Podcasts about Bridge over Troubled Water

Today on The Peak Daily: Canada's long-awaited Gordie Howe International Bridge finally gets an opening date, and buy now, pay later lenders set their sights on rent payments. Plus, in the big picture: Anthropic releases a new model, Apotex boosts its IPO target, and the Parti Québécois vows to pull Quebec out of the Alto high-speed rail project.The Peak Daily is produced in partnership with reframevid.com 

In this episode of A Bridge Over Troubled Waters, Cassandra Vanzant explores how to make decisions when nothing feels clear. Learn how to move out of overthinking, recognize your next step, and approach decision-making with greater clarity and ease.Become a supporter of this podcast: https://www.spreaker.com/podcast/meta-mystics--5795466/support.You Don't Know What You Don't Know!

In this episode of A Bridge Over Troubled Waters, Cassandra Vanzant explores the difference between intuition and fear, helping listeners understand how to recognize their internal signals and trust what they're feeling with greater clarity.Become a supporter of this podcast: https://www.spreaker.com/podcast/meta-mystics--5795466/support.You Don't Know What You Don't Know!

In this episode of A Bridge Over Troubled Waters, Cassandra Vanzant explores why patterns repeat in our lives and how awareness is the key to shifting them. Learn how to recognize recurring dynamics, understand what they're showing you, and begin moving forward with greater clarity and intention.Become a supporter of this podcast: https://www.spreaker.com/podcast/meta-mystics--5795466/support.You Don't Know What You Don't Know!

Join Scott Kummer, Josh Hohbein, Craig Marciniak and Tom Berry for reviews of Fountains Of Wayne - Welcome Interstate Managers and Simon & Garfunkel - Bridge Over Troubled Water Check out our new website at www.igtov.com Fill out the Poll for this show.  Remember....its never too late: zzzzhttps://igtov.com/poll/8cf9e181-f468-488e-ac82-71ddf7f83a67/vote All the other shows and forms can also be filled out on our website:  https://igtov.com/polls Or just view the chart: https://igtov.com/chart Get on the mailing list my emailing: igtovpod@gmail.com JoIn the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: https://www.instagram.com/igtovpodcast/ Or email us anytime at IGTOVpod@gmail.com Intro and Outtro music by The Feat: https://thefeatchicago.bandcamp.com/album/schemes-for-decades

March 20, 1983

In this opening episode of A Bridge Over Troubled Waters, Cassandra Vanzant explores what it means to navigate uncertainty with clarity and awareness. Rather than rushing to find answers, she offers a grounded perspective on understanding transitions, recognizing patterns, and learning to trust your own perception during difficult times.Become a supporter of this podcast: https://www.spreaker.com/podcast/meta-mystics--5795466/support.You Don't Know What You Don't Know!

This week on Rick's Rambles Podcast, we've got another fun, meaningful, and slightly quirky mix of stories, music history, and encouragement to brighten your day.

On this week's show, Dana is joined by Slate's own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss.Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed's charm, but they debate whether its conceptual martini sufficiently shaken or stirred.Finally, it's time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics.On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?”EndorsementsRichard: The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings)Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter. Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On this week's show, Dana is joined by Slate's own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss.Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed's charm, but they debate whether its conceptual martini sufficiently shaken or stirred.Finally, it's time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics.On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?”EndorsementsRichard: The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings)Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter. Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

We've decided to do a deep dive on some of our favourite albums to explore the stories behind them.What did the artists really think of each other? Where did the inspirations from the songs come from?Joining Andrea to discuss is Alan Buckley from the Irish Rock ‘N' Roll Museum Experience, who's going to talk through Simon & Garfunkel's ‘Bridge Over Troubled Water'!

Bankruptcy is Your

Youth homelessness is often invisible. It happens quietly, in cars, on couches, in shelters, or on the street, and many young people experiencing it are navigating the challenge alone.On this episode of the Charity Charge Show, host Grayson Harris speaks with Elisabeth Jackson, CEO of Bridge Over Troubled Waters, an organization that has spent decades supporting homeless and runaway youth in Boston.The conversation explores the scale of youth homelessness, the services Bridge provides, and how nonprofits can create long-term pathways for young people to move from crisis to stability.

durée : 01:58:30 - par : Thierry Jousse, Laurent Valero - En duo avec son ami Art Garfunkel ou en solo, Paul Simon demeure, à près de 85 ans, un des grands songwriters de sa génération, auteur de standards incomparables comme Bridge Over Troubled Water et bien d'autres classiques… - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Join our free community: Story-First Songwriters on Skool.Helping songwriters use storytelling to write great lyrics (and make a difference).https://www.skool.com/storytelling-in-songwriting-3212--------------------------- In this video, I do a lyric breakdown of the story told in the Song "Bridge over troubled water" by Paul SImon. I show you how the song includes the 5 commandments of storytelling. For the simple (first) version of the lyric breakdown, go here:https://youtu.be/Z5_qxEE1DKYIf you want to go deeper, join my free community Story-First Songwriters.

