Podcast appearances and mentions of david watkins

David Watkinsis the Co-founder of Dirty Labs, a sustainable, biobased approach to home and laundry care that's rooted in science and aligned with nature. Elevate Your Brand is the #1 marketing podcast for entrepreneurs and “wantrepreneurs” looking for insider tips and secrets from the most exciting new and growing brands in Los Angeles and the US at large. Each week, entrepreneurial special guests join Laurel Mintz, founder and CEO of award-winning marketing agency Elevate My Brand, to discuss the marketing failures and successes that have brought their brands to the next level. Learn from real-life experiences and be inspired by leaders in your industry about how smart digital and experiential marketing can elevate your brand.Contact us: https://www.elevatemybrand.com/contact Stay connected & DM us feedback on the podcast:Instagram: https://www.instagram.com/elevatemybrandla/ LinkedIn: https://www.linkedin.com/company/elevatemybrandla/ TikTok: https://www.tiktok.com/@elevatemybrand

David Watkins & Peter Miles of VIRTUS Data Centres, on JSA TV as he discusses the VIRTUS's European and UK expansion, AI readiness, and the integration of liquid cooling to handle high-performance workloads. Learn how VIRTUS is positioning itself as a leader in sustainable, AI-ready data center infrastructure, helping businesses meet the growing demand for scalable, energy-efficient solutions. #DataCenters #AI #LiquidCooling #Sustainability #Infrastructure #TechInnovation #VIRTUS

This episode features David Watkins, the VP of Software and Services at GDT. David shares the highlights of GDT's significant growth, noting a 20% increase in services and 30% growth in enterprise agreements in Cisco's FY 24 year to date through Q3. Additionally, GDT has seen a 276% year-to-date growth in success tracks, emphasizing their focus on premium services.

Welcome to our Summer Replay series. We wanted to revisit some of our favorite and most popular episodes. These episodes were previously recorded and aired at an earlier date. This episode originally aired on June 30, 2021.   Are you new to the world of certification? New to Certiport? Happy to meet you! In this episode, we sit down with David Watkins, Certiport's Director of Product Management. Learn about Certiport's history, our model for certification success, and our new “My Pathway” resources to help students find their path to certified success. Get all the details about our “My Pathway” resources here: https://certiport.pearsonvue.com/Blog/2021/February/Do-You-Know-Your-Pathway Learn more about Certiport here: https://certiport.pearsonvue.com/

When it comes to reducing waste in our daily lives, there are several steps we can take, like curbing our consumerism, composting our food waste, and recycling. But what about our cleaning products? Have you ever thought about the impact of your laundry detergent or hand wash and what actually goes down the drain? If you're curious about cleaning up your own cleaning routine and learning about the ingredients in your household products you'll want to hear today's episode with David Watkins, the co-founder of Dirty Labs. David, an award-winning product designer and entrepreneur, has seen firsthand the staggering amount of manufacturing waste generated by consumer products. That's why he decided to start Dirty Labs, a company dedicated to providing eco-friendly alternatives to conventional cleaners and detergents. In this episode, Emma and Mary sit down with David, and he shares his insights on conscious consumerism and how working with Dirty Labs has influenced his own shopping habits. If you're curious about cleaning up your own cleaning routine and learning about the ingredients in your household products Tune in to this episode and discover how Dirty Labs is making a difference in the world of sustainable consumer goods. This episode is brought to you by Dirty Labs: Use code "TGD20" for 20% off your order! Topics Discussed • Petrochemicals & Harsh Synthetic Compounds • The Role of Chemistry in Environmentalism • The Origins of Dirty Labs • Cleaning Innovations Lab • Laundry, Laundry Sheets, and Tide Pods • Greenwashing • Incorporating Sustainability into Business Practices • The Perceived Value of Something • Why Use Silicone • Re-learning the Proper Quantity to Use • How Businesses Get Us to Consume More and More Product • California Prop 65 Chemical of Concern • Laundry Scents • Regional Ingredient Bans • 1, 4-Dioxane Episode Resources: • Join Us in The ALMANAC  Connect with David Watkins: • Website: https://dirtylabs.com/ • About: https://dirtylabs.com/pages/about • IG @dirty_labs : https://www.instagram.com/dirty_labs/ • Links: https://linktr.ee/dirty_labs/ • Linkedin: https://www.linkedin.com/in/davidpwatkins/ ━━━━━━━━━━━━━━━━━━━━━━

When it comes to reducing waste in our daily lives, there are several steps we can take, like curbing our consumerism, composting our food waste, and recycling. But what about our cleaning products? Have you ever thought about the impact of your laundry detergent or hand wash and what actually goes down the drain? If you're curious about cleaning up your own cleaning routine and learning about the ingredients in your household products you'll want to hear today's episode with David Watkins, the co-founder of Dirty Labs. David, an award-winning product designer and entrepreneur, has seen firsthand the staggering amount of manufacturing waste generated by consumer products. That's why he decided to start Dirty Labs, a company dedicated to providing eco-friendly alternatives to conventional cleaners and detergents. In this episode, Emma and Mary sit down with David, and he shares his insights on conscious consumerism and how working with Dirty Labs has influenced his own shopping habits. If you're curious about cleaning up your own cleaning routine and learning about the ingredients in your household products Tune in to this episode and discover how Dirty Labs is making a difference in the world of sustainable consumer goods. This episode is brought to you by Dirty Labs: Use code "TGD20" for 20% off your order! Topics Discussed • Petrochemicals & Harsh Synthetic Compounds • The Role of Chemistry in Environmentalism • The Origins of Dirty Labs • Cleaning Innovations Lab • Laundry, Laundry Sheets, and Tide Pods • Greenwashing • Incorporating Sustainability into Business Practices • The Perceived Value of Something • Why Use Silicone • Re-learning the Proper Quantity to Use • How Businesses Get Us to Consume More and More Product • California Prop 65 Chemical of Concern • Laundry Scents • Regional Ingredient Bans • 1, 4-Dioxane Episode Resources: • Join Us in The ALMANAC  Connect with David Watkins: • Website: https://dirtylabs.com/ • About: https://dirtylabs.com/pages/about • IG @dirty_labs : https://www.instagram.com/dirty_labs/ • Links: https://linktr.ee/dirty_labs/ • Linkedin: https://www.linkedin.com/in/davidpwatkins/ ━━━━━━━━━━━━━━━━━━━━━━

Forbes Magazine named Indiana as the #1 state for starting a business in 2023 and Indiana ranked #4 in the US for the survivability of its start-ups.  David Watkins, Senior VP for Entrepreneurship and Small Business talks on this podcast about IEDC's efforts to support entrepreneurs including the new Connect IND website.   This podcast is sponsored by Duke Energy.

