Podcasts about seven brothers

KGMI's Dianna Hawryluk talks to Bo Wilde about SeptemberFest, Sahara Pizza, Seven Brides for Seven Brothers at the Claire Theatre, and overnight road work on E. Badger Rd.

The Storm Skiing Journal and Podcast is a reader-supported publication. The only way to interact with the podcast is to upgrade to The Storm's paid tier. Thank you for supporting independent ski journalism.Welcome to the Storm's short-form, news-focused podcast. Don't worry, I will still write newsletters too (I blasted out this post on Smuggs joining Indy Pass this morning). To browse a podcast transcript, click the “transcript” button above - click on any block of text and the audio will jump to that point in the conversation. Paid subscribers can leave a comment in the article below, or by joining The Storm's chat (also below). I'll respond to some comments in the next episode. The Zoom transcript (click “transcript” above for the Substack transcript, which will zoom to any point in the video when you click on the associated text block; timestamps below DO NOT MATCH THE VIDEO)00:01:40.000 --> 00:01:56.000Stuart Winchester: Welcome to Storm. It is September 9th, 2026 on a Wednesday. I've got a really great show for you today. We are going to visit with Loon President and General Manager, Brian Norton, who has been on the show before.00:01:56.000 --> 00:02:04.000Stuart Winchester: But we are going to have him on to talk about the Blackridge expansion that Loon announced last week.00:02:04.000 --> 00:02:10.000Stuart Winchester: There's actually a couple of expansion items in the news today, and I want to hit on those first before we get to Brian.00:02:10.000 --> 00:02:27.000Stuart Winchester: Altera today confirmed a couple of things we already knew in their 2026 to 27 capital plan. So unlike Vale who tends to release all their lifts and expansions and projects at once, Vale or Altera lets them leak out.00:02:27.000 --> 00:02:41.000Stuart Winchester: and then officially announces them sometime later. So, we had a pretty good idea these were coming. The first one will be up at Mont Tremblant, and Tremblant is…00:02:41.000 --> 00:02:44.000Stuart Winchester: If you've been there, it's…00:02:44.000 --> 00:02:55.000Stuart Winchester: an IntraWest legacy, so it has one of these really nice walkable villages of the sort that I'm always pushing for, and it has really great ski terrain. Busiest… it's…00:02:55.000 --> 00:03:11.000Stuart Winchester: Traditionally, Intrawest had the three busiest ski areas in Canada. They had, uh, Whistler was number one, obviously. Number two was Tremblant, and number three, surprisingly, was Blue Mountain, Ontario, which we covered on in the podcast.00:03:11.000 --> 00:03:14.000Stuart Winchester: Pretty recently, but I want to…00:03:14.000 --> 00:03:19.000Stuart Winchester: show you something here. So this is why it's cool to watch, because you can see…00:03:19.000 --> 00:03:31.000Stuart Winchester: some of these things on YouTube or Substack if you're watching the podcast. So this is Tremblant's timber expansion that they're gonna open for 27 to 28. They're gonna have a new.00:03:31.000 --> 00:03:46.000Stuart Winchester: quad, high-speed quad, coming up to the Timber Summit with 8 new trails over here. Uh, and that's gonna be… let's see, they gave an acreage on that, 62 acres. So sometimes it's hard when you see these things, especially if you don't know the mountain.00:03:46.000 --> 00:03:57.000Stuart Winchester: to really know where it fits in. So this one, here's from the top, you can see the new trails, the timber trails, coming down here off of the new.00:03:57.000 --> 00:04:09.000Stuart Winchester: high-speed quad that'll come out of the Versant-Soleil base. And then here is the existing, if you're watching, here's the existing lift that comes up to the current Tremblant Summit.00:04:09.000 --> 00:04:19.000Stuart Winchester: And you can see that right here. So the new expansion will go bloop right up here, and we'll have some new trails over there. And then Altera also announced.00:04:19.000 --> 00:04:32.000Stuart Winchester: or not really announced, but reconfirmed, that will be when the Club Med is open, so that all-inclusive experience will be there for Tremblant. So, nice expansion coming for Tremblant. Obviously.00:04:32.000 --> 00:04:42.000Stuart Winchester: Altera has had a big expansion ongoing at Deer Valley for years and years. So, Deer Valley, prior to 2023.00:04:42.000 --> 00:04:46.000Stuart Winchester: was really just Bald Mountain.00:04:46.000 --> 00:05:02.000Stuart Winchester: On over to Empire. Uh, and then here's the front side, and then this little baldy peak was here. But over the past three seasons, they've really blown the place out and added thousands and thousands of acres. Uh, Deer Valley, believe it or not, is now the…00:05:02.000 --> 00:05:18.000Stuart Winchester: Sixth largest ski area in America. And, and they're opening 200 more acres this year. Hale Peak will be another high speed quad. I don't have a vertical on Hale Peak, but they did confirm today that Hale Peak will be.00:05:18.000 --> 00:05:29.000Stuart Winchester: 200 acres, so Deer Valley will now total 4,500 acres. It looks, it sounds pretty big, but right next door to it is Park City, which.00:05:29.000 --> 00:05:45.000Stuart Winchester: Combined with the historic canyons is 7,300 acres. That's the largest ski area in the United States. So those are a couple of the expansions that we have coming up. We'll talk about another one in a little bit with Loon. And the reason I wanna talk about expansions with you.00:05:45.000 --> 00:05:47.000Stuart Winchester: Is… is I… I…00:05:48.000 --> 00:05:58.000Stuart Winchester: I write about this over and over again, but sometimes when I write an article, it fritters off into the wilderness, and I'm not able to…00:05:58.000 --> 00:06:12.000Stuart Winchester: it doesn't have the staying power necessarily where people might find it sometime later. So I want to revisit some of these points that I made in the past about expansions and how important they are. So I wrote this article a few years ago.00:06:12.000 --> 00:06:14.000Stuart Winchester: And…00:06:16.000 --> 00:06:18.000Stuart Winchester: I was looking at…00:06:18.000 --> 00:06:34.000Stuart Winchester: So everyone always gets hung up on this active ski ski areas number. And the NSA has tracked this for years and years. And here's the numbers you can see on the screen if you're watching in 1991 to 92 season.00:06:34.000 --> 00:06:46.000Stuart Winchester: The United States had 546 active ski areas. As of 2023 to 24, it had 486. The number for this season was right around 490.00:06:46.000 --> 00:06:49.000Stuart Winchester: So, oftentimes.00:06:49.000 --> 00:07:04.000Stuart Winchester: We will see articles usually written by folks who are not ski media, just general media, and they'll write about this number and they'll find this statistic and they'll point to the declining number of ski areas and say, skiing is dying. Climate change is killing skiing.00:07:05.000 --> 00:07:17.000Stuart Winchester: But there's actually a much more nuanced story behind that. So I pulled this number last year when I was reading an article from The Motley Fool, which is an investor site that I use. I love The Motley Fool.00:07:18.000 --> 00:07:24.000Stuart Winchester: But it was talking about MTN stock, which a lot of you know is the stock ticker for Vail Resorts.00:07:24.000 --> 00:07:33.000Stuart Winchester: And the Motley Fool article pointed out that in 1992, and this was their bear case, their case against buying MTN stock.00:07:33.000 --> 00:07:44.000Stuart Winchester: During… I'm gonna quote here, the Motley Fool. During the 1992 ski season, there were 546 ski areas operating in the United States, compared to 486 today. This article's from 2025.00:07:44.000 --> 00:07:57.000Stuart Winchester: Supply, says the fool, is flat to shrinking. On the demand side, 3 of the top 5 busiest ski seasons on record occurred each of the last 3 years. Demand is up. So, they were trying to make the point that.00:07:58.000 --> 00:08:07.000Stuart Winchester: Vail Resorts had a very valuable commodity, because the number of ski areas was shrinking. I said, wait a second, this doesn't really make sense, because…00:08:08.000 --> 00:08:11.000Stuart Winchester: How are you having so many fewer?00:08:11.000 --> 00:08:25.000Stuart Winchester: ski areas, and so many more skier visits? Well, the answer is pretty simple. We have a lot more ski terrain. In fact, I did an analysis in response to that Fool article.00:08:25.000 --> 00:08:27.000Stuart Winchester: And I found, just examining…00:08:27.000 --> 00:08:30.000Stuart Winchester: The 11 western ski states.00:08:30.000 --> 00:08:40.000Stuart Winchester: that, minus Alaska, that those 11 states had 54,598 more acres of terrain.00:08:40.000 --> 00:08:50.000Stuart Winchester: available at their ski areas, their lift service ski areas, than they had in 1994. So, yes, there are fewer ski areas.00:08:50.000 --> 00:09:00.000Stuart Winchester: now than there were in the early 90s. There were 546 in 92, 486 today, but there's a lot more terrain, and so what ended up happening was.00:09:00.000 --> 00:09:08.000Stuart Winchester: The ski areas that were successful expanded. It was as simple as that. And when I did this analysis.00:09:08.000 --> 00:09:10.000Stuart Winchester: I looked at…00:09:11.000 --> 00:09:24.000Stuart Winchester: I looked at 92 ski areas that I had the data for from 1992, and they happen to be some of the biggest ski areas in the West. And I compared their acreage in 1994 according to a guidebook I had from that date that I'd kept.00:09:24.000 --> 00:09:30.000Stuart Winchester: 107,671 acres was the total for these ski areas.00:09:30.000 --> 00:09:45.000Stuart Winchester: Fast forward to 2025, when I did this analysis, those same 92 ski areas had grown from 107,671 acres to 159,754 acres.00:09:45.000 --> 00:09:55.000Stuart Winchester: Then I added in a few ski areas that had opened since then, places like Tamarack in Idaho, Blacktail in Montana. There hasn't been a lot, but there's been a few.00:09:55.000 --> 00:10:11.000Stuart Winchester: And then I subtracted the lost ski areas. The biggest of them was Ski Rio in New Mexico. But for the most part, the ski areas that closed were small surface tow operations and they were in the region of a much larger area and most likely failed in large part.00:10:11.000 --> 00:10:29.000Stuart Winchester: Because they couldn't compete with that full service area, which could offer folks not only beginner terrain, but a progression up to more interesting terrain. So, there's a lot more ski terrain than there used to be, and to give you an idea of how much terrain 54,598 acres is.00:10:29.000 --> 00:10:36.000Stuart Winchester: Currently in Colorado, the whole state of Colorado, which has a quarter of the ski terrain in the entire United States.00:10:36.000 --> 00:10:42.000Stuart Winchester: there's 45,552 acres of terrain. So we've added the equivalent of another Colorado.00:10:42.000 --> 00:10:45.000Stuart Winchester: Now, there's a caveat to that.00:10:45.000 --> 00:10:48.000Stuart Winchester: The ski industry has been able to grow by expansion.00:10:48.000 --> 00:10:58.000Stuart Winchester: But it hasn't necessarily been able to grow where it needs to grow, and I made another point, a related point, in another recent article that I wrote.00:10:58.000 --> 00:11:11.000Stuart Winchester: for… about the U.S. Forest Service, and how most of the ski areas in the western United States are built on U.S. Forest Service land. They're leased from the U.S. Forest Service under 40-year terms.00:11:11.000 --> 00:11:18.000Stuart Winchester: However, following the National Environmental Policy Act of 1969, those permits.00:11:18.000 --> 00:11:33.000Stuart Winchester: got almost impossible to obtain new permits. The Forest Service had lots and lots of ski areas proposed, but they were all shut down. Everyone except for Beaver Creek and then Blacktail in 1998 were shut down with.00:11:33.000 --> 00:11:51.000Stuart Winchester: court challenges that came out of NEPA in 1969. So, while we have more terrain, skiable terrain, than we had in 1994, the reason it often feels as though the mountains are overcrowded and insufficiently distributed.00:11:51.000 --> 00:11:57.000Stuart Winchester: is because they are. Because we've only been able to expand the ski areas where they were.00:11:57.000 --> 00:12:10.000Stuart Winchester: rather than building new ski areas where people move to. Look at snowy regions like Washington and Oregon, some of the snowiest ski areas in the country. A lot of them still don't have snowmaking because they get so much snow there.00:12:10.000 --> 00:12:22.000Stuart Winchester: Washington in 1980 had 4.1 million people. Today it has 8.2 million people, double the population, but fewer ski areas and some larger.00:12:22.000 --> 00:12:37.000Stuart Winchester: Stevens Pass has certainly grown, Crystal has grown, Mission Ridge has grown. Oregon, same thing, went from 2.6 million people in 1980 to 4.3 million today, but has fewer ski areas now than it did in the 1980s. So…00:12:37.000 --> 00:12:48.000Stuart Winchester: For better or worse, we are stuck right now with growth through expansion. So, I want to get to an expansion. First, I want to tell you about one of my awesome partners.00:12:48.000 --> 00:13:00.000Stuart Winchester: I've been working with Bonfire Collective for a long time, and if you run a ski area or an outdoor brand, you should consider hooking up with them as well.00:13:00.000 --> 00:13:10.000Stuart Winchester: Bonfire Collective is a fractional marketing team that collaborates with ski areas and outdoor brands to give your marketing a fresh perspective and better storytelling.00:13:10.000 --> 00:13:16.000Stuart Winchester: Bonfire can help you rethink your approach in ways that can turbocharge your business.00:13:16.000 --> 00:13:31.000Stuart Winchester: Bonfire Collective, for example, took on the marketing at one New Hampshire sea area and doubled revenue in just three years. And when the storm was ready to invest in its first ever digital marketing campaign last year, I worked with Bonfire to make it happen.00:13:31.000 --> 00:13:36.000Stuart Winchester: I could not be happier with the results. I think you will love working with them too.00:13:36.000 --> 00:13:40.000Stuart Winchester: To get started, you will want to talk to Eric over at Bonfire Collective.00:13:40.000 --> 00:13:56.000Stuart Winchester: Eric was a co-founder of Bluebird Backcountry Colorado, the first human powered ski area. He knows the ski business, as many of you know from that episode of the Storm Skiing Podcast that he appeared on last year. Visit bonfirecollective.com or I will be happy.00:13:56.000 --> 00:14:03.000Stuart Winchester: to make that connection for you. Alright, with that, let's go to our guest for today.00:14:05.000 --> 00:14:08.000Stuart Winchester: And…00:14:09.000 --> 00:14:15.000Stuart Winchester: Here he is, Mr. Brian Norton. Brian, what an awesome background! Where are you at?00:14:15.000 --> 00:14:19.000brian norton: Uh, I'm in my office, but that's hanging outside my office, so…00:14:18.000 --> 00:14:24.000Stuart Winchester: Oh, okay, cool, I thought maybe you were in the, uh, the kink barn with the, uh…00:14:24.000 --> 00:14:27.000Stuart Winchester: With that, with the cool groomer behind you.00:14:28.000 --> 00:14:44.000Stuart Winchester: All right, well, let me give you a proper introduction here. Uh, my guest today is president and general manager of Loon Mountain, New Hampshire since 2022. Loon claims New Hampshire's tallest vertical drop at 2,190 feet.00:14:44.000 --> 00:14:58.000Stuart Winchester: served by 13 lifts. Last week, Loon announced the 272-acre Black Ridge expansion that, when added to the resort's existing 403-acre footprint.00:14:58.000 --> 00:15:08.000Stuart Winchester: will make Lune the largest ski area in New Hampshire, and the sixth largest ski area in the eastern United States at 675 acres.00:15:08.000 --> 00:15:23.000Stuart Winchester: He began his Loon career in 2001 as a Lyft attendant, and now he's running the place. He is Brian Norton. Brian, welcome back to the