Podcasts about her sisters

In this Farrow vs. Allen Special Subject episode we dig into a strong set of films, The Purple Rose of Cairo (1985), Hannah and Her Sisters (1986), and Radio Days (1987), united by their examination of art, popular culture, and fantasy, the possibilities they offer for transcendence, and the conditions of that transcendence. We also, of course, particularly examine Mia Farrow's role in these films, from Allen avatar to intimidating enigma, wistful waif to materfamilias.  Time Codes: 0h 00m 25s:    THE PURPLE ROSE OF CAIRO (1985) [dir. Woody Allen] 0h 31m 01s:    HANNAH & HER SISTERS (1986) [dir. Woody Allen] 0h 54m 18s:    RADIO DAYS (1987) [dir. Woody Allen]   ++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In this episode, we welcome 5x Academy Award-nominated sound mixer Tod Maitland, CAS. Tod has worked on films including Tootsie, Hannah and Her Sisters, Born on the Fourth of July, Jacob's Ladder, The Doors, Cape Fear, JFK, The Age of Innocence, A Bronx Tale, Donnie Brasco, The Devil's Advocate, Seabiscuit, I Am Legend, Joker, The Irishman, West Side Story, and A Complete Unknown. He is also set to receive the 2025 CAS Career Achievement Award from the Cinema Audio Society in February 2025. In our chat, Tod shares his backstory and all about his craft of recording sound on set. He also dives into the technology — and shares many insights for up-and-coming sound professionals. “The Making Of” is presented by AJA:IP, HDR, and cloud advancements have unlocked new workflow possibilities. Stay ahead of the curve with AJA solutions like the KONA IP25, a SMPTE ST 2110 I/O card for Mac, Windows, and Linux, and OG-ColorBox for color management and conversion, and more. Get the full rundown on AJA's latest gear here.ShotDeck's Holiday Special:Share the gift of ShotDeck with the creative pros in your life this holiday season. As the world's largest library of more than 1.5 million cinematic reference images, ShotDeck inspires filmmakers from pitch to pre-pro and beyond. Enter code “TMOGIFT” for 30% off of your annual or monthly subscription here. Explore hereVimeo Atlanta Event:Dec. 11th | Tara AtlantaA night of inspiring Vimeo Staff Picks + live filmmaker commentary!Join Vimeo curators Ina Pira and Beau Farrell as they screen recent Staff Picked films with live, unscripted commentary from some of the best creators on Vimeo.Founded in 2008, Vimeo Staff Picks has emerged as one of the preeminent channels for online video and one of the most coveted awards for young filmmakers, having helped launch the careers of many celebrated directors. Hear from the next generation of storytellers in a format that's sure to be eclectic and insightful. Free passes hereFeatured Resource:Film ParliamentDo you have a script, but have no clue what to do next?Film Parliament offers a self-paced, step-by-step course that guides you through the process of scheduling and budgeting your feature film.Developed by Producer Blair Skinner, who shares her expertise on budgeting projects ranging from $250K indies to $20M studio projects. Visit hereExplore OWC's Atlas Cards…This holiday season, gift the speed and reliability every creative needs. From stunning 8K video to fast transfers, OWC Atlas memory cards and readers deliver unmatched performance. Perfect for photographers, filmmakers, and tech enthusiasts. Shop now and make their holiday unforgettable! Shop Atlas Cards & Readers hereFrom our Friends at Anton/Bauer…Today's episode is also powered by Anton/Bauer — batteries built with no compromise for filmmakers and creators. From blockbuster sets to solo projects, Anton/Bauer batteries deliver high-performance power with unmatched reliability so your story never misses a beat. Trusted by industry pros worldwide, Anton/Bauer keeps your gear ready when it matters most.Explore at antonbauer.com New Solutions from Videoguys…The SanDisk Professional G-RAID PROJECT 2 drive is a high-performance, 2-bay enterprise-class storage system. Pre-configured in RAID 0 and equipped with Thunderbolt™ 3 connectivity, it's designed for your most demanding applications. With expansive capacities up to 48TB, this massive storage solution is the trusted ally for managing your 4K, 8K, and VR video workflows with ease and reliability.Visit hereUpcoming L.A. Event: Tiffen Tech Night | Dec. 10thAn evening of Hands-on Creating with new Filter & Lens Combos & Latest Steadicam Essentials!Hosted by Tiffen with ARRI, Canon, Angenieux, & Cooke… with Special Cinematographer Sessions — featuring Richard Crudo ASC, Shane Hurlbut ASC, John Matysiak DP, Nancy Schreiber ASC, and Sandra Valde-Hansen ASC, LPS.Free RSVP here ZEISS Introduces Supreme Zoom RadianceThe new ZEISS Supreme Zoom Radiance set includes three purpose-built T2.9 high-end cine zooms: 15-30mm, 28-80mm and 70-200mm. Featuring the same T* blue lens coating as the popular Supreme Prime Radiances, they offer a similar look with consistent flares and warmer color rendition. Visit herePodcast Rewind:Dec. 2024 - Ep. 57…“The Making Of” is published by Michael Valinsky.Advertise your products or services to 100,000 film, TV, news, broadcast and live event production pros reading this newsletter. Email us today at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Wiz RECOMMENDS Hannah and Her Sisters Like a lot of Woody Allen's films, its feature is more about the dialogue and actors than anything Allen can do behind the character. This is certainly the case with Hannah and Her Sisters, an at times hilarious film about the lives of upper crust sisters and the people in their lives. Some of the characters in this film are hilariously written and performed. Woody Allen as a hypochondriac TV writer has some of the funnier lines and situations. Dianne Weist has a good performance as well, but she's also in the film the least (it felt like at least). But the best performance comedically is Michael Caine as a philandering, love stricken husband of Hannah. Caine's performance as Eliot is hilarious during his love stricken parts but also great in his slight dramatic parts. His story in the film is the best and most entertaining of the entire film. But what's odd about the film is what is possibly the weakest characters of the film, namely Hannah and her sisters. Save for Weist as Holly, Hannah and Lee, played by Mia Farrow and Barbara Hershey, are easily the least interesting of any of the characters of the film. This is especially strange to deal with when both characters tend to be the two characters love and covet the most. Lee is sort of interesting as a love interest, but Hannah doesn't have much of anything as a character that is all that compelling. But Hannah and Her Sisters is a film that has some solid strengths with its male characters and stories, but it was surprising to find the weakest elements are usually something that is usually his strength: the writing of female characters.

The Searchers' 2024 Halloween episode is here. Enjoy! (Timestamps included on your platform of choice) Six movies covered: Theatre of Blood (1973), House of Wax (1953), The Frighteners (1996), The Friends of Eddie Coyle (1973), Abbot and Costello's Who Done It? (1942), Hannah and Her Sisters (1986) If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Actor Sir Michael Caine was knighted by Queen Elizabeth in 2000 for his contributions to the arts and received numerous accolades throughout his career including two Oscars and many Golden Globe awards. His distinctive cockney accent got him many film roles including “The Italian Job,” “Educating Rita,” “Hannah and Her Sisters,” “Alfie,” and “Dunkirk.” Maybe you remember his performance as Ebenezer Scrooge in “The Muppet Christmas Carol.” Michael's talent, charisma, and enduring appeal have cemented his status as a true Hollywood legend.