Agbioscience was in Melbourne, Australia last week for the Global Entrepreneurship Congress – a gathering of more than 2,000 entrepreneurs, investors and organizations from more than 120 counties - all focused on supporting startups and building the economy of the future. During the conference, the United States – particularly Indiana took center stage. Today we are joined by Mark Marich, EVP of the Global Entrepreneurship Network and David Watkins, Senior Vice President of the Indiana Economic Development Corporation, to talk about the conference and its future plans to bring the conference to Indiana in 2025.  Helping entrepreneurs flourish is what the Global Entrepreneurship Network does – no matter where they are located across the globe. Mark and David get into what the conference entails, why they chose Indiana as their destination for 2025 and the rapidly evolving entrepreneurial ecosystem across the state. Indianapolis will be the first U.S. city to host the conference since it was originally founded and there will be a chance for Indiana to spotlight its entrepreneurs. What people can do ahead of the Global Entrepreneurship Congress to prepare for what's to come? All that and more is here; learn more. 

Scott Schell and David Watkins from GDT do a deep-dive into a customer success story with Choctaw Nation and discuss the incredible impact their services had for this community.

Good Evening Everyone! It is Stir up the Gift Sunday, join us as we use our gifts to celebrate Christ. My musical guest is Mr. Michael Jones. He will share his ministry of song and the inspired word God has given him. I will share excerpts from the upcoming Audiobook "When Faith Has Been Exhausted" by David Watkins and of course a "PraisePoet" selection to end our evening together. Listen in to 30 minutes of worship, praise, and real-life experiences from the audiobook that will challenge our faith in God...or cause you to seek His face! You will want to hear more of this real-life drama that will require the characters to walk by faith and not by sight! Thank you for listening and God Bless! Please feel free to support this podcast as well. Any gift is appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/linda-carol-shaw/message Support this podcast: https://podcasters.spotify.com/pod/show/linda-carol-shaw/support

Join us for an uplifting and exciting interview with author David J. Watkins as he shares his novel When Faith Has Been Exhausted. We had a great time and hope you'll be intrigued and enticed to sample this phenomenal novel for yourself! The AudioXperience, narrated by me will be available next month! www.davidjwatkins.com is the author's website. --- Send in a voice message: https://podcasters.spotify.com/pod/show/linda-carol-shaw/message Support this podcast: https://podcasters.spotify.com/pod/show/linda-carol-shaw/support

This week we talk all about Charlton Comics and the stories of the characters that began with the publisher! We also have special guest David Watkins joining us    Intro Music by Aaron Barry Find more great podcasts like this on Brain Freeze To ask questions for the next episode, or to continue the conversation online visit us here: On Twitter On Facebook  On Instagram On our Website Or check out our new store for merch And our Patreon!

David Watkins from GDT chats about the current state of customer experience and what the future looks like for delivering customer success.

