Podcasts about comiclab

In a recent interview for the National Cartoonists Society, Greg Evans (the creator of the newspaper comic strip "Luanne") spoke about painting a single wall in his studio red. Mel Lazarus, creator of the syndicated strips "Momma" and "Miss Peach," told him that the color red was proven to increase creative thoughts. This resulted in one burning question for the cartoonists assembled to watch the interview: "DID IT WORK!?"Today's ShowCreativitySusan MacTaggart's Personal AffirmationUsing copyrighted music lyrics in a comicSummaryIn this episode, cartoonists Dave Kellett and Brad Guigar discuss various topics related to creativity, including the significance of the color red in creative spaces and personal superstitions that influence their creative processes. They explore the humorous aspects of creativity and the shared experiences of cartoonists while also celebrating the 40th anniversary of the comic strip 'Luanne'. In this conversation, Dave Kellett and Brad Guigar explore the complexities of creativity, discussing the psychological effects of color, the challenges of maintaining a consistent creative output, and various strategies to overcome creative blocks.In the second half, after Susan MacTaggart drops by to share a personal affirmation for a lucky ComicLab backer, they also touch on the importance of legal considerations in creative projects, particularly when referencing existing works. The dialogue is filled with humor and personal anecdotes, making it relatable for artists and creators alike. In this conversation, Dave Kellett and Brad Guigar delve into the intricacies of copyright, fair use, and the ethical considerations surrounding using creative works. They discuss the historical context of copyright, the importance of seeking permission to use others' intellectual property, and the complexities of navigating licensing agreements. The conversation emphasizes the need for artists to respect the rights of their peers while also understanding the legal landscape that governs creative works.TakeawaysThe song 'Piña Colada' has bizarre lyrics that reflect on relationships.The color red is believed to boost creativity, as shared by cartoonist Greg Evans.Creativity is often difficult to pin down and can be influenced by environment.Many artists have personal rituals or superstitions that help trigger creativity.Getting bored can lead to creative breakthroughs, as distractions are removed.Having a specific workspace can enhance focus and creativity.The importance of context in understanding creativity is emphasized.Superstitions can be seen as strategies for fostering creativity.The discussion highlights the shared experiences of cartoonists in their creative journeys.The episode humorously addresses the absurdity of certain creative beliefs. Creativity can be influenced by environmental factors like color.Consistency in creativity is a challenge for many artists.Finding personal strategies for creativity is essential.Boredom can lead to unexpected creative breakthroughs.Starting the creative process is often the hardest part.Engaging with interesting people can spark new ideas.Reading old work can help reconnect with your creative voice.Deadlines can reduce fear and encourage action in creativity.Legal considerations are crucial when referencing other artists' work.Your art has intrinsic value, regardless of external validation. Copyright gives artists control over their work.Fair use allows limited use of copyrighted material.Seeking permission is crucial when using others' work.Ethical considerations are as important as legal ones.The complexities of copyright can be daunting for creators.Documentaries often fall under fair use but still require permissions.Artists may feel protective over their creations.Licensing agreements can be complicated and vary widely.Understanding copyright is essential for all creators.Navigating permissions can be a lengthy process. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Where's the line between an autobiographical comic and a semi-autobiographical one — between "based upon" and "inspired by"? And when does the whole thing veer directly into fiction?? Plus... Dave Kellett shares real numbers from his recent Kickstarter, and we arrive at a jaw-dropping conclusion: Bluesky is it.The Webcomics Handbook will publish a visual breakdown of Dave's analytics on April 14th.Today's showWhere to draw the line on an autobio comicMalignant ProcrastinationSusan MacTaggart's Personal AffirmationDave shares actual numbers from his KickstarterThe Wrong Way Show: Toy Story's WoodySummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share insights on navigating autobiocomics, exploring the balance between fiction and fact in storytelling. The conversation highlights the significance of making personal stories compelling and meaningful for audiences. In this conversation, Dave Kellett and Brad Guigar explore the intricacies of storytelling in comics, mainly focusing on autobiographical narratives. They discuss the importance of engaging and meaningful stories, emphasizing that readers seek entertainment and context in narratives. The duo also addresses the common issue of procrastination among creators, urging them to take action and start their projects, regardless of the fear of failure. They highlight that creativity thrives on making choices and moving forward rather than getting bogged down in details.After Susan MacTaggart drops by to share a personal affirmation for one of ComicLab's $10 backers, Dave Kellett discusses the success of Kellett's recent Kickstarter campaign for his book 'Anatomy of Dogs'. He and Brad explore the sources of backers, the impact of social media platforms like Blue Sky, and the importance of converting followers into actual supporters. The discussion highlights the effectiveness of Kickstarter as a platform for creators and the changing landscape of social media engagement. In this conversation, Dave Kellett and Brad Guigar discuss the intricacies of running a successful Kickstarter campaign, the impact of social media on funding, and the importance of maintaining quality in production. They share insights on financials, the long-term benefits of Kickstarter projects, and how to build a sustainable career as an independent cartoonist. The discussion emphasizes the need for careful planning and the value of mental health in the creative process.TakeawaysSmall acts of kindness can have a lasting impact.Every interaction with fans can create memorable moments.Autobiocomics need to be engaging, not just factual.Never let the truth hinder a good story.Context and meaning are crucial in storytelling.It's essential to make personal stories relatable.Readers care more about the story than the facts.Becoming a writer means crafting meaningful narratives. Give yourself the leeway to make your story interesting.Readers care about the entertainment value of a story.Autobiographical comics often lack excitement and meaning.Injecting fiction can enhance storytelling.Stories should have a purpose for the reader's life.Procrastination can hinder creative aspirations.Start with small segments of your story to gain momentum.Character designs will evolve; start drawing.Don't let the fear of failure prevent you from creating.Every choice made in storytelling contributes to the overall narrative.This was my most successful Sheldon Kickstarter ever.I did not use Twitter at all.Blue Sky works for reaching backers.The second source was my Patreon for Drive.You need to be able to convert those readers into backers.Those numbers are fake numbers on social media.Kickstarter is a must-use for cartoonists.The highest percentage of backers came from Kickstarter sources.I was afraid to leave Twitter and Instagram.The impact of social media on crowdfunding is significant. The utility of Kickstarter must remain intact for success.Social media platforms can significantly impact funding outcomes.Quality production is crucial for maintaining a good reputation.Kickstarter profits can be amortized over several years.Building a mailing list from backers is essential for future campaigns.Mental health can improve by choosing the right social media platforms.Planning ahead for stretch goals is vital to avoid pitfalls.Every Kickstarter project contributes to a larger career strategy.Quality materials enhance customer loyalty and future sales.Understanding financials helps in making informed decisions. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As they attempt to save the marriage of one of their listeners, Brad and Dave consider the best path for a cartoonist who wishes to pursue a master's degree. Would a Master's in Fine Arts be the right choice, or would a Master's in Business Administration be the better option? Considering the expense, perhaps the best choice is to avoid both! After grappling with that dilemma, Susan MacTaggart stops by to share a personal affirmation with a member of the ComicLab community.Today's ShowIs a Master's Degree in comics worthwhile?Susan MacTaggart's AffirmationUPDATE: Brad and Dave's Wikipedia pagesMixing word-balloon stylesSummaryIn this episode, the hosts discuss the importance of education for cartoonists, debating the merits of pursuing a Master's in Fine Arts (MFA) versus a Master's in Business Administration (MBA). The discussion highlights the value of writing skills in comics and the necessity of understanding business principles in today's publishing climate. In this episode, the hosts delve into the intersection of art and marketing, discussing the value of formal education, such as an MFA, in developing a creative career. They explore the importance of self-teaching versus structured learning, emphasizing personal growth and the impact of higher education on career paths. The conversation also touches on community engagement through personal affirmations and mid-show updates, culminating in discussing word balloon techniques in comics. In this episode, Brad Guigar and Dave Kellett delve into the intricacies of comic storytelling, focusing on the use of word balloons and their aesthetic implications. They discuss the evolution of comic communication, the philosophy behind how comics convey messages, and the unique structure of two-panel comics. The