Team Simon here! As we take a short hiatus, A Bit of Optimism will return with brand-new episodes on March 24, 2026. Until then, we're revisiting some of the conversations you loved and we still think about long after the microphones turned off. This week, we're rewinding to Simon's conversation with the wildly creative and endlessly curious Jacob Collier. To create something truly original, do we build something new or break what came before? Perhaps the answer is both—simultaneously.  Jacob Collier does exactly that. A songwriter, multi-instrumentalist, and Grammy Award winner, Jacob has built a career on blending structure with spontaneity. He's known for turning entire concert halls into three-part choirs, transforming audiences from spectators into collaborators. His album "Djesse Volume 4" was nominated for Album of the Year at the 2025 Grammy Awards, alongside icons like Beyoncé, Billie Eilish, and Taylor Swift. Although Beyoncé's "Cowboy Carter" won, Jacob snagged his seventh Grammy for his rendition of "Bridge Over Troubled Water." Simon sat down with Jacob in a music studio just days before the 2025 Grammys, surrounded by pianos and possibility. What unfolded was more than a conversation about music. It was a masterclass in creativity, about holding opposites at once, embracing imperfection, and having the courage to follow curiosity wherever it leads. If you've ever wondered how creativity really works or how to find your own voice without losing what came before—this one's worth another listen. This… is A Bit of Optimism. --------------------------- For more on Jacob, check out:  http://jacobcollier.com   ‪@jacobcollier‬ ---------------------------

Join our free community: Story-First Songwriters on Skool.Helping songwriters use storytelling to write great lyrics (and make a difference).https://www.skool.com/storytelling-in-songwriting-3212--------------------------- In this video, I do a simple lyric breakdown of the Song "Bridge over troubled water" by Paul SImon. There will be another video added with the story-components breakdown o March 4th.If you want to go deeper, join my free community Story-First Songwriters.

It's been a frigid, unforgiving winter, but sometimes, that doesn't matter if you're a young person in an unsafe situation and feel you need to get away, quick. Instead of leaving them on the streets to suffer in the elements, "Bridge Over Troubled Waters" is working overtime to make sure homeless, at-risk, and runaway youth have a secure, warm place to stay. Executive Director Elisabeth Jackson returns to the show this week to talk about her team's efforts on the front lines and why so many youth find themselves without a safe place to go.See omnystudio.com/listener for privacy information.

In Part 2 of our review of "Elvis: That's The Way It Is" the gang takes a look at our Patreon supporters's votes and comments on which version of the film is preferred, then debate the merits of the inclusion of interviews with fans and hotel staff in the original, as well as the producers' reasons for removing fan favorites such as "I Just Can't Help Believin'" and "Bridge Over Troubled Water' in favor of more well-known Elvis hits like "Don't Be Cruel" and "Hound Dog" for the Special Edition. Justin challenges the commonly held belief that the Special Edition features substantially more time with Elvis than the theatrical cut, Elvis biographer Peter Guralnick's take on the film in "Careless Love" is contrasted with what we now know of Elvis's thoughts on the film, and the group looks forward to how both versions of the movie may influence Baz Luhrmann's EPiC. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Simon and Garfunkel -  Bookends (Columbia) Released on April 3, 1968,Bookends stands as one of the most concise yet thematically ambitious albums of the 1960s. The album blends folk, pop, and studio experimentation into a unified meditation on aging, memory, and identity. Conceived partly as a song cycle, Side One traces the arc of life—from youthful searching in “America” to mortality in “Old Friends”—framed by the delicate “Bookends Theme.” Inspired by the album-as-art statement approach of Sgt. Pepper's Lonely Hearts Club Band, the record features layered production shaped by engineer Roy Halee. Side Two balances introspection with radio-ready immediacy, including the cultural landmark “Mrs. Robinson,” written for the film The Graduate. Though running under 30 minutes, the album feels expansive in scope, thanks to its orchestration, field recordings, and emotional pacing. Bookends became the duo's first No. 1 album and helped secure their full artistic control for the even more ambitious Bridge Over Troubled Water. More than a collection of hits, it remains a poignant reflection on time's passage and the fragile beauty of human connection.(S5-Ep7)

A shooting at a high school in Tumbler Ridge, British Columbia has left one suspect dead, but police can't yet confirm if a second suspect is involved.Also: Canada is forced to navigate President Trump's recent Truth Social post. He threatened to block the opening of the Gordie Howe International Bridge that links Windsor, Ontario and Michigan, unless Canada pays up. Both Michigan and Canada will jointly own the structure, and will reap its financial benefits. The bridge was paid for – in full – by Canadian taxpayers.And: More Canadian airlines cancel flights to Cuba as the island struggles to provide fuel. The energy crisis, due in part to economic sanctions, is crippling the Cuban economy.Plus: Ottawa still making payments on more F-35 jets, Canada-US Olympic hockey, and more.

Bradley Jay Filled in On NightSide Elisabeth Jackson, the president and CEO of Bridge Over Troubled Waters joined Bradley to discuss their organization and how they serve roughly 2,000 homeless, at-risk, and runaway youth each year in Boston.See omnystudio.com/listener for privacy information.

Send us a text In this episode, we dive into Bridge Over Troubled Water, the ambitious, emotional final studio album from Simon & Garfunkel. From its sweeping orchestration to its gospel-inspired title track, we explore how the duo pushed beyond folk roots, captured a moment of cultural change, and quietly reached the end of their partnership—while creating one of the most enduring albums of all time. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

Paul Simon is an American singer-songwriter and one of the most influential figures in modern music, with songs like The Sound of Silence, Mrs. Robinson, and Bridge Over Troubled Water, Paul is known for his intricate songwriting, poetic lyricism, and music that explores spirituality, memory, and the human condition.Paul shares insights into his legendary songwriting career, focusing on his iconic song 'The Sound of Silence,' written at age 21. Simon reflects on his creative process, the evolution of his music over decades, his 33-minute piece 'Seven Psalms,' and the nature of musical inspiration. He contemplates his legacy, personal happiness, and the influence of other musicians on his life.This episode is sponsored by GiveWell. You can have your donation matched up to $100 before the end of the year! (or as long as matching funds last) go to givewell.org to donate or find out more. Enter LIVES WELL LIVED at the checkout!Listen to NPR Saving Lives with Fewer Dollars and learn more about GiveWellKeep up to date with Peter on SubstackKeep up to date with Kasia!Executive Producer: Rachel BarrettThanks to our volunteer researcher Chris van Ryn! And special thanks to Suzi Jamil! Hosted on Acast. See acast.com/privacy for more information.

