Podcasts about garcia marquez

durée : 00:45:36 - La 20e heure - par : Eva Bester - L'écrivain Pierre Ducrozet, lauréat du Prix de Flore en 2017, est connu pour l'intérêt qu'il nourrit envers les questions liées à l'écologie et au monde contemporain. Fin 2024, il a publié "Autoportrait sans moi" et il signe la preface de "L'atelier d'écriture" de G. Garcia Marquez en 2025.

Notes and Links to Annell Lopez's Work          Annell López is the winner of the Louise Meriwether First Book Prize and the author of the short story collection I'LL GIVE YOU A REASON from the Feminist Press. A Peter Taylor Fellow at the Kenyon Review Writers Workshops, her work has also received support from Tin House and has appeared in Guernica, American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, The Common, Refinery29 and elsewhere. López received her MFA from the University of New Orleans. She is working on a novel. Buy I'll Give You a Reason   Annell Lopez's Instagram   For The Rumpus: “There's Always a Little Light, a Glimmer of Hope: A Conversation with Annell López” At about 2:05, Annell talks about her early relationship with bilingualism,  At about 4:50, Annell shouts ut the “great place” that is Newark, NJ, and recounts early memories after her immigration  At about 6:25, Annell talks about how learning English helped her develop her already burgeoning writing ability  At about 8:25, Annell highlights Garcia Marquez's work in Spanish  At about 9:35, Annell lists books and writers that were formative and transformative for her At about 13:25, Deesha Philyaw, Carlos Maurice Ruffin, Danielle Evans, and Chris Stuck, are referenced as inspiring contemporary writers At about 14:40, Annell talks about seeds for her short story collection and its makeup At about 16:10, the two discuss the collection's first story and the title character's anxiety around possible deportation   At about 19:05, Annell reflects on the dynamics of older sibling and young sibling and mother-daughter relationships, as evidenced in the “Dark Vader” At about 20:30, Annell responds to Pete's questions about colorism as shown in some of her stories  At about 22:35, from “Dark Vader,” a “problematic” Mateo is discussed, along with power dynamics, and Vanessa's reluctance to pass her GED  At about 27:00, Annell talks about a character's unnamed bipolar condition, and his son's motivations in being angry towards his father  At about 30:30, Pete asks about online news madness as referenced in the story collection   At about 32:35, Pete links two stories and the two talk about gentrification and its treatment in the collection, and Pete is complimentary of Annell's plot structure and what is “left unsaid” At about 34:35, “Love gone stale” as a theme of the book is lauded and discussed At about 37:00, Grief and depression and the bird and beautiful “Bear Hunting Season” are discussed At about 41:30, Annell talks about how her teaching did and did not inform the treatment of teachers in her collection  At about 44:30, Trauma in its many forms in the collection is discussed  At about 45:45, The two explore the title story and its focus on emotional response At about 47:50, Pete highlights a story that focuses on objectification and racism and Annell's apt second-person usage and diction; she focuses on the story's universality and realism  At about 50:05, “The Other Carmen” is explored, including ideas of body shaming, body positivity  At about 52:40, Annell explains some “Easter eggs” and “crossover characters” and Pete is complimentary of story endings At about 53:40, Pete asks Annell about the importance of staged photoshoots in a story in the collection At about 55:55, Annell talks about the importance of titles after Pete cites her prowess with same At about 57:45, Pete fanboys about the collection's last story At about 59:30, Annell responds to Pete's question about significance of the collection  At about 1:00:45, Annell gives social media and other contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His latest conversation, with Episode 265 guest Carvell Wallace, is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 275 with Deborah Jackson-Taffa, whose 2024 memoir Whiskey Tender was a finalist for the 2024 National Book Award for Nonfiction; earned a MFA in nonfiction writing from the Univ of IA; director of the MFA creative writing program at the Institute of American Indian Arts in Santa Fe, NM     The episode airs on March 11.

Pour comprendre la violence de la guerre d'indépendance d'Algérie, il faut revenir au début. Avec ses romans, Mathieu Belezi se penche sur la conquête algérienne au XIXe siècle, un territoire littéraire trop rarement abordé. Il s'appuie sur l'expérience des écrivains sud-américains qui ont affronté les dictatures à l'aide de la littérature, comme Garcia Marquez ou Carpentier. Dans Le Temps des crocodiles, l'écrivain n'épargne aucun détail sanguinaire dans une langue aussi crue que poétique, racontant une barbarie qui semble sans limites. Admiratif du courage qu'il a fallu à l'auteur pour aborder cette Histoire, l'artiste peintre Kamel Khélif a illustré le roman, récompensé par le Prix littéraire du Monde et le Prix du Livre Inter.Lors d'une rencontre animée par Sonia Déchamps, ils poursuivent ce dialogue artistique fécond et reviennent sur leur parcours et la genèse de ce livre.Le festival Oh les beaux jours ! remercie le Mucem où s'est déroulée cette rencontre en mai 2024.__À lireLe Temps des crocodiles, Mathieu Belezi et Kamel Khélif, Le Tripode (2024).__Montage : Arthur JamesVoix : Raphaelle OzPhoto : Nicolas ServeUn podcast produit par Des livres comme des idées.__La 9e édition du festival Oh les beaux jours ! aura lieu à Marseille du 27 mai au 1er juin 2025.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Notes and Links to Fernanda Trías' Work    Fernanda Trías was born in Uruguay and is the award-winning author of three novels, two of which have been published in English. She is also the author of the short story collection No soñarás flores and the chapbook El regreso. A writer and instructor of creative writing, she holds an MFA in creative writing from New York University. She was awarded the National Uruguayan Literature Prize, The Critics' Choice Award Bartolomé Hidalgo, and the Sor Juana Inés de la Cruz International Prize in Mexico for her novel Pink Slime. Both The Rooftop and Pink Slime were awarded the British PEN Translates Award, and Pink Slime was chosen by The New York Times in Spanish as one of the ten best books of 2020. Translation rights for her work have been sold in fifteen languages. She currently lives in Bogotá, Colombia, where she is a teacher at the creative writing MFA program of Instituto Caro y Cuervo. In 2017, she was selected as Writer-in-Residence at the Casa de Velázquez in Madrid, where she started writing her latest novel, Pink Slime. Buy Pink Slime   Fernanda Trias' Publisher Page for Simon and Schuster   Review of Pink Slime from Reactor Mag At about 2:00, Pete and Fernanda discuss the book's Spanish and English titles and different subtleties of each; Fernanda details how she decided to title the book as she dd At about 3:20, Annie McDermott, Episode 91 and Mario Levrero shout outs! At about 4:00, Fernanda discusses her reading life growing up, the ways in which better translations slowly came to Uruguay, and reading  At about 6:45, Fernanda talks about respect for Garcia Marquez, though not being a huge fan, and cites Juan Rulfo as “perfección” At about 8:15, Pete expands on a Rulfo favorite of his, “No Oyes Ladrar los Perros,” and Fernanda expands on her love of Rulfo's Pedro Paramo  At about 10:05, Fernanda talks about favorite contemporary authors, like Herta Muller and Olga Tokarczuk  At about 12:00, Pete shouts out Jennifer Croft, and Fernanda responds to Pete's questions about why there is such a affinity for Eastern European writing in Latin América, and she specifies the Río Plata region as connected  At about 14:55, Fernanda describes her familial connections to Europe-particularly Italy and Spain At about 17:15, Fernanda responds to Pete's question about seeds for her writing life At about 19:05, Fernanda references The Stranger and El Lugar by Levrero as chill-inducing books At about 21:30, Pete is complimentary of Fernanda's worldbuilding, and she expands on what she loves about it At about 23:00, Pete and Fernanda discuss translation in her book, especially of colloquialisms like “ni fu ni fa” At about 26:25, Fernanda responds to Pete's question about climate change and other stimuli for Mugre Rosa/Pink Slime At about 28:50, Pete mentions the book's interesting dialogues that complement the action, and Fernanda expands on the evolving dialogues   At about 30:50, Fernanda talks about the book's opening and the “first image” in her mind of a foggy port that creates an ambience for the book At about 33:45, Pete shares laudatory blurbs for the book, especially about the book's “envelop[ing]” world built by Fernanda At about 34:25, Fernanda describes the book's opening, including a pivotal scene involving a possible last fish At about 37:05, Pete wonders about nostalgia, and Fernanda talks about her interest and lack of interest in certain ideas of what has been lost  At about 39:40, Fernanda discusses the relationship between the narrator and Max and its significance in the novel, especially in charting changes in the narrator as the book continues At about 44:20, Pete points out a funny saying/joke from the book and Fernanda outlines her conversations with Heather Cleary in the translating of the joke At about 46:05, The two discuss “surrendering and letting go” and connections to the novel and specifically, the narrator and Max's relationship  At about 47:30, Pete lays out some basics on the relationships between the narrator and her mother, as well as her work situation with Mauro; Fernanda talks about how Covid's social dynamics have mirrored so many parts of her novel and the ways in which the rich were able to move to safety    At about 51:45, the two discuss the differing relationships between the narrator's two mother figure-Fernanda talks about the key questions of “What is a mother?” At about 55:50, Fernanda and Pete discuss Mauro and his health condition and his memories of the time outlined in the book At about 58:00, Pete and Fernanda reflect on ideas of community and if there is optimism/hope that comes with the book  At about 1:01:50, The two discuss ideas of systems and individuals' culpability  At about 1:04:00, Fernanda gives social media info, and places to buy her book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 264 with Maggie Sheffer. She is Professor of Practice at Tulane University, where she teaches courses in design thinking and speculative fiction as tools for social change. She is a founding member of Third Lantern Lit, a local writing collective, and her debut short story collection, The Man in the Banana Trees, was selected by judge Jamil Jan Kochai for the Iowa Short Fiction Award, and is published as of November 5.    The episode airs on December 3.    Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Früher behandelte man Kinder als kleine, unfertige Erwachsene. Man zog sie auch so an. Wie sich das mit der Zeit (zum Glück) veränderte – und warum es Kinderrechte heute mehr denn je braucht, erklärt die Juristin Elisabeth Schaffelhofer-Garcia Marquez.

