Podcast appearances and mentions of kenny wollesen

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This episode of Across The Margin : The Podcast features an interview with acclaimed violinist and composer Jenny Scheinman. Scheinman has produced several critically acclaimed solo albums, including 12 Songs, named one of the Top Ten Albums of 2005 by The New York Times. She has played with Norah Jones, Nels Cline, Lou Reed, Ani Difranco, Aretha Franklin, Lucinda Williams, Bono, Bill Frisell, and Allison Miller. For years, Scheinman nursed the idea of a musical homage to Humboldt, in particular the area known as the Lost Coast, a remote, earthquake and mudslide-prone region of coastal northern California, where she was raised. She considered the project from many angles. That idea has come to fruition in the form of her latest album entitled All Species Parade, the focus of this episode. All Species Parade is an epic and sprawling double album with an A-list ensemble, featuring guitarists Bill Frisell, Julian Lage and Nels Cline, pianist Carmen Staaf, bassist Tony Scherr and drummer Kenny Wollesen. Though the album does evoke a sense of pastoral wonder, it also strives to capture in Jenny's words, “a charged relationship to nature, a feeling of being part of something bigger than ourselves, powerful, and fragile, and constantly changing. Something alive. With All Species Parade, I set out to musically reflect that experience of awe.” In this episode host Michael Shields and Jenny Scheinman discuss how nature, and a personal musical challenge of Jenny's regarding song length and breadth, inspired the soundscapes found on All Species Parade. They talk about the outstanding grouping of players on the album, how Jenny paid tribute to the Wiyot Tribe with the song “Jaroujiji,” what the true meaning of the song “Shutdown Stomp” actually is, and so much more. Hosted on Acast. See acast.com/privacy for more information.

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“JOE VENUTI AND EDDIE LANG” “JOE VENUTI AND EDDIE LANG” New York, September 29, 1926Stringing the blues, Black and blue bottomJoe Venuti (vln) (g) STUFF SMITH “BILTMORE HOTEL” New York, January 6, 1937Honeysuckle rose, Stomping at the SavoyStuff Smith (vln) Clyde Hart (p) Bobby Bennett (g) John Kirby (b) Cozy Cole (d) Ella Fitzgerald (vcl) EDDIE SOUTH “PARIS” – November 25, 1937Fiddle blues (1,2)Eddie South (vln) Stephane Grappelli (vln-1) Django Reinhardt (g) Paul Cordonnier (b-2) “AND DUO” – Hilversum, Holland, March 13, 1938Black gypsyEddie South (vln) Dave Martin (p) STEPHANE GRAPPELLI “VIOLINS NO END” Paris, May 4, 1957Don't get around much anymoreStephane Grappelli, Stuff Smith (vln) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Jo Jones (d) JEAN-LUC PONTY “UPON THE WINGS OF MUSIC” Los Angeles, CA, January, 1975Upon the wings of musicJean-Luc Ponty (vln,el-vln,violectra,synt) Patrice Rushen (p,el-p,org,clavinet,synt) Dan Sawyer (el-g) Ralphe Armstrong (el-b) Leon “Ndugu” Chancler (d,perc,tom-tom) BILLY BANG “TRIBUTE TO STUFF SMITH” New York, September 20, 21 & 22, 1992Lover manSun Ra (p,synt) Billy Bang (vln) John Ore (b) Andrew Cyrille (d) REGINA CARTER “ELLA : ACCENTUATE THE POSITIVE” New York, December, 2016All my lifeXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) JENNY SCHEINMAN “THE RABBI'S LOVER” Brooklyn, NY, 2001The rabbi's loverRuss Johnson (tp) Adam Levy (g) Jenny Scheinman (vln) Greg Cohen (b) Trevor Dunn (b-1) Kenny Wollesen (d) Continue reading Puro Jazz 21 de octubre, 2024 at PuroJazz.

“JOE VENUTI AND EDDIE LANG” “JOE VENUTI AND EDDIE LANG” New York, September 29, 1926Stringing the blues, Black and blue bottomJoe Venuti (vln) (g) STUFF SMITH “BILTMORE HOTEL” New York, January 6, 1937Honeysuckle rose, Stomping at the SavoyStuff Smith (vln) Clyde Hart (p) Bobby Bennett (g) John Kirby (b) Cozy Cole (d) Ella Fitzgerald (vcl) EDDIE SOUTH “PARIS” – November 25, 1937Fiddle blues (1,2)Eddie South (vln) Stephane Grappelli (vln-1) Django Reinhardt (g) Paul Cordonnier (b-2) “AND DUO” – Hilversum, Holland, March 13, 1938Black gypsyEddie South (vln) Dave Martin (p) STEPHANE GRAPPELLI “VIOLINS NO END” Paris, May 4, 1957Don't get around much anymoreStephane Grappelli, Stuff Smith (vln) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Jo Jones (d) JEAN-LUC PONTY “UPON THE WINGS OF MUSIC” Los Angeles, CA, January, 1975Upon the wings of musicJean-Luc Ponty (vln,el-vln,violectra,synt) Patrice Rushen (p,el-p,org,clavinet,synt) Dan Sawyer (el-g) Ralphe Armstrong (el-b) Leon “Ndugu” Chancler (d,perc,tom-tom) BILLY BANG “TRIBUTE TO STUFF SMITH” New York, September 20, 21 & 22, 1992Lover manSun Ra (p,synt) Billy Bang (vln) John Ore (b) Andrew Cyrille (d) REGINA CARTER “ELLA : ACCENTUATE THE POSITIVE” New York, December, 2016All my lifeXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) JENNY SCHEINMAN “THE RABBI'S LOVER” Brooklyn, NY, 2001The rabbi's loverRuss Johnson (tp) Adam Levy (g) Jenny Scheinman (vln) Greg Cohen (b) Trevor Dunn (b-1) Kenny Wollesen (d) Continue reading Puro Jazz 21 de octubre, 2024 at PuroJazz.

