Podcasts about cartooning

Popp Talk with Mary Jane Popp Sweet Potatoes, Holistic Health, Anti-Aging and a Life of Many Voices Dr. Susan Smith Jones & Jim Messkimen Sweet Potatoes, Many Voices, and the Art of Living Well A Two-Part Hour of Health, Humor, and Performance In this episode of Popp Talk, host Mary Jane Popp presents a two-guest program that moves from holistic nutrition to show-business creativity. The first half features Dr. Susan Smith Jones, who discusses the health benefits of sweet potatoes and her book A Hug in a Mug. The second half features actor, voice artist, impressionist, and performer Jim Messkimen, who talks about impressions, improvisation, acting, audio books, art, and his famous mother, Marion Ross of Happy Days. Dr. Susan Smith Jones and the Power of Sweet Potatoes Mary Jane opens by introducing Dr. Susan Smith Jones as a longtime holistic health expert, author, educator, and advocate for optimum nutrition and balanced living. Dr. Jones says the featured “sweet treat” of the episode is the sweet potato, one of her ten favorite superfoods. She explains that sweet potatoes are often confused with yams, but that they stand apart nutritionally because of their color, antioxidants, vitamins, fiber, minerals, and versatility in meals. A Nutritional Powerhouse From Head to Toe Dr. Jones explains that orange sweet potatoes are rich in beta carotene, which converts into vitamin A and supports vision, immunity, and skin health. She also discusses vitamin C, vitamin E, potassium, fiber, and anthocyanins, especially in purple sweet potatoes. These nutrients, she says, help support cardiovascular health, blood pressure, digestion, gut bacteria, immune defense, brain function, eye health, inflammation reduction, skin elasticity, collagen production, and healthy hair growth. Gut Health, Inflammation, and Everyday Immunity A major part of the health conversation centers on digestion and inflammation. Dr. Jones explains that sweet potatoes contain both soluble and insoluble fiber, supporting healthy gut bacteria while also keeping digestion moving. She connects gut health to overall immune function and explains that antioxidants in sweet potatoes may help reduce systemic inflammation, which she describes as connected to many diseases. She also emphasizes sweet potatoes as immune-supporting food during cold, flu, and COVID seasons. Easy Ways to Eat Sweet Potatoes Dr. Jones gives several practical ways to use sweet potatoes in everyday food. She suggests baking them simply with a little salt and extra virgin olive oil, spiralizing them into pasta, steaming and chilling them for smoothies, adding them to pancakes, salads, soups, muffins, breads, puddings, and desserts, or slicing them into baked chips. She especially recommends a bright orange soup made from sweet potatoes, carrots, and butternut squash, which she says is rich in beta carotene and supportive for vision, immunity, inflammation, and overall health. A Hug in a Mug and Holistic Living Mary Jane asks Dr. Jones about her latest book, A Hug in a Mug, whose subtitle focuses on fruits, vegetables, juices, soups, spices, teas, and healthy living extras. Dr. Jones says the book offers natural approaches for ailments from head to toe, along with more than one hundred recipes and practical guidance on healthy living. She also mentions related topics such as intermittent fasting, cold therapy, motivation, sleep, exercise, and injury prevention. She directs listeners to SusanSmithJones.com, where they can learn about her books, newsletter, X updates, and personalized autographed copies. Jim Messkimen and a Life of Many Voices After the health segment, Mary Jane welcomes Jim Messkimen, describing him as an extraordinary impressionist, actor, voice-over artist, and the son of Happy Days actress Marion Ross. Jim explains that although Mary Jane heard he had thirty-eight voices, he now does well over one hundred. He says he is always listening, collecting, and analyzing voices, especially from politics, entertainment, and public life. His impressions include figures such as George W. Bush, Morgan Freeman, Jack Nicholson, Robin Williams, Alan Rickman, Judi Dench, Johnny Carson, Jimmy Stewart, Patrick Stewart, Donald Trump, and Joe Biden. Happy Days, Jumping the Shark, and Growing Up Around Talent Mary Jane asks Jim about his connection to Happy Days, and he explains that he appeared in the famous “jump the shark” episode, where Fonzie waterskied over a shark while the cast visited Hollywood. Jim says he was the actor on the beach who announced the shark. He also discusses his mother Marion Ross, noting that she had a good ear for dialects and mimicry and that her tolerance and encouragement helped support his own interest in voices. He says Marion is doing well and approaching her ninety-sixth birthday. Improvisation, Acting, and the Comfort of the Unknown Jim talks about his love of improvisation and says he is often more comfortable improvising than memorizing strict, scripted lines. He credits his training at the National Improv Theatre in New York and reflects on working in settings where exact wording matters, including The Marvelous Mrs. Maisel. He also discusses his appearances on Whose Line Is It Anyway? explaining that improvisation is not as mysterious as people think because ordinary conversation is improvised all day long. Impressions as Acting, Listening, and Physical Transformation Jim explains that impressions are not only about vocal sound. He listens for pitch, rhythm, attack, word choices, physical posture, facial structure, and the emotional character of the person he is portraying. He says some voices come naturally because they fit his vocal range, while others require physical adjustment and practice. He uses Alan Rickman as an example of a voice requiring a specific internal and external shape. For Jim, the goal is to become the person enough that their thoughts and speech patterns begin to flow naturally. Audio Books, Writers of the Future, and Galaxy Press Mary Jane and Jim discuss his work with Galaxy Press and the L. Ron Hubbard Writers of the Future anthology. Jim says he, his wife, and his daughter have narrated stories for recent anthology volumes, including volume 40, and he encourages listeners to check out the audiobook or physical book. He also describes directing the large-cast audiobook version of Battlefield Earth, a nearly thousand-page project that took about nine months to record, involved many actors, music, and sound effects, and won an audio award. Art, Cartooning, and the Creative Path Mary Jane asks who Jim Messkimen is beyond the voices, and Jim says he is an artist at heart. His first love was drawing and cartooning, and he once imagined becoming a cartoonist. He drew for school papers and yearbooks, worked at Hanna-Barbera as a storyboard assistant, became a professional illustrator and cartoonist, and later studied classical art in Spain and Northern California. Although acting eventually became his main career, he still paints, draws, and shares artwork occasionally through his website and social media. Closing With Creativity and Curiosity The interview closes with Jim sharing where listeners can find him, including JimMesskimen.com, social media, and his online courses for impressions and voice acting. Mary Jane also expresses interest in having him back to discuss artificial intelligence and its possible impact on voices, performance, and thought. She ends the show by praising Jim's talent and closing with her familiar reminder to “live simply, laugh often, love deeply, and above all else, dare to dream.”

What seems like a simple question about exclamation points opens up a much bigger discussion about the power of comics lettering. Brad and Dave talk about punctuation, word balloons, font choices, and the unique grammar of comics — and why cartoonists have tools that prose writers can only dream of. They also share thoughts on staying creative during major disruptions, from studio moves to home renovations. On today's show... Exclamation points in comics: how many is too many? Whether to use one, two, or three exclamation points Why comics grammar differs from prose grammar Using lettering, font size, bolding, and balloon shape instead of extra punctuation When punctuation becomes unnecessary in comics lettering Nate Piekos's The Essential Guide to Comic Book Lettering Question marks, exclamation points, and the interrobang How punctuation order can affect emotional meaning Writing dialogue for comics: numerals, abbreviations, and natural speech Jim Davis, Garfield, and simplifying comics language Meeting readers where they are through visual storytelling NCS Reuben Awards weekend in Columbus, Ohio Brad and Dave's panel: “Actionable Advice in a Time of Change” Remodeling, moving studios, and creative disruption Setting up a dedicated creative space during chaos Managing the cognitive load of unfinished studio/home projects Why working ahead matters before a move or remodel The danger of putting fun distractions in your studio The temptation of arcade cabinets, pool tables, and other creativity killers You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

