Podcasts about national cartoonist society

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Your social media profile needs to answer three questions clearly: Who are you? What do you do? And why should I care? If you're wasting time being cute, you're missing out of opportunities. Also, the NCS releases the nominees for Outstanding Cartoonist of the Year, and a person hired to illustrate a children's book faces a tough question from the writer: How do we sell this thing??Today's ShowBranding on your social media profileSusan MacTaggartShow sponsor: Dreamhost dreamhost.com/comiclabUPDATE: NCS Outstanding Cartoonist nominationsWe made the book... now what?"Have we ever considered not doing free content?SummaryIn this conversation, Brad Guigar and Dave Kellett discuss the importance of branding for cartoonists on social media, emphasizing the need for clear communication in profiles. The conversation wraps up with insights on navigating new platforms like Bluesky and the importance of straightforward messaging in promoting one's work. They discuss the evolving nature of social media presence, and the value of reliable hosting services like DreamHost. They also engage in a light-hearted personal affirmation segment and provide updates from the National Cartoonist Society. The conversation culminates in practical advice for illustrators on how to sell their work, emphasizing the importance of understanding one's role in the creative process. In this episode, Brad Guigar and Dave Kellett discuss the importance of branding in book promotion, the exploration of new intellectual properties (IP) for original graphic novels, and the value of audience engagement and product testing in the creative process. They also touch on the resurgence of physical media in a digital age, emphasizing that quality content will always find an audience.TakeawaysBranding is crucial for self-publishing cartoonists.Social media profiles should clearly state who you are.Consistency is more important than creativity on social media.Cartoonists often struggle with self-promotion due to imposter syndrome.Blue Sky may not have the same algorithmic restrictions as other platforms.Direct communication is key in branding and marketing.It's okay to promote your work without feeling like you're bragging. Put some of the creative thought into solving business problems.This change is 100% not permanent.You can change it tomorrow.We're big fans of DreamHost.This is the perfect opportunity for you.A 97-day money back guarantee.You are a limitless well of creativity.This is not your job, Jay.You should run as far away from him as you can.Your job is to use the book to promote Jay. Your job is to use the book to promote your next gig.Selling books, marketing books, promoting books, that's not Jay's brand.The responsibility of selling this book is not your job.This is a time management issue.You can use this to get to the next stage in your career.We have both done this with IP that the world has never seen.You'd better have previews and sample images that look incredible.People will absolutely buy that thing because they know it's good.People will buy your book. Absolutely.You can absolutely make that work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

On the Saturday October 12, 2024 edition of The Richard Crouse Show we meet Paul Gilligan. He writes and draws the syndicated comic strip Pooch Café with Andrews McMeel, which runs in over 250 newspapers around the world and has been twice nominated by the National Cartoonist Society for best strip. He is also the author-illustrator of Pluto Rocket: New in Town, King of the Mole People and its sequel, Rise of the Slugs. Today we'll talk about his new book the graphic memoir Boy vs. Shark. In the book, ten-year-old Paul is terrified of sharks, but when he forces himself to see the movie Jaws to keep up with his more daring friends, he is traumatized into imagining a shark living in his bedroom. Then, we'll spend some time with Victor Garber. On the big screen, you know the London, Ontario born actor from his roles in Godspell, Titanic, Sleepless in Seattle, The First Wives Club, Legally Blonde and many others. On television, he is best known as Jack Bristow in the ABC series Alias, and he originated roles in the Broadway productions of Sweeney Todd: The Demon Barber of Fleet Street, Noises Off, Lend Me a Tenor, Arcadia and Art. This month he will receive a Lifetime Achievement in Entertainment Award from The Forest City Film Festival in his hometown.

