Podcasts about lunt

In this podcast episode, Brad Lunt, CEO of Goat Guns, discusses the evolution of his company, which specializes in highly detailed, 1/3 and 1/4 scale model guns that serve as realistic, non-functional replicas. These miniature guns, which are customizable and often painted to resemble historical military models, have found a niche market among gun enthusiasts, hobbyists, and collectors. Lunt explains how the company started, its challenges in finding a unique market space, and the viral success they've experienced through social media, despite struggling with consistent retail traction.    

A creepy ghost story by Hugh Walpole

With the Paris Olympics in full effect, there's no better time to learn about the history of the Olympics and who better to enlighten us than Professor and author Dave Lunt. Professor Lunt wrote "Crown Games of Ancient Greece" which explores the origins of the Olympic Games and how the games have evolved over time.

Join us this week as Anna and Harry speak at the Evening Celebration. Missed us this week? Join us in person or online next Sunday at TEN & SIX!

Guest: Steve Lunt (Britney Spears former A&R), Jared Jones (Producer) Honors:Britney Spears, Jason Nevins, Moby Songs: Early Mornin', Early Mornin' (Jason Nevins Remix), Early Mornin' (Jared Jones Remix) Host: Music Historian James Rodriguez  Iconography is a show that celebrates music and the impact it has on people around the world. The show features artists, songwriters, and producers who have made a lasting impact on the music industry and helps to raise awareness for important causes.  One unique aspect of the show is the reading of "letters of love" from fans to the guests, which serves to highlight the emotional connection that fans have with their favorite music. The show also delves into the creative process behind making music, from worldwide smash hits to more obscure album tracks and B-sides. In addition to celebrating music and the people behind it, Iconography takes a strong stance against audio ripping, stealing, and leaking, emphasizing the importance of respecting the work of artists and creators. By promoting ethical practices and supporting those in need, Iconography showcases the power of music to inspire and unite people from all walks of life. http://www.instagram.com/The.Original.Doll  ⁠http://www.theoriginaldoll.com⁠

Scott Lunt, also known as Starfire, is the guitarist and vocalist for Father Hennepin, founder of Homegrown Music Festival and Perfect Duluth Day, plus a radio DJ at The North (among other skills and hobbies). He joins hosts Jason and Terry to discuss how Father Hennepin came to be the first band to play at the cafe, Pirate Radio, the impact of Homegrown, travel, and more!New episodes on the FIRST TUESDAY of EVERY MONTH!

Are you feeling jitters for an upcoming interview for dental hygiene school? In this week's episode, educator and podcast host, Billie Lunt shares her perspective as a professor who is on the application committee! She talks about her #RDHoriginstory and how she developed a passion for dentistry, which all started when she developed a geminated tooth! Her advice is invaluable to those looking to get into hygiene school. You'll get to learn how she recommends students prepare for this life-changing transition and how to stay afloat despite the many hurdles that come with hygiene school. I love that she prioritizes students' well-being and is always seeking ways to improve her program. You can find her on Instagram @the_happy_flosser and on her podcast "The Happy Flosser RDH" for tips and tricks when you get that acceptance letter! Looking for more resources? Check out www.dentalhygienebasics.comSee the full transcript HERE Want a question answered on the show? Fill out the DHB Questionnaire HERE Slide into my DMs HERE: Instagram: @dentalhygienebasics Facebook: Dental Hygiene Basics Twitter: @DH_Basics Email:DHBasics@protonmail.comTimestamps: (00:00) Billie's RDH Origin Story (08:01) Interviewing Tips (14:04) The Truth About Two-Year Hygiene Programs (22:55) Being A Successful Dental Hygiene Student (37:07) Costs to Expect (38:34) Learning Clinical Skills Hosted on Acast. See acast.com/privacy for more information.

Michigan State University researchers Evangelyn Alocilja, André Bachmann, and Richard Lunt have been named Senior Members by the National Academy of Inventors.   The MSU researchers being honored have found that their research often presents a challenge that provides an opportunity for invention.  Alocilja's passion is to find solutions to challenging societal problems, especially for those needing the most help. She develops biological sensors that can diagnose infectious and antimicrobial resistant diseases earlier.  Like Alocilja, Richard Lunt, who is a Johansen Crosby Endowed Associate Professor in the College of Engineering, also was inspired to make the world a better place. Lunt's work is focused on creating better materials that are more efficient and longer lasting for solar energy production.  André Bachmann, a professor and associate chair for research in the College of Human Medicine, has found that holding a patent is often the first step in the process of having the idea commercialized and made available. Bachmann's research has been concentrated on drug development in oncology and rare diseases.  Alocilja and Bachmann join Emilie Lorditch and Russ White to talk about their passions and inventions and the entrepreneurial ethos at MSU.  Conversation Highlights: (2:08) – Alocilja describes her research interests and passions. (6:21) – Bachmann describes his research interests and passions. (11:04) – What originally attracted you to MSU. And is there an entrepreneurial spirit on campus that's conducive to inventing? (13:39) – What's your advice for colleagues who might have ideas or inventions to patent but don't know how to go about it? (20:15) – What are you working on now and looking forward to? The 2024 class of Senior Members will be celebrated at NAI's annual conference June 16 to 18, in Raleigh, North Carolina. There's more at academyofinventors.org.  Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

Stephen Lunt has 15 years experience in the fitness industry and has worked in numerous roles during that time. His background in sports therapy/rehab, coupled with his experience as a Personal Trainer, makes him uniquely placed to discuss how the different skillsets interact with one another.In this episode we talk about what Personal Trainers should and shouldn't do when it comes to injury, rehab and pre-hab work, as well as seeing how PT's and Physios might work alongside each other to create a better client expeirence.----------To catch all episodes, make sure you're subscribed to the show...Apple Podcasts - https://podcasts.apple.com/gb/podcast/the-pro-fit-podcast/id1458318553Spotify - https://open.spotify.com/show/315111taFKBgrk2E7o6Wt8?si=c0901b6a3e14409c----------And for easy-to-review short form content (plus full guest interviews) please subscribe to our YouTube Channel...Matt Robinson on YouTube: https://www.youtube.com/channel/UC_GIS4vVMb0sneZR6qKKMXQ----------To stay up to date with Matt  follow him on Instagram...Matt - https://www.instagram.com/mattrobinsonpt/

On this week's episode of the Feels Like 45 Podcast, Cade Webb and Dustin Ragusa are joined by Friend of the Pod and recurring guest, Adam Lunt, to break down the 2024 Oklahoma State spring roster and share thoughts on the upcoming season.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Chris Lunt is a technology executive with more than 25 years of experience building web services and data platforms. He is in his seventh year as the CTO for the NIH's All of Us Research Program. He joined the NIH from GetInsured, where he worked to improve health insurance shopping and enrollment systems. Previously Chris ran VC-backed internet startups, with one IPO.Highlights:- Chris is hopeful about Silicon Valley going back to its roots to create sociological change by uniting people and being thoughtful about what the world should look like. Over the last couple decades it has become more venal.- Chris believes in the power of investing public money to create opportunities. He says that Silicon Valley is largely the story of a public private partnership and that it's hard to do certain fundamental research in a purely market-based economy.- Chris says that the initiatives around Web3 weren't grounded in a realistic understanding of human nature and the result was not a good outcome.- Healthcare is one of the most conservative industries but a way to drag it into the future is for the government to mandate change. Health records are currently built for billing purposes rather than for improving health. It's also not all that long ago that hospitals were using paper records until the Affordable Care Act required that they digitize.- There is a moment coming soon where there is an opportunity to completely reimagine healthcare delivery. A generalist will be able to help a person navigate between various providers and specialists instead of the current fragmented approach.Thanks for listening — if you like what you hear, please review us on your favorite podcast platform. Check us out on the web at villageglobal.vc or get in touch with us on Twitter @villageglobal.