Vicki and Christian are reunited! The duo catches up on the unfortunate passing of Christian's aunt, and how a conversation with his mom reminded him of his OG co-host. Plus, Vicki conquers her fear! You're too fabulous to feel sluggish! Go to HappyMammoth.com and use the code MFMSMP at check out to get 15% off your order!  This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or Hurrdat Media YouTube channel! Producer Mikaela Phillips Learn more about your ad choices. Visit megaphone.fm/adchoices

Good Vibe Tribe: Bridge Over Troubled Waters full 319 Wed, 03 Dec 2025 13:34:41 +0000 fq1bn0lQffHHvyUrvhuVDbRWB14sJjU7 latest,wwbx,society & culture Karson & Kennedy latest,wwbx,society & culture Good Vibe Tribe: Bridge Over Troubled Waters Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link

‘Billy Bragg: A People's History' is just out, a new and wholly original kind of memoir written by himself, friends, collaborators and fans, and packed with old snapshots, concert bills, reviews and ephemera. It's very good indeed. He looks back here with us at … … meeting Taylor Swift – “and we both knew who the other was!” … a total of 2,700 gigs – “not counting prisons, In-Stores, Port-A-Stacks and picket lines” … old blokes trying to take selfies … finding old diaries in his archives and sensing how the memory plays tricks … songs that get you out of trouble on stage … bootlegging albums on his reel-to-reel, aged 12, complete with noises off - eg “Bridge Over Troubled Water plus a voice telling me Reach For The Sky was on telly!” … a word-perfect recitation of Mr Tambourine Man … listening to the Lonesome Death of Hattie Carroll when the rest of the school was Glam Rock … buying Ronnie Lane's amp, “like returning home with a religious relic” … “the power of music”: meeting someone who'd heard him on the radio beyond the Iron Curtain … anxiety about American border control: “I was advised to get a new phone. As if that'll make any difference. I'm Billy Bragg, political songwriter!” … lost off-grid in Salt Lake City in the days before internet … “Music can't change the world but it gives you the ability to think it can be changed” …plus Ian McLagan, Desmond Dekker, Ry Cooder, Jam b-sides and Motown Chartbusters Vol 3. Order Billy Bragg: A People's History here: https://burningshed.com/billy-bragg_a-peoples-history_book https://www.billybragg.co.uk/product/billy-bragg-a-peoples-history-an-oral-history-in-the-words-of-people-who-have-been-moved-by-his-music/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Billy Bragg: A People's History' is just out, a new and wholly original kind of memoir written by himself, friends, collaborators and fans, and packed with old snapshots, concert bills, reviews and ephemera. It's very good indeed. He looks back here with us at … … meeting Taylor Swift – “and we both knew who the other was!” … a total of 2,700 gigs – “not counting prisons, In-Stores, Port-A-Stacks and picket lines” … old blokes trying to take selfies … finding old diaries in his archives and sensing how the memory plays tricks … songs that get you out of trouble on stage … bootlegging albums on his reel-to-reel, aged 12, complete with noises off - eg “Bridge Over Troubled Water plus a voice telling me Reach For The Sky was on telly!” … a word-perfect recitation of Mr Tambourine Man … listening to the Lonesome Death of Hattie Carroll when the rest of the school was Glam Rock … buying Ronnie Lane's amp, “like returning home with a religious relic” … “the power of music”: meeting someone who'd heard him on the radio beyond the Iron Curtain … anxiety about American border control: “I was advised to get a new phone. As if that'll make any difference. I'm Billy Bragg, political songwriter!” … lost off-grid in Salt Lake City in the days before internet … “Music can't change the world but it gives you the ability to think it can be changed” …plus Ian McLagan, Desmond Dekker, Ry Cooder, Jam b-sides and Motown Chartbusters Vol 3. Order Billy Bragg: A People's History here: https://burningshed.com/billy-bragg_a-peoples-history_book https://www.billybragg.co.uk/product/billy-bragg-a-peoples-history-an-oral-history-in-the-words-of-people-who-have-been-moved-by-his-music/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Billy Bragg: A People's History' is just out, a new and wholly original kind of memoir written by himself, friends, collaborators and fans, and packed with old snapshots, concert bills, reviews and ephemera. It's very good indeed. He looks back here with us at … … meeting Taylor Swift – “and we both knew who the other was!” … a total of 2,700 gigs – “not counting prisons, In-Stores, Port-A-Stacks and picket lines” … old blokes trying to take selfies … finding old diaries in his archives and sensing how the memory plays tricks … songs that get you out of trouble on stage … bootlegging albums on his reel-to-reel, aged 12, complete with noises off - eg “Bridge Over Troubled Water plus a voice telling me Reach For The Sky was on telly!” … a word-perfect recitation of Mr Tambourine Man … listening to the Lonesome Death of Hattie Carroll when the rest of the school was Glam Rock … buying Ronnie Lane's amp, “like returning home with a religious relic” … “the power of music”: meeting someone who'd heard him on the radio beyond the Iron Curtain … anxiety about American border control: “I was advised to get a new phone. As if that'll make any difference. I'm Billy Bragg, political songwriter!” … lost off-grid in Salt Lake City in the days before internet … “Music can't change the world but it gives you the ability to think it can be changed” …plus Ian McLagan, Desmond Dekker, Ry Cooder, Jam b-sides and Motown Chartbusters Vol 3. Order Billy Bragg: A People's History here: https://burningshed.com/billy-bragg_a-peoples-history_book https://www.billybragg.co.uk/product/billy-bragg-a-peoples-history-an-oral-history-in-the-words-of-people-who-have-been-moved-by-his-music/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with Larry Knechtel, the Wrecking Crew keyboard player and bassist who—along with Brian Wilson & The Beach Boys—has worked with Simon & Garfunkel, Duane Eddy, The Mamas & The Papas, The Monkees, The Doors, The Byrds, The Grass Roots, Elvis Presley, Jerry Garcia, and Billy Joel. He also was a key member of the band Bread. Larry passed away a few years later in 2009, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   Here are just a few of the many things that Larry discusses with Discograffiti in this podcast: What he ascertained early on as a studio musician's average career length, which then led to a healthy fear of his phone no longer ringing; His legendary work on Simon & Garfunkel's “Bridge Over Troubled Water”; Besides Brian, the only Beach Boy he says his fellow studio musicians ever saw in the studio along with them; The curse of having perfect pitch; And his friendship with Jim Gordon…not to mention the fate of the 50+ hours of jam tapes that he recorded with him, which included spoken ruminations on what was bugging Jim at the time.  There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

