Podcast appearances and mentions of Robin Swicord

Oscar se niega y reniega de ver Mujercitas, es como lo peor que le ha pasado a él y a todos nosotros por tener que aguantarle. Hasta que la ve y resulta que, muy a su pesar, le medio encanta y genera lo que probablemente sea el MEJOR episodio de la historia de nuestro podcast. Virginia intenta convencernos de que escribir es similar al deporte y Dani confiesa que ve esta película cada invierno mientras consume chocolate caliente porque en el fondo es una abuelita de 80 años. Acompáñanos a ser feministas durante esta hora inolvidable. Año: 1994. Duración: 1h 55min. Dirección: Gillian Armstrong. Guión: Louisa May Alcott, Robin Swicord. Reparto: Winona Ryder, Gabriel Byrne, Trini Alvarado, Samantha Mathis, Kirsten Dunst, Claire Danes, Christian Bale, Eric Stoltz. Sinopsis Para Gente Normal: Las hermanas March viven y crecen en la América posterior a la guerra civil. Web ➔ ⁠https://www.pelisypanolis.com⁠ Instagram ➔ ⁠https://www.instagram.com/pelisypanolis⁠ Twitter ➔ ⁠https://twitter.com/pelisypanolis⁠ El Episodio Perdido ➔ ⁠https://www.pelisypanolis.com/regalo⁠ Arte ➔ ⁠https://www.instagram.com/CarabiasDibuja⁠ Revista Ilustrada Gratuita de Cine Español ➔ https://carabiasdibuja.com/pelis-y-panolis/ Música ➔ ⁠https://pixabay.com/es/users/grand_project-19033897⁠ Los derechos de propiedad intelectual sobre nombres comerciales, marcas registradas, logotipos, fragmentos de música, audio e imágenes de las películas comentadas en este podcast pertenecen a sus respectivos propietarios.

Today's episode Matthew and Nort review the movie Matilda which is a 1996 American fantasy comedy film co-produced and directed by Danny DeVito from a screenplay by Nicholas Kazan and Robin Swicord, based on the 1988 novel of the same name by Roald Dahl. Grab some popcorn, crack open a sody pop, and sit down for some movie talk every other Thursday on The Encounter Co Network. We are a comedy movie review podcast where Matthew & Nort take turns watching and reviewing a movie the other host has not seen. They go over the entire plot with spoilers and discuss how they feel about the film. They also talk about fun facts, box office, actors, and how the movie impacted us. Join our Patreon to support the show and get ad-free podcast episodes, full access to our exclusive Patron Discord, and get access to a secret podcast called Flight School where we watch and review a TV Pilot voted on by the Patrons! You get all of that for the low price of $5! Sources for So, You Finally Watched Support the lovely people who created stuff for the show: Art by: Meraki2019 Deep Voice by: Marlar Intro music by: Ozeyzin We are a part of The Encounter Co. network! Check out all the other awesome shows on the network!   Follow us on Twitter at: Show: @SYFWPod Nort's Twitter: @NortSauwce Other Socials: Instagram: Soyoufinallywatchedpod Tik Tok: Syfwpodcast YouTube: So, You Finally Watched Podcast If you liked the show be sure to leave a 5 star review on Apple Podcasts & Spotify so we can get the word out about our show! Also tell a friend or two! Thanks for listening!  Nort has another podcast with his co-host and wife Anna called Reading isn't for Kids! The pair review and discuss children chapter books, YA books, and sometimes comics. Check it out here! If you want to check out Nort's actual play podcast click this link! The show is called Grim Encounters and it is a campy horror actual play podcast using the Chill 3rd Edition ruleset. Best place to start is Season 1 or Season 2. Austin has anothernother podcast called Mid-Evil Midwest where magic and monsters begin to invade a small town in West Michigan and our group of monster hunters who have set out to stop them. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode, we're going to make ourselves some pancakes, take a trip to the library, and also get some revenge on our horrible headmistress, while we revisit the absolute 90s kid movie class, Matilda (1996). This movie was directed by Danny Devito (who is also in the film) and was written by Nicholas Kazan and Robin Swicord, and based off of the classic novel by Roald Dahl.This movie stars Mara Wilson (Mrs. Doubtfire, Miracle on 34th Street), Danny Devito (One Flew Over the Cuckoo's Nest, It's Always Sunny in Philadelphia), Rhea Perlman (Barbie, Cheers), Embeth Davidtz (Army of Darkness, Thir13en Ghosts), and Pam Ferris (Call The Midwife, Harry Potter and the Prisoner of Azkaban)Joining me for this episode, I have my wonderful sister, Sarah Heidelberg. We talk about our histories with this film, and talk about how wonderful it is and just how elevated this movie is from other movies of its ilk at the time.Intro/Outro Music: "Phantom Fun" by Jonathan BoyleShow E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Twitter, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