conversation highlights the balance between visual elements and text, exploring how these components enhance storytelling in comics.TakeawaysEducation in the arts should focus on writing, not just drawing.An MFA may not provide the specific skills needed for comics compared to an MBA.Understanding business and marketing is crucial for independent cartoonists today.Higher education can provide a shortcut to knowledge that would take years to learn otherwise.Not all education needs to have a direct financial return on investment.The subjective nature of art can complicate grading in MFA programs.Scholarships can help alleviate the financial burden of higher education.Choosing between an MFA and an MBA depends on personal career goals and interests. The art itself is not enough; marketing plays a crucial role.An MFA can provide valuable insights into salesmanship and marketing.The experience gained from an MFA depends on the student's openness to feedback.Many successful cartoonists do not have an MFA, indicating it's not essential for success.Self-teaching can be as effective as formal education, depending on the individual's learning style.Personal growth and happiness can come from pursuing higher education, even if it doesn't directly impact career success.Community engagement is vital for creators, as seen in the personal affirmations segment.Word balloon techniques vary based on the comic's style and background complexity.The hosts share humorous anecdotes about their Wikipedia pages, highlighting the challenges of self-presentation.The conversation emphasizes the importance of adapting techniques to fit the evolving art style. Word balloons can affect the aesthetics of a comic.Using a floater can conserve space in a panel.Breaking up dialogue into multiple balloons improves readability.Floaters can convey whispers or asides effectively.Aesthetics sometimes dictate the choice between word balloons and floaters.The history of word balloons reflects the evolution of comic art.Comics often rely on a visual punchline that follows a setup.Two-panel comics can exist in greeting cards and other formats.The construction of comics can influence how they are perceived.The philosophy of comic communication is complex and evolving. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad Guigar has categorized the information shared by creative individuals into three groups. Dave Kellett has a couple of his own to contribute. Of the five, only one is useful. Identifying the others can help you avoid making some significant mistakes.Today's showTypes of information creative people shareUPDATE: Brad Guigar celebrates 25 years in comicsStory pacingSummaryIn this episode, Brad and Dave discuss the information shared among creative individuals, categorizing them into facts, marketing, and herd mentality. The discussion highlights the importance of discerning between genuine facts and marketing tactics. Dave suggests the list should include misinformation and bad actors in the creative community. In this episode, Dave Kellett and Brad Guigar discuss the realities of book signings, networking, and celebrating milestones in one's career, particularly in the comic industry. They share personal anecdotes about their experiences and reflect on the mental health benefits of recognizing achievements. The conversation then shifts to writing advice, focusing on story pacing, exposition, and actionable strategies for aspiring writers to improve their craft.TakeawaysSharing information among creatives is essential for growth and learning.Facts are verifiable truths that can help guide creative decisions.Marketing often skews perceptions and can lead to poor decision-making.Herd mentality can mislead creatives into following trends without critical thinking.Misinformation can come from well-intentioned but uninformed sources.Bad actors exist in the creative community, and caution is necessary.Understanding the difference between marketing and facts is crucial for success.Social media is primarily a marketing tool for many creators.  Book signings often don't attract large crowds.Celebrating career milestones can boost mental health.Reflecting on past achievements can provide motivation.Each page of a comic should be satisfying on its own.Writers should focus on manageable story lengths.Use visuals effectively to enhance storytelling.Avoid information dumps in storytelling.Create tension through micro-tension techniques.Leave breadcrumbs for readers to follow in the narrative.     You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Start your webcomic using the latest platforms, monetization methods, and social media strategies. If you're launching a new comic in 2025, this episode has all the information you'll need to get it off the ground! How to start a webcomic in 2025Don't try to “game” your readership. Write about what YOU likeBuilding readership takes time and consistency. Creating for love is essential in the early years. Focus on writing as the core of comic creation. Focus on creating comics for the love of the craft. The first comics may only be seen by you; embrace the process.Mistakes in the early stages are recoverable.CopyrightOwn and control your workYou do NOT need to be on Webtoon/TapasSocial media presence is important for comic creators. Today, that's Bluesky and Substack. ComicLab has Collections that provide strategies for each platform** They're free to members and available at a one-time fee for others.Be active on social media to build your audience. Four CsHow many updates FCSPersistence is key; it's a marathon, not a sprint. If you need a schedule to post regularly, set a schedule and stick to it. Don't rush into monetization; it takes time to build a following. Starting on Patreon or Kickstarter too soon is a common problem that derails a lot of creators.Develop your aesthetic by studying good comics.You don't need a website immediately, but you'll need one eventually. Start planning now.Seek honest feedback to improve your work.Reach out to other comics creators who are doing stuff that's similar to yours and build networks.Do it for loveSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar discuss the importance of passion in creating comics, the challenges of building a readership, and the necessity of starting your comic journey despite fears and anxieties. The conversation emphasizes the value of maintaining independence as creators and finding an audience that resonates with your unique themes rather than chasing trends. They address the challenges and strategies for comic artists navigating social media. They emphasize the importance of choosing the right platforms, such as Blue Sky and Substack, over TikTok for comic promotion. The hosts introduce the 'Four C's' of social media—Content, Curation, Commercial, and Kindness—as essential for building an audience. They also share acronyms like SWIG and FCS to guide effective promotion and posting frequency. The conversation concludes with a reminder that building a successful comic takes time and persistence, likening it to a marathon rather than a sprint. In this episode, Brad Guigar and Dave Kellett discuss the essential steps for starting a webcomic in 2025. They emphasize the importance of focusing on the craft before monetization, developing a unique aesthetic, and the necessity of having a personal website. The hosts also highlight the value of networking, seeking feedback from peers in the comic community, and navigating the evolving landscape of social media and comic publishing.TakeawaysCreating comics should stem from personal passion, not trends.Building a readership is a gradual process that requires time and consistency.Mistakes in the early stages of comic creation are normal and recoverable.Your comic's idea is less important than your unique execution of it.Independence in comic creation allows for greater control over your work.Social media platforms are evolving; choose wisely for engagement.Focus on writing as the core of comic creation.Engagement and growth are key metrics for success in comics.Don't let fear of theft prevent you from sharing your work. TikTok may not be suitable for comic artists.Blue Sky and Substack are better platforms for engagement.Social media requires a balance of content, curation, and kindness.Persistence is crucial for building an audience.Curation can enhance networking opportunities.Promote by saying why your work is good.Frequent, consistent, and significant updates are key.Avoid rushing into monetization too soon.Missing updates is forgivable; focus on quality instead.Building a crowd is essential before seeking funding. Focusing on early monetization can distract from improving your craft.Having a small number of Patreon backers can lead to poor decision-making.It's crucial to develop your aesthetic by studying successful comics.A personal website is essential for maintaining control over your work.Networking with other comic creators can provide valuable feedback.Feedback from peers is more beneficial than casual opinions from non-creators.The comic landscape is evolving, and adaptability is key.Do it for the love of comics to sustain motivation.There are more opportunities in comics now than ever before.Building a community around your work can enhance your growth as an artist. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A ComicLab member complained about following too many people on Bluesky. It was too difficult for them to cultivate a feed that suited their interests! This brought up a topic that has Dave and Brad divided: Are you on social media for business or pleasure?Today's ShowYou're not on social media to readUPDATE: Spice Rack Comics webring (NSFW) — special thanks to Matt Sowers at RCSI PublishingUPDATE: Dave and Brad's transposed faces Started too soon on PatreonSummaryIn this engaging conversation, Dave Kellett and Brad Guigar explore various themes related to comics, social media, and community building. They discuss the challenges of navigating Bluesky Starter Packs and the innovative idea of reviving web rings to foster community among comic creators. Their humorous banter and differing perspectives provide valuable insights for aspiring cartoonists and social media users. In the following conversation, they explore the dynamics of collaboration in creative projects, particularly focusing on establishing a webring for cross-promotion among cartoonists. They discuss the importance of lists, group agreements, and the balance between individual creativity and collective efforts. The conversation also delves into the challenges of managing a Patreon account, the significance of audience building, and the lessons learned from past experiences in comic creation. Ultimately, they emphasize the value of growth and learning from one's creative journey.TakeawaysAn authoritative accent can shape perceptions.Social media should be used strategically, not just for reading.Starter packs can lead to overwhelming follow lists.Curating your social media feed is essential for focus.Building a community is crucial for comic creators.Webrings can enhance cross-promotion among creators.Engagement on social media can lead to audience growth.Being selective with follows can prevent overwhelm.Humor and personality can enhance social interactions.Experimenting with new strategies can yield positive results. Collaboration can enhance creativity but comes with challenges.A webring can be a powerful tool for cross-promotion.Clear agreements are essential in group projects.The benefits of collaboration can outweigh the costs.It's important to have a process for ad approval in a web ring.Patreon should be approached with a focus on audience building first.Reflecting on past experiences can lead to growth.There is no such thing as wasted time in creative pursuits.Learning from mistakes is crucial for future success.Evaluating your creative direction is important after years of work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A father is concerned that comics no longer reach kids, suggesting that video games are the better value measured by engagement time. What can we do to reverse this trend? On today's showHow can comics reach kids?UPDATE: Buffer (see addendum below)How can I avoid Trump's tariffs? (see other addendum below)AddendumOne day after we recorded the drop that explained that Buffer did not support video uploads, they made an announcement. You guessed it — they've added that functionality. They still do not support adding content moderation labels.Other addendumDuring the campaign, President Trump made tariffs a large part of his platform. He pitched a wide range of tariffs and scenarios. He suggested a tariff of between 60 and 100% on goods imported from China, a tariff on cars imported from Mexico that ranged from 100% to 200%, he threatened John Deere with a 200% tariff if they outsourced to Mexico. During our discussion, we took the worst-case scenario — 200%. On Nov. 26, Trump solidified his economic plans, promising executive orders on Day One that would levy a 25% tariff on imports from Mexico and Canada with an additional 10% tax on Chinese imports. The upshot of the conversation remains the same: These costs will be passed along to American consumers and businesspeople (like us), and you would be wise to build these additional expenditures into any Kickstarter campaigns you have planned for 2025.SummaryIn this conversation, the hosts explore how parents can encourage reading among kids, the value of libraries, and community initiatives to promote access to books. In this conversation, Brad Guigar and Dave Kellett discuss the evolving landscape of social media, particularly focusing on the emerging platform Blue Sky. They share their experiences with various social media platforms, emphasizing the importance of adapting to changes and seizing opportunities for audience engagement. The discussion also touches on the potential of illustrated novels as an alternative storytelling medium, considering the labor-intensive nature of comics and the desire to share narratives more efficiently. In this conversation, Brad Guigar and ComicLab discuss the complexities of transitioning from comics to illustrated novels, emphasizing the importance of writing skills alongside illustration. They also delve into the potential impact of tariffs on printing costs, particularly for small publishers relying on overseas printing. The discussion highlights the challenges and realities of both creative and business aspects in the comic industry.TakeawaysComics and graphic novels aimed at kids are a thriving print publishing sector. Parents play a crucial role in fostering a love for reading in their children.Libraries are vital community resources that provide free access to books.Engagement with comics should not be measured solely by cost-effectiveness.Community initiatives like book exchanges can enhance access to literature.Encouraging kids to read requires active participation from parents.The comics industry is successfully reaching young audiences today.Creative solutions exist for parents to provide books without breaking the bank. Engagement on Blue Sky is currently very high.Deleting old social media accounts can be liberating.Scheduling posts is crucial for maximizing engagement.Blue Sky offers a unique opportunity for audience building.Social media fatigue is a common concern among creators.The landscape of social media is constantly changing.Illustrated novels could be a viable alternative to comics.It's important to adapt to new platforms quickly.Community moderation tools are essential for a healthy environment.Creators should always be on the lookout for new opportunities. You can be very successful in an illustrated novel situation.Writing is as complex as illustrating.Dunning-Kruger effect applies to perceptions of writing difficulty.Novelists can spend years honing their craft.Transitioning to a new art form requires significant time investment.Tariffs can drastically increase printing costs.Small publishers may struggle with rising costs due to tariffs.Navigating printing options requires careful consideration.Expect uncertainty regarding tariffs in the current political climate.Reshoring the printing industry is a complex challenge. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Does an aspiring comics artist/writer need a college degree? And, if so, which degree is best? Next, a listener asks why Brad publishes his weekly comics page in half-page increments.What schools do we recommend ?Why does Brad publish twice a week?Substack and BlueskySummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the importance of higher education for aspiring cartoonists, debating the merits of specialized degrees versus a broader liberal arts education. They emphasize the significance of writing in comics, the value of community colleges, and the necessity for aspiring artists to actively create comics during their education. The episode concludes with a discussion on the optimal update frequency for comic creators, highlighting the balance between reader engagement and creative output. In this conversation, Brad Guigar and his co-host discuss the nuances of storytelling in comics, emphasizing the importance of finding a 'sweet spot' in panel structure and update frequency. They explore the challenges of conveying narratives in short formats, particularly in the context of webcomics, and the need to adapt to new platforms and formats for compelling storytelling. The discussion also touches on the evolving landscape of comic publishing, including the potential of platforms like Substack and Bluesky.TakeawaysRamekins can elevate home dining experiences.Education is crucial for aspiring cartoonists.Writing is the backbone of successful comics.A liberal arts education provides a broad perspective.Community colleges offer valuable opportunities.Creating comics during college is essential.The frequency of updates can impact reader engagement.Specialized degrees may not be necessary for comic artists.Critical thinking skills are vital in education.Experience often outweighs degree prestige in job markets. Finding a sweet spot in storytelling is crucial.Panel structure significantly impacts narrative pacing.Short formats can hinder storytelling effectiveness.Adapting to new comic formats is essential for success.Webcomics require a different approach than traditional comics.Engaging the audience is key to retaining readers.Two updates a week can enhance audience interaction.Using social media effectively can boost comic visibility.Exploring new platforms can open up opportunities for creators.Understanding the limitations of formats helps in storytelling. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

When comic creators try to market their comics, they often confuse what their comic is about with who it's for. Cartoonists Dave Kellett and Brad Guigar offer some guidance on making compelling promotions that work. In the show's second half, the boys have a devil of a time talking about angel investing.SummaryIn this episode, Brad Guigar and Dave Kellett explore how comic creators can broaden their audience beyond niche markets, emphasizing the significance of themes and relationships in storytelling. The conversation highlights the need for creators to identify their comic's appeal and engage with a broader audience.In this conversation, the hosts explore the concept of angel investing, particularly in the context of cartoonists and creative industries. They discuss the nature of angel investing, the challenges cartoonists face in securing funding, and the potential roles that angel investors could play in their careers. The conversation also delves into alternative funding models like Kickstarter and Patreon and the importance of marketing versus production in growing a creative business. Ultimately, the hosts reflect on their experiences and the realities of managing growth in the comic industry. In this episode, the hosts delve into the complexities of comic creation, discussing the balance between marketing and content production, the impact of hiring assistants, and the challenges of delegating creative tasks. They explore the dynamics of collaboration in writing and the potential growth opportunities for their podcast, ComicLab, while acknowledging the realities of success and the risks involved in expanding their creative endeavors.TakeawaysCommunity engagement is crucial for comic creators.Your comic's audience can extend beyond niche interests.Identifying themes in your work can broaden