Apple has initiated a plan to take 30% of all transactions made through the Patreon iOS app. That has caused creators to panic, spreading misinformation and making poorly thought-out claims. Many people trying to explain the situation to their backers got their facts wrong, hurting their own revenue. Dave and Brad sit down and sort out the facts from the friction.On today's show:Dave's Comic-Con report: 5% drop in sales after a 38% rise in the previous yearPatreon and the iOS appUPDATE: Kangaroo wienersHand lettering tipsSummaryIn this episode, Dave and Brad discuss their recent experiences at Comic-Con and other conventions. They talk about the success of their booths, the impact of new products, and the excitement of meeting fans. They also touch on the importance of maximizing booth space and creating a visually appealing display. The conversation segues into a discussion about the National Cartoonist Society and the potential for future convention appearances. Overall, the episode highlights the joy and satisfaction of participating in conventions as creators.In the next part of the conversation, Brad and Dave discuss Patreon's payment system for iOS users and share tips on traditional lettering. Brad recalls using an Ames lettering guide, while Dave explains his process of using a digital font that resembles his handwriting. They emphasize the importance of clarity and readability in lettering and suggest techniques such as flipping the artwork to identify and fix issues.TakeawaysConventions like Comic-Con allow creators to connect with fans and sell their merchandise.Maximizing booth space and creating an appealing display can enhance the overall experience for attendees.New products and exclusives can generate excitement and boost sales at conventions.The National Cartoonist Society offers opportunities for members to showcase their work at conventions.Meeting fans and receiving positive feedback can be a rewarding experience for creators. San Diego Comic-Con is a fun event, but exhibiting there can be expensive and may not be recommended for everyone.Patreon has announced changes to its payment system for iOS users. New memberships purchased through the iOS app will now be subject to Apple's 30% fee.Creators have the option to eat the cost of the fee or encourage new subscribers to join through the desktop version of the Patreon website.The conversation takes a humorous turn as Brad and Dave discuss kangaroos with multiple vaginas, highlighting the fascinating and sometimes bizarre aspects of biology. Confusion over a scene in a movie can lead to humorous conversations.Traditional lettering techniques include using an Ames lettering guide or a reference font.Clarity and readability are key in hand letteringDeveloping a personal style in lettering takes timeSupporting Comic Lab on Patreon helps sustain the show   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad and Dave discuss using rewards and add-ons in a Kickstarter campaign. Then, they tackle the problem of whether your dialogue should feature proper English or your character's "natural" speech.Today's showKickstarter mistake — confusing rewards with add-onsCheck out Dave's Kickstarter at Newdrivebook.comShould you write in proper English?UPDATE: Reuben Awards — two live ComicLab shows on Thursday, Aug. 22How to start at the very beginningSummaryIn this conversation, Brad and Dave discuss their experiences with building Lego sets and building a gaming PC. They also talk about the importance of structuring Kickstarter rewards and add-ons, and the psychology behind offering choices to backers. They emphasize the need to make a profit on add-ons and to account for them in the Kickstarter goal. They also mention the upcoming live shows at the National Cartoonist Society Reuben Awards and discuss the possibility of future speaking engagements. In this part of the conversation, Brad and Dave discuss the balance between writing in proper English and writing dialogue that sounds natural. They emphasize the importance of considering the audience and the potential reach of the comic. They also discuss the use of slang and specific language choices, highlighting the need to make slight modifications to appeal to a wider audience. They stress the importance of using punctuation properly, especially in comedy, where timing is crucial. They also provide advice for aspiring comic creators, encouraging them to start making comics and to seek opportunities for publication, even if it means facing potential embarrassment.TakeawaysBuilding LEGO sets and a gaming PC can be challenging and require attention to detail.When structuring Kickstarter rewards, it's important to offer a variety of options and price tiers to appeal to different backers.Add-ons can be a profitable addition to a Kickstarter campaign, but it's crucial to ensure they are priced to make a profit.Digital rewards can be a significant source of income for a Kickstarter campaign and have the advantage of no shipping costs.Live shows and speaking engagements can be exciting opportunities for cartoonists to connect with their audience and expand their reach. When deciding on the language and dialogue choices for your comic, consider the audience and potential reach of your comic.Making slight modifications to appeal to a wider audience can help you reach more readers.Proper punctuation is crucial, especially in comedy, as it affects timing and delivery.Start making comics and learn from your mistakes. Seek opportunities for publication to improve your craft.Embrace the potential for embarrassment as a learning experience and a way to improve your skills. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

