Podcasts about cartooning

Ionatan and Ravi are joined by PaperDawN, a cartoonist and graphic designer, to discuss his career as an artist. They break down the creative process for a variety of illustration work, the experience of attending conventions as an artist, and his webcomic. Then, they talk about his YouTube channel and its focus on video essays.

Where's the line between an autobiographical comic and a semi-autobiographical one — between "based upon" and "inspired by"? And when does the whole thing veer directly into fiction?? Plus... Dave Kellett shares real numbers from his recent Kickstarter, and we arrive at a jaw-dropping conclusion: Bluesky is it.The Webcomics Handbook will publish a visual breakdown of Dave's analytics on April 14th.Today's showWhere to draw the line on an autobio comicMalignant ProcrastinationSusan MacTaggart's Personal AffirmationDave shares actual numbers from his KickstarterThe Wrong Way Show: Toy Story's WoodySummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share insights on navigating autobiocomics, exploring the balance between fiction and fact in storytelling. The conversation highlights the significance of making personal stories compelling and meaningful for audiences. In this conversation, Dave Kellett and Brad Guigar explore the intricacies of storytelling in comics, mainly focusing on autobiographical narratives. They discuss the importance of engaging and meaningful stories, emphasizing that readers seek entertainment and context in narratives. The duo also addresses the common issue of procrastination among creators, urging them to take action and start their projects, regardless of the fear of failure. They highlight that creativity thrives on making choices and moving forward rather than getting bogged down in details.After Susan MacTaggart drops by to share a personal affirmation for one of ComicLab's $10 backers, Dave Kellett discusses the success of Kellett's recent Kickstarter campaign for his book 'Anatomy of Dogs'. He and Brad explore the sources of backers, the impact of social media platforms like Blue Sky, and the importance of converting followers into actual supporters. The discussion highlights the effectiveness of Kickstarter as a platform for creators and the changing landscape of social media engagement. In this conversation, Dave Kellett and Brad Guigar discuss the intricacies of running a successful Kickstarter campaign, the impact of social media on funding, and the importance of maintaining quality in production. They share insights on financials, the long-term benefits of Kickstarter projects, and how to build a sustainable career as an independent cartoonist. The discussion emphasizes the need for careful planning and the value of mental health in the creative process.TakeawaysSmall acts of kindness can have a lasting impact.Every interaction with fans can create memorable moments.Autobiocomics need to be engaging, not just factual.Never let the truth hinder a good story.Context and meaning are crucial in storytelling.It's essential to make personal stories relatable.Readers care more about the story than the facts.Becoming a writer means crafting meaningful narratives. Give yourself the leeway to make your story interesting.Readers care about the entertainment value of a story.Autobiographical comics often lack excitement and meaning.Injecting fiction can enhance storytelling.Stories should have a purpose for the reader's life.Procrastination can hinder creative aspirations.Start with small segments of your story to gain momentum.Character designs will evolve; start drawing.Don't let the fear of failure prevent you from creating.Every choice made in storytelling contributes to the overall narrative.This was my most successful Sheldon Kickstarter ever.I did not use Twitter at all.Blue Sky works for reaching backers.The second source was my Patreon for Drive.You need to be able to convert those readers into backers.Those numbers are fake numbers on social media.Kickstarter is a must-use for cartoonists.The highest percentage of backers came from Kickstarter sources.I was afraid to leave Twitter and Instagram.The impact of social media on crowdfunding is significant. The utility of Kickstarter must remain intact for success.Social media platforms can significantly impact funding outcomes.Quality production is crucial for maintaining a good reputation.Kickstarter profits can be amortized over several years.Building a mailing list from backers is essential for future campaigns.Mental health can improve by choosing the right social media platforms.Planning ahead for stretch goals is vital to avoid pitfalls.Every Kickstarter project contributes to a larger career strategy.Quality materials enhance customer loyalty and future sales.Understanding financials helps in making informed decisions. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Peter Moore wrote for some major magazines, before he learned an entirely new skill to appreciate his travel in different ways.  He joins Rick on the show this week to talk hiking, travel, and appreciating the little things.

As they attempt to save the marriage of one of their listeners, Brad and Dave consider the best path for a cartoonist who wishes to pursue a master's degree. Would a Master's in Fine Arts be the right choice, or would a Master's in Business Administration be the better option? Considering the expense, perhaps the best choice is to avoid both! After grappling with that dilemma, Susan MacTaggart stops by to share a personal affirmation with a member of the ComicLab community.Today's ShowIs a Master's Degree in comics worthwhile?Susan MacTaggart's AffirmationUPDATE: Brad and Dave's Wikipedia pagesMixing word-balloon stylesSummaryIn this episode, the hosts discuss the importance of education for cartoonists, debating the merits of pursuing a Master's in Fine Arts (MFA) versus a Master's in Business Administration (MBA). The discussion highlights the value of writing skills in comics and the necessity of understanding business principles in today's publishing climate. In this episode, the hosts delve into the intersection of art and marketing, discussing the value of formal education, such as an MFA, in developing a creative career. They explore the importance of self-teaching versus structured learning, emphasizing personal growth and the impact of higher education on career paths. The conversation also touches on community engagement through personal affirmations and mid-show updates, culminating in discussing word balloon techniques in comics. In this episode, Brad Guigar and Dave Kellett delve into the intricacies of comic storytelling, focusing on the use of word balloons and their aesthetic implications. They discuss the evolution of comic communication, the philosophy behind how comics convey messages, and the unique structure of two-panel comics. The conversation highlights the balance between visual elements and text, exploring how these components enhance storytelling in comics.TakeawaysEducation in the arts should focus on writing, not just drawing.An MFA may not provide the specific skills needed for comics compared to an MBA.Understanding business and marketing is crucial for independent cartoonists today.Higher education can provide a shortcut to knowledge that would take years to learn otherwise.Not all education needs to have a direct financial return on investment.The subjective nature of art can complicate grading in MFA programs.Scholarships can help alleviate the financial burden of higher education.Choosing between an MFA and an MBA depends on personal career goals and interests. The art itself is not enough; marketing plays a crucial role.An MFA can provide valuable insights into salesmanship and marketing.The experience gained from an MFA depends on the student's openness to feedback.Many successful cartoonists do not have an MFA, indicating it's not essential for success.Self-teaching can be as effective as formal education, depending on the individual's learning style.Personal growth and happiness can come from pursuing higher education, even if it doesn't directly impact career success.Community engagement is vital for creators, as seen in the personal affirmations segment.Word balloon techniques vary based on the comic's style and background complexity.The hosts share humorous anecdotes about their Wikipedia pages, highlighting the challenges of self-presentation.The conversation emphasizes the importance of adapting techniques to fit the evolving art style. Word balloons can affect the aesthetics of a comic.Using a floater can conserve space in a panel.Breaking up dialogue into multiple balloons improves readability.Floaters can convey whispers or asides effectively.Aesthetics sometimes dictate the choice between word balloons and floaters.The history of word balloons reflects the evolution of comic art.Comics often rely on a visual punchline that follows a setup.Two-panel comics can exist in greeting cards and other formats.The construction of comics can influence how they are perceived.The philosophy of comic communication is complex and evolving. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Episode #553! The All American Art Cartooning, Bond and Mash! This week Scott brings two television programs to the pod. First he talks about an anniversary for TV's MASH then he tells us about House of David. DL brings two books from the '40's to the table. First up is Al Capp's The Life and Times of The Shmoo. Also, the Higgins Ink Co.'s magazine The All American Art Cartooning is examined. Plus Daredevil, Cap Brave New World and Bond. We will be keeping it real this episode.   