What you'll learn in this episode:   How Beatriz discovered and catalogued the 2,600 rings in the Alice and Louis Koch Ring Collection at the Swiss National Museum How Covid lockdown changed how people wear jewelry Beatriz's tricks for making a jewelry exhibit more engaging What it's like to work with jewels uncovered from shipwrecks How global trade has influenced how jewelry is designed and made   About Beatriz Chadour-Sampson   Beatriz Chadour-Sampson studied art history, classical archaeology and Italian philology at the University of East Anglia, and at the University of Münster, Germany. Her doctoral thesis was on the Italian Renaissance goldsmith Antonio Gentili da Faenza. In 1985 she published the jewelry collection of the Museum für Angewandte Kunst, Cologne. Since 1988 she has worked freelance as a jewelry historian, curator of exhibitions and academic writer in Britain. Her numerous publications on jewelry, ranging from antiquity to the present day, include the The Gold Treasure from the Nuestra Señora de la Concepción (1991), and 2000 Finger Rings from the Alice and Louis Koch Collection, Switzerland (1994). She was the consultant curator in the re-designing of the William and Judith Bollinger Jewelry Gallery at the Victoria & Albert Museum (opened in 2008), London and was guest curator of the ‘Pearl' exhibition (2013-14). She is an Associate Member of the Goldsmiths' Company, London. Today Beatriz Chadour-Sampson works as a freelance international and jewelry historian and scholarly author. Her extensive publications range from Antiquity to the present day.    Additional Resources: Instagram Museum Jewellery Curators - Goldsmiths' Fair Inside the Jewel Vault with Dr Beatriz Chadour-Sampson Photos available on TheJeweleryJourney.com Transcript:   Working in jewelry sometimes means being a detective. As a freelance jewelry historian and curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum, Beatriz Chadour-Sampson draws on her wealth of knowledge to find jewelry clues—even when a piece has no hallmark or known designer. She joined the Jewelry Journey Podcast to talk about how she creates jewelry exhibits that engage viewers; how she found her way into the niche of shipwreck jewelry; and what it was like to catalogue 2,600 rings. Read the episode transcript here.    Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. My guest today is Beatriz Chadour-Sampson. She's been the curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum for almost 35 years. She's also a jewelry historian, art historian, educator, author and a whole bunch of other things I'm sure I'm missing out on, but she'll fill us in today. Beatriz, welcome to the program.   Beatriz: Thank you very much for your invitation.   Sharon: Can you tell us about your jewelry journey? It's been quite a journey.   Beatriz: Yes, the journey starts many years ago when I was a small child, in fact. I'm not a young chick at the moment, but I started off in my childhood with jewelry. I have to tell you a little bit of the family history. I was born in Cuba. My father was Russian and my mother was British. There's a whole story of European history, including being five times refugees from Europe within Europe. That's the aside, but my father learned how to cut and polish diamonds during the war in Cuba. After the war, he opened an import/export business for gemstones. It's not unknown. You'll probably find on the internet a picture of me, age three, sorting stones in his office in Cuba. We left Cuba during the Cuban Revolution. I was a Cuban subject as well as my father, but we left and never returned.    He opened a business called Chadour Charms, Inc. in New York. I always spent my holidays in New York. My mother was working in a company where I couldn't tag along. I spent most of my free time as a child on 47th Street, which was called the gold and diamond alley at the time. My father designed charms. He had the gold cast and then set the stones himself. On 47th Street we had many friends we visited. One had a refinery for gold and silver; the other one sold supplies for goldsmiths, which was quite exciting. I encountered pearls, corals, diamonds and all sorts of jewelry experiences.    That was from three years to early childhood. It was about three years altogether in New York. Then my father was offered a job in Frankfurt am Main in Germany. He spoke fluent German. It was an American company building a pearl business in Frankfurt. That's when I got even deeper into jewelry. Of course, there was also the trade. You can call it child labor today. In those days maybe it was seen slightly differently, but I did my homework with the secretaries. After that, I was stringing pearls, writing invoices and doing all kinds of things with pearls. When I was slightly older, I was allowed to make pearl pairs. Don't think that a pearl is white. It's nowhere near white. There are so many different colors and lusters that come in the pearl. So, I was setting pearls, hundreds of pearls, sorting them by a quarter of a millimeter, and then pairing them for earrings and matching the pearls in their luster so they could be worn as earrings.   From there we went on to jewelry, so stones and charms. Something interesting with the charms—I have a little anecdote. I was researching a book, “The Power of Love,” which came out in 2019, and I was looking in an auction catalogue for a famous love ring that Sir Laurence Olivier gave to the actress Vivian Leigh. Late at night, as I do very often, I was searching on the internet for the auction catalogue, and suddenly I see a charm bracelet. I couldn't believe my eyes. One of the charms she had on the bracelet was designed by my father. I can prove that because I have the same charm on my charm bracelet. It was a ship in the sunset, as you see in the background. So, that was going down memory lane.    When I reached the age of 18, I said, “I don't want to have anything to do with jewelry ever again.” I had enough. I grew up in the jewelry trade. It was all trade. Lo and behold, I then decided to study art history in Germany and England, but I did my thesis in Germany at the University of Münster. My subject at the end of this was Antonio Gentili, a Renaissance goldsmith. He came from Faenza. He worked for the Medici and the Farnese families, two very high families. He also did works for the Vatican. I remember in my early years after my dissertation, I used to see the Easter Mass on television in Germany. I was looking to see if the cross and candlesticks I worked on were on the show on the altar, which most years they were.    I then got into goldsmiths' work. It's through my jewelry background and my thesis on Renaissance goldsmiths' work that I was awarded a scholarship to write the catalogue of 900 pieces of jewelry for what is now called the Museum for Applied Arts, the Museum für Angewandte Kunst. The collection covers 5,000 years of jewelry history. I was really plunged into the deep history of jewelry. There weren't so many books at the time. They were more archaeology books. This explosion of jewelry books is something that came after I had finished the catalogue. There was a lot of research that was quite complex, but I enjoyed it. It was wonderful to gain that experience and knowledge of a wide part of jewelry history. That was in 1981. I finished the catalogue. It was published. That was also my first experience doing an exhibition because when the catalogue was launched, we had an exhibition with the jewelry. More recently I've been with the Cologne Museum since 1981. It was the first time. They're now doing a new display of the jewelry. They're still planning it. I think it's due to come out next year, so there will be a new display of the jewelry I catalogued.    Then I was offered a job in Hanau, Germany. Many will not realize that Hanau has a history in jewelry that goes back to the 17th century. Up to the First World War, it was a center for producing hand-manufactured jewelry. Today, they have an academy where you can learn how to make jewelry. That goes back to 1772. So, it's a city of great tradition of jewelry. I was Managing Director of the Gesellschaft für Goldschmiedekunst. I was organizing exhibitions and competitions and catalogues, and it was all contemporary jewelry.  