When John Miller's head is nearly decapitated during a botched execution, it rattles Amos Lunt, San Quentin's official executioner, to the bone. Hear about some of California's death penalty history and a handful of the executions that were conducted here at one of the United States most notorious state prisons. SAN QUENTIN. CREDITS &  LINKS Intro Song courtesy of Bobby Mackey WikiMedia Commons: The Cover photo was found on WMC. San Quentin Gas Chamber.jpg The gas chamber that was located in San Quentin State Prison in San Quentin, California. The chamber was dismantled in 2019 when Governor Gavin Newsom issued a moratorium on capital punishment in California and ordered the execution sites to be dismantled. California Department of Correction and Rehabilitation Public domain PIXABAY : A Sinister Power Rising - Epic Dark Gothic Soundtrack Bewitched Suspenseful Moods (Cinematic) (2:13s) Dead Home Dark Mountain Haze Spooky Choir The Wait A Grave Conversation - Ambient Piano Strings Dark Dramatic Piano and Strings

Worldwide Exclusive: Steve Lunt (Arranger) talks about the creation of the global hit Toxic, which earned Britney Spears her first Grammy Award. Learn about the samples in the IN THE ZONE track. Iconography unpackages music with artists, songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Instagram.com/The.Original.Doll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheOriginalDoll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Twitter.com/JamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

On this week's episode of the Feels Like 45 Podcast, Dustin Ragusa welcomes back Friend of the Pod, Adam Lunt, to help recap Oklahoma State's victory over Texas A&M in the TaxAct Texas Bowl. The guys also hit the latest news and notes from the Transfer Portal.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Exclusive Interview: Steve Lunt, Britney Spears former A&R from Jive Records on the creation of this song and the collaboration between Britney and Penelope Magnet. Iconography unpackages music with artists, songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Instagram.com/The.Original.Doll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheOriginalDoll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Twitter.com/JamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A packed show today with special guest Mr John Lunt who was the founder of the Human Race events (plus a whole lot more). Due to John being shit hot at what he does, and for having supreme attention to detail he was asked to oversee the Olympic Games Triathlon back at Lonodon - 2012. A true legend of the sport. Mark and John discuss the old days of triathlon and what the future possibly holds. You'll also hear two great race reports from this years Patagonam extreme triathlon. One from Laura Siddal (female winner 2023), and Ian Hastings who only took up triathlon just over one year ago. Well worth a listen if you fancy this event. To help 2 Nepalise children to have an education. Please donate to our awesome cause here PRIZES TO WIN £200 of Precision Fuel and Hydration Group Evolution training Camp Treacle Velo training Camp Hiru Cyle Kit worth £150.00 Free entries into any Outlaw eveny in 2024 To be in the mix for any of the prizes you need to become a parton. Become a Patron here

Chad and Cherisse Lunt's life took an unexpected turn when they welcomed their third child, Lucy, into the world. Unbeknownst to her parents, Lucy was born with a severe neuromuscular condition known as spinal muscular atrophy (SMA). At the time of her diagnosis, Lucy wasn't expected to live beyond her second birthday but just last month, she ordered all the supplies, sent all the invites, and threw her own 15th birthday party. “Weirdly enough, I'll be a little sad [in the resurrection] because I won't have my girl to hold or take care of.” —Chad Lunt Show Notes  1:56- Diagnosis and Prognosis8:00- Why Not Us?12:13- A Mother's Care15:10- Lucy Today21:31- Advocating For Another23:08- Quality of Life25:35- Ministering in the Savior's Way33:42- Siblings Who Know the Plan38:30 Why Serve Outside the Home?41:55- Hope of a Resurrection46:07- What Does It Mean To Be All In the Gospel of Jesus Christ? Links & References:  Cherisse's Instagram documents the Lunts' journey with LucySee omnystudio.com/listener for privacy information.

The Theatre Guild On The Air "Elizabeth the Queen" by Maxwell Anderson December 02, 1945 ABC starring Lunt and Fontanne

KSL's Top Story Listen up parents! The FDA is warning that there could be lead in you kids' applesauce pouches.  They've been recalled.  But you might want to check your pantry.

On this week's episode of the Feels Like 45 Podcast, the guys welcome back Friend of The Pod and Award Winning Guest, Adam Lunt, to help us break down the 2023 Oklahoma State Football season. Depth chart breakdown, superlatives, predictions and more all on tap in this loaded episode. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Guest: Steve Lunt talks about the creation of Britney Spears' cover of I'LL NEVER STOP LOVING YOU and about J'son's original version as well as the RNB Remix. The Original Doll with James Rodriguez; Iconography unpackages music with the songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheOriginalDoll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Twitter.com/JamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Instagram.com/The.Original.Doll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

On this episode of Cylinder Radio, I speak with Calvin Lunt, a young man from the UK who formerly lived as a trans-woman and has since transitioned back to living as his birth gender. Calvin shares the story of how spirituality and self-discovery helped him come to terms with himself and finally break free from the masks he wore to escape from his own self-hatred.  He shares the story of his childhood, how we slowly stepped into the world of drag and with time, started identifying as transgender. He talks about desire to keep running from himself and taking his escapism to higher and higher extremes. He then touches on his experience with transitioning and how he finally realised that he wasn't actually a trans woman , he was a gay man. Lastly, we discuss the dangers of socially rewarding LGBTQ children, whether puberty blockers are really irreversible and if pushing transgenderism is actually an ingrained form of homophobia.   — LEARN MORE ABOUT CALVIN —  Instagram: https://www.instagram.com/calvinlunt/  Calvin's Podcast: https://open.spotify.com/show/5SYWRgcEvFnO0IHw5PBLFW    — CHECK OUT MY FREEBIES — Debate To Dialogue: https://www.cylinderradio.com/debatetodialogue The Social Solution: https://www.cylinderradio.com/socialsolution   — TIMESTAMPS —  0:00 Intro 4:58 Calvin's childhood 10:46 Introduction to Drag 13:50 Beginning to play with gender 18:24 Beginning to transition  22:38 Medical transition 24:54 The complexity of identification   27:16 The dangers of socially rewarding LGBTQ children 34:17 Puberty Blockers 39:46 Calvin's experience with hormones 45:24 Is pushing transgenderism actually homophobic?  52:12 Outro   — LISTEN TO CYLINDER RADIO — Podcast: https://cylinderradio.libsyn.com/  Apple Podcasts: https://podcasts.apple.com/us/podcast/cylinder-radio/id1448662116  Spotify: https://open.spotify.com/show/3ACgZ7hMoBuuC1cmc9oLoP    — SUPPORT MY WORK — My Website: https://www.cylinderradio.com/ Patreon: https://www.patreon.com/willreusch Instagram: https://instagram.com/willreusch

This is a free preview of a paid episode. To hear more, visit www.widerlenspod.comSasha and Stella continue the conversation with Calvin Lunt by asking him “how do you talk about gender issues in real life?” Calvin shares how far he's come in his ability to speak fearlessly about this issue, based on his own experience.