Jesse Harris belongs to a generation of New York singer songwriters who came of age in the late nineties. He has made over 20 solo albums that walk the line between folk, jazz, pop, Brazilian and art rock. He's also a much sought after co writer and collaborator who has written songs for and or with many others like Madeleine Peyroux, Melody Gardot, Lana del Rey, and most famously Norah Jones.  Jesse was already well into his career when he met a young Norah Jones on a road trip through Texas and played his songs for her. He had already been signed and dropped from a major label with his band Once Blue (a project he started with Rebecca Martin, and which also featured musicians Ben Street, Kurt Rosenwinkel and Kenny Wollesen), and had already been exploring a space in his songwriting that played in between jazz and pop.  But that chance encounter with Jones, who was still a student at the University of North Texas at the time, was the one that would change the course of Jesse's career. They stayed in touch and began working together when Jones eventually moved to New York.  Her debut album, 2002's Come Away With Me contained five of his songs including the now ubiquitous standard “Don't Know Why”. He also played guitar on the record. Their partnership has endured over the years - Jones and Harris have written together on and off ever since then - but it was that first record that arguably redirected the sound of certain strains of popular music and jazz for a generation.  The success of Come Away With Me also opened new doors for Harris as a solo artist and a composer. Ultimately he started a label (Secret Sun, named after a solo album of the same name) to put out the projects that he produced for himself and others, and recently has been dividing his time between New York and Paris. Jesse is a relentlessly prolific songwriter, someone for whom songs are like air and water; they are simply a fact of life.  Here he talks about Paper Flower, his most recent album recorded in Paris with American and French musicians, his approach to songwriting (“writer's block is a choice”) and production, taking things as they come, confession versus craft, venturing into the unconscious, and whether it is his fate to work with female artists.  www.third-story.com https://www.wbgo.org/podcast/the-third-story  

A carnival collective and brass band's take on a Britney Spear mega-hit open the dances, literally, and set the tone for a playlist full of surprises. The playlist features Thiago França [pictured], A Espetacular Charanga do França; Altus; Welf Dorr, Elias Meister, Dmitry Ishenko, Kenny Wollesen; Emanuele Primavera; Kim Cass; Superposition. Detailed playlist at https://spinitron.com/RFB/pl/19343552/Mondo-Jazz [from "Toxic" onwards] Happy listening!

El sonido del compositor, saxofonista e improvisador neoyorquino se expande en mil direcciones, y comprende desde el jazz heterodoxo y de influjo improvisatorio hasta el punk y el funk. Él es el motor del jazz moderno, experimentador incansable en la reinvención constante de su propia obra._____Has escuchadoCobra (1987). Guy Klucevsek, acordeón; Arto Lindsay, guitarra eléctrica; Elliott Sharp, guitarra; Zeena Parkins, arpa [et al.]. hat ARTFilmworks XIII: 2002 Volume Three. Invitation to a Suicide Moon Moods (2002). Marc Ribot, guitarra; Rob Burger, acordeón; Erik Friedlander, violonchelo; Trevor Dunn, bajo; Kenny Wollesen, vibráfono, marimba y batería. Tzadik (2002)IAO: Music in Sacred Light. Invocation. Beth Anne Hatton, Bill Laswell, Cyro Baptista, Greg Cohen, Jamie Saft, Jennifer Charles, Jim Pugliese, Mike Patton, Rebecca Moore. Tzadik (2002)New Traditions in East Asian Bar Bands. Hu Die (1986). Zhang Jinglin, narración en chino; Bill Frisell y Fred Frith, guitarras eléctricas. Tzadik (1997)Once Upon a Time in the West (The Big Gundown: John Zorn Plays the Music of Ennio Morricone) (1985). Melvin Gibbs, bajo eléctrico; Jody Harris y Robert Quine, guitarras eléctricas; Orvin Aquart, armónica. Tzadik (2000)_____Selección bibliográficaALARCIA, Óscar, Universo John Zorn. Libritos Jenkins, 2020BRACKETT, John Lowell, John Zorn: Tradition and Transgression. Indiana University Press, 2008—, “Some Notes on John Zorn's Cobra”. American Music, vol. 28, n.º 1 (2010), pp. 44-75*DRURY, Stephen, “A View from the Piano Bench or Playing John Zorn's Carny for Fun and Profit”. Perspectives of New Music, vol. 32, n.º 1 (1994), pp. 194-201*FÉRON, François-Xavier, Tzadik: L'esthétique discographique selon John Zorn. Les Presses de l'Université de Montréal, 2015GOLDBERG, Michael, “John Zorn”. BOMB, n.º 80 (2002), pp. 32-37*MARTÍN GONZÁLEZ, Pablo, “No disparen sobre el pianista: influencias de la novela y el cine negro en el jazz de John Zorn”. En: La expansión del género negro. Editado por Àlex Martín Escribè y Javier Sánchez Zapatero. Andavira, 2020TROYANO, Ela, “John Zorn's Theatre of Musical Optics”. The Drama Review: TDR, vol. 23, n.º 4 (1979), pp. 37-44*WINDLEBURN, Maurice, John Zorn's File Card Works: Hypertextual Intermediality in Composition and Analysis. Routledge, 2024 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

8e émission de la 59e session...Cette semaine, jazz orchestral, moderne et jazz rock! En musique: Christine Jensen Jazz Orchestra sur l'album Harbour  (Justin Time, 2024); Kronos Quartet & Friends Meet Sun Ra sur l'album Outer Spaceways Incorporated  (Red Hot Org, 2024); Kenny Wollesen sur l'album Latrala  (Otherly Love, 2024); Jake Long sur l'album City Swamp  (New Soil, 2024); Soft Machine sur l'album Høvikodden 1971  (Cuneiform, 2024)...

Here is an edition of Mondo Jazz featuring tributes and rembrances of Curtis Fowlkes, Ron Miles and Johnny Hodges, Bill Frisell in an orchestral duo with Wayne Horvitz and with an actual orchestra, the exciting new albums by Rosa Brunello [pictured] and Kenny Wollesen and more. The playlist also features Snarky Puppy; Sam Fribush; Latrala; Owen Broder; Brussels Philarmonic; The Jazz Passengers; Brian Blade. Detailed playlist at https://spinitron.com/RFB/pl/18954736/Mondo-Jazz [up to "Queen B"]. Happy listening!