Episode 137 of "It's a Podcast, Charlie Brown" offers up hayrides, meatballs, and...cocktails?  You never quite know what you'll get on the pod...until I tell you. This episode has News & Feedback, a Random Strip of the Month and we take a gander at "Camp Snoopy", season 1, episode 11.  Enjoy! patreon.com carnivalofgleecreations.com Thanks to Henry Pope for the use of his "Linus & Lucy" Remix.  Thanks to Nick Jones for the use of his song "25% Off".  Thanks to Sean Courtney for the "This Month in Peanuts History" theme.  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Bass Walker" and "Hidden Agenda".   

Giuseppe Castellano talks to the folks behind The Edward Gorey House (as well as other Gorey fanatics and aficionados) about the life, work, and house of Edward Gorey.The first half of this episode was recorded at Gorey's 100th birthday gala, which was held at The Mansion at Ocean Edge in Brewster, Massachusetts. Special thanks go to The Edward Gorey House's director and curator, and assistant director and curator, Gregory Hischak and Coco Raymond.To learn more about The Edward Gorey House, visit edwardgoreyhouse.org.Photograph by Richard Avedon / © The Richard Avedon Foundation  If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

L'émission 28 minutes du 07/03/2025 Ce vendredi, Renaud Dély décrypte l'actualité avec le regard de nos clubistes : l'historien Pascal Blanchard, l'essayiste, docteur en philosophie et spécialiste de géopolitique Jean-Loup Bonnamy, l'éditorialiste Isabelle Saporta ainsi que le dessinateur de presse et président de “Cartooning for Peace” Kak.Retour sur deux actualités de la semaine :Voitures électriques : l'Europe appuie sur le frein ?La présidente de la Commission européenne a annoncé, lundi 3 mars, un assouplissement des règles concernant les constructeurs automobiles européens qui devaient atteindre des objectifs de réduction des émissions de CO2 en 2025. Ces objectifs seront lissés sur trois ans, au lieu d'un an, il n'y aura donc pas d'amende cette année. Depuis le 1er janvier, les émissions moyennes des véhicules vendus ne devaient pas dépasser 81 grammes de CO2 par kilomètre. Afin d'atteindre cet objectif, la part de voitures électriques vendues devrait correspondre à 22 % des ventes totales, pour compenser les émissions des voitures thermiques plus polluantes. Or, depuis quelques mois, les ventes de voitures électriques stagnent en Europe, notamment en raison de leur prix élevé. L'Union européenne a donc choisi de favoriser la sauvegarde de l'industrie automobile européenne qui est “en danger de mort”, selon le vice-président de la Commission Stéphane Séjourné. Ce mécanisme de flexibilité doit encore être approuvé par le Parlement européen et le Conseil. En France, une fracture politique entre “va-t-en-guerre” et “capitulards” ?Dans une allocution solennelle, mercredi 5 mars, le président Emmanuel Macron a clairement désigné l'adversaire de l'Europe. “Le menace russe est là”, a-t-il affirmé d'un ton grave, à l'heure où les États-Unis ont entamé un désengagement en Ukraine. Le président français  a notamment proposé l'envoi de forces européennes sur place une fois que la paix serait signée et l'élargissement du parapluie nucléaire français à ses voisins européens. Une position partagée par les socialistes, dont Raphaël Glucksmann qui a rappelé la nécessité de “bâtir une défense européenne face à Poutine”. À l'inverse, Marine Le Pen a estimé que “l'envoi de troupes françaises combattantes sur le sol ukrainien [était] une folie”. Pour le leader de La France insoumise Jean-Luc Mélenchon : “À cette heure, la guerre est perdue pour les Européens.”L'historienne Dominique Veillon publie “La vie quotidienne sous l'Occupation”, un livre issu de la collection “50 objets racontent” aux éditions Eyrolles. Entre 1939 et 1945, une partie de la France est sous occupation allemande. Au moment où les difficultés s'accumulent pour la population, certains objets, prescrits par l'ennemi ou le gouvernement, deviennent des préoccupations journalières. En s'appuyant sur une sélection d'objets emblématiques, souvent inédits et issus de collections publiques et privées, Dominique Veillon nous replonge au cœur des heures sombres de l'histoire de France.Dans un entretien accordé à la chaîne conservatrice américaine Fox News, le vice-président J.D. Vance a affirmé que la signature d'un accord minier avec l'Ukraine lui apporterait plus de garanties de sécurité que “20 000 soldats envoyés par un pays quelconque qui ne s'est pas battu depuis trente ou quarante ans”. Sébastien Lecornu, le ministre français de la Défense, lui a répondu en saluant la mémoire des 600 soldats français morts pour la France depuis la fin de la guerre d'Algérie. “Nous respectons les vétérans de tous les pays alliés, nous entendons que les nôtres le soient aussi”, s'est-il indigné à l'Assemblée nationale. C'est le duel de la semaine de Frédéric Says.Depuis l'altercation entre Volodymyr Zelensky et Donald Trump à la Maison Blanche, le boycott des marques américaines lancé au Canada se diffuse en Europe. Les appels et initiatives, notamment français, se multiplient sur les réseaux sociaux. Un boycott pourrait-il réellement fonctionner et avoir un impact notable ? C'est le point com de Paola Puerari.Le Centre Pompidou, à Paris, ferme ses portes lundi 10 mars pour une durée de cinq ans, le temps de travaux de rénovation et de désamiantage. Inauguré en 1977, le musée possède la plus grande collection d'œuvres d'art moderne du monde avec le “Museum of Modern Art” de New York. C'est l'histoire de la semaine de Claude Askolovitch.Enfin, ne manquez pas la Une internationale sur le récent discours de Donald Trump devant le Congrès américain ; les photos de la semaine soigneusement sélectionnées par nos invités, ainsi que la Dérive des continents de Benoît Forgeard !28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 07 mars 2025 Présentation Renaud Dély Production KM, ARTE Radio