With both Brad and Dave nominated for awards this year, the guys spiral into a surprisingly deep conversation about awards, marketing, ego, and whether creators should plaster “award nominee” stickers all over their books. Later, they tackle a listener question about using 3D models, digital sets, and reference material in comics production — leading to a fascinating behind-the-scenes look at how both creators actually build comics pages in tools like Clip Studio Paint and Photoshop. Along the way, they discuss why imperfections matter in cartooning, how typography affects visual storytelling, and why “cheating” is often just another word for “working smarter.” Today's Show Should you put an award nomination on a book cover? UPDATE: Hugo Award voter packet "WSFS Membership"  Using sets and other pre-made background materials  UPDATE: Patreon Quips is now available on desktop You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — a 21.5" pen display with a gorgeous 2.5K screen and really smooth performance. Bottom line: it feels great to draw on — and it punches way above its price. • Check it out at https://comiclabshop.com • Use code COMICLAB5 for an exclusive 5% discount! (Valid through June 14th) Brad and Dave tackle a listener question that gets to the heart of creative careers: Can you make a living telling shorter stories, or does success demand long-form work? As always, the answer is equal parts practical advice and creative philosophy — grounded in real-world experience and delivered with ComicLab's signature mix of humor and honesty. TODAY'S SHOW • Can you build a career on individual short stories? • Market expectations around story length (comics, film, TV) and perceived value • Creative problem-solving as a business tool — making unconventional formats work • Strategies for packaging short stories (genre consistency, shared setting, through-lines) • Examples of experimental storytelling formats (anthologies, vignette structures) • PROMO: Huion Kamvas 22 (Gen 3) — features, workflow integration, and discount code ComicLab5 at https://comiclabshop.com • Estate planning for cartoonists — what happens to your IP after death? • Debate: Should creative work become public domain sooner? • Should kids continue your comic… or make their own work? • The reality of legacy comics vs. modern independent publishing You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Join editorial cartoonists Ted Rall (from the Left) and Scott Stantis (from the Right) as they interview veteran editorial cartoonist Marshall Ramsey—who has had a bird's eye view of the South for decades—about cartooning, politics, and the news of the day.Marshall Ramsey is a renowned American editorial cartoonist known for his sharp wit, incisive commentary, and poignant memorial tributes. Born in New Jersey and raised in Atlanta, Georgia, he graduated from the University of Tennessee in 1991 with a marketing degree, where he cartooned for the student newspaper. After early work in San Diego, he moved to Mississippi in 1996 and spent 22 years at the Clarion Ledger in Jackson. A two-time Pulitzer Prize finalist (2002 and 2006), he has authored three cartoon collections, two short story collections, and a children's book, and won a Southeastern Emmy. Formerly editor-at-large of Mississippi Today, Director of the Mississippi Media Lab, and a syndicated artist, Ramsey continues creating impactful cartoons while engaging communities through journalism and speaking.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Join editorial cartoonists Ted Rall (from the Left) and Scott Stantis (from the Right) as they interview veteran editorial cartoonist Marshall Ramsey—who has had a bird's eye view of the South for decades—about cartooning, politics, and the news of the day.Marshall Ramsey is a renowned American editorial cartoonist known for his sharp wit, incisive commentary, and poignant memorial tributes. Born in New Jersey and raised in Atlanta, Georgia, he graduated from the University of Tennessee in 1991 with a marketing degree, where he cartooned for the student newspaper. After early work in San Diego, he moved to Mississippi in 1996 and spent 22 years at the Clarion Ledger in Jackson. A two-time Pulitzer Prize finalist (2002 and 2006), he has authored three cartoon collections, two short story collections, and a children's book, and won a Southeastern Emmy. Formerly editor-at-large of Mississippi Today, Director of the Mississippi Media Lab, and a syndicated artist, Ramsey continues creating impactful cartoons while engaging communities through journalism and speaking.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Julia Wertz is a cartoonist and frequent contributor to The New Yorker's cartoons. A few years ago, Julia went through a surprise pregnancy and unexpected marriage right before the COVID lockdown. Her new graphic memoir, Bury Me Already (It's Nice Down Here), explores the stages of Julia's pregnancy and parenthood in a cartoon format. Julia discusses the experience of giving birth during the COVID-19 pandemic, and how drawing comics helps her make sense of her life. Julia has a book event at Books Are Magic (Montague St. location) on April 15 at 7, and at Rizzoli Bookstore on April 16th at 6. Cover art courtesy of Black Dog & Leventhal

In this episode, Brad and Dave tackle a question every cartoonist eventually asks: Where should I invest my time and energy? From gallery shows to professional organizations to keeping up with “the kids,” this conversation is packed with practical, experience-tested advice. But first things first! Here's Brad's 2021 blog post about the science behind why vampires don't cast a reflection in a mirror. Are Art Galleries Worth It? A listener asks whether exhibiting in a gallery helps grow a comics career. Key takeaways: • Gallery exposure rarely converts into comic readers • If it's not clickable, it's not effective promotion • Sales are often split (sometimes 50/50), cutting into profits • You can usually sell original art more effectively on your own platform • The biggest benefit? Personal satisfaction and a nice ego boost Should Beginners Join Professional Organizations? Brad and Dave revisit a classic question: Are groups like the National Cartoonists Society (NCS) worth it? • 10–15 years ago: Limited practical value• Today: Much more actionable, community-driven, and educational What You Actually Get • Real-world, practical learning (panels, talks, workshops) • Networking with professionals who actually understand comics • Access to events, meetups, and tabling opportunities • Career insight you won't get from general audiences Pro tip: For younger creators, discounted memberships make this a much easier entry point. ComicLab at the Reubens Brad and Dave will be presenting at this year's Reuben Awards Weekend, August 6-8 in Columbus, Ohio. Their session: “Actionable Advice in a Time of Change” • Practical, career-focused insights • Guest cartoonists joining a live panel format • A mix of strategy, storytelling, and real-world experience They'll also be around all weekend — panels, conversations, and (possibly questionable) lunch recommendations. Get on the mailing list so you don't miss out! Call the ComicLab Talkback Line Got a question or something to share?

This week on ComicLab, veteran comic artists Brad Guigar and Dave Kellett kick things off a discussion about something every cartoonist wrestles with: work-life balance. If you're juggling a day job, relationships, and your creative ambitions, Brad and Dave break down practical strategies that actually work — including: • Why consistency beats intensity • How to build a repeatable creative schedule • The power of small, daily wins • And why your health and relationships are just as critical as your drawing skills They also tackle a big-picture career question: What happens when a long-running comic ends? Dave shares his thoughts on winding down Drive, how to retain an audience, and the challenge of transitioning into your next project without losing momentum. Plus: • Smart ways to monetize short comics • Why finished is better than perfect • And how thinking long-term can transform your creative output Whether you're just starting your first comic or planning your next big move, this episode is packed with actionable advice — and a few chaotic detours along the way. Key takeaway: Three years are going to pass anyway… you might as well have a finished comic at the end of them. Today's Show • UPDATE: Enshittification of Bluesky begins • Work-Life balance • UPDATE: NCS Conference and Reuben Awards • Monetizing short comics • What will Dave do when Drive is over? For more information about joining the National Cartoonists Society, go to https://nationalcartoonists.com/how-to-join/ • Get on the mailing list  • More information on the 27 Club • 80th annual Reuben Awards and NCS Conference — August 6-8, 2026   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Jack Ohman has been a political cartoonist for 48 years; he got his start at the Minnesota Daily when he was still a college student, and at 19 he became the youngest-ever syndicated cartoonist in the United States. He has worked at major papers across the US, including The Detroit Free Press, The Oregonian and The Sacramento Bee, where in 2016 he won the Pulitzer Prize for Editorial Cartooning. Since 2023 he has been the editorial cartoonist and a political columnist for The San Francisco Chronicle, and also publishes at his Substack, Jack Ohman's You Betcha.He joined us to talk about his history in the news biz, the state of editorial cartooning, the death of Scott Adams, and much, much more.   Plus - Who Had the Worst Week in California Politics.1:00 Sports betting update3:27 The Prop. 50 court decision5:41 Clarissa Laguardia podcast6:47 Jack Ohman7:46 Origin story9:23 Collapse of the afternoon papers11:53 Substack14:04 Political cartooning vs. comic strips15:30 "I never really wanted to be a cartoonist, I wanted to be governor of Minnesota"16:00 Kate Brown18:27 Youngest syndicated cartoonist23:46 Are we in a new Yellow Journalism era?26:58 "In some ways we're fighting the same battles of the Civil War"33:27 The Death of Scott Adams36: 39 Bacchi Decision40:21 Where is cartooning right now?48:46 Thomas Nast49:43 #WWCAWant to support the Capitol Weekly Podcast? Make your tax deductible donation here: capitolweekly.net/donations/Capitol Weekly Podcast theme is "Pickin' My Way" by Eddie Lang "#WorstWeekCA" Beat provided by freebeats.io Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From 2014 - We remember Kenosha's own Michael Shumacher, a nationally published author who passed away on December 29th, by replaying this conversation that occurred during the 2014 Kenosha Festival of Cartooning. Schumacher was joined in our studios by his friend Denis Kitchen, one of the leading figures in the underground comic book movement - with whom Michael collaborated on a highly regarded biography of cartoonist Al Capp. (Tomorrow's Morning Show will feature a gathering of some of Michael Schumacher's friends reflecting on what he was like and what it meant to have him as a friend.)

