Podcast appearances and mentions of Marie Windsor

Front Row Classics is thrilled to welcome back Czar of Noir himself Eddie Muller. Brandon and Eddie chat about the newly revised and expanded edition of "Dark City Dames: The Women Who Defined Film Noir". The book chronicles Eddie's interviews with 6 of noir's greatest 'dames': Audrey Totter, Marie Windsor, Evelyn Keyes, Jane Greer, Ann Savage and Coleen Gray. The revelations they shared with Eddie are often humorous and poignant. Eddie shares his memories of each actress with Brandon and highlights several other women spotlighted in the expanded section. "Dark City Dames: The Women Who Defined Film Noir" is available from Turner Classic Movies and Running Press wherever books are sold. Eddie Muller, aka the “Czar of Noir,” is the host of Turner Classic Movies' Noir Alley. He is also the prolific author of novels, biographies, plays, films, and movie histories, including Dark City: Revised and Expanded Edition, the essential cocktail manual Eddie Muller's Noir Bar, and the children's book Kid Noir. He also programs and hosts the Noir City film festival series, curates museums, and provides commentary for television, radio, and DVDs. As founder of the Film Noir Foundation, Muller has been instrumental in restoring and preserving dozens of lost noir classics. He resides in the San Francisco Bay Area in California.  

Dark City Dames Front Row Classics is thrilled to welcome back Czar of Noir himself Eddie Muller. Brandon and Eddie chat about the newly revised and expanded edition of “Dark City Dames: The Women Who Defined Film Noir”. The book chronicles Eddie’s interviews with 6 of noir’s greatest ‘dames’: Audrey Totter, Marie Windsor, Evelyn Keyes, … Continue reading Ep. 299- Dark City Dames-Interview with Eddie Muller →