What are independent comic creators' most reliable revenue streams — and which are the worst? Brad ranks them from top to bottom, and Dave shares his own experiences with each. Also, the guys share the strategy that's making Patreon's "Collections" feature a solid income generator.Today's showWebcomics Revenue Streams Ranked Best to WorstUPDATE: USPS Ground AdvantageUPDATE: Patreon Collections Should you include credits for digital fontmakers in books?SummaryCartoonists Dave Kellett and Brad Guigar delve into the various income streams available to comic creators, comparing crowdfunding platforms like Patreon and Kickstarter, and discussing the importance of commissions, freelance work, and merchandise sales. The conversation wraps up with a light-hearted mention of Comic-Con income and the challenges comic creators face in the industry. In the mid-show updates, Dave Kellett and Brad discuss the significance of USPS Media Mail for shipping and the recent developments in Patreon Collections amidst economic uncertainties. Brad and Dave discuss the economic challenges facing creators, particularly in light of rising costs and potential trade wars. They explore strategies for adapting to these changes, such as adjusting Patreon tiers to accommodate supporters' financial situations. The conversation then shifts to the often-overlooked topic of font credit in comics, questioning why font designers are not acknowledged in the same way as letterers. They emphasize the importance of recognizing the contributions of font creators and suggest that doing so could set a new standard in the industry.TakeawaysPatreon is a top income stream for creators.Kickstarter offers big swings in income.Digital commissions can be lucrative.Physical rewards on Patreon can be problematic.Sales of printed merchandise are important.Comic-Con can be a significant income source.Understanding income streams is crucial for success. Comic-Con can be profitable but comes with risks.Digital merchandise sales can provide better profit margins.Diverse income streams are crucial for financial stability.Merchandise sales often yield lower profits due to costs.Day jobs are a valid source of income for many artists.Media mail is essential for affordable shipping of books.Patreon collections can be a surprising revenue source.Economic challenges may impact artists' income streams.Understanding costs is vital for convention profitability.Experimenting with new income strategies is important.  Economic challenges are impacting creators' income.Adjusting Patreon tiers can help retain supporters.Hedging bets is a smart strategy in uncertain times.Font credit in comics is often overlooked.Acknowledging font designers could elevate the industry.Younger creators often follow the practices of established ones.Listing fonts used in comics could become a new norm.Digital lettering has changed how fonts are accessed.Creators should consider the impact of tariffs on their work.Engaging with supporters through lower tiers can maintain connections.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Giuseppe Castellano talks to cartoonist, writer, and comic, Emily Flake, about her work as a staff artist for The New Yorker; what “rejection” is and isn't for illustrators (and comics); what it means to burden our work with the weight the world; and more.To learn more about Emily, visit emilyflake.com.Artists mentioned in this episode include: Jason Chatfield, Julia Wertz, Roz Chast, Sam Gross, Charles Addams, Gahan Wilson, Lynda Barry, and Mimi Pond If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

This week's episode is sponsored by Hogan's Alley magazine! We'll discuss those moments in our careers when we said, "F*** me! That actually worked!" Also, a listener writes in to say that they want to take our advice and make the jump to Bluesky, but it causes too much anxiety.SponsorHogan's Alley magazine sponsors this week's episode!  In the next issue, they'll cover the Tijuana Bibles and much more! Get your copy now!Today's ShowHogan's Alley magazine"F*** me! That actually worked!"UPDATE: Diamond Comics DistributorsUPDATE: The Wrong Way"Bluesky stresses me out!"SummaryIn this episode, Dave and Brad are pleased to welcome the sponsorship of Hogan's Alley Magazine! The conversation starts with  a discussion about unexpected successes in the comics industry, sharing personal anecdotes and insights on what works in webcomics and the importance of niche topics. In this conversation, Dave Kellett and Brad discuss their evolving experiences with monetization in the comic industry, reflecting on their initial skepticism towards various platforms like T-shirts, advertising, and crowdfunding. They share personal anecdotes about their misjudgments regarding new technologies and trends, emphasizing the importance of humility and adaptability in their careers. Two mid-show updates touch on the recent bankruptcy of Diamond Comics Distributors and their new show, The Wrong Way. In this conversation, Brad and Dave discuss the challenges and anxieties surrounding social media for artists, particularly in building an online presence while focusing on their craft. They explore the importance of self-promotion, the consequences of delaying engagement with social media, and the potential of new platforms like Blue Sky. The discussion emphasizes the need for artists to balance their creative work with the realities of marketing and audience building while addressing the mental health aspects of sharing their work online.TakeawaysHogan's Alley Magazine is a significant resource for comic history.Niche topics in webcomics can lead to unexpected success.Webrings can significantly boost site traffic and engagement.Comics history is often overlooked but is vital for understanding the medium.The internet favors focused, passionate content over general interest.Understanding your audience is key to successful cartooning.Comics can be both serious and joyful, reflecting their cultural impact. T-shirts as a monetization strategy were initially surprising.Advertising proved to be a lucrative avenue for comics.Skepticism towards Kickstarter was common in its early days.Technological advancements can change the way comics are created and consumed.Vertical scrolling comics have become a preferred format for mobile readers.Humility is crucial in recognizing when to adapt to new trends.Keeping an eye on peers can lead to valuable learning opportunities.The bankruptcy of Diamond Comics marks a significant moment in the industry.Independent comics are evolving beyond traditional distribution methods.Embracing discomfort can lead to growth and new opportunities. Focus on improving your craft before engaging on social media.If social media causes anxiety, it's okay to wait.Blue Sky is currently a growing platform for audience building.Social media fatigue is a common issue for artists.Self-promotion is essential for making a living from art.Building an audience takes time and effort.Sharing your work gets easier with practice.Consider the consequences of delaying social media engagement.It's important to find a balance between art and marketing.Artists can impact the world even as a hobby. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We're heading into a year promising significant upheaval — in business, social media, publishing, and more. But, after twenty-five years of self-publishing, cartoonists Dave Kellett and Brad Guigar have learned an important lesson: Discomfort is crucial in growing as an artist — and as a businessperson.Today's showEmbrace discomfortListifications on Bluesky —  https://bsky.app/profile/listifications.appSummaryIn this conversation, cartoonists Dave Kellett and Brad Guigar explore the importance of discomfort in personal and artistic growth, emphasizing that taking risks is essential for creativity. The duo reflects on their experiences in the comic industry, discussing the challenges of adapting to change and the innovator's dilemma faced by established artists. They conclude with insights on the necessity of continuous learning and adaptation in a rapidly evolving landscape. In this conversation, Dave and Brad discuss the challenges and opportunities of innovation in creative careers, emphasizing the importance of embracing discomfort and taking risks. They explore various strategies for creative growth, including collaboration and mentorship, and share insights on navigating social media dynamics, particularly with new platforms like Blue Sky. The discussion highlights the significance of being proactive in one's career and the emotional complexities of online interactions.TakeawaysDiscomfort is essential for growth as artists and individuals.Creativity thrives in uncomfortable situations.It's important to embrace change and adapt in the comic industry.The innovator's dilemma can hinder progress in established fields.Continuous learning is crucial for long-term success.Taking risks can lead to new opportunities and growth.Complacency can be detrimental to artistic development.Understanding the market is key to adapting one's work.Creativity is a superpower that can be harnessed through discomfort. Innovation can be hindered by comfort in established success.Bill Holbrook exemplified foresight in adapting to new media.Taking risks in creative projects can lead to personal fulfillment.Exploring new art methods can rejuvenate creativity.Collaboration can enhance productivity and creativity.Embracing discomfort is essential for growth in any career.Social media dynamics require careful navigation to maintain presence.Understanding audience reactions on social media is crucial.Mentorship can provide fresh perspectives and energy.Planning for future projects can prevent stagnation in creativity.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Cartoonist Matt Madden rejoins the show to celebrate his new collection, SIX TREASURES OF THE SPIRAL: Comics Formed Under Pressure (Uncivilized Books). We talk about the liberation to be found in formal constraints, his history with OULIPO and its OUBAPO offshoot, how structure can inspire story, and the formal and thematic challenges in sequencing the stories in the collection. We get into how he tried to make the most of a multi-year residency at La Maison des Auteurs in Angouleme, the unwitting influence of Hergé on one of his favorite stories, the changes in his art & storytelling since publishing Ex Libris in 2021, and the "director's commentary" he added as back matter for Six Treasures. We also discuss Lewis Trondheim's challenge to him to make a comic without a formal rule or constraint, his Substack-goal of sharing OUBAPO rules, the balance of comics-making with child-rearing, the fun of making foldy-comics, why it's important not to let the formal constraints overwhelm the heart of the stories, and more. Follow Matt on Instagram and YouTube and subscribe to his Substsack • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Cartoonists Brad Guigar, Dave Kellett and Kevin McShane are teaming up on a new show — The Wrong Way! We'll teach you how to draw your favorite cartoon characters without getting sued over copyright theft! Along the way, we'll share tips, tell stories, and roast each other mercilessly. Pay attention and you might learn how to draw The Wrong Way!Today's ShowWrong wayClever vs funnySummaryIn this episode, Brad Guigar and Dave Kellett introduce fellow cartoonist Kevin McShane,  announce their new YouTube show, 'The Wrong Way,' where they draw beloved characters in a legally safe manner. The conversation delves into the creative process behind the show, the dynamics of their friendship, and how they engage with their audience through Patreon, offering insights into the art of cartooning and the importance of community. In this conversation, the hosts delve into various themes surrounding their creative process, the audience for their new show, and the importance of learning from each other. They discuss the technical aspects of drawing, the competitive spirit that drives them to improve, and the launch of their new project, The Wrong Way Show, including its crowdfunding strategy. The conversation culminates in a discussion about the nuances of humor writing, specifically the difference between cleverness and funniness. In this conversation, the hosts explore the nuances of humor, particularly the distinction between cleverness and funniness. They discuss the importance of surprise in humor, the different levels of humor, and how experience shapes a comedian's ability to write effectively. The dialogue emphasizes the need for continuous improvement and the role of audience feedback in developing comedic skills.TakeawaysThe Wrong Way Show aims to teach drawing techniques while entertaining.Friendship and camaraderie enhance the creative process.Engaging with the audience is crucial for building a community.Patreon offers a platform for deeper interaction with fans.The creative process involves trial, error, and humor.Constructive critique is essential in artistic growth.The show combines entertainment with educational content.Collaboration among artists can lead to innovative ideas. The deeper content on Patreon includes art supplies and business philosophies.The Wrong Way Show is aimed at both beginners and experienced artists.Learning from each other's techniques enhances the creative process.Using new tools can be a challenge but also an opportunity for growth.The competitive spirit among the hosts drives them to improve their work.Crowdfunding is essential for projects that require significant time and effort.Building an audience over years allows for successful project launches.The difference between clever and funny is crucial in humor writing.Cleverness is intellectual, while funniness is visceral and felt in the gut.The Wrong Way Show promises to be a fun and engaging experience for viewers. Funny transcends cleverness and evokes genuine laughter.Improv training is invaluable for honing comedic skills.Learning to analyze comedy can diminish the enjoyment of it.Cleverness is intellectual, while funniness is instinctual.Surprise is a key element that elevates humor.Puns can be effective if they have double meanings.Writers must push beyond cleverness to achieve true humor.Experience and practice are crucial in comedy writing.Writing humor is different from being funny in real life.Continuous self-assessment is essential for growth in comedy. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Ten years after the terrorist attacks on the offices of the French satirical magazine Charlie Hebdo that killed 12 people, in arts24 we're talking about freedom of expression and the role of satirical cartoons in today's world with two cartoonists. Presenter Eve Jackson is joined by Kak, the president of Cartooning for Peace – an organisation that fights for freedom of the press around the world – as well as the Iranian artist, cartoonist and human rights activist Kianoush Ramezani, who has been living in exile in France since 2009.