Today the Oscar Grouches sit back and talk about the next movie in their journey across best original screenplay with, "Hannah and Her Sisters"

Daniel Stern sits down with me to talk about his fatherhood journey. He shares the values he looked to instill into his kids. Next, we talk about his new book, Home and Alone. Daniel shares the inspiration to write this book. After that we talk about his acting career, becoming a farmer and his passion for the arts like sculpting. Lastly, we finish the interview with the Fatherhood Quick Five.  About Daniel Stern Daniel Stern is well known for his roles in Home Alone, City Slickers, Breaking Away, and Diner. Other movies include Whip It, Very Bad Things, Hannah and Her Sisters, and Blue Thunder. He created the role of "The Narrator" for the iconic TV show, The Wonder Years. Plus he directed the fantasy baseball movie Rookie of the Year. He is currently starring in Apple TV's For All Mankind . In addition, he is set to direct and star in Everything's Peachy, a film adaptation of his Off-Broadway hit play.  Aside from show business, Mr. Stern is a bronze sculptor. He created numerous monumental works for cities throughout Southern California. He is also a cattle rancher, avocado farmer and a public servant. Daniel was presented with The President's Call to Service Award from President Obama. Altogether, this is from his extraordinary volunteer work with youth and families, notably with The Boys and Girls Club. He and his wife of 45 years are the proud parents of a doctor, a musician and a California state senator. In addition, he is a proud grandfather of a growing number of ambitious grandchildren. Make sure you follow @RealDanielStern on Instagram. In addition, make sure you pick up his book, Home and Alone wherever you purchase books.  Academy Sports + Outdoors Is Sponsoring This Week's Episode  Academy Sports + Outdoors is dedicated to making it easier for everyone to enjoy more sports and outdoors. With a wide range of quality hunting, fishing and camping equipment, patio sets, barbecue grills, along with sports and recreation products, we're for the fanatics, the seasoned veterans, and those just starting out. We're for all. For more information about Academy Sports + Outdoors, visit academy.com.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Joe Montana, Bob Odenkirk, Vincent D'Onofrio, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Hannah Grant, with the Animal Law Firm, interviews Gwenne Baile, owner of Camden County Chickens and Therapy Hens in South Jersey. Camden County Chickens was originally created to advocate for laws allowing the public to raise chickens, and it has now expanded to include consulting, therapy chickens, education, husbandry classes, and other support!  Camden County Chickens and Therapy Hens on Facebook: https://www.facebook.com/camdencountychickens "On the Road with Sandie and Her Sisters, the Therapy Hens”: https://www.facebook.com/profile.php?id=100067881616783 #fightingfortheunderdog #podcast #gwennebaile #camdencountychickens #therapyhens #therapychickens #chickenhusbandry #animallawfirm #alf 

There isn't much to grab onto out there when you need a good Thanksgiving themed movie. Off the top of my head there's “Son in Law” with Pauly Shore. “Dutch” with Ed O'Neil. We got a new Eli Roth “Thanksgiving” slasher. The musical documentary “The Last Waltz” took place on Thanksgiving. “Hannah and Her Sisters” works but we're not gonna make Angela watch any Woody Allen just yet. There is one that has risen up over the limited pack and it has slowly become one of John Hughes most well regarded movies despite it not having any teenagers making dramatic speeches. We're breaking the Steve Martin threshold with what might be the most well regarded Thanksgiving themed movie, “Planes, Trains and Automobiles” from 1987. Uptight Neal Pierce and friendly salesman slob Dell Griffith (played by the late, great John Candy) wind up in each others company when a plane reroutes and lands them in Wichita causing them to scramble to get Neal home by Thanksgiving. I'll let you guess what kind of vehicles they use on their journey. We got some distinct complaints and some high compliments in this warm holiday fare where Steve Martin does plenty of “fucking”. Chug it down like warm gravy with us. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

The Thanksgiving holiday is always filled with drama - especially for Hannah and Her Sisters.*Spoilers Ahead* Hannah and Her Sisters (1986) - IMDb Woody Allen - Turner Classic Movies (tcm.com) Theme Music:  Happy Way to Start the Day By Pressmaster – license purchased on AudioJungle  

Wes & Erin continue their discussion of Woody Allen's "Hannah and Her Sisters." For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

Join special guest, Andrew Comiskey, as we discuss a more subtle example of "radical redemption" in Woody Allen's Hannah and Her Sisters. Come and glean from Comiskey's Hollywood insight, and gain an appreciation for movies in Christian leisure. 