Garcia Marquez changed literature with the 1967 publication of this surreal, ultra-popular, deeply engaging novel. Kimberly LOVED diving in to the context in which it was written, the way it fits into literary movements and why it's so groundbreaking. And if you're one of the people who couldn't keep all the generations of José Arcadios and Aurelianos straight, Kimberly will reveal a grad-school level secret that will help with this novel--and every challenging book you read.

La storia di due giganti della letteratura che sono amici, si ammirano, si detestano. E si prendono a cazzotti.See omnystudio.com/listener for privacy information.

Notes and Links to Jazmina Barrera Velázquez's Work        For Episode 233, Pete welcomes Jazmina Barrera Velásquez, and the two discuss, among other topics, her idyllic early childhood reading, her love for British, American, and Latin American authors, the ways in which Mexico City and Yucatán have informed her work, translation as an art, a craft, and a deep methods of editing, as well as salient themes from the story collection like evolving friendships, memory and tangibility, women's agency, and one's connection with her forebears and the sensitivities that come with living in a fragile world.       Jazmina Barrera was born in Mexico City in 1988. She was a fellow at the Foundation for Mexican Letters and at Mexico's Fonca's Program for young writers and she's a member of the SNCA (National System of Art Creators in Mexico). She was a beneficiary of the residencies at Casa Estudio Cien años de Soledad. She has published work in various print and digital media, such as The Paris Review, El Malpensante, Words Without Borders, El País andThe New York Times. She has a Master's Degree in Creative Writing in Spanish from New York University, which she completed with the support of a Fulbright grant. She is the author of four books in Spanish: Cuerpo extraño, Cuaderno de faros, Linea nigra and the children's book, Los nombres de los animales and Punto de cruz. Her books have been published in nine countries and translated to English, Dutch, Italian, Portuguese and French. Her book of essays Cuerpo extraño (Foreign Body) was awarded the Latin American Voices prize by Literal Publishing in 2013. Cuaderno de faros (On Lighthouses) was long listed for the von Rezzori award and chosen for the Indie Next list by Indie Bound. Linea Nigra was a finalist for the National Book Critics Cricle's Gregg Barrios Book in Translation Prize, the National Book Critics Circle Autobiography Prize, the CANIEM's Book of the year award and the Amazon Primera Novela (First Novel) Award. Punto de cruz (Cross-Stitch) was a finalist in the Calamo Awards and long-listed for the Republic of Consciousness Prize. She is editor and co-founder of Ediciones Antílope. She lives in Mexico City.      Jazmina Barrera (Ciudad de México, 1988) fue becaria de la Fundación para las Letras Mexicanas y beneficiaria de las residencias de la Casa Estudio Cien Años de Soledad. Fue becaria del programa de Jóvenes Creadores del Fonca y es miembro del Sistema Nacional de Creadores de Arte. Estudió la maestría en Escritura Creativa en Español en NYU con el apoyo de la beca Fullbright. Sus textos han sido publicados en revistas como The Paris Review, El País, Words Without Borders, Malpensante y The New York Times, entre otras. Es autora de Cuerpo extraño, Cuaderno de faros, Linea nigra, Los nombres de los animales y Punto de Cruz. Su libro de ensayos Cuerpo extraño / Foreign Body ganó el premio Latin American Voices 2013. Linea nigra fue finalista del premio CANIEM al libro del año, del premio Primera Novela, del National Book Critics Circle Gregg Barrios Book in Translation Prize y del National Book Critics Circle Autobiography Prize. Cuaderno de faros fue parte de la longlist del premio Von Rezzori. Punto de cruz fue finalista del premio Cálamo y parte de la longlist del premio The Republic of Consciousness. Sus libros han sido publicados en nueve países y traducidos al inglés, italiano, holandés, portugués y francés. Es socia fundadora de Ediciones Antílope. Vive en la Ciudad de México.    Buy Cross-Stitch   Jazmina's Website   Review of Cross-Stitch in The New York Times At about 3:00, Jazmina talks about her early reading and writing life, including experiential coolness and professional-style printed books At about 8:45, Jazmina's reciting of her first short story leads to her making an astute observation about the famous Ernest Hemingway quote At about 10:40, Jazmina recounts some of the books and writers that ignited her love of reading  At about 12:00, Jazmina describes Harry Potter as a gateway to learning English At about 13:05, Jazmina talks about her studying English literature at UNAM, and discovering many contemporary Latin American writers at NYU At about 15:10, The two talk about the ways in which American literature is often translated abroad, but not the other way around as much At about 17:05, Jazmina shares cool connections in her writing life to Gabriel Garcia Marquez's former writing haunts  At about 18:10, The two discuss Garcia Marquez legends about time in Mexico City At about 19:20, Jazmina highlights “so many” Latin American standout contemporaries, including Mariana Enriquez, Dolores Reyes, Marta Jimenez Serrano, and Marina Azahua, Astrid López Méndez, Isabel Zapata, César Tejeda, Irad León, Paula Abramo, Mariana Oliver, Veronica Murguia, and of course, her husband, the brilliant Alejandro Zambra At about 21:40-a cool Chilean word is introduced-”fome” At about 22:35, Jazmina reflects on the gendered language of “padre” and other expressions that seem to speak negatively about women At about 23:40, Jazmina speaks about the unique literary culture of Mexico City (en español),  At about 26:25, Jazmina discusses Ediciones Antílope as a place to publish more eccentric, daring books and poetry At about 27:30, The two discuss translation, specifically with regard to Juan Rulfo's work, and the ways in which titles are rendered At about 28:45, Jazmina responds to Pete's questions about how she sees the art of translation, and she responds through talking about “untranslatable” words, diminutive words, and the power of translators as “the closest readers” At about 33:10, Jazmina provides background information on the book's title and her experience with needlework/embroidery At about 36:10, Jazmina talks about seeds for the book  At about 37:50, The two lay out the book's exposition  At about 39:00, Jazmina responds to Pete wondering about the narrator, Mina's, frustration/anger with her friend after a tragedy At about 42:20, Jazmina describes the main character of Dalia At about 44:35, Historical and mythical ideas of rebirth and needles bringing health and connection are discussed At about 47:30, Jazmina talks about a “genealogy of women” that is connected to embroidery At about 48:50, Jazmina responds to Pete's questions about her family history with embroidery and her family connections to Yucatan and her interest in xmanikben At about 51:20, Jazmina gives background on the indigenous communities of México and their rich history around textiles At about 54:15, Jazmina gives background on the literacy program in Queretaro in the book and her real experience with it At about 57:20, Pete traces some of the final scenes of the book and asks Jazmina about Citali's world view At about 1:01:35, Discussion of “empath” leads to discussion of “emos” and a shoutout to Daniel Hernández's Down and Delirious in México City At about 1:02:40, Pete points out an uncomfortable and well-written scene that highlights traumas in Citlali's life    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.        Please tune in for Episode 234 with Sasha Vasilyuk, a journalist and the author of the debut novel Your Presence is Mandatory, which came out to great acclaim on April 23 of this year. Sasha has won several writing awards, including the Solas Award for Best Travel Writing and the NATJA award.    The episode will go live on May 7.     Please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Qué entendemos por PACTO FICCIONAL? Y por TERTULIA? Qué es el GOOGLE POETICO? Y la ESCRITURA SAGRADA? Refrescamos poemas y narrativas de autores como Haroldo Conti, Ana Cristina Cesar, José Luis Peixotto, Augusto Monterroso, y Garcia Marquez, en las voces de nuestros locutores. Además, como es la historia de Manuel Puig y el teatro? Cuál es el origen de la Bossa Nova? Sabremos cómo se unen Saramago la fama y la religión. En el segmento de dramaturgos y dramaturgos nuestro invitado es NICOLAS ALLEGRO. Pensamos las letras de Catupecu Machu, Litto Nebia, REM, y The Doors, entre otros. Y como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros para seguir creando este infinito collage sonoro de lecturas compartidas. POESIA 1110 un espacio para pensar y resonar el acto poético en todas sus formas; la poesía de todas las cosas.

In this episode I read a well known short story by Gabriel Garcia Marquez. Garcia Marquez is known to mix realistic and fantasitical ideas in his fiction and in the screen adaptation of this story he begins with a quotation from Hebrews 13:2 “Be not forgetful to entertain strangers; for thereby some have entertained angels unaware.” --- Support this podcast: https://podcasters.spotify.com/pod/show/carolina-reads/support

Hablamos con artistas que presentan doble programación como Cristina Garrido con su exposición en el Museo de Arte Contemporáneo de Tarragona y el Museo CA2M, Almudena Lobera con exposición colectiva en Madrid y Bélgica y Santi Donaire con muestra en el espacio Efti de Madrid y su candidatura al premio de fotografía Garcia Marquez en Colombia. Además escuchamos los nuevo de Pálida. Escuchar audio

Núm.234 Òscar Peris - Biblioteca G.G.M. - I visigoti in CatalognaNúm.234 Dimarts 23 de maig de 2023 a les 9 del vespre el programa presentat per Laia De Luca i Rafel Hidalgo. La Música amanseix les feres i Òscar Peris ens ofereixen la cançó Caoba africana; la Biblioteca Gabriel García Márquez a Barcelona (M. Puig); el català genuí (G. Judal); Història de Catalunya en italià: els visigots (C. Daurù); la selecció musical d'en Toni Orpinell.N.234 Martedì 23/05/2023 ore 21 il programma presentato da Laia De Luca e Rafel Hidalgo. Oscar Peris e la sua “Caoba africana”; la biblioteca Garcia Marquez a Barcellona; la dispensa del catalano; quarto capitolo della Storia della Catalogna in italiano: i visigoti, a cura di Claudia Daurù; la rubrica musicale curata da Toni Orpinell.