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ELVIN JONES - GENESIS  - Englewood Cliffs, NJ, February 12, 1971 Three card Molly (1,4,7), For all the other times (1,4,6) Joe Farrell (ts-4,sop-5,alto-fl-2) David Liebman (ts-6,sop-7) Frank Foster (ts-1) Gene Perla (b,el-b-8) Elvin Jones (d) JACK WILSON - THE TWO SIDES OF JACK WILSON  - Los Angeles, May 13, 1964 The scene is clean, Good time Joe, Kinta [After you've gone], Sometime ago Jack Wilson (p) Leroy Vinnegar, Philly Joe Jones (b) JOHN ZORN - NEW MASADA QUARTET, VOL. 2   - Ca 2022 Idalah abal, Rahtiel, Jair John Zorn (as) Julian Lage (g) Jorge Roeder (b) Kenny Wollesen (d)

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Episodio 20.2023 de La Montaña Rusa que abrimos con el nuevo álbum del guitarrista Ralph Towner, At First Light, recientemente publicado este 2023 para ECM. Seguiremos con el estupendo Upper West Jupiter de Dave Harrington & Kenny Wollesen, álbum publicado en 2021. El Clásico de la Semana fue Starting Point, legendaria grabación del Grupo Um brasileño, publicado en 1975 y del que se acaba de publicar una reedición estupenda. De vuelta al genio neoyorkino John Zorn, escucharemos algo de sus Bagattelles del 2022, en este caso, el volumen 9, escrito para los Asmodeus de Marc Ribot y cia. Seguir leyendo La Montaña Rusa 20.2023. Ralph Towner. Dave Harrington & Kenny Wollesen. Grupo Um. John Zorn’s Bagatelles. Germán Cenizo. Melodrum. en La Montaña Rusa Radio Jazz.

We caught up with Steven Bernstein about his project, Sex Mob's, latest release, The Hard Way, out 05/12 on Corbett vs. Dempsey (https://stevenbernstein.bandcamp.com/) Sex Mob is Steven Bernstein (slide trumpet), Briggan, Krauss (alto/baritone saxophones, guitar), Tony Scherr (upright/electric bass, guitar), Kenny Wollesen (acoustic/electric drums) with special guest, Scotty Hard (electronic beats and soundscapes, synth bass) @allthatjampod on IG, FB, and Twitter - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

This episode of Across The Margin: The Podcast presents an interview with musician trumpeter, slide trumpeter, arranger/composer and bandleader from New York City, Steven Bernstein. Steven is best known for his work in The Lounge Lizards, Sexmob, Spanish Fly, and the Millennial Territory Orchestra. He has released four albums under his own name on John Zorn's Tzadik Records and he has performed with jazz giants including Roswell Rudd, Sam Rivers, Don Byron, and Medeski, Martin & Wood, as well as musicians ranging from Aretha Franklin to Lou Reed, from Linda Ronstadt to Digable Planets, from Sting to Courtney Love. Steven was a member of Levon Helm's Midnight Ramble band, playing in Helm's Woodstock home, as well as touring with the band. As an arranger he has written for Bill Frisell, Rufus Wainwright, and Elton John, just to name a few. He has composed for dance, theater, film and television, and with composer John Lurie, arranged the scores to many feature films, including Get Shorty. While Steven is prolific with his output, this episode centers on two of his projects, Sexmob, which just released a terrific new album called The Hard Way, and The Millennial Territory Orchestra, which recently released four excellent records, in one day, on the Royal Potato Family label. Sexmob's latest release is a bit of a departure for the band, as with producer Scotty Hard at the board, The Hard Way skews decisively electronic. On it, Hard's beats and soundscapes provide Steven, saxophonist Briggan Krauss, bassist Tony Scherr and acoustic/electric drummer Kenny Wollesen, all the stimulus they need for further compose and fearlessly reinvent. With each offering, and certainly with The Hard Way and its rich electro-acoustic groove canvas, Steven and crew reveal a modernizing impulse, but also an equally strong foundation in the roots of jazz and American song. Funky, bluesy, with a tattered dissonance conjured up by Krauss Throaty saxophone tone, the distinctive wail of Steven's rare horn, and the swagger of Scherr and Wollesen's rhythm section grind, Sexmob continues to chart new paths in 21st-century creative music. In this episode host Michael Shields and Steven Bernstein talk about Sexmob's new direction sonically found on The Hard Way while exploring the production process behind this captivating work of art. They converse on producer Scott Hard's influence on the album, the unique art house label that The Hard Way was released on called Corbett vs. Dempsey, and the four albums Steven recently released with The Millennial Territory Orchestra. They even discuss Sexmob's forthcoming tour with Laurie Anderson, the many “gifts” Steven received in his career from renowned producer Hal Willner, and so much more. Hosted on Acast. See acast.com/privacy for more information.

Experiments, from Chicago and elsewhere, technical mastery offset by sense of humor, jazz as sonic story-telling, and transfiguration of jazz standards are some of the main sources of inspiration for this episode. The playlist features Greg Spero; John Zorn, Bill Frisell, John Medeski, Brian Marsella, Kenny Wollesen; Camille Bertault; Daniel Bingert; Michael Blake; Yelena Eckemoff; Francesca Han [pictured], Ralph Alessi; Cory Smythe. Detailed playlist at https://spinitron.com/RFB/pl/17210615/Mondo-Jazz (up to "Emahoy"). Happy listening!

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And just like that, 2022 is coming to a close. On this week's On the Media, a look back at our year of coverage, from Russia's war on Ukraine, to an unprecedented rise in book bannings at home. Tune in to hear about the fights, fictions, and things we're still figuring out. With excerpts from: Is Talk of a Possible 'New' Civil War Useful? The Perils of a Gauzy History How Meduza is Adapting to Russia's Crackdown on Speech When the World Starts to Look Away Joe Rogan's Podcast isn't Just 'Entertainment' Musk And The International Reach of Twitter How Anti-LGBTQ Rhetoric Foreshadowed a Deadly Shooting Republicans' Latest Go-To Dog Whistle How to Interview a 'Big Lie' Believer In Georgia, a Conservative Elections Official Stands Up to the Big Lie How Books Get Removed from Classrooms and Libraries Parents vs. Democracy Libraries Under Attack The Big Sigh: An Assessment of Our Economic Future This Much Death is Not 'Normal' The State of Our Immunity Should the Country See What an Assault Rifle Does to the Body of a Child? How Racism Ended a Renaissance of Weight Donald Trump, Ye, and The New Old Anti-Semitism Music:What's That Sound by Michael AndrewsLost, Night by Bill Frisell Fallen Leaves by Marcos CiscarEye Surgery by Thomas NewmanGerman Lullaby by The KiboomersGormenghast by John ZornBerotim by John Zorn featuring Bill Frisell, Carol Emanuel, and Kenny WollesenCellar Door by Michael AndrewsLiquid Spear Waltz by Michael AndrewsHarpsichord by Four Tet 