The history of cinema is loaded with films about siblings and the problems that go with loving and competing with your flesh and blood: The Godfather, A Simple Plan, Hannah and Her Sisters, Eat Drink Man Woman.....and Hilary & Jackie. Welcome to episode 106 of See Hear Podcast. Classical music history records that among the greatest of cellists was Jacqueline du Pre'. Her interpretations of the cello concertos of Elgar and Dvorak amongst others are considered amongst the pinnacle of the recorded canon. She had a sister, Hilary, who started life equally talented as a flautist. Circumstances worked against her continuing, so she married and carried on life domestically without concern. Sadly, Jacqueline died of MS in 1987. Hilary and their brother Piers wrote a memoir called A Genius In The Family which stirred up controversy with classical musicians who'd worked with Jackie, as well as fans. The film that followed, “Hilary and Jackie” caused similar issues. Hilary defended her stance in writing about her relationship with her sister citing that no one who worked with her knew her the way she did. Rachel Griffiths and Emily Watson are superb in the title roles, but we discuss whether the film falls into the problems that many biopics suffer from. We also wonder how problematic is it to accept on face value some of the assertions Hilary du Pre' made about her sister (with denials from her daughter and Jackie's husband Daniel Barenboim). Do they matter when telling a story that everyone accepts is going to have facts altered for “dramatic purposes”? Do peoples' motivations to create art at its peak standard create divisions between them rather than bring them together? Podcast siblings Kerry, Tim and Maurice attempt to get deep with these questions. The film is showing on Prime in the US (and hopefully other regions), and at the time of this writing is on SBS-On Demand in Australia. It's also worth watching a posthumously made documentary on Jacqueline that focuses more on her artistic side called Remembering Jacqueline du Pre' on Youtube https://www.youtube.com/watch?v=5g4w91_ilgw&t=2s If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast We're also on Instagram @seehearmusicandfilm You can download the show by searching for See Hear on whatever podcast app you favour. Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of cinema is loaded with films about siblings and the problems that go with loving and competing with your flesh and blood: The Godfather, A Simple Plan, Hannah and Her Sisters, Eat Drink Man Woman.....and Hilary & Jackie. Welcome to episode 106 of See Hear Podcast. Classical music history records that among the greatest of cellists was Jacqueline du Pre'. Her interpretations of the cello concertos of Elgar and Dvorak amongst others are considered amongst the pinnacle of the recorded canon. She had a sister, Hilary, who started life equally talented as a flautist. Circumstances worked against her continuing, so she married and carried on life domestically without concern. Sadly, Jacqueline died of MS in 1987. Hilary and their brother Piers wrote a memoir called A Genius In The Family which stirred up controversy with classical musicians who'd worked with Jackie, as well as fans. The film that followed, “Hilary and Jackie” caused similar issues. Hilary defended her stance in writing about her relationship with her sister citing that no one who worked with her knew her the way she did. Rachel Griffiths and Emily Watson are superb in the title roles, but we discuss whether the film falls into the problems that many biopics suffer from. We also wonder how problematic is it to accept on face value some of the assertions Hilary du Pre' made about her sister (with denials from her daughter and Jackie's husband Daniel Barenboim). Do they matter when telling a story that everyone accepts is going to have facts altered for “dramatic purposes”? Do peoples' motivations to create art at its peak standard create divisions between them rather than bring them together? The film is showing on Prime in the US (and hopefully other regions), and at the time of this writing is on SBS-On Demand in Australia. It's also worth watching a posthumously made documentary on Jacqueline that focuses more on her artistic side called Remembering Jacqueline du Pre' on Youtube https://www.youtube.com/watch?v=5g4w91_ilgw&t=2s If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast We're also on Instagram @seehearmusicandfilm You can download the show by searching for See Hear on most podcast apps. Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we sit with filmmaker Nicole Holofcener! We discuss the making of her new A24 film You Hurt My Feelings (5:44), her creative upbringing in the ‘70s (15:00), and the Jim Jarmusch film that made her want to become a director (17:25). On the back-half, Holofcener reflects on her early apprenticeship on Hannah and Her Sisters (23:54), her intensely personal collaborations with actors Catherine Keener and Julia Louis-Dreyfus (26:20), and a defining scene from her latest film (32:05). To close, she talks about the importance of supporting writers (36:57), her first day on the set of Walking and Talking (37:33), and why, after three decades, she continues to stay on the “seesaw of art and life” (40:02).See omnystudio.com/listener for privacy information.

This week on Wiser Than Me, Julia is joined by 81-year-old Rock and Roll Hall of Fame singer Darlene Love. From her early days singing gospel music in her father's church to backing up icons like Elvis Presley to finally going solo at age 40, Darlene is a case study in never giving up on your dreams. She tells Julia about raising her sons while building her career, how to balance being strong and kind, and what motivates her to give her best performances. And Julia shares a story with her mom Judith about getting the wrong kind of laugh on the set of Hannah and Her Sisters.   Follow Julia on Instagram and Twitter @officialjld. Keep up with Darlene Love @darlenelovesings on Instagram. You can find out more about our show @lemonadamedia on all social platforms.   Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.    Wiser Than Me is brought to you by Hairstory. Use code WISER at checkout for 20% off your purchase, and Hairstory will donate 10% of proceeds from this code to water preservation efforts.    Wiser Than Me is brought to you by Evereve. Check out Evereve's latest curated styles and get 20% off your first online order when you use code WISER.   Wiser Than Me is brought to you by Cologuard®. Are you 45 or older? Start screening for colon cancer with Cologuard, an effective and noninvasive screening option for adults 45 and older at average risk for colon cancer. Rx only. Learn more at Cologuard.com/wiser   Click this link for a list of all Wiser Than Me sponsors and discount codes: https://lemonadamedia.com/sponsors/.    For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.

“I believe that if Jesus lived today, he would be a secular humanist and would reject Christianity, just as he "rejected" Judaism and inspired Christianity.” “I believe Jesus would be perplexed about the state of Christianity today. No, I didn' t put that strongly enough. A character in Woody Allen' s film "Hannah and Her Sisters" said it best: "If Jesus Christ came back today and saw all the things that were committed in his name, he would never stop throwing up." Because really, he was constantly saying that the point of spiritual life is to transform the heart so that we are strengthened for work in the world – for healing, for feeding, for bringing others back to life when they are cast out, hurt, and dejected. Many Christians proclaim that the world is supposed to store up treasures in heaven and not try to buy a sense of security by collecting things. And what are millions of Christians spending their time doing? Shopping. Judging others, in direct opposition to what Jesus taught. Arguing about the supposedly proper forms of sexuality about which Jesus never said one blessed word. Obsessing about worship practices when Jesus said to get out and love your neighbor, and stop living by the letter of the religious law.” “Jesus wasn't about religion, in fact he reserved his anger for organised religion and challenged, ignored or subverted religious practices. He didn't teach the non-religious about religion, or expect them to become 'religious'. If anyone has to become religious to follow Jesus they've missed the point, so talk of the relationship between church and state is missing the point too. It really is debateable whether Jesus wanted a Church. In fact, Jesus was a humanist. We should be humanists too.” “Secular humanism posits that human beings are capable of being ethical and moral without religion or belief in a deity. It does not, however, assume that humans are either inherently good or evil, nor does it present humans as being superior to nature. Rather, the humanist life stance emphasizes the unique responsibility facing humanity and the ethical consequences of human decisions.” Less than fifty percent of Americans identify as churchgoers due to the hypocrisy of the church. I think Jesus would use symbolic interpretations for all religious languages as well as all things religion. Jesus was a figuratist, not a literalist. I do remember there were times when women and I would have each other hold each other items while physically defending each other regarding male misogynists and have each other items held by other people in the crowds while physically defending each other together (meaning rough up the male misogynists.) Our verbal defenses of each other was explicit, direct, and potent. In the streets, the saying was: “if you don't want your manhood card to be revoked, don't step to ‘Tonio.” Another Street saying was: “When it comes to business, ‘Tonio handles his.” --- Send in a voice message: https://podcasters.spotify.com/pod/show/antonio-myers4/message Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