On the Saturday October 12, 2024 edition of The Richard Crouse Show we meet Paul Gilligan. He writes and draws the syndicated comic strip Pooch Café with Andrews McMeel, which runs in over 250 newspapers around the world and has been twice nominated by the National Cartoonist Society for best strip. He is also the author-illustrator of Pluto Rocket: New in Town, King of the Mole People and its sequel, Rise of the Slugs. Today we'll talk about his new book the graphic memoir Boy vs. Shark. In the book, ten-year-old Paul is terrified of sharks, but when he forces himself to see the movie Jaws to keep up with his more daring friends, he is traumatized into imagining a shark living in his bedroom. Then, we'll spend some time with Victor Garber. On the big screen, you know the London, Ontario born actor from his roles in Godspell, Titanic, Sleepless in Seattle, The First Wives Club, Legally Blonde and many others. On television, he is best known as Jack Bristow in the ABC series Alias, and he originated roles in the Broadway productions of Sweeney Todd: The Demon Barber of Fleet Street, Noises Off, Lend Me a Tenor, Arcadia and Art. This month he will receive a Lifetime Achievement in Entertainment Award from The Forest City Film Festival in his hometown.

Dave and Brad share proven strategies for building your audience on Substack. Also: What are the best approaches for dummy lettering — lettering that's supposed to be unreadable?TODAY'S SHOWHow to get new sign-ups on SubstackUPDATE: Get your exclusive ComicLab pin at Dave Kellett's booth (#1228) during Comic-Con InternationalUPDATE: The National Cartoonists Society's Reuben Awards will feature TWO live ComicLab showsUPDATE: ComicLab's social-media videosDummy letteringSUMMARYThe hosts discuss Substack and how to bring in new subscribers. They emphasize that the strategies for growth on Substack are similar to those used on other platforms, such as Mailchimp. They recommend using the embeddable sign-up widget and creating a compelling landing page with a "hero post." They also discuss the importance of pinning posts and keeping the sign-up form visible. Overall, they highlight the need for consistent sharing of high-quality work and engaging with the audience. In this part of the conversation, Brad and Dave discuss the use of pop-ups on websites and the importance of offering incentives to encourage sign-ups. They also emphasize the power of confidently promoting your work and using Substack Notes to engage with the community. Brad shares his strategies for maximizing content across different platforms and encourages planning and goal-setting. They also mention their upcoming appearances at San Diego Comic-Con and the National Cartoonist Society's Reuben Awards Week. Finally, they explore the topic of creating unreadable but clear signs in comics and the use of fake alphabets. They provide tips on how to create believable alien or fantasy languages that reinforce the mood of the species or world.TAKEAWAYSStrategies for bringing in new subscribers on Substack are similar to those used on other platformsUse the embeddable sign-up widget and create a compelling landing page with a hero postPin important posts on the landing page and keep the sign-up form visibleConsistently share high-quality work and engage with the audience. Consider the use of pop-ups on your website, but be mindful of the timing and presentation to avoid a bait-and-switch feeling.Offer incentives, such as free e-comics, to encourage sign-ups and engage with your audience.Confidently promote your work and communicate why it's good, using the language of Pride and Joy.Utilize Substack Notes as a social media platform to share your posts and engage with the community.Maximize your content by repurposing it across different platforms and embedding it in blogs or websites.Plan and set goals for your content creation and promotion, and aim for consistency and efficiency.Join industry events like San Diego Comic-Con and the National Cartoonist Society's Reuben Awards Week to network and showcase your work.Being able to laugh at oneself is important in podcasting and in life.Creating unreadable but clear signs in comics can add an otherworldly element.When creating fake alphabets, it's important to consider the mood and characteristics of the species or world.Starting with basic shapes and visual systems can help in creating believable alien or fantasy languages.Lettering can reinforce the mood and world of a comic.QUOTE OF THE SHOW"Nothing says delicious like lettuce that's been sitting next to a thousand-degree oven for hours on end and then brought to your door by a stoner." — Dave Kellett You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Blurb: Matt and I talk about the legacy of The Simpsons, what it means to go from super fan to icon, always knowing he wanted to draw cartoons, having kid are better than making great art, how music makes The Simpsons great, how Jay could come back to work if he came back crawling on his knees, and how Jay agreed to crawl. Bio:  Matt Groening was born in Portland, Oregon, on February 15, the third of five children.  