storm. Always good to see what's new at Loon, because there is always something new at Loon. How you doing today, Brian?00:15:23.000 --> 00:15:29.000brian norton: I'm doing awesome. It's sweatshirt weather right now, so we're getting closer.00:15:29.000 --> 00:15:33.000Stuart Winchester: Nice. Did you do a snowmaking test yet, or is that Sunday River's ter.00:15:32.000 --> 00:15:38.000brian norton: No, we have not done that yet. Sunday will probably beat us to that one.00:15:37.000 --> 00:15:54.000Stuart Winchester: All right, let's talk about Black Ridge. This is really an amazing project, and I've been pretty vocal and frank over the years about what I saw as Loon's biggest shortcoming, which was not enough real expert terrain, and by that I really meant glades, wild terrain.00:15:54.000 --> 00:15:58.000Stuart Winchester: Talk to us about Black Ridge, what it is, and how it's going to change Loon.00:15:59.000 --> 00:16:14.000brian norton: Yeah, I mean, it's a pivotal project for the ski resort. As you mentioned, it's almost doubling the size of the ski resort. For those not familiar with it, it's this kind of secret shoulder glade skiing. It's been there.00:16:14.000 --> 00:16:30.000brian norton: It was developed over time by some locals just kind of going out there, you know, maybe not necessarily following the rules, certainly not at our approval, but people have been skiing there. I mean, I think the first time I went skiing over there, I was in college, like 2001, and it was like you had to kind of find your way over there. You had to commit to it.00:16:27.000 --> 00:16:28.000Stuart Winchester: Okay.00:16:31.000 --> 00:16:42.000brian norton: beautiful, um, beautiful area. It's like a big catcher's mitt off the side of the ski resort that just holds snow really well, and there's a lot of, um, it's a mile and a quarter.00:16:42.000 --> 00:16:51.000brian norton: hike, uh, across a ridgeline. You can actually ski or skate most of it. There's a few sections where you have to, you know, unclick and walk and…00:16:51.000 --> 00:17:09.000brian norton: um, you just get this incredible glade scheme that brings you right back to the bottom of North Peak, so it's like this full circle, you're way the heck out there, there's a couple viewpoints where you can stand at this cliff and just look back at the ski resort and look into the town of Lincoln, you're like, whoa, I am way out there, but a completely different view than, you know, most people would.00:17:09.000 --> 00:17:23.000brian norton: would ever get to see from Loon. And so, yeah, we've been working on it for a couple years with the Forest Service, trying to, like, wrap that into our special use permit. And, um, yeah, super happy to have that announcement, kind of. Like I said, planning.00:17:23.000 --> 00:17:28.000brian norton: For a long time, but awesome to have that hit the newsstands the other day.00:17:27.000 --> 00:17:34.000Stuart Winchester: So help us understand Loon's Forest Service footprint. This is a conversation I'm accustomed to having with.00:17:34.000 --> 00:17:53.000Stuart Winchester: your partners who run western ski areas. There's very few, just 7 in New England, that touch Forest Service land. My understanding is that Loon is not entirely on Forest Service land. I believe it's Kissing Cousins Lift. You're riding up, and you see a sign, welcome to the White Mountains National Forest. So, where are those boundaries at?00:17:53.000 --> 00:17:55.000Stuart Winchester: at Loon.00:17:54.000 --> 00:18:05.000brian norton: Yeah, it's really just the bottom. I mean, like, pretty much if you can hit a golf ball there, you're on private land from a base area, hit it up, and then everything above there is forest service land, so…00:17:59.000 --> 00:18:00.000Stuart Winchester: Okay.00:18:01.000 --> 00:18:02.000Stuart Winchester: Yeah.00:18:04.000 --> 00:18:05.000Stuart Winchester: Okay.00:18:05.000 --> 00:18:09.000brian norton: Yeah, it's the top 95% of the skewers work.00:18:05.000 --> 00:18:07.000Stuart Winchester: So how?00:18:08.000 --> 00:18:16.000Stuart Winchester: Right, so Loon went through quite a process as I remember it back in the 90s to open up South Peak and there was…00:18:16.000 --> 00:18:22.000Stuart Winchester: a lot of resistance to that locally, and ultimately, you got it opened.00:18:23.000 --> 00:18:25.000Stuart Winchester: was…00:18:25.000 --> 00:18:30.000Stuart Winchester: if you look at Black Ridge, it's… there's no new lift, right? It's essentially…00:18:30.000 --> 00:18:35.000Stuart Winchester: Glade thinning. So, so I want to talk about the process for that in a minute, but.00:18:36.000 --> 00:18:45.000Stuart Winchester: What was the process like of working with the Forest Service? Did they seem much more amenable and does the local community seem much more amenable?00:18:45.000 --> 00:18:54.000Stuart Winchester: to this given the small actual environmental impact? And was that a consideration in deciding how to develop this terrain?00:18:54.000 --> 00:19:10.000brian norton: I mean, it was definitely a consideration for us as we think about, you know, growing the ski resort sustainably. I think the, you know, and our partnership with the Forest Service is a really great one. I hear, you know, different stories from around the industry or around the country.00:19:10.000 --> 00:19:26.000brian norton: I just can't speak highly enough of our team here and the relationship that we have with them. And, the fact that this was kind of already skiing, the fact that it was super low impact, we weren't ever going to put a lift or a lodge or some sort of, you know, driving snow cats over there. We're not even doing any of that.00:19:26.000 --> 00:19:31.000brian norton: really, so it was a small lift, I think, to bring this kind of.00:19:31.000 --> 00:19:43.000brian norton: thing that people were skiing into the permit boundary, which really, you know, there's some work to clean it up and to create slightly better access, mostly for our patrol team to react out there.00:19:43.000 --> 00:19:44.000Stuart Winchester: Mm-hmm.00:19:43.000 --> 00:19:46.000brian norton: But this is, um…00:19:46.000 --> 00:19:48.000brian norton: It's a small lift to bring our…00:19:48.000 --> 00:19:52.000brian norton: Services, so that we can go, you know, in the past.00:19:52.000 --> 00:19:56.000brian norton: Someone would get hurt, someone would get lost ‘cause they thought they knew where they were going.00:19:56.000 --> 00:19:57.000Stuart Winchester: Yep.00:19:56.000 --> 00:20:14.000brian norton: technically, we're supposed to call fish and game, and they're supposed to go rescue them. A lot of times, we helped with that. So, by bringing this into the permit boundary, we're allowed to help manage it. So, um, this is really a win-win for everyone. It's a win-win for the skiers, it's a win-win for the Forest Service, because now we can actually manage something that wasn'.00:20:01.000 --> 00:20:02.000Stuart Winchester: Okay.00:20:14.000 --> 00:20:16.000brian norton: That's a great opportunity for us.00:20:16.000 --> 00:20:28.000Stuart Winchester: Yeah, it's going to be tremendous terrain. You know, another big difference between working in the East and the West is sometimes if you want to open 500 acres of glades in the West, you just drop a rope.00:20:28.000 --> 00:20:39.000Stuart Winchester: Uh, in the east, there tends to be a lot of undergrowth. Now, I don't know if that's the case at Loon, because maybe you have some old growth there, where the canopy is, is, has, you know, shut out some of that little stuff.00:20:39.000 --> 00:20:45.000Stuart Winchester: 200 and what is it, 267 acres? That's a lot of acres to clear.00:20:45.000 --> 00:20:55.000Stuart Winchester: What does it look like in there, and what is the… what is the labor lift gonna be like to glade that out and make it so that you don't need 4 feet of snow to ski it?00:20:56.000 --> 00:21:08.000brian norton: Um, we'll talk about snow in a minute, but in terms of glading, you get across the ridgeline, and you get to this… it's not the high point, like, the actual peak of the mountain, but the high point of the ridgeline.00:21:08.000 --> 00:21:23.000brian norton: And you kind of drop in there, and then it just funnels out both directions. And from that point, it's all hardwoods. And it's just… it's really open. You can kind of ski wherever you want. Now, we're gonna manage it slightly better, so there's better waypoint finding, you know, kind of…00:21:23.000 --> 00:21:42.000brian norton: more organized corridors. There's a river, uh, a stream valley that is between what I would call, you know, Black Ridge proper and, like, the North Peak Glades and Walking Boss, um, that you don't want to end up in, so that's kind of the part of the land that, you know, we're going to try to manage away from, and.00:21:42.000 --> 00:21:43.000Stuart Winchester: Mmhm.00:21:42.000 --> 00:21:53.000brian norton: kind of cut that, you know, the extent of it, kind of clear those glades a little more, so that it's obvious, like, no, no, no, I want to go this way, or I want to go that way, so you all come back out to the… to.00:21:48.000 --> 00:21:50.000Stuart Winchester: Mmhm.00:21:53.000 --> 00:21:57.000brian norton: But it's not a heavy lift to cut a lot out there.00:21:53.000 --> 00:21:54.000Stuart Winchester: So I.00:21:57.000 --> 00:22:13.000Stuart Winchester: So as far as snow goes, you mentioned a, a little catcher's mitt and along North Peak, and there are some terrific glades in lower New England. Stratton, I think has really, really excellent glades. Magic Mountain has some excellent glades. They're in a little bit different.00:22:13.000 --> 00:22:33.000Stuart Winchester: snow pocket, obviously, than you are, but also farther south. So, so talk to us, you know, Loon averages 160 inches of snow per year, but I don't know where you measure that, and I know that snow stays on different parts of the mountain in different ways, right? Because you can ski in New Hampshire in June on natural snow at Mount Washington and Tucks.00:22:33.000 --> 00:22:34.000Stuart Winchester: But…00:22:34.000 --> 00:22:39.000Stuart Winchester: That's not the case in most places. So, so talk to us about.00:22:39.000 --> 00:22:48.000Stuart Winchester: the snow in that area, and how often you think you'll realistically be able to offer that glade skiing experience in Black Ridge.00:22:48.000 --> 00:23:06.000brian norton: Yeah, I mean, I think it's gonna be… it's definitely a different experience, so we're gonna have different, um, opening protocols when that part of the mountain will open versus your traditional glade skiing, so it's gonna be a little more raw, a little more rugged, we're gonna be a little more free with opening it. Um, we're working through those kind of details with our patrol team right now.00:23:07.000 --> 00:23:23.000brian norton: Um, in terms of holding snow, predominant northeast wind here, everything cuts across the ski resort as you're looking at it, right to left, and guess what's far left? This, right? So, um, I'll tell you a funny story. We were walking over there with the Forest Service this.00:23:23.000 --> 00:23:25.000brian norton: Spring, and we're walking along the ridgeline.00:23:25.000 --> 00:23:38.000brian norton: And we're contemplating, like, how we get snowmobile access out there for our patrol team to, you know, manage this terrain in a reasonable amount of time to, like, respond to an incident. And we get to these two big boulders.00:23:38.000 --> 00:23:47.000brian norton: like, oh man, how are we gonna get a snowmobile through here? Like, it's… we can't get a machine all the way out here to move these boulders, what are we gonna do? And then it, like.00:23:47.000 --> 00:24:06.000brian norton: I don't remember seeing these boulders in the winter. That means there's 4 feet of snow here on this ridgeline, so it's like… it just… it's not the same as the rest of the ski resort when you think about, like, how that pocket holds snow and takes all the wind-deposited snow from the whole area and just stacks up in there, so it was a bit… it was eye-opening for us to be like.00:23:51.000 --> 00:23:54.000Stuart Winchester: Wow.00:23:57.000 --> 00:23:59.000Stuart Winchester: Right.00:24:06.000 --> 00:24:11.000brian norton: Wait a minute, we don't see these in the winter, and they're 4-foot boulders, so.00:24:11.000 --> 00:24:28.000Stuart Winchester: Oh, man, you're really making me want to get back in there. You know, I did not mention in the intro that Loon is owned by Boyne Resorts, one of the 11 ski areas in the Boyne family. And Boyne has done just a tremendous amount of work over the past decade, putting in new lifts and doing expansions.00:24:28.000 --> 00:24:30.000Stuart Winchester: In fact, I think…00:24:30.000 --> 00:24:42.000Stuart Winchester: the last 5 expansions in New England were all Boyne Mountains. It was Brackett Basin, Burnt Mountain, it was, uh, Merrill Hill at Sunday River, it was the little one you did at Loon the other… the other, uh, couple years ago, and… and.00:24:42.000 --> 00:24:54.000Stuart Winchester: Black Ridge, you know, the one that this most echoes for Sugarloaf fans, and Sugarloaf is far, far, far, far north, but it's worth going to, is… is they opened that several hundred acre.00:24:54.000 --> 00:25:04.000Stuart Winchester: terrain expansion of Brackett Basin back in 2011. They expanded it with Burnt Ridge a few years later, and it's all natural bladed. How much…00:25:04.000 --> 00:25:06.000Stuart Winchester: Did you…00:25:06.000 --> 00:25:21.000Stuart Winchester: did Loon and the team at Loon use Bracket Basin as an inspiration, either… either to see as, like, a proof of concept this'll work, or… or just to imagine a… a different way of, uh… of expanding the resort without necessarily having to spend.00:25:21.000 --> 00:25:28.000Stuart Winchester: you know, $20 million on a new lift. Just talk about it, if there's any relationship there, or, you know, learning how to manage it, etc.00:25:29.000 --> 00:25:51.000brian norton: A lot for me personally, and for the team here. I mean, I'm not the the people that have been out there developing that glade skiing probably aren't necessarily thinking about bracket basin, but 100%. That was the equivalent. That was, you know, I've referred to it through this whole planning process as our version of bracket basin. We've been in communication with the team up there about how they manage it, what their entrance looks like all of those things. So.00:25:30.000 --> 00:25:31.000Stuart Winchester: Yeah.00:25:51.000 --> 00:25:54.000brian norton: Yeah, it's our version of that, 100%.00:25:54.000 --> 00:26:12.000Stuart Winchester: And just from a liability point of view, it's funny, because I grew up in Michigan, and I've been skiing the Boyne Mountains there since the 90s, and I remember you weren't allowed in the trees, and that was a big no-no. So now here you have, fast forward 30 years, and they're developing these enormous glade skiing pockets, and obviously Jay Peak was a leader.00:26:12.000 --> 00:26:17.000Stuart Winchester: our early leader in that, in New England. But what has Boyne learned, do you think.00:26:17.000 --> 00:26:25.000Stuart Winchester: by operating Brackett Basin for the last 15 years, about liability and skiers' abilities to self-manage in terrain like that.00:26:25.000 --> 00:26:36.000brian norton: Yeah, I mean, Sugarloaf, they're Sugarloafers, right? So they're a slightly different clientele than we have here, so I'm sure we'll learn different things. I think the big thing is, you know.00:26:28.000 --> 00:26:30.000Stuart Winchester: Yeah.00:26:36.000 --> 00:26:50.000brian norton: clear messaging, and… and with this project, it's… it's very different. I said it earlier, it's different than the rest of the Glades here, so, um, you gotta know what you're doing, and it's gonna be messaged that way, but it's gonna be managed that way, too, and…00:26:50.000 --> 00:27:06.000brian norton: it's gonna pull people around the resort and move people around to places that, you know, it's a bit of a destination now. Camp 3 in North Peak was already a destination, and now you've got another, you know, 300 acres or so just past there that's serviced by the same portal, so…00:27:06.000 --> 