Giuseppe Castellano talks to New York Times best-selling author, cartoonist, and educator, Bob Eckstein, about why we shouldn't be “open” to AI; how an artist can know when their work of art is done; why Bob wants illustrators to worry less; and more.To learn more about Bob, visit bobeckstein.com.Find Bob on Substack.Artists mentioned in this episode include: Maira Kalman, Steve Brodner, Sam Gross, James Thurber, Charles Saxton, Bob Weber, George Booth, Bill Mauldin If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Syndicated cartoonists Jerry Scott and Rick Kirkman share their journey of collaboration that spans over 35 years, focusing on their iconic comic strip, "Baby Blues." They discuss their initial meeting, the challenges of working together, the creative process behind their gags, and the evolution of their work. The dialogue highlights the joys and conflicts of collaboration, the importance of humor in parenting, and the unique dynamics of their partnership. They discuss their early encounters with legendary cartoonists, the challenges and joys of taking over legacy strips, the impact of awards on their careers, and the importance of authenticity in parenting comics.You can read "Baby Blues" at Gocomics.com/babybluesHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysJerry and Rick's collaboration spans over 35 years.Their wives introduced them, both aspiring cartoonists.They bonded over a shared love for comics and cartooning.Baby Blues was inspired by their experiences as parents.They learned the importance of hitting deadlines.Collaboration requires open communication and compromise.Writing gags often starts with the punchline first.The creative process is a blend of writing and drawing.Their friendship enhances their creative output. Meeting legendary cartoonists was a pivotal moment.Legacy strips come with both pressure and opportunity.Awards can create a sense of responsibility.Parenting comics resonate deeply with readers.Book titles can encapsulate the essence of the work.Professional jealousy is detrimental in the creative field.Authenticity in storytelling is crucial.The weight of awards can be both a blessing and a burden.Creating relatable content helps connect with audiences.Collaboration and community are vital in the cartooning world. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

It's time to dive into the history of Gmail... but it didn't start with Google at all... In fact, it started very differently... Purrfectly, some might say. On this episode we discuss the strange phenomenon of Garfield Mail, the original Gmail. Then we pitch some ideas for making email better, reminisce about products from Google's past, get into movies in the MouthGarf Report, and play a rousing game of I See What You Did There.Sources:https://gizmodo.com/the-original-gmail-was-garfield-mail-1822970617https://historyandmystery.org/interesting-history/the-first-gmail-was-associated-with-garfield-the-cat/https://www.cracked.com/article_28656_4-wtf-tales-from-early-days-internet.htmlPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Presidential Convention in Arkansas 

Today's show is sponsored by Huion, makers of the Kamvas 22 Plus ! In today's show, Brad and Dave tackle an old question — does your comic HAVE to be in color? The answer is more nuanced than you might think! Also, the comics uncles will discuss the right ways — and the wrong way — to sign your books for fans.HuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.Today's Show:Color or B&W?Dave Kellett's "Drive" in color?ComicLab Accent ChallengeHow to sign a bookUse offer code 'COMICLAB' to get an extra discount on these Huion products — Kamvas 22 Plus , Kamvas 13 (Gen 3) , and the Huion Note . (Offer ends Jan. 4, 2026)SummaryIn this engaging conversation, cartoonists Brad Guigar and Dave Kellett explore the debate between black and white versus color in comics, the dynamics of creative teams, and book-signing etiquette. The share personal anecdotes, insights on the creative process, and the importance of listening to audiences. The discussion also touches on the future of comic adaptations and the satisfaction of creating art for its own sake. The hosts delve into the intricacies of storytelling, discussing the journey of creating a narrative and the potential future projects that may arise from it. They share insights from their experiences at Comic Con, particularly focusing on book signing etiquette and best practices. Additionally, they touch on the importance of analytics in understanding audience engagement through platforms like Patreon.But first, Dave waxes poetic over the "Golden Girls" spin-off, "Golden Palace."TakeawaysBreakups in creative teams can be heartbreaking, even when things are going well.Color comics are generally preferred by audiences, but black and white can work too.Mastering different aspects of cartooning is essential for success.The chemistry of a team can change dramatically with one member missing.It's important to listen to your audience, even when making positive changes.Black and white comics can help artists focus on line work and composition.The adaptation of comics into other media can be a complex process.It's okay to be content with your work as a comic artist without seeking adaptation. The journey of storytelling is fulfilling and rewarding.Future projects can stem from the success of previous works.Evil Inc. has the potential for further evolution and expansion.Comic Con experiences enhance the connection with fans.Signing books is an art that requires etiquette and practice.Analytics are crucial for understanding audience engagement.Creating a sequel can be a natural progression for a successful story.Engaging with fans at events can lead to lasting memories.Patreon can provide valuable insights into audience demographics.The importance of personalizing book inscriptions for fans.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We always advise having "many legs under your table." In other words, comic creators should have many sources of revenue. If one is threatened, the others can keep the business aloft. So it's important, from time to time, to check for wobbly legs! What are the sources of comics income that are currently vulnerable?Today's ShowVulnerable legsSusan MacTaggartDesign vs StyleSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar explore various themes related creativity and the business of comics. The conversation begins with the importance of diversifying income streams for artists. They also delve into concerns about merchandise shipping costs and the future of platforms like Patreon in the age of AI. Next, the hosts reflect on the relationship between style and design in art, and how generational changes will influence the integration of AI into creative fields. The episode wraps up with light-hearted banter and insights into the creative process.TakeawaysComic conventions can be a tricky business venture.Diversifying income streams is crucial for artists.Merchandise shipping costs are a growing concern.The future of platforms like Patreon is uncertain with AI advancements.Style and design are interconnected in art.Generational shifts will influence how AI is integrated into creative fields. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Greg Walker, son of famous cartoonist Mort Walker drops by to chat about the new book out called 75 Years Of Smiles commemorating Mort Walker's long and dedicated commitment to cartooning!Greg Walker studied at Syracuse University and has worked in film, commercial photography, newspapers and graphic arts. He started his cartooning career writing and drawing comic books, including such well-know titles as Rocky and Bullwinkle, Barney and Betty Rubble, Underdog, Sarge Snorkel and Beetle Bailey. He began providing gags to his father's strips in the early 1970's and, in addition to writing, currently does the inking and lettering on Beetle Bailey. In the 1980's, Greg also collaborated with Guy and Brad Gilchrist on the Rock Channel comic strip and with brothers Brian, Neal and Morgan on Betty Boop and Felix!About the book Beetle Bailey: 75 Years Of SmilesOld cartoonists never die. They just erase away...' This was one of Mort Walker's favorite sayings, and until his final days, he lived by his motto, engaging millions of readers through his beloved comics. Walker had the longest tenure of any cartoonist on his original creation in the history of comics. He produced Beetle Bailey for 67 years, 3 months and 12 days - that's 24,576 strips. He penciled his last week of daily strips on December 16, 2017. Beetle Bailey: 75 Years Of Smiles is a coffee table retrospective commemorating Mort Walker's long and dedicated commitment to cartooning, spotlighting the anniversary of his most popular and beloved creation. In addition to the 75 Sunday pages reproduced from color syndicate proofs, 135 daily and Sunday strips scanned from original artwork, and close to 200 additional images, this beautifully designed volume, impeccably researched and written by his son Brian, also includes rare photographs, historic debut character appearances, syndicate promotional materials, posters, merchandise, personal drawings and memorabilia from the family archives, as well as biographical sketches and anecdotes. Dubbed 'The Dean of American Cartooning,' Walker was one of the most prolific cartoonists in the comics business, with the creation of nine different syndicated strips during his lifetime, including Beetle Bailey, one of the most widely syndicated strips in the world. Beetle Bailey remains a popular feature in newspapers today and is currently produced by his sons Greg, Brian and Neal.

