The Foxed Page

Orbital is the kind of novel that could inspire hours and hours of conversation. Kimberly can't imagine a single person who feels like they apprehended the thing with just one read. If you're curious about how she pulled it off, how she uses language to describe the undescribable, or plenty of other aspects--indulge yourself in a more fulsome experience of this gorgeous Booker Prize winner now!

NO SPOILERS! Kimberly could not agree more with The Atlantic. This novel is the most crowd-pleasery of any book she ever recommends. It is SO GOOD. Rich and complex, but also light, it's gorgeous and transporting--everything  you want in a summer read! Listen in now to be sure you fully appreciate all that makes it so appealing.

People. This is when things get fun. Kimberly breaks down a bunch of aspects of the work: figurative language, the unique structure, patriarchy v. matriarchy, the very nature of creativity and the essence of what it is to be human (!!).  Want to get more out of this insanely great book? Treat yourself now. 

NO READING REQUIRED! Hawthorne's 1850 classic is the epitome of high school books that are wasted on high school students. This thing is a MASTERPIECE. Listen in as Kimberly situates it historically, talks about the framing device, digs deep into the radical FEMINISM and of course covers symbolism (did you also write your term paper on symbolism??). She wraps up the lecture by leaning into her ongoing rant about how PURITANISM really screwed this country--and how Hawthorne's gift to us all closes with a deeply anti-puritanical, deeply OPTIMISTIC message--the kind we all need today.

NO SPOILERS! With humor as a lens, Kimberly dives in to all the ways this bestseller functions so well. You'll learn how to think about humor more generally, while seeing all the ways that the best humor can really shape a novel. Join Kimberly for an exploration of one of the strongest elements of this smart, engaging surprisingly philosophical book!

Kimberly was honestly kind of shocked by how iconoclastic, gorgeous and important this novel feels. Whether it's a women's-studies-seminar favorite or new to you, indulge in this exploration of one woman's fascinating experience of society, domesticity, maternity and PASSION in late-1800s New Orleans.

NO READING REQUIRED! As soon as Kimberly dove back in to No Country for Old Men, she knew she needed to parse what makes McCarthy SO GOOD. This exploration hits on all the ways that reading McCarthy is a master class in all elements of fiction:  textured narrative voices, description of violence, sympathy for complex characters, dark humor, and others--not to mention gorgeous prose.

NO READING REQUIRED! Whether this doorstop is an old favorite--or something you NEVER plan to read--treat yourself to Kimberly's take on why this classic of all classics is worth your next 40 minutes!

NO READING REQUIRED! Tune in to hear Kimberly unpack the many ways that Ernaux celebrates the age gap relationship. The French master offers up philosophical explanations for why older people get with younger ones, incisive analysis of social norms and all the ways in which these liaisons can be empowering--all, of course, while treating us to her stark, arresting, unique prose. Treat yourself to this dip into one woman's world and all the ways we might rethink age difference.

Tune in for Kimberly's breakdown of how PLAYWORLD really succeeds--and the ways she sees it falling short. With its marketing materials really pushing its 36-year-old-woman/14-year-old-boy sexualized relationship, the novel provides a fascinating look at sex writing and how the Mrs.-Robinson trope manifests itself in 2025. Join Kimberly for this second of four lectures--the only novel of the four written by a man--which maybe shouldn't matter?? But also really might.

With good sex writing, and TWO age-gap relationships, INTERMEZZO offers Kimberly all sorts of ways to think about female sexual desire. Listen in to hear what Kimberly LOVES about this latest Rooney, and where she thinks the novel fell SHORT. The first of a series of four lectures that will explore Adam Ross's PLAYWORLD, Annie Ernaux's THE YOUNG MAN and Kate Chopin's THE AWAKENING, Kimberly's deep dives will elucidate not only the novel at hand, but larger, timely questions about (older) women and sex.