Dylla, Carolin www.deutschlandfunk.de, Europa heute

Dylla, Carolin www.deutschlandfunk.de, Europa heute

Dylla, Carolin www.deutschlandfunk.de, Europa heute

En 2015, les armes qui tirent sur Charlie hebdo attaquent la liberté d'expression. 10 ans plus tard, qu'en est-il ? Dans les écoles, les élèves apprennent à lire les dessins de presse grâce à des journalistes et des dessinateurs qui se déplacent pour expliquer leur métier, pour dire aussi que comprendre l'actualité passe parfois par l'humour. Quelle place le dessin de presse a-t-il dans la culture française ? Avec : - Anna Gvelesiani, docteure en études germaniques à Sorbonne Université, autrice d'une thèse sur "La liberté de la presse et la censure dans les débats français et allemands autour de Charlie Hebdo" - Eric Truant alias Truant, dessinateur de presse, membre du réseau Cartooning for Peace

The DMZ America Podcast's Ted Rall (on the Left) and Scott Stantis (on the Right) are joined by David Fitzsimmons, Cartoonist and Columnist for the Arizona Daily Star, to discuss David's role as a Democratic activist and the future of the Democratic Party following Biden's dropping out of the race and the defeat of Kamala Harris.The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

The DMZ America Podcast's Ted Rall (on the Left) and Scott Stantis (on the Right) are joined by David Fitzsimmons, Cartoonist and Columnist for the Arizona Daily Star, to discuss David's role as a Democratic activist and the future of the Democratic Party following Biden's dropping out of the race and the defeat of Kamala Harris.The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Cartooning for Peace est un réseau international de dessinateurs de presse engagés qui combattent, avec humour, pour le respect des cultures et des libertés. Fort de près de 20 ans d'existence, ce réseau pour la liberté d'expression continue d'éclairer les consciences sur les enjeux autour de cette question en mettant en lumière, grâce à l'humour, les grandes crises actuelles (guerres, crise climatique, droits des femmes et des minorités, ...). Avec le dessinateur belge Nicolas Vadot. Merci pour votre écoute Tendances Première, c'est également en direct tous les jours de la semaine de 10h à 11h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Tendances Première sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/11090 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Text Kristen your thoughts or feedback about the showChari Pere shares her inspiring journey from a childhood passion for drawing to a career in cartooning and storytelling. She discusses her path from private art lessons to earning a degree in cartooning from the School of Visual Arts. Chari's career includes working with agency on notable accounts, like Red Bull, freelancing, and pairing her passion for humor and mental health together with her cartooning and storytelling to create impactful comics on topics like miscarriage and Down syndrome. Chari emphasizes the importance of being adaptable in one's career, shares insights on managing multiple projects, and offers advice for budding creatives.Learn more and connect with Chari on Instagram, Facebook, YouTube, LinkedIn or at https://www.charipere.com/. *** Freebie alert! Build Your Lead Management Fairytale Workflow with 17hats Say "goodbye" to inbox chaos and "hello" to streamlined lead management that saves time and boosts your business. This free guide will walk you through how to build a lead management workflow with 17hats' premier package.