Send us a textEddie Muller, host of Noir Alley on TCM, discusses his fully revised book "Dark City Dames: The Women Who Defined Film Noir," which profiles noir actresses both at the height of their fame and decades later as they reflected on their lives after Hollywood. He shares the fascinating journey of interviewing these women, gaining their trust, and documenting their remarkable stories of resilience as they navigated life after the spotlight faded.• Actresses profiled include Jane Greer, Ann Savage, Audrey Totter, Marie Windsor, Coleen Gray, & Evelyn Keyes• Added profiles include Claire Trevor, Rhonda Fleming, Joan Bennett, Ruth Roman, Gail Russell, and more...You can find "Dark City Dames: The Women Who Defined Film Noir" at booksellers beginning April 8th, with the first official book signing at the TCM Film Festival on April 24-27.Purchase Links: Dark City Dames: The Women Who Defined Film Noir (Revised and Expanded Edition)Dark City: The Lost World of Film Noir (Revised and Expanded Edition)Eddie Muller's Noir Bar: Cocktails Inspired by the World of Film Noir REVIEW - THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE with Tim Millard, host of The Extras Podcast.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"FORGOTTEN LEADING LADIES FROM THE GOLDEN AGE OF HOLLYWOOD" - 11/18/2024 A friend of mine once said that in Hollywood the toilet flushes every seven years. Meaning after about seven years, no one remembers who you are. Whether that's true or not, there are many classic film stars who were once popular, who have faded away into obscurity. We covered men a few months go, and now we are giving the ladies their due. Join us as we talk about four fabulous actresses who deserve to be remembered — LIZABETH SCOTT, MARIE WINDSOR, ELLA RAINES, and GERALDINE FITZGERALD.  SHOW NOTES:  Sources: “Biography of Lizabeth Scott,” August 1951, Paramount Pictures; “Liz Scott Slaps Libel Suit on Confidential Mag,” July 26, 1955, Variety; “Cut Actress Lizabeth Scott Out of Texan's Will,” May 12, 1971, Variety; "Geraldine's Long Journey,” June 13, 1971, New York Times; “Lizabeth Scott,” November 1971, by Don Stanke, Film Fan Magazine; Merv Griffin Interview with Geraldine Fitzgerald, 1977; Arlene Francis Interview with Geraldine Fitzgerald, 1985; Katie Kelly Interview with Geraldine Fitzgerald, 1985; “The Alluring Lizabeth Scott,” February 1993, by David M. Goodspeed, American Movie Classic magazine; “In Search of Lisabeth Scott: The Sphinx from Scranton,” Summer 2002, by Max Pierce, Films of the Golden Ages; “Marie Windsor A Shining Light,” piute.org; “Marie Windsor Tales of Noir and B Movies,” October 31. 1997, by Jerry Renshaw, The Austin Chronicle; “Marie Windsor, Femme Fatale And Queen of the B's, Dies at 80,” Dec. 14, 2000, New York  Times; “Geraldine Fitzgerald, 91, Star of Stage and Film, Dies,” July 19, 2005, New York Times; “Lizabeth Scott: Sultry Woman of Film Noir (Obit),” February 8, 2015, Los Angeles Times; “A Light In the Dark: Ella Raines and Film Noirs Working Girls,” Fall 2015, by Imogen Sara Smith, Noir City magazine; “A Centenary Celebration of Ella Raines: Radiant Film Stars Daughter Reflects on Her Mother's Career,” August 6, 2020, by Leticia Magalhães, Cine Suffragette; TCM.com; IMDBPro.com; Movies Mentioned:  LIZABETH SCOTT: You Came Along (1945); The Strange Love of Martha Ivers (1946); Dead Reckoning (1946); Desert Fury (1947); I Walk Alone (1947); Pitfall (1948); Too Late for Tears (1949); Paid In Full (1950); Dark City (1950); The Company She Keeps (1951); Red Mountain (1951); The Racket (1951); Stolen Face (1952); Bad For Each Other (1953); Scared Stiff (1953); Loving You (1957) Pulp (1972); MARIE WINDSOR: Unexpected Uncle (1941); Weekend For Three (1941); All American Co-ed (1941); The Hucksters (1947); Song of the Thin Man (1947); Three Musketeers (1948); The Kissing Bandit (1948); Force of Evil (1948);  Outpost in Morocco (1949); Beautiful Blonde From Bashful Bend (1949); Hellfire (1949); The Fighting Kentuckian (1949); Dakota Lil (1950); Little Big Horn (1951); The Narrow Margin (1952); Cat Women of the Moon (1953); Abbott and Costello Meet the Mummy (1955);  The Killing (1956); ELLA RAINES: Corvette K-225 (1943); Cry Havoc (1943); The Phantom Lady (1944); Hail The Conquering Hero (1944); Tall In The Saddle (1944); The Suspect (1944);  The Strange Affair of Uncle Harry (1945); White Tie and Tails (1945) Brute Force (1947); The Senator Was Indiscreet (1947); The Walking Hills (1949); Impact (1949); The Man In The Road (1956); GERALDINE FITZGERALD: Blind Justice (1934); Dark Victory (1939); Wuthering Heights (1939); The Gay Sisters (1942); Watch on the Rhine (1943); Wilson (1944); Nobody Lives Forever (1946); Three Strangers (1946); Ten North Frederick (1958); The Pawnbroker (1964); Rachel, Rachel (1968); Harry and Tonto (1974); Arthur (1981); Do You Remember Love (1985); Arthur 2: On The Rocks (1988); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

#Noirvember 10, 2024 Marie Windsor - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles.  #Noirvember 30 Day Challange Playlist -  https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf  GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”

Episode 400: The Crew's really glad pointless voiceover is hardly used today while watching Stanley Kubrick's The Killing. This 50's noir (and early heist film) isn't Kubrick's best work, but audiences can see the early building blocks of the filmmaker he would become. Marie Windsor is a standout as the femme fatale. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