1975 ergattert Paul Simon mit seinem Album "Still Crazy After All These Years" eine der begehrtesten Musiktrophäen überhaupt: den Grammy für das "Album des Jahres". Neben dem Grammy für das "Album des Jahres" konnte Paul Simon auch noch die Trophäe für die "beste männliche Gesangsdarbietung" abräumen. Besonders gefreut haben dürfte ihn aber auch, dass das Album bei seinen Fans so gut angekommen ist. Millionenfach hat sich die Platte verkauft. Ein Grund dafür ist womöglich einer der größten Hits des Albums, "50 Ways To Leave Your Lover". Vor seiner Solokarriere war Paul Simon bereits ein Star; als Teil des Duos Simon & Garfunkel hatten die beiden Hits wie "Bridge Over Troubled Water", "Mrs. Robinson" und "Sound Of Silence". Als Solokünstler wollte Paul Simon weg von der Folkmusik und sich in anderen Genres ausprobieren. Das hören wir nicht nur auf dem Album "Still Crazy After All These Years", sondern auch auf den vorherigen Platten und ganz besonders auch auf dem späteren Album "Graceland", auf dem Paul Simon sich auch der Weltmusik zuwendet. Für SWR1 Musikredakteur Stephan Fahrig ist dieses Album vor allem ein Jazzalbum, wie er im Podcast erklärt. Und für den Jazz auf Weltklasse-Niveau hat sich der ehemalige Folkmusiker Paul Simon eine lange Liste exzellenter Gastmusiker ins Studio geholt. Außerdem hat Simon seine persönlichen Fähigkeiten erweitert. Vor dem Album hat er sich intensiv mit Musiktheorie und Harmonielehre auseinandergesetzt, und das merkt man dem Album an, erklärt Katharina Heinius im Podcast. Kurz bevor das Album entstanden ist, hatte Paul Simon sich von seiner langjährigen Beziehung getrennt. Gleichzeitig ist er mit seinem musikalischen Partner Art Garfunkel  zum Weltstar aufgestiegen – und das alles, obwohl er erst Mitte 30 war, als er das Album gemacht hat. Man kann also sagen, dass Paul Simon bis dahin schon viel erlebt hatte. Deshalb ist es auch nur passend, dass es auf dem Album "Still Crazy After All These Years" zu vielen Teilen um Erlebtes und um Erinnerungen jeglicher Art geht und man – so sagt es der Titel – immer noch verrückt ist. Wir hören auf "Still Crazy..." ganz viele verschiedene Musikstile. Es ist viel Jazz dabei, Soul und auch Gospel. Wir hören, wie Paul Simon sich vom Folk abhebt und sich in unterschiedlichsten Musikrichtungen ausprobiert – mit Erfolg. Dieses Album ist ein ganz wichtiger Baustein in der Entwicklung von Paul Simon, erklärt Katharina Heinius im Meilensteine Podcast zu "Still Crazy After All These Years". __________ Über diese Songs vom Album "Still Crazy After All These Years" wird im Podcast gesprochen (13:15) – "Still Crazy After All These Years"(32:26) – "My Little Town"(41:48) – "50 Ways To Leave Your Lover"(55:34) – "Gone At Last"__________ Alle Shownotes und weiterführenden Links zur Folge "Still Crazy After All These Years" findet ihr hier: https://1.ard.de/paul_simon_still_crazy_after_all_these_years __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Send us a textMunich-based soul-pop artist Caro Kelley joins Al to talk about Jacob Collier's 2024 album Djesse Vol. 4. Caro revisits her first encounter with the album—and why it led her to go on an extended housecleaning binge—and she explains why she loved the album instantly. Caro also explains why she thinks the album's eclecticism suits it well. She and Al wrap up by talking about her latest album QUIET, why she had to take a break from recording the album and why that hiatus led to her 1000 Albums project.You can learn more about Caro and her music at https://carokelley.com!Also, you can follow her on the following platforms:Instagram and TikTok: @caro_kelleyFacebook: @carokelleymusicYouTube: @CaroKelleyBe sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. The first four episodes of Bonus Tracks—YMAAA's subscriber-only podcast series—are now available at patreon.com/youmealbum. That includes the Bonus Tracks episode with Caro that was published simultaneously with this one. More monthly episodes and other good stuff are soon to come. Please consider subscribing! Your support will make it possible for Al to keep this podcast going.To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.1:29 Caro joins the show2:12 Djesse Vol. 4 was instrumental in Caro undertaking her 1000 Albums project3:46 Caro recalls the first time she listened to the album5:23 Caro and Al talk about their reactions to “100,000 Voices”10:08 Al explains why he had a hard time warming up to the album13:36 Caro thinks the featured performers make the album even better15:34 Having made a multi-genre album herself helps Caro to appreciate the variety on Djesse Vol. 422:40 Caro explains why “A Rock Somewhere” is a highlight27:58 Caro admires Tori Kelly's performance on “Bridge Over Troubled Water”31:31 Caro shares her reaction to the album closer, “World O World”34:10 Caro thinks albums should have a clear intro and outro35:49 Caro feels that the “over-the-top” nature of the album is a genuine reflection of Collier as an artist36:33 Caro helped Al to get more comfortable with talking to guests about albums he doesn't like38:55 Listening to Djesse Vol. 4 prompted Caro to think about how “weird” she wanted QUIET to be45:31 Al hears similarities between Caro's music and Toto46:56 Caro discusses the setback that led her to start the 1000 Albums projectOutro music is from “On the House” by Caro Kelley.Support the show