Practical Magic (1998) PG-13  1h 44m Episode 13-Practical Magic: Embracing the 90's and the Power of Your Own Magic (even if it's kinda ”basic”) Directed by: Griffin Dunne  Alice Hoffman: (novel) Robin Swicord:(screenplay)  Akiva Goldsman (screenplay)  Jennie and Sarah transition out of Screen Scares month and back into their classic Screen Cares episodes with warm and accepting discussion of the witchy 90's classic Practical Magic. Jennie leads the discussion through the themes of fate, family history, and ultimately the power of self-belief. Co-host Sarah advances the conversation with thoughtful questions and observations about mom-culture, authenticity, and self-acceptance. Jennie comes to terms with her deep and abiding love of “basic” movies like Practical Magic. Finding the good in almost any film is its own kinda magic right? For those who are Deaf or hard of hearing, please visit this link for the transcript of this episode of Screen Cares: Episode Transcript Episode Page with Pictures Co-Host: Sarah Woolverton-Mohler Host: Jennie Ziverk Carr                 Screen Shares Rating:  Family Screen- Watch across generational lines to unpack your own family blessings and curses. Buddy Screen-  Watch with whoever will embrace your movie choices and call a coven of witches to save you from a bad boyfriend.   Screen Sparks: What do you believe that gives you power? Are you a professional with a title, a parent, a spiritual person? To what extent does your past and the past of your ancestors define your present life? Have you ever wanted magic? Why do you think that is? What would you do with magic? Does great good always require a trade off or a counterpoint? With which Owens woman do you most strongly identify?   After the Credits Roll-Links Referenced during the show: Practical Magic IMDB Page: https://www.imdb.com/title/tt0120791/ Filming Set on the Magical House: https://houseandhistory.com/practical-magic-house/ Film set in New England, but filmed in the town of Coupeville on Whidbey Island in Washington State https://whidbeycamanoislands.com/coupeville-the-home-to-practical-magic/ Soundtrack: https://www.amazon.com/Practical-Magic-Music-Motion-Picture/dp/B00000DAGF https://open.spotify.com/album/2N7TdBow0ClqvPIdmuOgtw https://music.apple.com/us/album/practical-magic-music-from-the-motion-picture/329936138 Ozark Mountain Folk Lore Book https://www.amazon.com/Ozark-Magic-Folklore-Vance-Randolph/dp/0486211819 Practical Magic vs. Sixth Sense Cover Cozy and Sensual Intellectual and Terrifying

In which the Monsters join me in reviewing PRACTICAL MAGIC (1998) which is currently streaming on HBO Max. Based on the novel by Alice Hoffman and directed by Griffin Dunne, the screenplay credits for the film go to Robin Swicord, Akiva Goldsman and Adam Brooks. The film follows the Owens Sisters, Sally (Sandra Bullock) and Gillian (Nicole Kidman), who lose both their parents as a result of a centuries old family curse. They come to live with their kindly Aunts, Jet (Dianne Wiest) and Frances (Stockard Channing) on a small seaside island with some close-minded residents who aren't too keen on the witches in their midst. Time passes and Sally finds happiness in the form of Mike and they start a family. Gillian goes out into the world and goes through relationships until she meets Jimmy (Goran Visnjic) who soon shows himself to be a very scary gent. The Sisters get themselves in a bit of trouble and soon Gary (Aidan Quinn) shows up to find out what is going on and if the woman he's been searching for is actually Sally. The film has a run time of 1 h 44 m and is rated PG-13. Please note there are SPOILERS in this review. This episode of the podcast goes out to the work family! Thanks for the memories: Alex Z Andrew Bo Brad Brian Cameron Carlos Chad Christina Chris M Chris M Chris Y Clement Cynthia Damani Danielle David M David P David R Elaine Gabrielle Gerry Greg Hannah Henry Jack Jamie L Javier Jeff Jenna Jeremy W Jeremy W Jessica R John H John S Jonathan Kate D Kate M Krista Lacey Lauren C Lauren F Liam Lizbeth Madison Margot Maria Martin/Kofi May Melissa Michelle A Michelle M Mirasol Monica Nancy Neil Nicole Omar Paola Paris Rebecca Sabastian Sal Samantha Scott Selin Seth Stephanie Susan Swaine Taylor K Taylor M Tony B Troy Vinny Yamilka Bryn Jeri Chris H Stewart Pierro Ryan Desiree Cheryl Joann Devi Rashema Terry Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://anchor.fm/jokagoge/support