White published the four-part volume in 1938 and 1958--all in the shadow of WWII. If he only knew how well the chaos of that historical moment would mirror 2025! This 700-page novel is haunting, intelligent, absorbing and charming. NO NEED TO READ the book. Just treat yourself to Kimberly's wander through it now!

In this special lecture honoring a story from one of the BEST BOOKS OF THE CENTURY (according to the New York Times), Kimberly proves that it's FASCINATING to parse a five-and-a-half page story for almost an hour. In fact, there was a lot MORE she wanted to discuss. This deep dive, though, will give you an even better sense of just WHY Berlin's work is so so good.

Join Kimberly as she discusses historical fiction as a genre--before digging in to how the structure, the pacing, the figurative language and the prose make this work so well. (Plus: a few quibbles.)

NO READING REQUIRED! Kimberly's deep dive works well before or after reading this gem. The novel's unique reading experience derives in part from the incredible photographs throughout--combined, of course, with insanely great prose. Make sure you're getting as much as possible out of this unusual, beautiful, haunting novel. Listen in now!

Kimberly LOVES this classic of all classics--largely held as the first modern novel. Cervantes's 1605 masterpiece is not only colorful, hilarious, smart and unique but it includes all the elements that would go on to shape the modern novel. Let Kimberly tell you all about these crucial elements while giving you a good taste of the Spaniard's amazing prose. She also argues why this hour-long lecture might be all the Quijote you need! Listen in now!

Good books provide inspiration, compassion, consolation, edification...and ESCAPE. If you're a little weary of the world right now, dig into the very smart pages of THE ANTHROPOLOGISTS. This slim novel's unique, destabilizing premise could feel gimmicky in lesser hands, but Savas manages to intrigue, all while throwing into relief the basic desires of every reader. Kimberly found SO MUCH depth to explore. Join us now! NO PRE-READING NECESSARY!

When The NY Times named Alderton's GOOD MATERIAL one of the best 10 books of 2024, Kimberly knew it was time to dig in. Listen as she deepens your understanding of the male narrative voice, the excellent figurative language, the supposed "double ending" and Alderton's CRUCIAL SUBVERSION of the marriage plot. Tune in to Kimberly's argument for why this (anti)-rom-com (?!) BELONGS in the company of literary heavyweights like Miranda July's ALL FOURS, Percival Everett's JAMES and Álvaro Enrigue's YOU DREAMED OF EMPIRES. Finally, DO NOT MISS Kimberly's hottest of hot takes!

As soon as she opened it, Kimberly knew she needed a deep dive into YOU DREAMED OF EMPIRES. Listen in for a deeper understanding of the title, the unique narrative stance, why the book feels so dreamy, the humor and whether or not we can read this as a FEMINIST novel.

Isabel Allende's THE HOUSE OF THE SPIRITS didn't just build upon the magic realism established by García Márquez's ONE HUNDRED YEARS OF SOLITUDE. Allende's 1982 novel (published in Spain, not her native Chile for political reasons) was immensely popular with Americans when it was published in English in 1985. Indulge in a reminder of these absolute masterpieces while learning more about how they relate to one another, more about magic realism in general, and how the historical-political situations in Colombia and Chile influenced both works. Kimberly had SO much fun with this. Join in now.

Kimberly had never read Besson--and didn't know Ringwald was translating!--but she loved this brief, beautiful novel. Listen in as she touches on the very un-american phenomenon of autofiction, before diving into the fascinating structural choices, the beauty of the spare prose and why Besson is SO GOOD AT SEX WRITING. She'll even offer up interesting translation differences and the novel's details that Ringwald (mostly judiciously) chose to leave out.

Often considered Baldwin's masterpiece, this slim, somewhat autobiographical novel is SO GOOD. Listen in now to hear how the structure, the narrative voice and the final chapter make this an incredible, important read.

Garcia Marquez changed literature with the 1967 publication of this surreal, ultra-popular, deeply engaging novel. Kimberly LOVED diving in to the context in which it was written, the way it fits into literary movements and why it's so groundbreaking. And if you're one of the people who couldn't keep all the generations of José Arcadios and Aurelianos straight, Kimberly will reveal a grad-school level secret that will help with this novel--and every challenging book you read.