Cartoonist & historian Eddie Campbell returns to the show with his fantastic new book, KATE CAREW: America's First Great Woman Cartoonist (Fantagraphics Underground), which explores turn-of-the-(20th)-century artist, cartoonist, illustrator, caricaturist, interviewer & journalist Kate Carew. We get into how Eddie discovered Kate's work while researching The Goat-Getters, how Kate wound up interviewing the likes of Mark Twain, Picasso, the Wright Brothers, and other celebs (& non-celebs) of her time, how her self-caricatures serve as a sorta graphic autobiography (and precursor to the whole world of graphic memoir storytelling), her support of women's suffrage, and how I accidentally semi-sorta inspired Eddie to make this book. We also talk about how Kate's story evades sentimentality, how Eddie & Audrey Niffenegger formed the Digital Art Burglars firm™, what he's learned from exploring the early history of American cartooning, why his next book is about the Midwest school of cartooning, how he wound up writing the comics histories he wanted to read, and why he had to pull a page from this book due to a complaint from the printer. Plus we discuss his new graphic novel about how he met Audrey, how his comic strip of the Pajama Girl, a murder victim in Sydney, led to him working with Alan Moore on From Hell, his life-lessons about making every pitch & taking every job that was offered, and why Kate Carew was such an enormous outlier in the world of cartooning. Follow Eddie on Bluesky • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

How do you explain to someone that you're a professional cartoonist? More importantly — should you even try?! Also, Dave and Brad share details about the software they use, and Brad extolls the virtues of a Patreon content exchange.On Today's Show...How do you explain to people that you're a professional cartoonist?What software is best for comics?Take a break this holidayPatreon content exchangeSummaryIn this conversation, Brad Guigar and Dave Kellett discuss the challenges of explaining their profession as cartoonists to others, as well as the misconceptions surrounding the field. Next, they explain the significance of using the right software for comic creation. They emphasize the need for cartoonists to be aware of the technical aspects of their work, particularly when it comes to color formats and printing. Brad Guigar and Dave Kellett emphasize the advantages of tools like Clip Studio Paint and Adobe products. They also highlight the significance of taking breaks during the holiday season to recharge creatively. The conversation shifts to strategies for Patreon content exchanges, where they share insights on effectively reaching out to other creators and the benefits of collaboration in building audiences.TakeawaysExplaining the profession of cartooning can be challenging.Many people don't believe cartooning is a viable career.Using the right software is crucial for comic creation.Procreate has limitations for professional comic artists.CMYK vs. RGB is an essential distinction for printing.Cartoonists often face misconceptions about their work.The number of professional cartoonists is quite limited.It's essential to enjoy and embrace being a cartoonist. Robust software provides better control over comic creation.Clip Studio Paint excels in paneling and drawing processes.Adobe products are preferred for final layout and printing.Taking breaks during the holidays is essential for creativity.Patreon content exchanges can enhance audience engagement.Networking in real life can facilitate collaboration opportunities.Cross-promotion is a valuable strategy for creators.It's essential to under-promise and over-deliver to Patreon backers.Familiarity with tools leads to better results in comic creation.Long-term strategies yield better audience growth than short-term tactics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Comics librarian and curator Caitlin McGurk returns to the show to celebrate her amazing new book, TELL ME A STORY WHERE THE BAD GIRL WINS: The Life and Art of Barbara Shermund (Fantagraphics). We talk about Caitlin's shock at her 2012 discovery of Barbara Shermund's incredible gag-comics and illustrations in the archive of the Billy Ireland Cartoon Library & Museum, how her interest in Barbara evolved from blog posts to a museum exhibit to a book, the challenge of writing about someone who did no interviews or press and had no close relatives, and how easily women get erased from history. We get into the gestalt of Barbara's fantastic linework and washes and her wry sense of humor, why Caitlin wound up writing an academic press version of the book before rewriting it for a trade publisher, the challenges & rewards of designing a book to showcase so much art, how Barbara helped create the look of The New Yorker in its early years, why Caitlin speculated (but not too much) about Barbara's sexuality. We also discuss the malleability of history, how the Billy Ireland has changed in the 10 years since Caitlin & I last recorded, the pep talk she wished she could have gotten from our late friend Tom Spurgeon, time Al Capp (!!) advocated for allowing women into the National Cartoonists Society, the incredible story of tracking down Barbara's remains and giving her a proper funeral 35 years after her death, and a lot more. Follow Caitlin on Instagram and the Billy Ireland blog • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

How does one become a political cartoonist? And what lessons can we learn from their craft?Episode Summary In this episode, I sit down with legendary political cartoonist Steve Bell to explore the artistry and challenges behind his provocative work. From his early struggles as a teacher to his meteoric rise as a satirical voice at The Guardian, Steve shares the experiences that shaped his unique style. We delve into his creative process, the evolution of his iconic characters, and his reflections on a career that's spanned over four decades. Steve doesn't hold back as he recounts his battles to maintain creative independence in an ever-changing media landscape. Whether it's navigating editorial constraints, mastering the balance between humour and sharp commentary, or sketching under the pressure of daily deadlines, Steve offers an honest and inspiring perspective on his craft. Along the way, he shares fascinating anecdotes, like the evolution of David Cameron as a cartoon character and the artistic freedom he carved out for himself at The Guardian and how ultimately using that freedom led to him leaving the paper. This conversation isn't just for fans of Steve's work but for anyone interested in creativity, resilience, and the power of satire to provoke and inspire. Join us as we explore the world of political cartooning through the eyes of one of its most iconic practitioners. ⚠️ Warning: this episode contains adult language and content, so listener discretion is advised. Steve Bell Biography Steve Bell is one of the most influential UK political cartoonists of our time, known for his incisive satire and striking illustrations. A graduate of Leeds College of Art, Steve initially trained as a teacher before realizing his passion for cartooning. His first major break came with Time Out magazine, where his “Maggie's Farm” strip skewered the Thatcher era. In 1981, he joined The Guardian, where his daily cartoons became a staple for readers and a thorn in the side of the powerful. Over his illustrious career, Steve developed a reputation for blending biting political commentary with imaginative visuals, often pushing the boundaries of satire. His work has appeared in numerous publications, and he remains a vocal advocate for creative freedom in an increasingly restrictive media environment. AI-Generated Timestamped Key Points [00:00:00] Introduction to Steve Bell and the origins of his artistic journey [00:01:13] Steve's early life, love for drawing, and transition from teaching to cartooning [00:08:06] Struggles and lessons learned from teaching in Birmingham [00:11:00] Early career milestones, including work with Time Out and The Guardian [00:25:02] The evolution of "Maggie's Farm" and creating caricatures of Margaret Thatcher [00:34:15] Steve's thoughts on the creative process and meeting deadlines [00:52:39] How Steve conceptualises characters, like David Cameron as a condom [00:57:18] Reflections on editorial constraints and creative independence [01:10:12] Steve's critiques of the modern media landscape and its treatment of political satire [01:20:00] The enduring relevance of political cartoons in today's world LinksTopics we discuss on the show:Margaret Thatcher: Former Prime Minister of the United Kingdom and a key figure in British politics during the 1980s, known for her conservative policies.