In this engaging conversation, Cathy Guisewite, the creator of the iconic syndicated comic strip 'Cathy', shares her journey through the world of cartooning, the challenges she faced as a female cartoonist, and the cultural impact of her work. From her early days of struggling with drawing to her experiences on The Tonight Show, Cathy reflects on her evolution as an artist and the significance of her comic strip in addressing women's issues. She discusses the release of her 50th Anniversary Collection and the bittersweet feelings surrounding the end of her long-running strip.Cathy 50th Anniversary CollectionTakeawaysCathy Guisewite's comic strip 'Cathy' ran for 34 years in over 1,400 newspapers.She faced unique challenges as a female cartoonist in a male-dominated industry.Cathy's work resonated with readers, providing humor and insight into women's lives.The evolution of her character mirrored the changing landscape of feminism.Cathy received heartfelt letters from readers that kept her motivated throughout her career.Her experiences on The Tonight Show were both terrifying and rewarding.Cathy's creative process involved rewriting and refining her strips up until the deadline.The 50th Anniversary Collection serves as a scrapbook of her career and the cultural conversations it sparked.Cathy's daughter helped digitize her work for the anniversary collection, leading to humorous reflections on past comics.The end of 'Cathy' was not as planned as she would have liked, but it still resonated with readers.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Originally aired on September 14, 2024

Exploring the World of Cartooning with Tom Toro | Razor Riffs Episode Join host Keith Reza in this engaging episode of 'Razor Riffs' as he sits down with cartoonist Tom Toro. Together, they discuss Tom's new book 'And to Think We Started as a Book Club,' set for release on October 7th, 2025. Delve into the intricacies of cartooning, the challenges faced, including the impact of AI, and personal stories from Tom's career. Keith and Tom also share humorous anecdotes and discuss the nuances of humor in cartoons. Don't miss this insightful conversation full of laughs and learning. Tom's Social IG @tbtoro...https://www.instagram.com/tbtoro/  FB @tomtorocartoons...https://www.facebook.com/tomtorocartoons/  Website...https://tomtoro.com/  Chapters 00:00 Introduction and Guest Announcement 01:56 Technical Difficulties and Apologies 02:16 Social Media Woes 06:13 Podcasting and Book Promotion 06:45 Children's Books and Cartooning 11:14 The Creative Process 21:34 The Journey to Becoming a Cartoonist 29:58 The Essence of New Yorker Cartoons 30:56 Political Cartoons and Their Impact 32:33 The Art of Cartooning and Comedy 33:40 Influences and Inspirations 35:06 The Legacy of Norm Macdonald 37:19 Challenges in Cartooning and Comedy 42:21 The Future of Cartooning 52:51 Tom's Upcoming Book and Final Thoughts MY SOCIALS HAVE NOT BEEN RESTORED! 

With her debut graphic novel, PRECIOUS RUBBISH (Fantagraphics), artist and designer Kayla E explores and investigates the trauma of her upbringing, the fragments of her memories, and the process of reintegration. We talk about why comics were the perfect form for this project, how she found her iconography and the postwar children's comics style for it, what it was like to uncover her memories and get them on the page, how it feels to give her story to her readers, and how she's learning to respond when her readers share their trauma with her. We get into her comics-roots, what it was like to hit up her comics heroes, how she felt the moment Mark Newgarden told her she had a book on her hands, why Harvard is bad for getting a comics education, how her work as a graphic designer dovetailed with the incredible production of Precious Rubbish. We also discuss her recovery and her conversion experience, why her Bible kinda begins and ends with the Book of Job, her years of worry that she'd turn out as psychopathic as her parents and brother, why the Sopranos is her favorite work of art, what it means to not be loved by one's parents, and more. Follow Kayla on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Political cartoons serve as a powerful visual commentary on major figures, events, and issues. Paco Calderón, a cartoonist who has documented much of Mexico's political and social landscape, joined "México Centered" to discuss his work and approach. More about Tony Payan, Ph.D.: https://www.bakerinstitute.org/expert/tony-payan Follow Tony Payan on X (@PayanTony) and LinkedIn. Follow @BakerInstMexico on X, LinkedIn, and Bluesky. Subscribe to “US-Mexico Update,” our monthly newsletter, at bakerinstitute.org/newsletters.

Many singers do a key change in the middle of a song to indicate drama. Dave Kellett is so good, he does it right in the middle of a word! Brad Guigar and Dave Kellett learn too much about each other while sharing a hotel room with his friend at the National Cartoonists Society Conference and Reuben Awards. Dave and Brad return from Boston brimming with stories from a week of cartooning camaraderie and community.Here's how to join the NCS. If you're under the age of 27, your membership is only $27!Cartoonists Brad Guigar and Dave Kellett reflect on their experiences at the NCS Conference and Reuben Awards sharing insights on the importance of community, networking, and the evolving landscape of cartooning. They discuss the joy of meeting fellow cartoonists, the impact of online creators, and the significance of new voices in the industry. The conversation also touches on travel tales, humorous anecdotes, and the camaraderie that defines the cartooning community.TakeawaysThe NCS Conference and Reuben Awards is a vital event for networking.Community and camaraderie are essential in the cartooning world.New voices in cartooning are crucial for the industry's evolution.Online cartoonists face unique challenges and opportunities.Travel experiences can lead to unexpected adventures.Meeting fellow cartoonists fosters a sense of belonging.The importance of supporting new members in the NCS.Humor and storytelling are key elements of the Comic Lab podcast.The future of cartooning is bright with diverse voices.Networking at events can lead to valuable connections. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Giuseppe Castellano talks to educator, author, and graphic medicine cartoonist, Kriota Willberg, about why she felt the need to write Draw Stronger: Self-Care for Cartoonists and Other Visual Artists; how artists can take care of their bodies, and why they don't; and more.To learn more about Kriota, visit KriotaWelt.blogspot.com. If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

And you thought summer was over... Well, Cloverhill Ranch is still open! For now! But, oh no! This is the last summer and then the camp closes for good! Charlie Brown and company in the new special on Apple TV+ "Snoopy Presents: A Summer Musical" are so devastated, they have to sing about it. And they do. A lot.  We break it all down in episode 145. We also look at This Month in Peanuts History, a Random Strip of the Month courtesy of author Andrew Farago, and say goodbye to one of our favorite podcast segments as we check out our final "Peanuts by Schulz" episode.  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Bass Walker", and "Hidden Agenda".  Thanks to Sean Courtney for the "This Month in Peanuts History" theme. Thanks to Nick Jones for the use of his song "25% Off". Thanks to Henry Pope for the use of his "Linus & Lucy" remix.  patreon.com Carnival of Glee Creations  All audio or images used here are the property of the respective copyright holders and are used here solely for entertainment purposes. No infringement is intended.

"I really love this medium. I think cartooning is an incredible medium. There aren't a lot of rules. You can, if you can, really make it up. You can make it suit you," says Roz Chast a cartoonist and artist whose work routinely appears in The New Yorker.So today we have Roz Chast. You know Roz Chast, and if you don't, quite frankly I hope we never meet. She's a long time cartoonist for The New Yorker whose work is kinda of panicky and bleak and goofy and … heightened … and wicked smaht. She's the author of Can't We Talk About Something More Pleasant?, Going into Town, and What I Hate from A to Z and what brought Roz to the podcast is a two 1,000-piece puzzles and a 2026 wall calendar now out by Workman Publishing. Really cool, and you can find those at hachettebookgroup.com.Cool stuff.Roz was, of course, a joy to speak with. I watched several interviews with her in preparation for this and I reached out to Dana Jeri Maier for questions because Dana loves Roz, and is a working cartoonist, so it seemed like a good shoulder to tap.Roz is a true artist. She paints these pysanka eggs, which are dyed eggs with cool paintings on them. She's into block printing now and she does some rug weaving things, too. I'm sure there's a formal term for it. She was inducted into the Society of Illustrators Hall of Fame in 2019. She won the National Book Critics' Circle award for Autobiography in 2014, and also was a National Book Award finalist for Can't We Talk About Something More Pleasant? Her work routinely appears in The New Yorker and in this episode we talk about: The ricketyness of a freelance career How being an outsider made her a better cartoonist How cartooning is like being at the children's table of art Aging parents And her experience on The Simpsons.Lots of rich stuff here that I hope you enjoy. I know I did.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Today's show is brought to you by Dreamhost! It's the first step in owning and controlling your own work. Check out the special offers at dreamhost.com/comiclab. Once again, Dave Kellett returns from Comic-Con International with a full report featuring actual numbers from his time spent exhibiting at his booth. He'll share what worked, what didn't, and what he has planned for next year. Next, it's the COMICLAB SOCIAL MEDIA CHALLENGE! After Brad challenges Dave to remove the social-media apps from his phone and charge the phone on the other side of the room at bedtime, the guys decide to make this a group experiment. Do YOU accept the challenge?SummaryDave reflects on the success of his booths, strategies for engaging with fans, and the importance of presentation. The conversation shifts to a new social media challenge, where they explore the impact of social media on productivity and creativity. They encourage listeners to join them in reducing social media usage and share their experiences. The episode concludes with a focus on future plans and the importance of community engagement.TakeawaysComic-Con was a success for both hosts, with increased sales and engagement.Preparation and presentation are key to a successful Comic-Con booth.The hosts discuss the importance of original art and its display.Social media can be a significant time sink, impacting productivity.The hosts challenge each other to reduce social media usage for a week.Engaging with the Comic Lab community is important for accountability.The hosts reflect on their experiences and lessons learned from Comic-Con.They emphasize the importance of personal connections at conventions.The episode encourages listeners to take control of their social media habits. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