NO PRE-READING REQUIRED! Kimberly had no idea that the Nancy Drew we all read as kids was seriously different from the 1930 original. This kind of re-writing is always a fascinating window into American culture--but the real fun here is how GOOD these books are. Whether you're a fan or not, listen in to hear what most of us missed about these iconic bestsellers!

Braiding Sweetgrass is one of those books we should be going back to again and again. If you don't quite have the time to do that, Kimberly will give you a hand. Want to feel like you could maybe help make the world a slightly better place in some small way?? Want to feel better about the environment?? Want to feel inspired and informed--with sometimes RADICAL new ways to conceptualize the world? Listen in!

At the end of TOM LAKE, Ann Patchett exhorts readers to return to the work of Thornton Wilder--so Kimberly did! She LOVED her deep dive into the hugely influential 1938 classic, OUR TOWN. You'll hear analysis of the novel, with a whole section devoted to how the incredibly affecting OUR TOWN inflects Patchett's novel. Lastly? You'll then be treated to some seriously inspiring quotations by Wilder himself.

Cusk's radical approach to the novel makes OUTLINE the perfect text for serious exploration. Its innovative approach to narrative, structure and even basic description meant plenty of grist for Kimberly's mill. Whether you loved OUTLINE or were left wondering what the hell just happened--prepare for some serious edification.

Listen in to Kimberly explaining the myriad reasons why Hilderbrand's smart dialogue, structuring, subplots and sense of place will make this show SO GOOD. With juicy details gleaned from lots of sleuthing, Kimberly will get you ready to watch on SEPTEMBER 5!

NO SPOILERS! NO READING NECESSARY! Kimberly comes to you from a wine cellar with a nervous dog to discuss autofiction and how the French are more relaxed about TRUTH than Americans. The Mystery Guest is intriguing, darkly funny and SO SHORT! If you're casting about for something to read and want something different--listen in!

NO SPOILERS! (Obviously. It's s thriller.) This novel was so well done that Kimberly couldn't wait to analyze all the reasons it works so well. The most fun, though, might have been picking out the exceptions that prove the rule: Liz Moore is so good!

Have you got a pretty good sense of what satire's all about? But could maybe use a breakdown about WHY it works well? And WHEN it works well? Join Kimberly for a close look at Taffy Brodessor-Akner's LONG ISLAND COMPROMISE to understand this delicious literary mode. We'll take a close look at LONG ISLAND, while also getting a bit broader with Andrew Sean Greer's LESS, Lorrie Moore's SELF HELP and Paul Beatty's THE SELLOUT. Enrich yourself now!

There are SO many reasons to read (or REREAD) this slim, gorgeous, Paris-based novel. Kimberly argues that an amazing way to more fully understand the book is to view it through Baldwin's genius use of figurative language. Listen in now!

It was VERY hard for Kimberly to decide on a top ten. So there are five runners-up. She assumed it would be impossible to RANK the top ten, but in a spur-of-the-moment decision, she attempts it. Tune in to see how your list compares!

People. This collection is SO FUNNY and SO DARK. It's unlike any other writing. Whether you've read it or are considering diving in after the book was selected as one of the best of the century, listen in as Kimberly helps understand how this woman pulls it OFF.

Kimberly zips through the 46 books she's read, giving a rating to every one. Check it OUT!

We wrap up SALINGER WEEK with a deep dive into "Zooey" (the story) along with a good hard look at FRANNY AND ZOOEY as a whole. This third and final lecture offers up all sorts of gems--from the source of Franny's crisis to a wider look at why Salinger's prose is so incredibly ENDURING.

"Franny" and "Zooey" (and Franny and Zooey) depend on many important (but subtle) ways upon Seymour Glass. Published in the New Yorker in 1948, "A Perfect Day for Bananafish" introduces us to Seymour--in the moments before his death. Even in his absence, Seymour is foundational for the entire Glass Family. He might be MOST crucial to the youngest Glasses, Franny and Zooey. If you love the book FRANNY AND ZOOEY, a deep dive into "Bananafish" will make you love it even more!