In this episode, Sasha and Stella welcome Calvin Lunt, whose life journey encompasses a remarkable exploration of identity, the challenges of addiction and recovery, and a commitment to personal growth and spiritual wellness.Growing up, Calvin was essentially a feminine gay boy, but never particularly gender dysphoric as a child. He became a dancer and later a drag queen. You'll hear him share about the impact of his experiences as a mixed-raced kid from a working class family with a very chaotic upbringing. From experiencing shame-inducing events to undergoing a pendulum swing between extreme identities, Calvin digs deep into his complex relationship with his sexuality and his body. He also discusses how his role as a social media influencer with a significant following and exposure to the camera spotlight also impacted his sense of self. Additionally, his involvement in the gay party scene led him down a path of heavy drinking and drug use, further impacting his search for identity. At the age of 25, Calvin took a surprising turn in his journey by embracing gender transition. Two years later, influenced by his pursuit of sobriety and a realization that certain aspects of his identity were founded on falsehoods, he chose to detransition. Presently, Calvin works as a wellness coach, drawing from his encounters with spiritual practitioners across different parts of the world and his personal journey of recovery and healing. His training encompasses a diverse range of experiences and perspectives. And his story illuminates the profound journey of self-discovery, transformation, and healing.Links:Find Calvin on Instagram @calvinluntBecoming A Woman to Become A Man (Calvin's Podcast)https://open.spotify.com/show/5SYWRgcEvFnO0IHw5PBLFW?si=ed7578460935453d Beauty School Cop Outs (MTV Show)https://www.imdb.com/title/tt3364728/ Pete Burns' Life in Pictureshttps://www.adelaidenow.com.au/entertainment/celebrity/pete-burns-life-in-pictures/image-gallery/36584e9eb07297799204e00637e87a11If you liked this episode, more episodes you might find interesting:Episode 3 - Feminine Boy to Gay Man: A conversation with Arty Mortyhttps://gender-a-wider-lens.captivate.fm/episode/feminine-boy-to-gay-man-a-conversation-with-arty-morty Episode 8 - TransGenerational Wisdom: a Conversation with Buck Angelhttps://gender-a-wider-lens.captivate.fm/episode/8-transgenerational-wisdom-a-conversation-with-buck-angel Episode 12 - Identity vs. Role Confusion in Adolescencehttps://gender-a-wider-lens.captivate.fm/episode/12-identity-vs-role-confusion-in-adolescence Episode 73 - Shame Narcissism and the Transition Fantasy w Joe Burgo

There have been many great, even legendary pairings in history: Gilbert and Sullivan. Lunt and Fontaine. Pork and beans. And of course, Martin and Lewis. Yes, before Dino was swinging with the Rat Pack or fighting bad guys as Matt Helm, before Jerry knew what a telethon was or that the French thought he was … Continue reading "Episode 248 – Scared Stiff (1953)"

For the full uncut discussion with Leroy Logan and Chantelle Lunt, subscribe to our Patreon: patreon.com/MediaStormPodcastThe Conservatives succeeded in their manifesto pledge to recruit 20,000 new police officers by 2023. But with growing awareness of sexism, racism and violent offending within the police, is this for better or worse? Media Storm has uncovered evidence that racist recruitment practices were at play, with Black applicants more than 40% more likely to be rejected than White applicants.This finding is consistent with data from the College of Policing that spans forces across England and Wales, as well as averages taken across the 12 individual forces that provided Media Storm access to their records.A spokeswoman from the College of Policing responded: “Policing is currently more diverse than it has ever been before. Our data which is based on all 43 forces within England and Wales shows an increase of 15.9% of Ethnic Minority and 19.3% of Black candidates passing the assessment process since May 2020, ensuring we are now better able than ever to represent the communities we are serving. "College of Policing encourages all forces to interview candidates following success at the online assessment process. We provide guidance on the interview process to ensure all recruits are consistently and fairly assessed to the same high standards. "Whilst we are proud that policing is the most diverse it has ever been, we recognise that there is more to be done to be a fully inclusive organisation. We are working hard alongside forces to understand all aspects of the recruitment process and how to ensure it is as fair and consistent as possible.”Media Storm is off in search of police officers who will tell us what's going on behind the PR machine. They shine a light on internal problems ranging from grassroots cultures to leadership structures, and external problems like politics and (yes, you guessed it) the mainstream media.Mathilda and Helena are joined in the studio by Dr Leroy Logan MBE (@LeroyLogan999), founding member of the Black Police Association and one of the original officers to testify to institutional racism during the Stephen Lawrence Inquiry, and Chantelle Lunt (@chantellelunt), Merseyside police officer-turned-BLM Leader. They pick apart mainstream media mistruths and policing PR and discuss how we can work together to bring about positive change.The episode is created by Mathilda Mallinson (@mathildamall) and Helena Wadia (@helenawadia). The music is by Samfire (@soundofsamfire).Learn more:Watch “G's” story in the BAFTA-winning short film, The Black Cop, online at The GuardianListen to Oliver Laurence's Protect and Serve wherever you get your podcastsRead The Thinner Blue Line, by Sophie A. MatthewsSpeakers:Dr Pete Jones @fatwhiteblokeGamal ‘G' Turawa @PurpleWisdomSophie A Matthews @sophieamattOwen West @PolicingCrowdsAdam Pugh @AdamPughOliver Laurence @Protect_ServeUKMedia Storm was first launched the house of The Guilty Feminist and is part of the Acast Creator Network. Become a member at https://plus.acast.com/s/media-storm. Hosted on Acast. See acast.com/privacy for more information.

Kip interviews Justin Lunt, head coach of the Pacific University Boxers Men's Basketball Program. Coach Lunt details his career arc, the core foundational beliefs of his program and how he tries to define success for his guys on and off the floor.

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song FROM THE BOTTOM OF MY BROKEN HEART. We learn about the creation of this song, radio debut and chart stats.  We learn how remixes can play a part in the marketing of an artist. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there is an exclusive look into different versions of the song! ⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠  ⁠⁠www.TheOriginalDoll.com⁠⁠   ⁠⁠www.Instagram.com/The.Original.Doll⁠⁠   ⁠⁠www.Twitter.com/JamesRodriguez⁠⁠  ⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠

The RMR Podcast: Music, Cannabis, and Marketing Welcome to episode 74 of the RMR Podcast, Mitch Pfeifer is joined by Jacob Lunt of Swish Cannabis Dispensary. Swish is a brand-new dispensary in the North Hollywood area that has ties to California's medical and legacy markets. They are minutes away from the Burbank Airport. Today we talk about the origin of Swish, finding success late in a crowded LA market, and servicing cannabis customers of all ages. More at www.respectmyregion.com