De "CATALINA LA O" a la "CONGA" de MIAMI SOUND MACHINE....De SHAKIRA y CHAYENNE a JOAN JETT, ROY ORBISON,... De "SOBREVIVIRE" a "PEPPERMINT TWIST"... De "MAFALDA" y "ALF" a "E.T. EL EXTRATERRESTRE",... De CARLOS FUENTES a GARCIA MARQUEZ y ALEJO CARPENTIER. DE COLECCION!!! --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

Porque hablamos de sabores, de aromas, de lugares? ....porque nos conecta con el aqui y ahora de la vida. Vivir es hacer de cada segundo un momento único. En este podcast descomponemos las costumbres, las rutinas bajo la lupa de la conciencia. Sobre el final Borges hablando sobre el tiempo, un poema del futuro de Cortazar y un poemón de Garcia Marquez. --- Send in a voice message: https://podcasters.spotify.com/pod/show/patricio-magnano/message

ROBERTO CARLOS, RUDY MARQUEZ, CAMILO SESTO,JULIO IGLESIAS, JOSE LUIS RODRIGUEZ, GUILLERMO DAVILA, THE FOUR SEASONS, MAROON 5, SANTO & JOHNNY, THE HEIGHTS, SUPERTRAMP, TOTO, HELEN READY, MAHALIA JACKSON, ELTON JOHN, LIONEL RICHIE, MADONNA,... GARCIA MARQUEZ, SERIE MUNDIAL y DEL CARIBE, "GANDHI", "ROCKY III",... --- Support this podcast: https://anchor.fm/genteenambiente/support

Episode 151 Notes and Links to Allison Hedge Coke's Work       On Episode 151 of The Chills at Will Podcast, Pete welcomes Allison Hedge Coke, and the two discuss, among other topics, her multiracial and multiethnic and multilingual upbringing, wise words and inspiration from her family, her life of art and creativity, California as her muse, holding California to account, ideas of stewardship and environmental care, and the incredible inspirations and circumstances that brought her award-winning poetry to the world.    Allison Adelle Hedge Coke's previous poetry books include The Year of the Rat, Dog Road Woman, Off-Season City Pipe, Blood Run, Burn, Streaming as well as a memoir, Rock Ghost, Willow, Deer. She is the editor of the anthologies Sing: Poetry of the Indigenous Americas, Effigies, Effigies II, and Effigies II and is a Distinguished Professor at the University of California, Riverside. Hedge Coke came of age working fields, factories, and waters and is currently at work on a film, Red Dust: resiliency in the dirty thirties, a new CD, and new poems. Buy Look at This Blue   Allison Hedge Coke's Website   Allison Hedge Coke's Wikipedia Page   National Book Awards Description for Look at This Blue             At about 7:30, Allison discusses her busy and exciting upcoming weeks that include a Georgia poetry circuit and the National Book Awards, where she's nominated for    At about 9:20, Allison discusses her experiences with languages and reading and writing as a kid; she discusses her father's and family's great pride in their lineages    At about 13:45, Allison relays a telling anecdote about her son and his crayons that speaks to the multilingual extended family from which she comes   At about 16:20, Pete reads from the beginning chapter of Allison's memoir and Allison expands on lessons learned from those times and from her mother and father   At about 18:50, Pete notes Allison lifelong devotion to art, and she talks about her family's background and about what it means to create for her in her traditions    At about 20:25, Allison recounts the amazing story of writing Look at this Blue in Montenegro in a stunningly short period of time   At about 22:00, Allison describes her first encounters with California in 1980 and then future time spent in CA    At about 26:05, Pete cites the wonderful blurbs from wonderful writers for Allison's collection; she defines it as an “assemblage” and talks about the assemblage in connection to jazz and other music    At about 28:00, Pete and Allison discuss the poetry's connection to “blue,” and blue's myriad meanings and connection to longing and fado and saudade (Pete's obsession)   At about 30:40, Pete shares the possibly apocryphal story of Garcia Marquez's writing a masterpiece    At about 31:00, Allison expands upon the title's meanings    At about 31:45, Allison responds to Pete wondering about “catharsis” upon writing about such personal and emotional work   At about 34:00, The two meditate on parenthood and influences on children    At about 36:00, The two discuss memory and perspective, and Pete cites the book's epigraph    At about 37:10, Pete provides a book summary and details the historical and personal     At about 38:15, Allison reads from the book regarding the Xerces blue butterfly and links its story to that of California and its abuses, excesses, and displacement    At about 43:00, Allison reads from the Prelude   At about 45:45, Allison recounts a bonkers story (adapted for the book) about the INS and her mother   At about 48:30, The two talk about extinctions, displacements, and endangerment featured in the book   At about 51:40, Allison talks about being stewards for the environment    At about 53:15, The two detail connections made in the book to events both historical and modern and themes like racism and homophobia    At about 54:20, Pete discusses “let” and “love” as depicted in the book    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 152 with Tommy Dean, author of a flash fiction chapbook, Special Like the People on TV from and the Editor at Fractured Lit; “You've Stopped” was included in Best Microfiction 2019.     The episode with this flash fiction writer extraordinaire will air on November 15.

En esta emisión escuchamos sobre la vida que desde lejos observo la narrativa y obra de este país, sus contribuciones, fueron mas que un consejo fue del acompañamiento histórico de un amigo que no dejo de lado sus obligaciones como buen ciudadano, Plinio Apuleyo, amigo de Garcia Marquez, allegado a la familia de Jorge Eliecer Gaitán, embajador y escritor, todo esto de la mano del maestro Álvaro Pablo Ortiz quien nos relata su obra. Conduce Germán Sarmiento junto al Dr. Álvaro Pablo Ortiz

Adrián Garcia-Marquez y Francisco Pinto hablan del estado de Chargers entrando a Raider Week (:30) y Khalil Mack Bienvenido a Chargers (15:00). ¿Khalil, virtuoso (22:00)? ¡Toca la guitarra mijo! Y el Raider Previa (25:00).See omnystudio.com/listener for privacy information.

In the spotlight is Francesca Lia Block, author of more than 25 books of fiction, nonfiction, short stories and poetry. Her award-winning work has been translated into Italian, French, German, Spanish, Japanese, Portuguese and other languages. We discuss: >> Los Angeles sensibilities >> Fiction versus nonfiction writing >> Sylvia Path, Shirley Jackson and Patti Smith >> Autofiction >> The author as character >> Obsession and anxiety >> Her writing and teaching methods >> Etc.  Our guest also reads an excerpt from one of her novels. To learn more about Francesca Lia Block, go here: https://www.francescaliablock.com/ Novelist Spotlight is produced and hosted by Mike Consol, author of “Family Recipes: A Novel About Italian Culture, Catholic Guilt and the Culinary Crime of the Century,” “Hardwood: A Novel About College Basketball and Other Games Young Men Play,” and two yet-to-be-published manuscripts, “Lolita Firestone: A Supernatural Novel,” and the short story collection “Love American Style.” Write to him at novelistspotlight@gmail.com. We hope you will subscribe and share the link with any family, friends or colleagues who might benefit from this program.

Santa Barbara resident T. C. Boyle was a keynote speaker at the 1996 Santa Barbara Writers Conference. Also known as T. Coraghessan Boyle, he is an American novelist and short story writer. Since the mid-1970s, he has published sixteen novels and more than 100 short stories. He won the PEN/Faulkner award in 1988, for his third novel, World's End, which recounts 300 years in upstate New York. He was previously a Distinguished Professor of English at the University of Southern California. Boyle grew up in Peekskill, New York. His name was originally Thomas John Boyle; he changed his middle name to Coraghessan when he was 17 after an ancestor of his mother. He received a B.A. in English and History from the State University of New York at Potsdam (1968), an M.F.A. (1974) from the University of Iowa Writers' Workshop, and a Ph.D. (1977) from the University of Iowa. In Understanding T. C. Boyle, Paul William Gleason writes, "Boyle's stories and novels take the best elements of Carver's minimalism, Barth's postmodern extravaganzas, Garcia Marquez's magical realism, O'Connor's dark comedy and moral seriousness, and Dickens' entertaining and strange plots and brings them to bear on American life in an accessible, subversive, and inventive way." Many of Boyle's novels and short stories explore the baby boom generation, its appetites, joys, and addictions. His themes, such as the often-misguided efforts of the male hero and the slick appeal of the anti-hero, appear alongside brutal satire, humor, and magical realism. His fiction also explores the ruthlessness and the unpredictability of nature and the toll human society unwittingly takes on the environment. His novels include World's End (1987, winner of the PEN/Faulkner Award for Fiction); The Road to Wellville (1993); and The Tortilla Curtain (1995, winner of France's Prix Médicis étranger). Boyle has published eight collections of short stories, including Descent of Man (1979), Greasy Lake (1985), If the River Was Whiskey (1989), and Without a Hero (1994). His short stories frequently appear in the major American magazines, including The New Yorker, Harper's, Esquire, The Atlantic Monthly and Playboy.