This deep dive is SO deep that Kimberly needs a whole lecture just to discuss "Franny." The first 40 pages of FRANNY AND ZOOEY is not only amazing, but the perfect way to look at what makes all of Salinger's prose so unmistakably SALINGER. (A second Salinger lecture will tackle "A Perfect Day for Bananafish," then we'll dive all the way in to the hugely popular FRANNY AND ZOOEY.)

Allow Kimberly to point out the intricacies, the nuance, the FACTS of what Akbar is really saying at the end of his insanely great novel. Tune in to hear Kimberly argue a few sides of this coin. She follows Daniel Mendelsohn's advice to treat literature like a social science: look carefully at the DATA. If you're like all the folks on the internet who have real questions about this novel's close, you're in the right place.

People. This is one of the most intense reading experiences Kimberly has had in ages. The book is so smart, so warm and funny and complicated, that Kimberly realized it deserves two lectures! This first one focuses on the narrative stance, the inventiveness, the humor and complicated compendium-like structure (and a possible small debt to David Foster Wallace). The SECOND lecture (coming soon) tackles the novel's insanely great, ambiguous, enigmatic ENDING.

NO SPOILERS! What's summer without a good beach read? By the QUEEN of the beach read?? Kimberly was somewhat alarmed that Hilderbrand is "hanging up her bikini" but thank god we have 26 other Nantucket novels to choose from. People, Hilderbrand is SO GOOD at this stuff. Listen in to find out why her narrative stance, atmospheric elements and structure make these books so solid. (Also: Kimberly has just a few teeny quibbles). There's no such thing as "guilty pleasure" where Hilderbrand is concerned--she's just so good at this stuff!

Fitzgerald's genius might very well be wasted on the youth. Even if you haven't re-read this classic since you were 16, delving into for an hour is a revelation. Kimberly breaks down the innovative narrative stance, the plot-heavy structure and some master-class motif building--all while reveling in (and also subtly criticizing) this modernist MASTERPIECE.

ALL FOURS is changing how we think about sex, maternity, marriage--and towels. Touted by the New York Times as "the first great peri-menopause novel," it's July's most accessible, most hilarious and most "filthy" (in the best of ways) work. Listen in while Kimberly uses the lens of humor to appreciate the pathos, the sex, the iconoclasm and the tension in this IMPORTANT BOOK.

Who knew that Collins wrote his doctoral dissertation on the romantic poets?? Tune in to hear Kimberly break down the Romantic Movement and Byron's "She Walks in Beauty"--all in preparation to more fully appreciate our nation's "most popular poet"!

Kimberly does not love poetry. Which she considers a personal failure. But it turns out that she LOVES hearing Paul Chowder, narrator of this novel, teach her all about poetry. If you need a lift, and love hilarious, smart books--listen in!

LIVES OF GIRLS AND WOMEN is Munro's only novel AND it's the ideal way to really dig in to her genius. Listen in now!

Díaz's Pulitzer-prize-winning, Booker-nominated TRUST has the kind of complex structure Kimberly LOVES to dig into. With vastly differing narrative voices, each of the four texts informs the others, making for an insanely rich read. Also: this exploration of the American dream could not be more timely!

NO SPOILERS! NO RE-READING REQUIRED! Listen in to hear how Brookner's use of narrative voice, tons of figurative language and other plot elements make this novel--set in Switzerland--a must read.

This lecture--the first in a three-part exploration of Munro--gets nitty gritty in all the best ways. Delve with Kimberly into the elements that make her prose feel like nothing else on the planet. Whether you've read everything she wrote, or you're new to her work, you'll come away with a much richer appreciation of this absolute genius.

If you love DIdion's inimitable prose and you're interested in any kind of history or intrigue or scandal--listen in. NO SPOILERS!