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song DON'T LET ME BE THE LAST TO KNOW. We learn about the creation of this song, radio debut and chart stats.  We clear up misinformation about the song, when it was recorded and more. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there is an exclusive look into different versions of the song! ⁠www.Patreon.com/TheOriginalDoll⁠ 1) Don't Let Me Be The Last To Know - Britney Spears Giving facts and flowers to these songs, including radio, iTunes and chart stats! B-Side) He Doesn't Know I'm Alive - Janet Jackson Bonus Track) Nothing Fails - Madonna  ⁠www.TheOriginalDoll.com⁠   ⁠www.Instagram.com/The.Original.Doll⁠   ⁠www.Twitter.com/JamesRodriguez⁠  ⁠www.TikTok.com/@TheJamesRodriguez⁠

Track 1: When Your Eyes Say It - Britney Spears - This episode features an interview with music producer and Jive Record's Steve Lunt. When Your Eyes Say It was originally written for the BABY ONE MORE TIME album but was placed on Britney Spears' sophomore album, Oops!...I Did It Again. B-Side: 70's Love Groove - Janet Jackson, for the first time we will dive into the impact of this YOU WANT THIS b-side and how it performed on radio and the charts. #janet30 Track 3: - Insatiable - Darren Hayes, learn about the "concerns" surrounding the debut single from Savage Garden's Darren Hayes. For the first time we will dive into the radio impact as well as the iTunes impact in the last 4 years. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! Add us on Patreon for some exclusive content.  www.Patreon.com/TheOriginalDoll  www.TheOriginalDoll.com   www.Instagram.com/The.Original.Doll   www.Twitter.com/JamesRodriguez  www.TikTok.com/@TheJamesRodriguez

LIVE from Room 14 of the Holonet News Stages at Celebration Europe 2023 on the afternoon of Sunday 9th April join Paul Naylor, Mark Newbold and guests Jake Lunt Davies and Paul Bateman as they discuss the Lambda-Class T-4a Shuttle and celebrate 40 years of Return of the Jedi on the very first episode of Start Your Engines LIVE at Star Wars Celebration. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook and YouTube and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: https://www.youtube.com/@FanthaTracksTV/ www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks

Exclusive interviews with: Kyle Minogue CHOCOLATE producer Johnny Douglas. We get to the bottom of what happened with the Ludacris rap and how Johnny had to think on his feet to come up with a new section. Returning guest Jive Record's Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song DEEP IN MY HEART. We learn why the song wasn't on the standard US Edition of the album BABY ONE MORE TIME and how b-Sides benefit an artist! Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there will be exclusive content about the Ludacris rap and where it went. 23:00 - Portuguese translation of the DEEP IN MY HEART interview by Alan M.  www.Patreon.com/TheOriginalDoll  www.TheOriginalDoll.com   www.Instagram.com/The.Original.Doll   www.Twitter.com/JamesRodriguez  www.TikTok.com/@TheJamesRodriguez Episode analytics

Lunt hard.  Lunt fast.  Lunt often.

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song BORN TO MAKE YOU HAPPY. We learn why there are two versions of the song with the original being on BABY ONE MORE TIME album! We clear up misinformation about when the song was recorded and re-recorded. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there is an exclusive look into different versions of the song! www.Patreon.com/TheOriginalDoll www.TheOriginalDoll.com www.Instagram.com/The.Original.Doll www.Twitter.com/JamesRodriguez www.TikTok.com/@TheJamesRodriguez --- Support this podcast: https://anchor.fm/theoriginaldoll/support

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! Get insight why the song wasn't included on the original standard version of BABY ONE MORE TIME. Returning guest recording artist and background vocalist Myah Marie. We breakdown her introduction to Britney Spears' discography. We also talk with producer of the AUTUMN GOODBYE (Nick Remix) Remixed by Nick. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We also chat with producer of the official THINKIN ABOUT YOU (Pink Bubblegum Mix) Alex Greggs. Also included is information about the album version of THINKIN ABOUT YOU charting on Apple Music. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

We have the Codependent sisters on the podcast! Kenzie and Jamee share how they became REAL SISTERS, we go over Jamee's biological family and the trails she went through at a young age. We deep dive into how they met their husbands and how they got to where they are today on social media, while bringing up the topic of posting your kids on social. We take out Personal & Pop Culture TRASH and TRASHTOPICAN. Today's episode was Sponsored by BetterDays.co , all natural supplements!betterdaysco.com

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We break down Britney Spears' song SODA POP. We learn that this song was pivotal in the creation of the remainder of the BABY ONE MORE TIME album! We also hear a snippet of the alternative version of the song that was featured on the Sabrina The Teenage Witch Soundtrack. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguezwww.Patreon.com/TheOriginalDoll

Our guest this month on Conversations from the Pointed Firs is Dean Lunt, Editor-in-Chief, Islandport Press on the writings of Ruth Moore.DEAN LUNT is founder and the editor-in-chief at Islandport Press, an award-winning publisher of books and other media that strives to tell stories that are rooted in the sensibilities of Maine and New England. An eighth-generation native of downeast Maine, Dean Lunt was born and raised in the island fishing village of Frenchboro. His ancestors arrived on Mount Desert Island in the late 1700s and many of them moved across the bay to settle Long Island in the early 1800s. In 1999, Lunt founded Islandport Press, an award-winning independent book publishing company that produces books with New England themes. The company published its first book, Hauling by Hand: The Life and Times of a Maine Island, in the spring of 2000. Lunt has edited dozens of books as is the author of Here for Generations: The Story of a Maine Bank and its City. Later this year he will release an anthology of Ruth Moore's work for which he is writing a lengthy forward describing the ways in which their lives intersected, and the encuring importance of Moore's work. 

Host:Peter Neill Producer: Trisha Badger Music by Casey Neill Conversations from the Pointed Firs is a monthly audio series with Maine-connected authors and artists discussing new books and creative projects that invoke the spirit of Maine, its history, its ecology, its culture, and its contribution to community and quality of life. This month: Dean Lunt, Editor-in-Chief, Islandport Press on the writings of Ruth Moore. Guest/s: DEAN LUNT is founder and the editor-in-chief at Islandport Press, an award-winning publisher of books and other media that strives to tell stories that are rooted in the sensibilities of Maine and New England. An eighth-generation native of downeast Maine, Dean Lunt was born and raised in the island fishing village of Frenchboro. His ancestors arrived on Mount Desert Island in the late 1700s and many of them moved across the bay to settle Long Island in the early 1800s. In 1999, Lunt founded Islandport Press, an award-winning independent book publishing company that produces books with New England themes. The company published its first book, Hauling by Hand: The Life and Times of a Maine Island, in the spring of 2000. Lunt has edited dozens of books as is the author of Here for Generations: The Story of a Maine Bank and its City. Later this year he will release an anthology of Ruth Moore's work for which he is writing a lengthy forward describing the ways in which their lives intersected, and the enduring importance of Moore's work. SAMAA ABDURRAQIB is the Executive Director of the Maine Humanities Council, a position she has held since 2021. Before MHC she taught in the Gender, Sexuality, and Women's Studies Program for three years at Bowdoin College, teaching courses on Muslim memoir, Islam and feminism, and representations of violence against women in literature and film. Samaa left Bowdoin in 2013 and, after teaching a semester at the University of Southern Maine, left the academia to begin a career in Maine's nonprofit world. From 2013 through 2015, Samaa joined the staff at the ACLU of Maine as a reproductive justice organizer. After that grant funded position ended, Samaa joined the staff at the Maine Coalition to End Domestic Violence, where she worked for five years supporting domestic violence advocates across the state through training, technical assistance, and policy work. Since March of 2021, Samaa has been working at the Maine Humanities Council and serves as the organization's Executive Director. Samaa's love of Maine's natural landscape is what inspired her to shift careers and root herself in Maine. She tries to spend as much time as she can outside birdwatching, hiking, and kayaking. One of the most fulfilling roles Samaa has held is being a volunteer leader for Outdoor Afro, a national organization committed to (re)connecting Black people to the outdoors and connecting Black people to each other through the outdoors. Samaa received her PhD from the University of Wisconsin-Madison's English Department in 2010. She is a published poet and nature writer. About the host: Peter Neill is founder and director of the World Ocean Observatory, a web-based place of exchange for information and educational services about the health of the ocean. In 1972, he founded Leete's Island Books, a small publishing house specializing in literary reprints, the essay, photography, the environment, and profiles of indigenous healers and practitioners of complimentary medicine around the world. He holds a profound interest in Maine, its history, its people, its culture, and its contribution to community and quality of life. The post Conversations from the Pointed Firs 2/3/23: Dean Lunt, Editor-in-Chief, Islandport Press on the writings of Ruth Moore first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Exclusive interview JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We break down Britney Spears' second single SOMETIMES and learn about the lyrical changes that were made before Britney Spears recorded the song. Audio ripping, stealing and leaking is prohibited in every country in the world. www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguezwww.Patreon.com/TheOriginalDoll