In our first ever Witches Review episode, Aradia & Liz explore the spooky, the political, and the magickal in Practical Magic. How much real world magick can there possibly be in a Hollywood movie? You'd be surprised...Practical Magic was released in 1998. It was directed by Griffin Dunne and was written by Robin Swicord, Akiva Goldsman, and Alice Hoffman, and was adapted from Hoffman's novel of the same name.Show Notes:Interview with the director: https://www.vulture.com/2017/10/practical-magic-griffin-dunne-witch-curse.htmlArticle about the attempted murder with Belladonna: https://people.com/archive/love-her-to-death-vol-54-no-22/Let us know what you think of the episode! For comments, questions, or to request topics you'd like to hear us cover in the future, you can reach us via email at twobytorchlight@gmail.com or slide into our DMs on all your favorite social platforms: Facebook | Instagram | TwitterJoin us in Aradia's witchy Discord – there's a special section just for podcast listeners!If you love the show and want to support production costs, you can toss us a few bucks on our Patreon page. Patrons get access to episodes early, fun bonus episodes – even a private monthly divination reading, just for you from us! Find us on patreon.com/twobytorchlightYou can also follow us on YouTube & TikTok!Places To Find Aradia:TikTokInstagramYouTubePatreonDiscordPlaces To Find Lizryth:TwitchTwitterDiscordTikTokThis show is produced by Aradia (@aradiadarling) and Lizryth (@lizryth) and published by Buzzsprout. Theme music is Moonlight by Xendom Arts.Support the show

This week on On Story we'll hear from veteran screenwriters John Lee Hancock, Brian Helgeland and Robin Swicord on the process of creating compelling characters. And later, award-winning writer and director Brenda Chapman discusses how female perspective, a love of art, and an understanding of flawed characters influenced her writing in the animated classics The Lion King, The Prince of Egypt, and Brave.   Characters are the emotional anchor for all great stories. No matter how intricate the plot, well-developed characters are crucial ingredients for engaging an audience and encouraging them to invest in a story's journey. I spoke with a group of veteran screenwriters about their process of crafting compelling characters at the Austin Film Festival. John Lee Hancock is a director, writer and producer most known for his work on The Blind Side, A Perfect World and his latest film The Little Things. Brian Helgeland is a screenwriter, producer and director. His writing credits include L.A. Confidential, Man on Fire, and A Knight's Tale. Robin Swicord is the writer of The Curious Case of Benjamin Button, Memoirs of a Geisha and Little Women.   Clips of A Knight's Tale courtesy of Columbia Pictures Clips of A Perfect World courtesy of Warner Brothers Pictures, Inc Clips of The Curious Case of Benjamin Button courtesy of Paramount Pictures and Warner Bros. Pictures, Inc. Clips of Man on Fire courtesy of 20th Century Fox Film Corporation & Regency Entertainment