This episode is sponsored by Dreamhost — your first step in owning and controlling your own work! Visit them at https://www.dreamhost.com/comiclab . This week, Brad and Dave are joined by Greg and Karen Evans, who are celebrating the 40th anniversary of their syndicated comic strip, Luann. Karen — then, a toddler — was the inspiration for the strip when Greg launched it in 1985. Twenty-seven years later, Karen joined her father to co-write the comic. They'll discuss that journey, their collaborative process, the significance of reader interaction, and more.SummaryIn this engaging conversation, Greg and Karen Evans reflect on their 40-year journey with the comic strip Luann. They discuss the challenges and triumphs of the submission process, the evolution of their characters, and the importance of collaboration in their creative process. The conversation also touches on their experiences at Comic-Con, the significance of reader interaction, and the unique challenges of adapting 2D characters into 3D models. Throughout, they emphasize the joy of storytelling and the impact of their work on fans and the cartooning community.Takeaways40 years of Luann is a tremendous achievement.The early submission process was filled with frustration.Character development is crucial in storytelling.Collaboration has enhanced the creative process.Reader interaction has shaped the strip's evolution.Comic-Con provides a unique opportunity for connection.3D modeling presents new challenges for cartoonists.Aging characters allows for deeper storytelling.The importance of humor in everyday life.The joy of creating and sharing stories with fans. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

"Yeah, join the club of people who feel inadequate," says Dana Jeri Maier, a cartoonist and author of the graphic book on creativity Skip to the Fun Parts.This incredible artist is the author of Skip to the Fun Parts: Cartoons and Complaints About the Creative Process. It's one of the best books on creativity because it deals with doubt, it deals with jealousy, it deals with ideas, it deals with perfectionism. Dana is a hilarious cartoonist and you should pick up a Front Runner and also a copy of Skip to the Fun Parts.I've long wanted to be a cartoonist. I know there's no perfect job, but I love the idea of creating something funny and whimsical and not having to talk to as many people as being a biographer entails.Dana, Dana, Dana, is a contributor to the New Yorker Daily Shouts and the creator behind the cartoon series The Worried Well. She has illustrated for The Phillips Collection, the DC Public Library, Politics and Prose, and Museum Hack. She's into improv and she lives in DC with her two cats and man husband.We talk about her influences, voice and style, how she doesn't trust anyone with a neat desk, bad ideas, jealousy, and a lot more. She's a real treat.Learn more about her at danajerimaier.com and on IG @danajerimaier.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Giuseppe Castellano talks to comics creator, writer, and educator, Ali Fitzgerald, about where art and art education intersect with social justice; what we can learn from the life and work of Käthe Kollwitz; how art can—especially in trying times—offer connection and solace; and more.To learn more about Ali, visit alifitzgerald.com.Artists mentioned in this episode include: Bill Watterson, Gary Larson, Emil Ferris, and Käthe Kollwitz If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Giuseppe Castellano talks to cartoonist and author, Grant Snider, about how he aligns his creative life; what similarities there are between illustration and Grant's work in orthodontics; why artists should zigzag every now and then; and more.To learn more about Grant, visit grantsnider.com.Artists mentioned in this episode include: Shaun Tan, John Hendrix, Bill Watterson, and Mike Lowery If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Guest: Justin Thompson, Senior Artist at Charles M. Schulz Creative AssociatesOn LinkedIn | https://www.linkedin.com/in/justin-thompson-91a47339/On Instagram | https://www.instagram.com/mythtickle/_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Guest: Justin Thompson, Senior Artist at Charles M. Schulz Creative AssociatesOn LinkedIn | https://www.linkedin.com/in/justin-thompson-91a47339/On Instagram | https://www.instagram.com/mythtickle/_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Dave Kellet returns from Alaska Comics Camp once more rejuvinated, recharged, and reinvigorated! He shares his joy-filled experiences from a week in Juno, Alaska, with about 60 other cartoonists sharing knowledge, friendship, and happiness. In the second half, a cartoonist shares her feelings of depression after losing a couple of cartooning contests.Today's ShowAlaska Comics CampSusan MacTaggart's personal affirmationComicLab LIVE at the NCS conference, Aug.14-16Rejection storiesSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share their experiences at the Alaska Comics Camp, a unique gathering of cartoonists that fosters creativity, community, and personal growth. They discuss the joy of disconnecting from technology, the enriching interactions among artists of all levels, and the cultural exposure provided by the camp. The conversation highlights the importance of friendship and collaboration in the creative process and the humorous challenges of camp life. In this conversation, the hosts discuss the enriching experiences at Comics Camp, where artists come together to learn, share, and create in a supportive environment. They highlight the importance of teaching and learning from one another, the joy of creative games, and the deep personal connections formed during the camp. The discussion emphasizes the altruistic nature of the event and its impact on the artists' personal and professional growth. In this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss personal affirmations, the importance of motivation, and the upcoming ComicLab Live stage show. They delve into the universal experience of rejection in the comics industry, sharing personal stories and insights on how to cope with setbacks. The conversation emphasizes the value of persistence in cartooning and the idea that true success lies in continuing to create, regardless of awards or recognition.TakeawaysAlaska Comics Camp is a joy-filled experience.The camp fosters community among cartoonists.Participants come from all over North America.The camp is hosted in a beautiful, pristine location.Disconnecting from technology is healing and refreshing.The camp encourages interaction between artists of all levels.Both experienced and new cartoonists teach classes.The camp runs under Chatham House rules for open discussion.Friendship and collaboration are key themes at the camp. Comic Camp fosters a unique environment for learning and sharing.Teaching at Comic Camp is driven by altruism and community spirit.Creative games enhance camaraderie and collaboration among artists.Personal stories shared at camp deepen connections between artists.The camp experience allows for genuine friendships to form quickly.Artists engage in hands-on activities that spark creativity.The isolation of the camp creates a unique bonding experience.Scholarships are available for those who may need financial assistance.The camp is a blend of professional development and personal growth.Comic Camp is considered one of the best experiences in the comics community. Your talent is undeniable, unless you're the one denying it.Stop denying yourself and embrace your creativity.Comic Lab Live is a highlight of the year for creators.Rejection is a universal experience for artists.Don't let rejection define your self-worth.Persistence is key in the world of cartooning.Awards don't determine your value as an artist.You can't let others dictate your happiness.True victory is continuing to create despite setbacks.Sometimes, not winning is a blessing in disguise.