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Ivan Lins grabó en 1980 su canción 'Setembro' que, nueve años después, Quincy Jones recuperó con las voces de Sarah Vaughan y el grupo Take 6 para su disco 'Back on the block'. Del nuevo disco de Bruno Capinan, 'Tara rara', las canciones 'Ode ao povo brasileiro', 'Deuses deusas' y 'Meu preto'. 'Serotonina' es el título de un nuevo disco de João Donato y contiene temas como 'Simbora', 'Doce de amora' o 'Bombons'. Y Joyce Moreno ha publicado 'Brasileiras cançoes' con 'Todo mundo', la canción que le da título, 'O sopro do mar' y 'Não deu certo (mas foi divertido)'. Cierra 'Introit', música de John Zorn, que han grabado Bill Frisell, John Medeski, Kenny Wollesen y Brian Marsella. Escuchar audio

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Une bande son très jazz aux côtés de Cécile McLorin Salvant, Ilan Ersahin, Jowee Omicil… Première voix exceptionnelle sur un disque qui l'est tout autant ! Voici deux chansons du nouvel album Ghost Song de Cécile McLorin Salvant, sorti sur le label Nonesuch Records. A goûter pour commencer, sa belle reprise de “Wuthering Heights“ (Les hauts de Hurlevent), tube éternel de Kate Bush. Jazz vocal et rythmes des Caraïbes, la suite avec Jowee Omicil qui jouera du sax et déclamera de grandes figures du monde noir dans son nouveau single “Sit In“. En 1999, le jazzman et célèbre journaliste de l'hebdo new-yorkais de la contre-culture “Village Voice“, créait Burnt Sugar, the Arkestra Chamber, un collectif célébrant l'ensemble des musiques noires. Greg Tate est décédé en 2021 mais son œuvre se poursuit avec le projet Angels Over Oakanda réalisé avec le bassiste Jared Michael Nickerson, ici avec la chanteuse Lisala Beatty sur “Lisala Over Inna-Oakanda”. Laissez-vous transporter avec le morceau “Jagwar” des touaregs Terakaft. Pour prolonger le plaisir, un livre-disque leur est consacré avec Philippe Brix aux manettes de ce récit de voyages, de rencontres, de dialogues vécus et ré-imaginés, le tout accompagné d'un 45 tours confectionné avec amour par le label Secousse Records. Avant de le retrouver en concert au Théâtre Berthelot à Montreuil ce 19 mars, voici un avant-goût de l'originalité de Borja Flames avec son titre “Superación”, premier extrait de son album Nuevo Medievo attendu pour début mai. Place aux belles envolées du saxophoniste suédois et turc, l'excellent Ilhan Ersahin, créateur du club Nublu à New York et du label du même nom, accompagné de Dave Harrington et Kenny Wollesen sur son nouvel album Invite Your Eye.Playlist Rosalia - SaokoLaurent Bardainne & Tigre d'Eau Douce feat. Bertrand Belin - OiseauBootsy Collins - I'd Rather Be with YouGold Fang - Light itSwindle - NO BLACK, NO IRISH (feat. Maverick Sabre & Joel Culpepper)BB King- Rock Me BabyDont le Worldmix : Cécile McLorin Salvant - Wuthering Heights Cécile McLorin Salvant - Ghost song Jowee Omicil - SiT In Burnt Sugar The Arkestra Chamber - Lisala Over Inna-Oakanda Terakaft - Jagwar Borja Flames - SuperaciónIlhan Erşahin, Dave Harrington et Kenny Wollesen - Invite Your Eye Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

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Abrimos este número 01.2022 de Libertad Jazzera de la mano de Christian Lovers y Patrick Shiroishi, con 40oz. of Shame, publicado este pasado 2021. También del saxofonista, Patrick Shiroishi, escuchamos Hidemi, publicado también este pasado 2021. La serie sobre las últimas novedades de John Zorn, la empezamos con Hive Mind, en el que encontramos al genio neoyorkino junto a Miles Okazaki, Trevor Dunn y Dan Weiss. La segunda entrega del universo zorniano nos lleva al estupendo Nostradamus (The Death Of Satan), del Ensemble Simulacrum o lo que es lo mismo, John Medeski, Matt Hollenberg y Kenny Grohowski. Y la tercera y última novedad desde Tzadik Records fue Meditations On the Tarot, en el que encontramos de nuevo a Zorn junto a Trevor Dunn, Kenny Wollensen y Brian Marsella. Además, también disfrutamos de lo último del Rova Saxophone Quartet, The Circumference of Reason, publicado en 2021; y cerraremos este entrega 1 de este año 2022 desde Barcelona, con Vasco Trilla y su nuevo trabajo, publicado este 2022, Acoustic Masks. A disfrutarla!

Abrimos este número 01.2022 de Libertad Jazzera de la mano de Christian Lovers y Patrick Shiroishi, con 40oz. of Shame, publicado este pasado 2021. También del saxofonista, Patrick Shiroishi, escuchamos Hidemi, publicado también este pasado 2021. La serie sobre las últimas novedades de John Zorn, la empezamos con Hive Mind, en el que encontramos al genio neoyorkino junto a Miles Okazaki, Trevor Dunn y Dan Weiss. La segunda entrega del universo zorniano nos lleva al estupendo Nostradamus (The Death Of Satan), del Ensemble Simulacrum o lo que es lo mismo, John Medeski, Matt Hollenberg y Kenny Grohowski. Y la tercera y última novedad desde Tzadik Records fue Meditations On the Tarot, en el que encontramos de nuevo a Zorn junto a Trevor Dunn, Kenny Wollensen y Brian Marsella. Además, también disfrutamos de lo último del Rova Saxophone Quartet, The Circumference of Reason, publicado en 2021; y cerraremos este entrega 1 de este año 2022 desde Barcelona, con Vasco Trilla y su nuevo trabajo, publicado este 2022, Acoustic Masks. A disfrutarla!