NYEAH SEE!? Who says that? Who says “Nyeah See”? Is it Jimmy Cagney? Edward G. Robinson? That tiny mobster guy in the Looney Tunes cartoon? I can't exactly remember. March is classic Film Noir five days a week and we're dramatically calling it “THE LEFT HAND ENDEAVOR” because it's cool and it makes us feel cool to say it. Bob and Angela LOVE this shit so as far as they're concerned, it's bangers all month long and today is no exception. We're tackling our third Stanley Kubrick movie for the show with one of his earliest pictures and his first “serious” film (as he sort of puts it) and it just happens to be one of the best heist movies of all time. Johnny Clay's got some boys together but some of the elements are a bit volatile. There's some sad girls and some bad girls. Crooked cops, clown masks and some Pro Wrestling. Of course we're speaking of “THE KILLING” from 1956 starring Sterling Hayden, Elisha Cook & Marie Windsor. One of the most thrilling noirs this month and you really feel that end sequence. But why is it called “The Killing”, though? Which kill is “The Killing”? Of course you can often find these older movies online if you know where to look. For Example: https://archive.org/details/thekilling1956 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Before Noirvember ends, we wanted to bring you a new episode about one of the later efforts during the peak of the film noir genre -- it's Stanley Kubrick's The Killing. This 1956 lean and mean movie follows a a cadre of fellas as they plan to pull off a heist at a racetrack. Grant joins us in this Criterion episode. Listen at the link below.

The city was draped in Noirvember's shroud, and Not a Bomb was the beacon in this murky storm. In sauntered Sophia from the Moviestruck podcast, a siren with a penchant for unraveling tales buried in shadows. Deception, detectives as sharp as whiskey, dames with allure as lethal as a bullet, thugs with a dime-a-dozen sneer, and the haunting symphony of trains set the stage for our rendezvous.We were all set for a tango in the darkness, dissecting two classics that echoed through time, a clash of eras bathed in secrets. '90s Narrow Margin and its '52 predecessor, The Narrow Margin, each holding court in their own epoch. The former—a flop, a silver screen misfire, while the latter—a darling of the Academy, embraced universally by critics.But here's the kicker, dear listeners: will our novice sleuths echo the choir of critics or dance to a newer tune? Will they find solace in the nostalgic embrace of '52 or dare to crave the thrill of something fresher?Take a seat, for this discourse will have your nerves as taut as a piano wire. The air was thick with anticipation, charged with the essence of unraveling mysteries, secrets, and the palpable taste of suspense. Not a Bomb was ready to detonate the truth behind these cinematic enigmas, and Sophia was our guiding light through the labyrinth of twists and turns. Buckle up, for this discussion was set to be a ride along the edges of your seat, a thrill that Noirvember couldn't contain.Narrow Margin is directed by Peter Hyams and stars Gene Hackman, Anne Archer, James B. Sikking, J.T. Walsh and M. Emmet Walsh. The Narrow Margin is directed by Richard Fleischer and stars Charles McGraw, Marie Windsor and Jacqueline White.Make sure to check out Sophia over at the Moviestruck Podcast and drop her a review! We bet you will love episode 63!!!!If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy, Sophia

"Fix me a drink George.  I think I'm developing some pains myself." The Killing (1956) written and directed by Stanley Kubrick and starring Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Marie Windsor, James Edwards and Timothy Carey. Next Time: The Poseidon Adventure (1972)

We interrupt your regularly scheduled Gill-Man mayhem to bring you Abbott and Costello's final monster movie! Join “The Invisible Dan” and “Monster Mike” as they dive back into the the world of horror comedy for the iconic comedy team's encounter with the mummy! They talk about Marie Windsor's electrifying performance, the multitude of Batman connections in the cast, the incredible dance troupes showcased in this one, and why, unfortunately, none of it really makes up for all the stale jokes and that horrible mummy suit. If you enjoy this episode, and want to support the show, check out our Patreon!