00:27:15.000brian norton: yeah, I think our patrol team's gonna have a little bit of work cut out for them, but frankly, the guys and girls that work for our team that are gonna end up over there, like.00:27:15.000 --> 00:27:18.000brian norton: They… they're looking forward to that, so…00:27:18.000 --> 00:27:22.000Stuart Winchester: Alright, well, let's talk about access a little bit. I'll tell you…00:27:22.000 --> 00:27:39.000Stuart Winchester: That, or the listeners at least, people who haven't been there. So you access this expansion through the North Peak lift. It's a high speed quad built in 2004, 1500 vertical foot, 4,800 foot long. But the view off the top is an absolute showstopper. It's one of the best.00:27:39.000 --> 00:27:49.000Stuart Winchester: in New England. I just love it. Uh, my question for you, Brian, is Flight Path 2030, your… your Loon 2030 plan, essentially 10-year plan, published around 2020.00:27:49.000 --> 00:27:55.000Stuart Winchester: did consider an upgrade for the North Peak lift. Now, it's obviously not a very old lift.00:27:55.000 --> 00:28:10.000Stuart Winchester: But I would imagine that there may be some volume considerations as you look to expand the terrain available off this lift. So, A, am I right in seeing that you will be able to fully lap Black Ridge?00:28:10.000 --> 00:28:17.000Stuart Winchester: on the North Peak lift? And B, do you have thoughts on what might be next for North Peak lift?00:28:17.000 --> 00:28:26.000brian norton: Um, yes, you access it from the top of that lift. The entrance is 150 feet from the top of that lift, maybe, off of Whatcom House.00:28:24.000 --> 00:28:26.000Stuart Winchester: Yeah, thank you.00:28:26.000 --> 00:28:45.000brian norton: the primary exit is slightly lower in elevation than North Peak. You come out onto Brookway Extension there, so if you really wanted to lap it, you'd probably unclick and go down there. More often than not, I think what people will do is they'll ski down Brookway, go up Seven Brothers and a gondola, and get back over there if they want to do it again.00:28:30.000 --> 00:28:32.000Stuart Winchester: Okay.00:28:46.000 --> 00:29:06.000brian norton: So, yeah, I mean, access is pretty strong. In terms of replacing North Peak, yes, that lift is on our planning process. It's probably equivalent to South Peak on any given day, or Lincoln Express, I should say. On any given day, I flip-flop which one's more important. You know, we did the Timbertown expansion, and we thought, oh, these people are over here.00:29:02.000 --> 00:29:03.000Stuart Winchester: Okay.00:29:06.000 --> 00:29:22.000brian norton: maybe we should be focused on this lift, and now we're doing this thing over here, or maybe we should be focused on North Peak, and, um, I'll tell you that the RFID data that we, you know, 3, 4 years ago, we put RFID gates at North Peak, remote up mountain, you can't get to it without passing another gate, and everyone was kind of looking at us, like.00:29:17.000 --> 00:29:19.000Stuart Winchester: Mmhm.00:29:22.000 --> 00:29:29.000brian norton: What are you doing that for? Data collection, 100%. The things we've learned about how people use that terrain have…00:29:25.000 --> 00:29:26.000Stuart Winchester: Right.00:29:29.000 --> 00:29:40.000brian norton: driven our snowmaking philosophy, our investment philosophy. Uh, it's… it's last winter that Lyft opened on day one and closed on day 151, I think it was, so it was open every day of the season, so…00:29:40.000 --> 00:29:45.000brian norton: Maybe today, if you're asking me, that one gets done before Lincoln Express.00:29:44.000 --> 00:29:48.000Stuart Winchester: And are you thinking a six-pack? One of those nice D-lines?00:29:47.000 --> 00:29:51.000brian norton: Yeah, I'm sure that's what it would be at a minimum, yeah.00:29:49.000 --> 00:29:51.000Stuart Winchester: Okay.00:29:51.000 --> 00:29:56.000Stuart Winchester: Okay, do you like the bubbles, like the one you have at CANC and up at Sunday River?00:29:55.000 --> 00:30:17.000brian norton: The bubbles are awesome for all the reasons they're awesome, but there are some hidden challenges with them as well, particularly when they come into the terminal. They're aerodynamic when the chairs are on the line, but when they come into the terminal, if the wind's blowing the wrong way and the bubbles opening and the wind wants to shut it or vice versa.00:29:58.000 --> 00:29:59.000Stuart Winchester: Yeah.00:30:17.000 --> 00:30:26.000brian norton: Uh, there's a little give and take there. I… we'd probably end up with bubbles, I think, but, um, yeah, there are… it's not all… it's not all easy with them.00:30:22.000 --> 00:30:24.000Stuart Winchester: That's that.00:30:25.000 --> 00:30:34.000Stuart Winchester: It's Boyne style, right? I was surprised, actually, when I got out to Brighton, and the, uh… their new Sixer, their D-Line out there does not have bubbles. I was like, oh, this.00:30:27.000 --> 00:30:28.000brian norton: Yep.00:30:33.000 --> 00:30:42.000brian norton: Or footrests, or footrests, which is the only one that I think doesn't have footrests, and as a snowboarder, I appreciated that when I rode that.00:30:34.000 --> 00:30:36.000Stuart Winchester: Yeah.00:30:40.000 --> 00:30:52.000Stuart Winchester: Right, right, right. Yeah, well, the Utah guys don't want to bring the bar down anyway so So, you know, I always think of this expansions like this first, Brian, as a skier.00:30:52.000 --> 00:31:10.000Stuart Winchester: Unless as a customer or as someone, you know, doing a business, I'm really curious. Loon has already historically been the busiest skier in New Hampshire and the pub, the skier visits aren't public anymore. But I would imagine that's still the case. It is busy, busy, busy all the time. It is the idea here.00:31:10.000 --> 00:31:18.000Stuart Winchester: Is it to bring in more skiers, or is it to create more variety at a mountain that…00:31:18.000 --> 00:31:28.000Stuart Winchester: I really think has traditionally had the reputation as a good intermediates family mountain. To maybe start to nudge that a little bit more toward a…00:31:28.000 --> 00:31:40.000Stuart Winchester: uh, more of a Killington profile, where there's… where there's more than one kind of skier? Like, the whole family can have fun there. So is it… is it more skiers, or more terrain for the same amount of skiers to spread them out better?00:31:41.000 --> 00:31:46.000brian norton: Um, both, and I'll clarify more skiers, because, um.00:31:47.000 --> 00:31:58.000brian norton: as the ski resort develops, and as the town develops, we inch closer to destination ski resort instead of day ski resort. I think we're still a day ski resort, but we're working our way towards destination.00:31:54.000 --> 00:31:55.000Stuart Winchester: Mmhm.00:31:58.000 --> 00:32:18.000brian norton: Um, and as you become a destination, your skier visits spread equally over the 7-day week, right? We're heavily skewed to weekends right now. We're not talking about more skiers on the weekends. We're already managing tickets and limiting sales to keep guest experience where we want it. I think we can have more visits mid-week, or early season, late season.00:32:18.000 --> 00:32:33.000brian norton: this will certainly help with that, but on your peak Saturday in January, like, no, we don't… we're… we're not having more skiers here. We're… we're happy with where we're at. Um, in terms of terrain, yeah, I mean, you and I talked about it, I think, the last time we were together talking about glade skiing here.00:32:33.000 --> 00:32:40.000brian norton: We need more of it. Variety of terrain, um, is important, and this is a huge step in the right direction.00:32:39.000 --> 00:32:48.000Stuart Winchester: So I think in New England, when you talk about more skiers, more capacity, reflectively, we think parking, but you have this interesting project going on.00:32:48.000 --> 00:33:05.000Stuart Winchester: Where a pulse gondola is set to leave from near the new Timbertown quad that you put in 2023, go over the river, uh, and land, not exactly in the town of Lincoln, but to service some resorts there. Uh, I thought that project was gonna open.00:33:05.000 --> 00:33:15.000Stuart Winchester: This winter, it doesn't look like that's gonna happen. Tell us about that Pulse Gondola, Brian, what you hope to achieve with it, and kind of where you're at with approvals and permits.00:33:16.000 --> 00:33:33.000brian norton: Um, yeah, me too. I was hoping it was gonna open this winter, too. Um, yeah, we've said with that project all along that we're not really in a rush, and we want to do it right. More importantly, we want to get buy-in from all the current stakeholders, and that's where the project, um, lives. It's a really unique thing where.00:33:34.000 --> 00:33:48.000brian norton: you've got three different parties that are involved, two different completely owned land, uh, landowners, plus Loon being the easement and holders on some of that land, and, um, just working with the town currently and trying to.00:33:48.000 --> 00:34:08.000brian norton: none of us have been through this. I can't think of another example where you've got so many different entities trying to get one project approval. I actually have a planning board meeting tonight, and we're on the docket. So if you're if you're not doing anything at 6 o'clock tonight, feel free to join the zoom. Yeah. So we're we're still working on that. We've gotten essentially approval on one side. And now we're working on the loon side.00:33:56.000 --> 00:33:57.000Stuart Winchester: Okay.00:34:08.000 --> 00:34:23.000brian norton: our hope is that that project still comes through in the next year. It's unique in the sense that it doesn't need to happen, like, for day one of ski season. It can be built during the ski season, because it's not replacing something, it's a true add to the ski resort, so…00:34:21.000 --> 00:34:22.000Stuart Winchester: Right.00:34:23.000 --> 00:34:38.000brian norton: the Daubmeyer team that would do the lift is kind of excited that, you know, they have a project that they can work on out of cycle, keep their team busy year-round, have the electricians there when they'd otherwise, you know, not be doing anything, because the crew's still standing steel somewhere else, that kind of thing.00:34:38.000 --> 00:34:39.000Stuart Winchester: Yeah, okay.00:34:39.000 --> 00:34:44.000Stuart Winchester: Yeah, Boyne's had a lot of success doing those sorts of lifts at Big Sky, and it's amazing what.00:34:44.000 --> 00:34:59.000Stuart Winchester: Even if it's a low capacity, low use lift, like the one and only gondola or the lift that connects to the montage out there in Big Sky, it really gives the skiers a lot of freedom. And I think it really would make a big difference in being able to connect to the town. So let's talk about a lift.00:34:59.000 --> 00:35:01.000Stuart Winchester: That would not be easy.00:35:01.000 --> 00:35:18.000Stuart Winchester: Let's talk about that. Uh, the four passenger gondola you have, I believe it's the last four passenger Gandhi left in the east. It is a monster. This is a 1738 vertical foot lift, 6970.00:35:18.000 --> 00:35:30.000Stuart Winchester: foot long, uh, and recently Loon filed an application with the Forest Service to replace it, so tell us, Brian, what you want to do with the White Mountain Gondola.00:35:30.000 --> 00:35:32.000brian norton: Yeah, so, um…00:35:32.000 --> 00:35:44.000brian norton: a really cool old lift. You probably know better than me, but one of the oldest detachables in New England. It's one of the highest utilized lifts in Boyne's network.00:35:44.000 --> 00:36:00.000brian norton: around this 10-plus months out of the year, you know, between winter and summer. Uh, two years ago, I got a text message from our lift mechanic showing me the hour meeting that was 8675309. Um, it's nearing… it's nearing 100,000 hours now, so yeah, it's due for replacement.00:36:00.000 --> 00:36:10.000brian norton: Um, we filed some paperwork with the Forest Service to get in the queue. We're still working out the details of that project, that's why we haven't really addressed it publicly.00:36:10.000 --> 00:36:23.000brian norton: Try to figure out how it fits, where it goes. It will be a D-line Omega 10, you know, 10-person cabins. Boeing style, as you like to say, you know, we're gonna do it right. It's a pivotal lift for us.00:36:19.000 --> 00:36:20.000Stuart Winchester: Yeah, okay.00:36:23.000 --> 00:36:29.000brian norton: the main base area that opens first and closes last, and, um, yeah, we want to make sure we do it right. So, we will.00:36:29.000 --> 00:36:48.000Stuart Winchester: One detail I thought was really cool in the permit, Brian, was, and obviously I'm not holding you to this, the permit is, you know, the application is the application, but this notion of moving the load terminal, it gets set 100 feet or 80 feet up the hill, away from the Octagon Lodge, I imagine that opens all kinds of possibilities for you.00:36:48.000 --> 00:36:52.000Stuart Winchester: Talk about what you have in mind there and how that would change just the whole flow of Loon.00:36:52.000 --> 00:37:02.000brian norton: Yeah, the problem is that the current lift is inside of a building, and the new one, you know, without tearing the building down, is not going to go inside of the same building, so…00:36:56.000 --> 00:36:57.000Stuart Winchester: Yeah, thank you.00:37:01.000 --> 00:37:03.000Stuart Winchester: Right.00:37:02.000 --> 00:37:21.000brian norton: how do we handle that? And, you know, I'd say there's a couple options on the table. Some of them is, you know, partially modifying that building, putting the lift against it, and or the polar opposite of that is just pushing it into the hillside as far as you can, and, um, you know, using the building for something else, which we have some cool ideas for.00:37:21.000 --> 00:37:36.000brian norton: Um, this lift is gonna need parking. That's a big space constraint that we don't necessarily have. I mean, those cabins aren't small, and you're talking, you know, another Kank 8 size. Probably not that big, but close to Kank 8 size, you know, parking structure to park all the cabins in, and.00:37:36.000 --> 00:37:42.000brian norton: Is parking at the top? Is parking at the bottom? You know, how do we, uh… how does our… if we put it…00:37:42.000 --> 00:37:57.000brian norton: upslope, not in the building, how does our food and beverage team that uses that as their main, you know, mover up the mountain, get food and everything else up, how do they get their food to the Summit Cafe now in the winter? And so, there's a lot of challenges with that, and that's why we haven't, you know.00:37:57.000 --> 00:38:13.000brian norton: really detailed the project, because we're… I mean, just this morning, I was walking out there, driving stakes in the ground, like, trying to visualize, okay, if we did this, how would it work? How would that work? So, yeah, ongoing, um, super exciting project, and I can't wait till we have that nailed down, and we can really start.00:38:13.000 --> 00:38:15.000brian norton: Showing people what we're doing.00:38:14.000 --> 00:38:20.000Stuart Winchester: Yeah, that would be huge, and maybe quiet at the Peanut Gallery, because I know a big storyline.00:38:20.000 --> 00:38:31.000Stuart Winchester: when the cant gate went in was, why'd they do that before the gondola? And I know there's a lot of reasons for that, but… and I love the cant gate, but I'm sure you heard those same narratives. You know.00:38:32.000 --> 00:38:40.000Stuart Winchester: Out with the old, I guess. Quick note, Brian, the little sister, a 1966 Hall double.00:38:40.000 --> 00:38:57.000Stuart Winchester: has taken its last ride. I just made this connection prepping for this podcast. That's actually an original lift from Loon's opening, right? So tell us about Little Sister. It was a small lift, a hall lift, but you took it out this summer. Why was it time to retire Little Sister?00:38:57.000 --> 00:39:01.000Stuart Winchester: And what are you doing with the lift, the chairs, the pieces, the parts?00:39:01.000 --> 00:39:07.000brian norton: Yeah, so, um, Old Lyft, um, couple things. One…00:39:07.000 --> 00:39:10.000brian norton: When we