His father, Homer, was a cartoonist and filmmaker.  From an early age, Matt created his own cartoons, amusing his friends and annoying his teachers.  Groening attended Evergreen State College in Washington State, where he studied philosophy and continued his interest in cartoons, comics and music.   After his graduation in 1977, Groening headed to Los Angeles where he struggled in immobilizing but irksome poverty.  Increasingly frustrated by the traffic, smog, and his landlords, Matt began to vent his angst to his friends by sending them cartoons starring a bug-eyed rabbit named Binky.  Groening soon began to publish and sell these cartoons at the record shop where he worked.  Their popularity encouraged Matt to syndicate, and in April 1980, Life In Hell® formally debuted in the Los Angeles Reader and ran successfully in more than 250 newspapers around the world and half-dozen languages before Groening concluded it's production in 2012.  Life in Hell® has also been collected in a best-selling series of books with over two million copies in print, including Love is Hell, Work is Hell, School is Hell, Childhood is Hell, Akbar & Jeff's Guide to Life, Greetings From Hell, The Big Book of Hell, With Love From Hell, How to Go to Hell, The Road to Hell, Binky's Guide to Love, and Love is Still Hell.  In 1987 James L. Brooks approached Matt about creating animated shorts to fit between sketches of “The Tracey Ullman Show.”  Matt agreed, but instead of using the Life in Hell® characters, he created an entirely new cast: The Simpsons, which bear the names of his family members, Homer, Marge, Lisa and Maggie (Bart is an anagram for brat). The Simpsons were soon spun off into a half-hour animated series which first aired on December 17, 1989 with a Christmas special, followed by the series premiere on January 14, 1990.  It has since gone on to become the longest running prime-time animated show in television history.  An international hit, the series has also spawned a licensing and merchandising empire.  It has spanned a hit feature film and a revolutionary virtual coaster ride at Universal Studios.  He also created the Emmy Award-winning animated series “Futurama.” As a cartoonist, Groening began his “Life in Hell” weekly comic strip series in the 1980s, and concluded it in 2012. In 1993, he formed Bongo Comics Group, and continues to serve as publisher.  Winner of multiple Emmy Awards, the prestigious Peabody Award, Annie Awards and the Reuben Award for Outstanding Cartoonist of the Year, the highest honor presented by the National Cartoonist Society, he also received a Star on the Hollywood Walk of Fame in February 2012 and was personally honored with designing five U.S. postage stamps.

New Yorker cartoonist Jason Chatfield and "Sarah's Scribbles" cartoonist Sarah Andersen join Brad and Dave at the Farewell Brunch, closing out the National Cartoonist Society's Reuben Awards events.You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today's show is sponsored by Dreamhost! If you want to own and control your own work with a website, Dreamhost can help you get started.Phil Foglio joins us to discuss his long and storied career as an independent cartoonist! Best known for co-creating "Girl Genius"  with his wife Kaja, Phil talks about his breakout hit, "What's New with Phil and Dixie," his milestone NSFW series, "XXXenophile," developing the Gaslamp Fantasy genre, and the philosophies that have helped him navigate several decades as an independent comics creator.Fun Fact! Phil, Dave, and Brad are all nominated for the National Cartoonist Society's Silver Reuben Award for Best Online Longform Comic!ON THIS WEEK'S SHOW...Special Guest Phil FoglioComicLab LIVE at San Diego Comic ConUPDATE: Google DomainsYou get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