Cannabis comic and activist Ngaio Bealum joins us for our SEASON TWO PREMIERE, and he's selected two movies that are real gateway drugs to classic cinema. Both films are tense AF depictions of desperate men trying to pull off that one last score. Both movies were also made by domineering filmmakers, so, as Ngaio says, this could have been our asshole director episode. First up, is THE KILLING (1956), a cutting-edge noir from a young Stanley Kubrick making his first Hollywood studio film. Made on a shoestring budget, Kubrick still shows more than mere glimpses of his future promise with overlapping timelines, a camera that appears to move through walls and furniture, and brutal violence that is still shocking today. Backing Kubrick is a noir who's who with Sterling Hayden putting together an intricate racetrack heist, Timothy Carey AKA God Hilliard as a deranged hitman, Elisha Cook, Jr. as the weak link in the chain, and Marie Windsor as Elisha's conniving wife. There's also a hairy wrestler airplane spinning cops! What more can you ask for? How about a bunch of sweaty dudes driving truckloads of nitro across treacherous South American terrain where any bump in the road--and there are loads of bumps--could send them all sky high? Well, that's what we've got in Ngaio's second pick, Henri-Georges Clouzot's THE WAGES OF FEAR from 1953. This movie is more of a gateway drug to French cinema that classic film as a whole, but the last hour or so of it is a real white-knuckler so you'll really want to heed the weed recommendations for this one to get you through all that suspense. "Don't smoke a sativa with this one," Ngaio warns. The Killing is streaming for free with ads on Pluto The Wages of Fear is streaming on HBOMax, Criterion Channel & Kanopy You can follow Ngaio on Twitter and Instagram at @ngaio420. We hope to have him back on the show soon. Hosts: Bob Calhoun, Philena Franklin & Greg Franklin Theme song and closing theme: Chaki the Funk Wizard Cory Sklar is on assignment but he will be back for our Psychedelic Kaiju episode in February. The movies will be WAR OF THE GARGANTUAS (1966) & MATANGO (1963).

The lads escape the cold of November and head for Hawaii to investigate songwriter/restauranteur/ex-criminal Chet Chester aka Randy Williams aka Wendell Corey in John H. Auer's Hell's Half Acre! Also starring Evelyn Keyes, Elsa Lanchester, Marie Windsor, Keye Luke and Philip Ahn who help bring the shadows to Honolulu. Questions, comments or song lyrics? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast TWEET TWEET: twitter.com/outofthecast

The Killing (1956) directed by Stanley Kubrick. Stanley Kubrick's account of an ambitious racetrack robbery is one of Hollywood's tautest, twistiest noirs. Aided by a radically time-shuffling narrative, razor-sharp dialogue from pulp novelist Jim Thompson, and a phenomenal cast of character actors, including Sterling Hayden, Coleen Gray, Timothy Carey, Elisha Cook Jr., and Marie Windsor, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony, it's Kubrick to the core. This is The Recommendation Game, a bi-weekly podcast where two film lovers take turns to recommend a film the other has not seen, they watch and then skype to discuss it. Spoilers are a given. We are Ricardo Deakin and Orla McNelis, two filmy types who love waffling. Catch us on Dublin Digital Radio every second Monday: listen.dublindigitalradio.com/home Follow us on Twitter: twitter.com/therecgame Like us on Facebook: www.facebook.com/therecommendationgame/

Wow, you are in for one CRAZY ride today - the lads are headed to 1953's City That Never Sleeps (aka Chicago, duh), directed by John H. Auer and starring Gig Young, Mala Powers, William Talman, Edward Arnold, Chill Wills, Marie Windsor and Paula Raymond. Make sure your gears are oiled and ready, it's going to get mechanical! Questions, comments or magic tricks? therealoutofthepodcast@gmail.com

You know we're talking about a master filmmaker when this channel has already covered more than half of the man's titles and we're only now getting to this gritty crime classic. The Killing was early in Stanley Kubrick's career, so he wasn't yet at the top of his game as he would be for the next 40+ years. Still, there's plenty of examples of the technical prowess that would come to be trademark Kubrick. Fittingly, the complex plot even resembles a chess game. We weren't seeing eye to eye about the work of tough-but-sometimes-sweet Sterling Hayden or the ultra-fatal femme fatale Marie Windsor. We DID see eye to eye that the best part of the movie is the last half-hour. So get your listening device ready and make a clean break out to the race track as the 405th Ellises' Analysis talks about The Killing. Well, Actually: Elisha Cook Jr. is named Mr. Micklas (not “Nicklas”) and is the landlord at the Dakota Building in Rosemary's Baby. Planning the perfect robbery would go smoother with Sparkplug Coffee in a cup beside you. If you like getting 20% discounts, well, they'll give you one if you just enter our promo code of “top100project” when you're ready to pay the bill. And pay the bill please. No theft. Twitter, do ya? If so, you can discover us @moviefiend51 and @bevellisellis Our website is top100project.com Scoring At The Movies is Ryan's other podcast, where sports films are discussed