its appeal.Marketing should focus on storytelling rather than just genre.Romance writers effectively use tropes to engage readers.Understanding relationships in your comic can enhance its depth.Creators should not limit themselves to specific reader demographics.Exploring broader human experiences can attract diverse audiences.Angel investing is often misunderstood as purely altruistic.Investors expect a return on their investment, which can complicate creative endeavors.Cartoonists may not have apparent uses for large sums of angel investment.Kickstarter and Patreon serve as modern alternatives to traditional angel investing.Hiring an assistant or marketing professional could be beneficial for growth.Understanding the costs of production is crucial for cartoonists.Marketing is essential for expanding reach and attracting new readers.Creative professionals often feel limited by their audience size.The animation industry presents unique challenges for cartoonists.Growth strategies should be tailored to individual business models. Marketing and content creation are interdependent.Hiring an assistant can significantly enhance productivity.The host is often the bottleneck in creative processes.Delegating inking is challenging due to personal attachment.A writer's room could invigorate the creative process.Growth opportunities exist but come with risks.More resources can lead to more problems.Collaboration can lead to better creative outcomes.The podcast could evolve with additional funding.Realistic expectations are crucial for success. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

When a listener asks about Kickstarter strategy, the ComicLab guys are divided! Dave favors the traditional webcomics approach. Build your audience by posting the comic online, then monetize that engagement with a Kickstarter. Brad likes this, but he could also see using Kickstarter's strengths in Discovery to build the audience through a series of smaller campaigns that lead to a big one.SummaryIn this conversation, Brad Guigar and Dave Kellett explore various aspects of creating and promoting comics, including the importance of audience engagement, the role of webcomics, and practical strategies for using platforms like Patreon and Kickstarter. They discuss the significance of consistent content release versus binge releases, emphasizing the emotional connection built through regular engagement with readers. The conversation also touches on personal anecdotes and humorous references, making it both informative and entertaining for aspiring comic creators.In the second half of the show, Brad Guigar and Dave Kellett discuss various topics related to comic creation, including the joys of attending the Alaska Comics Camp, the potential of drawing Q&A sessions for Patreon, the nuances of live streaming for community versus audience building, and strategies for overcoming comic paralysis. They emphasize the importance of community engagement, the legal considerations of using names in drawings, and the creative processes involved in writing and drawing comics.TakeawaysThe concept of reality can sometimes feel simulated.Building an audience takes time and consistent effort.Sharing work for free can help monetize later through crowdfunding.Webcomics has a proven track record for audience engagement.Regular content release fosters deeper emotional connections with readers.Patreon should focus on ongoing support rather than one-time rewards.Binge reading can be appealing, but regular updates build stronger relationships.Marketing archived work is essential for ongoing engagement.Kickstarter can be used effectively for audience building.The emotional bond with readers is strengthened through consistent storytelling.Alaska Comics Camp is a unique experience for cartoonists.Drawing Q&As can enhance community engagement on Patreon.Avoid using patrons' names in drawings to prevent legal issues.Live streaming can serve both community and audience-building purposes.Comic paralysis may stem from a disconnect between writing and drawing.Consider introducing time between writing and drawing to refresh creativity.Not all drawn content is suitable for reuse in books.You might be a writer who illustrates rather than a cartoonist.Train your brain to associate writing with drawing to overcome paralysis.It's okay to explore other creative avenues if comics don't fit. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

After years of listening to Brad and Dave extoll the virtues of self-publishing, a ComicLab listener signed with a corporate publisher. Poor sales and paltry marketing left them dissatisfied, so of course, they wrote in with one burning question: Who should I sign with next? Also, should you ever explain a joke?TopicsThe first publisher was a disappointment... and we want to try it againillustrated novelsUPDATE: The USPTO has canceled Marvel and DC‘s trademark filing for superhero Should you EXPLAIN A JOKE when someone says, “I don't get it?"SummaryIn this episode of Comic Lab, hosts Brad Guigar and Dave Kellett discuss the intricacies of publishing comics, publishers' expectations, and the benefits of self-publishing. They delve into the importance of audience engagement, the challenges of explaining jokes, and the recent trademark changes in the comic industry. The conversation emphasizes the need for creators to focus on their craft and the passion behind their work rather than getting bogged down by negative feedback or industry norms.TakeawaysPublishers may not fulfill their promotional responsibilities.Self-publishing can be more beneficial than traditional publishing.Building a passionate audience is more important than sheer numbers.Explaining a joke often diminishes its impact.Every audience member has a different understanding of humor.The quality of your work is paramount to its success.Don't let negative feedback derail your confidence as a creator.Trademark laws can significantly impact the comic industry.Engagement with your audience is crucial for success.Creativity thrives when you focus on your passion. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

In the final installment of a three-part series on the National Cartoonists Society conference and Reuben Awards celebration, cartoonists Dave Kellett and Brad Guigar sit down over a couple of tasty adult beverages and share stories and reflections on this year's event. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellett and Brad Guigar take their podcast on the road, recording this episode live at the Comic-Con Museum in San Diego as part of the National Cartoonists Society conference and Reuben Awards celebration! They were joined on stage by Danesh Mohiuddin, Hilary B. Price, and Tauhid Bondia to discuss the pressing issues facing cartoonists in the years to come. On today's show:How are you addressing artificial intelligence?What's working on social media?What are your plans for the next five years?What does retirement look like?Danesh MohiuddinDanesh Mohiuddin is a Canadian Cartoonist from India. He grew up in Dubai on a regular dose of MAD Magazine and European comics. He now lives in Toronto and illustrates and writes children's books and graphic novels. His latest is Princess Pru and the Ogre and the Hill. Clients include Scholastic, Oxford University Press, Owl Kids, and Kids Can Press. He's also a history buff and loves traveling.Hilary B. PriceHilary Price is a cartoonist, storyteller, and speaker. Her comic strip Rhymes with Orange appears in newspapers internationally. The National Cartoonists Society has awarded her the Best Newspaper Panel Cartoon award four times, and she was just named Cartoonist of the Year in August 2024.Hilary graduated from Stanford University and, at the age of 25, became the youngest-ever female syndicated newspaper cartoonist. Aside from this year's Reuben Award, other shiny trophies include an Inkpot Award for Career Achievement from the San Diego Comic-Con International and the Elzie Segar Award from the National Cartoonists Society for making a unique and outstanding contribution to the profession of cartooning. Hilary teaches at the Center for Cartoon Studies in Vermont and shares stories on NPR's The Moth.Tauhid BondiaTauhid Bondia is a cartoonist and illustrator from Kentucky. He has been creating comics online for 15 years, and loves drawing and telling stories as much as ever. Tauhid is the creator of the syndicated comic strip Crabgrass, which appears in about 800 newspapers across the US and Canada, as well as two books. The comic features themes of friendship and taps into a sense of childhood nostalgia that people of all ages seem to respond to. Tauhid's goal is to draw the strip for as long as he is physically able to, or as long as it continues to make people smile. Whichever comes first. He previously wrote and illustrated A Problem Like Jamal, a comic about a young brother named Jamal Marcus trying to navigate life and middle school in a modern era. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellett and Brad Guigar take their podcast on the road, recording this episode live at the Comic-Con Museum in San Diego as part of the National Cartoonists Society conference and Reuben Awards celebration! They were joined on stage by Maria Scrivan, Hector Cantu, and Dana Simpson to discuss the pressing issues facing cartoonists in the years to come. On today's show:How are you addressing artificial intelligence?What's working on social media?What are your plans for the next five years?What does retirement look like?Maria ScrivanMaria Scrivan is a New York Times bestselling author and award-winning syndicated cartoonist.The first book in her graphic novel series, Nat Enough (Scholastic/Graphix), launched on April 7th, 2020, became an instant New York Times bestseller. It was followed by Forget Me Nat, Absolutely Nat, Definitely Nat, Nat for Nothing, and All is Nat Lost. Nat a Chance will be available in Spring 2025. She is also a contributor to Marvel's Super Stories, which was released in October 2023. Her books have been translated into Italian, French, German, Spanish, Catalan, Hebrew, Korean, Russian, Turkish, and Greek. Maria's comic, Half Full, is syndicated by Andrews McMeel and available on GoComics.com/half-full. For the past ten years, it has appeared daily in newspapers nationwide, including the LA Times.Hector CantuHector had numerous submissions to Mad magazine successfully rejected before the age of 12. In 2000, he launched “Baldo” with Carlos Castellanos. The strip appears in more than 200 newspapers through Andrews McMeel Syndication. Hector currently lives with his wife in the Dallas/Fort Worth area, and is founder of Texas Cartoonists, the Texas Chapter of the National Cartoonists Society.Dana SimpsonDana Claire Simpson, a native of Gig Harbor, Washington, first caught the eyes of devoted comics readers with the internet strip Ozy and Millie. After winning the 2009 Comic Strip Superstar contest, she developed the strip Phoebe and Her Unicorn (originally known as Heavenly Nostrils), now syndicated in newspapers worldwide.There are nineteen Phoebe and Her Unicorn books, including the newest, Unicorn Crush. Ozy and Millie have two books also. All told, Simpson has sold over four million books.Her books have appeared on the New York Times bestseller list and won the Washington State Book Award and the Pacific Northwest Book Award. She lives with her spouse and her cat in Santa Barbara, California. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad and Dave discuss using rewards and add-ons in a Kickstarter campaign. Then, they tackle the problem of whether your dialogue should feature proper English or your character's "natural" speech.Today's showKickstarter mistake — confusing rewards with add-onsCheck out Dave's Kickstarter at Newdrivebook.comShould you write in proper English?UPDATE: Reuben Awards — two live ComicLab shows on Thursday, Aug. 22How to start at the very beginningSummaryIn this conversation, Brad and Dave discuss their experiences with building Lego sets and building a gaming PC. They also talk about the importance of structuring Kickstarter rewards and add-ons, and the psychology behind offering choices to backers. They emphasize the need to make a profit on add-ons and to account for them in the Kickstarter goal. They also mention the upcoming live shows at the National Cartoonist Society Reuben Awards and discuss the possibility of future speaking engagements. In this part of the conversation, Brad and Dave discuss the balance between writing in proper English and writing dialogue that sounds natural. They emphasize the importance of considering the audience and the potential reach of the comic. They also discuss the use of slang and specific language choices, highlighting the need to make slight modifications to appeal to a wider audience. They stress the importance of using punctuation properly, especially in comedy, where timing is crucial. They also provide advice for aspiring comic creators, encouraging them to start making comics and to seek opportunities for publication, even if it means facing potential embarrassment.TakeawaysBuilding LEGO sets and a gaming PC can be challenging and require attention to detail.When structuring Kickstarter rewards, it's important to offer a variety of options and price tiers to appeal to different backers.Add-ons can be a profitable addition to a Kickstarter campaign, but it's crucial to ensure they are priced to make a profit.Digital rewards can be a significant source of income for a Kickstarter campaign and have the advantage of no shipping costs.Live shows and speaking engagements can be exciting opportunities for cartoonists to connect with their audience and expand their reach. When deciding on the language and dialogue choices for your comic, consider the audience and potential reach of your comic.Making slight modifications to appeal to a wider audience can help you reach more readers.Proper punctuation is crucial, especially in comedy, as it affects timing and delivery.Start making comics and learn from your mistakes. Seek opportunities for publication to improve your craft.Embrace the potential for embarrassment as a learning experience and a way to improve your skills. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Show note: Unfortunately, we had some daunting technical difficulties during this recording session, so we had to switch to Zoom to record half of the show.As Dave Kellett recovers from a successful San Diego Comic-Con, Scott Kurtz steps in to help Brad talk about making a graphic novel. In the second half, the two spill some tea over early webcomic history. THIS WEEKHow to make a graphic novelWebcomic history"Table Titans Club" is available at Target stores nationwide, along with Amazon, Barnes & Noble, and your local bookstore! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Sometimes, it seems as if the more your skills improve, the longer it takes to get something done! Shouldn't it be the other way around?! Also... what's the most polite way to tell a comic-con shopper to just stop reading and BUY the danged comic?ON TODAY'S SHOWHow to get better faster and faster betterSites with links to webcomicsStop reading and BUY it!SUMMARYIn this conversation, Brad and Dave discuss speeding up the sketching phase in comics. They also talk about the availability of websites that collect links to independent webcomics, and they suggest creating a collective or list of similar comics to promote each other's work. They also caution against relying solely on top webcomic lists or joining Webtoons or Tapas. In the next part of the conversation, the hosts discuss strategies for dealing with people who read comics at conventions without buying them. They share their own approaches, including offering a free sketch, providing a map to the booth, and letting a crowd build. They emphasize the importance of allowing people to take their time to fall in love with the comic and not pressuring them into making a purchase. They also highlight the psychological effect of having a crowd at the booth, which can attract more people. The hosts conclude by reminding listeners to focus on creating a positive and comfortable experience for potential readers.TAKEAWAYSImproving sketching speed takes time and practice, and it's natural for it to slow down as you become more skilled and focused on quality.Consider the value of spending extra time on the sketching phase to produce higher-quality artwork.Webrings are a 20-year-old concept and not the same as what the listener is looking for.Top webcomic lists and joining webtoons or tapas may not be the most effective ways to promote independent webcomics.Consider creating your own collective or list of similar comics to promote each other's work.Maintaining your own list or ring allows you to have more control and ownership over your promotion efforts. At conventions, people should be allowed to take their time reading comics without being pressured to make a purchase.Offer incentives like free sketches or maps to the booth to encourage potential buyers.Letting a crowd build at the booth can attract more people and create a positive psychological effect.Focus on creating a comfortable and enjoyable experience for potential readers.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave and Brad share proven strategies for building your audience on Substack. Also: What are the best approaches for dummy lettering — lettering that's supposed to be unreadable?TODAY'S SHOWHow to get new sign-ups on SubstackUPDATE: Get your exclusive ComicLab pin at Dave Kellett's booth (#1228) during Comic-Con InternationalUPDATE: The National Cartoonists Society's Reuben Awards will feature TWO live ComicLab showsUPDATE: ComicLab's social-media videosDummy letteringSUMMARYThe hosts discuss Substack and how to bring in new subscribers. They emphasize that the strategies for growth on Substack are similar to those used on other platforms, such as Mailchimp. They recommend using the embeddable sign-up widget and creating a compelling landing page with a "hero post." They also discuss the importance of pinning posts and keeping the sign-up form visible. Overall, they highlight the need for consistent sharing of high-quality work and engaging with the audience. In this part of the conversation, Brad and Dave discuss the use of pop-ups on websites and the importance of offering incentives to encourage sign-ups. They also emphasize the power of confidently promoting your work and using Substack Notes to engage with the community. Brad shares his strategies for maximizing content across different platforms and encourages planning and goal-setting. They also mention their upcoming appearances at San Diego Comic-Con and the National Cartoonist Society's Reuben Awards Week. Finally, they explore the topic of creating unreadable but clear signs in comics and the use of fake alphabets. They provide tips on how to create believable alien or fantasy languages that reinforce the mood of the species or world.TAKEAWAYSStrategies for bringing in new subscribers on Substack are similar to those used on other platformsUse the embeddable sign-up widget and create a compelling landing page with a hero postPin important posts on the landing page and keep the sign-up form visibleConsistently share high-quality work and engage with the audience. Consider the use of pop-ups on your website, but be mindful of the timing and presentation to avoid a bait-and-switch feeling.Offer incentives, such as free e-comics, to encourage sign-ups and engage with your audience.Confidently promote your work and communicate why it's good, using the language of Pride and Joy.Utilize Substack Notes as a social media platform to share your posts and engage with the community.Maximize your content by repurposing it across different platforms and embedding it in blogs or websites.Plan and set goals for your content creation and promotion, and aim for consistency and efficiency.Join industry events like San Diego Comic-Con and the National Cartoonist Society's Reuben Awards Week to network and showcase your work.Being able to laugh at oneself is important in podcasting and in life.Creating unreadable but clear signs in comics can add an otherworldly element.When creating fake alphabets, it's important to consider the mood and characteristics of the species or world.Starting with basic shapes and visual systems can help in creating believable alien or fantasy languages.Lettering can reinforce the mood and world of a comic.QUOTE OF THE SHOW"Nothing says