Exclusive interview JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We learn about the song that helped land Britney her full recording contract. Audio ripping and leaking is prohibited in every country in the world. www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

Exclusive interview with JIVE's Steve Lunt, the many who was there for the developing, singing and launch of Britney Spears. We talk about the question "Did the label create the BABY VOICE". The Original Doll with James Rodriguez, unpackages music with the creators. Audio ripping and leaking is prohibited in every country in the world. www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

On this week's episode of the Feels Like 45 Podcast, Dustin Ragusa and Cade Webb are joined by friend of the pod, Adam Lunt, to break down Oklahoma State's recent additions in the transfer portal. They also broke down each player that signed with Oklahoma State on Early Signing Day and previewed next week's matchup with Wisconsin in the Guaranteed Rate Bowl. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

El Tarn es un relato de terror del escritor británico Hugh Walpole (1884-1941), publicado originalmente en la edición de octubre de 1923 de la revista Success, y luego reeditado en numerosas antologías, entre ellas: La gorra negra; El espino plateado; Un siglo de historias de fantasmas y Fantasmas en aldeas rurales. El Tarn, uno de los mejores cuentos de Hugh Walpole, relata la historia de Foster, un escritor que visita a un viejo conocido, Fenwick, en su remota casa en el Distrito de los Lagos. Ha oído que Fenwick le guarda rencor y está ansioso por arreglar las cosas. Pero Fenwick no está de humor para hacer las paces; de hecho, en las apacibles aguas del Tarn se entrega a voluptuosas fantasías, como retorcer lentamente el cuello de Foster. ¡¡¡¡¡¡SPOILERS!!!!!! En la superficie, El Tarn de Hugh Walpole es una brillante historia de celos [en este caso, literarios] y venganza, pero debajo hay más, mucho más. Fenwick, el protagonista, es autor de una novela que ha fracasado rotundamente, mientras que su amigo, Foster, escribió una basura sentimental que resultó ser un éxito. Desde ese momento, Fenwick fantasea con asesinar al despreocupado Foster, a quien culpa de su propio fracaso. Con la intención de reconciliarse [y acaso para regodearse en su victoria], Foster se invita a sí mismo a la casa de Fenwick en el Distrito de los Lagos ingleses, donde se presenta con un falso sentido de la modestia, admitiendo, claro, que tiene algo de talento, «pero no tanto como dice la gente», antes de jactarse de sus premios literarios, sus viajes a Italia y Grecia, y sus ganancias [«Por supuesto, cien libras no es mucho»]. Fenwick lo soporta en silencio, aparentando cierta amistad y receptividad, pero en secreto piensa «en lo agradable que sería hundir los ojos de Foster en su cabeza, muy, muy profundo, haciéndolos crujir, dejando las cuencas vacías, abiertas y ensangrentadas». En este contexto, Fenwick invita a Foster a dar un paseo por un Tarn: un pequeño pero profundo lago en la base de una colina [el término deriva del escandinavo tjörn, el cual describe un pequeño lago de montaña sin afluentes visibles.]. Allí, por fin, Fenwick consuma su venganza al estilo de Edgar Allan Poe. De hecho, Fenwick y Foster bien podrían ser sustitutos de Montresor y Fortunato de El barril de Amontillado. Al igual que Montresor, Fenwick solo busca reparar lo que él considera un agravio: el éxito de Foster. El tercer personaje de este notable relato de Hugh Walpole es el Tarn, este pequeño pero profundo lago en el regazo de una colina. Es un lugar remoto, y de algún modo parece ejercer una influencia nefasta en Fenwick, como si presionara en su resentimiento para darle ese empujón necesario para pasar de la fantasía a realmente asesinar a Foster: [«¿Sabes por qué amo este lugar, Foster? Parece pertenecerme especialmente, tanto como tu gloria y fama y éxito parecen pertenecerte a ti. Yo tengo esto y tu tienes aquello. Quizás al final estemos a mano después de todo.»] Fenwick lleva a Foster hacia un embarcadero y lo ahoga en las sombras del profundo Tarn. De camino a casa, cree que alguien [o algo] lo sigue; incluso cree que su misterioso perseguidor podría ser el propio Tarn «resbalando, deslizándose por el camino». Esto no lo perturba demasiado. Después de todo, Fenwick es un hombre solitario que disfruta pasar el tiempo en el Tarn, pero no encuentra paz esa noche. A la madrugada, el Tarn parece manifestarse en su propio dormitorio, inundándolo, arrastrándolo hacia abajo y, finalmente, ahogándolo. Por la mañana, la criada descubre el cuerpo de Fenwick y una simple jarra de agua volcada. El Tarn de Hugh Walpole es un cuento muy bien logrado. Hace lo que hace de una manera clásica, y lo hace muy bien, con un estilo elegante y evocador, sobre todo en cuanto a la ambientación y la descripción de los pensamientos homicidas de Fenwick. Lo más desconcertante aquí es el Tarn, que en cierto modo es como el Genius Loci de Clark Ashton Smith; es decir, un egregore o espíritu elemental que presiona sobre las debilidades mentales de su víctima, en este caso, el resentimiento de Fenwick [ver: Los Tulpas y el Horror: nos acecha lo que pensamos]. La manifestación final del Tarn, además de ser innovadora, acaso simboliza el arrepentimiento [no reconocido] de Fenwick por haber asesinado a su único amigo. En cierto modo, la escena final de El Tarn parece ser intencionalmente una versión sobrenatural del final de El corazón delator. En este sentido, hay que decir que Hugh Walpole era un escritor familiarizado con la fama, moviéndose en los mismos círculos que Henry James y Joseph Conrad; por lo que es probable que también haya estado familiarizado con los celos de Fenwick. La mayoría de los relatos de Hugh Walpole poseen elementos autobiográficos, por ejemplo, el protagonista suele ser un escritor con una relación conflictiva con un colega. Por supuesto, lo sobrenatural siempre está presente [en este caso, en la figura incierta del Tarn], pero debajo siempre hay un entramado de sutilezas psicológicas en la relación entre dos hombres que, además, son escritores. Este escenario de aislamiento entre dos hombres también está presente en Señora Lunt (Mrs. Lunt), así como los sentimientos conflictivos entre dos hombres, acaso inspirados en las intensas [aunque discretas] relaciones sentimentales de Hugh Walpole con otros escritores. Esto, creo, es lo que constituye buena parte de la corriente subyacente de tristeza y añoranza en los relatos de Hugh Walpole. El Tarn, sus insondables profundidades reprimidas que emergen de repente, claramente resuenan en la homosexualidad de Hugh Walpole en una época en la que serlo era ilegal. [«Detrás de ese escarpado pico enorme, negro, como si tuviera un instinto de poder voluntario, alzó la cabeza. Cada vez más inmóvil en estatura, la forma siniestra se elevó entre las estrellas y yo, y aún así, porque eso parecía, con un propósito propio y un movimiento medido, como un ser vivo, y caminó tras de mí.»] La cita anterior no es de Hugh Walpole, sino de William Wordsworth, el cual versifica una epifanía mientras rema a través de un lago y percibe el paisaje imbuido de una misteriosa vida propia, tangible, pero incomprensible, enfatizando su propia insignificancia como ser humano ante la naturaleza; aunque bien podría tratarse de una descripción de Fenwick de los horrores manifestados por el Tarn. Pero Wordsworth, en vez de asesinar a alguien, se sintió transformado por esta extraña experiencia: [«Durante muchos días mi cerebro funcionó con un vago e indeterminado sentido. Sobre mis pensamientos colgaba una oscuridad, llámese soledad o abandono. No quedaron imágenes agradables de árboles, del mar o del cielo, ni colores de campos verdes; sino formas enormes y poderosas que no viven como los hombres; se movían lentamente a través de mi mente durante el día, y eran un problema para mis sueños.»] Fenwick, el protagonista de El Tarn, no menciona a Wordsworth, pero sería difícil creer que un autor británico no estuviese familiarizado con sus escritos, sobre todo porque Fenwick se ha enclaustrado en el Distrito de los Lagos, en una casa cerca