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One of our most requested guests, David Greaney is the Chief Executive Officer of Synergy, a Boston-based real estate investment and management company that he founded in 2003. Synergy owns and operates over 30 commercial assets in the Greater Boston area, totaling nearly 7 million square feet. Over 500 companies, retailers, and organizations occupy space in the Synergy-owned portfolio.Greaney has played a pivotal role in shaping Boston's economy and downtown landscape, recently leading transformative acquisitions such as 99 High Street, 101 Arch Street, and 1 Liberty Square. His vision for integrating investment, asset management, leasing, construction, property management, accounting, and hospitality has positioned Synergy as a leader in delivering tenant-focused, amenity-driven spaces that consistently outperform market benchmarks.Beyond commercial real estate, Greaney is deeply invested in Boston's hospitality scene, with ownership in over a dozen restaurants that bring vibrancy, foot traffic, and jobs to the city's core. He also works closely with Governor Healey's Administration to address Massachusetts' housing crisis, focusing on adaptive reuse opportunities.Active in civic and industry leadership, Greaney serves on the boards of NAIOP Massachusetts and the Downtown Boston Alliance. Since relocating from Ireland in 1995, he has raised millions for philanthropic causes on both sides of the Atlantic, including Bridge Over Troubled Waters and The Ireland Funds. Greaney has received many accolades for his leadership in Boston, including being recognized for two consecutive years in the Boston Business Journal's “Power50: Movement Makers” list, and Synergy has received the Commercial Broker's Association “Landlord of the Year” Award.Greaney is a graduate of the University College Dublin. Prior to founding Synergy, he worked at Harvard Management Company and PricewaterhouseCoopers. Greaney resides on the South Shore of Massachusetts with his wife and seven children. In his free time, he enjoys traveling and playing golf.From Mike & Tom: This was a fun one for us! Dave Greaney is a legendary investor in the Boston market, and in this interview he shares with our listeners a rare, behind-the-curtain look at Synergy. From Dave's serendipitous beginnings in the US on a summer work visa, through his early investing lessons and the evolution of Synergy as one of Boston's largest and most active commercial landlords, we covered it all in this candid conversation. Thank you to Dave and the Synergy team for sharing your story, and for your continued friendship, collaboration and partnership with our Newmark Boston office.For more information on Synergy, visit: https://synergyboston.com/CoreyFest 2025! We hope you will consider joining us for our 11th Annual CoreyFest on Saturday, November 11th at House of Blues Boston. One of the flagship events of the Corey C. Griffin Foundation, CoreyFest this year will feature local favorites Dalton & the Sheriffs and headliner Dustin Lynch. We are expecting an 11th consecutive sold-out crowd, so please reach out to us today for sponsorship opportunities or visit https://www.coreycgriffinfoundation.org/initiatives-and-events/coreyfest/ for tickets and more information. Thank you to our clients, friends and listeners for your support of Corey's Kids!Please share with clients, colleagues and friends and thanks for tuning in!Tom Greeley

This week…. An encore of our 2016 conversation with legendary musician Paul Simon.  Paul Simon first gained prominence in the 1960s as one-half of duo Simon and Garfunkel. Their hits included The Sound of Silence, Mrs. Robinson, and songs from their fifth and final album, Bridge Over Troubled Water. Simon expanded his music beyond traditional American folk rock in a highly successful solo career that included platinum selling albums like Graceland and Rhythm of the Saints. He was twice inducted into the Rock n Roll Hall of Fame.On June 6, 2016, Simon came to the Sydney Goldstein Theater in San Francisco to talk to writer Dave Eggers about his painstaking process, in which he has sometimes taken more than two years to finish a single song -  and about the physics of sound. At the time this program was recorded, Simon was touring and had just performed two concerts at Berkeley's Greek Theater.  In 2018, he announced he was retiring from public performance, in part because of hearing issues. but in 2025, at the age of 83, he returned to the stage with “A Quiet Celebration Tour”.  