delicious like lettuce that's been sitting next to a thousand-degree oven for hours on end and then brought to your door by a stoner." — Dave Kellett You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Have you ever wanted to just quit? When all seems lost... when you're all out of hope... when you're about to give up, just remember... it can always get worse. Dave and Brad talk about surviving those dark nights of the soul and finding a little light.ON TODAY'S SHOWWhen to throw in the towelUPDATE: Get your exclusive ComicLab pin at Comic-Con International, Booth #1228SUMMARYIn this episode, Brad and Dave discuss moments in their careers when they felt frustrated and wanted to give up. They share their experiences of comparing themselves to other cartoonists and feeling jealous of their success. They also talk about the importance of defining success on their own terms and finding satisfaction in their own work. They highlight the value of perseverance and the ability to adapt and try new things when faced with challenges. In this episode, Brad and Dave discuss their experiences of wanting to throw in the towel as cartoonists. They talk about their challenges with ad revenue and ad blockers, and the fear of failure and returning to a day job. They share how they found new paths and opportunities by writing books, teaching, and exploring different formats. They emphasize the importance of persistence and the willingness to consider new directions. They also discuss the need to redefine success and find fulfillment in the process of creating, rather than relying on external validation or awards.TAKEAWAYSComparing yourself to others can lead to frustration and feelings of inadequacy. It's important to define success on your own terms and focus on your own growth and progress.Perseverance is key in overcoming challenges and setbacks in your career. Keep working and improving, and success will come in its own time.Don't be afraid to try new things and explore different creative avenues. Starting a new project or taking a different approach can reignite your passion and lead to new opportunities.Find satisfaction in the process and the journey of being a cartoonist. Enjoy the work you create and the progress you make rather than solely focusing on external validation or recognition.Remember that success looks different for everyone. Don't compare your journey to others, and celebrate your own achievements and milestones along the way. Facing challenges and wanting to quit is a common experience for cartoonists.Ad revenue and ad blockers can significantly impact a cartoonist's income.Fear of failure and the need to go back to a day job can be demoralizing.Exploring new paths and opportunities can lead to unexpected success.Persistence and a willingness to consider new directions are key to overcoming challenges.Redefining success and finding fulfillment in the creative process is important.External validation and awards are not the only measures of success. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave and Brad each realize they must raise their rates on their individual Patreon campaigns. This results in a surprising bout of Impostor Syndrome for Brad that nearly immobilizes him — if not for a meaningful intervention from a trusted friend.SHOW NOTESRaising rates on PatreonUPDATE: Get your exclusive ComicLab enamel pin at Comic-Con International at Booth #1228UPDATE: ComicLab LIVE at NCSWhen is it OK to use regional colloquialisms and idioms?SUMMARYBrad and Dave discuss Brad's decision to raise the rates on his Patreon and the Imposter Syndrome he experienced throughout the process. In this conversation, Dave and Brad discuss their experiences and anxieties around raising prices for their Patreon campaigns. They share their strategies for communicating the price increase to their backers and managing the potential backlash. They also discuss the importance of building a supportive community and focusing on the positive feedback rather than the negative. Despite their initial fears, both Dave and Brad found that the price increase had a positive impact on their income. They also highlight the need for clear communication with Patreon support and the potential issues with the platform's automatic emails.In the second half of the show, Dave reminds listeners that they can get their exclusive ComicLab pins at his booth (#1228) at Comic-Con International in San Diego next month. Brad and Dave also announce their upcoming Comic Lab LIVE events at the National Cartoonists Society (NCS) weekend. They also address a question from a Patreon backer about using colloquialisms and idioms in a comic without alienating the audience. They suggest using contextual clues and handholding to introduce regionalisms and discuss the trade-off between writing for a specific audience and reaching a broader global audience. The conversation explores the consequences of artistic choices and the importance of understanding the audience. They discuss the potential strategies for reaching a niche Scottish audience or a broader global English-speaking audience. The idea of providing contextual clues and explanations within the comic is considered but ultimately dismissed. The hosts also engage in humorous banter about Wales.TAKEAWAYSRaising rates on Patreon can be a difficult decision, but it's important to consider the value you provide and the impact of inflation.Imposter syndrome can arise when making changes or asking for more from your audience, but it's important to remember your worth and the value you bring.Changing measurement systems, such as switching from the English system to the metric system, can be challenging but may offer benefits in terms of simplicity and consistency. Raising prices for a Patreon campaign can be anxiety-inducing, but it is important to communicate the reasons for the increase and the value backers receive.Building a supportive community can help mitigate potential backlash and negative feedback.Anxieties and imposter syndrome are common among artists, but it is important to recognize your worth and ask for what you deserve.Clear communication with Patreon support is crucial, as there may be issues with automatic emails and rate locking for annual subscriptions.Brad and Dave will be hosting two ComicLab LIVE events at the NCS weekendWhen using colloquialisms and idioms, provide contextual clues and introduce them gradually to help the audience understandConsider the trade-off between writing for a specific audience and reaching a broader global audienceNiche audiences can be valuable and can sustain a successful careerChoose your battles when it comes to using regionalisms and consider the potential limitations on audience growth Artistic choices have consequences, so it's important to be honest about the potential outcomes.Understanding the audience and their cultural context is crucial for effective communication.Leaning into Scottish culture and targeting a niche Scottish audience can be a valid strategy.Providing contextual clues and explanations within a comic may work for long-form stories but not for short, punchline-driven humor comics.Humorous banter and light-hearted moments can add entertainment value to a conversation. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We've all heard successful creators complain that younger hopefuls "just don't want to do the hard work." They disregard the complicated nature of achieving their status and dismiss aspiring novices on the basis of one single factor. Survivorship bias is undoubtedly a result of flawed reasoning. ...But is it bad advice?Brad and Dave discuss survivorship bias in the creative community and its impact on success. They acknowledge that survivorship bias exists but argue that it is not the sole determinant of success. They emphasize the importance of hard work, honing skills, and making adjustments based on feedback. They also discuss external factors that can impact a creative career, such as personal circumstances and societal biases. The hosts share their own experiences and offer advice for aspiring creators. In this part of the conversation, the hosts discuss the importance of perseverance and being consistent in order to achieve success in comics.Also, they also address the question of working below one's artistic skill level and offer advice on finding a style that balances speed and quality. The hosts then share their thoughts on the transition from traditional to digital art, including the benefits and drawbacks of each. Finally, they discuss the value of selling original art and the potential challenges of leaving a legacy through physical artwork.ON TODAY'S SHOWSurvival biasWorking below your artistic skill levelLeaving original art in favor of digitalCHAPTERS00:00:00Introduction: Dumpster Pools in Philadelphia00:05:37Chapter 1: Understanding Survivorship Bias00:13:06Chapter 2: The Importance of Hard Work and Skill Development00:22:52Chapter 4: Challenging Survivorship Bias and Acknowledging Others' Struggles00:26:57Chapter 5: Advice for Aspiring Creators: Listen, Learn, and Adapt00:31:03Perseverance and Consistency00:34:31Working Below Your Skill Level00:46:24Transition to Digital Art00:48:08Selling Original Art00:56:29Leaving a Legacy Through ArtworkTAKEAWAYSSurvivorship bias exists in the creative community, but it is not the only factor that determines success.Hard work, honing skills, and making adjustments based on feedback are crucial for success.External factors, such as personal circumstances and societal biases, can impact a creative career.It is important to be aware of survivorship bias and not dismiss the challenges faced by others.Listening to advice from experienced creators and being open to course corrections can increase the chances of success. Perseverance and consistency are key to achieving success in comics.Finding a balance between speed and quality is important when working below your artistic skill level.Transitioning from traditional to digital art offers benefits in terms of control and quality.Selling original art can be a way to generate income and share your work with others.Leaving a legacy through physical artwork may not always be practical or desired by loved ones. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How did Brad and Dave know when they'd "made it"? ALSO: Now that you have a website with a blog... what do you write??Brad shares a heartwarming story about his dad's induction into the Michigan High School Bowling Hall of Fame. They discuss the concept of 'making it' as a cartoonist and the different definitions of success. They also address the challenges of rating one's comic in terms of age appropriateness and content warnings. In this part of the conversation, the hosts discuss how to handle sensitive content on websites and social media platforms. They mention using content warnings, marking sensitive posts, and utilizing tools provided by social media platforms. They also talk about the importance of considering the audience's age range and the different standards and gradations of content in various mediums. In the second part of the conversation, they discuss the use of blogs on websites and how they have evolved over time. They mention the historical use of blogs for SEO purposes and the shift towards social media for quick and easy sharing. They suggest using blogs to share a variety of content, including transcripts of comics, reposts of social media content, and updates on Patreon or other platforms. They emphasize the importance of not overthinking blog content and using the four C's: content, commercial, curation, and kindness.ON TODAY'S SHOW:When did we know we had "made it"?Content warnings and age ratingsWP Shortcodes PluginUPDATE: Alaska Comics CampWhat should I do with my blog?Jack Conte's SXSW speechCHAPTERS00:00:00 Introduction:  Brad's Heartwarming Story00:07:29 The Definition of 'Making It' as a Cartoonist00:11:13 Navigating Age Appropriateness and Content Warnings in Comics00:44:30 The Evolution of Blogs00:49:27 Using Blogs to Share ContentTAKEAWAYSThe concept of 'making it' as a cartoonist is subjective and can vary from person to person.Financial stability is often key to feeling like you've 'made it' as a cartoonist.There is no universal standard for rating comics in terms of age appropriateness and content warnings.Considerations for rating your comic include societal norms, personal values, and the expectations of different platforms.Content warnings can be placed on the cover of your book, the top of your website, or your social media profile page. Consider using content warnings and marking sensitive social media posts to allow readers to view or avoid certain content.Take advantage of built-in tools on social media platforms to flag sensitive content and provide warnings.Be mindful of your audience's age range and consider the different standards and gradations of content in various mediums.Use blogs on websites to share a variety of content, including comic transcripts, reposts of social media content, and updates on Patreon or other platforms.Don't overthink blog content; use the four Cs: content, commercial, curation, and kindness. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How do you know when you're giving your readers too many details? — or not enough? Where's the sweet spot between action and exposition? We're going deep on storycraft this week! PLUS: Zines, gutters, and distribution!THIS WEEK'S SHOWHow much story to writeShould you be doing a zine?GuttersBordersDistribution You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Having completed their Kickstarters, Dave and Brad review the promotional outreach that delivered the biggest results and make a shocking discovery. Traditionally, social media platforms were the biggest drivers of Kickstarter pledges. But in 2024 they barely made the top ten. That raises an important question: If we can't rely on social media to deliver a Kickstarter pledge — and if it's increasingly difficult to build an audience there — why are we using it?ON TODAY'S SHOWKickstarter post mortemSocial media is dead... now what? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Is it possible to build traffic for your comic without building an audience? Also, an anonymous post on Reddit accuses Webtoons of using a predatory contract. ON TODAY'S SHOWBuilding traffic vs. building an audienceUPDATE: SDCC PanelsUPDATE: Dave's 500 for 50Is the Webtoons contract "predatory?" You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

New Yorker cartoonist Jason Chatfield joins us to talk about cartooning for the venerable mag, working with a writing partner, doing stand-up at Dangerfield's comedy club, helming the 104-year-old Ginger Meggs syndicated comic, and much, much more!ON TODAY'S SHOWJason Chatfield on SubstackChatfield on creative collaborationsDoing standup at Dangerfield'sChatfield on building subscriptions on SubstackIs There Something In This? podcast You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We all have creative peaks and valleys. How can we maximize the good times and minimize the bad?ON TODAY'S SHOWCan you really maximize creativity?UPDATE: Dave's TikTok prediction may still come trueUPDATE: 3-part series on Kickstarter coming to Pro TipsFavorite comics from outside the US You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How important is rebranding after a series of unsuccessful ventures? Also, how does one get their comic translated into another language — and why?ON TODAY'S SHOWRebrandingTranslating a comicUPDATE: The importance of monthly Profit/Loss statementsUPDATE: Authors EquityPlanning for page turns You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

It's our most useful, actionable, practical show yet! Stufffed with handy tips and constructive advice for cartoonists and comic creators!ON TODAY'S SHOWPen namesUPDATE: Dave's Kickstarter at picklesbook.com UPDATE: Patreon Welcome surveysHonorifics, acronyms, and abbreviations in word balloons.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Scott Kurtz is on the show to talk about the release of his new book, "Table Titans Club." It's available at Target stores nationwide, along with Amazon, Barnes & Noble, and your local bookstore!ON TODAY'S SHOWReimagining the "Table Titans" webcomic as a middle-school graphic novelWorking with an editor for the first timePivoting from self-publishing to traditional publishingBook shows vs comic conventionsEarly accolades for the bookPersonal appearancesNOTE: The Kickstarter for Brad's new Evil Inc graphic novel is in full swing! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

TikTok and Instagram reels are moving to the forefront of social media. Is it time to learn video/animation so you can promote your webcomic?ON THIS WEEK'S SHOW...Using animation to promoteUPDATE: Short Story ChallengeUPDATE: Eisner deadlineUPDATE: AI ArtA digital-exclusive eComic You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Every once in a while, someone asks if it's possible actually to make a living in comics. It's a fair question, and it deserves an honest answer.SPONSORED BY... ComicLab is brought to you this week by the book "How Comics Were Made, a Visual History from the Drawing Board to the Printed Page." Comics historian and ComicLab fan Glenn Fleishman has spent years researching the history of newspaper comic strip production and reproduction and is bringing his expertise to this printed work full of comics from Yellow Kid through Krazy Kat, Doonesbury, Peanuts, and, yes, Dave's own Drive! It will feature never-before-seen original drawings and printing artifacts, such as "flongs," the hilarious old-fashioned name for printing molds. The book draws from museum collections like the Billy Ireland Library and the Charles M Schulz Library, generous access to artists' own archives, and Glenn's personal collection. Glenn's taking the book to crowdfunding in February, using lessons drawn from this very podcast! You can read more about the book or sign up to get an alert when the campaign launches by going to howcomicsweremade.ink.ON THIS WEEK'S SHOW...Is it possible to make a living in comics?how to write a longform comicSize and DPI — preparing files for web and print You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A listener asks if they should write one big, successful comic or several mediocre ones. We have a bigger question: What makes you think you have a choice?! Also, it turns out the whole "Substack nazi" thing was yet another case of Platform Panic.SPONSORED BY... ComicLab is brought to you this week by the book "How Comics Were Made, a Visual History from the Drawing Board to the Printed Page." Comics historian and ComicLab fan Glenn Fleishman has spent years researching the history of newspaper comic strip production and reproduction and is bringing his expertise to this printed work full of comics from Yellow Kid through Krazy Kat, Doonesbury, Peanuts, and, yes, Dave's own Drive! It will feature never-before-seen original drawings and printing artifacts, such as "flongs," the hilarious old-fashioned name for printing molds. The book draws from museum collections like the Billy Ireland Library and the Charles M Schulz Library, generous access to artists' own archives, and Glenn's personal collection. Glenn's taking the book to crowdfunding in February, using lessons drawn from this very podcast! You can read more about the book or sign up to get an alert when the campaign launches by going to howcomicsweremade.ink.ON THIS WEEK'S SHOW...Which is better... one big success or multiple mediocre ones?UPDATE: Kindle Direct PublishingUPDATE: Patreon is fixing free membershipUPDATE: Substack didn't have such a big Nazi problem after allFighting AI with Nightshade (https://nightshade.cs.uchicago.edu/)Substack's Platform PanicFor more information on this topic, please check out these posts:freddiedeboer.substack.com/p/these-rules-about-platforming-nazisfreddiedeboer.substack.com/p/how-to-quit-substackMany of the people who were making the most noise on this issue are switching to Ghost. Check out Ghost's TOS — in which they've even highlighted their clause on refusing to moderate content! And, on top of that, the total number of nazi accounts that were found on Substack was only 5 or 6, none of them monetized, and collectively had fewer than 200 followers-- and most of them wound up being taken down by Substack anyway.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