de Ullswater, y parece ser el tipo de hombre que, a pesar de repudiarlos, volvería a los escritores románticos para reflexionar sobre los fracasos de su vida. La influencia de Wordsworth en El Tarn también está presente en la forma en que Fenwick percibe el paisaje [las nubes son «ejércitos fantasmales», las colinas detrás de Ullswater se extienden sobre el «pecho de las llanuras»]. A pesar de todos sus intentos de sofisticación urbana, Fenwick está enamorado de ese paisaje, de «esas curvas, líneas y huecos», y constantemente lo personifica, como cuando menciona las «nubladas colinas púrpura, encorvadas como mantas sobre las rodillas de un gigante yacente». Foster, mucho más insensible, también percibe esa presencia, pero desde otra constitución emocional y psicológica. Para él, las colinas solo son extrañas en el crepúsculo, «como hombres vivos». Donde Fenwick ve belleza, Foster ve una amenaza, aunque no puede articularla claramente. Hay una sutil alusión al cuento de hadas en El Tarn de Hugh Walpole, más precisamente a la historia del ratón de campo y el ratón de ciudad [ver: Los cuentos de hadas y una Teoría sobre la Imaginación]. En este sentido, Foster es el sofisticado ratón de ciudad que sabe cómo jugar el juego, mientras que Fenwick es el ingenuo ratón de campo que cree que la vida se rige por méritos y esfuerzo. No es casual que Fenwick se haya exiliado en el Distrito de los Lagos y viva en una relativa penuria; menos aun que experimente algo de comodidad mental en el aislamiento físico y cultural. Después de todo, codearse con otros escritores en Londres solo le recordaría su fracaso. La psicología de toda la situación planteada en El Tarn es intrigante. Según Fenwick, su fracaso es totalmente atribuible a Foster. De alguna manera, éste último siempre ha logrado superar a Fenwick, tomando la dirección de una revista aquí, logrando que su novela sea mejor recibida por la crítica [y publicándola en la misma semana que la de Fenwick]. Al mismo tiempo, la exagerada admiración de Foster por el trabajo de Fenwick no parece del todo sincera; de hecho, parece motivada por el deseo de ser admirado él mismo por alguien que evidentemente lo detesta [«odiaba que alguien pensara mal de él; quería que todos fueran sus amigos»]. De los dos hombres, Fenwick es el más emocionalmente consciente de su Sombra Jungiana. Reconoce la intensidad de su odio por Foster y que no es seguro que se encuentren, es decir, no confía en ser capaz de controlar sus impulsos homicidas. En cuanto a si realmente no quiere amigos, como él afirma, es menos claro. Tengo la sensación de son dos personas profundamente diferentes, pero igualmente vulnerables, que bien podrían haber sido amigos en diferentes circunstancias [ver: Freud, el Hombre de Arena, y una teoría sobre el Horror] El vínculo de Fenwick con el Tarn es tal que afirma: «un día me imagino que también me tomará en su confianza y me susurrará sus secretos», mientras que Foster ni siquiera sabe qué es un Tarn, y cuando lo ve solo lo describe como «muy agradable» y «muy bonito. Esta falta de apreciación es significativa. A pesar de su deseo de amistad [auténtico o fingido], Fostr realmente tiene poca idea de lo que mueve a Fenwick. Por otro lado, no hay indicios de que Fenwick planeara asesinar a Foster cuando sugiere que den un paseo nocturno hasta el Tarn, aunque no hay duda de que alberga pensamientos y fantasías violentas. Sin embargo, los pensamientos y las fantasías están lejos de la acción, sobre todo en alguien que ha intentado mantenerse alejado, incluso físicamente, de la fuente de esa violencia. Uno inmediatamente relaciona al Tarn con el Genius Loci, pero la historia de Clark Ashton Smith establece una relación causal distinta, aunque ligeramente complicada, entre el lugar y la persona [ver: Genius Loci: el espíritu del lugar]. Incluso en Los Sauces ('The Willows), de Algernon Blackwood, se insinúa una especie poder sobrenatural detrás de los eventos [ver: La Llamada de lo Salvaje]. La historia de Hugh Walpole es mucho más ambigua. Por un lado, puede ser que la obsesión de Fenwick con Foster lo impulse a asesinarlo en el Tarn, justo cuando este último confiesa su miedo al agua y relata una experiencia infantil traumática, en la que unos muchachos mayores casi lo ahogan. Es decir, no hay indicios de que Fenwick supiera esto antes de sugerir el paseo al Tarn. Sin embargo, sus fantasías sobre Foster constantemente implican una una acción física directa. Hugh Walpole es ambiguo incluso en el modus operandi del crimen. Fenwick primero pone sus manos alrededor del cuello de Foster, y luego lo empuja al agua. ¿Cómo funciona esto exactamente? En cualquier caso, una vez cometido el crimen, Fenwick es «consciente de un alivio cálido y lujoso, un sentimiento sensual que no era pensado en absoluto». Rodeado por un silencio que adquiere atributos humanos, Fenwick parece estar en comunión con el propio Tarn [«miró fijamente a Fenwick a la cara con aprobación»]. El Tarn se ha convertido en «el único amigo que tenía en todo el mundo». Hasta se podría decir que es la soledad lo que lo ha vuelto loco: [«Tuvo la más extraña fantasía, pero su cerebro latía tan ferozmente que no podía pensar: que era el Tarn el que lo estaba siguiendo, el Tarn resbalando, deslizándose a lo largo del camino, estando con él para que no se sintiera solo.»] A partir de entonces, todo alrededor de Fenwick, cada sonido, insinúa culpabilidad y remordimiento. El clic de la puerta de su dormitorio al cerrarse sugiere el sonido metálico de una celda que se cierra. Sus sentidos se están derrumbando. Dos candelabros le recuerdan la voz de Foster, «lloriqueando con su miserable lamento centelleante». Luego, finalmente, al despertar en la noche, encuentra que su habitación se llena silenciosamente de agua. ¿Qué es lo que lo sujeta del tobillo, luego de los muslos, finalmente presionando sus globos oculares? ¿Acaso al ahogarse uno siente como si estuviera siendo estrangulado o ahorcado? ¿Esto tiene que ver con las manos de Fenwick alrededor del cuello de Foster antes de arrojarlo al Tarn? Si no fuera por Annie, la criada, que al parecer se refiere a los dos hombres, uno podría preguntarse si Foster realmente existe; o Fenwick, para el caso. El hecho de que ambos nombres empiecen con la misma letra, junto con la naturaleza intensamente antitética de los dos hombres, sugiere la escisión de un personaje en dos en algún momento [tal vez antes del inicio de la historia] y, de hecho, podría explicar la insondable sensación de soledad de Fenwick después del [aparente] asesinato. El final de El Tarn de Hugh Walpole abre una nueva línea de especulación sobre el punto de vista de la historia. Todo el tiempo se asume que es el de Fenwick, pero en la sección final algo más entra en juego. De hecho, ¿qué hacer con esa última línea?: «En la brisa, una ramita de hiedra golpeó ociosamente contra el cristal de la ventana. Era una hermosa mañana.» Una imagen tan común y, sin embargo, tan extrañamente amenazante. Al final, no sabemos más que al comienzo de la historia. Lo que parecía seguro se ha visto socavado. De hecho, cuanto más de cerca se examina la historia, más frágil se vuelve. Lo que inicialmente parecía tener sentido ya no encaja del todo, pero no está claro por qué podría ser así. Y ahí, en ese hueco donde las cosas no terminan de tener sentido, reside la exquisita rareza de El Tarn. Lo que parece tan ordinario, tan sencillo, se vuelve cada vez más extraño a medida que uno profundiza en ello. Lo cual nos lleva de vuelta a Wordsworth, tal vez, y esas «formas enormes y poderosas que no viven como los hombres» [ver: Tulpas, Seres Interdimensionales y una teoría sobre el Horror] Análisis de: El Espejo Gótico http://elespejogotico.blogspot.com/2022/03/el-tarn-hugh-walpole-relato-y-analisis.html Texto del relato extraído de: http://elespejogotico.blogspot.com/2022/03/el-tarn-hugh-walpole-relato-y-analisis.html Musicas: - 01. PGM Misterio Autor: Antonio Muñoz Guirado en colaboración con Jim Bryan y Brendan Brown - Cedida en exclusiva para este programa de Relatos de Misterio y Suspense. -02. Música de terror (sin copyright) - Creepypasta Aftermaths. Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