Episode 124 Notes and Links to Robin Peguero's Work        On Episode 124 of The Chills at Will Podcast, Pete welcomes Robin Peguero, and the two discuss, among other topics, Robin's early writing and reading influences, Pete and Robin's shared love for, and awe of, Gabriel Garcia Marquez, Robin's experience in government and law that have influenced his worldviews and writing, and the background, real-life parallels, and themes featured in Robin's With Prejudice.      An Afro-Latino and the son of immigrants, Robin Peguero graduated from Harvard College and Harvard Law School. He has written for the Miami Herald, the Harvard Crimson, and the Harvard Law Review, and he served as a press spokesman in the U.S. House and as a speechwriter in the U.S. Senate before becoming a lawyer. He is currently a U.S. House investigative counsel working on domestic terrorism. Buy With Prejudice by Robin Peguero   Shelf Awareness: Interview with Robin Peguero   The Big Thrill: “Up Close: Robin Peguero”       At about 1:30, Robin describes the festivities for the first week of publication, describes the feeling as “surreal,” and talks about his    At about 3:00, Robin gives background on his childhood relationship with language and literature and growing up in Hialeah, outside of Miami   At about 5:35-a Natalie Lima shout out!   At about 6:10, Robin details his early reading favorites and the background for his early writing, in “creating a world and making it how [you] want it to exist”   At about 7:45, Robin responds to Pete's wondering about moments of discovery and influence on his road to writing, including how Garcia Marquez and Faulkner's work influenced and inspired, and Robin's time on the school newspaper   At about 11:50, Pete and Robin commiserate on the difficulty of The Sound and the Fury   At about 12:20, Robin details his love of Marquez's work, including his blockbuster and iconic novels    At about 13:15, Robin describes some early birthday parties that were perfect for a literary teenage crowd, and his friend as his “first beta reader”   At about 14:50, Robin talks about early jobs in government, and how his experience with the “slow-moving” government entities affected his worldview and his move to law    At about 17:10, Robin details his experience with the defense and prosecution sides of the criminal justice, all the while writing on the side   At about 18:20, Robin traces the journey of the book from origin to publication    At about 19:35-21:32, Robin summarizes the book with an “elevator pitch” and emphasizes the importance of the jury in the legal system   At about 21:35-25:03, Robin discusses the significance of the book's title   At about 25:20, Robin responds to Pete's questions about his views of the criminal justice    At about 26:25, Robin details a finding about the death penalty that comes from less of a value of Black lives   At about 29:40, Pete highlights strengths of book and outlines some main characters and their views of the pragmatic issues of jury selection   At about 30:50, Robin discusses the intriguing and powerful character of Sandy as an archetype of the legal profession, and how    At about 34:15, Robin and Pete discuss the relationship between opposing lawyers, collegiality (or lack thereof) among the competing lawyers, and Robin's experience with these issues   At about 37:35, Robin responds to Pete's compliments about his seamless dialogue and balance of legal jargon and common speech to capture a wide audience    At about 40:35, Robin compares the legal system as represented in TV and movies to the real legal system, with Defending Jacob as one that he references as sufficiently realistic   At about 42:30, Robin discusses the mechanics of the backstories and past/present tense as used in his book   At about 44:40, Pete lays out the backstories of several important characters, and emphasizes the understated character of Gabriel Soto, the case's defendant    At about 46:15, Robin discusses the unfortunate way in which the defendant and victim sometimes become “wallpaper” and responds to Pete's wondering about victim Melina Mora and double standards regarding women as victims   At about 52:00, Pete homes in on important flashback scenes, particularly regarding Melina Mora   At about 53:10, the two highlight effusive blurbs from Scott Turow and Harlan Coben and Robin talks about genre and how the book will be classified/marketed   At about 54:10, Pete asks about future projects for Robin   At about 56:20, Pete highlights a realistic and intriguing character from the book   At about 57:45, Robin highlights social media and contact info, and shouts out Books and Books as one of many great places to buy his book     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 125 with Jamil Jan Kochai, the author of 99 Nights in Logar (Viking, 2019), a finalist for the Pen/Hemingway Award for Debut Novel and the DSC Prize for South Asian Literature. He was born in an Afghan refugee camp in Peshawar, Pakistan, but he originally hails from Logar, Afghanistan. His short stories and essays have appeared in The New Yorker, The New York Times, Los Angeles Times, Ploughshares, and The O. Henry Prize Stories 2018. Currently, he is a Stegner Fellow at Stanford University.      The episode will air on May 31. 

Salutare, prieteni! Lungă a fost așteptarea, dar ea tocmai s-a încheiat. Venim cu povești din Spania și mâncare din Portugalia. Și o invitată extraordinară. Magda Grădinaru ne va povesti despre “ortodoxia nucleară” din Rusia, dar și despre celebrele sale interviuri cu scriitori și oameni de cultură. Aveți capitolele mai jos.  Dar, întâi, like&share&subscribe 00:00 Toate îmbrățișările noastre și descărcăm tolba spaniolă cu câteva povești minunate. 15:12 Răspundem la mesajele voastre.  32:54 - Povestim cum ne-a fost prima data în străinătate. Unul s-a dus în vest, iar celălalt în est. Așadar, de la Tiraspol la Frankfurt. 55:06 - Jurnalista Magda Grădinaru vine la Vorbitorincii cu povești fascinante despre interviurile sale cu scriitori, de la Ismail Kadare la Norman Manea. Plus răspunsul la întrebarea: va folosi Putin bomba atomică? 1.43:47 - Neașteptările sunt la locul lor. Piese bune, da.  01:51:11 - Spuma filelor se întoarce la Abraxas, de Bogdan Alexandru Stănescu și aduce Supraviețuitorii, de Alex Schulman. Plus Domnul Wilder și cu mine de Jonathan Coe, Două singurătăți - Vargas Llosa cu Garcia Marquez și Invențiile ocazionale - Elena Ferrante. 02:11:10  Boarding Pass către Sintra. 02:19:57 - Oale, ulcele și tigăi cu mâncare portugheză.

durée : 00:58:48 - Cultures Monde - par : Florian Delorme - Journaliste, romancier et prix Nobel de littérature en 1982, Gabriel Garcia Marquez s'est imposé comme l'écrivain national colombien. Comment son œuvre est-elle devenue peu à peu l'incarnation littéraire de l'identité colombienne ? - invités : Alvaro Santana Acuna Professeur de sociologie au Whitman College; Camilo Bogoya Gonzalez Enseignant-chercheur en littérature à l'université d'Artois; Liliana Riaboff Enseignante dans le secondaire et chercheuse autrice d'une thèse sur la réception de Garcia Marquez en Colombie

