever go back to just one? How playing baseball with Robert Redford changed his life. His mantra that helps him get over the shows that don’t work. What his Yale class thought when they read Bright Beach Memoirs and how that taught him to evaluate shows. And buckets more. Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Stockard Channing discusses her work in Jon Robin Baitz's new play "Other Desert Cities", acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical "Two Gentlemen of Verona", which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely "Grease"; her return to the stage in successive productions of "A Day in the Death of Joe Egg" at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of "The House of Blue Leaves"; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in "Six Degrees of Separation", and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's "Four Baboons Adoring the Sun"; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for "The Lion in Winter" in 1999 -- and what about doing the show did give her pause; what it was like to do "Pal Joey", her first musical in over two decades (having previously followed Liza Minnelli into "The Rink"); and how she approached the role of Lady Bracknell in "The Importance of Being Earnest" for a production at the Gaiety Theatre in Dublin, Ireland last year. Original air date - February 2, 2011.

Stockard Channing discusses her work in Jon Robin Baitz's new play "Other Desert Cities", acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical "Two Gentlemen of Verona", which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely "Grease"; her return to the stage in successive productions of "A Day in the Death of Joe Egg" at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of "The House of Blue Leaves"; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in "Six Degrees of Separation", and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's "Four Baboons Adoring the Sun"; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for "The Lion in Winter" in 1999 -- and what about doing the show did give her pause; what it was like to do "Pal Joey", her first musical in over two decades (having previously followed Liza Minnelli into "The Rink"); and how she approached the role of Lady Bracknell in "The Importance of Being Earnest" for a production at the Gaiety Theatre in Dublin, Ireland last year. Original air date - February 2, 2011.

Stockard Channing (1985 Tony Award winner for Best Performance by an Actress in a Leading Role in a Play for “Joe Egg”) discusses her work in Jon Robin Baitz's new play “Other Desert Cities”, acknowledging the ambiguity of the character for the audience and explaining whether she has defined her character's secret motivations with certainty. She also talks about her years breaking into theatre at Harvard, alongside other students like John Lithgow and Tommy Lee Jones, and her subsequent work around Boston before coming to New York and getting her increasingly bigger break in the Broadway musical “Two Gentlemen of Verona”, which also began her association with John Guare; her years in Los Angeles, including a film gig she did simply because she needed money, namely “Grease”; her return to the stage in successive productions of “A Day in the Death of Joe Egg” at Williamstown, Long Wharf, Roundabout and finally Broadway; being given the opportunity to choose between playing Bunny and Bananas in the Lincoln Center Theatre revival of “The House of Blue Leaves”; how it felt, as a native Upper East Side New Yorker, playing an Upper East Side New Yorker in “Six Degrees of Separation”, and how her performance had to change when she acted in the film version; whether she knew how divided response would be to Guare's “Four Baboons Adoring the Sun”; why she wasn't daunted about stepping into the shoes of Rosemary Harris or Katharine Hepburn for “The Lion in Winter” in 1999 -- and what about doing the show did give her pause; what it was like to do “Pal Joey”, her first musical in over two decades (having previously followed Liza Minnelli into “The Rink”); and how she approached the role of Lady Bracknell in “The Importance of Being Earnest” for a production at the Gaiety Theatre in Dublin, Ireland last year.

The panel of performers -- Jane Alexander (1969 Tony winner for The Great White Hope), Stockard Channing (Six Degrees of Separation and 1985 Tony Award winner for Best Actress in Joe Egg), Sarah Jessica Parker (The Substance Of Fire), Jonathan Pryce (Dirty Rotten Scoundrels and his Tony Award-winning performances in 1977’s Comedians and 1991’s Miss Saigon), Ron Rifkin (Tony winner for the 1998 revival of Cabaret), Mercedes Ruehl (The Goat, Or Who Is Sylvia? and Best Actress Tony Award for Lost in Yonkers) and Topol (Fiddler on the Roof) -- discuss playing the same role over the years, finding a rhythm in one's performance, learning about one's character during the rehearsal process, gaining discipline, and how each performer got their start.

Actors from both sides of the Atlantic - Sutton Foster (Tony winner for Thoroughly Modern Millie), Clare Higgins (Vincent in Brixton), Eddie Izzard (A Day in the Death of Joe Egg), Brian Stokes Mitchell (Man of La Mancha and a 2000 Tony Award for Kiss Me, Kate) and Brent Spiner (Life (x) 3) - share some of the high points and quite a few humorous moments (including pulling surprised audience members onstage during a performance, accidentally) from their stage careers.

Actors from both sides of the Atlantic - Sutton Foster ("Thoroughly Modern Millie"), Clare Higgins ("Vincent in Brixton"), Eddie Izzard ("A Day in the Death of Joe Egg"), Brian Stokes Mitchell ("Man of La Mancha") and Brent Spiner ("Life (x) 3") - share some of the high points and quite a few humorous moments (including pulling surprised audience members onstage during a performance, accidentally) from their stage careers.

Sue Lawley's castaway this week is the playwright Peter Nichols. His award winning work, including Privates on Parade and A Day in The Death of Joe Egg has left audiences in stitches and sometimes in tears. With the recent revival of Passion Play, his darkly comic tale about adultery, Peter Nichols talks to Sue Lawley about his life and writing, and chooses eight records to take to the mythical desert island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Hostias (from Requiem in D Minor) by Wolfgang Amadeus Mozart Book: His diary which he has kept since he was 18 - to relive life since 1945 Luxury: Cyanide tablet (if he can't have a tower and telescope or a full-size snooker table)

Sue Lawley's castaway this week is the playwright Peter Nichols. His award winning work, including Privates on Parade and A Day in The Death of Joe Egg has left audiences in stitches and sometimes in tears. With the recent revival of Passion Play, his darkly comic tale about adultery, Peter Nichols talks to Sue Lawley about his life and writing, and chooses eight records to take to the mythical desert island. [Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Hostias (from Requiem in D Minor) by Wolfgang Amadeus Mozart Book: His diary which he has kept since he was 18 - to relive life since 1945 Luxury: Cyanide tablet (if he can't have a tower and telescope or a full-size snooker table)