installed Seven Brothers.00:39:10.000 --> 00:39:21.000brian norton: the skiers really stopped using that lift, because… sorry, when we upgraded Seven Brothers Triple to the Seven Brothers Quad, which was the old Kank Quad and got rebuilt.00:39:13.000 --> 00:39:14.000Stuart Winchester: Mmhm.00:39:20.000 --> 00:39:21.000Stuart Winchester: Mmhm.00:39:21.000 --> 00:39:37.000brian norton: the lap time off Seven Brothers was just as quick as Little Sister, but you got more vertical, and we had more uphill PPH. So, um, no one was really using it for skiing. We maintained it for tubing for a while, we got out of the tubing business.00:39:37.000 --> 00:39:56.000brian norton: Um, we'll maybe be back in the tubing business in the future, but not in that location. So, um, at the same time, it needed some maintenance work. Our friends at Cypress, one of the other Boyne properties, um, needed some spare parts to one of their lifts. We had them in the drive here at Little Sister, so…00:39:56.000 --> 00:40:13.000brian norton: Um, plus, in a base area that's crammed for space, when that thing eventually, you know, physically moves away, it'll be additional space, it'll open up skiing possibilities, it'll open up more space for our seasonal programs that are in that base area, or that part of the base area over there. Uh, in terms of what we're doing with the lift.00:40:13.000 --> 00:40:30.000brian norton: Um, towers are still standing right now, the terminals are still standing, we'll hopefully get that down next summer. The chairs were all auctioned off recently, we sold a few to employees, like myself, I bought one, I'll have that hanging on my porch at my house.00:40:26.000 --> 00:40:27.000Stuart Winchester: Nice.00:40:30.000 --> 00:40:44.000brian norton: Um, the rest of… I think we sold… there was 20, or there was 31 chairs… 30 or 31 chairs, and um, we sold some to employees. We're keeping 5 for spare parts, maybe future auction-type stuff. The rest of them…00:40:44.000 --> 00:40:50.000brian norton: were auctioned off to the public, and they're benefiting two incredible local charities, one, the Pemi Valley.00:40:51.000 --> 00:41:07.000brian norton: Uh, Upper Pemi Valley Historical Society, um, who's, you know, I saw some really cool historic stuff, check out their Instagram feed, there's some cool stuff about the Riverwalk Gondola, and then they just put a couple posts. Um, and then, uh, Lincoln Friends Iraq, which, you know, one of our purposes is making sure.00:40:57.000 --> 00:40:59.000Stuart Winchester: Yeah. Okay.00:41:07.000 --> 00:41:15.000brian norton: That we're connected to the community and doing everything we can for the youth of the community, and so that's what we're doing with the money, and we're proud to say that.00:41:15.000 --> 00:41:30.000Stuart Winchester: So don't go looking for Little Sister Lift this year. It is gone. That leaves you with one haul lift, a 1968 East Basin. I didn't see a map for that gondola proposal. Brian, is part of that proposal removing that East Basin haul lift?00:41:18.000 --> 00:41:20.000brian norton: And it's gone.00:41:31.000 --> 00:41:39.000brian norton: I started at East Basin and as long as I'm here, East Basin will, you know, I shouldn't say that. And maybe it'll go away, but it's not going away as part of.00:41:33.000 --> 00:41:34.000Stuart Winchester: Okay.00:41:34.000 --> 00:41:37.000Stuart Winchester: Okay, I love it.00:41:39.000 --> 00:41:55.000Stuart Winchester: Love that. All right, Brian, hey, I really appreciate you joining us today on the New Look Pod. You're my second guest ever, and I really want to make this timely, so the fact that we could talk about this new expansion at Loon is awesome, and I hope I can be up there on opening day.00:41:55.000 --> 00:41:57.000Stuart Winchester: And I hope that's next winter.00:41:57.000 --> 00:42:00.000brian norton: Yeah, and I hope to get out there on Black Ridge with you.00:42:00.000 --> 00:42:04.000Stuart Winchester: Yeah, yeah, definitely. Well, good luck at your planning board meeting tonight, Brian. Talk to you.00:42:04.000 --> 00:42:05.000brian norton: All right. Thanks, Stuart.00:42:04.000 --> 00:42:06.000Stuart Winchester: Thanks so much. Bye.00:42:05.000 --> 00:42:06.000brian norton: Bye.00:42:08.000 --> 00:42:10.000Stuart Winchester: All right, so…00:42:11.000 --> 00:42:17.000Stuart Winchester: That is Brian Norton, President and General Manager of Loon Mountain.00:42:17.000 --> 00:42:25.000Stuart Winchester: Before we move on to the closing segment, I want to tell you about my friends at Profile Search International.00:42:25.000 --> 00:42:31.000Stuart Winchester: A lot of you come to this podcast to hear from the best minds in skiing, guys like Brian Norton.00:42:31.000 --> 00:42:41.000Stuart Winchester: Managing mountains that are making big moves like Loon. But, what if you want to find one of these great leaders for your own mountain team? Brian is pretty happily employed.00:42:41.000 --> 00:42:46.000Stuart Winchester: I'd like to introduce you to the folks at Profile Search International.00:42:46.000 --> 00:42:59.000Stuart Winchester: Profile Search are ski industry talent acquisition experts, and they are the only executive search and recruitment firm in the world that is 100% focused on the ski industry.00:42:59.000 --> 00:43:05.000Stuart Winchester: ProfileSearch has used their intimate understanding of skiing and related industries.00:43:05.000 --> 00:43:14.000Stuart Winchester: and of available candidates worldwide to place hundreds of transformational leaders at the best and most progressive ski areas over the past 30 years.00:43:14.000 --> 00:43:21.000Stuart Winchester: With offices in the US and Canada, they find and negotiate with the right leaders for your team.00:43:21.000 --> 00:43:33.000Stuart Winchester: You can reach out to Profile Search directly at profilesearch.com, or contact them by email or phone, or send me a note, and I will connect you directly with this expert team.00:43:33.000 --> 00:43:40.000Stuart Winchester: Alright, I'm really looking forward to this next segment. As promised, I am going to use this segment.00:43:40.000 --> 00:43:52.000Stuart Winchester: to read reaction to the previous podcast. I'm not at a point where I can do the podcast live, maybe someday, but right now, we are…00:43:52.000 --> 00:44:08.000Stuart Winchester: Read and react the next day. So, uh, the way that you can interact with the podcast is to make a comment on the article that accompanies this podcast on stormskeeting.com. Only paid subscribers can do that.00:44:08.000 --> 00:44:23.000Stuart Winchester: You can upgrade to the paid tier of the storm, which is the very best way to support the product@stormskiing.com. That will get you 100% of the content below the paywall, and it will also allow you to interact with the podcast, but.00:44:23.000 --> 00:44:31.000Stuart Winchester: everyone can listen to the podcast. The podcast has always been for everyone, and my intent is to keep it that way. So…00:44:31.000 --> 00:44:40.000Stuart Winchester: Some reaction to yesterday, and a lot of this is just reacting to… So yesterday, as a reminder, Joe Hessian came on, talked about…00:44:40.000 --> 00:44:43.000Stuart Winchester: The Snow Pass, uh, talked about…00:44:43.000 --> 00:44:51.000Stuart Winchester: Indy Pass and Snow Pass, both claiming Snow King and the confusion around that.00:44:51.000 --> 00:45:00.000Stuart Winchester: Uh, and I talked a little bit about, just in general, uh, the Indy Pass and the fact that smugglers not to join. So…00:45:00.000 --> 00:45:14.000Stuart Winchester: Reading the comments from top to bottom. And again, these are all paid subscribers, so thank you very much, and a lot of these folks I have been in dialogue with for years, so they're not necessarily new to me, but perhaps new to the community.00:45:14.000 --> 00:45:17.000Stuart Winchester: Starting with Peter Schlachtes.00:45:17.000 --> 00:45:21.000Stuart Winchester: So, just under an hour, in the short format?00:45:21.000 --> 00:45:27.000Stuart Winchester: I liked it. I had heard the backstory on Hessian and didn't need to hear it again.00:45:27.000 --> 00:45:30.000Stuart Winchester: It focused on the compelling stuff.00:45:30.000 --> 00:45:44.000Stuart Winchester: But remember that your growing audience, I hope, consists over time of more and more people who won't have heard or remember that context and texture and won't necessarily seek it out on an old podcast that features your speaker.00:45:44.000 --> 00:45:59.000Stuart Winchester: By the way, though, you really must make a point of steering people to relevant past podcasts that provide the backstory on guests and mountains you cover in the new format. Mention it, flash it on the screen, put it in a subtext, and leave it there, because people won't know they're interested in learning more until…00:45:59.000 --> 00:46:00.000Stuart Winchester: They are.00:46:00.000 --> 00:46:08.000Stuart Winchester: Yes, Peter, I appreciate the short comment, and short has never been my…00:46:08.000 --> 00:46:25.000Stuart Winchester: Strength. So expect some experimentation. Uh, expect me to play around with this a little bit. Expect some episodes to be longer than others. I truly will try to get some bite size episodes out there, but I, I find that the podcasts that I listen to that are news focused are usually right around an hour and.00:46:25.000 --> 00:46:34.000Stuart Winchester: And I don't run out of steam with that, as long as what they're talking about is interesting to me. As far as your point about linking to past podcasts, look.00:46:35.000 --> 00:46:38.000Stuart Winchester: One of the reasons that…00:46:38.000 --> 00:46:42.000Stuart Winchester: I had to move to a different podcast format.00:46:42.000 --> 00:46:43.000Stuart Winchester: Was that…00:46:43.000 --> 00:47:03.000Stuart Winchester: the old podcast was becoming too laborious, and part of the reason was I was too concerned with building a big story around it, and making sure that everything I mentioned had some context that a reader could go back to. And what that… and it was great, and a lot of people appreciated that, and again, I'll still do some long-form product…00:47:03.000 --> 00:47:17.000Stuart Winchester: Podcasts and I'm still doing plenty of writing, but it actually gummed things up to the point where I was just not making as many podcasts as I should be. So my goal here with the new short format podcast, keep it light, keep it moving.00:47:18.000 --> 00:47:33.000Stuart Winchester: The trend is toward search, right? So with all the AI tools and everything available, it's pretty easy to find my old podcast. I do have a master list that I linked to from the homepage, uh, and, and.00:47:33.000 --> 00:47:38.000Stuart Winchester: As much as I agree with you, it would be nice, I think that most people…00:47:38.000 --> 00:47:50.000Stuart Winchester: will just Google Joe Hessian Storm Skiing Podcast, and it will pop right up. But, we'll see how it evolves. Next comment from Mimi Ma, another long-time paid subscriber. Shout out to Mimi.00:47:50.000 --> 00:47:57.000Stuart Winchester: Like the format, especially good that I can skim read if needed, and then jump to the sections of interest. Keep up the good work. I want to make that point.00:47:57.000 --> 00:48:09.000Stuart Winchester: there is a transcript for every single episode. You can click on the transcript, and when you're reading it, you click to any section, and it will go to that section of the podcast, if you're on Substack.00:48:09.000 --> 00:48:22.000Stuart Winchester: If you're on YouTube, you won't have that capability, so you can always check out the video version on Substack. Again, if you're listening via audio on Apple or Spotify or something, you also won't have that. So, go to stormskiing.com to get that capability.00:48:22.000 --> 00:48:36.000Stuart Winchester: Comment from Robert. Quote, I think Joe's comment about Eric self-describing himself as the, quote, anti-collaborator, and I'm curious to hear what his, Eric's, answer is.00:48:36.000 --> 00:48:39.000Stuart Winchester: To what is apparently a self-reference.00:48:39.000 --> 00:48:58.000Stuart Winchester: I don't see how you can't be anti collaborative and run a ski area, not to mention operating what is effectively a business to business service business and to Benny and the need to work with all their customers. What's the business justification for not wanting to collaborate outside the sphere he controls?00:48:58.000 --> 00:49:14.000Stuart Winchester: The ski Cooper thing was a bit different in many ways. Here we're talking about two third party systems meant to drive skier visits, and at least at the moment, given the portfolios, I think it is a relatively small percentage of skiers that are most likely choosing between the snow pass and Indy.00:49:14.000 --> 00:49:27.000Stuart Winchester: Most of them, I would assume, are likely NYC Metro-based. Good stuff on the new format. Looking forward to its evolution. Look, Joe was referencing a conversation that he had with Eric. It wasn't…00:49:27.000 --> 00:49:39.000Stuart Winchester: a publicly available conversation, so this is why I'm going to get Eric on the podcast tomorrow, to give his reaction to it. I… you know, Eric, from my point of view.00:49:39.000 --> 00:49:55.000Stuart Winchester: Look at the explosive growth of IndiePass under his tenure, right? He's, he purchased the pass, I believe in 2023, and, and I believe the number of partners, and I can double check this, uh, has more than tripled since Eric took it over, and he's really done a phenomenal job.00:49:56.000 --> 00:50:08.000Stuart Winchester: transforming Black Mountain and 10x-ing revenue at a ski area, which is simply unheard of in the ski business, and making it to Benny, which is a platform that people use.00:50:08.000 --> 00:50:19.000Stuart Winchester: As with any person doing a lot of things, Eric sometimes runs into controversies, but that's what this podcast.00:50:19.000 --> 00:50:34.000Stuart Winchester: Is here for is to give folks an opportunity to air their sides of the stories. Uh, I have a lot of respect for Joe and for Eric, and I think they're both doing really cool things in the ski industry. So, so we'll, we'll see. We'll see what Eric's.00:50:34.000 --> 00:50:51.000Stuart Winchester: answer is to that. From Scott Abraham, another long-time reader, I presume your hair is still standing out from being present at the Hail Mary. Quack, he's a Ducks fan. Alright, Scott, I'm gonna move right past that one. Eric Morris, great new format. You've written great stuff on walkable ski areas. How did you develop those thoughts?00:50:51.000 --> 00:51:00.000Stuart Winchester: Are you aware of strong towns? Are you aware of the Congress of New Urbanism? Eric, thank you. Yes, that is a running theme.00:51:00.000 --> 00:51:03.000Stuart Winchester: We threw out the storm.00:51:03.000 --> 00:51:19.000Stuart Winchester: I'll say this. There's a reason I live in New York City, and it's not because I think it's the greatest place in the world. It's because I value living in a walkable community. I value a pedestrian environment. I like that I don't need to get in my car.00:51:19.000 --> 00:51:26.000Stuart Winchester: Every time I need to go to the grocery store to get a box of pancakes. And New York City offers a really.00:51:26.000 --> 00:51:30.000Stuart Winchester: Great environment for that sort of lifestyle.00:51:30.000 --> 00:51:32.000Stuart Winchester: Uh, and when you travel around Europe.00:51:32.000 --> 00:51:45.000Stuart Winchester: those sorts of communities are everywhere, including in the ski towns. And our ski areas, being developed post-World War II, were mostly developed as most of America was at the time, which is around the automobile.00:51:45.000 --> 00:51:47.000Stuart Winchester: And…00:51:47.000 --> 00:51:49.000Stuart Winchester: I don't think that…00:51:49.000 --> 00:52:04.000Stuart Winchester: Car-centric mountain towns are necessarily the best way to evolve our towns into the future. So I think there's a rethinking in order. And yes, I am familiar with the schools of new urbanism and read frequently.00:52:04.000 --> 00:52:09.000Stuart Winchester: I'm not claiming these are ideas I'm coming up with mysel