On part 2 of this week's episode, we interview cartoonist Alan Rozanski. Alan had a life long dream of becoming a published cartoonist and decided to make that dream a reality in the last five years. He has had cartoons published in The Wall Street Journal, Saturday Evening Post, Reader's Digest, Alta, The Oldie, Accounting Today, Woman's World, The Phoenix and more. He's met most of his goals, but is still chasing the elusive title of New Yorker Cartoonist.You can find a bit more about Alan at his National Cartoonist Society member page:https://nationalcartoonists.com/author/alan-rozanskiThe podcast he mentions, Tom Racine's Tall Tale Radio, can be found here:https://www.talltaleradio.comLarry Wood Joins Vin and Paul On Part 1 of the episode and we discuss...    The winning caption for New Yorker contest #85 (Man with laptop at poolside).   Finalists for contest #856 (Ears of corn walking in the hot sun).Current New Yorker contest #858 (Man in alley with cats and dogs in his coat). Send us questions or comments to :  Cartooncaptioncontestpodcast@gmail.com

A cartoonist from the National Cartoonist Society sketches soldiers deployed to Kandahar Airfield Afghanistan.

Lynn Johnston is a Canadian cartoonist and author, best known for her newspaper comic strip For Better or For Worse. She was the first woman and first Canadian to win the National Cartoonist Society's Reuben Award. 

The new National Cartoonist Society's Gag Cartoonist of the Year recipient, Chris Weyant, pays the boys a visit on the Cartoon Pad, which at the top of the show promised to be better.

Show notes: In this episode I share some local upcoming event news, plus I sit down to talk toons and discuss some Sour Grapes with cartoonist Tim Jones. Tim is the creator/artist/writer of the widely popular, self-syndicated comic strip, “SOUR GRAPES”. He created SOUR GRAPES back in 2013. It's a weekly strip about “Aesop”, a miserable-flying dog; his pet cloud, ‘Ominous' and odd family- all living in a problematic and troubled world. In 2014, the strip found its way into print starting in two newspapers in Rhode Island, where he lives with his family. Soon after, the comic strip continued its success and started to appear in more and more newspapers. Today, SOUR GRAPES continues to grow in popularity and can now be seen in multiple newspapers across the country. Tim has been a cartoonist and freelance illustrator for over 25 years and he is a member of the National Cartoonist Society and Mid-South Cartoonists Association. He also teaches cartooning and speaks at local schools and libraries. Tim has created several compilation SOUR GRAPES books and story-coloring books. He appears at various events, Comic-Cons and book signings. His next upcoming events are in July at Plastic City Comic Con in Fitchburg, MA and Terrificon at Mohegan Sun Casino in Connecticut. Thanks to Tim for taking time out to come on the show. Hope to run into him in person at some point. Happy birthday/anniversary to Comics and Collectibles, 901 Comics (Midtown), Metropolis, and my wife Nicki Workman! LINKS: Mid-South Cartoonists Association/MSCA (Memphis, TN) - www.midsouthcartoonists.org My art website - www.linworkman.com Tim Jones "Sour Grapes" - www.sourgrapescomic.com Terrificon (Conneticut) - www.terrificon.com Plastic City Comic Con (Fitchburg, MA) - www.plasticcitycomiccon.com National Cartoonists Society (NCS) - www.nationalcartoonists.com Theme/Music: “Silly Bank Heist” and "Sleuthing In The Dark" by Steve Oxen. ©2020 Fesliyan Studios Inc. – music and sound effects used by permission. Run time: 1hr 5min 30sec