We continue to follow the narrative thread of David Lynch's career as a filmmaker, exploring the dark underbelly of Blue Velvet. Buy "Where Lies the Strangling Fruit" on Amazon"lost" by Prod. RiddimanUnmasking the Psychosexual Nightmare of David Lynch's Blue Velvet by CinemaWizardBoyOther films mentioned: Aliens (1986, dir. James Cameron)The American Friend (1977, dir. Wim Wenders)Big Trouble in Little China (1986, dir. John Carpenter)Children of a Lesser God (1986, dir. Randa Haines)Chopping Mall (1986, dir. Jim Wynorski)The Colour of Money (1986, dir. Martin Scorsese)Crocodile Dundee (1986, dir. Peter Faiman)David Lynch: The Art Life (2016, dir. Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen)Dune (1984, dir. David Lynch)The Elephant Man (1980, dir. David Lynch)Eraserhead (1977, dir. David Lynch)The Fly (1986, dir. David Cronenberg)Friday the 13th Part VI: Jason Lives (1986, dir. Tom McLoughlin)Giant (1956, dir. George Stevens)Hannah and Her Sisters (1986, dir. Woody Allen)The Karate Kid Part II (1986, dir. John G. Avildsen)Manhunter (1986, dir. Michael Mann)Mulholland Drive (2001, dir. David Lynch)Platoon (1986, dir. Oliver Stone)Rebel Without a Cause (1955, dir. Nicholas Ray)A Room With A View (1985, dir. James Ivory)The Sacrifice (1986, dir. Andrei Tarkovsky)Star Trek IV: The Voyage Home (1986, dir. Leonard Nimoy)Top Gun (1986, dir. Tony Scott)Twin Peaks (1990-91, created by David Lynch and Mark Frost)Twin Peaks: Fire Walk With Me (1992, dir. David Lynch)Twin Peaks: The Return (2017, created by David Lynch and Mark Frost)The Valachi Papers (1972, dir. Terence Young) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Jóhann Jóhannsson was one of contemporary cinema's greatest score composers when he passed away in 2018 at the young age of 48. Last and First Men, his enigmatic directorial debut, was released shortly after in 2020. Based on a novel by the same name by the British science fiction writer Olaf Stapleton, the film offers a sustained meditation on the prospect of extinction, the eventuality of humanity's disappearance from the comos. In this episode, JF and Phil discuss the images and sounds of the film as they flicker and swell against the backdrop of nonbeing that envelops us all. The conversation touches on the idea of beauty, Brutalist architecture, modernism, and futurity. Preorder Pierre-Yves Martel's album Mer bleue (https://pierre-yvesmartel.bandcamp.com/album/mer-bleue). Support us on Patreon (https://www.patreon.com/weirdstudies) and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle. Listen to volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) REFERENCES Jóhann Jóhannsson, Last and First Men (https://www.imdb.com/title/tt8015444/) Unfrozen Caveman Lawyer (https://en.wikipedia.org/wiki/Unfrozen_Caveman_Lawyer), SNL character Spomeniks (https://www.spomenikdatabase.org/what-are-spomeniks), Yugoslavian monuments Olaf Stapleton, The Last and First Men (https://bookshop.org/a/18799/9781604443578) Woody Allen, Hannah and Her Sisters (https://www.imdb.com/title/tt0091167/) The Last of Us (https://www.imdb.com/title/tt3581920/), television show Ray Brassier, [Nihil Unbound: Enlightenment and Extinction](https://books.google.com/books/about/NihilUnbound.html?id=zN7WAAAAMAAJ&source=kpbookdescription)_ Weird Studies, Episode 2 on Garmonbozia (https://www.weirdstudies.com/2) Alexander Solzhenitsyn, Nobel Prize Speech (https://www.nobelprize.org/prizes/literature/1970/solzhenitsyn/lecture/) Weird Studies Episode 139 on Art Power (https://www.weirdstudies.com/139) Numenius (https://plato.stanford.edu/entries/numenius/), Platonist philosopher Gilles Deleuze and Félix Guattari, What is Philosophy? (https://bookshop.org/a/18799/9780231079891) Jia Tolentino, “The Overwhelming Emotion of Hearing Toto's “Africa” (https://www.newyorker.com/culture/rabbit-holes/the-overwhelming-emotion-of-hearing-totos-africa-remixed-to-sound-like-its-playing-in-an-empty-mall) Weird Studies, Episode 110 on “The Glass Bead Game” (https://www.weirdstudies.com/110) D. H. Lawrence, Lady Chatterley's Lover (https://bookshop.org/a/18799/9780141192482)

Hi! My name is Terry J. Aman and this installment marks my 86th episode of VideoFuzzy, reporting the progress I've made in cataloging more than 3,000 VHS transfers and digital recordings. For this installment, titled "Everything Comes Down to Scrubs," I chat about the "My Musical" episode of "Scrubs," which turned up on Disc 1413. In Cross-Connections I talk about the Studio Murphy Under connections for "Scrubs" and for Stephanie d'Abruzzo, who played the patient at the center of that episode. In my Classic Collection, I talk about the pilot episodes of "Dirt" and "Star Trek: Enterprise," with comments on second-season episodes of "Sons of Anarchy" and "The Prisoner" from 1967 British television. In my Current Collection, I talk about developments in the third season of "Kung Fu" on the CW, and a whole bunch of movies I watched including "Hannah and Her Sisters," "Happy Death Day" and "Happy Death Day 2U," "A Clockwork Orange," "Team America: World Police," "The Devil and Miss Jones," "Gemini Man," "Pressure Point," "Uptown Saturday Night," "Yolanda and the Thief," "Moon," "I Origins," and "Call Me By Your Name." And in What I've Been Watching, we took in "Puss in Boots: The Last Wish," and I streamed "Glass Onion: A Knives Out Mystery" and "Bird Box." I also watched the fifth-season premiere of "Black Mirror" and the pilot episode of "Stranger Things." If you haven't already, check out my companion podcast "VideoFuzzy the Soundtrack," and my catalog entries at videofuzzy.blogspot.com, and don't forget to add, subscribe or follow VideoFuzzy wherever you get your podcasts. You can contact me through the site or email me directly at tjaman1970@yahoo.com, or through my VideoFuzzy pages on Facebook or Instagram.

Gallop with us into Barbie's first movie set in the Swiss Alps. In this second iteration of the “and Her Sisters” series, Barbie goes on an adventure filled with magic horses, dueling riding academies, and rival Swiss brothers.

Jessica Eason (Babysitter's Club, Big Show Show, Night Court) is a Scorsese/DeNiro devotee but she'd never seen Alice Doesn't Live Here Anymore. She sees it for the first time and comparisons to Boyhood and a detour through Hannah and Her Sisters.Jessica Eason on Instagram @Jessica_Elaina_EasonJames Eason on Instagram @James_Eason_MusicFollow the podcast: Instagram: @LastOneToThePartyPodcastTwitter: LastOneToThePa1email: LastOneToThePartyPodcast@gmail.com