What happens when a forty-something software engineer steps away from his desk and onto the stage—for the very first time?

What happens when a forty-something software engineer steps away from his desk and onto the stage—for the very first time?

On this episode: Norman Leahy sits down with Ballotpedia CEO and Founder Leslie Graves to explore how foundational literary works—like Don Quixote and The Seven Brothers—shape national character and culture. They examine why America, despite being born from enlightenment philosophy, has never produced a true, definitive national novel, and what that absence might say about how Americans understand themselves as people. Read Leslie's Column: ⁠https://ballotpedia.org/From_the_desk_of_Leslie_Graves⁠ Check out our complete office hours series: ⁠https://www.youtube.com/playlist?list=PLtP8LWIl9mMO2t_0SXnYhwMv6HHgIoL75⁠ Complete a brief 5 minute survey to review the show and share some feedback: https://forms.gle/zPxYSog5civyvEKX6 Sign up for our Newsletters: https://ballotpedia.org/Ballotpedia_Email_Updates Stream "On the Ballot" on Spotify or wherever you listen to podcasts. If you have questions, comments, or love for BP, feel free to reach out at ontheballot@ballotpedia.org or on X (formerly Twitter) @Ballotpedia.*On The Ballot is a conversational podcast featuring interviews with guests across the political spectrum. The views and opinions expressed by them are solely their own and are not representative of the views of the host or Ballotpedia as a whole.