We're off to the races to plot the perfect crime on today's episode - the lads discuss director Stanley Kubrick's noir classic "The Killing", featuring an all-star cast: Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Elisha Cook Jr., Marie Windsor and many more! Questions, comments or horse tips? therealoutofthepodcast@gmail.com

Have Gun Will Travel, originally broadcast March 22, 1959, The Five Books of Owen Deaver. Owen Deaver, the very tough sheriff of Three Winds, sets his own laws, whether or not the townsfolk want them. Also Suspense, originally broadcast March 22, 1959, Script by Mark Brady. Who killed who? "I didn't know the gun was unloaded!" A radio script writer tries for ultra-realism. Marie Windsor stars.

Hailed as the "Queen of the B-movies," Marie Windsor carved out a career playing tough femme fatale roles in noir dramas like The Narrow Margin and The Killing. Her brassy, sultry aura made her a natural fit for those characters, and she put her talents to work in her one visit to Suspense as a woman caught in a love triangle with deadly results. We'll hear her in "Script by Mark Brady" (originally aired on CBS on March 22, 1959). Plus, we'll hear her alongside Frank Lovejoy and Ted de Corsia in an all-star production of Escape, "Danger at Matacumbe" (originally aired on CBS on March 24, 1950).

Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: DECEMBER 11 NATIONAL SALESPERSON DAY Hailee Steinfeld , Rita Moreno , Teri Garr , Max Martini , Tom Hayden, Donna Mills , Gilbert Roland , Mo'Nique , Marie Windsor, Jean-Louis Trintignant , Betsy Blair ,, Tom Shadyac , Yalitza Aparicio, Frank Ferranna , Jean Marais --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message

0:00:00 - Intro0:01:07 - Growing Up in Las Vegas0:05:03 - Dancing and Work Ethic0:09:55 - Home Life 0:12:15 - New York & UNLV 0:13:55 - Production Assistant in L.A. 0:15:55 - Stand in on A Few Good Men 0:20:20 - Waitressing & Acting Classes 0:22:50 - Going to Work for Mari Winsor0:25:45 - Hollywood Life in the 90s0:28:05 - Training Celebrities 0:33:02 - Losing 75 Pounds in 3 Months0:36:58 - Diet & Nutrition0:40:25 - Working Out During Quarantine 0:43:25 - Youtube, Vimeo & App0:45:45 - Getting Ripped0:47:25 - Acting in Hollywood 0:49:55 - Short Films & Casting Directors 0:54:30 - FIt BIB Invention 0:56:40 - Achieving Goals 0:59:20 - "40ish" Short Film 1:02:53 - ALS1:04:20 - Wrap Up Nicole Stuart Instagram:https://instagram.com/nicolestuartla ALS: https://www.als.org/Chuck Shute Instagram:https://instagram.com/chuck_shuteSupport the show (https://www.patreon.com/ChuckShute)

Special mid-season DOUBLE episode! You are in for an extended treat to pleasure your ear holes today, join us while we discuss two films, the 1952 original film The Narrow Margin and the 1990 remake Narrow Margin. Also stick around as hints are dropped to an amazing gift that Lady Carly bestoweths (is that a word? I dunno, you decide!) unto peasant Jason. The Narrow Margin - 1952 The Narrow Margin is a 1952 American film noir directed by Richard Fleischer and written by Earl Felton, based on an unpublished story written by Martin Goldsmith and Jack Leonard. The screenplay by Earl Felton was nominated for an Academy Award.[4] The picture stars Charles McGraw, Marie Windsor, and Jacqueline White. It was released by RKO Radio Pictures. A police detective plays a deadly game of cat-and-mouse aboard a train with mob assassins out to stop a slain gangster's widow before she can testify before a grand jury. Narrow Margin - 1990 Narrow Margin is a 1990 American crime thriller film directed by Peter Hyams and released by TriStar Pictures, loosely based on the 1952 film noir The Narrow Margin. It tells the story of a Los Angeles deputy district attorney who attempts to keep a murder witness safe from hit men while traveling through the Canadian wilderness aboard a train. The film stars Gene Hackman and Anne Archer. Support us by subscribing and leaving a review! https://anchor.fm/speakeasy-noircast Call us at: ‪(818) 643-1441 Facebook: https://www.facebook.com/speakeasynoircast Twitter: https://twitter.com/SpeakEasyNoir Website: http://resurrectionfilms.co.uk/home/index.php/speakeasy/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/speakeasy-noircast/message Support this podcast: https://anchor.fm/speakeasy-noircast/support