Helen and Gavin chat about Ali Wong: Single Lady, King of the Hill, The Naked Gun, and The Bad Guys 2, it's Week 13 of the list of Grammy Record of the Year Winners from 1971, which will be picked from Let it Be by The Beatles, (They Long to Be) Close to You by The Carpenters, Bridge Over Troubled Water by Simon and Garkfunkel, Everything is Beautful by Ray Stevens, and Fire and Rain by James Taylor.

Label: Columbia 45133Year: 1970Condition: M-Last Price: $12.00. Not currently available for sale.Found one! This is a beautiful, Near Mint copy of the duo's second big hit from their best and, sadly, final album, Bridge Over Troubled Water. What the heck is that rhythm section doing, by the way? Anybody ever figure it out (without looking at the session notes)? By the way, it's not your imagination -- the 45 rpm version of "Cecilia" is speeded up from the LP version, which probably explains why the track is only 2:40 on the 45 but 2:55 on the LP. (!) I actually measured it by recording a snippet of the 45 (have a listen!). That segment is 2 seconds shorter from the 45 (1:43:66) than from the LP (1:45:713). Another reason why collecting 45s is so rewarding. Maybe you wondered if the LP version of "Cecilia" sounded slow all these years, but couldn't figure out why. Now you know... and you weren't imagining it! The B side, also from the album, is sublime itself in so many ways, and it's a privilege to hear it in pristine Mint audio on the original 45 record; don't forget, this song is so quiet it makes "Bridge" sound loud (!), so finding this styrene pressing with sound like this is cause for celebration! It's also worth noting that "Cecilia" was really the first recording that showed how much in love with complex rhythms Paul Simon had become. (And what a master producer as well!) Many of his solo releases demonstrate that passion, starting with his first single, "Mother And Child Reunion," which was one of the first hits with a reggae/ska rhythm by someone not from Jamaica. But in particular I think of his great single Late In The Evening (from the failed album/movie, One Trick Pony), and his entire Graceland and Rhythm of the Saints albums.?Note: This copy comes in a vintage Columbia Records factory sleeve. The audio sounds pristine Mint. The labels and vinyl (styrene) both grade Near Mint with faint storage wear and signs of possible light use.

Recorded on July 27, 2025

Message by Chris Schroeder on Sunday, July 20, 2025

We covered the self-titled debut album from Crosby, Stills & Nash in episode 137.  Deja Vu is considered the second Crosby, Stills & Nash album, but it is actually the first album by Crosby, Stills, Nash & Young, with Canadian songwriter Neil Young turning the trio into a quartet.While the album continues to feature the signature harmonies associated with Crosby, Stills & Nash, it has a harder, more rocking edge to it. Some of this is undoubtedly due to the addition of Neil Young to the album, but it also reflects the challenges the group members were facing.  Both Stephen Stills and Graham Nash had gone through break-ups in their relationships, and David Crosby tragically had lost his girlfriend Christine Hinton in a car accident.The album was highly anticipated, generating $2 million in pre-sales before its release.  It became a gold record only 14 days after release, and was on the Billboard 200 album chart for 88 weeks.  Contemporary critics provided mixed reviews, but the album has only grown in stature over time, with many reviews considering it amongst the top albums ever produced.  Deja Vu was inducted into the Grammy Hall of fame in 2012.After its release, each of the principal members of the group would record solo albums, and the success of Deja Vu contributed to the individual success of these four solo projects.Crosby, Stills & Nash (and sometimes Young) would continue to produce albums over the decades with their last collaboration occurring in 2015.  The death of David Crosby in 2023 ended the possibility of full reunions.Wayne brings us this soft rock singer-songwriter live album for this week's podcast. Carry OnThe opening track to the album was penned by Stephen Stills who also provides lead vocals.  It is a medley of two songs edited together with a jam session connector, and came together surprisingly fast during a time when most songs were taking a long time to finish.  The lyrics encourage the band members to keep going through times of struggle in relationships both within and outside the band.Teach Your ChildrenGraham Nash wrote this song in 1968 when he was with The Hollies, but had not recorded it with that group at the time.  Nash has associated the song with a photograph exhibit showing a child playing with a toy hand grenade, and the lyrics encourage parents to be careful in how they teach their children.  Neil Young does not play on this song, but the steel guitar is provided by Jerry Garcia of the Grateful Dead. WoodstockUnlike the other tracks on this album, this song was not written by any of the band members, but was penned by Joni Mitchell.  Mitchell had not attended the Woodstock festival, but was inspired to write this song told from the perspective of a concert goer after hearing her then-boyfriend Graham Nash relay the account.  It has become a signature song for the group and a staple of the 60's counter-culture.  Our HouseGraham Nash wrote this song as a description of a day spent with then-girlfriend Joni Mitchell and her two cats in their Laurel Canyon home.  The song was written in an hour on Mitchel's piano.  It went to number 30 on the Billboard Hot 100.  ENTERTAINMENT TRACK:Theme from the motion Picture "Patton"This epic starring George C. Scott was playing in the theaters in 1970.  It won seven Academy awards, including Best Picture. STAFF PICKS:Let It Be by The BeatlesLynch starts the staff picks with a song inspired by a dream.  Paul McCartney's mother, Mary Patricia McCartney, died of cancer with Paul was 14.  In the dream, his mother encourages her son by saying, "It's all right, just let it be."  This single and title song from the final Beatles album debuted at number 6 on the Billboard Hot 100 before topping those charts.Cecilia by Simon & GarfunkelRob brings us the third single from the fifth and final album by Simon & Garfunkel, "Bridge Over Troubled Water."  It was developed in a late night jam when the duo and friends were banging on a piano bench and recording the sound with a tape recorder.  The lyrics depict the heartbreak of a boy delivered from Cecilia his unfaithful lover.The Rapper by The JaggerzBruce features the most successful single from the band whose guitarist and primary songwriter would go on to be Donny Iris.  The song is a warning to the ladies not to be taken in by a smooth talking man telling them lies.  It went to number 2 on the charts.Superlungs My Supergirl by Terry ReidWayne's closes out the staff picks with a cover originally written by Donovan about a 14-year old groupie.  Terry Reid was Jimmy Page's first pick to be lead singer of Led Zeppelin, but was unavailable at the time due to his touring schedule with Cream and the Rolling Stones.  Reid would acquire the nickname of Superlungs. NOVELTY TRACK:Pineapple and the Monkey by The FacesThis instrumental from The Faces debut album takes us out for this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