This week The Cartoon Pad has on the new Gag Cartoonist of the Year winner as recently selected by the National Cartoonist Society, Ellis Rosen. Ellis is a wonderfully talented New Yorker cartoonist, and his new book, with Jon Adams, 'Send Help' A collection of marooned cartoons, is available now. LINK: https://amzn.to/3rxizjv

Jeff Smith is perhaps the most celebrated cartoonist of the last 30 years winning 10 Eisner awards, 11 Harvey awards and 2 awards from the National Cartoonist Society. His works include Bone, RASL, Tuki and Shazam and the Monster Society of Evil Brand Way of The Gun https://igg.me/at/IGNXo5UJf-k/x/18549004#/ Support our Indiegogo campaign with artist Caanan White at http://www.ikaripress.com Read the first 21 pages of Brand for FREE!http://bit.ly/2Y6sRtB Get Brand merch here:https://teespring.com/stores/ikari-press?pr=CYBERFROG Ikari Press on Amazon:https://www.amazon.com/gp/search?ie=UTF8&tag=antoniodbrice-20&linkCode=ur2&linkId=fce638549947467874bbc212380f5209&camp=1789&creative=9325&index=apparel&keywords=ikari%20press Thanks for watching! Check out The Dollar Bin - on Amazon https://www.amazon.com/shop/influencer-c39fd8ab?listId=1VJMFX7L69XPS Sexy Party on Soundcloud :https://soundcloud.com/antonio-brice-704040882 Sexy Party on Spotify :https://open.spotify.com/show/0UH8ZOfK2ivSh41oloYtiV?si=Fv_VKzFaRMCN3ihvjOHsww Follow us on social media here: https://twitter.com/ikaripress https://www.facebook.com/ikaripress https://instagram.com/ikaripress --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ikaripress/message Support this podcast: https://anchor.fm/ikaripress/support

Dave and Brad are planning 2019 — PLUS, Steve McGarry from the National Cartoonist Society drops in to talk about NCSFest in Huntington Beach, Calif, May 17-19, 2019. But FIRST... Brad's teenagers give Dave a look at what's in store for his kids in the future — and it includes sleeping in till noon. Show Notes 00:00 — Teenagers 06:06 — Brad's plan for 2019: Hiring an assistant 20:22 — Dave's plan for 2019: Five personal appearances 22:55 — Dave's plan for 2019: Publishing schedule to include an all-pop-culture Sheldon collection and a children's book! 40:44 — The NCS's Steve McGarry joins us to talk about NCSFest 54:00 — Brad's plan for 2019: Publishing the second collection of Evil Inc After Dark and the second edition of The Webcomics Handbook. 01:07:17 — Dave's shoot-the-moon plans for 2019: A comics-related TV show, a podcast book club, and a ComicLab Quickstarter. 01:09:25 — Revisiting our three-year plan and five-year plan project from 2018. Great rewards when you support ComicLab $2 — support the show $5 — submit a question for possible use on the show AND get the exclusive ProTips podcast $10 — record an audio question for possible use on the show AND get the exclusive ProTips podcast $50 — Sponsor the show! We’ll read a brief promo for your comic/product and read it twice during the show AND you get the exclusive ProTips podcast Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com Dave Kellett is the creator of Sheldon and Drive.