A set bookended by great singers and featuring the new and not so new poetry of Nikki Giovanni, exciting young bands and musicians from Europe, a Big Band featuring only horns, percussions and vocalists, and more! The playlist features Matt Berry, Emma Noble; La La Lars; Fazer; Run Logan Run; Javon Jackson, Nikki Giovanni; Balto Exclamationpoint; Linda Fredriksson; The Bogie Band featuring Joe Russo; İlhan Erşahin, Dave Harrington, Kenny Wollesen; Rembrandt Trio; Renata Zeiguer. Detailed playlist at https://spinitron.com/RFB/pl/15119678/Mondo-Jazz (up to "Sunset Boulevard"). Happy listening!

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"Tekufah" Electric Masada: At The Mountain Of Madness. Live In Europe (Tzadik, 2005. 2CD)  Este misil sonoro está interpretado por John Zorn, Marc Ribot, Jamie Saft, Ikue Mori, Trevor Dunn, Joey Baron, Kenny Wollesen, Cyro Baptista. La composición, cómo no, es obra de John Zorn. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. El tema y el disco en que aparecía se han mencionado en varias ocasiones en Tomajazz. Entre otras, como una de las Razones para amar el jazz (https://www.tomajazz.com/web/?p=39115); y por Adolphus Van Tenzing en la sección Tomajazz Recomienda... (https://www.tomajazz.com/web/?p=11595). En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

En este número 40 de la temporada 202, abrimos con el recuerdo a la música del Dr. Lonnie Smith, uno de los grandes revolucionarios del Hammond B3 en Jazz y que nos dejó recientemente. Para recordarlo, hemos escuchado una selección de Evolution, álbum publicado en 2016 para Blue Note. Hemos escuchado también uno de los últimos trabajos del saxofonista neoyorkino Adam Kolker, Lost, publicado en el 2020 junto a Bruce Barth, Ugonna Okegwo y Billy Hart. En nuestra sección fija Jazz en Español, nos hemos acercado al catálogo del sello argentino Isla Desierta Discos, del que hemos escuchado el nuevo trabajo de escribir:, Haikus, publicado este 2021. Y antes de cerrar de vuelta al recuerdo del Dr. Lonnie Smith y su Evolution, disfrutamos de uno de los últimos trabajos del genio neoyorkino John Zorn, Gnosis: The Inner Light, junto a su Gnosis Trio y publicado este 2021.

En este número 40 de la temporada 202, abrimos con el recuerdo a la música del Dr. Lonnie Smith, uno de los grandes revolucionarios del Hammond B3 en Jazz y que nos dejó recientemente. Para recordarlo, hemos escuchado una selección de Evolution, álbum publicado en 2016 para Blue Note. Hemos escuchado también uno de los últimos trabajos del saxofonista neoyorkino Adam Kolker, Lost, publicado en el 2020 junto a Bruce Barth, Ugonna Okegwo y Billy Hart. En nuestra sección fija Jazz en Español, nos hemos acercado al catálogo del sello argentino Isla Desierta Discos, del que hemos escuchado el nuevo trabajo de escribir:, Haikus, publicado este 2021. Y antes de cerrar de vuelta al recuerdo del Dr. Lonnie Smith y su Evolution, disfrutamos de uno de los últimos trabajos del genio neoyorkino John Zorn, Gnosis: The Inner Light, junto a su Gnosis Trio y publicado este 2021.

In this episode: Herbie Nichols. The Complete Blue Note Sessions, 1956. Rudresh Mahanthappa. Hero Trio, 2020. Out to Dinner. Play On, 2021 The Jazz Cuban Syndicate. Y Llegó la Luz, 2021. John Zorn. Calculus, 2020.

Herbie Nichols. The Complete Blue Note Recordings, 1956. Rudresh Mahanthappa. Hero Trio, 2020. Out to Dinner. Play On, 2021 Michael Olivera & The Cuban Jazz Syndicate. Y Llegó la Luz, 2021. John Zorn. Calculus, 2020.

The old US Steel building in Pittsburgh, PA is a black monolith, symbol and fortress of industrial power, soaring above the confluence of three mighty rivers. But its vista has changed. Gone is the golden, sulfurous haze. Gone are the belching smokestacks, blazing furnaces and slag-lined river valleys snaking along Appalachian foothills. The industry that sustained a region, girded the world’s infrastructure and underwrote a now-vanished way of life has long since crossed oceans. Steel City is now Healthcare City, representing almost 1 in 4 jobs in the region. Some 92,000 of them work for just one employer, the sprawling, omnivorous University of Pittsburgh Medical Center, whose logo now adorns the black-skyscraper sentinel of the Three Rivers. But this is not just a case of a clean economy displacing a filthy one. To Gabriel Winant, author of The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America, the story of economic transformation in the Rust Belt is the story of disparity — of wealth, income and political power — that didn't vanish when the smokestacks came down.  In this special hour, Winant tells Bob the real story behind the economic transformation that took place in the rust belt, and what it tells us about our economy, and our future, more broadly. Music from this week's show: Flugufrelsarinn — Kronos QuartetSteel Mill Blues — Joe GlazerLiquid Spear Waltz — Michael AndrewsSacred Oracle — John Zorn (feat. Bill Frisell, Carol Emanuel & Kenny Wollesen)Human Nature — Vijay IyerPittsburgh—Joe Glazer  

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Inabarcable e inasequible al desaliento, John Zorn y su imparable producción discográfica. Estrenamos "Teresa de Ávila", el trabajo con el que el neoyorquino cierra su trilogía de místicos de la cristiandad junto a tres mí(s)ticos guitarristas: Julian Lage, Gyan Riley y Bill Frisell. Zorn ha publicado recientemente "Gnosis - The inner light", un proyecto inspirado por la música del maestro Ennio Morricone, fallecido en 2020. Bill Frisell, en esta ocasión junto a John Medeski (teclado, órgano y piano), Kenny Wollesen (vibráfono) y Carol Emanuel (arpa), se deja atrapar por un puñado de notas inspiradas en el personal universo sonoro del italiano sobre el que reflexiona John Zorn. "desde mi cadiera", Jesús Moreno nos acerca la música de Irreversible Entanglements, quinteto asentado en Nueva York y formado por Camae Ayewa (voz y textos), Keir Neuringer (saxo), Aquiles Navarro (trompeta), Luke Stewart (contrabajo) y Tcheser Holmes (batería). A partir de su disco "Who sent you?", Jesús tira del hilo de diferentes proyectos de saxofonista y trompetista. Toda la información y derechos: http://www.elclubdejazz.com