What if the seven Czech cases were contestants in a reality show?Meet Nominative, Instrumental, Genitive, Locative, and the rest of the “Seven Brothers” as they compete for survival. Learn Czech grammar through humor, memorable stories, and everyday examples instead of declension tables.Perfect for intermediate Czech learners (A2–B1) who want to remember Czech cases naturally.Join our Czech Cases Liberation Day and stop overthinking the endings.https://slowczech.com/liberation/Get the transcript here: https://slowczech.com/slowczechpodcast----free “Real Czech Starter Kit”: slowczech.com/kit/podImmersion Program: www.slowczech.com/immersion/pod

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Misogyny aside, pretty fun musical. This week Raven and Campbell discuss Crayola Crowns, seasoning mac and cheese, and naming children in the 1954 musical film, Seven Brides for Seven Brothers. June Jam Recipe: -2 oz gin -½ oz fresh lemon juice -1 tbsp jam Place all ingredients in a shaker. Shake well with ice to break up the jam then pour into a glass.   You can support us by donating to: Education Through Music at https://www.classy.org/give/442371/#!/donation/checkout The D'Addario Foundation: http://www.daddariofoundation.org/about/donate  Mr. Holland's Opus Foundation: https://www.mhopus.org/donate/  Email us at boozicals@gmail.com or comment your musical requests or cocktail recommendations! Also be sure to follow us on our Instagram @boozicals and Letterboxd for updates on your now favorite podcast.

James Lott jr and Tonya have an amazing convo. Tonya Crowe is an American actress best known for playing Olivia Cunningham, the daughter of Abby Cunningham (played by Donna Mills), on the long-running prime-time soap opera Knots Landing. She appeared on the show from 1980–1990 and returned for the 1997 reunion miniseries. Crowe also appeared in projects such as Dark Night of the Scarecrow, Who's the Boss?, CHiPs, and Seven Brides for Seven Brothers. She earned multiple Soap Opera Digest and Young Artist Award nominations during her acting career. Instagram: @tonyacroweofficial Cameo: Tonya Crowe Cameo Page — Personalized video messages, fan greetings, and special occasion videos.

This is a preview of our bonus episode. To hear the full episode, sign up today at https://www.patreon.com/Hellofawaytodie  This week Eric Peacock from SoundTracker joins Francis one again to take in some Musical Theater. From the Golden Age of Musicals, we watch Seven Brides for Seven Brothers (1954). Seven mountain man brothers need wives and when courtin' fails they resort to kidnappin'. Filmed in beautiful cinemascope and filled with acrobatic dance fights (and quite a few brawls), this movie manages to be fun and entertaining seventy years later, if just slightly problematic. Keep up with Eric and the return of SoundTracker here - https://x.com/Soundtracker_  Follow Eric here - https://x.com/uwebollocks 

Featured playlist: The Church (That Meets in My Home) — https://www.youtube.com/playlist?list=PL5Yobt1jZDd9Zzn8Ufa-BNciyYv04Cl6mMy books:Exalted: Putting Jesus in His Place — https://www.amazon.com/Exalted-Putting-Jesus-His-Place/dp/0985118709/ref=tmm_pap_title_0God's Design for Marriage (Married Edition) — https://www.amazon.com/Gods-Design-Marriage-Married-Amazing/dp/0998786306/ref=sr_1_4?s=books&ie=UTF8&qid=1493422125&sr=1-4&keywords=god%27s+design+for+marriageGod's Design for Marriage (Pre-married Edition) — https://www.amazon.com/Gods-Design-Marriage-What-Before/dp/0985118725/ref=cm_cr_pr_product_topSupport us - become a CTC Partner: https://crosstocrown.org/partners/crosstocrown.org@DougGoodin

In Forest Park sits the nation's largest and oldest outdoor theater venue, The Muny. In its 107 seasons, the theater has produced numerous classics – some of which have received a fresh coat of paint to bring them into the modern era. The updated works include “The Wiz”, “Seven Brides for Seven Brothers” and “Meet Me in St. Louis”. Mike Isaacson, The Muny's executive producer and artistic director, discusses the importance of updating these great American musicals and why the Tony Award-winning theater is the perfect place to play with new concepts for outdated shows.

I've joked before, though its not really a joke, about how despite the beauty of the wedding liturgy, it would be far more appropriate if the couple made this public affirmation together: “We are both broken. We have been idiots and we will be idiots again. We are both difficult to live with. We sulk and get angry and hold grudges. We both blame other people for our own mistakes, we're not very good at compromise, and we are definitely not as nice as we think we are. And yet, we are here together hoping against hope to fight against the loneliness our failings tend to create.” Marriage isn't easy, but it might become easier if we realize that our partners are fallible creatures just like us. Jesus says “Marriage isn't heaven nor will there be marriage in heaven.” Not because marriage isn't a good thing, but simply because the goodness of heaven transcends the goodness of everything we can know in our earthly lives.

The team takes a look at a classic musical. We break it down with modern eyes, respectfully of course.

Fr. Mike focuses on the powerful theme that connects all of our readings today- the reality of life beyond death. In the story of the martyrdom of the seven brothers in 2 Macabees, we see how the brothers and their mother fiercely reject the temptation to violate God's law, and boldly hold onto their hope in the resurrection of the dead. Our readings from Wisdom also remind us that death is not the end, because we know that eternal life is waiting for us beyond death. Today's readings are 2 Maccabees 7, Wisdom 3-4, and Proverbs 24:27-29. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Robert Meffe, Head of the SDSU MFA Musical Theatre Program, spent twenty-two years in New York City as a professional conductor, music director, keyboardist, orchestrator, arranger and music copyist. His Broadway credits include: Associate Conductor of Little Women and the last six years of Les Misérables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, The 25th Annual Putnam County Spelling Bee, Grey Gardens, and Bombay Dreams.National Tour credits include Music Director of Evita (2012 revival) and The Phantom of the Opera, Associate Conductor of Les Misérables, Little Women, and Sunday in the Park with George. Off-Broadway: Myths & Hymns, Violet, The Prince and the Pauper, Gutenberg! The Musical!, and music arrangements for Disenchanted. TV: Encore! (Disney+), Earth To America (TBS), Renee Fleming-Live at Lincoln Center (PBS). Las Vegas: Associate Conductor of Avenue Q, keyboards for Mamma Mia and Hairspray. Williamstown Theatre Festival: Ten Cents a Dance (directed by John Doyle). Paper Mill Playhouse: Peter Pan (Music Director), Forum, Thoroughly Modern Millie (Associate), A Wonderful Life, Seven Brides for Seven Brothers(keyboards). San Diego credits include a nomination for Best Musical Direction for Fun Home (San Diego Rep), keyboards for Wicked, Waitress, Beautiful and Priscilla, Queen of the Desert (San Diego Civic Theatre), Bright Star, Looking for Christmas, How the Grinch Stole Christmas (The Old Globe), Kiss My Aztec, Fly (La Jolla Playhouse) and Far Away Places, a one-night cabaret show with Patti Lupone (Balboa Theatre).Robert served as Music Prep Supervisor/Orchestrator for the benefit concert, You've Got a Friend at the Dolby Theatre in Los Angeles honoring legendary singer/songwriter Carole King. New orchestrations included “I Feel the Earth Move” for Alicia Keys and “It's Too Late” for Amy Grant.Mr. Meffe serves as the Head of the Faculty for the Musical Theatre Studio at the Trentino Music Festival in Mezzano, Italy. For this festival he has music directed Godspell, Evita, Into the Woods, and Rent.A champion of new works, Mr. Meffe has music directed many workshops and reading of new musicals including Postcard American Town by Lynne Shankel and Crystal Skillman,  'Til Death Do Us Part, by Bobby Cronin and Caroline Prugh, Mister Doctor and Mr. Holland's Opus, both written by B.D. Wong and Wayne Barker, We Foxes and Darling, both written by Ryan Scott Oliver, Quanah by Larry Gatlin and Tony Dodge, College: The Musical by Drew Fornarola and Scott Elmegreen, A Lasting Impression by Zoe Sarnak, Factory Girls by Sean Mahoney and Creighton Irons and I Capture the Castle by Cara Reichel and Peter Foley. SDSU New Musical InitiativeOver the course of two years, MFA students will rehearse and develop to full production a new work of musical theatre under the guidance of faculty director Stephen Brotebeck and faculty music director (and Head of MFA Program) Robert Meffe. Brotebeck and Meffe have years of Broadway experience developing new musical works for the stage including shows such as Peter and the Starcatcher, Ghost and Little Women. Past artists have included Derek Gregor, Phoebe Kreutz, T.C. Lind, Lynne Shankel, Crystal Skillman, Bobby Cronin, Caroline Prugh, Ryan Scott Oliver, BD Wong, Wayne Barker, Michael Federico and Home for Hovercraft band members Seth and Sean Magill. Our plan is to collaborate with a creative team in three stages from reading to workshop to full production. We are looking for completed scripts and scores from a team that is interested in developing their work in conjunction with our graduate students. The committee considers a host of factors in the selection process, including representation of writers and stories from a range of cultural, ethnic, racial, and other affinities, as well as the gender balance of the writers whose work is presented in a given theatrical season.

durée : 00:22:22 - « Seven Brides for Seven Brothers », bande originale du film de Stanley Donen - Deux ans après le monument "Singing in the rain', Stanley Donen réalisait un autre classique de la comédie musicale américaine : "Seven brides for seven brothers". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

TVC 706.4: Part 2 of a conversation that began last week with Ruta Lee (High Rollers, Witness for the Prosecution, Seven Brides for Seven Brothers, Consider Your Ass Kissed), entertainment legend and the chairperson emeritus of The Thalians. Ruta recently announced that The Thalians will honor Neil Sedaka with its Mr. Wonderful award at this year's Thalians Christmas gala, which will take place at the Bel Air Country Club Saturday, Dec. 6. The evening will also include a special appearance by Ann Jillian. For tickets and more information, Thalians.org. Topics this segment include some of the previous recipients of Mr. Wonderful award, which include Lucille Ball (that year, of course, it became the “Ms. Wonderful” award) and Clint Eastwood.

Buckle up - this is a weird one... Karen skims the surface of this classic musical, Seven Brides for Seven Brothers! How can you make a musical about kidnapping seem romantic? You can't! But damn if those ABC brothers weren't great dancers! Get in touch! @downstageleftpc downstageleftpc@gmail.com downstageleftpodcast.com

TVC 705.4: Ed welcomes back Ruta Lee (High Rollers, Witness for the Prosecution, Seven Brides for Seven Brothers, Consider Your Ass Kissed), legendary singer, actress, and philanthropist, and the chairperson emeritus of The Thalians, the charitable organization to which Ruta has dedicated much of her life over the past seventy years, and which to date has raised has raised more than $50 million for mental health related causes. Ruta recently announced that The Thalians will honor Grammy Award-winning singer and songwriter Neil Sedaka with its Mr. Wonderful award at this year's Thalians Christmas gala, which will take place at the Bel Air Country Club Saturday, Dec. 6. The evening will also include a special appearance by the one and only Ann Jillian. For tickets and more information, Thalians.org. Topics this segment include the back story of Mr. Wonderful award (which was designed by Walt Disney), and why Ruta believes that Southern California “is the place where God lives.”