1x6 - SALEM'S LOT (1979)Vampire Videos digs into Tobe Hooper's iconic two-part miniseries Salem's Lot from 1979, which adapted Stephen King's acclaimed novel, starring David Soul as a best-selling author who returns to his hometown only to discover a master vampire has recently moved in...To discuss this classic chiller, we're joined by two special guests: screenwriters Chris Lunt and Michael Walker from Sky Atlantic's Devils and Netflix's Young Wallander.HostsHugh McStay & Dan OwenGuestsChris Lunt & Michael WalkerEditorDan OwenVisit our podpage! Subscribe and leave us a rating or review to help spread the word.You can also follow us directly on Twitter and leave a donation at Ko-fi. More links here.Follow CHRIS LUNT on Twitter and find out more about his many projects here.Follow MICHAEL WALKER on Twitter and find out more about his many projects here.HUGH McSTAY's work and social media links.DAN OWEN's work and social media links.A proud part of the We Made This podcast network. Theme music: 'The Victim' by Mary Riddle via Epidemic Sound • Podcast Artwork designed by Dan Owen.Become a supporter of this podcast: https://www.spreaker.com/podcast/vampire-videos--5546381/support.

NASA scrubs, Brett Favre takes money for speeches he never gave, Pee-wee Herman is 70! Plus; Five-Things, Sex Position of the Day, new music from Helen Counts and a lot more! [EP145]