When I was working in Cologne, that was my first encounter with contemporary jewelry. I met people who I became great friends with. I also took part in the many events of the Forum für Schmuck und Design, which still exists. So, those were my early experiences with contemporary jewelry, but when I got to Hanau, I was plunged right into it. I had all kinds of jobs to do, as I said, exhibitions, catalogues and competitions.    I stayed there for about three and a half years. In 1988, I was asked if I would catalogue the Alice and Louis Koch Collection. Louis Koch was a very famous jeweler in Frankfurt au Main, Germany, and he and his wife collected rings, among many other collections. It was a family of collections. By 1904, they had about 1,700 rings. There are over 2,600 rings now. I was asked to catalogue the 1,700 rings, which took me quite a long time, but I was doing all kinds of other projects in between. The collector allowed me to do that, which was great fun. In 1994, the historical collection was catalogued fully. It's like an encyclopedia of rings from ancient Egypt on. It covers 4,000 years of jewelry history.   In about 1993, just before we finished the catalogue—and there are a few contemporary rings in the 1994 publication. I believe this collection from Louis Koch in 1904 went to a second and a third generation after he died in 1930. The fourth generation, we discussed it, and we came to the conclusion that they should make it their own and continue where their great-grandfather had finished. Now, their great-grandfather was, as I said, a very famous family jeweler in Frankfurt. The shop was called the Cartier of Germany, so you can imagine royalty wearing it and the national business. He was a quite a jeweler. They also expanded to Baden-Baden. He was a very fashionable jeweler, and he was a contemporary of René Lalique. He didn't buy rings from any other contemporaries, but he bought a ring by René Lalique, so he must have realized there was something very contemporary about Lalique. He was the modernizer of French jewelry at the time, using glass and gold that was unthinkable.    So, we went on this venture from 1993 until the publication in 2019. We amassed a collection of 610 rings from the 20th and 21st century, which are all catalogued. Then the collection went into the Swiss National Museum. There was a small exhibition, but since 2019, there's a permanent display of 1,700 rings. May I add that the 610 contemporary rings are all on display, so we reduced repetitions within the historical part of the collection. Interestingly, this room's showcase is also round like a ring. With 1,700 rings, it's not an easy task because you have to go in a circle. We had big, brown panels of paper and played around with the rings. It starts with themes and then goes on chronologically to the contemporary. You couldn't make a mistake because once you got to ring 200, you couldn't go back to number 50. You can imagine going up to 1,700. I can say there are two rings that are not in the right place, but that's not too bad with 1,700 rings.   Sharon: Did you have to photograph them?   Beatriz: I'm very lucky to finish up on the Koch Collection. I'm now consultant curator to the Swiss National Museum in Zurich. I was responsible for the display there together with my colleagues in the museum. That was quite an experience. It's wonderful after 35 years to still be able to do this. I think they were a bit concerned about my babies and that I would want to run away from it, but that isn't the case. I really enjoy working with them. It's a pleasure. It's so rewarding, after 35 years, to see the collection on display, which was always in private hands from the 1900s onward.   I've just written six blogs for the Swiss National Museum. One is on the Napoleonic Wars, and the stories are all told by the rings. The next one coming out in November is on Josiah Wedgwood and his sculptor, John Flaxman. Rings tell lots of stories.   Sharon: Are the blogs in English?    Beatriz: Everything in the Swiss National Museum is English, German, French and Italian. So, you take your pick which one you want.   Sharon: Did you have to photograph everything? When you say you catalogued them, I think of a catalogue being a photograph and description.   Beatriz: Oh, no. The photographs of the historical collection were all done by a photographer. It's very difficult because we had to choose one background for all. That was complex. It's pre-1994, so it's sort of an old, pale, gray blue. One color fits all because it was the encyclopedic nature of the books.    With the 2019 book, I was working with the photographer in Zurich. I spent many weeks and months in Zurich sitting next to the photographer and choosing which angle because contemporary rings don't just have a hoop and a bezel. It's a piece of sculpture, so you have to know exactly which angle to take the photograph to show as much as you can of the ring. I was actually working together with the photographer. You learn a lot with such jobs.    Sharon: Wow! Today there are all kinds of degrees you can get with exhibitions. Was it something you learned hands on or learned by doing?   Beatriz: I was working at the practice in my second home of the Victoria and Albert Museum, because I was consultant curator to the William and Judith Bollinger Jewelry Gallery. I worked there for four and a half years on the displays. When you see the displays in the gallery, the concept was from me. I had little black and white photographs of the old gallery, nothing in color. It didn't matter that I knew the pieces by heart and each piece of jewelry was about the size of a small fingernail, and I got a damp hand from cutting out 4,000 images of 4,000 pieces of jewelry, very high-tech, of course. I had my pieces of paper, and I started thinking that every board has to tell a story. For me with an exhibition, the exhibit has to tell the story, and the text below on the captions really helps you understand it. Visually, I think it's very important that the pieces also talk. So, yes, I started before the architect was allocated and we worked together with 4,000 pieces. My colleague, Richard H. Cumber, worked on the watches, but otherwise all the jewelry is designed on black and white photographs on white sheets of paper with double-sided tape.   Sharon: Do you have thoughts about why you got so immersed in jewelry? You said you didn't want anything to do with jewelry, but here you are immersed in it. What were your thoughts?   Beatriz: You mean deep diving in it?   Sharon: Yes.   Beatriz: I grew up in the jewelry trade and experienced the Cuban Revolution and hardships, being refugees in New York and so on and then moving again to another country. It was complex. As a child, it wasn't quite easy. It didn't do me any harm. I've survived, but it was a really hard trade. What I was doing later, and still do now, is historical jewelry. It's a very different thing. I think I've gotten my love of jewelry back, yes, but I'm very keen on the wide picture of jewelry covering thousands of years.    In fact, I've been doing courses for the Victoria and Albert Museum since 2008. When I do the “Bedazzled” one, which is a history of jewelry, I start with 150,000 B.C. I jump off it pretty quickly, but for me, it's so important for people to go back to that time to understand what jewelry was about. To me, it was certainly more amuletic rather than status. It was status as well probably. We can't follow that, but certainly I think amuletic to protect from the dangers. They lived in a very natural world, so the dangers were much worse than we could imagine. I think it's fascinating to see what was in other periods of jewelry history. It makes it much more exciting to understand what's happening now.   Sharon: When you came to contemporary jewelry—it seems that you're pretty immersed in that also—what stood out to you? What made a piece different or jump out at you? There seems to be so much copycatting in many ways.   Beatriz: Definitely, a lot of copycatting. I've worked on a collection of 450 pieces of, and I can tell you that's one of the most copied ones. On Instagram, I have to be careful that I don't get nasty remarks because I do point out, “Yes, we've seen that before. He was ahead of his time, but his style is still modern today.” When we were putting the Koch Collection together with the 610 rings, 20 from the 21st century, the individual l idea was very important for me. It has to be innovative; the idea has to be new; it has to be interesting. For the materials, it should be an experiment with new materials; different materials; materials you wouldn't use for jewelry. We talk about sustainable jewelry. Pre-1994 we have two rings in the collection made of washing-up bottles. We were way ahead of the times. Of course, Peter Chang used recycled materials, and we commissioned a ring from him. We did commission people that never made rings before just to put them to the test. It was very interesting.   