Join thousands of other listeners on our Substack, The Foodletter!   In this inspiring and insight-packed episode, Brooke sits down with Utah-based entrepreneur and restaurateur Shem Hannemann to talk about the highs, lows, and hard truths of building restaurant brands that people love. Shem opens up about his early creative ventures, what it really takes to start a restaurant from scratch, and how his passion for design, people, and food have fueled a career rooted in both hospitality and hustle. From the initial concept of Sunday's Best to facing hard moments of burnout, Shem delivers a transparent and motivating look at what it takes to succeed in the food world—and how staying curious and community-focused keeps him moving forward.   Whether you're a restaurant lover, aspiring business owner, or creative looking for inspiration, this episode delivers clarity, honesty, and encouragement in spades.   Key Takeaways [03:28] Family Roots and Resilience: Shem's grandparents immigrated from Samoa to Hawaii, seeking better opportunities. Their hard work and sacrifice laid the foundation for the family's success. [08:17] The Power of Family and Culture: Surfing and the ocean played a central role in keeping the brothers connected and grounded, influencing the restaurant's beach-themed branding. [16:17] From Humble Beginnings to Expansion: The first Seven Brothers location, Kahuku Grill, opened in 2009 with minimal experience and a $2.75 burger that initially lost money. Through word of mouth and community support, the business grew. [19:56] Menu Evolution: The iconic "Shemburger" was born out of experimentation, and the menu expanded from seafood to gourmet burgers, now a cornerstone of the brand. [29:10] Expansion and Franchising: Seven Brothers now has multiple locations (4 in Hawaii, 7 in Utah, and 1 in Arizona), with 4 more opening soon. Franchising has allowed local families to bring the brand to their communities. [41:05] Lessons in Resilience: Shem credits his parents' optimism and hard work as the driving force behind the business's success, emphasizing the mantra "this too shall pass."   Notable Quotes (3:28) "Our grandparents immigrated from Samoa to Hawaii. They wanted a better life for their kids... my dad comes from a family of 14." (15:40) “Don't do it—it's the highest fail rate... we don't have experience.” (42:20) “This too shall pass… good times or bad—just weather it. Something good will come.” – Shem Hannemann (46:39) “It's a mess, but it's my favorite burger right now.”   Resources Visit the official Seven Brothers website. Follow Seven Brothers on Instagram Follow Female Foodie on Instagram  

Okay, so not only a period piece this week, but also a film from way before our usual date range…Paul and Erika are talking about the classic MGM musical Seven Brides For Seven Brothers! Look, anyone who has seen this movie is probably getting on their crash helmets and buckling their seat belts, but…is it possible…your hosts liked this movie? Come join us for a discussion of corsets, skid marks, and wood-chopping!You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

Front Row Classics is proud to welcome Russ Tamblyn to the podcast! Brandon and Russ sit down to discuss several of the stories found in Russ' memoir "Dancing on the Edge: A Journey of Living, Loving, and Tumbling Through Hollywood." The two discuss his memories of films like Father of the Bride, Seven Brides for Seven Brothers, West Side Story and The Haunting.  RUSS TAMBLYN, is an Academy Award-nominated actor, dancer, choreographer, director, and artist best known as Riff in the iconic 1961 film West Side Story and Dr. Jacoby in David Lynch's cult-classic television show, Twin Peaks, as well as for his contribution to the art, music, and counterculture movements of the 1960s. His eight-millimeter films and collage-and-assemblage art have appeared in numerous exhibitions, including at the Los Angeles Institute of Contemporary Art, the Los Angeles County Museum of Art, and the Getty. He lives in Los Angeles.

Jacques d'Amboise & Richard Wolinsky, KPFA, April 6, 2011. Jacques d'Amboise (1934-2021), whose memoir is titled “I Was a Dancer,” in conversation with host Richard Wolinsky, April 6, 2011. First posted May 9, 2021. Jacques d'Amboise, who died on May 2, 2021 at the age of 88 following complications from a stroke, was a principal dancer for the New York City Ballet from 1953 to his retirement in 1984. As such, he was considered the living embodiment of the choreography of the great George Balanchine. In 1976, he founded the National Dance Institute to teach dance to children. In time, he became one of the most famous dancers in America, appearing as one of the Seven Brides for Seven Brothers and as the male dancer in the second act ballet in Carousel in those respective 1950s films. The post Jacques d'Amboise (1934-2021), “I Was a Dancer,” 2011 appeared first on KPFA.

TVC 689.3: Ed welcomes back singer, actress, and philanthropist Ruta Lee (High Rollers, Witness for the Prosecution, Seven Brides for Seven Brothers, Consider Your Ass Kissed). Ruta will celebrate her ninetieth birthday this coming Friday, May 30 with an evening of song and stories at the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood. Proceeds for the evening will support The Thalians, the charitable organization to which Ruta has dedicated much of her life over the past sixty years, and which to date has raised has raised more than $50 million for mental health related causes. (NOTE: Though Ruta's performance on May 30 has sold out, you can still make a donation to The Thalians in any amount by going to Thalians.org.) Among other topics this segment, Ruta shares a few memories of co-starring opposite Patrick O'Neal in “A Short Drink from a Certain Fountain,” an episode of The Twilight Zone from 1963 that Ruta considers one of her all-time favorite television performances, not only because of the character she played, but for the opportunity to perform the words of the great Rod Serling. Ruta also tells Ed why her experience filming Sergeants 3 (1962) with Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop—and hanging out with the Rat Pack in general—ranks as her “favorite time in life.”

In the first-ever Friday night edition of Spellbreakers, Matt Trump kicks off the weekend with a deeply personal and freewheeling exploration of nostalgia, geography, politics, and classic Americana. Broadcasting solo, Matt uses the episode as a canvas to reminisce on his college days in Oregon, share reflections on his life as a physicist and AI researcher at Arizona State, and explore the cultural and political shifts unfolding in both Oregon and America at large. With the state of Oregon as a central character, Matt takes listeners on a tour of the Willamette Valley, recounts the strange symbolism of Oregon's state capitol, and advocates for unity over secession in the face of eastern Oregon's push to join Idaho. He blends this civic reflection with commentary on Trump's evolving relationship with Israel, race and free speech in America, and the importance of cultural memory. In a highlight moment, Matt dives into a musical tribute to Seven Brides for Seven Brothers, analyzing its symbolism, romantic energy, and portrayal of mid-century American ideals. He even plays the film's opening number, “Bless Your Beautiful Hide,” as part of his broader campaign to remind listeners of the joy and courage in American storytelling. Backed by sponsors BlockTrust IRA and Safe Streets, and peppered with audience shoutouts, movie trivia, and TCM reverence, this episode feels like an intimate fireside chat, equal parts homespun history, media commentary, and heartland revivalism. Spellbreakers Friday nights have arrived, and Matt's determined to make them count.

Front Row Classics welcomes back, friend of the podcast, Jessica Pickens to celebrate one of our favorite genres. Brandon and Jessica are celebrating movies musicals. In this episode, we are sampling four favorites from the thirties through the fifties. We're taking a look at Footlight Parade (1933), Moon Over Miami (1941), Bathing Beauty (1944) and Seven Brides for Seven Brothers (1954). Brandon and Jessica discuss the evolution of musicals and how different sub-genres occurred during the Golden Age of Hollywood.

Front Row Classics welcomes back, friend of the podcast, Jessica Pickens to celebrate one of our favorite genres. Brandon and Jessica are celebrating movies musicals. In this episode, we are sampling four favorites from the thirties through the fifties. We're taking a look at Footlight Parade (1933), Moon Over Miami (1941), Bathing Beauty (1944) and Seven Brides for Seven Brothers (1954). Brandon and Jessica discuss the evolution of musicals and how different sub-genres occurred during the Golden Age of Hollywood.

What better way to celebrate Lily's imminent nuptials than by watching a family musical based on a Roman legend about sexual assault? If you haven't seen it, think Hollywood's golden era with catchy tunes, luminous Metroscope (a rival to technicolor) and yes, some problematic gender politics. Enjoy.ReferencesMaking-of featurette with Ruth Lee raving about corsetsAn American Cinematographer article on shooting Seven Brides by George Folsey-----------If you love what we do, please like, subscribe and leave a review!Edited and produced by Lily Austin and James BrailsfordOriginal music by James BrailsfordInstagram TikTokEmail us

Max and Roger discuss Hallmark films, The Standells, KFC, the end of March Madness, and Snow White on Monday, March 31st 2025. Hosted on Acast. See acast.com/privacy for more information.

This week, I invited my four siblings--Cassie Gadd, Brad Singley, Brett Singley, and Hayley Kirkland--into the studio to talk about our top family movies. We intended to each share 5 favorite movies from our childhood and then in our own families, but we definitely got carried away. I'm going to list our childhood movies and then our current favorite family movies by the person who recommended them. I'll omit the ones that we mentioned but do not recommend. (Sorry, Chitty Chitty Bang Bang) We also talk about how we make family movie nights happen and what they look like for each of us.  Of course, check ratings and Commonsensemedia.org to decide if these movie are appropriate for your families.  Movies from Our Childhood (80s and 90s) Musicals: Sound of Music, Singing in the Rain, Music Man, Fiddler on the Roof, Newsies, Meet Me In St Louis, Seven Brides for Seven Brothers (proceed with caution), Peter Pan (with Mary Martin. Definitely niche), Alice in Wonderland (made for TV movie), Into the Woods All ages:  Three Amigos, Dirty Rotten Scoundrels, Nacho Libre, Princess Bride (Teen? Those ROUSes are pretty scary), Hook, Sandlot, Three Ninjas, Swiss Family Robinson, That Darn Cat, Flight of the Navigator, Sister Act Teens: Happy Gilmore, Goonies, Ghostbusters, Back to the Future, So I Married An Axe Murderer, Life Is Beautiful Suspense: Rear Window Top Movies for our Own Families Whitney: Dan in Real Life, Secret Life of Walter Mitty, Hitch, Hunt for the Wilderpeople (language), The Truman Show, Castaway Cassie: Jurassic Park, Blackbeard's Ghost, Remember the Titans, Princess Bride, Night at the Museum, National Treasure Brad: Safety Last, School of Rock (language), Fantastic Mr. Fox, Hunt for the Wilderpeople (language), The Red Balloon, What About Bob, Raising Arizona Brett: My Neighbor Totoro, Fantastic Mr. Fox, Surf's Up, Three Ninjas, All Lego Movies Hayley: School of Rock (language), Princess Bride, Hook, Singing in the Rain, Music Man, Newsies, Paddington 2, Napoleon Dynamite, Monty Python and the Holy Grail   Weekly Open Lab: Wednesdays at 10 am MT (through April 30 2025, then resuming in September)  Join Whitney in her virtual studio to share ideas, solve problems, craft experiments, chat about past and future episodes, discuss this quarter's book, or just drop in to say hi!  https://riverside.fm/studio/listener-ideas?t=880793c622433a15fcce

In this episode we'll be covering the 27th Academy Awards or the films of 1954, but not before we revisit the 97th Academy Awards to discuss what happened at the ceremony. The nominees for the 27th Academy Awards were: The Caine Mutiny, The Country Girl, On the Waterfront, Seven Brides for Seven Brothers, and Three Coins in the Fountain. We also discuss the non-nominees Sabrina and Rear Window.Notes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate: 0:30 - 97th Academy Awards Review8:00 - Start of the 27th Academy Awards Episode19:25 - The Caine Mutiny33:05 - The Country Girl44:05 - Seven Brides for Seven Brothers59:00 - Three Coins in the Fountain1:08:50 - On the Waterfront1:30:35 - Should something else have been nominated? 1:31:00 - Sabrina1:41:20 - Rear Window1:51:15 - Did the Oscars get it wrong?1:54:15 - Jake Gyllenhaal Corner1:56:55 - Conclusions2:04:35 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice

A Golden Age Hollywood star in every sense, at just 16 Ruta Lee was  cast in the all-time great movie musical, 'Seven Brides for Seven Brothers', subsequently becoming the designated smoldering beauty, spicy sexpot and fiery vixen in  iconic TV Westerns, mysteries and dramas of  the '50s and '60s. She is celebrating her 90th birthday in classic Ruta fashion: with a one-woman show, fabulously titled 'Consider Your Ass Kissed! This week she brings her legendary inside showbiz lore and boundless energy to the Media Path studio!Ruta's story begins with her Lithuanian background and parents who escaped the oppression of the Communist regime to Montreal, Quebec, where Ruta was born, singing and dancing. Her mother reached out to a Lithuanian priest in Los Angeles and thus began the plan to head for Hollywood.Ruta's Hollywood High training prepared her to land roles on The George Burns & Gracie Allen Show, The Roy Rogers Show and then iconic films including Funny Face with Fred Astaire and Audrey Hepburn and Sergeants Three with The Rat Pack! Ruta recounts her heroic efforts to extract her Grandmother from a Siberian internment camp. She took her request straight to Khrushchev! She tells us about her work with The Thalians, an organization founded by Hollywood actors to help children receive mental health care. Also, what is Audrey Hepburn's keep-slim advice? And what job yielded Ruta the most lucrative income? And with public speaking being our number one fear, Rick Mitchell joins us to talk about his new book, one of the most crucial reference guides of all time, 'How to Write a Funny Speech for a Wedding, Bar Mitzvah, Graduation & Every Other Event You Didn't Want to Go to in the First Place'!In recommendations-- Weezy: "Reality Winner Noir" - Reality (2023) on Max and Winner (2024) on HuluFritz: 'Nickel Boys' now streaming on PrimePath Points of Interest:Ruta Lee Consider Your Ass Kissed by Ruta LeeRuta Lee in“CONSIDER YOUR ASS KISSED”At The Purple Room in Palm Springs, Saturday & Sunday, March 29th and 30that The El Portal Theatre, Friday, May 30th, 2025Ruta Lee on WikipediaRuta Lee on FacebookThe ThaliansRick MitchellHow to Write a Funny Speech Buy LinksNickel Boys (2024)Reality (2023) on MaxWinner (2024) on HuluMedia Path Podcast