Episode 106 Notes and Links to Daniel Olivas' Work           On Episode 106 of The Chills at Will Podcast, Pete welcomes Daniel Olivas, and the two talk about…well, everything. They discuss, among other things, Daniel's childhood in Los Angeles, pochismo, formative and unforgettable reads, his family's stories, his work as a lawyer and his myriad writing and genres, the difference between fiction and nonfiction with regard to truth, as well as his just-released short story collection.      Daniel A. Olivas is the author of ten books and editor of two anthologies. His books include How to Date a Flying Mexican: New and Collected Stories (University of Nevada Press, 2022), The King of Lighting Fixtures: Stories (University of Arizona Press, 2017), Crossing the Border: Collected Poems (Pact Press, 2017), and Things We Do Not Talk About: Exploring Latino/a Literature through Essays and Interviews (San Diego State University Press, 2014). ​ Daniel's plays have been produced for the stage and readings by Playwrights' Arena, Circle X Theatre Company, and The Road Theatre Company. Widely anthologized, Daniel has written for many publications including the New York Times, The Guardian, El Paso Times, Los Angeles Times, Los Angeles Review of Books, Huffington Post, High Country News, La Bloga, BOMB, and the Jewish Journal.   Buy Daniel Olivas' How to Date a Flying Mexican   Daniel Olivas' Website   Buy Daniel Olivas' Books   Daniel Olivas' Page at Los Angeles Review of Books   Waiting for Godinez Play Information and Praise   "Turning the Page"-Daniel's beautiful tribute to his father from Stanford Magazine At about 2:50, Daniel gives his family background, including his father's experiences with writing and education, as well as Daniel's schooling and educational experiences    At about 10:10, Daniel responds to Pete's questions about writing and artistic influences for Daniel's father    At about 11:40, Daniel talks about bilingualism in his family and a meaningful comment from his mother about his writing    At about 16:30, Daniel talks about family roots in Ocotlán, Jalisco, and its influence on his writing   At about 17:40, Daniel highlights his fictionalized city of Dos Cuentos and the ways in which he uses the city in his work   At about 18:50, Daniel talks about early reviews of his story collection and the ways in which they often add “trigger warnings” and what those warnings reinforce for him   At about 19:40, Pete asks Daniel about John Fante and Daniel talks about Fante as a great chronicler of the immigrant experiences    At about 21:45, Pete and Daniel talk about shared roots in Jesuit high schools and Daniel gives background on connections to Father Greg Boyle   At about 23:30, Daniel responds to Pete's questions about important texts that Daniel gravitated to, as Daniel talks about how long it took him to think about writing himself and being inspired by Juan Rulfo, Sandra Cisneros, and Rivera's And the Earth Did Not Devour Him, and laments missing taking a class with José Antonio Burciaga   At about 26:00, Pete and Daniel fanboy over Villarreal's Pocho, and Daniel talks about the evolving meanings of “pocho”   At about 29:40, Daniel talks about “shaming” over the ways that Mexican Catholic customs were manifested    At about 32:25, shout out to Pete's beloved uncle   At about 33:30, Pete wonders about turning points in Daniel's route to becoming a professional writer, including early publication with The Stanford Chaparral, and unfortunate grief bringing inspiration through his first novel dealing with joy and pain    At about 40:30, Daniel details the publication of Assumption and Other Stories with Bilingual Press    At about 41:15, Daniel talks about how his career trajectory and writing style may differ from what his work would have been like had he gone the MFA route; he also quotes Stewart Dybek   At about 43:00, Daniel talks about keeping his work fresh    At about 44:30, Daniel references an article he wrote for The Guardian upon the publication of American Dirt, as well as a telling quote from Luis Alberto Urrea   At about 45:40, Daniel references two story from the recent collection that highlight the Trump years   At about 47:15, Daniel responds to Pete's slight misunderstanding about the differences in writing for law and for fiction   At about 50:25, Pete wonders if Daniel can point out any renderings of the law that have rung true for him   At about 53:50, Pete references a chilling Law & Order episode, and Daniel talks about parallels to Trump and the events of recent years   At about 58:50, Daniel talks about how he chose the stories for his latest collection and his mindset in choosing “old” and newer stories   At about 1:01:05, Daniel talks about reading his work spanning so many years and judging any “evolution” in his writing    At about 1:02:00, Daniel asks Pete his thoughts on whether Daniel's work reads as similar throughout the years   At about 1:04:30, Daniel references “Later Days,” an early “cynical” story of his curated by Bruce Handy   At about 1:07:30, Daniel recollects some interesting childhood reading and Daniel talks about the reading connection to his later writing   At about 1:08:25, Pete points out connections between the reading histories of Tod Goldberg and Daniel   At about 1:08:55, Daniel talks about the short story collection and its dedication and connections to Luis Alberto Urrea's Hummingbird's Daughter   At about 1:11:20, Daniel talks about an upcoming article for Alta Journal discussing Natalie Diaz's “Postcolonial Love Poem”   At about 1:12:20, Daniel says he'll accept any comparisons to Franz Kafka or Garcia Marquez, and talks about Dagoberto Gilb, A Parrot in the Oven by Victor Martinez, Borges, Yxta Maya Murray, and others as inspirations     At about 1:15:25, Daniel makes a comparison between his work (especially with short stories) and the life of a character actor   At about 1:17:20, Pete shouts out an incredible piece by Borges- “The Gospel According to Mark”   At about 1:21:45, Daniel talks about storylines in his writing and ideas of morality   At about 1:24:20, Daniel explains “political writing” that is overtly not political   At about 1:25:05, Pete makes parallels between Toni Morrison's one short story's headlines   At about 1:27:00, Pete highlights the skillful magical realism of the title short story, and Daniel explains the balance between the two parts of the phrase   At about 1:31:00, Pete and Daniel discuss themes of agency for women, with Conchita as an example   At about 1:34:00, Pete highlights a skillful line in the title story, and Daniel responds to Pete's questions about using second person and present tense    At about 1:36:15, Daniel discusses the importance of prioritizing the title before getting into the story's nuts and bolts   At about 1:38:25, Pete and Daniel discuss minimalism and dichos in Daniel's writing   At about 1:45:00, Pete shouts out “Belen” as possibly his favorite story and compares Belen's situation to that of the the narrator in Antonya Nelson's “In the Land of Men”    At about 1:47:00, Pete asks about the cool names used in the collection   At about 1:49:40, Quezatcoatl is discussed as featured in the short story collection   At about 1:51:20, Pete asks Daniel about a hilarious and deep turn-of-phrase in discussing evil and history, as Daniel discusses some awkward conversations with Hollywood types oversimplifying race for financial purposes    At about 1:54:55, Daniel reads from the title story   At about 1:59:45, Pete wonders about future projects for Daniel   At about 2:02:00, Daniel talks about the events for the book's launch, and discusses a nice pre-release review from Buzzfeed    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 107 with Dr. Benjamin Gilmer, a family medicine physician in Fletcher, North Carolina. He is an Albert Schweitzer Fellow for Life and associate professor in the department of family medicine at the University of North Carolina School of Medicine at Chapel Hill, and his new book, The Other Dr. Gilmer, is a heart wrenching true story, with part of the story covered in a  2013 "This American Life" episode that has more than 10 million views to date.     The episode airs on Thursday, March 3.

Episode 104 Notes and Links to Matt Bell's Work         On Episode 104 of The Chills at Will Podcast, Pete welcomes Matt Bell, and the two discuss, among many other topics, his upbringing in semi-rural Michigan, his love of video games and fantasy, his skill in writing in different modes, and his blockbuster success Appleseed, with its myriad pertinent themes and its intricately-crafted narratives and allegorical greatness.          Matt Bell is the author most recently of the novel Appleseed (a New York Times Notable Book) published by Custom House in July 2021. His craft book Refuse to Be Done, a guide to novel writing, rewriting, and revision, will follow in early 2022 from Soho Press. He is also the author of the novels Scrapper and In the House upon the Dirt Between the Lake and the Woods, as well as the short story collection A Tree or a Person or a Wall, a non-fiction book about the classic video game Baldur's Gate II, and several other titles. His writing has appeared in The New York Times, Esquire, Tin House, Fairy Tale Review, American Short Fiction, Orion, and many other publications. A native of Michigan, he teaches creative writing at Arizona State University.    Buy Matt Bell's Appleseed   Appleseed Review in The New York Times- “A Novel Charts Earth's Path From Lush Eden to Barren Hellscape”   Matt Bell's Website   Book Recommendations from Matt Bell   Buy Matt Bell's Books   New York Times Review of In the House upon the Dirt Between the Lake and the Woods   Alta Journal Review of Appleseed   The Brooklyn Rail Review of Appleseed At about 2:00, Matt talks about the different ways of writing, editing, and publicizing books in the Covid era, noting that his newest book, Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts   At about 4:10, Matt details his childhood in rural Michigan and his relationship with reading and language    At about 6:15, Matt and Pete    At about 7:10, Matt describes the rural/urban combo in his writing   At about 9:10, Matt ponders whether his rural upbringing and reading fantasy, as well as ideas of what is “fantastical”   At about 10:35, Matt mentions formative books for him as an adolescent and college student, and how Fight Club led to other favorite writers as prescribed by Chuck Palahniuk, including Denis Johnson and Raymond Carver   At about 12:40, Matt sings the praises of The Intuitionist and John Henry Days by Colson Whitehead and inspiration for Appleseed   At about 14:30, Pete asks Matt about any “ ‘Eureka' moments” in his path to becoming a professional writer; Matt cites a “poverty of examples”   At about 16:10, Matt describes the “different” feeling that came with an early short story and things started “clicking”   At about 17:30, Matt describes just a few contemporary writers who bring “thrills at will,” including Bryan Evenson, DeLillo, Anne Carson, Christine Schutt, Jeff Vandermeer, Laird Hunt, and Dana Spiotta   At about 18:30, Matt discusses reading a huge quantity of Ursula LeGuin while writing Appleseed   At about 20:00, Pete delivers some good news to Matt regarding his short story output, and Matt responds to Pete's inquiries about Matt's previous short story collection and early publications    At about 21:20, Matt talks about the connection between rural and vast landscapes and the themes of man's relationship with nature from In the House… and other work of his   At about 22:10, Matt discusses differing views across the country of his book Scrapper as dystopian/realistic in various American locales   At about 24:25, Pete asks Matt about connections between Matt's history of gaming and his writing, including his book Baldur's Gate   At about 26:40, Matt talks about “writing with your whole self” and writing authentically for him   At about 27:40, Matt describes the copyediting process after Pete's shouts out an atypical   At about 28:40, Pete asks about the finished feeling seeds for the book Appleseed, and the process of editing with great help from Kate Nintzel and Kirby Kim   At about 32:20-Matt describes inspiration and the impetus for writing his book came from faun myths, myths in general, Dionysus, etc.    At about 33:20-Pete makes Garcia Marquez comparisons with magical realism and the nonchalant and skillful ways in which fantasy is presented in Appleseed, and Matt discusses how myth and research came into play   At about 35:20- Matt talks about the ways in which the storylines developed and about the book as self-propelling   At about 36:30, Matt responds to Pete's wondering about the balance between allegory and moralizing    At about 39:10, Matt and Pete discuss the three major storylines, and Matt responds to Pete's questions about how he made the storylines congeal so nicely    At about 41:50, Matt discusses the essential Chapman storyline from Appleseed   At about 44:40, Matt analyzes Nathaniel, a main character from Appleseed, and his motivations   At about 46:45, Pete shouts out a wonderfully crafted scene and intricately-meaningful from the book   At about 47:20, Pete shouts out a beautiful fraternal relationship and asks Matt about his mindset in crafting the relationship and Matt cites how the faun allowed him freedom    At about 49:20, Matt discusses the John character from his book and themes of the balances between nature and technology, including a real life connection to a detail from the book   At about 52:00, Pete wonders if Yuri is representative of someone in particular   At about 53:00, Pete highlights themes of “collective memory” and learning from history, as seen through the futuristic storyline, and Matt and Pete discuss ideas of “fates” and “furies”   At about 54:30, Matt responds to questions around greater good, and if democracy is up for combating climate change   At about 55:35, Matt cites a quote and books from Derrick Jensen and his memorable A Language Older than Words amid constant questions and urges to act   At about 57:10, Pete mentions a real-time connection to the themes of the conversation   At about 58:10, Pete asks Matt about the ways and places in which the book is being taught, and Matt talks about “think[ing] on top of it/past it”   At about 59:00, Matt describes his latest project, coming out in March 2022, Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts, and how he goes about writing about writing; Pete and Matt also shout Matthew Salesses' wonderful Craft in the Real World: Rethinking Fiction Writing and Workshopping   At about 1:02:30, Matt gives contact info and shouts out Changing Hands and Literati and Bookbug, and Snowbound as good independent places to buy his books   At about 1:03:45, Matt reads from Appleseed You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for the next episode, Episode 104 with Nikesha Elise Williams. Nikesha is a two-time Emmy award winning producer, an award-winning author, and producer and host of the Black & Published podcast. Nikesha writes full time with bylines in The Washington Post, ESSENCE, and VOX. She lives in Jacksonville, Florida with her family.  The episode will air on February 22. 