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Jazz Ahead 97 - Playlist: 1. Billete, Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..2. Pueblo,Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..3. A Night in New York,Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..4. MONK (Most Only Never Knew), Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..5. All State, David Binney and Kenny Wollesen, Bisu, Autoproduzione, 2020..6. Three Eleven Days, David Binney and Kenny Wollesen, Bisu, Autoproduzione, 2020..7. Humanity (for Rep John Lewis), David Binney and Kenny Wollesen, Bisu, Autoproduzione, 2020..8. I, Bad Stream, Sonic Healing, Antime, 2020..9. V, Bad Stream, Sonic Healing, Antime, 2020

Jazz Ahead 97 - Playlist: 1. Billete, Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..2. Pueblo,Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..3. A Night in New York,Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..4. MONK (Most Only Never Knew), Aquiles Navarro and Thceser Holmes, Heritage of the Invisible II, International Anthem, 2020..5. All State, David Binney and Kenny Wollesen, Bisu, Autoproduzione, 2020..6. Three Eleven Days, David Binney and Kenny Wollesen, Bisu, Autoproduzione, 2020..7. Humanity (for Rep John Lewis), David Binney and Kenny Wollesen, Bisu, Autoproduzione, 2020..8. I, Bad Stream, Sonic Healing, Antime, 2020..9. V, Bad Stream, Sonic Healing, Antime, 2020

After a three month hiatus due to Covid 19, Pierre Pressure Podcast is back! For the new season, Pierre focuses on the tradition of protest music, and how it can inspire us to speak up, stand up, and sing out about what we think needs to change in our fractured society. Pierre Pressure Podcast is extremely honored to have special guest Bill Frisell on this first reboot episode #24. Bill Frisell is a groundbreaking guitarist, composer and arranger. One of the leading guitarists in jazz since the late 1980s, Frisell came to prominence as a stalwart for ECM Records. He went on to work in a variety of contexts, notably as a member of the New York City Downtown Scene where he formed a long partnership with John Zorn. He was also a longtime member of Paul Motian's groups from the early 1980s until Motian's death in 2011. Since 2000, Frisell's eclectic output as a bandleader has emphasized folk, country music, and Americana. Frisell has put out an astonishing amount of music, spanning all genres and styles as a bandleader and a collaborator with artists including John Zorn, Charlie Haden, Petra Haden, Richard Hell, Ginger Baker, Earth, Vic Chesnutt, Arto Lindsay, Fred Armisen, Allen Toussaint, Loudon Wainwright III, Lucinda Williams, and many, many others. Pierre spoke to Frisell about his start as a clarinet player, the connection between breathing, speaking, and his unique guitar tone, his long time collaboration with Hal Wilner who died tragically from Covid 19 this year, his work with John Zorn, his appearance on the fabled, short-lived, David Sanborn-hosted TV show Night Music which featured a collaboration with Sting and Rufus Thomas, his foray into film music, and the meaning of protest music in our current era.   www.billfrisell.com Photo: Monica Jane Frisell Music: Theme song; Aime-Toi by Justin Bieber and Ed Sheeran, performed by Pierre de Gaillande, from the album franglais. Electriciousness by Pierre de Gaillande. Come Together, Masters of War, A Hard Rain's a Gonna Come, Change is Gonna Come, by Bill Frisell. You Will be Shot by John Zorn. Little Brother Bobby by Bill Frisell. Ain't No Sunshine by Bill Withers, performed by Sting. Satellite by Elliot Smith, performed by Petra Haden and Bill Frisell. Music from The Great Flood by Bill Morrison, music composed and performed by Bill Frisell, with Ron Miles, Tony Scherr, and Kenny Wollesen. Bonanza Theme, by Bill Frisell. Torture Garden by John Zorn. We Shall Overcome by Bill Frisell. Election 2020 Actions:Be a poll worker - https://www.elections.ny.gov/BecomePollworker.html Register friends to vote - https://voterreg.dmv.ny.gov/MotorVoter/ Write postcards - https://postcardstovoters.org  

Katie Blankenau illuminates important sound cues in MACBETH to reveal how they reflect characters’ own struggles with good and evil. Katie dives into CST’s 2018 MACBETH, directed by Aaron Posner and Teller (of Penn & Teller). Throughout this episode of ASIDES, you’ll also hear the Musical Instruments of Darkness designed and constructed by Kenny Wollesen, performed live onstage by Ronnie Malley. Pre•Amble scholar Katie Blankenau is a PhD candidate in English literature at Northwestern University specializing in early modern drama and poetry. Her research explores how early modern English writers used the language of hospitality to characterize newly commercial, but nevertheless hospitable, relations with their audiences. She holds a Masters in English from Southern Methodist University. To learn more about the cast, crew, and creative team behind MACBETH, or see photos and video from the production visit: www.chicagoshakes.com/macbeth. Have a question about something you heard in this episode? Want to tell us about your favorite moments at CST? Email us at asides@chicagoshakes.com or call us at 312.667.5631 and we’ll respond in a future episode. And don’t forget to subscribe to get all of the latest updates from ASIDES. This episode was produced by Sara B.T. Thiel, Margaret McCall, Forrest Williams, and Aaron Roberts, with editing by Forrest Williams, and additional support from Joe Disbrow and Krissi McEachern. Special thanks to Erin Hunter for her help transcribing this episode. You can find our episode transcriptions at www.chicagoshakes.com/asides. As you enjoy this episode, we hope you’ll consider making a gift to support other programs like this through our Brave New World Campaign. Together, we can serve artists, audiences, students, and our community in this time of great need. Please visit www.chicagoshakes.com/BraveNewWorld.