Señora Lunt (Mrs. Lunt) es un relato de fantasmas del escritor británico Hugh Walpole (1884-1941), publicado originalmente en la antología de 1926: El libro de los fantasmas. Posteriormente sería reeditado en varias colecciones clásicas del género, entre ellas: Historias de fantasmas; 65 grandes cuentos de lo sobrenatural; Marea del horror; El libro del horror de H.P. Lovecraft y Cuando los cementerios bostezan. Señora Lunt, uno de los grandes cuentos de Hugh Walpole, relata la historia de un joven escritor, llamado Runciman, que pasa un fin de semana en la vieja mansión victoriana de su mecenas, el señor Lunt, el cual está siendo acosado por el fantasma de su esposa. ¡¡¡¡¡¡¡SPOILERS.!!!!!!! Es fácil entender por qué H.P. Lovecraft consideraba a Señora Lunt como uno de los mejores relatos de fantasmas de la literatura británica. Hugh Walpole [perteneciente a la misma familia que el fundador de la literatura gótica, Horace Walpole, autor de El castillo de Otranto (The Castle of Otranto)] construye hábilmente esta breve historia espeluznante donde lo que sucede es casi anecdótico, y donde la atmósfera y la ambientación lo son todo. El narrador de la historia es Runciman, un novelista, que visita a otro escritor, Robert Lunt, a petición de éste tras la muerte de su esposa. Aunque los dos hombres nunca se han visto personalmente [la relación hasta ese momento había sido epistolar], Runciman comienza a idealizar la amistad potencial de Lunt y está entusiasmado con la oportunidad de conocer a un autor bien establecido. Por supuesto, las cosas no salen según lo planeado. Tras un primer encuentro en una antigua mansión, Lunt comienza a comportarse de manera extraña, errática, sobre todo cuando Runciman le comenta que ha conocido a su ama de llaves, una mujer silenciosa que se presentó en sus habitaciones. Lunt, sin aliento, afirma que no hay ninguna mujer en la casa. Muchos de los relatos de Hugh Walpole tienen una corriente subyacente de tristeza, incluso de añoranza. Probablemente esto tenga que ver con el hecho de que era homosexual [hablaremos sobre eso más adelante] en una época en la que serlo era ilegal en Gran Bretaña, y este parece ser el conflicto que ondula bajo la superficie de Señora Lunt: la represión forzada [y necesaria para sobrevivir socialmente] de Hugh Walpole [ver: Atrapado en el cuerpo equivocado: la identidad de género en el Horror] La expectativa de Runciman de conocer a un hombre mayor y venerable [el señor Lunt], el intrigante contacto físico entre ambos, la vulnerabilidad que los subyuga, agregan una intrigante profundidad a la historia al resonar con la propia vida de Hugh Walpole. Hay poderosos y sorprendentes momentos de genuina ternura entre Runciman y Lunt: [«Allí nos sentamos, yo en una silla cercana a la suya, tomados de la mano, como una pareja de enamorados; pero en verdad éramos dos hombres aterrorizados, temerosos de lo que venía»] De algún modo, Hugh Walpole logró evitar la censura y la condena pública al hacer que Runciman rechace estos sentimientos por Lunt, pero sobre todo debido a la atmósfera opresiva y terrorífica de Señora Lunt, la cual devora cualquier otro aspecto, incluso uno tan polémico para la época como el amor entre dos hombres. Sin embargo, aún en esa ambientación terrorífica, que emplea de forma eficaz todos los recursos del relato de fantasmas, Hugh Walpole añade otra dimensión a la fisicalidad de la historia al poner hábilmente el acento en lo sensorial, no tanto en lo que realmente sucede. El olfato, el tacto, el oído, son mucho más importantes aquí que la aparición fantasmal de la Señora Lunt [ver: Lo olfativo, lo visual, lo auditivo y lo táctil en el Horror] Si tuviésemos que resumir brutalmente el argumento de Señora Lunt, debiéramos decir que se trata de la historia de la venganza del espíritu de una mujer asesinada por su marido, siendo testigo el narrador, Runciman. Sin embargo, lo mejor sucede bajo la superficie, en los rincones oscuros, en las insinuaciones [ver: Casas como metáfora de la psique en el Horror] Muchos de los relatos de Hugh Walpole son claramente autobiográficos, y Señora Lunt no es la excepción. En sus historias, el protagonista [o narrador] es a menudo un escritor que ansía o busca un tutor, un modelo a seguir, generalmente un hombre mayor. Por supuesto, lo sobrenatural está explícito, pero lo más interesante siempre es la trama de sutilezas y complejidades psicológicas que acompañan este tipo de relaciones, no solo entre dos hombres, sino entre dos hombres que además son escritores. Ya en el primer párrafo de Señora Lunt, Hugh Walpole nos permite echar un vistazo a este conflicto: [«¿Crees en fantasmas? —tuve que hacerle esta pregunta tan trivial más porque era un hombre difícil para pasar una hora con él que por cualquier otra razón. ¿Conoces sus libros?: El corredor, El olmo, Cristal, A la luz de las velas. Es uno de esos hombres constantes en esta época de inmensa superproducción de libros, hombres que publican su novela cada otoño, que despiertan en ciertos críticos el aprecio y el elogio, que tienen un público reducido y fiel, y que cuando te encuentras con ellos tienen poco que decir. Suelen ser tímidos y nerviosos, pesimistas y alejados de la vida cotidiana. Tales hombres hacen un buen trabajo, ganan muy poco, y quizás cincuenta años después de su muerte son redescubiertos por algún crítico inquisitivo y se convierten en una especie de culto con una nueva generación»] Esa ansiedad insinuada sobre el mérito literario se vuelve aún más evidente en El Tarn (The Tarn), donde dos escritores se conocen desde su juventud, pero mientras uno, Foster, se ha convertido en un escritor célebre, el otro, Fenwick, ha caído en la oscuridad. Hugh Walpole cuenta la historia desde el punto de vista de Fenwick, investigando un odio que se ha enquistado en él durante muchas décadas, desde que la novela de Foster se llevó la gloria que debería haber pertenecido [en opinión de Fenwick] a su propia obra maestra. Sin embargo, en las orillas de este lago, la venganza está al alcance de la mano. El aislamiento entre dos hombres con sentimientos conflictivos también está presente en Señora Lunt, aunque no hay animosidad mutua. Aquí, la que busca vengarse es la señora Lunt, asesinada por su esposo un año antes. Como fantasma hay que decir que la señora Lunt es muy discreta. Hace un par de apariciones fugaces, y al final asesina a su marido [aunque los médicos aseguran que falleció a causa de un paro cardíaco] [ver: El ABC de las historias de fantasmas]. Lo más interesante de la historia, insisto, es la ambientación y la relación entre estos dos hombres, la cual resuena en la sucesión de relaciones intensas [pero discretas] que Hugh Walpole mantuvo con otros hombres. De hecho, esta búsqueda de Runciman de un hombre mayor que lo guíe en su carrera literaria es, literalmente, la historia de Hugh Walpole. Hugh Walpole entabló una entrañable amistad con A.C. Benson [hermano de E.F. Benson], quien declinó gentilmente sus avances. En cambio, lo puso en contacto con Henry James a fines de 1908. Siguió una frondosa correspondencia y, en febrero de 1909, Henry James invitó a Hugh Walpole a almorzar en un club de Londres. Desarrollaron una estrecha amistad, descrita por el biógrafo de Henry James, Leon Edel, como una relación de padre e hijo en algunos aspectos, «pero no en todos». Al parecer, Henry James se sintió atraído por el joven Hugh Walpole, y lo apuntaló en sus primeros esfuerzos literarios. Según Somerset Maugham [y no hay razones para pensar que miente], Hugh Walpole le hizo una propuesta sentimental a Henry James, quien «estaba demasiado inhibido para responder». Sin embargo, en su correspondencia, la devoción del anciano por su joven protegido se expresaba «en términos extravagantes» [ver: ¡Este hombre me pertenece!] Hay que decir que Hugh Walpole eventualmente encontró a este «amigo perfecto», un policía casado, con quien se instaló en el Distrito de los Lagos. Habiendo buscado ansiosamente, en su juventud, el apoyo de autores ya establecidos, en sus últimos años Hugh Walpole fue un generoso mecenas de muchos escritores jóvenes. Su riquísima vida demandaría un estudio mucho más profundo, pero a modo de ejemplo baste decir que, entre otras cosas, visitó el frente de Polonia, recuperando muertos y heridos del campo de batalla; y en un festival de música en la ciudad de Bayreuth, Alemania, compartió una cena con Adolf Hitler [recientemente liberado de prisión], por quien aseguró haber experimentado una mezcla de atracción y desprecio. Análisis de: El Espejo Gótico http://elespejogotico.blogspot.com/2022/02/senora-lunt-hugh-walpole-relato-y.html Texto del relato extraído de: http://elespejogotico.blogspot.com/2022/02/senora-lunt-hugh-walpole-relato-y.html Traducido al español: Sebastián Beringheli para El Espejo Gótico Musicas: - 01. PGM Misterio Autor: Antonio Muñoz Guirado en colaboración con Jim Bryan y Brendan Brown - Cedida en exclusiva para este programa de Relatos de Misterio y Suspense. - 02. Dark Orchestral Ambience - SBA - 300051397 - Artist Full Names: Bobby Cole ( www.storyblocks.com ) Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Brian Lunt is a Business strategist, facilitator, connector and the President of St. Louis Business Club. Brian is a great STL Leader who's focus is on helping small businesses thrive. Listen as we talk to Brian about his career path and his mission for St. Louis.