Bobby from the Grindbin sits down and talks about one of his favorite musicals Seven Brides for Seven Brothers and everything else you would expect from this show.  Voicemail: 732-639-1435

Another nostalgic guilty pleasure of Hannah's, so no judging! Make sure to take off your feminist hat for this one, though, because Stacey and Hannah still love this oldie western musical and gush all over it. Problematic? Sure. Toxic? Yes. Manipulative? Absolutely! If you can look past that, you'll have a great time :)

In this episode, Steve Guerriero of the Charles River Museum of Industry & Innovation tells us about how the Industrial Revolution transformed New England, creating mill towns and re-ordering local society for good. From boom times to going bust, these factories have a tremendous impact to this day — even if they're now loft apartments, craft breweries, or chic wedding venues. Howie Roseman gets hit with a can of beer during the Eagles' Super Bowl Parade. Seven Brides for Seven Brothers — bemoaning the neverending winter. Did you read Lyddie?? Have feedback on this episode or ideas for upcoming topics? DM me on Instagram, email me, or send a voice memo.  

Send us a textBless your beautiful hides! In this episode, guest Spinster Jessica joins us as we discuss the fate of the Sabine women as told by Plutarch and Seven Brides for Seven Brothers. They also discuss axe safety, the definition of a heifer, and who is more likely to be a Future Farmer of America. Check us out at @clashyspinsters on Twitter and Instagram, or send us an email at clashypodcast@gmail.com. Shout out to @robotjellyfish for our logo and Chris Marino for our jingle!

Lyrics and Melodies abound this week on Cinema in Seconds as Ian, Daniel and Zack look a moments in musical films. So join the chorus and dance along with us! Wizard of Oz - 9:00 West Side Story - 25:00 Cabaret - 38:00 Fantasia - 53:30 Seven Brides for Seven Brothers - 1:08:00 Gold-diggers of 1933 - 1:23:00

EPISODE 63 - “NOT EVEN NOMINATED: A DISCUSSION ABOUT CLASSIC CINEMA WITH AUTHOR JOHN DILEO” - 11/25/2024 Author JOHN DILEO, film historian and author, has just published his eighth book, Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances. This week, John joins Steve and Nan to discuss his book, as well as his origin story on how he got hooked on classic cinema. Join us for the fun, lively discussion about old Hollywood. And make sure you check out John's book.  SHOW NOTES:  Sources: 100 Great Film Performances You Should Remember — But Probably Don't (2002), by John DiLeo: Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances (2024), by John DiLeo; TCM.com; Wikipedia.com; IMDBPro.com; Movies Mentioned:  Dr. Jekyll and Mr. Hyde (1931); Fredric March & Miriam Hopkins; Mr. Deeds Goes to Town (1936), starring Gary Cooper & Jean Arthur; The More the Merrier (1943), starring Jean Arthur , Joel McCrea, and Charles Coburn; The Best Years of Our Lives (1946), starring Dana Andrews, Fredric March, Myrna Loy, Teresa Wright, Harold Russell, Cathy O'Donnell, Virginia Mayo, and Steve Cochran; Miracle On 34th Street (1947), starring Maureen O'Hara, John Payne, Edmund Gwynn, and Natalie Wood; The Treasure of The Sierra Madre (1948), starring Humphrey Bogart & Walter Huston; All About Eve (1950), starring Bette Davis, Anne Baxter, Gary Merrill, Celeste Holm, George Sanders, Thelma Ritter, and Marilyn Monroe; Ace In the Hole (1951), Starring Kirk Douglas & Jan Sterling; Strangers on a Train (1951), starring Farley Granger, Robert Walker, Ruth Roman, & Pat Hitchcock; Mr. Blanding Builds His Dream House (1948), starring Cary Grant, Myrna Loy, & Melvyn Douglas; Rope (1948), starring James Stewart, Farley Granger & John Dahl; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; From Here To Eternity (1953), starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Donna Reed, & Frank Sinatra; The Bandwagon (1953), Fred Astaire & Cyd Charisse; Seven Brides for Seven Brothers (1954), starring Howard Keel, Jane Powell, & Russ Tamblyn; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, & Shirley Jones; Judgement at Nuremberg (1961), starring Spencer Tracy, Maximilian Schell, Burt Lancaster, Marlene Dietrich, Montgomery Clift, Richard Widmark, & Jusy Garland; To Kill A Mockingbird (1962), starring Gregory Peck, Mary Badham, Philip Allford, Brock Peters; Whatever Happened to Baby Jane (1963);, starring Bette Davis, Joan Crawford, & Victor Bueno; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke & David Tomlinson; The Trouble With Angels (1966); starring Rosalind Russell, Hayley Mills, Mary Wickes & Binnie Barnes; The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, and Katharine Ross; Wiat Until Dark (1968), starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efram Zimberlist, Jr. & Jack Weston; That's Entertainment (1974); The Devil's Rain (1975), starring Ida Lupino, William Shatner, Ernest Borgnine, Tom Skerritt, Eddie Albert, Keenan Wynn, Joan Prather & John Travolta; That's Entertainment II (1976); Ordinary People (1980), starring Donald Sutherland, Mary Tyler Moore, Timothy Hutton, Judd Hirsh, & Elizabeth McGovern; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fr. Mike focuses on the powerful theme that connects all of our readings today- the reality of life beyond death. In the story of the martyrdom of the seven brothers in 2 Macabees, we see how the brothers and their mother fiercely reject the temptation to violate God's law, and boldly hold onto their hope in the resurrection of the dead. Our readings from Wisdom also remind us that death is not the end, because we know that eternal life is waiting for us beyond death. Today's readings are 2 Maccabees 7, Wisdom 3-4, and Proverbs 24:27-29. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Mattie joins a recently re-Miloed gang to discuss how voters on both sides of the Atlantic only want delivery, and don't care about scandals - whether it's all of Eric Adams' friends getting their phones seized by the FBI, or jillionaires playing dress up with the Labour Front Bench (and the Observer article that blithely describes all the shenanigans the party undertook in the run up to 2019 to play said game of dress up). Get the whole episode on Patreon here: https://www.patreon.com/posts/112421938 Want more Mayors with Mattie (and Nova and Riley)? Check out No Gods, No Mayors - a new podcast by us about Mayors and the Municipalities that love them. https://www.patreon.com/NoGodsNoMayors MILO ALERT Check out Milo's UK Tour Here: https://miloedwards.co.uk/live-shows Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)

In this lively episode of Wise_N_Nerdy, Charles and Joe are joined by special guest TVsTravis for a fantastic blend of humor, insights, and nerdy discussions. The show kicks off with the traditional Question of the Week: “What movie couldn't be made today?” The trio dives deep into films like Blazing Saddles and Seven Brides for Seven Brothers, discussing their problematic themes and why these classics would face major challenges in today's social climate. Next, a roll of the dice lands on the How do I...? segment, sparking a conversation on overcoming hurdles and self-doubt in content creation. The hosts share personal stories and advice, offering practical tips for anyone looking to dive into the world of content creation. The episode takes a fun turn with the Daddy tell me a story segment, where the group reminisces about their favorite experiences from Dragon Con 2024, filling the air with tales of fandom, friendship, and unforgettable encounters. The laughter continues as the hosts tackle a flurry of speakpipes from Cousin Mike and Devocite. Each message is met with roaring laughter, proving once again how interactive and hilarious Wise_N_Nerdy can be. Then, it's time for the Council of Dads, where musicals take center stage as the hosts debate whether they love or hate the genre. As always, the episode wouldn't be complete without some bad dad jokes, leaving Charles groaning and the listeners grinning. The hosts wrap up with "What are you Nerding out about?", where Joe expresses his excitement for My Hero Academia Season 7, TVsTravis shares his love for Nightingale and The Gentlemen, and Charles talks about his close friend Hugh, who joined him at Dragon Con. Be sure to tune in and find your FAMdom with this episode of Wise_N_Nerdy: Where Fatherhood Meets Fandom. --- Support this podcast: https://podcasters.spotify.com/pod/show/wise-n-nerdy/support

(Riverton, WY)- In this episode of The County 10 Podcast, we sit down with members of the Central Wyoming College (CWC) theater department to explore their upcoming production, The Apple Tree: The Diary of Adam and Eve. Joey West, Matt Hartman, and Madeline Dike join us to discuss their roles, the story, and what to expect from this unique performance in the CWC Little Theater. Madeline shares her experience portraying Eve, while Matt gives insight into his portrayal of Adam. The show is only an hour and 10-15 minutes long, making it a perfect evening out. Looking ahead, CWC has an exciting season planned, including a Veterans Day Concert, It's a Wonderful Life: The Musical for the Christmas season, a March production featuring a play written by Steve Martin with a live bluegrass band, and next summer's Seven Brides for Seven Brothers. Performances:Thu, Fri, Sat, September 12, 13, 14, 7 p.m.Sun, September 15, 2 p.m. Don't miss this fun and insightful conversation—and be sure to get your tickets for the show at CWC.edu. Get Tickets: The Apple Tree: The Diary of Adam and Eve at CWC

It's been a minute since we've recapped an alien romance, and HERE WE ARE, HBs! ARTEK by Honey Phillips manages to be both Western Times and alien, which is hard to pull off. This slice-of-life Seven Brides for Seven Brothers retelling was a romp from beginning to end! Bonus Content: Sabrina's Libby nemesis is still abusing her with book 2 of the Spymaster series, Mel can't remember alien names, NIMBYs try to ruin everything again (but fail!), we need this to be a smutty animated series, and so much more! Lady Loves:Mel: cross apply some skills to get yourself out of a dinner rut! Mel mixed things up by using her leftover rotisserie chicken in a pot pie instead of making soup *again* and she nailed it! Sabrina: pick up that old hobby you forgot about! Sabrina loves having her nails done and wow did she dig out a box of all her nail supplies. So fun and fancy!Make sure to check out Mel's new podcast Bonkers Romance! Subscribe! Rate! Review! Tell all your friends :)Get more content on PATREON!!Sign up for our Newsletter! MERCH! Teepublic, Chicaloo Kate, RedbubbleInstagram: @heavingbosomsTwitter: @heaving_bosoms

Hannah's been pretty upfront about how much she loved this film as a kid, but hang on, isn't it basically a musical about the rape of the Sabine women? Yes, yes, it is. But will the sheer toe-tapping nature of MGM's much-loved feast for the eyes, help Jen and Mick get over that terrible premise? No prizes for guessing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diane and Sean discuss a classic and entertaining piece of problematic cinema, Seven Brides for Seven Brothers. Episode music is, "Sobbin' Women", music by Gene de Paul, lyrics by Johnny Mercer, performed by Howard Keel and Brothers from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Fr. Mike focuses on the powerful theme that connects all of our readings today- the reality of life beyond death. In the story of the martyrdom of the seven brothers in 2 Macabees, we see how the brothers and their mother fiercely reject the temptation to violate God's law, and boldly hold onto their hope in the resurrection of the dead. Our readings from Wisdom also remind us that death is not the end, because we know that eternal life is waiting for us beyond death. Today's readings are 2 Maccabees 7, Wisdom 3-4, and Proverbs 24:27-29. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike focuses on the powerful theme that connects all of our readings today- the reality of life beyond death. In the story of the martyrdom of the seven brothers in 2 Macabees, we see how the brothers and their mother fiercely reject the temptation to violate God's law, and boldly hold onto their hope in the resurrection of the dead. Our readings from Wisdom also remind us that death is not the end, because we know that eternal life is waiting for us beyond death. Today's readings are 2 Maccabees 7, Wisdom 3-4, and Proverbs 24:27-29. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.