A heartfelt conversation with Andrew Matthews, a best-selling author and happiness coach known for his unique blend of cartoons and self-help. Andrew's journey to happiness began with the realization that those who overcome life's biggest challenges often find the deepest joy. This insight inspired his first book, "Being Happy," which combines wisdom and humor to make personal growth more accessible. Hear how Andrew transformed rejection into worldwide success, with millions of copies sold in 48 languages, and learn how his passion for cartooning has powered his career in public speaking and inspiring others.Our discussion with Andrew highlights the profound impact of resilience and creativity on personal growth. Embracing failure, envisioning a brighter future, and tackling life's difficulties one day at a time are key themes in his book "Bouncing Back." Andrew shares how art and humor can be powerful tools for storytelling and reflection, illustrating that what challenges us today might be what shapes us for tomorrow's success. Through humor and visual storytelling, Andrew's work encourages us all to pursue what we love with enthusiasm and creativity, reminding us that happiness is often found on the other side of adversity.(02:18) The Pursuit of Happiness(06:02) Understanding the Value of Uniqueness(16:55) The Power of Cartooning and Humor (20:01) Exploring Artistic Mediums and Techniques Support the showSupport the Playful Humans mission to help adults rediscover the power of play: Subscribe to the YouTube channel Subscribe to the Podcast Book a playshop for your team Support our sponsors

Early last week we recorded an interview with illustrator Jesse Duquette. Then we got the word over the weekend: Meta not only shut his account down, but permanently deleted its posts and eradicated his community of over 200,000+ followers. Mark Zuckerberg's Metaminions decided Duquette's incisive and hard-hitting cartoons were just too much for Instagram. (Meta is the company that started out simply as Facebook but now includes Instagram, Threads, WhatsApp as well as other properties.)This is the same Mark Zuckerberg who in 2019 told students at Georgetown University that “Frederick Douglass once called free expression ‘the great moral renovator of society,' and repeating Douglass' words, ‘slavery cannot tolerate free speech'.”Apparently Duquette's style of cartooning was intolerable.This episode is a twofer: Part One is a deep-dive into the life and times of an artist and political commentator at work. Part Two explores the aftermath, when the AI of the world's most powerful social media company, proves incapable of discerning satire, and banishes a popular presence based on its own misunderstanding of what it thinks it knows. Support the showThanks for listening! Now follow us on Twitter, Instagram, Facebook and Threads. And please consider becoming a Patreon supporter at www.patreon.com/podcastunreasonable. It's a small price to pay to help keep America from becoming a theocracy, dontchya think?

Dave Kellett and Brad Guigar take their podcast on the road, recording this episode live at the Comic-Con Museum in San Diego as part of the National Cartoonists Society conference and Reuben Awards celebration! They were joined on stage by Danesh Mohiuddin, Hilary B. Price, and Tauhid Bondia to discuss the pressing issues facing cartoonists in the years to come. On today's show:How are you addressing artificial intelligence?What's working on social media?What are your plans for the next five years?What does retirement look like?Danesh MohiuddinDanesh Mohiuddin is a Canadian Cartoonist from India. He grew up in Dubai on a regular dose of MAD Magazine and European comics. He now lives in Toronto and illustrates and writes children's books and graphic novels. His latest is Princess Pru and the Ogre and the Hill. Clients include Scholastic, Oxford University Press, Owl Kids, and Kids Can Press. He's also a history buff and loves traveling.Hilary B. PriceHilary Price is a cartoonist, storyteller, and speaker. Her comic strip Rhymes with Orange appears in newspapers internationally. The National Cartoonists Society has awarded her the Best Newspaper Panel Cartoon award four times, and she was just named Cartoonist of the Year in August 2024.Hilary graduated from Stanford University and, at the age of 25, became the youngest-ever female syndicated newspaper cartoonist. Aside from this year's Reuben Award, other shiny trophies include an Inkpot Award for Career Achievement from the San Diego Comic-Con International and the Elzie Segar Award from the National Cartoonists Society for making a unique and outstanding contribution to the profession of cartooning. Hilary teaches at the Center for Cartoon Studies in Vermont and shares stories on NPR's The Moth.Tauhid BondiaTauhid Bondia is a cartoonist and illustrator from Kentucky. He has been creating comics online for 15 years, and loves drawing and telling stories as much as ever. Tauhid is the creator of the syndicated comic strip Crabgrass, which appears in about 800 newspapers across the US and Canada, as well as two books. The comic features themes of friendship and taps into a sense of childhood nostalgia that people of all ages seem to respond to. Tauhid's goal is to draw the strip for as long as he is physically able to, or as long as it continues to make people smile. Whichever comes first. He previously wrote and illustrated A Problem Like Jamal, a comic about a young brother named Jamal Marcus trying to navigate life and middle school in a modern era. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Abu Abraham's career as a cartoonist, columnist and artist spanned over 50 years, from the late 1940s to the early 2000s, during which his work appeared in a range of newspapers and magazines in India and the UK. Throughout this period of significant political change and upheaval, he critically responded to the political landscape, producing a rich and complex oeuvre that reflects these shifts. The centenary exhibition, “Abu's World,” brought together, for the first time, the breadth of Abu Abraham's work as a cartoonist and journalist across six decades. Through Abu's political cartoons, drawings, caricatures, and writings from the late 1940s until his passing in 2002, viewers can journey through a lively political history of India and the world. In this episode of BIC Talks, a panel of cartoonists, journalists, and a historian will explore the impact and significance of Abu Abraham's work in their respective fields and its relevance in contemporary times. This is an excerpt from a conversation that took place in the BIC premises in August 2024. Subscribe to the BIC Talks Podcast on your favorite podcast app! BIC Talks is available everywhere, including Apple Podcasts, Spotify, Castbox, Overcast, Audible and Amazon Music.

Emile Donovan talks to the screenwriter behind New Zealand feature film We Were Dangerous from her home in London.

Comics journalist Jess Ruliffson joins the show to talk about the origins of INVISIBLE WOUNDS (Fantagraphics), her collection of stories from veterans of the wars in Afghanistan and Iraq, but we wind up talking about guys' butts, among other things. We get into her focus on male vulnerability, the Tim Hetherington photos that led her to make Invisible Wounds, the differences between soldiers who enlisted pre-/post-9/11, what it's like to come home from war with no idea what to do next, and the new comics she's making with her husband, Ernesto Barbieri, about his work as an ICU nurse. We talk about her upbringing in Mississippi, what she's learned about interviewing and how stories sometimes take shape in retrospect, whether it's "permissible" to tell stories about people in a different demographic, the common thread of moral injury in her work, how she met her husband through an MFA open house, and how she found her way into comics and journalism. We also discuss her frustration at not drawing the butts she wants to draw, her experiences teaching comics and learning to give her students permission, what she's learned from making the Terrible Anvil podcast with Tom Hart, why her therapist insisted she never make a memoir, and more! Follow Jess on The Terrible Anvil podcast • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Don't miss out on the opportunity to be inspired by the incredible Val Bagley, the talented illustrator behind beloved publications like the New Era and the Friend. With over 50 children's books to his name, Val has dedicated his life to bringing joy and imagination to readers of all ages. In his latest work, he delves into the concept of thinking celestial at a child's level. Join us as we explore the world of cartooning, creativity, and its impact on Val's life. Sample of his book and a sketch note mentioned in this episode. Your support is crucial in making this podcast a success. Please consider sharing it with your friends and family, clicking on the follow button, and giving it a star rating..   Send me an email to share your comments, request to be a guest, or recommend someone you feel would make a great guest. Please register at my website to receive updates and news on this podcast.   The music for this podcast is used with permission by the following musicians. You can find more about Angie Killian here, and Marvin Goldstein here. 01:41: His Office 03:39: Wyoming Period 05:34: Cartoons In His Youth 06:27: Cartoonist Career 12:14: Family 13:56: Latest Book 20:57: Scriptures 25:24: Journaling 27:36: Testimony The expressions and opinions shared on this podcast are those of the individuals speaking and do not reflect or necessarily coincide with those of the Church of Jesus Christ of Latter-day Saints.