How can interweaving timelines elevate the emotional experience for the audience? In our final part, part 3, of our Interweaving Timelines series, we — Chas, Stu & Mel — take a deep dive into Greta Gerwig's 2019 adaptation of Little Women. In her adaptation of Louisa May Alcott's iconic novels, Greta chose to interweave the seperate timelines of Little Women and it's sequel, Good Wives, to create a thematically and emotionally potent work. This differs from all the other adaptations, which have chosen to keep the chronological storytelling of the source material. We compare Gerwig's choices and their resulting effects with Gilliam Armstrong & Robin Swicord's more faithful (and chronological) 1994 version. It's almost like a scientific experiment! Stay tuned! SPOILERS ABOUND! Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3. Thanks to Chris Walker for editing this episode. RUNNING ORDER 00:00:00 - Introduction 00:00:37 - ScriptUp Sponsorship 00:02:00 - Little Women - 2019 vs 1994 00:06:35 - 2019's Interweaving Timelines 00:15:29 - Summarising the plot points 00:31:39 - Initial contrasts with chronological telling 00:35:32 - Laurie's Proposal 00:54:10 - Amy and Laurie's courtship 01:03:34 - Beth's Death 01:26:44 - Book burning and ice skating 01:36:51 - How the structure expresses theme 01:44:06 - Key Learnings and Wrap Up 01:59:02 - Backmatter LINKS Watch: Little Women (2019) screenplay by and directed by Greta Gerwig Watch: Little Women (1994) screenplay by Robin Swicord and directed by Gilliam Armstrong Read/Listen: Scriptnotes, Ep 433: The One with Greta Gerwig RELATED EPISODES DZ-78: Interweaving Timelines 1 - Destroyer DZ-79: Interweaving Timelines 2 – The Social Network This episode brought to you by ScriptUp – https://www.scriptupstudio.com – use promo code DZ10 to get 10% off. Many thanks to all our patrons but particularly to Randy, Garrett, Bjorn, Jessie, Khrob, and Sandra. They’re good humans. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter. And you can find @draft_zero on Instagram and Twitter.

This week, Sara and Stacie judge the mom and LITTLE WOMEN in the 1994 movie Little Women!The taglineSave a place in your heart for the unforgettable story of these... LITTLE WOMENThis movie stars Winona Ryder, Susan Sarandon, Claire Danes, Samantha Mathis, Kirsten Dunst and Christian Bale...and I guess Eric Stoltz was in it too. The film was directed by Gillian Armstrong and written by Robin Swicord and based on a book written by Louisa May Alcott.Louisa May Alcott's autobiographical account of her life with her three sisters in Concord, Massachusetts in the 1860s. With their father fighting in the American Civil War, sisters Jo, Meg, Amy and Beth are at home with their mother, a very outspoken women for her time. The story tells of how the sisters grow up, find love and find their place in the world.ENJOY THIS WEEKS EPISODE!

In this episode of Adapt or Perish, we're looking at the most miraculous little girl in the history of English literature, Roald Dahl's Matilda! In this episode we discuss: The original 1988 novel. The 1996 movie, directed by Danny DeVito, written by Nicholas Kazan and Robin Swicord, and starring Mara Wilson, DeVito, Rhea Perlman, Embeth Davidtz, and Pam Ferris. The 2010 musical, book by Dennis Kelly, music and lyrics by Tim Minchin. Footnotes: Matilda at 30 Mara Wilson and More Reveal 13 Things You Never Knew About Matilda from Thrillist Mara Wilson's 2016 book Where Am I Now?: True Stories of Girlhood and Accidental Fame Afternoon Tea: A Matilda Reunion Groundhog Day: The Musical The "pantomime dame" You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

It's finally time to journey back to Concord! In this episode of Adapt or Perish, we return to Louisa May Alcott's Little Women with a much more thorough look at the decades of adaptations of her classic story. In this episode we discuss: Episode 7 of Adapt or Perish (which you should probably listen to before this episode). The 1933 movie, directed by George Cukor, written by David Hempstead, Victor Heerman, and Sarah Y. Mason, and starring Katharine Hepburn. The 1949 movie, directed by Mervyn LeRoy, written by Andrew Solt, Victor Heerman, and Sarah Y. Mason, and starring June Allyson, Janet Leigh, Margaret O'Brien, and Elizabeth Taylor. The 1950 two-part TV special, starring Nancy Marchand. The 1970 BBC miniseries, adapted by Denis Constanduros and Alistair Bell, and starring Angela Down, Jo Rowbottom, and Patrick Troughton. The 1978 NBC miniseries, directed by David Lowell Rich, written by Suzanne Clauser, and starring Susan Dey, Meredith Baxter Birney, Greer Garson, and William Shatner. The 1980 anime TV special, produced by Toei Animation. The 1994 movie, directed by Gillian Armstrong, written by Robin Swicord, and starring Winona Ryder, Claire Danes, Susan Sarandon, Christian Bale, and Gabriel Byrne. The 2017 Masterpiece miniseries, directed by Vanessa Caswill, written by Heidi Thomas, and starring Maya Hawke, Emily Watson, Michael Gambon, and Angela Lansbury. The 2018 modern-day movie, directed by Clare Niederpruem, written by Niederpruem and Kristi Shimek, and starring Sarah Davenport, Lucas Grabeel, and Lea Thompson. The 2019 movie, written and directed by Greta Gerwig, and starring Saoirse Ronan, Emma Watson, Florence Pugh, Timothée Chalamet, Laura Dern, Chris Cooper, and Meryl Streep. Footnotes We were on another podcast! We were invited onto the Castle of Horror podcast to speak with host and author Jason Henderson as part of their "Castle Talk" interview series, and had a ton of fun. Listen to it on the web or on Apple Podcasts. You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