In this week's show: there are 40 million slaves today around the world - find out what the UN is doing to help them; also, real concerns about COVID vaccine hoarding linked to the rise of Omicron, and an alert over a desperate hunger crisis that's affecting millions in the Sahel, which is driving violence and displacement, that's being felt as far away as the West African coast. Stay with us too for closing comments from regular guest, Solange Behoteguy-Cortes – and Gabriel Garcia Marquez - you're in good company.  That's all coming up, in this week's UN Catch-Up Dateline Geneva, with me Daniel Johnson. Thanks for listening. 

 "L'amour au temps du choléra" de Garcia Marquez (1985) A la fin du xixe siècle, dans une petite ville des Caraïbes, un jeune télégraphiste pauvre et une ravissante écolière jurent de se marier et de vivre un amour éternel. Durant trois ans ils ne vivent que l'un pour l'autre, mais Fermina épouse Juvenal Urbino, un jeune et brillant médecin. Alors Florentino, l'amoureux trahi, se mue en séducteur impénitent et s'efforce de se faire un nom et une fortune pour mériter celle qu'il ne cessera d'aimer, en secret, cinquante années durant.  Le livre s'achève sur une croisière romantique au cours de laquelle le Président de la compagnie fluviale demande que tous les passagers et toutes les marchandises soient débarqués à port, le capitaine étant sommé de déployer à sa proue le pavillon jaune du cholera pour permettre aux deux amants, Fermina et Florentino, qui peuvent  vivre enfin leur idylle, à soixante-quinze ans passés.  Choix musicaux: Franz Schubert "Schäfers Klagelied, D.121" et Carlos Vives "La Gota Fria"

Né en 1953, forgé dans la créolité et ayant grandi sur les cendres de l'esclavage, cet écrivain martiniquais dresse à travers ce documentaire un véritable réquisitoire contre la mondialisation et le capitalisme. Il nous rappelle que les morts sont partout et que les migrations, les métissages, ou encore l'errance dessinent aujourd'hui l'avenir de notre monde. Une poésie de la résistance.Une magnifique plongée au cœur des émotions créatrices de l'artiste-écrivain prix Goncourt, Patrick Chamoiseau. Du premier manuscrit, aux carnets de notes contemporains : « partir d'un impossible, à la recherche des conjonctions de forces ».Sa mère man ninotte, son père réciteur de La Fontaine, ses instituteurs, sa "senthimenthèque" : Faulkner, Villon, Garcia Marquez, Césaire, San Antonio, Rabelais, René Char… Edouard Glissant, le "commandeur suprême", en hommage duquel l'Affectueuse Révérence est donnée ici par la comédienne Isabelle Fruleux.Comment écrire à la croisée de deux langues, le créole et le français ?« En inventant un langage », Patrick Chamoiseau, pose à chacun d'entre nous la seule question qui vaille: le Monde a-t-il une intention ?

En el Episodio 51 de Poesía 1110 : Marcelo Moreno Anselmo Marini, Nora Perlé, Pablo Marchetti, José Manuel Cataldo,Amelita Baltar, Cacho Lemos. ¿A qué llamamos balada? ¿Qué es un slogan? ¿Quiénes fueron los incas haravicus, y cual era su relación con la poesía? Investigamos el concepto de sincretismo y su origen desde los quechuas ¿Qué significa negritud, dentro de la literatura? ¿ Cuales eran los autores favoritos de Jorge Luis Borges? ¿Como fueron los comienzos de Roberto Artl como cronista? Descubrimos cómo Jack Kerouac, conocido por su estilo innovador, impuso los haikus americanos y cómo Víctor Hugo se basó en una historia de la vida real para escribir Los Miserables No interiorizaremos en poemas de Cinwololo, Almafuerte, y el haiku del poeta Matsuo Basho. Conoceremos un tramo de “ La insoportable levedad del ser” de Milan Kundera y de la famosa novela de Gabriel Garcia Marquez “Cien años de soledad”. Honoré de Balzac, uno de los mas grandes y célebres novelistas de todos los tiempos, le escribe a Eveline de la Hanska (condesa polaca, casada y madre de familia) y a través de esa correspondencia develaremos la historia de amor de ambos. Guiraldes, Galeano , Cinwololo, Matsuo Basho, Kundera , Garcia Marquez y W. Shakespare, nos regalan sus palabras a través de las voces de nuestros locutores y nos detenemos a pensar las letras de las canciones de Metallica, Patrico Rey y sus redonditos de ricota, Magdalena Fleitas, The Cure y Sting, entre otros. Y como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros, para seguir creando este infinito collage sonoro de lecturas compartidas. Poesía 1110: Un espacio para pensar y resonar el acto poético en todas sus formas ; la poesía de todas las cosas.

A riveting read can be the greatest inspiration, immersing you in another world and exciting you to go explore. Featuring authors like Garcia Marquez, Byron, Thubron, Bryson, Chatwin, Garland and Thesinger, your host Stephen Bailey explores some of the great travel literature, the books that make you want to move. Then there are books to provide a fictional insight into another place, such as Chinua Achebe, Hunter S Thompson, Gregory David Roberts and Henri Charriere. All are also great for a vacation read!

Garcia Marquez l'ha definita una “vagabonda convinta” eppure la fisarmonica una casa ce l'ha, è il paese di Castelfidardo. Castelfidardo è la patria della fisarmonica. E' possibile ammirarne numerosi esemplari, nel Museo Internazionale dedicato a questo strumento, alla sua storia e al suo sviluppo, negli anni e nel mondo. Il Museo espone più di 300 esemplari, tra pezzi unici e strumenti provenienti da altri paesi europei. C'è un organo portativo, considerato l'antenato della fisarmonica e realizzato su un progetto di Leonardo da Vinci. Ma anche uno dei bandoneon di Astor Piazzolla e la partitura originale di Adios Nonino. La fisarmonica appare ingombrante ma è armoniosa allo stesso tempo. Come le note che escono con il suo respiro. Raccontano di una dolente nostalgia, che si nasconde da sempre tra le pieghe del mantice e dell'animo umano.

Adrián Garcia-Marquez and Francisco Pinto get you ready for Week 1 and talk Puro Chargers and Puro Bengals. Se habla NFL!

Chris Hayre is joined by Garcia-Marquez, who previews the newest addition to the Chargers Podcast Network "Puro Chargers." The two also discuss their thoughts on SoFi Stadium, stepping up in the absence of Derwin James, and more.

Efemérides, clima, monólogos, notas virales y de tecnología, recomendaciones de pelis, bebidas, comida y muy buena música, todo esto y mas! TODAS NUESTRAS REDES SOCIALES Y PLATAFORMAS AQUÍ EN EL ENLACE: http://myurls.co/blancoynegro --- Send in a voice message: https://anchor.fm/blancoynegropodcast/message