Have Gun Will Travel, originally broadcast March 22, 1959, The Five Books of Owen Deaver. Owen Deaver, the very tough sheriff of Three Winds, sets his own laws, whether or not the townsfolk want them. Also Suspense, originally broadcast March 22, 1959, Script by Mark Brady. Who killed who? "I didn't know the gun was unloaded!" A radio scriptwriter tries for ultra-realism. Marie Windsor stars.

This week’s theme is classic heists from a more civilized era. We start with Jules Dassin’s Paris jewelry heist Rififi (1955), with Jean Servais as Tony le Stéphanois putting together a crew after five years inside. Next up is Stanley Kubrick’s racetrack heist The Killing (1956), with Sterling Hayden as Johnny Clay putting together a crew after five years inside. Finally we have psychedelic Turkish museum heist Topkapi (1964) with Melina Mercouri seducing her crew into doing anything she asks them to.Also: The Man with the Golden Arm (1955). Does this smell like chloroform? Reservoir Dogs? Ocean’s Eight (2018). Point Blank (1967)/Payback (1999). Dennis Haysbert again. Marie Windsor. Officer Steve. Bawst’n. James Edwards. The floor is lava. Oil wrestling. Turkish moustache wrangler. Actor’s insurance. The Wax and the Furious. Suction and tension. We play a game of “Stop! Thief!” then do some honorable mentions.

Jim examines a cult classic celebrating its 65th Anniversary, "Cat-Women Of The Moon," starring Sonny Tufts, Marie Windsor, Victor Jory, William Phipps, Douglas Fowley and Susan Morrow. Man's first expedition to the Moon discovers life in the form of women who closely resemble "The Hollywood Cover Girls," along with a sinister plot. Will MANkind prevail? Find out on this episode of "Monster Attack!"

One of the greatest and pure Film Noirs, this movie set on a moving train, is suspenseful and tense. Charles McGraw and Marie Windsor are antagonistically wonderful in The Narrow Margin (1952) SPREAD THE WORD! If you enjoyed this episode head on over to iTunes and kindly leave us a rating, a review, and subscribe! We would love to get your feedback! Email Click here to subscribe via iTunes Read more at classicmovierev.com 