Matilda is a 1996 American family comedy fantasy film co-produced and directed by Danny DeVito from a screenplay written by Nicholas Kazan and Robin Swicord. Based on Roald Dahl's 1988 novel of the same name, the film stars Mara Wilson as the title character with DeVito, Rhea Perlman, Embeth Davidtz, and Pam Ferris in supporting roles. The film centers on a young genius girl named Matilda Wormwood, who develops psychokinetic abilities and uses them to deal with her disreputable family and Agatha Trunchbull, the ruthless, oppressive and tyrannical Principal of Crunchem Hall Elementary School - Wiki.In this episode of Chapter One: Take Two Briana and Maddy discuss how meaningful books like Matilda are. It is so important that children are talked to about, what can be seen as, 'adult' issues because without this education children are unable to express themselves and what they may be experiencing. As many of you will know, both the book and film are also very fun and entertaining. Check out this week's episode to hear more about our thoughts.

Oh wow, Christian Bale. In a vest. Eating pudding. Yes, today we're talking about 1994's Little Women, written by Robin Swicord and directed by Gillian Armstrong! We begin with some direct comparisons to Greta's 2019 version before diving right in to all things Winona Ryder and the rest of this truly excellent cast. Of course, it wouldn't be an episode of Radaptations without a jaunt into thirst-town, and today we have our sights set on Literal Hot Dad Gabriel Byrne (he carries oranges in his pocket and enjoys the opera, ok?!). Stay tuned for our episode on To All the Boys I've Loved Before, dropping in April! Keep in touch on Twitter @Radaptations, and be sure to check out other women-hosted movie podcasts in the Lady Pod Squad Network by following #LadyPodSquad.

For today's  movie review I am joined by Hannah from the Cinemania world podcast & Larry from LCScreen Talk / The Cinemania World Podcast. We will be going into . deep dive about one of our favorite movies of the year, "LITTLE WOMEN (2019)".  Writer-director Greta Gerwig (Lady Bird) has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author’s alter ego, Jo March, reflects back and forth on her fictional life.  In Gerwig’s take, the beloved story of the March sisters—four young women each determined to live life on her own terms—is both timeless and timely.  Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, and Eliza Scanlen, with Timothée Chalamet as their neighbor Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March.  Directed by Greta Gerwig. Screenplay by Greta Gerwig. Based on the Novel by Louisa May Alcott. Produced by Amy Pascal, Denise Di Novi and Robin Swicord. Executive Producers are Adam Merims, Evelyn O’Neill, Rachel O’Connor and Arnon Milchan. The film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, with Chris Cooper and Meryl Streep. Film Optix is a podcast comprised of a couple of guys bringing you the strengths & shortcomings of the entertainment industry.  Follow Us On Social Media:  Twitter: http://bit.ly/FlimOp-Twitter   Spotify: http://bit.ly/FilmOp-Spotify   Apple Podcast: http://bit.ly/FilmOp-Apple   Stitcher: http://bit.ly/SiticherPod   YouTube: http://bit.ly/FilmOp-YT Follow Hannah on twitter: https://twitter.com/moviesandcats  Follow Larry on twitter: https://twitter.com/LCScreenTalk  Follow Larry on Youtube: https://www.youtube.com/channel/UCeZD3vpMQ3U7HPvblheCuJw 

On the eve of a brand new interpretation by Greta Gerwig, Brenna and Joe travel back 151 years to discuss Louisa May Alcott's defining American text Little Women, as well as Gillian Armstrong's 1994 adaptation and the excruciating 2018 modern take by Clare Niederpreum.Comparisons to Jane Austen abound as we try and identify the source of the text's popularity, which prospers in the first half and fumbles the second half by betraying its lead protagonist, Jo March. Up for discussion: May Alcott's erasure of the Civil War, how the heat between Winona Ryder's Jo and Christian Bale's Laurie actually harms the '94 adaptation and why someone needed to tell Sarah Davenport to stop yelling in the '18 version. Also: Brenna makes a very salient point about the depiction of armed forces in the modern version and how what is seen (or excluded) ties into readings of the political moment. Worth keeping in mind!In homework: Brenna introduces the Lumberjanes graphic novel "The Shape of Friendship" while Joe teases the premiere of Sex Education S2 on Jan 17, 2020.Want to connect with the show? Use #HKHSPod on Twitter:Brenna: @brennacgrayJoe: @bstolemyremoteOr send us an email or minisode suggestion to hkhspod@gmail.com. See you on the page and on the screen!