Do you sympathize with the plight of the turkeys? Do family reunions bring you anxiety? Then forget about Thanksgiving! Mondo Jazz is here to help you switch to Hanksgiving, with two hours of Jazz tributes to the great Hank Williams, the only singer who is more American than pumpkin pie! Enjoy a delicious playlist which is all stuffing and no tryptophan. Revel in discovering how jazz musicians can make even Country & Western tunes swing and groove like there is no tomorrow! The playlist includes James Brown, Regina Carter, Ramsey Lewis, Dave Douglas, Madeleine Peyroux, Andrew Bishop, Lenny Breau, Laurence Hobgood, Bill Frisell,Jason Moran,Kenny Wollesen,John Scofield,Louis Armstrong,Tom Varner,Stephen Ryley,Roy Clark,Joe Pass,Leon Redbone,Charlie Hunter,Scott Amendola,Aretha Franklin,Spike Jones,Taj Mahal,Ran Blake,Owen Broder,Joe Pass,Guano Padano,Esther Phillips,Jack Walrath,Orquestra Was Detailed playlist at: https://spinitron.com/radio/index.php?station=rfb&playlist=8789#here

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En HDO 476, décimo primera entrega en exclusiva para los mecenas de HDO escuchamos el segundo CD de At The Mountain Of Madness. Live In Europe (Tzadik, 2005. 2CD) de los Electric Masada… o lo que es lo mismo John Zorn, Marc Ribot, Jamie Saft, Ikue Mori, Trevor Dunn, Joey Baron, Kenny Wollesen y Cyro Baptista. Comienza con “Tekufah” un misil sonoro sin parangón. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz.

El guitarrista Julian Lage explora las sonoridades del rock pretérito en compañía del contrabajista Scott Colley y el baterista y vibrafonista Kenny Wollesen. Su segundo trabajo juntos lleva por título "Modern lore". En esta edición de 'Club de Jazz' del 16 de marzo de 2018 las cuerdas de la guitarra (e instrumentos afines) son protagonistas. El "Trickster" es un arquetipo del folclore, un embaucador que inspira el nuevo trabajo del guitarrista Miles Okazaki. En este disco de inspiración atávica, se acompaña de Craig Taborn (piano), Anthony Tidd (contrabajo) y Sean Rickman (batería). La pianista Myra Melford inicia gira europea de su proyecto Snowy Egret, del que forman parte Ron Miles (corneta), Stomu Takeishi (guitarra baja), Tyshawn Sorey (batería) y el guitarrista Liberty Ellman. Melford suena además junto a Zeena Parkins (arpa eléctrica y electrónicas) y Miya Masaoka (koto de 21 cuerdas) en un encuentro de músicas improvisadas. En el tiempo de "Jazz Porteño", Alberto Varela nos acerca la música del saxofonista de Buenos Aires Juani Méndez, con un tema de su disco "Diez construcciones fáciles". Toda la información y derechos: http://www.elclubdejazz.com

El guitarrista Julian Lage explora las sonoridades del rock pretérito en compañía del contrabajista Scott Colley y el baterista y vibrafonista Kenny Wollesen. Su segundo trabajo juntos lleva por título "Modern lore". En esta edición de 'Club de Jazz' del 16 de marzo de 2018 las cuerdas de la guitarra (e instrumentos afines) son protagonistas. El "Trickster" es un arquetipo del folclore, un embaucador que inspira el nuevo trabajo del guitarrista Miles Okazaki. En este disco de inspiración atávica, se acompaña de Craig Taborn (piano), Anthony Tidd (contrabajo) y Sean Rickman (batería). La pianista Myra Melford inicia gira europea de su proyecto Snowy Egret, del que forman parte Ron Miles (corneta), Stomu Takeishi (guitarra baja), Tyshawn Sorey (batería) y el guitarrista Liberty Ellman. Melford suena además junto a Zeena Parkins (arpa eléctrica y electrónicas) y Miya Masaoka (koto de 21 cuerdas) en un encuentro de músicas improvisadas. En el tiempo de "Jazz Porteño", Alberto Varela nos acerca la música del saxofonista de Buenos Aires Juani Méndez, con un tema de su disco "Diez construcciones fáciles". Toda la información y derechos: http://www.elclubdejazz.com

Si todo falla... un arranque glorioso de un disco: "Imprint Double" de Sylvie Courvoisier Trio (D'Agala, Intakt, 2018) con Sylvie Courvoisier, Drew Gress y Kenny Wollesen. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

Dans Dans es un trío belga formado por el guitarrista Bert Dockx, el bajista Fred 'Lyenn' Jacques y el percusionista Steven Cassiers. Música con pálpito roquero y alma improvisadora que alcanza su cuarta edición discográfica con "Sand". Con ellos abrimos la edición de 'Club de Jazz' del 2 de agosto de 2017, festín musical que incluye "Unleashed", disco del Tiger Trio, al que dan vida Myra Melford (piano), Nicole Mitchell (flauta) y Joëlle Léandre (contrabajo). Thumbscrew es el nombre del trío de Mary Halvorson (guitarra), Michael Formanek (contrabajo) y Tomas Fujiwara (batería). Publican su segundo disco: "Convallaria". La serie "Overseas" del bajista noruego Eivind Opsvik llega al quinto capítulo. Lo comparte con Brandon Seabrook (guitarra), Tony Malaby (saxo tenor), Kenny Wollesen (batería y percusión) y Jacob Sacks (piano y teclados). También llega al quinto episodio la serie del sello barcelonés Underpool, que reúne a Gorka Benítez (saxo y voz), Roger Mas (piano), Martín Leiton (contrabajo) y Ramon Prats (batería). En él se incluye una versión del U de Ramon, grabada anteriormente por su Duot y en trío con M·A·P. Por su parte, el saxofonista y clarinetista Marcel·lí Bayer presenta su segundo solo. Registrado en Robadors 23, en Barcelona, lleva por título "Niketchrin". Toda la información y derechos: http://www.elclubdejazz.com