Sharon: I didn't know that Peter Chang was recycled.   Beatriz: The materials are all recycled materials, yes. That is the amazing part, the recycled materials. These two crazy rings we bought from a German jeweler, it's just washing-up bottles. If you're creative and imaginative, you make something interesting.    We have many important names who made rings. We have some wonderful rings from Wendy Ramshaw and so on. We have a lot of big names, but that was not the point. We have a lot of ones that just graduated or were young or completely unknown. It's more the idea and what they made. Of course, I was approached many times regarding rings and I had to decline, saying, “Sorry, we already have something like that.” I couldn't say it was not exciting. The idea was already there, so it makes it difficult. Unless it was interpreted differently, yes, that's fine.    So, I think we got a lot of crazy pieces. The collector always teased me. He said, “Can you wear the ring?” I said, “Of course, could you wear the ring? What do you think?” I always choose rings for wearing. Of course, I have to admit there are a few that are not wearable. I'll admit to that, but I think with a collection like the Koch Collection, you're allowed to do that. There are few you really can't wear, or you can wear them with great difficulty.   Sharon: Yes, I think about that. I always think about how it would be to type with a ring like that, or how it would be to work at a keyboard, something like that.   Beatriz: I always say you don't wear the big, high jewelry pieces when you go shopping or washing up.   Sharon: That's true.   Beatriz: I won't say any company names, but the high jewelers of New York, Paris, wherever, they make those pieces. Those are rings. If they look great, they're wearable, but you wouldn't wear them every day while you're washing up or shopping or doing other tasks around the house.   Sharon: That's true. That's probably why people don't buy them as much anymore. They don't have places to go, Covid aside.   Beatriz: I think with Covid, the interesting thing is that we have rings that are sculptures. If you're doing a collection and somebody makes a ring sculpture, I think it's valid to be in the Koch Collection. We do have a few ring sculptures, including Marjorie Schick. But it's interesting that you mentioned Covid and when the pandemic was on. I don't want to go into the pandemic, but we have a much-increased Zoom culture. It did exist before the pandemic, people trying to reduce travelling and climate change and so on. It did come before the pandemic, but it is definitely an increased media. You can't really wear a ring and say, “Well, here's my ring.” You have to wear something that's in the Zoom zone. That's earrings and brooches. Fortunately, I'm somebody who likes earrings and brooches. I always have on earrings and brooches.   Sharon: What you have on is very Zoom culture. It shows up well.   Beatriz: The color shows up, yes. The earrings, they're made of silver and made by Eve Balashova, who works in Glasgow. Zoom is not a problem with this jewelry because, as I said, I love the earrings and certainly the brooch that goes with it. In fact, when I bought the earrings I asked, “Can you make a brooch I can wear with it?”    Sharon: Wow! When you go out, do you see rings that make you say, “That should be in the collection”? Can you add new ones?   Beatriz: Since the display in 2019, there are only a few additions. It sort of finished with the publication and the display, but there have been the odd new rings. I write a lot about that. We have had a few, and I'm hoping that next year they will be on display. Maybe half a dozen rings; not many. We might have another exciting one, but we have to wait. Until the collector has actually gotten his hands on it, I don't want to jinx things.    Sharon: But you identify them and then they say yea or nay.   Beatriz: Yes. They have bought things on their own as well, but we've done this together, yes. I've identified and advised. For me, it was wonderful. First of all, they don't know the collector. It's always the Koch Collection, but the family's name is different, so it was always very modest, without great names. I was the one who negotiated everything, and it always gave me great pleasure when I could stand up and say, “We've chosen a ring for the collection.” You find this great joy on the other end, especially for those young or unknown ones. You could imagine what it meant for them. It's always great joy.    I love working with contemporary artist jewelers. I worked for 13 years as a visiting tutor under David Watkins. I always said I learned more from them than they learned from me, but I helped them with their Ph.Ds. I really enjoyed working with them, and it continued with being able to buy or acquire what they made for the collection.   Sharon: You do a lot of teaching. You're teaching other classes in January at the V&A.   Beatriz: Yeah.   Sharon: It started online.   Beatriz: Yes. In 2021, I did an online course, “Bedazzled.” Next year, in January and February, it's called “Jewels of Love, Romance and Eternity,” which is a topic I've worked on because I published the book “Proud Love.” We have a few other speakers who can bring another slant into it. Again, I start with antiquity, because you can't talk about love jewels without actually talking about Roman jewelry. Many people don't realize that the engagement ring or the proposal ring or marriage ring started with the ancient Romans.   Sharon: I didn't know that.   Beatriz: Diamonds in engagement rings started in the 15th century. It might be a little bit earlier, but that's more or less the dateline. So, there are lots of interesting things to talk about.    As I said, I've been doing courses since 2008 at regular intervals. Also at the Victoria and Albert Museum, I was co-curator of the pearls exhibition. I did a lot of courses on pearls as well, and that is a fascinating topic. It was wonderful to work on that exhibition. It was together with the Qatar Museum's authority, but I was asked by the Victoria and Albert Museum to create an exhibition for the British public, which was very different to what they had in mind, of course.   Sharon: There are so many new kinds of pearls, or at least kinds that weren't popular before. Tahitians and yellow pearls, that sort of thing.   Beatriz: Yes, all these extra pearls are the cultured pearls. It's a history of the natural pearl. Qatar was a center where they were diving for pearls, so we did all the diving history, how merchants worked in that area in Bali and Qatar. The cultured pearl is, of course, Mikimoto. There are theories that the Chinese started the cultured pearls, but the one who really got the cultured pearls going was Mikimoto. He certainly did the science with it. He worked together with scientists and had the vision. Natural pearls were very, very expensive, and his philosophy was that every woman should wear a pearl necklace or be able to afford a pearl necklace. I think his task is fulfilled.   It's interesting because the natural pearl doesn't have quite the luster of the cultured pearl. By the 20s, you have the cultured pearls coming in, and then by the 50s—when I did the exhibition, we had so many stories being told. Of course, some ladies from the Middle East are probably kicking themselves because they sold the family natural pearls because they didn't have the luster, and they bought the nice cultured pearls that are more flashy. Of course, now the value of natural pearls is unthinkable.   Sharon: Was there a catalogue?    Beatriz: With cultured pearls, you have the golden pearls and the Tahitian pearls and so on, but the color of the pearls depends on the shell they grow in, unless you have some that have been tampered with and are colored. But there are Tahitian pearls, golden pearls and all these different shades. Melo pearls have an orangey color. The color of the pearl is dependent on the shell it grows in. The rarest pearl is the pink pearl that comes from the Caribbean. That's the conch pearl; that's hugely expensive. You asked about the catalogue.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