TESTO DELL'ARTICOLO ➜http://www.filmgarantiti.it/it/articoli.php?id=275THE LOST CITY (2005) *IL FILM DI ANDY GARCIA CHE SVELA IL VERO VOLTO DELLA RIVOLUZIONE CUBANA di Francesco AgnoliThe Lost City è un film di Andy García del 2005, ambientato alla fine degli anni cinquanta a Cuba, durante la rivoluzione. Il film è stato girato a Santo Domingo, nella Repubblica Dominicana.Fico Fellove è il proprietario di El Tropico, un nightclub de L'Avana. Al potere c'è il dittatore Fulgencio Batista e i fratelli minori di Fico, Ricardo e Luis, si uniscono rispettivamente all'opposizione extraparlamentare comunista (il Movimento del 26 luglio fondato da Fidel Castro) e a quella democratica. Il padre, Federico, è invece un importante docente universitario e sostiene l'opposizione parlamentare.Con lo scoppio della rivoluzione cubana, che porta alla deposizione di Batista ad opera dei castristi, Fico si vede limitare sempre più la sua attività di gestore del locale, in quanto gli vietano di usare il sassofono e lo obbligano a suonare solo determinate melodie e canzoni. Ciò provoca in lui una sorta di rancore verso il movimento comunista cubano, al contrario della vedova del fratello Luis, Aurora, la quale invece sembra essere favorevole. Fico sarà poi costretto a chiudere il locale, a causa delle statalizzazione messa in atto dal regime comunista, e prenderà in seguito la decisione di lasciare definitivamente L'Avana, in quanto la considera una "Città Perduta" e illiberale.Andy Garcia, regista, attore protagonista, produttore esecutivo e autore delle musiche, è nato a Cuba e, in seguito, ha vissuto negli U.S.A. come, alla fine del film, il personaggio che interpreta. Anche l'attore Tomas Milian è nato a Cuba.Fonte: WikipediaCOMMENTO DI FILM GARANTITIIl film è lento e non ha dialoghi brillanti, ma va visto in quanto svela la vera natura di ogni rivoluzioneIl film ha il pregio di narrare correttamente gli eventi catastrofici della rivoluzione di Fidel Castro che ha tolto ogni residua libertà ai cubani peggiorando ulteriormente la situazione precedente che pure era una dittatura. Anche la figura del rivoluzionario Che Guevara viene resa realisticamente come quella di un giovane presuntuoso e strafottente che con la violenza si impone sugli altri.Andy Garcia (comandante dei cristeros nel kolossal Cristiada) ha realizzato un film credibile in quanto narra le vicende del Paese nel quale è nato, ma nel quale non ha potuto vivere in pace e libertà, dovendo fuggire in quella America tanto odiata dai rivoluzionari cubani.Purtroppo il film è eccessivamente lungo (oltre due ore), lento nella trama e non ha dialoghi particolarmente brillanti. Ciononostante è da consigliarne la visione in quanto svela la vera natura di ogni rivoluzione: rovesciamento dell'ordine precedente in nome di una presunta libertà che in realtà il nuovo ordine non è mai in grado di dare.FRASI INTERESSANTI IN "THE LOST CITY"- "Nel giubilo siamo tutti uguali, solo il dolore rende diversi"- "Elezioni? Per cosa? Il popolo ha già scelto" Fidel Castro- "Prima dobbiamo fare le riforme, la democrazia verrà dopo"L'AUTOBIOGRAFIA DELLA SORELLA DI FIDEL CASTRO RIVELA LA FEROCE DITTATURA DI CUBAChe Guevara fanatico, volgare e sanguinario, che trasudava ateismo da tutti i pori, spinse alle fucilazioni indiscriminate di massaCuba è uno dei tanti miti atei del ventesimo secolo, che sopravvive nel ventunesimo, senza più essere un mito, nell'oblio. Per tanti anni a sinistra si è voluto fare di quell'isola il mondo felice, utopico, realizzato dall'uomo: l'isola incantata che, seppure lontana, però c'è. Ci hanno creduto in tanti, a partire da intellettuali come J. Paul Sartre e Simone de Beauvoir, che mentre buttavano a mare con odio due millenni di cristianità, si godevano bagni di folla cubani organizzati dal regime, e ricambiavano con tanto rumoroso affetto.Ci ha creduto il premio Nobel Gabriel Garcia Marquez, divenuto un narratore alla corte di Castro, di cui Carlos Franqui, celebre rivoluzionario castrista poi pentito, ebbe a scrivere: "La patente di sinistra consente a Garcia Marquez di possedere una villa, milioni e ricchezze in Colombia, in Messico e a Cuba, conti bancari... ma lui non condanna il narcotraffico che distrugge il suo paese, non denuncia i crimini della guerriglia colombiana e tace su delitti atroci come quello di padre Camilo Torres. Sceglie la zuppa comunista per interesse...".Alla rivoluzione cubana credettero anche molti cattolici di sinistra, che nel post Concilio, approfittando della mancata scomunica al comunismo e dell'iniqua ostpolitik vaticana, approfittarono per mescolare il verbo di Marx con quello di Cristo: mons. Ernesto Balducci, in Italia, e i teologi della liberazione, in America Latina.Tra questi quell'Ernesto Cardenal che in suo reportage da Cuba, undici anni dopo la Rivoluzione, pur ammettendo l'esistenza dei campi di concentramento e la persecuzione, tra gli altri, dei cattolici, proclamava Cuba capitale dell'umanità e del benessere, anche materiale, e concludeva entusiasta: "A Cuba avevo visto che il socialismo fa sì che sia possibile vivere l'Evangelo nella società".Ecco, oggi si sa bene cosa succeda a Cuba: miseria, mancanza di libertà e oppositori coraggiosi, per lo più cattolici e neri, che continuano a lottare, costituendo la testimonianza più evidente del fallimento di una dittatura familiare, che dura da ormai cinquant'anni, immobile e feroce.Scriveva alcuni mesi orsono Lucio Caracciolo, su Limes: "Sotto il velo di una propaganda in cui nessuno crede più, la vita quotidiana di Cuba è quella di un paese che non produce quasi nulla. E quindi deve importare il necessario, compresa la frutta tropicale surgelata servita nei paladares (ristorantini privati ad uso dei turisti e altri privilegiati) che viene dritta dalle serre canadesi. Le tessere alimentari offrono sempre meno".E concludeva: "Sullo sfondo dell'eroica rivoluzione contro Batista e delle grandiose ambizioni geopolitiche del carismatico Fidel, questa Cuba immiserita e sopravvivente, cucita su misura di turista (sessuale, non più ideologico), sembra rassegnata a recitar se stessa".Eppure, di questo fallimento, così eclatante, si parla poco, almeno in confronto alla esaltazione che se ne fece, per tanti anni, a sinistra. E rimangono quasi introvabili le denunce fatte spesso da cubani cattolici come Armando Valladares, o anche da comunisti un tempo entusiasti come il fotografo d'arte parigino Pierre Golendorf, autori il primo di "Contro ogni speranza. 22 anni nel gulag delle Americhe dal fondo delle carceri di Fidel Castro", il secondo de "Un comunista nelle prigioni di Fidel Castro".Tanto clamore, dunque, in passato, tanto silenzio oggi. E' difficile ammettere, anche stavolta, che ci si era sbagliati.Per questo la recente autobiografia di Juanita Castro, "I miei fratelli Fidel e Raùl" (Fazi), ha ricevuto molta meno attenzione di quella che meritava. Poche recensioni e le stroncature di qualche nostalgico incanaglito, come Maria R. Calderoni, sul quotidiano comunista Liberazione, che indignata per le parole di Juanita, concludeva così la sue considerazioni: "Libro chiuso. A lettura finita ci viene in mente, chissà perché, quella frase di Sartre: «L'anticomunista è un cane»".Eppure il libro di Juanita è molto interessante, perché scritto dalla sorella del dittatore cubano, che per anni aveva lavorato attivamente per la vittoria della Rivoluzione. Juanita - che ha pagato la sua rettitudine: costretta a scappare da Cuba perché avversa ai fratelli, e spesso insultata, negli Usa, dagli esuli cubani, perché pur sempre sorella del dittatore- ci descrive quello che ha vissuto, e che coincide con quanto raccontano tanti altri testimoni.La Rivoluzione contro Batista, testimonia, non era in origine di matrice comunista: vi erano ad appoggiarla, in diverso modo, operai, borghesi, ecclesiastici come il vescovo Enrique Pèrez Serante, cui Castro dovette la sua salvezza dopo una missione fallita. Si volevano la libertà, l'equità sociale, la fine della dittatura, e la gran parte dei protagonisti non voleva saperne né del comunismo né dell' Unione Sovietica. Furono Fidel, per motivi di potere e null'altro, Raul, per convinzioni più ideologiche, e soprattutto il Che, descritto come un personaggio fanatico, volgare e sanguinario, a impadronirsi della rivoluzione, eliminando tutti i loro stessi compagni di lotta che non vedevano di buon occhio il comunismo e la dittatura.Fu il Che, "che trasudava ateismo da tutti i pori", a spingere sulla iniqua e crudele "persecuzione religiosa" e sulle fucilazioni indiscriminate di massa. Di fronte a tanta iniquità, ricorda Juanita, mi schierai con quelli che mio fratello Fidel chiamava "vermi" e cercai di salvarne il più possibile, finché non fui costretta, anch'io come ad altri due milioni di cubani, ad emigrare.Francesco AgnoliIl Foglio, 25 agosto 2010

“Calliopée confinée” explore les grands textes de la littérature s'étant emparé de la thématique des épidémies, comme des miroirs à notre propre expérience de la contagion. Pour le deuxième épisode de ce cycle exclusif, nous plongeons dans “L'amour au temps du choléra” de Gabriel Garcia Marquez. Ce roman est la fascinante histoire d’un amour absolu, dont la maladie devient une forme d'analogie, campé au cœur des caraïbes colombiennes, au début du XXe siècle. Un chef d'œuvre où Garcia Marquez donne libre cours à son génie de conteur, à la richesse de son imagination et à l’enchantement baroque de son écriture. Bonne écoute !

ESSE EPISÓDIO É UMA COLLAB COM O COVIL DE LIVROS. VOCÊS PODEM OUVIR O OUTRO EPISÓDIO COMENTANDO MAIS SOBRE CEM ANOS DE SOLIDÃO A PARTIR DO DIA 26/NOV/2019. SÓ PROCURAR POR COVIL DE LIVROS NO SEU PROVEDOR OU NESSE LINK Hoje desembarcamos na América Latina para falar de um dos maiores escritores do continente: Garcia Marquez e seu livro Cem Anos de Solidão. Em parceria com Bruno Assis (@ofrango) do Covil de Livros, nós fizemos dois episódio, um no Quarta Parede focando nos personagens, e outro no Covil, focando nas temáticas e acontecimentos. Confere lá. Você encontra o Bruno em: @ofrango e http://www.estamosemobras.com.br/ Entre em contato com a gente! Adoramos receber cartinhas virtuais quartaparedepodcast@gmail.comtwitter: @quartaparedepodfacebook.com/quartaparedepodcast Vocês também podem encontrar as meninas nos seguintes lugares: Anna Lívia Marques -twitter/instagram @annaliviamsyoutube.com/theannaliviams Larissa Siriani - twitter/instagram @LarissaSirianifacebook.com/LariSirianiyoutube.com/larissasirianipadrim.com.br/larissasiriani O Quarta Parede faz parte da família #OPodcastÉDelas Vocês podem seguir o OPED emwww.opodcastedelas.com.brtwitter/instagram @opodcastedelascontato@opodcastedelas.com.br 

Oggi ospite di Maestri Davide e Giordano Marinelli Chiara Viola.Ciao, mi chiamo Ginny (come quella di Strega per Amore!), sono nata il 24 Ottobre 1980 e faccio l’astrologa. Ho studiato a Milano con Marco Pesatori e adesso frequento la Mayo School a Londra, ogni volta che posso. Uso l’astrologia, un linguaggio di simboli antichissimo (ha più di 4000 anni!) per navigare nel mondo più magico che esista, quello dentro di noi.Credo nell’ottimismo, nel libero arbitrio (che non é in contrasto con l’astrologia, anzi!) e nell’importanza di conoscere a fondo la nostra unicità. In astrologia, ognuno di noi è rappresentato dal tema natale, la fotografia del cielo astrologico di quando siamo nati. Questa combinazione é unica e come tale va studiata, vissuta, assecondata e amata. Credo che ogni tema natale, ogni persona, sia meravigliosa nelle sue proprie caratteristiche.Milanese da sempre, convivo con due nanetti che si chiamano Leone e Luce, leggo divorando qualsiasi cosa da Garcia Marquez alle boccette dello shampoo (passando per Glamour ovviamente!), colleziono cappelli e occhiali da sole, amo i colori, i tatuaggi e le risate sguaiate. Ho anche un cane immaginario, ma questo è un segreto.Da grande sogno di fare la barlady e aprire un locale in cui i cocktail si sorseggino dondolando sulle altalene. Si chiamerà Ginny Fizz!