Dans Dans es un trío belga formado por el guitarrista Bert Dockx, el bajista Fred 'Lyenn' Jacques y el percusionista Steven Cassiers. Música con pálpito roquero y alma improvisadora que alcanza su cuarta edición discográfica con "Sand". Con ellos abrimos la edición de 'Club de Jazz' del 2 de agosto de 2017, festín musical que incluye "Unleashed", disco del Tiger Trio, al que dan vida Myra Melford (piano), Nicole Mitchell (flauta) y Joëlle Léandre (contrabajo). Thumbscrew es el nombre del trío de Mary Halvorson (guitarra), Michael Formanek (contrabajo) y Tomas Fujiwara (batería). Publican su segundo disco: "Convallaria". La serie "Overseas" del bajista noruego Eivind Opsvik llega al quinto capítulo. Lo comparte con Brandon Seabrook (guitarra), Tony Malaby (saxo tenor), Kenny Wollesen (batería y percusión) y Jacob Sacks (piano y teclados). También llega al quinto episodio la serie del sello barcelonés Underpool, que reúne a Gorka Benítez (saxo y voz), Roger Mas (piano), Martín Leiton (contrabajo) y Ramon Prats (batería). En él se incluye una versión del U de Ramon, grabada anteriormente por su Duot y en trío con M·A·P. Por su parte, el saxofonista y clarinetista Marcel·lí Bayer presenta su segundo solo. Registrado en Robadors 23, en Barcelona, lleva por título "Niketchrin". Toda la información y derechos: http://www.elclubdejazz.com

HDO 168 se centra en cuatro grabaciones en las que el rock hace su acto de presencia: Starlite Motel (Clean Feed, 2016) del cuarteto Awosting Falls (con Ingebrigt Haker Flaten, Jamie Saft, Kirstoffer Berre Alberts y Gard Nilssen); Everybody Has A Plan Until They Get Punched In The Mouth (Ground Up, 2016) de Charlie Hunter (con Bobby Previte, Kirk Knuffke y Curtis Fowlkes); Lovers (Blue Note, 2016, 2CD) de Nels Cline (con Devin Hoff, Alex Cline, Steven Bernstein, Taylor Haskins, Ben Goldberg, Sara Schoenbeck, Julian Lage, Kenny Wollesen, Zeena Parkins, Yuka C Honda, Erik Friedlander entre otros); Hallucinations (Alrealon Musique) de The Jazzfakers (David Tamura, Robert L. Pepper, Matt Luczak y Raphael Zwyer). © Pachi Tapiz, 2016 HDO es un programa editado, producido y presentado por Pachi Tapiz

Toda la información en http://www.tomajazz.com/web/?p=24701. Media docena de grabaciones en la entrega número 120 de HDO en un programa que se alarga hasta los 120 minutos. Por una parte tres tríos de piano: Play Tadd Dameron (Vinnie Sperrazza, Jacob Sacks, Masa Kamaguchi) en la que estos tres músicos vuelven a poner de nuevo sus ojos en el legado de un músico, que en este caso es Tadd Dameron (en otras ocasiones fueron Cy Coleman y Johnny Mandel); Dance In A Triangle (Yves Theiler Trio) por un trío muy joven -su líder no llega a los 30- de músicos suizos; The Now (Aaron Goldberg con Reuben Rogers y Eric Harland, más Kurt Rosenwinkel en uno de los temas). Por otra parte el trío del guitarrista Mike Baggetta (con Jerome Harris y Billy Mintz) en Spectre mostrando las posibilidades que abre el procesamiento del sonido en directo; el cuarteto del cornetista Kirk Knuffke en The Lamplighter en una formación no muy usual de acoustic bass guitar (Stomu Takeishi), batería (Bill Goodwin) y bass drum (Kenny Wollesen); Oneirology del quinteto del contrabajista Meinrad Kneer (en el que participa, entre otros, el saxo alto Peter van Huffel) es la propuesta restante. © Pachi Tapiz, 2016 HDO es un noséqué en el que se hace nosécuántos que está noseloqué por Pachi Tapiz o vaya usted a saber.

Tune in for a brand new episode of Snacky Tunes as Darin Bresnitz is in conversation with Courtney Nichols, co-founder of Disco Dining Club. Disco Dining Club is a bi-monthly culinary excursion steeped in all the excess, debauchery & hedonism of disco. Each dinner features cuisine from a renowned chef, unlimited oysters, an open bar provided by local microbreweries, wineries and distilleries, an all-vinyl disco DJ set, a live performance, multiple, thematic installations, and an invite-only crowd of cultural tastemakers – all donning decadent attire while partaking in a night of disco escapades. It is the intent of Disco Dining Club to take the warehouse scene out of the underground and into the dining room that asks but one thing of guests: to consume everything. In the second half of the show, Greg Bresnitz is in studio with Miwi La Lupa. Singer, songwriter, and multi-instrumentalist from Buffalo, NY now living in New York City, Miwi is a graduate of the Eastman School of Music in Rochester, NY and is an original member of New York bands Red Baraat, Thought, and Knights on Earth. He has performed, toured and recorded with David Byrne/St. Vincent, Femi Kuti, Charlie Hunter, Conor Oberst, Bill Frisell, Spoon, Lou Reed, Antibalas, Mike Gordon Band, Noah and the Whale, The Impressions, Michael Leonhart, Nublu Orchestra (Butch Morris), Red Baraat, El P, Slide Hampton, Michael Franti, MMW, The Dap Kings, Elvis Perkins in Dearland, Mocean Worker, Brazilian Girls, Fela! on Broadway/Lagos, Ozomatli, Thought, Beyondo, Knights on Earth, Smoota, Kenny Wollesen, and Les McCann.

The multifaceted vocalist-composer and actress Lana Is has already won widespread acclaim in Europe, both for her own visionary releases, her acting work and for her work as a versatile collaborator who has lent her talents to a diverse array of projects with a wide assortment of rock, pop, contemporary classical and jazz musicians such as John Medeski, Kenny Wollesen, Dan Weiss, Michael Mantler, Manu Delago (Bjork) and many more. Watch Video: www.youtube.com/studioradio45 Buy her Music: https://itunes.apple.com/us/album/in-your-head/id723675667 Subscribe to this podcast on itunes: https://itunes.apple.com/us/podcast/live-from-studio-radio-45/id895886911?mt=2 Intro Music for podcast By: www.pinchmusic.com

EP.12 - Nublu Orchestra Conducted By Kenny Wollesen Live at Nublu Classic, 01,12,2015 - New York Kenny Wollesen (Conductor) Dalius Naujokaitis-Naujo (Drums) Lamy Istrefi Jr (Drums) Izzet Kizil (Percussions) Daniel Jodocy (Percussions & Electronic) Juini Booth (Bass) Michael Kiaer (Bass) Yusuke Yamamoto (Keys & Electronic) ilhan Ersahin (Saxophone) Welf Dorr (Saxophone) On Ka'a Davis (Guitar) Doug Wieselman (Guitar)