On the show this week, the guys welcome on former Argos VP of Business, David Watkins, to break down the CFL Grey Cup matchup, and discuss Nathan Rourke's chances of making an NFL roster.Then, Ryan and Clarkey discuss the Buffalo Bills being forced to move their game due to snow, Ryan rants about the World Cup, and they discuss the touching tribute to Borje Salming and the Teoscar Hernandez trade.Brought to you by Coolbet, and in part by the Listowel Squash Courts and See the Game.Subscribe on Youtube and all the best podcast apps!Youtube: https://www.youtube.com/channel/UC-Wix_x4--bclMBXhtRV3dAApple: https://podcasts.apple.com/ca/podcast/instigating-with-clarkey-and-drury/id1590566419Spotify: https://open.spotify.com/show/6ZlDWiSNbMs1O0mKW3zoHr

Cynthia Hanson and David Watkins with Vib Tempe Located in the heart of vibrant Downtown Tempe, the Vīb Tempe connects you to work, education, and entertainment. Tempe is the perfect location to stay when visiting the Valley of the Sun. A brand new addition to the Downtown Tempe Neighborhood, the Vib provides you with all […] The post Cynthia Hanson and David Watkins with Vib Tempe appeared first on Business RadioX ®.

This sermon was preached by Rev. David Watkins on February 9th, 2022. Rev. Watkins is Pastor at Pool of Bethesda, Chicago, IL.

#minerl #minecraft #deeplearning The MineRL BASALT challenge has no reward functions or technical descriptions of what's to be achieved. Instead, the goal of each task is given as a short natural language string, and the agent is evaluated by a team of human judges who rate both how well the goal has been fulfilled, as well as how human-like the agent behaved. In this video, I interview KAIROS, the winning team of the 2021 challenge, and discuss how they used a combination of machine learning, efficient data collection, hand engineering, and a bit of knowledge about Minecraft to beat all other teams. OUTLINE: 0:00 - Introduction 4:10 - Paper Overview 11:15 - Start of Interview 17:05 - First Approach 20:30 - State Machine 26:45 - Efficient Label Collection 30:00 - Navigation Policy 38:15 - Odometry Estimation 46:00 - Pain Points & Learnings 50:40 - Live Run Commentary 58:50 - What other tasks can be solved? 1:01:55 - What made the difference? 1:07:30 - Recommendations & Conclusion 1:11:10 - Full Runs: Waterfall 1:12:40 - Full Runs: Build House 1:17:45 - Full Runs: Animal Pen 1:20:50 - Full Runs: Find Cave Paper: https://arxiv.org/abs/2112.03482 Code: https://github.com/viniciusguigo/kair... Challenge Website: https://minerl.io/basalt/ Paper Title: Combining Learning from Human Feedback and Knowledge Engineering to Solve Hierarchical Tasks in Minecraft Abstract: Real-world tasks of interest are generally poorly defined by human-readable descriptions and have no pre-defined reward signals unless it is defined by a human designer. Conversely, data-driven algorithms are often designed to solve a specific, narrowly defined, task with performance metrics that drives the agent's learning. In this work, we present the solution that won first place and was awarded the most human-like agent in the 2021 NeurIPS Competition MineRL BASALT Challenge: Learning from Human Feedback in Minecraft, which challenged participants to use human data to solve four tasks defined only by a natural language description and no reward function. Our approach uses the available human demonstration data to train an imitation learning policy for navigation and additional human feedback to train an image classifier. These modules, together with an estimated odometry map, are then combined into a state-machine designed based on human knowledge of the tasks that breaks them down in a natural hierarchy and controls which macro behavior the learning agent should follow at any instant. We compare this hybrid intelligence approach to both end-to-end machine learning and pure engineered solutions, which are then judged by human evaluators. Codebase is available at this https URL. Authors: Vinicius G. Goecks, Nicholas Waytowich, David Watkins, Bharat Prakash Links: TabNine Code Completion (Referral): http://bit.ly/tabnine-yannick YouTube: https://www.youtube.com/c/yannickilcher Twitter: https://twitter.com/ykilcher Discord: https://discord.gg/4H8xxDF BitChute: https://www.bitchute.com/channel/yann... LinkedIn: https://www.linkedin.com/in/ykilcher BiliBili: https://space.bilibili.com/2017636191 If you want to support me, the best thing to do is to share out the content :) If you want to support me financially (completely optional and voluntary, but a lot of people have asked for this): SubscribeStar: https://www.subscribestar.com/yannick... Patreon: https://www.patreon.com/yannickilcher Bitcoin (BTC): bc1q49lsw3q325tr58ygf8sudx2dqfguclvngvy2cq Ethereum (ETH): 0x7ad3513E3B8f66799f507Aa7874b1B0eBC7F85e2 Litecoin (LTC): LQW2TRyKYetVC8WjFkhpPhtpbDM4Vw7r9m