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Giuseppe Castellano talks to Sam Viviano, award-winning cartoonist, and former art director of MAD Magazine, about his membership in MAD's usual gang of idiots; what the careers of Norman Mingo and Jack Davis can teach today's illustrators; why creatives, even the worrywarts, should keep on keeping on; and more.Sam can be found on Instagram.Artists mentioned in this episode include: Steve Brodner, Herbert Lawrence Block, Mort Drucker, Paul Coker, Jack Davis, George Woodbridge, Al Jaffee, Dave Berg, Brad Holland, Guy Billout, Nicholas Blechman, Peter de Sève, Anita Kunz, Barry Blitt, Jack Unruh, Sergio Aragonés, and Don Martin If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Giuseppe Castellano talks to author and long-time New Yorker cartoonist, Michael Maslin, about the reasons why Michael chronicles the history of cartooning; what differentiates a cartoonist and an illustrator; what “being there” means for cartoonists… and illustrators; and more.To learn more about Michael and Inkspill, visit michaelmaslin.com.Artists mentioned in this episode include: Liza Donnelly, Roz Chast, Roxie Munroe, Jack Ziegler, Laurent de Brunhoff, Peter Arno, Helen Hokinson, Charles Addams, James Thurber, Barbara Shermund, Robert Crumb, Sam Gross, David Sipress, Whitney Darrow Jr., John Cuneo, Syd Hoff, Ludwig Bemelmans, William Steig, James Stevenson, Edward Frascino, Barney Tobey, Saul Steinberg, Ed Koren, Ilonka Karasz, Alan Dunn, Mary Petty, Mischa Richter, Ed Sorel, Frank Modell, Rea Irvin, Christoph Niemann, Pearl Mann If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Every beginning cartoonist agonizes over drawing eyes! Why is that — and while we're at it, what's the right way to do it? Next, we'll talk about why we hate anthologies, and answer a listener who suspects his webhost is throttling his traffic.Today's showHow to draw eyesSusan MacTaggart's personal affirmationDreamhostAnthologies"Is my host blocking my traffic??"SummaryIn this engaging conversation, Dave Kellett and Brad Guigar explore the nuances of cartooning, focusing on the art of drawing eyes and the importance of expressiveness in comics. They share personal anecdotes, discuss the evolution of their styles, and provide valuable insights for aspiring cartoonists. The discussion highlights the balance between maintaining a unique style and adapting to the needs of storytelling, emphasizing that style often emerges from solving artistic challenges over time. In this conversation, Brad Guigar and Dave Kellett explore various aspects of comic art, including the importance of flexibility in artistic style, the significance of character-specific design choices, and the challenges associated with comic anthologies. They emphasize the need for experimentation in developing a unique style and the forgiving nature of comics as a medium. The discussion also touches on personal affirmations, sponsorships, and the humorous dynamics between the hosts. In this conversation, Brad Guigar and Dave Kellett delve into the complexities of anthologies in the comic industry, discussing the dynamics of collaboration, the challenges faced by creators, and the reader's perspective on anthologies. They also touch on the importance of portfolio sites and the misconceptions surrounding web traffic and SEO. The discussion highlights the frustrations and joys of comic creation, emphasizing the need for professionalism and the impact of collaboration on the final product.TakeawaysThe way eyes are drawn can significantly impact a character's expressiveness.Cartoonists often obsess over how to draw eyes more than other features.Style in cartooning is often discovered in hindsight, not planned.Using simple eye representations can be effective in storytelling.Different expressions can be conveyed through variations in eye design.It's important to adapt eye styles based on the emotional context of the scene.The dot is a versatile starting point for drawing eyes in comics.Cartooning styles can evolve significantly over time.  Comics allow for flexibility and experimentation in art.Don't lock yourself into a specific style too early.Your artistic style will evolve over time.Character design should reflect the moment and emotion.Comics can be forgiving in terms of artistic rules.Anthologies can be challenging due to varying contributor commitment.It's important to find what works best for your characters.Trust your instincts and do what looks best in the moment. Anthologies often succeed when creators are in a specific career stage.The dynamics of collaboration can lead to frustration in anthologies.Reader experiences with anthologies can vary widely.Portfolio sites serve a different purpose than high-traffic sites.SEO may not be the primary issue for low traffic on portfolio sites.Social media can drive traffic to portfolio sites effectively.The quality of contributions in anthologies can greatly affect the overall product.Professionalism and deadlines are crucial in collaborative projects.The importance of having a clear theme in anthologies is often overlooked.Creatives should focus on their own work rather than anthologies.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Ted speaks with Alexander Rokoff of Rokoff Studio who shares his artistic journey, influenced by his family's artistic background and his father's legacy. He discusses his transition from cartooning to fine art, the impact of European art on his perspective, and the challenges he faced pursuing art as a career. Alexander emphasizes the importance of passion in art, the role of travel in shaping his work, and his current ventures in Hawaii, highlighting the significance of reinventing oneself as an artist. and the pride he takes in his work.  TOPICS DISCUSSED01:10 Introduction to Alexander Rokoff and His Artistic Journey02:05 The Influence of Family and Early Artistic Development05:05 Transitioning from Cartooning to Fine Art07:25 Finding Success in Jewelry and Art11:00 The Impact of European Art on Alexander's Perspective15:10 Reinventing Oneself as an Artist17:35 Overcoming Adversity: The 2008 Economic Crisis19:20 Rediscovering Passion and Purpose in Art21:30 The Role of Travel and Cultural Exposure in Art26:15 Current Ventures and Future Aspirations in Hawaii27:30 Artistic Influences and Limited Palettes29:00 Life in Hawaii: A New Artistic Journey30:40 The Beauty of the Big Island's Landscapes34:30 Personal Reflections: Art and Family Legacy36:30 Creating Art with Pride and Purpose36:35 Participatory Art: Engaging Clients in the Process47:30 Buying Art: Trusting Your Instincts50:15 Future Aspirations: Large-Scale Projects in Hawaii CONNECT WITH GUESTAlexander RokoffWebsiteFacebookInstagramKEY QUOTES FROM EPISODE"Art is an addiction.""I never left the easel.""What would you do if nobody paid you?"