Folks, we want to go ahead and take a moment to apologize for this one. We're not gonna lie to you, this seemed like a great idea going in. The concept was that we would read the synopsis and the beginning of the plot description for a few movies and try our best to guess how they might end. What resulted was one of the most dull and disjointed episodes we've ever made. And for that, we're truly sorry.We started with "Terminator: Dark Fate," which honestly went okay all things considered, even if it took a little too long. Then we moved on to "Sonic the Hedgehog 2," which is where the whole thing really collapsed. We got maybe half a decent joke out of our riffing and then Sonny disassociated hard while Tom did his best to make the five remaining paragraphs about the plot somewhat interesting. At this point, we realized the episode was a lost cause and spent a good few minutes trashing it before straining out some half-assed discussion about "Jack and Jill" and calling it a day.There's an opening segment, yes, and it's fine. Maybe a C+/B- as far as opening segments go. The boys discuss how Arnold Schwarzenegger would do if he had to play Michael Caine's role in "Hannah and Her Sisters." But we know you're not here to listen to that. And really, we wouldn't blame you if you didn't listen to this episode at all. The only thing we can do is promise to be better in the future. It's a learning experience, guys, and we're always doing our best to improve. We appreciate you bearing with us. Hosted by Sonny de Nocker (@swankysonny) and Tom Price (@thomas_price22).Theme by Josh Britt (jbrittmusic.com)Instagram: AnOscarForArnoldTwitter: @AnOscar4ArnoldTikTok: AnOscarForArnoldContact: AnOscarForArnold@gmail.com

Keith and Jason have never been afraid of plunging into the question of separating the art from the artist. So why not jump into that rhetorical pool again by looking at two films by cinematic master Woody Allen. Annie Hall almost seems like a rough draft of Hannah and Her Sisters, or maybe an earlier version of themes Allen would explore more fully in Hannah, as both films mine similar territory but with a different level of maturity, empathy and depth. The guys spend 83 minutes talking about these and more films (watch Broadway Danny Rose!), and try to give some context on why they can justify watching films by a man who is so problematic. Please do let us know how we did. --- Send in a voice message: https://anchor.fm/jason-sacks/message

Sample some of the best American films over the past forty years and there's a good chance Mike Medavoy played a role in the success of many of them. From agent to studio chief to producer, he has been involved with over 300 feature films, of which 17 have been nominated and 7 have won Best Picture Oscars®, as well as numerous international film festival awards. Medavoy began his career at Universal Studios in 1964. He rose from the mail room to become a casting director. In 1965, he became an agent at General Artist Corporation and then vice-president at Creative Management Agency. Joining International Famous Agency as vice-president in charge of the motion picture department in 1971, he worked with such prestigious clients as Steven Spielberg, Francis Ford Coppola, Terrence Malick, Jane Fonda, Donald Sutherland, Gene Wilder, Jeanne Moreau, and Jean-Louis Trintignant. United Artists brought him in as senior vice-president of production, in 1974, where he was part of the team responsible for One Flew Over the Cuckoo's Nest (1975), Rocky (1976), and Annie Hall (1977), which won Best Picture Oscars® in 1975, 1976, and 1977, respectively. Other notable films included Apocalypse Now (1979), Raging Bull (1980), Network (1976) and Coming Home (1978). In 1978, Medavoy co-founded Orion Pictures where, during his tenure, Platoon (1986), Amadeus (1984), RoboCop (1987), Hannah and Her Sisters (1986), The Terminator (1984), Dances with Wolves (1990) and The Silence of the Lambs (1991) were released. In 1990, after twelve successful years at Orion, Medavoy became chairman of TriStar Pictures, where he oversaw such critically-acclaimed box office hits as Philadelphia (1993), Terminator 2: Judgment Day (1991), Sleepless in Seattle (1993), Cliffhanger (1993), The Fisher King (1991), Legends of the Fall (1994) and Steven Spielberg's Hook (1991). As chairman and co-founder of Phoenix Pictures, Medavoy has brought to the screen The People vs. Larry Flynt (1996), The Mirror Has Two Faces (1996), U Turn (1997), Apt Pupil (1998), The Thin Red Line (1998), The 6th Day (2000), Basic (2003), Holes (2003), All the King's Men (2006), Zodiac (2007), Pathfinder (2007) and Miss Potter (2006), among others. These films have received numerous nominations, won two Golden Bears at the Berlin Film Festival, five Golden Satellite Awards, a cinematography award for John Toll from the ASC and nominations from the DGA and WGA for Terrence Malick. "The Thin Red Line" and "The People vs. Larry Flint" each received Oscar® nominations. The Entertainment Business Wisdom podcast and its hosts are providing this podcast as a public service. Reference to any specific product or entity during these interviews does not constitute an endorsement or recommendation by the Entertainment Business League LLC or its hosts. The views expressed by guests are their own, and their appearance on the program does not imply an endorsement of them or any entity they represent. Any views or experience shared by guests and the hosts has been shared for the betterment of the intended audience. Views expressed on the program by guests are the views and opinions of the guests and do not represent the views, interests, opinions or position of the podcast, its hosts, or the company. If you have any questions about this disclaimer, please contact the legal dept. of the Entertainment Business League LLC.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/6vcHvOUB5Tc It was in Michael Stewart and Cy Coleman's musical I Love My Wife (1977) – a satire on wife-swapping – that Gleason made her Broadway debut, playing Monica, for which she won a Theatre World Award. She returned to Broadway in a 1985 revival of Peter Nichols's play Joe Egg. Along with Marlo Thomas and Olympia Dukakis, Gleason was a member of the opening-night cast of Andrew Bergman's comedy Social Security (1986), for which Gleason won the Drama Desk Award for Outstanding Featured Actress in a Play. Although she had already gained attention and honors for her stage work, her performance as the Baker's Wife in Stephen Sondheim's wry fairy-tale musical Into the Woods (1987) made her a Broadway leading lady. The musical itself won Tonys® for Best Book of a Musical and Best Original Score, and Gleason earned a Tony® for Best Actress in a Musical. Her singing is preserved on the original Broadway cast recording. In the Thin Man-inspired musical Nick and Nora (1991) by Arthur Laurents, Charles Strouse, and Richard Maltby Jr., Gleason played the leading lady, and in Dirty Rotten Scoundrels (2005). A familiar presence in movies and on television, Gleason appeared in two of Woody Allen's films – as Tony Roberts's embarrassed wife in Hannah and Her Sisters (1986) and as Allen's spouse in Crimes and Misdemeanors (1989). In Boogie Nights, she played Mark Wahlberg's abusive mother. On television, she was a regular on the CBS sitcom Love & War as the restaurant waitress Nadine Berkus. Other series in which Gleason appeared regularly are Hello, Larry; Temporarily Yours; Oh Baby; and Bette. She is married to the actor Chris Sarandon.

The L.A. Times called Blue Velvet's director nomination the "only spice on an expected Oscar bill." Now imagine what it could have done in Best Picture. A quintet thankfully saved by the likes of Hannah and Her Sisters and A Room with a View. Ronaldo's Twitter @rsantana2024 | Letterboxd @r_santana2024 James' Twitter | @jimmykunovski | @outofoscarpod Intro Song: "Awards" by Alexi Action

For today's movie review:In this special Thanksgiving episode, Adam and Andy talk about Woody Allen's acclaimed film Hannah and Her Sisters! When you're done eating turkey but before the tryptophan kicks in, curl up by the fire or A/C and lend an ear to the fellas as they discuss this 1986 dramedy! Happy Thanksgiving!Check out Hannah and Her Sisters (1986)Show Notes:Chapters:(~0:00:08) Introduction(~0:00:43) Featured Review(~0:18:38) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.