¡Celebrando 20k descargas del podcast! Marisela Garcia Marquez (@marisela_SF) es una startup scout y fundadora de la red global de mujeres en capital de riesgo (@GlobalWomeninVC) Conversamos sobre como funciona el ecosistema y como ella conecta startups globales a este valle del silicio Marisela es Mexicana-Americana y ha construido una carrera navegando entre las dos culturas y conectando a inversionistas de Silicon Valley con startups en America Latina y Europa Hackaton de Code for Venezuela Abril 12-14 en las oficinas de AirBnB en San Francisco, CA. Registrate Aqui Sigue a Code for Venezuela en Facebook Sigue al podcast en: Instagram (@ConexionesPodcast) Twitter (@ConexionesCast) o agregame en LinkedIn

¡Celebrando 20k descargas del podcast! Marisela Garcia Marquez (@marisela_SF) es una startup scout y fundadora de la red global de mujeres en capital de riesgo (@GlobalWomeninVC) Conversamos sobre como funciona el ecosistema y como ella conecta startups globales a este valle del silicio Marisela es Mexicana-Americana y ha construido una carrera navegando entre las dos culturas y conectando a inversionistas de Silicon Valley con startups en America Latina y Europa Hackaton de Code for Venezuela Abril 12-14 en las oficinas de AirBnB en San Francisco, CA. Registrate Aqui Sigue a Code for Venezuela en Facebook Sigue al podcast en: Instagram (@ConexionesPodcast) Twitter (@ConexionesCast) o agregame en LinkedIn

¡Celebrando 20k descargas del podcast! Marisela Garcia Marquez (@marisela_SF) es una startup scout y fundadora de la red global de mujeres en capital de riesgo (@GlobalWomeninVC) Conversamos sobre como funciona el ecosistema y como ella conecta startups globales a este valle del silicio Marisela es Mexicana-Americana y ha construido una carrera navegando entre las dos culturas y conectando a inversionistas de Silicon Valley con startups en America Latina y Europa ---- Hackaton de Code for Venezuela Abril 12-14 en las oficinas de AirBnB en San Francisco, CA. Registrate Aqui Sigue a Code for Venezuela en Facebook --- Sigue al podcast en: Instagram (@ConexionesPodcast) Twitter (@ConexionesCast) o agregame en LinkedIn

¡Celebrando 20k descargas del podcast! Marisela Garcia Marquez (@marisela_SF) es una startup scout y fundadora de la red global de mujeres en capital de riesgo (@GlobalWomeninVC) Conversamos sobre como funciona el ecosistema y como ella conecta startups globales a este valle del silicio Marisela es Mexicana-Americana y ha construido una carrera navegando entre las dos culturas y conectando a inversionistas de Silicon Valley con startups en America Latina y Europa Hackaton de Code for Venezuela Abril 12-14 en las oficinas de AirBnB en San Francisco, CA. Registrate Aqui Sigue a Code for Venezuela en Facebook Sigue al podcast en: Instagram (@ConexionesPodcast) Twitter (@ConexionesCast) o agregame en LinkedIn

The boyos go deep in a Garcia Marquez book that’s all about a killing! 8:21 The Night Manager and The Little Drummer Girl 13:30 The Weekly Deuce 16:30 The Shadow from the Deep on paperback 23:30 Black Klansman 25:00 Hold The Dark 35:00 BOOKTALK! 36:45 Garcia Marquez 40:30 magical realism TopgallantRadio.com - Radio for sailors

Memories and reviews of Gabriel Garcia Marquez and his work take center stage this week on Latin Pulse as this week marks a year since the death of this winner of the Nobel Prize for literature. The program traces Garcia Marquez from his beginnings as a journalist through his fame as an author setting an example for writers worldwide.  The program also discusses the writer's ties to Cuba. The news segment of the program reviews the outcome of the Summit of the Americas and Panama and how the United States and Cuba continue working toward normalized diplomatic relations.The program includes in-depth interviews with:Gustavo Arango of the State University of New York (SUNY) at Oneonta; andNuria Vilanova of American University.Executive Producer: Rick Rockwell; Producer: Jim Singer; Production Assistant: Sierra Hancock; andAnnouncer: Guillermo Rodriguez.(To download or stream this podcast, click here.) (The program is 30 minutes in length and the file size is 42 MB.) podcastnewsLatin AmericadiplomacypoliticsArgentinawritersliteratureUruguayColombiacultureMexicoCubaPanamaUnited StatesBarack Obamacolonialismimperialismfree speechRussiaRaul CastroFidel CastroEduardo Galeanomagical realismmediaJuan RulfoGabriel Garcia MarquezMario Vargas LlosaMiguel de CervantesCuban revolutionAugusto PinochetJorge VidelaCuban cinemaJames JoyceVirginia WoolfWilliam Faulkner

"The American Sun & Wind Moving Picture Company" is an enchanting tale set in the silent film era. Beginning in 1915, in Fort Lee, New Jersey, where a Jewish family makes one and two reel silent films, the novel is composed of six chapters, each a discrete silent film in itself. Joey, the too-beautiful-to-be-a-boy son of moviemaker, Simon, and his actress wife, Hannah, imagines stories that his uncle’s camera turns into scenes for their movies. Witness to and participant in the rapid technological advances in film, from the movies his family makes, to the advent of the talkies, Joey is cast in both male and female roles, onstage and off. When the woman Joey loves murders her abusive husband and sends Joey from his New Jersey family disguised as the mother of her own children, he embarks on a cross-country journey of adventure and hardship, crossing paths with the likes of D. W. Griffith, Lillian Gish, Mary Pickford, and “Roxy” Rothafel. Finally, reunited on the opposite coast with his uncle, and with the woman he has never stopped loving, Joey’s wild journey—and life!—arrive at a moment as unpredictable as it is magical. In an outrageously original tale worthy of a studio whose moguls might have been Kafka, Garcia Marquez, and Isaac Bashevis Singer, reality and illusion merge and separate, leaving the audience spellbound even after the final curtain falls.

Nathan Gilmour holds forth with David Grubbs and Michial Farmer on "A Very Old Man with Enormous Wings" and "The Handsomest Drowned Man in the World," two short stories by recently deceased Colombian author Gabriel Garcia Marquez. Garcia Marquez was one of the most prominent writers of Spanish-language fiction for a generation, and his pioneering work in realismo magico occupies the Humanists this go-round. Among the writers and other realities engaged are Magical Realism, Borges, hermeneutics, and Kafka.

Nathan Gilmour holds forth with David Grubbs and Michial Farmer on "A Very Old Man with Enormous Wings" and "The Handsomest Drowned Man in the World," two short stories by recently deceased Colombian author Gabriel Garcia Marquez. Garcia Marquez was one of the most prominent writers of Spanish-language fiction for a generation, and his pioneering work in realismo magico occupies the Humanists this go-round. Among the writers and other realities engaged are Magical Realism, Borges, hermeneutics, and Kafka.

Victor Triay, author and college professor, joins me for a chat about the Latin American left.   We will also hear from Michael Prada. We will look at the death of Gabriel Garcia-Marquez, the well known author of the Spanish language, who died in Mexico City.   My concern is that Mr Garcia-Marquez is another one of those Latin American intellectuals who loved Fidel Castro more than the Cuban people.  How else do you explain his fascination with Castro?  Why the selective indignation? Thinking of a gift for Mothers Day?  Check out my book:  CUBANOS IN WISCONSIN BY SILVIO CANTO JR

Author Gabriel Garcia Marquez dies Nobel prize-winning Colombian author Gabriel Garcia Marquez has died in Mexico aged 87. A spokeswoman for the family announced the news on Twitter. The cause of his death has not been released. He was recently hospitalized for a lung and urinary tract infection in Mexico City. Colombian president Juan Manuel Santos has paid tribute to the renowned author on Twitter. He wrote, "One Hundred Years of Solitude and sadness for the death of the greatest Colombian of all time." Garcia Marquez has been considered one of the greatest Spanish-language authors. His masterpiece of magic realism, One Hundred Years of Solitude, has sold more than 30 million copies worldwide. He was awarded the Nobel Prize for Literature in 1982. Garcia Marquez's other novels include Love in the Time of Cholera, Chronicle of a Death Foretold and The General in His Labyrinth.

durée : 00:49:59 - Les Grandes Traversées - par : Xavier d'Arthuys - L'Amérique du Sud rêvée, inventée, pillée, partagée, aimée. Une Amérique métisse et plurielle, anthropophage et sensuelle, dévoreuse de serpents, qui nous a donné la tomate, beaucoup d'épices, le cacao, le tabac, la pomme de terre... Durant cette Grande traversée, l'auditeur vivra sur le Topoi, ce terme indigène mexicain qui signifie lieu de rencontre. Il se promènera à Paris avec Borges, chantera des milongas avec Cortazar, dansera avec Stellio au Cabaret du Canari, peindra avec Segui, jouera avec Lavelli, construira avec Niemeyer. Et surtout, l'auditeur verra que ces cultures et ces topoi ne sont pas faites de nostalgie, mais de vie, fortement présente, éternellement jeune, nécessairement vivifiante. En 1933, Blaise Cendrars affirmait "le XXIe siècle sera le siècle de l'Amérique du Sud»