Our guest this month is Film Noir Foundation charter director and treasurer Alan K. Rode. We discuss the recent NOIR CITY Hollywood festival, starting with a brief history of the festival and some of this year's movies including Address Unknown and Quiet Please Murder (4:15), a nod to the studios supporting the FNF with great prints of rare titles for the NOIR CITY festivals (8:40), how B-movies were promoted with unusual titles and innovative screenwriting (9:50), a few anecdotes on alternate movie titles from old Hollywood (12:25), plus the challenges of finding film prints of long-unseen movies, including one with no opening credits, and untangling issues involving multiple rights-owners (14:20). Then we talk about the upcoming Arthur Lyons Film Noir Festival in Palm Springs. We discuss the festival's origins and Alan continuing the work of its late founder (20:50), behind-the-scenes stories with guests over the years including Ernest Borgnine, Norman Lloyd, Barbara Hale, Nancy Olson, and Jon Polito (25:00), the unique festival atmosphere of Palm Springs, with unplanned cast and crew reunions (30:50), videos available online of guest interviews, such as June Lockhart on acting with dogs on Lassie and battling vegetables on Lost In Space (34:45), and a preview of this year's festival guests and movie lineup, including Meet Danny Wilson and All The King's Men (38:35). We also discuss how Alan's family connections with old Hollywood influenced him growing up (45:10), his biography of Charles McGraw and narrating Hollywood history through a non-superstar's perspective (48:05), reviving interest in McGraw's movies (52:50), and background on Alan's upcoming Michael Curtiz biography (55:00). The 18th annual Arthur Lyons Film Noir Festival will be held from May 11-14: http://arthurlyonsfilmnoir.ning.com/ Video interviews of festival guest appearances at Palm Springs are available at: http://www.filmnoirfoundation.org/video.html Alan details his Hollywood family remembrances at his website: https://alankrode.com/index.php/dinner-with-alfonse-a-family-remembrance Alan's book "Charles McGraw: Film Noir Tough Guy" is available at: https://www.amazon.com/gp/product/0786471727/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0786471727&linkCode=as2&tag=%20mywebsite6008-20&linkId=7f2e1fb4113f877af109260a30572b8b "Michael Curtiz: A Life In Film" will be available in November: https://www.amazon.com/gp/product/B06WVDXBQV/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B06WVDXBQV&linkCode=as2&tag=%20mywebsite6008-20&linkId=60ae087f92eda5d0feebd6ceca5160f2 NOIR CITY film festival posters, souvenir program, and e-magazine back issues are available at: http://www.noircity.com/noircityware.html Feedback: podcast@filmnoirfoundation.org Music: Themes from The Asphalt Jungle (by Miklos Rozsa) and The Accused (Victor Young). "That Old Black Magic" (Harold Arlen and Johnny Mercer) from Meet Danny Wilson (sung by Frank Sinatra). Dialogue from The Narrow Margin, with Charles McGraw and Marie Windsor.

An undercover policewoman helps three female convicts escape from prison so that they can lead her to a stash of stolen diamonds hidden in a swamp.Director: Roger CormanWriter: David Stern (screenplay)Stars: Marie Windsor, Carole Mathews, Beverly Garland - via IMDB https://archive.org/details/SwampDiamonds

Astronauts travel to the moon where they discover it is inhabited by attractive young women in black tights.Director: Arthur HiltonWriters: Al Zimbalist (based on a story), Jack Rabin (based on a story), 1 more credit »Stars: Sonny Tufts, Victor Jory, Marie Windsor - via IMDB https://archive.org/details/Cat_Women_of_the_Moon

Classified as a “B” movie, The Narrow Margin rises above its “B” label and shines as a great example of film noir from the early 1950s. Directed by Richard Fleischer and starring the “gravel voiced, stoney faced & grizzled looking actor” Charles McGraw, Marie Windsor and Jacqueline White it tells the story of a woman planning to testify against the mob that must be protected against her assassins on the train trip from Chicago to Los Angeles. Remade in 1990 with Gene Hackman and Anne Archer. The original is generally accepted as a superior film. Well, Bob and I sure enjoyed it!

This time around it's Frank Perry's 1972 look at the downside of Hollywood, Play It As It Lays starring Tuesday Weld and Tony Perkins then we go to 1956 for an early Stanley Kubrick film noir, The Killing, starring Sterling Hayden and Marie Windsor. Support The Podcast Via Patreon

Título original The Killing Año 1956 Duración 83 min. País Estados Unidos Estados Unidos Director Stanley Kubrick Guión Stanley Kubrick (Novela: Lionel White. Diálogos: Jim Thompson) Música Gerald Fried Fotografía Lucien Ballard (B&W) Reparto Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Marie Windsor, Ted DeCorsia, Elisha Cook, Joe Sawyer, Timothy Carey, Jay Adler, Joe Turkel, Kola Kwariani, James Edwards, Tito Vuolo, Cecil Elliott, Dorothy Adams, Herbert Ellis, Mary Carroll Productora MGM / UA Género Cine negro. Intriga. Thriller | Crimen. Robos & Atracos Sinopsis Después de pasar por la cárcel, Johnny Clay ha decidido dar el último golpe de su vida, el que le permita retirarse junto a su amada Fay. El plan es llevarse la recaudación de las carreras de caballos de un hipódromo. Después de una meticulosa selección de colaboradores, planea la estrategia del asalto con una precisión insospechada. Tratará de provocar un altercado en la sala de apuestas y matar al caballo favorito de la séptima carrera. Clay cuenta con la ayuda de Randy, un policía sobornado, George, el cajero de las apuestas, y Mike, barman del hipódromo. El atraco se desarrolla según lo previsto, pero los problemas se presentan con el reparto del botín.