In this honest and heartfelt conversation, I sit down with David Hayward — also known as The Naked Pastor — to explore his journey of self-discovery, healing, and creative expression. David opens up about his path through discouragement, his passion for social justice, and how discovering he leads with Enneagram Type Four felt like a “born again” moment that brought him home to himself. We talk about art, music, writing, and the emotional toll of standing up for what's right. Known for his powerful cartoons and bold honesty, David continues to inspire with his vulnerability and vision. Tune in for a moving episode about purpose, transformation, and asking the big question: how long is the arc of justice? Find David (The Naked Pastor) at nakedpastor.com or on your favorite social platform.

Ionatan and Ravi are joined by PaperDawN, a cartoonist and graphic designer, to discuss his career as an artist. They break down the creative process for a variety of illustration work, the experience of attending conventions as an artist, and his webcomic. Then, they talk about his YouTube channel and its focus on video essays.

Where's the line between an autobiographical comic and a semi-autobiographical one — between "based upon" and "inspired by"? And when does the whole thing veer directly into fiction?? Plus... Dave Kellett shares real numbers from his recent Kickstarter, and we arrive at a jaw-dropping conclusion: Bluesky is it.The Webcomics Handbook will publish a visual breakdown of Dave's analytics on April 14th.Today's showWhere to draw the line on an autobio comicMalignant ProcrastinationSusan MacTaggart's Personal AffirmationDave shares actual numbers from his KickstarterThe Wrong Way Show: Toy Story's WoodySummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share insights on navigating autobiocomics, exploring the balance between fiction and fact in storytelling. The conversation highlights the significance of making personal stories compelling and meaningful for audiences. In this conversation, Dave Kellett and Brad Guigar explore the intricacies of storytelling in comics, mainly focusing on autobiographical narratives. They discuss the importance of engaging and meaningful stories, emphasizing that readers seek entertainment and context in narratives. The duo also addresses the common issue of procrastination among creators, urging them to take action and start their projects, regardless of the fear of failure. They highlight that creativity thrives on making choices and moving forward rather than getting bogged down in details.After Susan MacTaggart drops by to share a personal affirmation for one of ComicLab's $10 backers, Dave Kellett discusses the success of Kellett's recent Kickstarter campaign for his book 'Anatomy of Dogs'. He and Brad explore the sources of backers, the impact of social media platforms like Blue Sky, and the importance of converting followers into actual supporters. The discussion highlights the effectiveness of Kickstarter as a platform for creators and the changing landscape of social media engagement. In this conversation, Dave Kellett and Brad Guigar discuss the intricacies of running a successful Kickstarter campaign, the impact of social media on funding, and the importance of maintaining quality in production. They share insights on financials, the long-term benefits of Kickstarter projects, and how to build a sustainable career as an independent cartoonist. The discussion emphasizes the need for careful planning and the value of mental health in the creative process.TakeawaysSmall acts of kindness can have a lasting impact.Every interaction with fans can create memorable moments.Autobiocomics need to be engaging, not just factual.Never let the truth hinder a good story.Context and meaning are crucial in storytelling.It's essential to make personal stories relatable.Readers care more about the story than the facts.Becoming a writer means crafting meaningful narratives. Give yourself the leeway to make your story interesting.Readers care about the entertainment value of a story.Autobiographical comics often lack excitement and meaning.Injecting fiction can enhance storytelling.Stories should have a purpose for the reader's life.Procrastination can hinder creative aspirations.Start with small segments of your story to gain momentum.Character designs will evolve; start drawing.Don't let the fear of failure prevent you from creating.Every choice made in storytelling contributes to the overall narrative.This was my most successful Sheldon Kickstarter ever.I did not use Twitter at all.Blue Sky works for reaching backers.The second source was my Patreon for Drive.You need to be able to convert those readers into backers.Those numbers are fake numbers on social media.Kickstarter is a must-use for cartoonists.The highest percentage of backers came from Kickstarter sources.I was afraid to leave Twitter and Instagram.The impact of social media on crowdfunding is significant. The utility of Kickstarter must remain intact for success.Social media platforms can significantly impact funding outcomes.Quality production is crucial for maintaining a good reputation.Kickstarter profits can be amortized over several years.Building a mailing list from backers is essential for future campaigns.Mental health can improve by choosing the right social media platforms.Planning ahead for stretch goals is vital to avoid pitfalls.Every Kickstarter project contributes to a larger career strategy.Quality materials enhance customer loyalty and future sales.Understanding financials helps in making informed decisions. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As they attempt to save the marriage of one of their listeners, Brad and Dave consider the best path for a cartoonist who wishes to pursue a master's degree. Would a Master's in Fine Arts be the right choice, or would a Master's in Business Administration be the better option? Considering the expense, perhaps the best choice is to avoid both! After grappling with that dilemma, Susan MacTaggart stops by to share a personal affirmation with a member of the ComicLab community.Today's ShowIs a Master's Degree in comics worthwhile?Susan MacTaggart's AffirmationUPDATE: Brad and Dave's Wikipedia pagesMixing word-balloon stylesSummaryIn this episode, the hosts discuss the importance of education for cartoonists, debating the merits of pursuing a Master's in Fine Arts (MFA) versus a Master's in Business Administration (MBA). The discussion highlights the value of writing skills in comics and the necessity of understanding business principles in today's publishing climate. In this episode, the hosts delve into the intersection of art and marketing, discussing the value of formal education, such as an MFA, in developing a creative career. They explore the importance of self-teaching versus structured learning, emphasizing personal growth and the impact of higher education on career paths. The conversation also touches on community engagement through personal affirmations and mid-show updates, culminating in discussing word balloon techniques in comics. In this episode, Brad Guigar and Dave Kellett delve into the intricacies of comic storytelling, focusing on the use of word balloons and their aesthetic implications. They discuss the evolution of comic communication, the philosophy behind how comics convey messages, and the unique structure of two-panel comics. The conversation highlights the balance between visual elements and text, exploring how these components enhance storytelling in comics.TakeawaysEducation in the arts should focus on writing, not just drawing.An MFA may not provide the specific skills needed for comics compared to an MBA.Understanding business and marketing is crucial for independent cartoonists today.Higher education can provide a shortcut to knowledge that would take years to learn otherwise.Not all education needs to have a direct financial return on investment.The subjective nature of art can complicate grading in MFA programs.Scholarships can help alleviate the financial burden of higher education.Choosing between an MFA and an MBA depends on personal career goals and interests. The art itself is not enough; marketing plays a crucial role.An MFA can provide valuable insights into salesmanship and marketing.The experience gained from an MFA depends on the student's openness to feedback.Many successful cartoonists do not have an MFA, indicating it's not essential for success.Self-teaching can be as effective as formal education, depending on the individual's learning style.Personal growth and happiness can come from pursuing higher education, even if it doesn't directly impact career success.Community engagement is vital for creators, as seen in the personal affirmations segment.Word balloon techniques vary based on the comic's style and background complexity.The hosts share humorous anecdotes about their Wikipedia pages, highlighting the challenges of self-presentation.The conversation emphasizes the importance of adapting techniques to fit the evolving art style. Word balloons can affect the aesthetics of a comic.Using a floater can conserve space in a panel.Breaking up dialogue into multiple balloons improves readability.Floaters can convey whispers or asides effectively.Aesthetics sometimes dictate the choice between word balloons and floaters.The history of word balloons reflects the evolution of comic art.Comics often rely on a visual punchline that follows a setup.Two-panel comics can exist in greeting cards and other formats.The construction of comics can influence how they are perceived.The philosophy of comic communication is complex and evolving. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Giuseppe Castellano talks to the folks behind The Edward Gorey House (as well as other Gorey fanatics and aficionados) about the life, work, and house of Edward Gorey.The first half of this episode was recorded at Gorey's 100th birthday gala, which was held at The Mansion at Ocean Edge in Brewster, Massachusetts. Special thanks go to The Edward Gorey House's director and curator, and assistant director and curator, Gregory Hischak and Coco Raymond.To learn more about The Edward Gorey House, visit edwardgoreyhouse.org.Photograph by Richard Avedon / © The Richard Avedon Foundation  If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

What are independent comic creators' most reliable revenue streams — and which are the worst? Brad ranks them from top to bottom, and Dave shares his own experiences with each. Also, the guys share the strategy that's making Patreon's "Collections" feature a solid income generator.Today's showWebcomics Revenue Streams Ranked Best to WorstUPDATE: USPS Ground AdvantageUPDATE: Patreon Collections Should you include credits for digital fontmakers in books?SummaryCartoonists Dave Kellett and Brad Guigar delve into the various income streams available to comic creators, comparing crowdfunding platforms like Patreon and Kickstarter, and discussing the importance of commissions, freelance work, and merchandise sales. The conversation wraps up with a light-hearted mention of Comic-Con income and the challenges comic creators face in the industry. In the mid-show updates, Dave Kellett and Brad discuss the significance of USPS Media Mail for shipping and the recent developments in Patreon Collections amidst economic uncertainties. Brad and Dave discuss the economic challenges facing creators, particularly in light of rising costs and potential trade wars. They explore strategies for adapting to these changes, such as adjusting Patreon tiers to accommodate supporters' financial situations. The conversation then shifts to the often-overlooked topic of font credit in comics, questioning why font designers are not acknowledged in the same way as letterers. They emphasize the importance of recognizing the contributions of font creators and suggest that doing so could set a new standard in the industry.TakeawaysPatreon is a top income stream for creators.Kickstarter offers big swings in income.Digital commissions can be lucrative.Physical rewards on Patreon can be problematic.Sales of printed merchandise are important.Comic-Con can be a significant income source.Understanding income streams is crucial for success. Comic-Con can be profitable but comes with risks.Digital merchandise sales can provide better profit margins.Diverse income streams are crucial for financial stability.Merchandise sales often yield lower profits due to costs.Day jobs are a valid source of income for many artists.Media mail is essential for affordable shipping of books.Patreon collections can be a surprising revenue source.Economic challenges may impact artists' income streams.Understanding costs is vital for convention profitability.Experimenting with new income strategies is important.  Economic challenges are impacting creators' income.Adjusting Patreon tiers can help retain supporters.Hedging bets is a smart strategy in uncertain times.Font credit in comics is often overlooked.Acknowledging font designers could elevate the industry.Younger creators often follow the practices of established ones.Listing fonts used in comics could become a new norm.Digital lettering has changed how fonts are accessed.Creators should consider the impact of tariffs on their work.Engaging with supporters through lower tiers can maintain connections.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Giuseppe Castellano talks to cartoonist, writer, and comic, Emily Flake, about her work as a staff artist for The New Yorker; what “rejection” is and isn't for illustrators (and comics); what it means to burden our work with the weight the world; and more.To learn more about Emily, visit emilyflake.com.Artists mentioned in this episode include: Jason Chatfield, Julia Wertz, Roz Chast, Sam Gross, Charles Addams, Gahan Wilson, Lynda Barry, and Mimi Pond If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