In this episode of Adapt or Perish, we discuss Antoine de Saint-Exupéry’s The Little Prince! For this episode, we read and watched: The Little Prince, Antoine de Saint-Exupéry’s 1943 novella. Read on iBooks or Amazon. Will Vinton’s 1979 claymation short film of The Little Prince. Watch on YouTube. The 1974 movie musical, directed by Stanley Donen, written by Alan Jay Lerner and Frederick Loewe, and starring Richard Kiley, Bob Fosse, and Gene Wilder. Watch on iTunes or Amazon. Soundtrack available on iTunes or Amazon. The 2015 animated movie adaptation, directed by Mark Osborne, and starring Jeff Bridges, Rachel McAdams, Paul Rudd, and Mackenzie Foy. Watch on Netflix. Footnotes: Voltaire’s Candide Wind, Sand and Stars and Night Flight, also written by de Saint-Exupéry The works of Will Vinton, including The California Raisins, The Adventures of Mark Twain, Moonwalker, and Rip Van Winkle Lerner and Loewe, writers of Brigadoon, Paint Your Wagon, Camelot, Gigi, and My Fair Lady Stanley Donen, director of Singin’ in the Rain, On the Town, Seven Brides for Seven Brothers, Funny Face, and Damn Yankees Richard Kiley, expensive star of Man of La Mancha The rose, a woody perennial flowering plant of the genus Rosa The Star Wars Holiday Special BOB FOSSE The theatrical trailer for the 1974 musical “Weird Al” Yankovic’s Jurassic Park music video, directed by Mark Osborne Bone, the comics series by Jeff Smith Gillian Armstrong and Robin Swicord’s Little Women (discussed in episode 7 of this podcast!) You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

Bien qu'étant moins chargé que le mois de juin 2017, le mois de juillet comporte quelques grosses sorties que 24FPS, le podcast ciné avec ou sans spoiler, ne pouvait pas ignorer !Après avoir dit un petit mot sur le sondage concernant les habitudes d'écoute des auditeurs, à partir de 00h02m16, voici les 10 films qui sont abordés dans l'émission sans spoiler : Orange Mécanique de Stanley Kubrick (à partir de 0h06m56) Elvis & Nixon de Liza Johnson (à partir de 0h14m00) La Région Sauvage de Amat Escalante (à partir de 0h16m55) Colossal de Nacho Vigalondo (à partir de 0h20m37) 2:22 de Paul Currie (à partir de 0h33m22) Una de Benedict Andrews (à partir de 0h38m57) Valerian Et La Cité Des Mille Planètes de Luc Besson (à partir de 0h48m18) Cars 3 de Brian Fee (à partir de 1h41m20) Wakefield de Robin Swicord (à partir de 1h49m45)Avant de passer au dernier film, Julien et Jérôme prennent quelques instants pour parler des films marquants qu'ils ont déjà pu voir pendant la première moitié de l'année 2017 (à partir de 1h59m23), puis ils enchainent sur : Baby Driver de Edgar Wright (à partir de 2h05m30)Et après le signal sonore (à partir de 2h38m45), ils continuent de parler de Baby Driver mais cette fois avec des spoilers !Bonne écoute, et n'hésitez pas à nous dire ce que vous avez pensé de Valerian ou Baby Driver !Crédits musicaux : Was He Slow? de Kid Koala, issu de l'album Baby Driver - Music from the Motion Picture (2017), et Baby Driver de Simon & Garfunkel, issu de l'album Bridge Over Troubled Water (1970)

Director Robin Swicord discusses her new film Wakefield with fellow Director Lesli Linka Glatter. Wakefield was adapted from an E.L. Doctorow short story about a suburban lawyer with a loving wife and family. Though outwardly successful and happy, his inner feelings of suffocation lead Howard to snap and disappear without a trace. Hiding in his own garage attic, he survives by scavenging at night and spends his time secretly observing the lives of his wife, children and neighbors.