BE ADVISED: We'll be discussing issues like death and dying in this episode. Dave turns fifty years old, and it has us talking about cartooning in the second half of one's life. And we're not the only ones asking existential questions. Our first question asker is worried that they're not going to have time to work on all of their ideas in one lifetime! Finally, we break down Wacom's troubling use of AI art in a promotional image!ON THIS WEEK'S SHOW...Dave turns 50 years oldToo many ideas for one lifetimeComicLab 500UPDATE: Wacom uses AI art in a promo You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We often advise that beginners write a few short stories to sharpen their comics-making skills before they tackle that 200-page epic that they're burning to produce! But how do you write a short story? Today's show offers an easy-to-follow, step-by-step guide! Use this blueprint to participate in the ComicLab Short Story Challenge! PLUS... if it's a benefit to list your comic on as many eStores as possible, why is it a bad idea to do the same with crowdfunding platforms?ON THIS WEEK'S SHOW...How to Write a Short StoryThe ComicLab Short Story ChallengeUsing pre-readersThe More the Merrier, part 1 —Multiple eStores?The More the Merrier, part 2 — Multiple subscription sites?THE COMICLAB SHORT STORY CHALLENGEWrite a comic between eight and 16 pages using the Story Circle as a guide. The Story Circle has eight steps: You / Need / Go / Search / Find / Take / Return / Change. There is more information on the Story Circle in the links below. You may spend up to two pages on each step. No more. Each written page must translate directly into a page of comics, so be sure to take that into account when you're writing! Your final comic must tell a complete story — no cliffhangers; no open-ended conclusions! It must have a beginning, a middle, and an end. When you're finished, post it in the #Imadethis channel on the ComicLab Discord server so we can all marvel at your prowess!Dan Harmon's Story CircleThe Story Circle / Batman BeginsThe Butso Method of WritingEditing a comicIs your idea too similar to someone else's idea?Got Writer's Block? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As last year came to a close, it was becoming very clear that social media has been failing to deliver what we traditionally relied on it for — reaching our current readers and finding new ones. So this year Brad is trying out a new platform — Subsack. But that comes with a whole new learning curve — and more than a few ethical issues to wrestle with!SHOW NOTES: Two points of clarification. First, the question is raised whether a user can export an email list from Substack. This is, indeed a feature. Secondly, Dave asked Brad which of his social media platforms has the biggest user base. Brad's answer was Twitter, but upon further review, it's TikTok. That fact puts the ensuing discussion into a slightly different framework.ON THIS WEEK'S SHOW...SubstackSteamboat Willie in the public domain You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

One of our most often-requested topics is "How do I start a webcomic?" We're going to give you some step-by-step instructions — updated for the new year! Plus... we always stress the importance of doing a good comic. That begs another question: "How do I know if my comic is good?"ON THIS WEEK'S SHOW...How to start a webcomic in 2024"How do I know if my comic is good?"UPDATE: Kindle Direct Publishing You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Veteran cartoonists Dave Kellett and Brad Guigar make some predictions and discuss their goals for the new year.2024 PredictionsBRAD: Twitter will crash in 2024DAVE: Social media will remain distributed over five or six platformsBRAD: Web users will begin to pivot away from social mediaDAVE: Patreon will move closer to an IPOBRAD: Kickstarter will remain #1 by continuing to avoid mentioning blockchainDAVE: SDCC will return to normal after an abnormal '23... and profits will plummet for creators2024 GoalsDAVE: Launch "Pickles" Kickstarter in Jan/Feb, launch "Drive 4" Kickstarter in summerBRAD: In Q1, Kickstart an Evil Inc book paired with an After Dark edition. Kickstart another book — WebcomicsHandbook, Evil Inc After Dark or collection of single-panel comics — in Q2/Q3DAVE: Prepare for a 5-15% sales drop at Comic-Con InternationalBRAD: Personal appearances, including SDCC and NCSDAVE: ComicLab Across AmericaBRAD: Use NON-social-media alternatives to drive Patreon.DAVE: Revisit KIndle Direct PublishingBRAD: Start prepping website for a post-Patreon futureDAVE: Build the ComicLab Patreon to 500 members You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Better late than never, Brad learns to share. On social media, that is. And, using what he learned after weeks of analysis, he has a challenge for you: Try — just try — to find something worth sharing on social media. ON TODAY'S SHOWSearching for an effective social media strategyA new social-media experiment — Try... just TRY to find a post worth sharingDave's experiment: Deleting people from the Free Membership tier. Please note: we do not, nor have we ever, endorsed this as something you should do.Patreon delays its IPO You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Veteran cartoonists Dave Kellett and Brad Guigar look back on their predictions for 2023. They nailed a few and failed a few!PREDICTION SCORECARDPatreon will slowly entice people away from the Founder's level -- WRONGTikTok will be banned in the US -- WRONGCSP will unveil amazing features / Webtoons publishing -- RIGHTWebtoons publishing -- RIGHTTwitter fade -- RIGHTDC Comics implosion -- RIGHTNo one will be using Mastodon -- RIGHTGPT 3.5 will be used for brainstorming and co-writing scripts using AI writing -- RIGHT?We'll see the first AI writing-art webcomic... and it will be good --WRONGCopyright law will catch up to AI art -- WRONGBlockchain is coming back -- WRONGOriginal art will become more valuable.What we DIDN'T predict!Patreon's switch to social mediaComic-Con loses its Hall H guests — and it was a big win for comics artistsNo replacement for Twitter... not BlueSky, not Threads (and definitely not Mastodon!) You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

While we were at the National Cartoonists Society Rueben Awards Weekend, we stopped cartoonists and asked them one question: When you need to spark creativity — and nothing is happening — how do you find ideas? Today's show is a compilation of those responses. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Patreon unveiled a free membership tier, and it's really throwing a monkey wrench into things.ON THIS WEEK'S SHOW...It's official. We hate Patreon's Free Membership TierUnderstanding Parody & Free UseDo Dave and Brad ever fight?!You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave brings in a new concept for the holidays — declaring organizational bankruptcy.ON THIS WEEK'S SHOW...Declaring organizational bankruptcyA scaled-back Kickstarter?UPDATE: MastodonPosting schedule?You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Referring to current events may give your comic an edge today, but it can also make your work harder for future generations to enjoy.ON THIS WEEK'S SHOW...Writing comics with a shelf lifeYouTube instead of Patreon?Amazon KDPUsing Patreon as an archiveYou get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A ComicLab listener would like his friends to give him feedback on his comic — and he wants them to subscribe to his Patreon to do it.ON THIS WEEK'S SHOW...A Patreon level for constructive feedbackDave at WorldCon?UPDATE: Clip Studio update... feeling kinda screwedWhat happens to your books after you dieWhat extras should go into a digital book?You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Is it wise to exploit parasocial relationships to get more Patreon backers?ON THIS WEEK'S SHOW...Drunk ComicLabParasocial relationships on PatreonAre ads making a comeback?After the Thanos Snap — would Brad and Dave do a podcast?You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Patreon has unveiled a massive update to its service, and we'll discuss the good, the bad, and the ugly.ON THIS WEEK'S SHOW...The GoodThe user experience has some significant improvementsCollectionseStore — Buy digital goods.Find Creators You Love — a somewhat improved attempt at discoverabilityMember Posts section is being sunsettedThe BadAnemic analytics. Graphtreon still beats Patreon's own data.Patreon's pivot to social media. I have lots of places to talk to my fans. Social media is where I go to make NEW fans. That means Discoverability. Where's that??Patreon Chat. It's a straight 50-50 split. Half of my patrons can't see/access the chat, and the other half don't care.Making a new post: BAD interface. Separates different parts of the process to different screens. It makes it super awkward to select tiers.The UglyThat logo is laughable. Whoever designed it belongs in the Witless Protection Program.You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Sure, making comics is fun, but do we ever do serious work, like painting, sculpting, or other classical art forms?ON THIS WEEK'S SHOW...Do we ever do "classical" work?If tenacity is #1, what's #2?UPDATE: Dave's booth cost for SDCC '24UPDATE: NCS networkingUPDATE: Alaska Comics CampWhich to work on... popular, fun Series A or almost-done Series B?Black guttersYou get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

The Gannett newspaper chain, which includes USA Today and about 200 other daily newspapers, has selected 34 syndicated comics. Each of its newspapers will be limited to running comics from that list. Any comic that didn't make the list has been shut out of roughly 20% of the existing market. Not surprisingly, most of the 34 are legacy comics whose original creators are long since deceased. This is the end of syndicated comics.ON THIS WEEK'S SHOW...The Gannet 34 signals the death of syndicated comicsUPDATE: Mastodon Aint itWhy no ComicLab website?Relaunch a failed Kickstarter?You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We're thrilled to welcome Jamar Nicholas, creator of Leon The Extraordinary, to talk shop with us!ON THIS WEEK'S SHOW...Jamar NicholasUPDATE: NCS and Planks PrincipleUPDATE: Musk to take Twitter behind paywall?You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.