Ah, summer! The sun is shining. The marshmallows are toasting. The birds are singing. And hiking. And...having afternoon tea? Also, it's time to talk Peanuts in episode 120! This time, we've got This Month in Peanuts History (The month is July, btw), a "Peanuts by Schulz" titled "Doing it Right" and episode 2 of the new Apple TV series "Camp Snoopy". Up and at 'em, campers! Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Bass Walker" and "Hidden Agenda". Thanks to Sean Courtney for the This Month in Peanuts History theme. Thanks to Nick Jones for the use of his song "25% Off". Support the show at patreon.com carnivalofgleecreations.com  Thanks to Henry Pope for the use of his "Linus & Lucy Remix". 

The Professional Artist with Echo Chernik Episode 7 Date:June 29, 2024 - Join me as I talk with Tony Steele about cartooning outside of Hollywood. About Tony Steele: Michigan-born Tony Steele has been a Professional Illustrator, Cartoonist, and Graphic Artist for 20+ years. He is a master of many media, including ink, oils, coloured pencil, graphite, and digital software to create artwork for Screen Printing, Package Design, Games, Comics, Storyboards and much more. Tony infuses his unique charm and sense of humor into every line he draws and has recently studied under Don Bluth (Yes, that Don Bluth) to added traditional animation to his skillset. Tony's Link: https://steeleworks.crevado.com/ Echo Chernik Links: Website: https://www.EchoChernik.com Illustration: https://www.echo-x.com Facebook: https://www.facebook.com/echoxartist Instagram: https://www.instagram.com/echochernik Patreon: https://www.patreon.com/thexcaliberproject Kickstarter: https://www.kickstarter.com/profile/echox/created

With That's Some Business You're In (Zoop), cartoonist-humorist-author Bob Fingerman has created a career retrospective to celebrate (lament?) his 40th year in comics. We got together in LA to talk about that milestone, what it meant to him to bring together decades of his comics, art, and illustration into a single volume, the challenges of writing the narrative to his work-life, and what he learned from looking at the arc of his career. We get into the 'maybe someday' vibe of the big projects he wants to tackle, the process of getting over his younger shame at making comics for, um, 'lower-prestige' (but well-paying) magazines, the distance he needed on his best-known comic, Minimum Wage, the artist's retrospective he really wants to see, why he enjoys creator-owned work instead of someone else's IP, and his true artistic goal. We also discuss the life-changing stuff — like addressing the tension between narcissism and imposter syndrome, the nature of change, the toxicity of NYC, and the need to leave a better memory — while we talk about life in LA, the writers who blew him away and how he can't begin to emulate them, the way his characters changed from punching bags to people, the joy of hummingbirds and small dogs, and a lot more. Follow Bob on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Rivky sits down with Chari Pere, acartooner using her craft to bring awareness around miscarriage and other taboo topics. Chari shares about all the feelings she had during her miscarriage, finding out how common it was only once she was experiencing it and the anxiety of a pregnancy following loss. Chari Pere, creator of Miscarried: An Unspoken Cartoonmentary, worked as a creative director and illustrator/storyboard artist on projects for Red Bull, Jockey, Disney, Comedy Central, and Bud Light. She has created content for The Washington Post's The Lily and Mad Magazine and has collaborated with NYT bestselling author Gretchen Rubin and actress Mayim Bialik. She launched the "Unspoken" Cartoon series as part of the 2024 Jewish Writers' Initiative Digital Storytellers Lab Fellowship. charipere.com Miscarried Cartoonmentary on Youtube Michael's Miscarriage Trailer on Youtube Click here to see the Impact Fashion collection of dresses. Click here to get an Impact Fashion Gift Card Click here to get the Am Yisrael Chai crewneck. Click here to join the Impact Fashion Whatsapp Status Click here to take a short survey about this podcast and get a 10% off coupon code as my thanks

In this episode, Regina gets to know Jean Abernethy. Jean is the creator of the world's most popular equine cartoon horse, Fergus (Equus-hilarious). As shared in the Western Horseman (February 2016), “For more than 20 years, the blaze-faced bay has made audiences laugh at his equine perspective on everything from horse flies to flying lead changes. Everybody sees their own horses' antics in him.” Regina and Jean talk about Fergus, but they also talk about Jean—her start as an artist, the various interests she's pursued, and the future of her beloved Fergus. One thing is certain: with her shelves filled with awards and accolades, Jean and her Fergus will continue to be recognized and enjoyed worldwide! Thank you, Jean, for bringing relatable humor to the lives of equestrians everywhere! Listen in to learn more: (02:28 - 03:24) Connecting Through Fergus Comics and Horses (06:52 - 07:58) Special Bond With Horse Named Justin (10:02 - 11:33) Illustrating Monty Roberts' How-to Book (12:43 - 14:13) Cartooning as a Communication Tool (19:38 - 20:55) Campfire Comic Inspiration & Content Creation (27:18 - 28:22) New Book Launch With Fergus Links: https://www.fergusthehorse.com/ https://jeanabernethy.com/ https://jeanabernethy.com/images/WHreview.jpg

The DMZ America podcast is where you'll hear civilized, spirited debate and discussion about the politics and issues of the day. Editorial cartoonists Ted Rall (Left) and Scott Stantis (Right) deliver a fast-paced look at some stories others are missing this week.First up, a Canadian government assessment of threats to Canadian national security worries aloud about instability on their southern border: us. The worry: “U.S. ideological divisions, democratic erosion, and domestic unrest escalate, plunging the country into civil war.” Second: People over 50 face a radically increased danger of becoming homeless and dying on the streets. What does the fact that younger generations don't seem to care about the elderly say about American society?Third: Cartoonist Atena Farghadani, who is on trial at Branch 26 of Tehran's Revolutionary Court, was charged with "insulting sacred values" and "propagating against the state" for attempting to post her cartoon on the wall outside the home of the Supreme Leader. The court sentenced the cartoonist to six years in prison. The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