Kendyl interviews writer and director Robin Swicord about her film Wakefield (2016), based on the E.L. Doctorow short story of the same name which follows the strange and complex journey of a man who secretly starts living above his own garage, watching his family go about their lives in his absence. Follow us! Blog: http://adaptationpodcast.com/ Facebook: https://www.facebook.com/AdaptationPodcast Twitter: https://twitter.com/AdaptationCast Tumblr: http://adaptationpodcast.tumblr.com/ YouTube: http://www.youtube.com/adaptationpodcast

Sammi and Beau return to discuss Jane Austen Book Club, Hugh Dancy's bicycle shorts all while lamenting the lack of modern 'Persuasion' adaptations in this episode of Excessively Diverted.    Jane Austen Book Club was directed by Robin Swicord and Stars Kathy Baker, Hugh Dancy, Emily Blunt, Amy Brenneman, Maria Bello, and Maggie Grace. 

Sydney Steinberg joins me to watch Practical Magic and discuss all the fun witch stuff. IMDB: http://www.imdb.com/title/tt0120791/?ref_=nv_sr_1 Directed by: Griffin Dunne Written by:Robin Swicord, Akiva Goldsman and Adam Brooks Starring: Sandra Bullock, Nicole Kidman, Stockard Channing, Dianne Wiest, Goran Visnjic and Aidan Quinn Movie Trailer: https://www.youtube.com/watch?v=R7uixLkpjPs If you are enjoying I Will Watch Anything Once, please subscribe, rate and review on iTunes, like it on Facebook and follow IWWAO on Twitter, Instagram and Tumblr. Additional Links: Sydney Steinberg Twitter: https://twitter.com/thesteinberglar Mystic Party Podcast: https://itunes.apple.com/us/podcast/mystic-party/id842750953?mt=2 UCB Maude Night writer for The New Deal: https://sunset.ucbtheatre.com/performance/47504  See acast.com/privacy for privacy and opt-out information.

Elizabeth Currid-Halkett presents her latest book, Starstruck: The Business of Celebrity, at the 2011 Literary Luncheon hosted by the Friends of the USC Libraries in Doheny Memorial Library. Currid-Halkett, assistant professor at the USC School of Policy, Planning, and Development, joins the ranks of other renowned authors who previously have spoken as part of the series, including Michael Cunningham, Robin D. G. Kelley, M.G. Lord, Lisa See, University Professor Kevin Starr, Robin Swicord, Ayelet Waldman and Essie Mae Washington. Published by Faber & Faber, Starstruck quantifies the business of fame by examining celebrity photographs taken by the Getty Images wire service from 2006 to 2007. The book also explores society's obsession with celebrity, explaining why society anoints some as stars but not others and detailing the business implications that entails. "Dr. Currid's work is an excellent example of SPPD's capacity to bridge theory and practice," said Jack H. Knott, the C. Erwin and Ione L. Piper Dean of SPPD. "Her book is both academically outstanding and relevant in the world at large. "We appreciate the enormous academic contributions she makes to our school and to our students, and are thrilled that her book is so successful." Starstruck has received wide coverage by more than 20 leading media outlets, including The Wall Street Journal, The Washington Post, New York Daily News, New York magazine, New York Post, San Francisco Chronicle, USA Today, Philadelphia Examiner, Daily Mail and Mail on Sunday UK, Daily Beast, Huffington Post, Salon, Fox News, KPPC, WNYC and Radio New Zealand. Paper magazine wrote: "Never before has so much statistical analysis been brought to bear on the likes of Britney Spears, Clint Eastwood and Lara Flynn Boyle and the subtle but meaningful differences between A-, B- and C-list celebrities." According to the Philadelphia Enquirer, "The author digs deep to highlight the real reasons why the public continues to tune in (or log on) to get the latest on celebrity happenings - even if it's just shots of Jennifer Anniston stopping off at Starbucks." Currid-Halkett also wrote several op-eds based on the content of Starstruck that appeared in the Harvard Business Review, The Wall Street Journal, New York Post and New York Daily News, among others. In her first book, The Warhol Economy, Currid-Halkett explored how New York's economy is driven by art and culture. She earned a Ph.D. in urban planning from Columbia University.

"The Jane Austen Book Club": A Screening and Conversation with Director/Screenwriter Robin Swicord by Zócalo Public Square