Stanley Kubrick's 3rd film, "The Killing," was a box office bomb due to a poor release plan from United Artists and virtually no marketing. Luckily, the film was critically praised and has grown in stature since its release in 1956. It's a film noir about a race track heist gone wrong with the fantastic Sterling Hayden leading the charge, and the last film in our Heist series. Join us — Pete Wright and Andy Nelson — as we finish this series with Kubrick's early classic. We talk about the story and how revolutionary it was at the time to tell a story that was told out of chronological sequence. We discuss the actors and the roles they play in this great film, particularly Sterling Hayden, Elisha Cook Jr. and Marie Windsor. We talk about the look of the film yet how Kubrick and his cinematographer, Lucien Ballard, were at odds throughout production. And we chat about why this film was so ahead of its time and why it's largely considered an important classic that's worth discussing. It's a great finish to our current Heist series. Listen in!

Stanley Kubrick's 3rd film, "The Killing," was a box office bomb due to a poor release plan from United Artists and virtually no marketing. Luckily, the film was critically praised and has grown in stature since its release in 1956. It's a film noir about a race track heist gone wrong with the fantastic Sterling Hayden leading the charge, and the last film in our Heist series. Join us — Pete Wright and Andy Nelson — as we finish this series with Kubrick's early classic. We talk about the story and how revolutionary it was at the time to tell a story that was told out of chronological sequence. We discuss the actors and the roles they play in this great film, particularly Sterling Hayden, Elisha Cook Jr. and Marie Windsor. We talk about the look of the film yet how Kubrick and his cinematographer, Lucien Ballard, were at odds throughout production. And we chat about why this film was so ahead of its time and why it's largely considered an important classic that's worth discussing. It's a great finish to our current Heist series. Listen in!

Stanley Kubrick's 3rd film, "The Killing," was a box office bomb due to a poor release plan from United Artists and virtually no marketing. Luckily, the film was critically praised and has grown in stature since its release in 1956. It's a film noir about a race track heist gone wrong with the fantastic Sterling Hayden leading the charge, and the last film in our Heist series. Join us — Pete Wright and Andy Nelson — as we finish this series with Kubrick's early classic. We talk about the story and how revolutionary it was at the time to tell a story that was told out of chronological sequence. We discuss the actors and the roles they play in this great film, particularly Sterling Hayden, Elisha Cook Jr. and Marie Windsor. We talk about the look of the film yet how Kubrick and his cinematographer, Lucien Ballard, were at odds throughout production. And we chat about why this film was so ahead of its time and why it's largely considered an important classic that's worth discussing. It's a great finish to our current Heist series. Listen in!

Stanley Kubrick's 3rd film, "The Killing," was a box office bomb due to a poor release plan from United Artists and virtually no marketing. Luckily, the film was critically praised and has grown in stature since its release in 1956. It's a film noir about a race track heist gone wrong with the fantastic Sterling Hayden leading the charge, and the last film in our Heist series. Join us — Pete Wright and Andy Nelson — as we finish this series with Kubrick's early classic. We talk about the story and how revolutionary it was at the time to tell a story that was told out of chronological sequence. We discuss the actors and the roles they play in this great film, particularly Sterling Hayden, Elisha Cook Jr. and Marie Windsor. We talk about the look of the film yet how Kubrick and his cinematographer, Lucien Ballard, were at odds throughout production. And we chat about why this film was so ahead of its time and why it's largely considered an important classic that's worth discussing. It's a great finish to our current Heist series. Listen in!

FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com.