Prisoners (2013), The Ice Storm (1997), & Hannah and Her Sisters (1986) ALL MOVIES SPOILED In this film block, Jeremy and Brian, serve up some awkward, tense and trying cinematic family gatherings in honor of Turkey Day. Big shout out to Patrick Cady and Tim Hunter for making the 35mm screening of Hannah and Her Sisters possible! Where to watch: Vidéothèque (South Pasadena) Cinefile (Santa Monica) Hannah and Her Sisters (Blu-Ray) The Ice Storm (Blu-Ray) Prisoners (Blu-Ray) Other films referenced: Duck Soup Dune (1984) Inglourious Basterds Fight Club Annie Hall Mighty Aphrodite Home Alone Spider-Man The Fellowship of the Ring Ghostbusters (1984) Enemy River's Edge

Sample some of the best American films over the past forty years and there's a good chance Mike Medavoy played a role in the success of many of them. From agent to studio chief to producer, he has been involved with over 300 feature films, of which 17 have been nominated and 7 have won Best Picture Oscars®, as well as numerous international film festival awards. Medavoy began his career at Universal Studios in 1964. He rose from the mail room to become a casting director. In 1965, he became an agent at General Artist Corporation and then vice-president at Creative Management Agency. Joining International Famous Agency as vice-president in charge of the motion picture department in 1971, he worked with such prestigious clients as Steven Spielberg, Francis Ford Coppola, Terrence Malick, Jane Fonda, Donald Sutherland, Gene Wilder, Jeanne Moreau, and Jean-Louis Trintignant. United Artists brought him in as senior vice-president of production, in 1974, where he was part of the team responsible for One Flew Over the Cuckoo's Nest (1975), Rocky (1976), and Annie Hall (1977), which won Best Picture Oscars® in 1975, 1976, and 1977, respectively. Other notable films included Apocalypse Now (1979), Raging Bull (1980), Network (1976) and Coming Home (1978). In 1978, Medavoy co-founded Orion Pictures where, during his tenure, Platoon (1986), Amadeus (1984), RoboCop (1987), Hannah and Her Sisters (1986), The Terminator (1984), Dances with Wolves (1990) and The Silence of the Lambs (1991) were released. In 1990, after twelve successful years at Orion, Medavoy became chairman of TriStar Pictures, where he oversaw such critically-acclaimed box office hits as Philadelphia (1993), Terminator 2: Judgment Day (1991), Sleepless in Seattle (1993), Cliffhanger (1993), The Fisher King (1991), Legends of the Fall (1994) and Steven Spielberg's Hook (1991). As chairman and co-founder of Phoenix Pictures, Medavoy has brought to the screen The People vs. Larry Flynt (1996), The Mirror Has Two Faces (1996), U Turn (1997), Apt Pupil (1998), The Thin Red Line (1998), The 6th Day (2000), Basic (2003), Holes (2003), All the King's Men (2006), Zodiac (2007), Pathfinder (2007) and Miss Potter (2006), among others. These films have received numerous nominations, won two Golden Bears at the Berlin Film Festival, five Golden Satellite Awards, a cinematography award for John Toll from the ASC and nominations from the DGA and WGA for Terrence Malick. "The Thin Red Line" and "The People vs. Larry Flint" each received Oscar® nominations. The Entertainment Business Wisdom podcast and its hosts are providing this podcast as a public service. Reference to any specific product or entity during these interviews does not constitute an endorsement or recommendation by the Entertainment Business League LLC or its hosts. The views expressed by guests are their own, and their appearance on the program does not imply an endorsement of them or any entity they represent. Any views or experience shared by guests and the hosts has been shared for the betterment of the intended audience. Views expressed on the program by guests are the views and opinions of the guests and do not represent the views, interests, opinions or position of the podcast, its hosts, or the company. If you have any questions about this disclaimer, please contact the legal dept. of the Entertainment Business League LLC.

In this episode I'll take you on a journey to meet the Norse Dark Goddess Hel, and Her Sisters, the other Dark Goddesses, such as Cerridwen, Hecate, Persephone, Kali, Isis and the Black Madonna. They will help you step into your power, your truth, and your light, so you can awaken the ancient wisdom that is in your bones - the wisdom of the wise woman - so you can let her healing medicine be expressed through you, and out into the world.

On this edition of the Supporting Actress Smackdown we're talking the 1986 Oscars and specifically the actresses Tess Harper, Piper Laurie, Mary Elizabeth Mastrantonio, Maggie Smith, and Dianne Wiest. We discuss Woody Allen's Hannah and Her Sisters and the play adaptation Crimes of the Heart, diametrically opposed in quality but both about neurotic sisters. We also gather round the pool table for Martin Scorsese's underdiscussed The Color of Money and consider the groundbreaking (at the time) deaf drama Children of a Lesser God. Nathaniel Rogers, Cláudio Alves, and Lynn Lee from the Film Experience welcome special guests Jonathan Diaz and Rob Kirby.

Workshopping Humanity is a podcast where we discuss the cultural and philosophical elements of a piece of popular culture that has also influenced our life in a profound way. Brett Schutt talks to Alex Helmer, the host and creator of the League of Cinephiles. They discuss Hannah and Her Sisters and why it is such a profound work and how they can relate to the characters search for meaning. They also discuss The League of Cinephiles and why it was made in the first place and how connecting emotionally to movies and debating about them tie together in a meaningful way. Visit Toybox'd.com! --- https://toyboxd.com/ Follow Alex Helmer https://www.instagram.com/league_of_cinephiles/?hl=en https://www.youtube.com/channel/UCahy_SDcYNMh8DwQsNwQbng Follow Brett (Artpig) https://letterboxd.com/Artpig/