#minerl #minecraft #deeplearning The MineRL BASALT challenge has no reward functions or technical descriptions of what's to be achieved. Instead, the goal of each task is given as a short natural language string, and the agent is evaluated by a team of human judges who rate both how well the goal has been fulfilled, as well as how human-like the agent behaved. In this video, I interview KAIROS, the winning team of the 2021 challenge, and discuss how they used a combination of machine learning, efficient data collection, hand engineering, and a bit of knowledge about Minecraft to beat all other teams. OUTLINE: 0:00 - Introduction 4:10 - Paper Overview 11:15 - Start of Interview 17:05 - First Approach 20:30 - State Machine 26:45 - Efficient Label Collection 30:00 - Navigation Policy 38:15 - Odometry Estimation 46:00 - Pain Points & Learnings 50:40 - Live Run Commentary 58:50 - What other tasks can be solved? 1:01:55 - What made the difference? 1:07:30 - Recommendations & Conclusion 1:11:10 - Full Runs: Waterfall 1:12:40 - Full Runs: Build House 1:17:45 - Full Runs: Animal Pen 1:20:50 - Full Runs: Find Cave Paper: https://arxiv.org/abs/2112.03482 Code: https://github.com/viniciusguigo/kair... Challenge Website: https://minerl.io/basalt/ Paper Title: Combining Learning from Human Feedback and Knowledge Engineering to Solve Hierarchical Tasks in Minecraft Abstract: Real-world tasks of interest are generally poorly defined by human-readable descriptions and have no pre-defined reward signals unless it is defined by a human designer. Conversely, data-driven algorithms are often designed to solve a specific, narrowly defined, task with performance metrics that drives the agent's learning. In this work, we present the solution that won first place and was awarded the most human-like agent in the 2021 NeurIPS Competition MineRL BASALT Challenge: Learning from Human Feedback in Minecraft, which challenged participants to use human data to solve four tasks defined only by a natural language description and no reward function. Our approach uses the available human demonstration data to train an imitation learning policy for navigation and additional human feedback to train an image classifier. These modules, together with an estimated odometry map, are then combined into a state-machine designed based on human knowledge of the tasks that breaks them down in a natural hierarchy and controls which macro behavior the learning agent should follow at any instant. We compare this hybrid intelligence approach to both end-to-end machine learning and pure engineered solutions, which are then judged by human evaluators. Codebase is available at this https URL. Authors: Vinicius G. Goecks, Nicholas Waytowich, David Watkins, Bharat Prakash Links: TabNine Code Completion (Referral): http://bit.ly/tabnine-yannick YouTube: https://www.youtube.com/c/yannickilcher Twitter: https://twitter.com/ykilcher Discord: https://discord.gg/4H8xxDF BitChute: https://www.bitchute.com/channel/yann... LinkedIn: https://www.linkedin.com/in/ykilcher BiliBili: https://space.bilibili.com/2017636191 If you want to support me, the best thing to do is to share out the content :) If you want to support me financially (completely optional and voluntary, but a lot of people have asked for this): SubscribeStar: https://www.subscribestar.com/yannick... Patreon: https://www.patreon.com/yannickilcher Bitcoin (BTC): bc1q49lsw3q325tr58ygf8sudx2dqfguclvngvy2cq Ethereum (ETH): 0x7ad3513E3B8f66799f507Aa7874b1B0eBC7F85e2 Litecoin (LTC): LQW2TRyKYetVC8WjFkhpPhtpbDM4Vw7r9m

We have the Victorians to thank for many of our most loved festive traditions, including sending cards and decorating Christmas trees. However, much of our understanding of a merrie old English Christmas has more to do with the writings of Charles Dickens, because before the 19th Century, Christmas was barely celebrated in Britain. In this episode, you'll hear writings from Bridie Banwell, Kevin Bryant, David Watkins, and a new 'voice' Pat Forster, all stories and poems with a Christmas theme. Todays Podcast ends with a poem, one I originally wrote as a song, aimed as a warning to pet owners to be 'Mindful and Careful' at Christmastime. 

"Fit is first" has always been my mantra. After fit comes quality. The only definition of style is fit and quality. I come from an ideal that clothing should be in it for the long haul. This is not a fashion brand, it's an essentials brand. I believe in buying less, but better. That true style is timeless. That your picture today should be applauded 20 years from now, even if you have a little more gray in the beard. David Watkins - Guest Founder | ABBEYDALE Brandon Cullen - Host Co-Founder | Chief Concept Officer, MADabolic

In our third and final podcast in our Autumn series of M&A Perspective, David Watkins, Alex Dustan and Kerry O'Connell explore trends behind the headline M&A statistics in Europe and look at how companies are navigating increased regulation in order to get deals done.

In the second podcast of our M&A Perspective Autumn series. David Watkins, a corporate partner at Slaughter and May join Laura Turano and Krishna Veeraraghavan at Paul Weiss to discuss the record deal activity in the US, the drivers behind the growth, and also share their views on recent changes at the DOJ and FTC and the subsequent impact on competition law. 

In the Autumn series of M&A Perspective, we take an in depth look at some of the key trends influencing M&A across three regions. In the first of the series, David Watkins, Natalie Yeung and Chris McGaffin examine differences and similarities in deal activity across Asia. They discuss geopolitical pressure, pivotal shifts in Chinese policy and then take a broader view of deal activity and dynamics in South East Asia.

The book used for the research "History of the De Havilland Vampire by David Watkins" can be found here https://www.amazon.com/History-Havilland-Vampire-David-Watkins/dp/1781552665

 The School board of Broward County's Equity & Diversity program joined us on a podcast in Ms. Manoushka Saintil and Mr. David Watkins.  Just John dives into his experience with the bluapple Poetry network as well as being a pulse in our community of students provides some insight to what he expects from the school board of Broward county as an advocate for these students.   Join us as we talk about our community and wrap around services provided to keep our students safe and off the streets.