Alex Googly Eyes Grand, Jim Snuffy Smith Thompson, and Little Orphan Bill Field interview Rick Marschall as we go through his life and times from being a teenage sidekick to veterans of the National Cartoonist Society like Rube Goldberg, to being an Editor at United Feature Syndicate working over more comic strip super stars like Charles Schulz, to co-writing the The World Encyclopedia of Comics with Maurice Horn, to meeting with Stan Lee and becoming an Editor at Marvel Comics. So grab your stick of butter as we discuss part 1 of the Life and Times of Rick Marschall exploring Comic History from the Strips to late 1970s Marvel Comics. It's the Cat's Meow. No Sense Remix - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Today's Guest: Sergio Aragones, legendary MAD magazine cartoonist, creator, "Groo" Mr. Media is recorded live before a studio audience of MAD cartoonist Sergio Aragones fans dressed up for Halloween as Groo the Wanderer… in the NEW new media capitol of the world… St. Petersburg, Florida!  Order MAD’s Greatest Artists: Sergio Aragones: Five Decades of His Finest Works by clicking the book cover above! (2010) My first issue of MAD magazine was purchased near the checkout counter at a Stop & Shop supermarket in my hometown of North Brunswick, New Jersey, in July 1970. I’ll never forget the cover: a parody of the summer’s big hit, Butch Cassidy and the Sundance Kid, featuring a couple of actors named Redford & Newman. I no longer have it, but I suspect that that was my first exposure to legendary artist Sergio Aragones. SERGIO ARAGONES audio excerpt: "I did about 20 Pocket Books for MAD with new material. The characters are what sell the book. I thought, 'Why not draw myself on every cover? That way they know it's my book.' So I became a comic book character." Sergio has been producing illustrated gags for MAD since 1963 and for many fans, his work and the humor mag’s name are forever entwined. He has been one of the Usual Gang of Idiots for longer than I’ve been able to spell “ee-diots.” This month, Sergio — who has already won the National Cartoonist Society’s top honor, the Reuben Award, as well as the Will Eisner Hall of Fame Award and the Comic Art Professional Society’s Sergio Award, named after, um… him — is being recognized in a different way with a book retrospective. MAD’s Greatest Artists: Sergio Aragones: Five Decades of His Finest Works, is an oversized coffee table collectible that reproduces some of his finest, crazy material in a hardcover format that will no doubt outlast us all. It is a great honor to have him as a guest today. Sergio Aragones Website • Groo • Facebook • Order MAD’s Greatest Artists: Sergio Aragones: Five Decades of His Finest Works Order 'Sergio Aragones Funnies,' named by the National Cartoonists Society the Best Comic Book of 2013, available from Amazon.com by clicking on the comic book cover above! Order 'Sergio Aragones' Groo: Library,' available from Amazon.com by clicking on the book cover above!   Order 'Will Eisner: A Spirited Life' (2nd Edition) by Bob Andelman, available from Amazon.com by clicking on the book cover above!   The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!  

Tom Richmond is a cartoonist, illustrator, and caricaturist. He is a featured artist on Mad Magazine, the president of the National Cartoonist Society and the 2011 winner of the Reuben Award!

Lynn Johnston, a Canadian cartoonist, is best known for her newspaper comic strip For Better or For Worse. She was the first woman and first Canadian to win the National Cartoonist Society’s Reuben Award, and has been nominated for a Pulitzer. She joined Jonathon to discuss the world of cartooning, writing, and storytelling.

Matthew Diffee is a very funny man and an excellent artist, which makes him perfectly suited for the world of cartooning. Matt has been contributing cartoons to The New Yorker since 1999 and he now has a fantastically entertaining book out called “Hand Drawn Jokes for Smart Attractive People.” We start, as usual, at the beginning, discussing the mutual love of art and comedy that eventually "drew" Matt to cartooning. (See what I did there?) Matt talks about an early attempt at stand-up comedy that proved he could write jokes, but didn't seem equally capable of telling them, so he made the adjustment. We find out what influenced his decision to pursue cartooning and how he eventually landed a contract with the The New Yorker. It's worth noting that Matt is also the editor of volumes one and two of “The Rejection Collection: Cartoons You Never Saw and Never Will See in The New Yorker” and is the recipient of the 2013 National Cartoonist Society’s Silver Reuben Award for single panel cartooning. But for now, he's simply "Writers' Bloc Podcast Guest #48".

Cartoonist stopped by the Task Force Lifeliner to carry on the age old tradition of cartooning the Troops. Includes sound bites from Tom Richmond, Mad Magazine Cartoonist. Hometown: La Crosse, Wis. and Pvt. Alice Harris, Human Resource Specialist. Hometown: Pinellas Park, Fla. Also available in high definition.