We covered the self-titled debut album from Crosby, Stills & Nash in episode 137.  Deja Vu is considered the second Crosby, Stills & Nash album, but it is actually the first album by Crosby, Stills, Nash & Young, with Canadian songwriter Neil Young turning the trio into a quartet. While the album continues to feature the signature harmonies associated with Crosby, Stills & Nash, it has a harder, more rocking edge to it. Some of this is undoubtedly due to the addition of Neil Young to the album, but it also reflects the challenges the group members were facing.  Both Stephen Stills and Graham Nash had gone through break-ups in their relationships, and David Crosby tragically had lost his girlfriend Christine Hinton in a car accident. The album was highly anticipated, generating $2 million in pre-sales before its release.  It became a gold record only 14 days after release, and was on the Billboard 200 album chart for 88 weeks.  Contemporary critics provided mixed reviews, but the album has only grown in stature over time, with many reviews considering it amongst the top albums ever produced.  Deja Vu was inducted into the Grammy Hall of fame in 2012. After its release, each of the principal members of the group would record solo albums, and the success of Deja Vu contributed to the individual success of these four solo projects. Crosby, Stills & Nash (and sometimes Young) would continue to produce albums over the decades with their last collaboration occurring in 2015.  The death of David Crosby in 2023 ended the possibility of full reunions. Wayne brings us this soft rock singer-songwriter live album for this week's podcast.   Carry On The opening track to the album was penned by Stephen Stills who also provides lead vocals.  It is a medley of two songs edited together with a jam session connector, and came together surprisingly fast during a time when most songs were taking a long time to finish.  The lyrics encourage the band members to keep going through times of struggle in relationships both within and outside the band. Teach Your Children Graham Nash wrote this song in 1968 when he was with The Hollies, but had not recorded it with that group at the time.  Nash has associated the song with a photograph exhibit showing a child playing with a toy hand grenade, and the lyrics encourage parents to be careful in how they teach their children.  Neil Young does not play on this song, but the steel guitar is provided by Jerry Garcia of the Grateful Dead.  Woodstock Unlike the other tracks on this album, this song was not written by any of the band members, but was penned by Joni Mitchell.  Mitchell had not attended the Woodstock festival, but was inspired to write this song told from the perspective of a concert goer after hearing her then-boyfriend Graham Nash relay the account.  It has become a signature song for the group and a staple of the 60's counter-culture.   Our House Graham Nash wrote this song as a description of a day spent with then-girlfriend Joni Mitchell and her two cats in their Laurel Canyon home.  The song was written in an hour on Mitchel's piano.  It went to number 30 on the Billboard Hot 100.   ENTERTAINMENT TRACK: Theme from the motion Picture "Patton" This epic starring George C. Scott was playing in the theaters in 1970.  It won seven Academy awards, including Best Picture.   STAFF PICKS: Let It Be by The Beatles Lynch starts the staff picks with a song inspired by a dream.  Paul McCartney's mother, Mary Patricia McCartney, died of cancer with Paul was 14.  In the dream, his mother encourages her son by saying, "It's all right, just let it be."  This single and title song from the final Beatles album debuted at number 6 on the Billboard Hot 100 before topping those charts. Cecilia by Simon & Garfunkel Rob brings us the third single from the fifth and final album by Simon & Garfunkel, "Bridge Over Troubled Water."  It was developed in a late night jam when the duo and friends were banging on a piano bench and recording the sound with a tape recorder.  The lyrics depict the heartbreak of a boy delivered from Cecilia his unfaithful lover. The Rapper by The Jaggerz Bruce features the most successful single from the band whose guitarist and primary songwriter would go on to be Donny Iris.  The song is a warning to the ladies not to be taken in by a smooth talking man telling them lies.  It went to number 2 on the charts. Superlungs My Supergirl by Terry Reid Wayne's closes out the staff picks with a cover originally written by Donovan about a 14-year old groupie.  Terry Reid was Jimmy Page's first pick to be lead singer of Led Zeppelin, but was unavailable at the time due to his touring schedule with Cream and the Rolling Stones.  Reid would acquire the nickname of Superlungs.   NOVELTY TRACK: Pineapple and the Monkey by The Faces This instrumental from The Faces debut album takes us out for this week. 