What should actors know about a casting director's job? And what is pursuing a career in casting like? Today's episode, featuring an intro from Jack and Christine and two interviews with award-winning CDs, pulls back the curtain on the gut-based and logistical processes involved in, as Emmy nominee Ellen Lewis puts it, the “creative collaboration with a director and/or writer to cast actors that will fill the world that they are envisioning.” And there's plenty of advice for auditioners, as fellow 2021 Emmy-contending CD Avy Kaufman reiterates her empathy and respect for actors: “It's gotta be so hard to walk into a room with a stranger, give one take or maybe two takes.... Know your material, do the best you can. And good luck.” Avy Kaufman has cast some of your favorite films and TV shows, from “Brokeback Mountain,” “The Sixth Sense,” “Garden State,” “Lincoln,” and “Ma Rainey's Black Bottom,” to “Billions,” “The Alienist,” “High Fidelity,” and “The Stand.” She's earned Primetime Emmy Awards for casting “Damages” and “Succession,” and is now nominated a sixth time for HBO's “Mare of Easttown,” the hit limited series from Brad Ingelsby and Kate Winslet. Ellen Lewis is the CD behind such classics as “Hannah and Her Sisters,” “The Devil Wears Prada,” “A League of Their Own,” “Forrest Gump,” and most Martin Scorsese pictures including “Goodfellas,” Casino,” “The Departed,” “The Wolf of Wall Street,” and “The Irishman.” She won Emmy Awards for her work on “Boardwalk Empire” and “Angels in America,” and is currently nominated for the fifth time for Netflix's limited series from Scott Frank, “The Queen's Gambit.” For in-depth interviews with top CDs (including Avy and Ellen), browse Backstage's “In the Room” column: https://bit.ly/3CK2Wsj --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Christine McKenna-Tirella, Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Original broadcast date May 25, 2017. The original podcast post is here: https://pixelatedgeek.com/2017/05/binary-system-podcast-83-zombies-run-with-special-guest-hannah/ If you've ever said "the only way I'd go running is if something was chasing me" then you already know one of the reasons we're fans of the Zombies, Run app. This week the twins' sister Hannah Wallace guest stars on the podcast to talk about all the other reasons we love this post-apocalyptic game/story/activity tracker, where zombies randomly show up to make you run faster while our favorite British voice actors cheer us on. We also fall down the rabbit hole of podcasts from across the pond, and how Hannah may or may not be stalking actors who perform Shakespeare with soup. Find Hannah on Twitter at @HannahWallace. https://twitter.com/hannahwallace The closing song is "I've Heard That Song Before" by Harry James, because it was used in the movie Hannah and Her Sisters. The Zombies, Run website is here. https://zombiesrungame.com/ Wooden Overcoats is here. (Kathryn's Wooden Overcoats fan art is here.) http://fandragon.deviantart.com/art/Wooden-Overcoats-Georgina-and-the-Waves-652291342 No Such Thing as a Fish is here. http://qi.com/podcast One of Felix Trench's Soup Soliloquies is here. https://youtu.be/UkXSNyYkxDw James Hamilton's demonic Build a Bear video is here. https://youtu.be/ZmElHup7SCw Correction from Hannah: I do feel the need to point out (and APOLOGIZE) for I think being really dumb in how I characterized Jamie's accent, which I believe is east London/Multicultural London English. I kind of blew past it with a dumb-oversimplification re: race, and I think I should just say I'm way too uninformed to have gone anywhere near that. I think I made it sound like you could identify race by accent, and obviously I know that's not true. If you want to follow along with Fanart Fridays, c

Antonia's Flowers (1985) by Antonia's Flowers+ Woody Allen's Interiors (1978) + Hannah and Her Sisters (1986) + Alice (1990) + Vicky Christina Barcelona (2008) with Petra Cortright petracortright.com 6/27/2021 ep.114   To gain access to the full catalog of TPN content please support us at https://www.patreon.com/perfumenationalist  

Eurovision winners Maneskin agree to drug test after cocaine allegations (NY Post) Pink Performs Show-Stopping Medley of Hits - Including Aerial Duet with Daughter Willow! - at 2021 BBMAs (PEOPLE) Kendall Jenner Hosts Star-Studded 818 Tequila Launch Party with Her Sisters, Hailey Baldwin and More (PEOPLE) Jennifer Lopez is all smiles with Ben Affleck in Miami (Page Six) Snap to buy AR company WaveOptics for over $500M (NY Post) WeWork Documentary RecapSpecial Guests: Katie Stevens, Aisha Dee and Meghann Fahy, The Bold Type The Morning Toast with Claudia (@girlwithnojob) and Jackie Oshry (@jackieoshry)Merch: https://shopmorningtoast.com/ The Morning Toast Patreon: https://www.patreon.com/themorningtoast Girl With No Job by Claudia Oshry: https://www.girlwithnojob.com/book

Joe & Raanan are back at it, this time discussing Woody Allen Movies- with an emphasis on 'Annie Hall', 'Hannah and Her Sisters', 'Manhattan', and of course, the new doc. It's uncomfortable, it's complicated, and Joe and Raanan's friendship is tested like never before. Dive in and enjoy. 

Laura Eastlake's Ancient Rome and Victorian Masculinity (Oxford University Press, 2019) examines Victorian receptions of ancient Rome from the French Revolution to the First World War, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature were at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire. These manifold and often contradictory representations were used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde. In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models. Using approaches from literary and cultural studies, reception studies, and gender studies, and ranging across the topics of education, politics, empire, and late Victorian decadence, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity. Dr. Laura Eastlake is a senior lecturer in English literature at Edge Hill University in the UK, with degrees in the Classics, classical reception, and Victorian literature, with additional research interests in sensation fiction, Victorian humour and substance-use, and the late-Victorian Gothic. Check out her exhibition at The Atkinson museum: Fatal Attraction: Lilith and Her Sisters. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura Eastlake’s Ancient Rome and Victorian Masculinity (Oxford University Press, 2019) examines Victorian receptions of ancient Rome from the French Revolution to the First World War, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature were at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire. These manifold and often contradictory representations were used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde. In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models. Using approaches from literary and cultural studies, reception studies, and gender studies, and ranging across the topics of education, politics, empire, and late Victorian decadence, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity. Dr. Laura Eastlake is a senior lecturer in English literature at Edge Hill University in the UK, with degrees in the Classics, classical reception, and Victorian literature, with additional research interests in sensation fiction, Victorian humour and substance-use, and the late-Victorian Gothic. Check out her exhibition at The Atkinson museum: Fatal Attraction: Lilith and Her Sisters. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This episode continues a mini-series of episodes on Orion Pictures, perhaps the best independent distributor not just of the 1980s but of all time. ----more---- This episode covers the following Orion movies released during 1985 and 1986: Absolute Beginners (1986, Julien Temple) A.K. (1986, Chris Marker) At Close Range (1986, James Foley) Back to School (1986, Alan Metter) The Bay Boy (1985, Daniel Petrie) Beer (1985, Patrick Kelly) Came a Hot Friday (1985, Ian Mune) Code of Silence (1985, Andrew Davis) Colonel Redl (1985, István Szabó) Desperately Seeking Susan (1985, Susan Seidelman) Dim Sum: A Little Bit of Heart (1985, Wayne Wang) The Falcon and the Snowman (1985, John Schlesinger) Flesh and Blood (1985, Paul Verhoeven) Foreign Body (1986, Ronald Neame) F/X (1986, Robert Mandel) A Great Wall (1986, Peter Wang) The Green Ray [aka Summer] (1986, Eric Rohmer) Hannah and Her Sisters (1986, Woody Allen) Haunted Honeymoon (1986, Gene Wilder) The Heavenly Kid (1985, Cary Medoway) Henry IV (1985, Marco Bellochio) Hoosiers (1986, David Anspaugh) Just Between Friends (1986, Allan Burns) The Longshot (1986, Paul Bartel) MacArthur's Children (1985, Masahiro Shinoda) Maxie (1985, Paul Aaron) The Mean Season (1985, Phillip Borsos) Miracles (1986, Jim Kouf) My Beautiful Laundrette (1986, Stephen Frears) My New Partner (1985, Claude Zidi) Opposing Force [aka Hellcamp] (1986, Eric Karson) The Piece Maker (1986, Brian De Palma [never made]) Platoon (1986, Oliver Stone) The Purple Rose of Cairo (1985, Woody Allen) Ran (1985, Akira Kurosawa) Remo Williams: The Adventure Begins (1985, Guy Hamilton) Restless Natives (1986, Michael Hoffman) Return of the Living Dead (1985, Dan O'Bannon) The Sacrifice (1986, Andrei Tarkovsky) Secret Admirer (1985, David Greenwalt) Something Wild (1986, Jonathan Demme) ¡Three Amigos! (1986, John Landis) Where the Green Ants Dream (1985, Werner Herzog)