Are you new to the world of certification? New to Certiport? Happy to meet you! In this episode, we sit down with David Watkins, Certiport's Director of Product Management. Learn about Certiport's history, our model for certification success, and our new “My Pathway” resources to help students find their path to certified success. Get all the details about our “My Pathway” resources here: https://certiport.pearsonvue.com/Blog/2021/February/Do-You-Know-Your-Pathway Learn more about Certiport here: https://certiport.pearsonvue.com/

A landmark agreement by the world's richest nations to tackle the perennial too-hard-basket issue of multinational tax avoidance is a postive start down a complex path. David Watkins is the leader of the Deloitte Australia Tax Insights & Policy group, and he joins Brooke Corte. See omnystudio.com/listener for privacy information.

joining us on this episode of read receipt is david watkins, co-founder and CEO of dirty labs. inspired by natural cleaning processes coupled with biotechnology, dirty labs was founded to create a bio-based approach to cleaning that's rooted in science and aligned with nature, starting with laundry. david sits down with us today to share how he and the dirty labs team are working to take the dirty out of cleaning and the next steps to spread the word in their grassroots dirty-free cleaning movement. we're happy to have him on the pod and hope you enjoy the show!

We are excited to have David Watkins who is the CEO & Co-Founder at Biobased laundry detergent company, Dirty Labs, on our podcast. Before launching Dirty Labs, David worked at Incase, Jawbone, Skullcandy and Google in product management. We met David through Veronica Chou of Everybody & Everyone who we also had on our podcast and will include a link to that episode in the show notes. Dirty Labs is taking doing the laundry from chore to something we look forward to.  Link to buy Dirty Labs detergent here: https://thestylethatbindsus.com/dirty-labs-biobased-laundry-detergent/ https://thestylethatbindsus.com/veronica-chou-creates-a-brand-that-is-truly-sustainable-and-for-everybody-everyone/  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/delia-folk8/support

David Watkins @the_dadness on IG is the first Single Dad in the UK through UK based surrogacy. Visit www.dadbe.uk for more information on him and his journey. Watch and listen to p the story of David and his new son Miles on BBC News Online, BBC Radio Solent and BBC Leicester

David Watkins @the_dadness on IG is the first Single Dad in the UK through UK based surrogacy. Visit www.dadbe.uk for more information on him and his journey. Watch and listen to p the story of David and his new son Miles on BBC News Online, BBC Radio Solent and BBC Leicester

David Watkins @the_dadness on IG is the first Single Dad in the UK through UK based surrogacy. Visit www.dadbe.uk for more information on him and his journey. Watch and listen to p the story of David and his new son Miles on BBC News Online, BBC Radio Solent and BBC Leicester

In this episode, Pastor George is joined by his long-time friend, Judge David Watkins of Augusta, Georgia. Judge Watkins is a Christ-follower, an officer of the court sworn to uphold justice, and an African American who observed racial abuse of...

Here, you'll hear me chat with David Watkins. David is a former Jaguar Land Rover engineer who co-founded DASH, a subscription-based bike and e-bike service, appealing to businesses and employees as a sustainable option for commuting. To learn more about DASH, keep up at the following links: https://www.linkedin.com/company/dash-rides-limited/ https://twitter.com/dash_mobility https://www.dashrides.com/

In this podcast, David Watkins and Ellie Mackay consider the impact which the COVID-19 crisis will have in the short to medium term, as well as some of the factors that will influence deal structure and terms.

Nina Putnis from The Lancet Global Health discusses resource requirements and essential services for Universal Health Coverage (UHC) with Dr David Watkins, including implications for low-income countries, the importance of political will, and what this means in the context of COVID-19.

Isn't it strange when everyone is raving about something — but you just — don't get it? That's the position Dr David Watkins (@DrMurphy11) found himself in in 2017. Babylon had launched in the UK and promised to provide the powers of AI and telemedicine to the NHS. Babylon lets you video consult with a doctor, often on the same day. This was slightly controversial, but not compared to its other head. Babylon had developed a sophisticated chatbot AI. After a game of 20 questions, the chatbot would suggest a diagnosis — although crucially (from a regulatory point of view) it wouldn't diagnose you. You would then be directed (triaged) to appropriate care. Mild headache and flu-like symptoms? No problem! Stay at home and take paracetamol. One-sided weakness and slurring your words? Call 999

Pandemics have broad impact and the voice industry is no exception to the ripple effects of the COVID-19 coronavirus outbreak. Today's discussion focuses on the intersection of the tech and voice industries and the rise of coronavirus.  Joining Bret Kinsella are three guests that are analyzing the coronavirus pandemic closely. Rani Molla is the lead data reporter for Recode and Vox where she writes about tech and how data sheds light on what is really going on. David Watkins is an expert in the global consumer electronics supply chain which includes coverage of many smart devices including smart speakers. Ben Fox Rubin is the lead reporter on Amazon for CNET and speaks to the recent surge in online orders and the company's plans to hire 100,000 new workers in the U.S. to meet demand. 

John interviews David Watkins, founder of Abbeydale, an upscale mens clothing shop in Charlotte, NC. They discuss starting the business, growing it, some difficult decisions along the way, branding, building a global supply chain, and leveraging CRM and marketing automation to better serve customers. They also get into a detailed conversation about how men should build their wardrobe to maximize their presence. https://www.houseofabbeydale.com/ https://www.instagram.com/houseofabbeydale/ https://twitter.com/ABBEYDALE_ https://www.amazon.com/Creating-Presence-Transforming-Personal-Through/dp/1497484634

David Watkins is Service Director for Connected Home Devices at research firm Strategy Analytics, and is one of the leading analysts tracking the voice assistant and smart speaker markets. David takes a data-first approach to analyzing adoption of Amazon Echo, Google Home, Apple HomePod, Alibaba Tmall Genie and dozens of other smart speakers under development by software companies, device manufacturers and telcos. He also brings a global perspective covering U.S., Europe and Asian adoption patterns. The conversation touches on a lot of data including forecasts for 2017 and through 2022. David also goes into why adoption patterns in Asia will differ from early results in the U.S. and market share for the leading voice assistant providers.