This week's episode is sponsored by Hogan's Alley magazine! We'll discuss those moments in our careers when we said, "F*** me! That actually worked!" Also, a listener writes in to say that they want to take our advice and make the jump to Bluesky, but it causes too much anxiety.SponsorHogan's Alley magazine sponsors this week's episode!  In the next issue, they'll cover the Tijuana Bibles and much more! Get your copy now!Today's ShowHogan's Alley magazine"F*** me! That actually worked!"UPDATE: Diamond Comics DistributorsUPDATE: The Wrong Way"Bluesky stresses me out!"SummaryIn this episode, Dave and Brad are pleased to welcome the sponsorship of Hogan's Alley Magazine! The conversation starts with  a discussion about unexpected successes in the comics industry, sharing personal anecdotes and insights on what works in webcomics and the importance of niche topics. In this conversation, Dave Kellett and Brad discuss their evolving experiences with monetization in the comic industry, reflecting on their initial skepticism towards various platforms like T-shirts, advertising, and crowdfunding. They share personal anecdotes about their misjudgments regarding new technologies and trends, emphasizing the importance of humility and adaptability in their careers. Two mid-show updates touch on the recent bankruptcy of Diamond Comics Distributors and their new show, The Wrong Way. In this conversation, Brad and Dave discuss the challenges and anxieties surrounding social media for artists, particularly in building an online presence while focusing on their craft. They explore the importance of self-promotion, the consequences of delaying engagement with social media, and the potential of new platforms like Blue Sky. The discussion emphasizes the need for artists to balance their creative work with the realities of marketing and audience building while addressing the mental health aspects of sharing their work online.TakeawaysHogan's Alley Magazine is a significant resource for comic history.Niche topics in webcomics can lead to unexpected success.Webrings can significantly boost site traffic and engagement.Comics history is often overlooked but is vital for understanding the medium.The internet favors focused, passionate content over general interest.Understanding your audience is key to successful cartooning.Comics can be both serious and joyful, reflecting their cultural impact. T-shirts as a monetization strategy were initially surprising.Advertising proved to be a lucrative avenue for comics.Skepticism towards Kickstarter was common in its early days.Technological advancements can change the way comics are created and consumed.Vertical scrolling comics have become a preferred format for mobile readers.Humility is crucial in recognizing when to adapt to new trends.Keeping an eye on peers can lead to valuable learning opportunities.The bankruptcy of Diamond Comics marks a significant moment in the industry.Independent comics are evolving beyond traditional distribution methods.Embracing discomfort can lead to growth and new opportunities. Focus on improving your craft before engaging on social media.If social media causes anxiety, it's okay to wait.Blue Sky is currently a growing platform for audience building.Social media fatigue is a common issue for artists.Self-promotion is essential for making a living from art.Building an audience takes time and effort.Sharing your work gets easier with practice.Consider the consequences of delaying social media engagement.It's important to find a balance between art and marketing.Artists can impact the world even as a hobby. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We're heading into a year promising significant upheaval — in business, social media, publishing, and more. But, after twenty-five years of self-publishing, cartoonists Dave Kellett and Brad Guigar have learned an important lesson: Discomfort is crucial in growing as an artist — and as a businessperson.Today's showEmbrace discomfortListifications on Bluesky —  https://bsky.app/profile/listifications.appSummaryIn this conversation, cartoonists Dave Kellett and Brad Guigar explore the importance of discomfort in personal and artistic growth, emphasizing that taking risks is essential for creativity. The duo reflects on their experiences in the comic industry, discussing the challenges of adapting to change and the innovator's dilemma faced by established artists. They conclude with insights on the necessity of continuous learning and adaptation in a rapidly evolving landscape. In this conversation, Dave and Brad discuss the challenges and opportunities of innovation in creative careers, emphasizing the importance of embracing discomfort and taking risks. They explore various strategies for creative growth, including collaboration and mentorship, and share insights on navigating social media dynamics, particularly with new platforms like Blue Sky. The discussion highlights the significance of being proactive in one's career and the emotional complexities of online interactions.TakeawaysDiscomfort is essential for growth as artists and individuals.Creativity thrives in uncomfortable situations.It's important to embrace change and adapt in the comic industry.The innovator's dilemma can hinder progress in established fields.Continuous learning is crucial for long-term success.Taking risks can lead to new opportunities and growth.Complacency can be detrimental to artistic development.Understanding the market is key to adapting one's work.Creativity is a superpower that can be harnessed through discomfort. Innovation can be hindered by comfort in established success.Bill Holbrook exemplified foresight in adapting to new media.Taking risks in creative projects can lead to personal fulfillment.Exploring new art methods can rejuvenate creativity.Collaboration can enhance productivity and creativity.Embracing discomfort is essential for growth in any career.Social media dynamics require careful navigation to maintain presence.Understanding audience reactions on social media is crucial.Mentorship can provide fresh perspectives and energy.Planning for future projects can prevent stagnation in creativity.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Cartoonist Matt Madden rejoins the show to celebrate his new collection, SIX TREASURES OF THE SPIRAL: Comics Formed Under Pressure (Uncivilized Books). We talk about the liberation to be found in formal constraints, his history with OULIPO and its OUBAPO offshoot, how structure can inspire story, and the formal and thematic challenges in sequencing the stories in the collection. We get into how he tried to make the most of a multi-year residency at La Maison des Auteurs in Angouleme, the unwitting influence of Hergé on one of his favorite stories, the changes in his art & storytelling since publishing Ex Libris in 2021, and the "director's commentary" he added as back matter for Six Treasures. We also discuss Lewis Trondheim's challenge to him to make a comic without a formal rule or constraint, his Substack-goal of sharing OUBAPO rules, the balance of comics-making with child-rearing, the fun of making foldy-comics, why it's important not to let the formal constraints overwhelm the heart of the stories, and more. Follow Matt on Instagram and YouTube and subscribe to his Substsack • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Cartoonists Brad Guigar, Dave Kellett and Kevin McShane are teaming up on a new show — The Wrong Way! We'll teach you how to draw your favorite cartoon characters without getting sued over copyright theft! Along the way, we'll share tips, tell stories, and roast each other mercilessly. Pay attention and you might learn how to draw The Wrong Way!Today's ShowWrong wayClever vs funnySummaryIn this episode, Brad Guigar and Dave Kellett introduce fellow cartoonist Kevin McShane,  announce their new YouTube show, 'The Wrong Way,' where they draw beloved characters in a legally safe manner. The conversation delves into the creative process behind the show, the dynamics of their friendship, and how they engage with their audience through Patreon, offering insights into the art of cartooning and the importance of community. In this conversation, the hosts delve into various themes surrounding their creative process, the audience for their new show, and the importance of learning from each other. They discuss the technical aspects of drawing, the competitive spirit that drives them to improve, and the launch of their new project, The Wrong Way Show, including its crowdfunding strategy. The conversation culminates in a discussion about the nuances of humor writing, specifically the difference between cleverness and funniness. In this conversation, the hosts explore the nuances of humor, particularly the distinction between cleverness and funniness. They discuss the importance of surprise in humor, the different levels of humor, and how experience shapes a comedian's ability to write effectively. The dialogue emphasizes the need for continuous improvement and the role of audience feedback in developing comedic skills.TakeawaysThe Wrong Way Show aims to teach drawing techniques while entertaining.Friendship and camaraderie enhance the creative process.Engaging with the audience is crucial for building a community.Patreon offers a platform for deeper interaction with fans.The creative process involves trial, error, and humor.Constructive critique is essential in artistic growth.The show combines entertainment with educational content.Collaboration among artists can lead to innovative ideas. The deeper content on Patreon includes art supplies and business philosophies.The Wrong Way Show is aimed at both beginners and experienced artists.Learning from each other's techniques enhances the creative process.Using new tools can be a challenge but also an opportunity for growth.The competitive spirit among the hosts drives them to improve their work.Crowdfunding is essential for projects that require significant time and effort.Building an audience over years allows for successful project launches.The difference between clever and funny is crucial in humor writing.Cleverness is intellectual, while funniness is visceral and felt in the gut.The Wrong Way Show promises to be a fun and engaging experience for viewers. Funny transcends cleverness and evokes genuine laughter.Improv training is invaluable for honing comedic skills.Learning to analyze comedy can diminish the enjoyment of it.Cleverness is intellectual, while funniness is instinctual.Surprise is a key element that elevates humor.Puns can be effective if they have double meanings.Writers must push beyond cleverness to achieve true humor.Experience and practice are crucial in comedy writing.Writing humor is different from being funny in real life.Continuous self-assessment is essential for growth in comedy. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How do you explain to someone that you're a professional cartoonist? More importantly — should you even try?! Also, Dave and Brad share details about the software they use, and Brad extolls the virtues of a Patreon content exchange.On Today's Show...How do you explain to people that you're a professional cartoonist?What software is best for comics?Take a break this holidayPatreon content exchangeSummaryIn this conversation, Brad Guigar and Dave Kellett discuss the challenges of explaining their profession as cartoonists to others, as well as the misconceptions surrounding the field. Next, they explain the significance of using the right software for comic creation. They emphasize the need for cartoonists to be aware of the technical aspects of their work, particularly when it comes to color formats and printing. Brad Guigar and Dave Kellett emphasize the advantages of tools like Clip Studio Paint and Adobe products. They also highlight the significance of taking breaks during the holiday season to recharge creatively. The conversation shifts to strategies for Patreon content exchanges, where they share insights on effectively reaching out to other creators and the benefits of collaboration in building audiences.TakeawaysExplaining the profession of cartooning can be challenging.Many people don't believe cartooning is a viable career.Using the right software is crucial for comic creation.Procreate has limitations for professional comic artists.CMYK vs. RGB is an essential distinction for printing.Cartoonists often face misconceptions about their work.The number of professional cartoonists is quite limited.It's essential to enjoy and embrace being a cartoonist. Robust software provides better control over comic creation.Clip Studio Paint excels in paneling and drawing processes.Adobe products are preferred for final layout and printing.Taking breaks during the holidays is essential for creativity.Patreon content exchanges can enhance audience engagement.Networking in real life can facilitate collaboration opportunities.Cross-promotion is a valuable strategy for creators.It's essential to under-promise and over-deliver to Patreon backers.Familiarity with tools leads to better results in comic creation.Long-term strategies yield better audience growth than short-term tactics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.