It's another throwback to the 80s. This time it is Woody Allen's 1986 film Hannah and Her Sisters. This film is classic neurotic Woody Allen, with some other people thrown in! Did you know Woody Allen's future wife Soon-Yi is in the movie? Listen and find out where you can find her! 

For all you Woody Allen fans out there, this new episode is for you. Spoiler alert, we are not Woody Allen fans. Listen to us be underwhelmed by Hannah and Her Sisters as a rom com. Do make yourself a Three Eyed Raven cocktail to celebrate Max von Sydow being in this movie. Don't forget to rate, review, and subscribe and follow us on social media! instagram: @toastyromcoms twitter: @atoasttoromcoms

Eric and Sean rank and discuss the five nominees for the Best Picture of 1986 and bring up some other contenders for the prize that weren't nominated.  Once again, the nominees are: Children of a Lesser God, Hannah and Her Sisters, The Mission, Platoon, and A Room with a View.

PLAY PODCAST FXF_S01EP04_SIDNEY LUMET_THE_VERDICT: Maurice Schell, Lee Dichter, Peter Frank Sound editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , re-recording mixer,Lee Dichter, (Grey Gardens, Sophie's Choice, Hannah and Her Sisters, Miller's Crossing, The Civil War) and picture editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration onSidney Lumet'sThe Verdict. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

PLAY PODCASTFXF_S01EP04_SIDNEY LUMET_THE_VERDICT: Maurice Schell, Lee Dichter, Peter Frank Sound editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , re-recording mixer,Lee Dichter, (Grey Gardens, Sophie's Choice, Hannah and Her Sisters, Miller's Crossing, The Civil War) and picture editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration onSidney Lumet'sThe Verdict. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

Hannah and Her Sisters (1986) Director:  Woody Allen Producer:  Robert Greenhut Screenplay:  Woody Allen Photography:  Carlo Di Palma Music:  James V. Monaco Cast:  Barbara Hershey, Woody Allen, Michael Caine, Mia Farrow, Dianne Wiest Rotten Tomatoes:  Critics 91%/Audience 91%

伍迪•艾伦 Woody Allen出了什么事，老虎百合？ What&`&s Up, Tiger Lily? (1966) 傻瓜入狱记 Take the Money and Run (1969) 香蕉 Bananas (1971)性爱宝典 Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972)傻瓜大闹科学城 Sleeper (1973)爱与死 Love and Death (1975)安妮•霍尔 Annie Hall (1977)我心深处 Interiors (1978)曼哈顿 Manhattan (1979)星尘往事 Stardust Memories (1980)仲夏夜性喜剧 A Midsummer Night&`&s Sex Comedy (1982)西力传 Zelig (1983)丹尼玫瑰 Broadway Danny Rose (1984)开罗紫玫瑰 The Purple Rose of Cairo (1985)无线电时代 Radio Days (1987)汉娜姐妹 Hannah and Her Sisters (1986)情怀九月天 September (1987)另一个女人 Another Woman (1988)罪与错 Crimes and Misdemeanors (1989)丈夫、太太与情人 Husbands and Wives (1992)爱丽丝 Alice (1990)影与雾 Shadows and Fog (1991)曼哈顿谋杀疑案 Manhattan Murder Mystery (1993)子弹横飞百老汇 Bullets Over Broadway (1994)别喝生水 Don&`&t Drink the Water (1994)非强力春药 Mighty Aphrodite (1995)人人都说我爱你 Everyone Says I Love You (1996)解构爱情狂 Deconstructing Harry (1997)名人百态 Celebrity (1998)甜蜜与卑微 Sweet and Lowdown (1999) 业余小偷 Small Time Crooks (2000)玉蝎子的魔咒 The Curse of the Jade Scorpion (2001)

The Total Tutor Neil Haley will interview Joey King of Going In Style. Oscar winners Morgan Freeman (“Million Dollar Baby”), Michael Caine (“The Cider House Rules,” “Hannah and Her Sisters”) and Alan Arkin (“Little Miss Sunshine”) team up as lifelong buddies Willie, Joe and Albert, who decide to buck retirement and step off the straight- and-narrow for the first time in their lives when their pension fund becomes a corporate casualty. Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a daring bid to knock off the very bank that absconded with their money, in director Zach Braff's comedy “Going in Style.” Also starring are two-time Oscar nominee Ann-Margret (“Tommy,” “Carnal Knowledge”), Joey King (“The Conjuring,” “Wish I Was Here”), John Ortiz (“Kong: Skull Island”), Peter Serafinowicz (“Guardians of the Galaxy”), and Kenan Thompson (“Saturday Night Live”), with Oscar nominee Matt Dillon (“Crash”) and Christopher Lloyd (“Back to the Future” trilogy). Zach Braff (“Garden State,” “Wish I Was Here”) directed from a screenplay by Oscar nominee Theodore Melfi (“Hidden Figures,” “St. Vincent”). “Going in Style” was produced by Donald De Line (“The Italian Job”). The executive producers are Toby Emmerich, Samuel J. Brown, Michael Disco, Andrew Haas, Jonathan McCoy, Tony Bill (producer on the 1979 film “Going in Style”), and Bruce Berman. The creative filmmaking team includes director of photography Rodney Charters (“24”), production designer Anne Ross (“Lost in 

Kirsty Young's castaway this Christmas is Sir Michael Caine.In a film career that has spanned more than four decades he has won two Oscars; his credits include Alfie, The Italian Job, Hannah and Her Sisters and Educating Rita.As well as discussing his remarkable life in films, he describes how the Queen used to cut through his back garden on her way to the horse races, discusses the secrets of a happy marriage and reveals the tricks for cooking perfect roast potatoes this Christmas.[Taken from the original programme material for this archive edition of Desert Island Discs]Record: My Way, by Frank Sinatra Book: The Fountainhead, by Ayn Rand Luxury: A large bed with 50 per cent goose down and 50 per cent feather pillows.