The DMZ America podcast is where you'll hear civilized, spirited debate and discussion about the politics and issues of the day. Editorial cartoonists Ted Rall (Left) and Scott Stantis (Right) deliver a fast-paced look at some stories others are missing this week.First up, a Canadian government assessment of threats to Canadian national security worries aloud about instability on their southern border: us. The worry: “U.S. ideological divisions, democratic erosion, and domestic unrest escalate, plunging the country into civil war.” Second: People over 50 face a radically increased danger of becoming homeless and dying on the streets. What does the fact that younger generations don't seem to care about the elderly say about American society?Third: Cartoonist Atena Farghadani, who is on trial at Branch 26 of Tehran's Revolutionary Court, was charged with "insulting sacred values" and "propagating against the state" for attempting to post her cartoon on the wall outside the home of the Supreme Leader. The court sentenced the cartoonist to six years in prison. The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Legendary cartoonist & artist Stan Mack pioneered documentary comics and bought New York's multitudes to life with Stan Mack's Real Life Funnies (RLF) in the Village Voice, and now he joins the show to celebrate the publication of STAN MACK'S REAL LIFE FUNNIES: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995 (Fantagraphics)! We talk about winnowing down 1,000+ RLF strips to 275 for this book, the comic's secret origin and how we share some Milton Glaser conceptual DNA, what he learned about cartooning and storytelling, the creeping realization that people were actually reading RLF, and how he and the comic grew over 20+ years. We get into whether Real Life Funnies and its snippets of street dialogue could work today when everybody just stares at their phones, how his pre-Voice stint as art director at the New York Herald Tribune made an editor out of him, the moment he realized he was a New Yorker, how he became an activist and used RLF to highlight the squatters' rights movement, the AIDS crisis, and more in NYC, how important the Village Voice was to the city and to America in the '70s and '80s and why we need to bring it out of the pre-digital memory hole (a la DW Young & his new documentary, UNCROPPED), Stan's failure as a backup dancer for Lionel Richie, and a lot more. Follow Stan on Facebook, Instagram and YouTube • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Political cartoonists Ted Rall (on the Left) and Scott Stantis (on the Right) analyze the conviction of Donald Trump. How did it happen? Will he go to jail and/or be put on probation? Will he drop out of the race? How will it affect the campaign? Might we soon have a sitting president forced to govern from prison?The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Ce jeudi (30 mai 2024), Guillaume Meurice était convoqué à une commission de discipline par la direction des Ressources humaines de Radio France. L'humoriste est menacé de licenciement de la radio France Inter après des propos polémiques concernant le Premier ministre Benyamin Netanyahu qualifié de « nazi sans prépuce ». Y a-t-il davantage de censure de l'humour aujourd'hui ? Comment continuer à faire rire ? Pour en débattre : - Christophe Alévêque, comédien, humoriste engagé, depuis plusieurs saisons, au Théâtre du Rond Point, où il présente un spectacle où il décortique l'actualité et ce qu'en dit la presse « le Stand-up revu(e) et corrigé de Christophe Alévêque » sera présenté les 22 et 23 juin- Plantu, dessinateur de presse célèbre pour avoir dessiné pendant 35 ans à la Une du journal Le Monde, caricaturiste et fondateur de Cartooning for Peace, un réseau international de dessinateurs de presse engagés qui combattent, avec humour, pour le respect des cultures et des libertés- Gilles Vervisch, professeur de philosophie, auteur de plusieurs livres qui rendent la philosophie accessible, humoriste, présente un spectacle entre stand up et conférence Êtes-vous sûr d'avoir raison ? qui est aussi publié aux éditions Flammarion.

Welcome to episode 117! Blast off for an adventure that's out of this world, but still deep in the heart of the Peanuts universe. We're watching "Snoopy in Space", S1, Missions 1 & 2. We get caught up on the latest news-ish bits from the Peanuts universe. And author Gene Kannenberg (Here Comes Charlie Brown! A Peanuts Pop-Up!) drops by to share a Random Strip of the Month.  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Hidden Agenda" and "Bass Walker".  Thanks to Sean Courtney for the This Month in Peanuts History Theme. Thanks to Nick Jones for the use of his song "25% Off". Find out more about things that I'm doing and books you can own at carnivalofgleecreations.com patreon.com  Watch me try to draw Charlie Brown!

Political cartoonists Ted Rall (from the Left) and Scott Stantis (from the Right) debate the week in news and culture as friendly adversaries to bring you spirited debate and smart insight. First up: The Israel-Hamas War seems to be entering some sort of tipping point in terms of international public opinion. As the International Criminal Court weighs issuing an arrest warrant against Israeli Prime Minister Benjamin Netanyahu over his government's policy of blockade and mass starvation in Gaza and student protests over America's support of Israel spread from Columbia University to college and university campuses around the nation, the disturbing discovery of a pair of mass graves containing the bodies of hospital patients and personnel apparently summarily executed in areas under IDF control prompt Scott to say that, if this is confirmed to be an Israeli war crime, he would be done with Israel after supporting the Jewish state for many years.Second: The US Supreme Court hears oral arguments in a case with ramifications both for Donald Trump's January 6th insurrection case and the separation of powers under the US Constitution. The court is asked to answer the question of whether a president enjoys absolute immunity for acts committed while in office, whether immunity might be partial, and whether it's possible to separate those acts committed as an individual from those performed as an officeholder. At stake: the nature of the nation's top political job.Finally: In an act that appears to reek of cynicism, the Biden Administration has paused a long-planned ban on menthol-flavored tobacco products, which are popular among Black Americans, because of concerns that Black voters might be annoyed at the President when they go to the polls this November. Vote for us before you die, please.The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

In this episode of Tom Ray's Art Podcast, we delve into the meticulous world of Sophie Parr, an artist who has mastered the art of hand-drawn maps. Sophie's journey from urban planner to map illustrator is as fascinating as their detailed creations, capturing locations from a bird's-eye view with striking pen and ink techniques. Sophie reveals how a simple family vacation activity evolved into a full-fledged artistic pursuit, leading to establishing a unique niche in the art world. We discuss her transition from urban planning to freelance work and how their love for maps turned into a thriving business. Discover the behind-the-scenes of Sophie's process, from utilizing aerial views for accuracy to her decision-making on scale for optimal detail. Sophie also shares insights on the power of Instagram reels in building an engaged audience, with some of her videos reaching viral status. As Sophie continues to navigate the art scene, they talk about the challenges and rewards of running a gallery-turned-studio, their approach to art fairs, and future aspirations, including a large-scale Chicago map project. Sophie Parr's website https://www.mapsbysophie.com Sophie Parr on Instagram https://www.instagram.com/mapsbysophie Tom Ray's Art Podcast Website: https://www.tomrayswebsite.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/tomraysartpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/tomraysartpodcast/support

In this episode of Tom Ray's Art Podcast, I meet Evie Woltil Richner, an artist and emerging author with a dream to create children's books. With roots in painting and drawing, Evie's journey has led to picture book illustration. Evie's transition from academia led to pursuing a passion for creating children's books. We talk about character design and the challenges of breaking into the competitive publishing industry. Evie shares experiences with online courses, the importance of community through critique groups, and the invaluable insights gained from writers' workshops. Discover the strategies Evie employs as they navigate a path towards securing a book deal, from researching agents to honing a manuscript. Evie Woltil Richner's Illustration on Instagram: https://www.instagram.com/evierichnerillustration Evie Woltil Richner's Website: https://www.eviewoltilrichner.com Tom Ray's Art Podcast Website: https://www.tomrayswebsite.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/tomraysartpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/tomraysartpodcast/support

In this episode of the Art Podcast, we dive into the quirky and slightly macabre world of Madison-based artist Sara Christenson, of Bunny Attack Illustration. Their pen and ink illustrations of "weird rabbits" blend the adorable with the eerie. Sara's bunnies aren't your typical fluffy creatures; they're fierce, sometimes spooky, and always captivating. Join us as we uncover the origins of Sara's unique style, starting from a serendipitous owl drawing inspired by the grain of wood on her patio. We'll explore the personal narratives and life experiences that feed into their art, like the "arrows" piece, which cleverly symbolizes past relationships with a touch of dark humor. Sara's creative process is as spontaneous as the bunnies they draw, often beginning with a sudden burst of inspiration that evolves into intricately detailed works. Sara shares insights into meticulous stippling technique, the challenges of balancing art with a day job, and aspirations for future projects, including an adorable line of Halloween-themed bunny merchandise. Bunny Attack Illustration Website: https://www.bunnyattackworks.com Bunny Attack on Instagram: https://www.instagram.com/bunnyattackillustration Podcast website - https://www.tomrayswebsite.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/tomraysartpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/tomraysartpodcast/support