Send us a textSinger-songwriters JF Robitaille and Lail Arad pay YMAAA a visit to discuss Simon & Garfunkel's 1970 album Bridge Over Troubled Water. They talk about how they came to love the album and which tracks are the most meaningful to them, as well as sharing some stories they have learned about how certain tracks were made. JF and Lail also talk about working as a duo and making their first album together—the just-released Wild Moves.MPORTANT ANNOUNCEMENT FOR THE YMAAA COMMUNITY: The new YMAAA Patreon—Bonus Tracks—has arrived! Once a month, there will be a new podcast episode exclusively for the Patreon community. In addition to bonus episodes, there will be forums where we can get together as a community.The first Bonus Tracks episode will be published on July 24. If you subscribe anytime before July 31, you can get the first episode for $0.99 instead of the normal $5.99 monthly charge. For this Bonus Tracks Early Bird discount, go to patreon.com/youmealbum and enter the code ALBUM.Follow Lail at the following places online!@lail.arad on Instagram@lailaradmusic on Facebook@lailarad on YouTubeI highly recommend Lail's Substack, Lail Arad's Foggy Notions. You can subscribe at https://lailarad.substack.com/.To keep up with The Songs of Joni Mitchell...Website: https://songsof.co.uk/Instagram: @thesongsofjonimitchellFollowing JF couldn't be easier! He's at @jfrobitaille on Instagram, Facebook and YouTube.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum.2:57 JF and Lail join the show3:13 Lail remembers “claiming” Bridge Over Troubled Water as a favorite album at age 106:05 It took JF a while to come around to Bridge Over Troubled Water8:33 Is there too much production on the title track?14:17 Bridge Over Troubled Water was a different kind of album for Simon & Garfunkel17:17 “El Condor Pasa” is just one example of Simon using other artists' music, sometimes without attribution22:07 Lail, JF and Al discuss the message behind “So Long, Frank Lloyd Wright”25:44 Lail, JF and Al talk about the “happy accident” that shaped the sound of “Cecilia” 31:15 Al learned why the chorus of “The Boxer” is “lie la lie”32:17 JF, Lail and Al talk about the other songwriting and production choices made for “The Boxer”40:27 Al was puzzled by the cover of “Bye Bye Love”44:13 JF likes “Song for the Asking” as an album closer45:06 “The Only Living Boy in New York” is a standout track for JF48:08 JF and Lail think of “Keep the Customer Satisfied” and “Baby Driver” as being paired together50:04 JF and Lail explain why they chose this album for this episode51:53 JF and Lail talk about their origins as a duo55:04 Lail and JF discuss the differences between working solo and working together1:03:00 Lail talks about the fun atmosphere of the Wild Moves recording sessions1:04:42 JF cites the influences behind “The Waterfront”1:06:50 Lail discusses the Songs of Joni Mitchell project1:10:42 JF and Lail talk about their upcoming recording and tour plansOutro music is from “Swim Towards Your Troubles” by JF Robitaille and Lail Arad.Support the show

Bridges of MercyFor the outline, go to vccindy.org/outlineFor the online Connect Card go to vccindy.org/connectWant to give? Go to vccindy.org/giveMusic Licenses: 1254684, CSPL039324CVLI License: 504169558

BY FAITH @ Real Talk - Bridge Over Troubled Waters

Bridge Over Troubled Waters: Taylor Cavanaugh's Journey from Demons to Desire Some fall and stay broken. Others build a bridge and rise. Taylor Cavanaugh was a gifted student and elite athlete—but he was also a restless spirit chasing chaos. His journey spirals through addiction, jail, bar fights, and breakdowns. Then, somehow, a way through. He claws his way into the Navy SEALs. Falls again. Reinvents himself through one of the most brutal gauntlets on earth: the French Foreign Legion. In this powerful episode of Chatter That Matters, Taylor shares how he battled his demons, confronted his darkest truths, and rebuilt himself through pain, purpose, and discipline. He speaks candidly about finding meaning not in titles, but in habits. Not in pleasure, but in purpose. Taylor's story is a reminder that no matter how deep the water, you can build a bridge—and cross it.  

Part 3 of our Series Bridges!

To create something truly original, do we build something new or break what came before? Perhaps the answer is both—simultaneously.Jacob Collier does exactly that. A brilliant songwriter and musician, he's known for transforming his live audiences into massive three-part choirs, making music with the very people who attend his concerts. His album Djesse Volume 4 was nominated for Album of the Year at the 2025 Grammy Awards, alongside icons like Beyoncé, Billie Eilish, and Taylor Swift. Although Beyoncé's Cowboy Carter won, Jacob snagged his seventh Grammy for his rendition of "Bridge Over Troubled Water."I sat down with him in a music studio a few days before the Grammys, surrounded by multiple pianos, and it was a joy to hear him play. Jacob's approach to music—blending structure with spontaneity—offers insights into creativity that are as inspiring as his sound.This…is A Bit of Optimism.For more on Jacob, check out:jacobcollier.com

In this week's episode we discuss JoJo Siwa's wild 21st birthday at Disneyland, we cast the Psychobabble Mount Rushmore, and we pitch our new show Brand Baby. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices