Podcast appearances and mentions of deborah martin

We are back after many weeks without a proper internet connection, which made it impossible to prepare new editions of Sequences. After spending time in several Airbnbs, I'm finally in rented accommodation with a decent speed on Sky Full Fibre 150 broadband. In the past month, we have gathered a lot of new music to feature on our podcasts. We decided to offer you two editions: one focusing on sequential, symphonic, modular, and Berlin School music and the other exploring dark and light ambient, cosmic, chill-out, and experimental genres. Download Bios: https://we.tl/t-U83tqP9DO6 Playlist Ambient Side 260 00.00 Hiroshi Watanabe: Kaito ‘A Call From The Ground' (album Collection)*** https://hiroshiwatanabe.bandcamp.com/album/collection 04.18 Hiroshi Watanabe: Kaito ‘Silent Cloud' 10.47 Canopy of Stars ‘Gravitational Waves' (album Waves Remixed) https://rednetic.bandcamp.com 20.33 Blue Is Nine ‘High Tide' (album Life In Motion) https://blueisnine.bandcamp.com/album/ubiquity 22.54 Blue Is Nine ‘Highway 101' 27.26 Blue Is Nine ‘Color Me Alive' 31.26 Alessandro Cortini ‘Chiaroscuro' (album Scuro Chiaro) https://cortini.bandcamp.com/album/scuro-chiaro 38.49 RL Huber ‘The Clearing' (album Forgiving Light) *** https://rlhuber.bandcamp.com 40.02 RL Huber ‘Traveller' 43.08 Colin Andrew Sheffield ‘Moments Lost' (album Moments Lost) https://sublimeretreat.bandcamp.com/album/moments-lost 52.53 Horror & Opera ‘Proiectio Lunae Jadeite' (album Mortuus Messis, The Lost Opera) 01.00.13 Brotherhood Of Sleep ‘Activation Of The Portal Of Singing Skulls' (album Devotional Hymns To A Brilliant Flaming Sun) https://winter-light.bandcamp.com/yum 01.11.54 Daniela Huerta ‘Coatl' (album Soplo)*** https://danielahuerta.bandcamp.com/album/soplo 01.17.09 The Utopia Strong ‘Weather All' (album The BBC Sessions) *** https://theutopiastrong.bandcamp.com/album/the-bbc-sessions 01.30.35 Jarguna ‘Little Puma (Morgana)' (album Purr24: Various artists) www.projekt.com 01.37.41 Deborah Martin & Cheryl Gallagher ‘Palace' (album Tibet 20th Anniversary Remaster) https://ambientelectronic.bandcamp.com/album/tibet-20th-anniversary-remaster 01.44.58 Serena Gabriel ‘The Feline Path (Muffin)' (album Purr24: Various artists) www.projekt.com 01.55.14 Android Lust ‘Of Slumber and Whiskers (Motu)' (album Purr24: Various artists) www.projekt.com 02.01.07 Ancient Astronaut ‘Field Of Dreams' (album New Chapters) https://ancientastronaut.bandcamp.com/album/new-chapters 02.05.14 Ancient Astronaut ‘Amethyst' 02.09.33 David Joseph Jennings feat: Konishi ‘Love Is The Refusal To Separate' (album Love Is) https://www.davidjenningsmusic.com 02.16.40 Suntapes ‘Orbit (EP MoonZone) https://www.ambient-soundscapes.com/ 02.18.35 Kilometre Club ‘Cool Wave'(EP Cool Wave) https://kilometreclub.bandcamp.com 02.20.42 Lauge, Spacecraft ‘Ghost Dunes' (https://laugebabagnohm.bandcamp.com/track/ghost-dunes 02.24.56 Aglaia ‘Environmental Changes' (album Darkness Meets Red) *** https://projektrecords.bandcamp.com/album/darkness-meets-red 02.34.54 Claudio Casanueva ‘I Shall Fear No Evil' (single) *** https://claudiocasanueva.bandcamp.com 02.45.30 theAdelaidean ‘Day Dreamt' (album Distant Objects In Soft Focus) www.projekt.com 02.53.28 theAdelaidean ‘Old Water' Edit ***

This month's excursion into the realm of 101 Dimensions features an eclectic set of music from Church of Hed, Pijn, Vibravoid, Adult Cinema, and Deborah Martin & Cheryl Gallagher.  

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Cuando escucho música el tiempo se detiene. En mi caso se abre una ventana a otra realidad, no sé si paralela, perpendicular o tangencial, pero el espacio y el tiempo se distorsionan, se contorsionan y todo se vuelve relativo. Y eso es porque la música que yo escucho tiene la capacidad de lograr eso. No es pop ni rock ni jazz ni soul... Es una música libre de prejuicios que no busca un fin concreto, que no se hace para llenar estadios ni para generar dinero rápido y fácil. Se hace porque el artista tiene la necesidad de hacerla, porque no se la puede guardar dentro. Este programa existe exactamente por lo mismo: yo escucho música y no puedo guardármela para mí; tengo la necesidad de compartirla con vosotros porque espero que vosotros también sintáis las mismas sensaciones que siento yo cuando la escucho. Y cuando este episodio finalice el mundo volverá a su formato habitual, el tiempo y el espacio recuperarán su apariencia ordinaria y todas estas melodías se convertirán en músicas olvidadas. Svaneborg Kardyb, Borrtex, Henrik Meierkord, Max LL, Dmitriy Sevostyanov, TSODE, Friedemann, Davnak, David Helpling & Jon Jenkins, Dark Sky Alliance, Deborah Martin, Erik Wøllo, Raphah, Takahiro Kido/Yuki Murata/Kenji Azuma. El playlist detallado: lostfrontier.org/episodios/2024/1025.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

This edition welcomes The Soviet Space Dog Project with atmospheric experimentation into a full-flight sequencer fest. René G. Boscio is an LA-based Puerto Rican composer best known for his unique blend of acoustic and Latino instruments with modern experimental electronics—deep ambient music from Poland by Stefan Weglowski. The album ‘Paradoxum' outlines Matteo Cambò's musical journey and presents itself as an invitation to explore the fusion between human experiences, sonic experimentation, and enchantment. Synthesist Tim Stebbing was part of the league of UK's DIY electronic music artists in the mid-80s with a new single, ‘Gnome Sequence', 10 minutes of sequencing Berlin-style, arpeggiation, and synthesised washes of sound over the top. Deep space German artist Matthias Lehmann has masterfully mastered different styles of electronic music over the last 50 years. Playlist 02.22 Nightbirds ‘Control' (Live In His Electronic Studio Suite' /Sessions 2012) https://nightbirds1.bandcamp.com 14.47 Radio Massacre International ‘Clouds Of Titan' (album Start Here) https://radiomassacreinternational.bandcamp.com/album/start-here 24.46 Kamarius 'Stars Above' (album Cosmic Immersion) https://kamarius.bandcamp.com/album/cosmic-immersion 28.23 Kamarius 'Souls Fragrance' 36.51 Mindphaser ‘Eta Carinae η Car' (Light From Deep Space) https://mindphaser2.bandcamp.com 44.50 Stefan Weglowski ‘A3' (album What Is Hidden) https://stefanweglowski.bandcamp.com/album/what-is-hidden 53.06 René G. Boscio 'Two Moons' (Ep If We Seek With Intent) https://boscio.bandcamp.com/album/if-we-seek-with-intent 56.27 Volker App ‘Folded Space' (album Dune 2-Spice) https://volkerrapp.bandcamp.com 01.06.35 Neon Planet ‘Analogue Romance' (album Cyber City Lights) https://billyyfantis.bandcamp.com 01.08.41 Neon Planet ‘Analogue Mirage' 01.10.39 Neon Planet 'Neon Nightdrive' 01.12.34 Parallel Worlds 'Timeflow' (album Fragmented) www.DiN.org.uk 01.17.39 Parallel Worlds ‘Fragmented' 01.23.08 The Soviet Space Dog Project ‘Floral Fantasy' (album Re-Composed Architecture) https://stonkerproductions.bandcamp.com/album/re-composed-architecture 01.32.28 Matthias Lehmann ‘The Stars In Your Eyes' (single) https://matthiaslehmann.bandcamp.com/track/the-stars-in-your-eyes 01.41.31 Tim Stebbing ‘Gnome Sequence' https://tim-stebbing.bandcamp.com/track/gnome-sequence 01.50.46 Michael Hodges ‘The Echoes Of Falling Rain'; (aka MykIH) (album Seasons & Elements) https://myklh.bandcamp.com/album/seasons-elements 01.58.41 Chris Russell ‘Visible Light' (album Noir) https://projektrecords.bandcamp.com 02.04.00 Chris Russell ‘Noir' 02.09.52 Robert Scott Thomson ‘Nightfalls Refrain: Atmospheric Mix' (Album Atmospherica) https://robert-scott-thompson.bandcamp.com/ 02.11.49 Robert Scott Thomson ‘Angels Wings: Atmospheric Mix' 02.15.51 Robert Scott Thomson ‘Driftscape' 02.20.42 Robert Scott Thomson ‘Veneration: Symphonic Mix' 02.24.45 Kevin Braheny Fortune ‘Confident Life' (Dreamwalker Meditation Vol 4) https://kevinbrahenyfortune.bandcamp.com 02.32.44 Deborah Martin & Erik Wollo ‘Creation Story' (album Kinishba) https://ambientelectronic.bandcamp.com 02.37.36 Deborah Martin & Erik Wollo ‘Fort Apache Medowlarks' 02.42.35 Ivar Fritjof ‘Quiet Moments' https://ballademaker.bandcamp.com 02.47.17 matteo cambo ‘Evolutionary Silence' (album Paradoxum) https://archipelnocturne.bandcamp.com 02.55.35 Orchestra Indigo ‘Midnight' (album The Small Hours) https://orchestraindigo.bandcamp.com 03.00.00 Deepspace ‘Hyperdrive Engaged' 03.05.22 Deepspace ‘Unsettling Data' 03.07.22 Deepspace ‘In The Hydroponic Garden Sector' https://projektrecords.bandcamp.com 03.10.09 Dirk Serries ‘Remote Delight' (album Streams Of Consciousness) https://projektrecords.bandcamp.com 03.17.00 Keven Braheny Fortune ‘Love Of Self' (album Dreamwalker Meditation Vol 5) https://kevinbrahenyfortune.bandcamp.com

This month's 101 Dimensions curated by Yours Truly features ambient/electronic/progressive music from Klaus Schulze, Coil, Brian Eno, and Deborah Martin & Erik Wøllo!

Innovative remote patient monitoring service ObservaCare has been named the overall champion in the NBN and Regional Australia Institute 2023 Innovate with NBN grant program. We caught up with co-founder Deborah Martin to discuss the service, and what's next for ObservaCare. 

Nearly two hours of great ambient, electonic, progressive music from Null Terminator, JeGong, Mong Tong, Klaus Schulze, and Deborah Martin & Jill Haley!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3136310/advertisement

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In Episode 150 of the Pool Nation Podcast we talk to Deborah Martin owner of the Pool Medic Pool Service. She shares her journey in the industry and shares some great business advice.  Sponsors The SPPA    Ultimate Pool Tools     Pool Invoice   Blueray XL AquaStar Pool Products    Natural Chemistry   Raypak    Heritage Pool Supply

With many recent releases, this edition gives us more ambient electro-acoustic & downtempo music, including two pioneering musicians from the 80s to the present day. Steve Roach with the 20th anniversary of ‘Mystic Chords & Sacred Spaces, where the label Projekt collects all four parts into a single release — close to five hours of electronic ambient music, which allows the listener blissful hours on the high frontier between deep listening music and the spirituality of pure sound. The musical alchemist Robert Scott Thompson combines his mastery of the electroacoustic, acousmatic, contemporary instrumental and avant-garde genres on Placid. Our modular track comes from the album Myuthafoo, based on creative sequencing processes that playfully unravel Caterina Barbieri's deep-rooted interest in time, space, memory and emotion. Following lengthy negotiations upon the release of her 2022 debut, Nova Cat (yes, a cat), reluctantly agreed to Projekt Sam Rosenthal's addition of ambient music to two tracks on her sophomore effort, Stellar purr. Playlist no 233 02.57 DELREI ‘Into The Wasteland' (album Desolation and Radiation) ww.projekt.com 06.11 DELREI ‘Dusk' 09.24 Deep Imagination ‘Make The Moon Appear' (album Children Of The Moon) www.bscmusic.com 14.06 Deep Imagination ‘The Silence Of Hinterland' 17.55 Eagle ‘Generation Z' (synth Music) (EP Daft muzak for radio stations: vol2) https://eagle5.bandcamp.com 25.22 Lyonel Bauchet ‘L'ordre a des choses' (album Tractatus Lyra-Organismus) https://dinrecords.bandcamp.com 32.25 Caterina Barbieri 'Swirls Of You' (album Myuthafoo) https://caterinabarbieri.bandcamp.com/album/myuthafoo 37.44 Howard Armitage ‘No Single Moment' (album Disruptive Element Unreleased) 44.37 Gleisberg ‘Beautiful Nature' (album Floating In Your Soul) www.bscmusic.com 47.07 Gleisberg ‘Heaven In Mind' 50.53 Dino Pacifici ‘Longing As' (album Longing) https://dinopacifici.bandcamp.com 55.11 Dino Pacifici ‘Home Star Coordinates Confirmed- Homeward Bound' (album Spaceman's Lament) 01.0.08 Dino Pacifici ‘Voices From The Nebula' (album Celestial Anomalies) 01.07.35 Steve Roach ‘Presence' (album Mystic Chords & Sacred Spaces: complete edition) ***www.projekt.com 01.15.30 Steve Roach 'Shift Dimension' 01.18.51 Steve Roach 'Essence Of Phaedra' 01.21.22 Robert Scott Thompson ‘Translucence' (album Placid) https://robert-scott-thompson.bandcamp.com 01.27.49 Robert Scott Thompson 'Skysill' 01.32.04 Stellarpurr ‘Stellar Purr' (with Ambient Music)' (album Nova Cat Purring Sounds) *** www.projekt.com 01.40.56 Deborah Martin & Jill Haley ‘Into The Quiet' (album Into The Quiet) https://ambientelectronic.bandcamp.com 01.49.04 E-Clark Cornell ‘Crystal' (album Powers) https://latome22.bandcamp.com 01.57.13 Murcof & Vanessa Wagner ‘In a Landscape (John Cage)' (album Statea) https://infine-rec.bandcamp.com 02.07.43 Deuter ‘Back To A Planet' (album Ecstasy) https://www.cgdeuter.com 02.14.06 Deuter ‘Blue Waves Gold' 02.16.54 Andy Pickford ‘Forbidden Spheres' (Forbidden Spheres) https://andypickford1.bandcamp.com 02.28.12 Andy Pickford ‘Pareidolia Pt 3' 02.39.21 John 3.16 ‘And the Dust Returns to The Earth as it Was, and The Spirit Returns to God Who Gave it' (single) https://john316.bandcamp.com 02.47.28 Patrick 9000 ‘Interstellar' (album Endless Journey) https://syngate.bandcamp.com 02.52.11 Patrick 9000 ‘Apollo Landing' Edit***

On this episode of Tones & Drones, my guests are Deborah Martin and Dean De Benedictis from Desensitized, we talk about their second album as Desensitized, titled Chaos In Premonition. For more information visit: https://spottedpeccary.com/ Tones & Drones is hosted and produced in the studios of 91.3 FM KVLU by Jason M. Miller. For more information visit: kvlu.org Music in this episode was used with the permission of the artists.

Express-News staff writers Rene Guzman and Deborah Martin join the show to talk about Fiesta 2022! We have your guide to the best Fiesta experience There are new routes for parades, and we also discuss the tragic loss of Hispanic Elvis.

Express-News staff writers Rene Guzman and Deborah Martin join the show to talk about Fiesta 2022! We have your guide to the best Fiesta experience  There are new routes for parades, and we also discuss the tragic loss of Hispanic Elvis.

Somos peregrinos... Somos viajeros... Viajamos buscando música que se salga de lo corriente, que nos transporte lejos de donde estamos cada día y que nos lleve a otro lado, da igual dónde mientras sea otro lugar. Y en ese peregrinaje a través de un universo electrónico, en ese recorrido como viajeros instintivos, levantamos la mirada y descubrimos sonidos en el cielo. Lee la entrevista que le hicimos a Peter Mergener en 1998 » lostfrontier.org/v10/v9/entrevistas/sub/peter_mergener.html El playlist detallado: lostfrontier.org/episodios/2021/965 Doppler Shift, AutomaticA, Roger Subirana feat. María G. Figueroa, Bruno Sanfilippo, TSODE, SOFTWARE, Peter Mergener, Phil Thornton, Erik Wøllo & Deborah Martin, Jo Blankenburg, Deltawerk.

Arts writer Deborah Martin breaks down the ongoing financial crises and labor disputes that continue to plague the San Antonio Symphony. Read: Why does the San Antonio Symphony keep having financial crises?

Arts writer Deborah Martin breaks down the ongoing financial crises and labor disputes that continue to plague the San Antonio Symphony. Read: Why does the San Antonio Symphony keep having financial crises?

The transition to autumn is marked by shorter days, cooler nights, and deepening colors. As the sun drops inexorably lower in the sky here in the northern hemisphere, the natural world begins the transformation to a colder, darker season scented with "the perfume of decay." In music, the complex tones and smoky timbres of the woodwind family—the oboe, English horn, clarinet, and bassoon—bring a sonic analog of the changing atmosphere. Writer MARIA POPOVA calls it "a bewildering harmonic of the transcendent and the transient." On this transmission of Hearts of Space, autumnal ambient for woodwinds and electronics, on a program called AUTUMN WINDS. Music is by RUSSEL WALDER, DEBORAH MARTIN & JILL HALEY, ALTUS, ANDREW LAHIFF, and MAX RICHTER. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

My guest on this episode of Tones & Drones are Deborah Martin & Jill Haley. Their first collaboration album is titled "The Silence of Grace". For more information visit: http://deborahmartinmusic.com/?p=272 https://jillhaley.com/ Tones & Drones is hosted and produced by Jason M. Miller in the studios of 91.3 FM KVLU. For more information visit: kvlu.org The music in this episode was used with permission from the artists.

Staff writers Rene Guzman and Deborah Martin join the show to discuss the return to Fiesta.  Read more: Finally Fiesta: San Antonio's citywide celebration is back for a summer fling

Sequences Podcast No 192 It’s been a hectic month so far delaying producing the usual two editions. So, here we have the latest, no 192, with the next one streaming at the beginning of June. A quick word on the new faces are Elderado Omega a dark ambient/drone project from Atlanta USA, Gydja, (Abby Helasdottir) on Winter-Light with expansive drones, woven through with intricate percussive elements unearthly vocals, and atmospheric field recordings, French composer and multi-instrumentalist Christine Ott weaves a unique dramaturgy between contemporary classical and electro-acoustic music, with Silver Galaxy a four-piece lineup fronted by Anna Maria Van Reusel a Berlin-based musician/producer working in a broad spectrum of sounds. From the archives comes a track from the album Ex Cathedra by Kubusschnit formed in 1999 on the base of WEirD by musicians of that group Andy Bloyce and Jens Peschke then adding Ruud Heij and Tom Coppens. Playlist No 192 02.02 Johan Agebjörn & Mikael Ögren ‘Monitoring The Zooids’ (album Artefact) www.spottedpeccary.com 08.56 Johan Agebjörn & Mikael Ögren ‘Passing The Gate’ 14.43 Hannah Peel ‘Ecovocative’ (album Fir Wave) www.hannahpeelmusic.bandcamp.com 18.26 Uwe Reckzeh ‘Transalpen’ (album Voyage) www.mellowjet.de 25.43 Eldorado Omega ‘Cloud World’ (album Out Of The Cloud-World) www.eldoradoomega.bandcamp.com 31.26 Levente ’Standing Stones’ (album Rituals) www.levente.bandcamp.com 36.58 Levente ‘Gravity Assist Manoeuvre’ *** 41.00 Steve Jolliffe ‘Lost & Returned’ (album Lost & Returned) *** https://stevejolliffe.wixsite.com/steve-jolliffe 51.42 Deborah Martin & Jill Haley ‘From Fire Into Water’ (album The Silence Of Grace) www.spottedpeccary.com 57.44 Kristen Miller ‘Meeting God In Heavy Boots’ (album Cello Journeys) www.higherlevel.media 01.01.10 Steve Roach ‘See Things’ (album Quiet Music) www.projekt.com 01.06.43 Steve Roach ‘The Green Place Part 2’ 01.14.45 Giant Skeletons ‘Secrets Of The Book Binder’ (album From Belkinrode To Bellingroth) www.giantskeletons.bandcamp.com 01.17.59 Giant Skeletons ‘Non-Place’ 01.20.40 Syndromeda ‘The Threat’ (album The Path Of Isolation) www.syngate.bandcamp.com 01.28.05 Kubusschnitt ‘Enter Through The Nave’ (album Ex Cathedra) *** www.kubusschnitt.bandcamp.com 01.37.29 David Wright ‘ The Lost Colony pt 1-V’ (album The Lost Colony) ***www.admusiconline.com 01.46.50 David Wright ‘Subconscious Matter and Other Indigenous Lifeforms’ 01.51.41 Radio Silence ‘Little Pixel’ (album Objective Linearity) www.andypickord1.bandcamp.com 01.59.23 Radio Silence ‘Anjikuni’ *** 02.04.11 Erez Yaary ‘Memoria Technica’ (album Memoria Technica) www.mellowjet.de 02.08.32 Erez Yaary ‘Post Human’ 02.14.21 Lisa Bella Donna ‘Electronic Study #26’ (album Tone Science Module No5 Integers & Quotients) 02.22.43 Gydja ‘Mjötvið mæran fyr mold neðan’ (album Ár var alda) https://winter-light.bandcamp.com/yum 02.31.08 Christine Ott ‘Time To Die’ (album Time To Die) www.christineott.bandcamp.com 02.40.00 Leopards Of White ‘Nyanza‘ (album Picta) www.leopardsofwhite.bandcamp.com 02.50.50 Silver Galaxy ‘Nocturnal’ (Silver Galaxy Live In Berlin) *** www.annamariavanreusel.bandcamp.com Edit ***

Moonlit signalling interrupting a grace-filled silence... featuring new music from Deborah Martin and Jill Haley.

Music is something we literally create out of thin air. For millennia it was defined by the sound of physical instruments and the human voice. As instruments evolved and became more refined, music became more complex and sophisticated. By the late 19th century, French composers like Debussy and Ravel were creating orchestral "impressions" of imaginary places and events—an early form of what we now call Virtual Reality. Since ancient times, literary and religious texts have described mythic fantasy worlds with magical and supernatural elements. It took music centuries to catch up, but in the 20th century, electronic instruments finally gave composers a virtually unlimited set of tools to create imaginary environments. Today we have music for fantasy films and video games, and ambient composers invent fantastic immersive environments for our traveling pleasure. On this transmission of Hearts of Space, virtual realms of fantasy and imagination, on a program called IMAGINARY WORLDS. Music is by ISHQ, DESENSITIZED, STEVE ROACH & SERENA GABRIEL, DEBORAH MARTIN, KEVIN BRAHENY FORTUNE, and KRILL.MINIMA. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

On this episode of the podcast, my guest is composer, multi-instrumentalist, vocalist Deborah Martin. Deborah Martin's passion is to visualize and create music that takes each listener on a journey through time and space. With a vivid imagination and a deep love of historic places and peoples of the past, Deborah uses world percussion, synthesizers and her versatile vocal stylings to create music that evokes time traveling as much as timelessness. Tones & Drones is hosted and produced in the studios of 91.3 KVLU by Jason M. Miller. Editing assistance on this episode by Stella Ellise Miller For more information about KVLU visit: kvlu.org For more information about Deborah's music visit: http://deborahmartinmusic.com/ https://spottedpeccary.com/artists/deborah-martin/ The music in this podcast was used with permission from the artist.

Our first mini series of Season Two will focus on some of the equity work that is being done in Cumberland County Schools. I want to highlight those that are addressing the inequities of the educational system by hearing from them. Our first discussion will be with Kristy Newitt, who is the Counselor Coordinators here in CCS along with three school counselors from our district, Shacarra Taylor, Rangel McLaurin, and Deborah Martin. Kristy led a PD last fall with all of the counselors in our district based on the book Interrupting Racism: Equity and Social Justice in School Counseling by Alicia Oglesby and Rebecca Atkins.

The Creators is a show hosted by Beth Ann Hilton and Cindy Paulos "I simply close my eyes and imagine what it would have been like to exist in another time, another place, and then the music comes."  - Deborah Martin Deborah Martin's passion is to visualize and create music that takes each listener on a journey through time and space; she is an avid collaborator, with a vivid imagination and a deep love of historic places and peoples of the past.  Deborah has traveled extensively throughout Europe, Asia, and the North American continent, experiencing firsthand the diversity of cultures and the historic threads that weave together connecting us all. Deborah joined Spotted Peccary Music in 1991; her most recent project is called Hemispherica Portalis, from her duo, Desensitized, a collaboration with Dean DeBenedictis. Website: www.deborahmartinmusic.com  SPM Artist Page: https://spottedpeccary.com/artists/deborah-martin/  Desensitized: https://www.facebook.com/Desensitized-108113997807730 http://deborahmartinmusic.com/

What a year it has been so far for us in Australia, droughts, floods, fires, fake news & don’t get me going on the worldwide pandemic, look on the bright side only ten weeks to Christmas, if any of us can enjoy it our usual way, It will be a milestone for me in 2021, 55 years since getting involved with electronic music, 30th anniversary of Sequences & if all goes well in this f***ked up world, our 200th podcast. In this edition we many of our regulars showcasing their latest songs and albums, just six new names to mention. A very unique style of dark ambient from Argyre Planitia. The duo Architects Of Existence, dynamic full of mammoth synths, in some instances near symphonic. Desensitized, Deborah Martin & Dean De Benedictis joined forces to craft a thought-provoking work of art, that combines ancient and futuristic moods into a captivating world of sound. Just a single from Lazy Pluto, although rhythmic and dance floor worthy, this track’s primary form takes on the immersion of transcendental meditation. One of many projects from Frank Tischer under the name of der tie raum, leaning towards synth & progressive rock. With his debut album ‘Sacred Gift’, Nader Vasseghi view of music as a perpetual gift to humankind, that in this case blossomed through him. Let's get the show on the road with the multi-instrumentalist modular & analog synthesist Lisa Bella Donna's exploration of the Moog Synthesizer system, in Night Flight. Playlist No 182 02.31 Lisa Bella Donna ‘Night Flight’ (album Night Flight) https://lisabelladonna.bandcamp.com 11.54 Thaneco ‘Cyclopes’ (album Journey To Ithaca Vol 1) www.thaneco-syngate.bandcamp.com 20.06 Bouvetoya ‘Moog Zero 2’ (album The Fiction Makers) www.syngate.net 30.09 Ivan Black ‘Artificial Life’ (album The Digital Gothic) https://ivanblack.bandcamp.com 37.53 Desensitized ‘Formulata Oblivonos (A Complicated Tale).’ (album Hemispherica Portals) www.spottedpeccary.com 46. 47 Architects Of Existence ‘Ghostly Appearance’ (album Three Deep Breaths) *** https://architectsofexistence.bandcamp.com 57.07 POV ‘Van Dusen Green’ (album The Case For Square Waves While Searching For Happy Accidents) www.steveroach.bandcamp.com 01.04.50 Anantakara ’Shimmering Times’ (album Amor Mundi) www.anantakara.bandcamp.com 01.09.57 Michael Bruckner ‘Everlasting Footprints’ (alternative Version)’ (Album Everlasting Footprints) *** www.cyclicaldreams.bandcamp.com 01.21.40 Liam Thomas ’Naked Thoughts’ http://www.sine-music.com 01.25.35 Deep Imagination ‘Longing For Peace’ www.bscmusic.com 01.30.45 Digitonal ‘Sentences’ (album Set The Weather Fair) www.theambientzone.co.uk 01.35.45 Ansgar Stock ‘Circle Of Time’ www.ansgarstock.bandcamp.com 01.44.49 Lazy Pluto ’Sunken’ www.theambientzone.co.uk 01.48.22 Argyre Planitia ‘ Phantasos’ (album Tenth Region Of The Night) https://winter-light.bandcamp.com 02.55.14 Kevin Braheny Fortune ‘Metamorphosis’ (single) *** www.kevenbrahenyfortune.bandcamp.com 02.04.24 Alexis Nembrode ‘Open Of The Gate/Schooner’ https://alexisnembrode.bandcamp.com 02.10.04 Sam Rosenthal & Projekt Artists ‘Trip 2’ (album Tim, Where Are You Now?) www.projeckt.com 02.13.07 Sam Rosenthal & Projekt Artists ‘Under The Bright Cuernavaca Sky’ 02.22.18 Sam Rosenthal & Projekt Artists ‘Frail Filament Of Light 02.25.31 Sam Rosenthal & Projekt Artists ‘Trip 4’ 02.27.32 Strie ‘False Awakening’ (album Õhtul) www.strie.bandcamp.com 02.32.37 der tiefe raum ‘Nova’ https://www.frank-tischer.de/archiv/dertieferaum/ 02.36.31 Mike Clay ‘Edge Of Wonder’ (album Imaginary Edges) www.heartdancerecords.com 02.42.07 Mike Clay ‘Edge Of Darkness’ 02.47.14 Nader Vasseghi ‘Flow’ (album Sacred Gift) https://nadervasseghi.com/ 02.51.33 Nader Vasseghi ‘Rising Sun’ Edit ***

Every two hours, as kids and caregivers clear out of the DoSeum, about a dozen staff members wheel out carts filled with empty green bins and black and yellow sprayers filled with disinfectant. Arts reporter Deborah Martin elaborates on the In a 30-minute balletlike routine. Read more: The DoSeum kids museum raises disinfecting to an artform

Every two hours, as kids and caregivers clear out of the DoSeum, about a dozen staff members wheel out carts filled with empty green bins and black and yellow sprayers filled with disinfectant. Arts reporter Deborah Martin elaborates on the In a 30-minute balletlike routine. Read more: The DoSeum kids museum raises disinfecting to an artform  

Today I chat with Deborah Martin about how to become a cultural ally. Connect with me at nikkilerner.com

Law of the Land, with John Jay College Constitutional Law Professor, Author, and Activist Gloria J. Browne Marshall welcomes Deborah Martin Owens to discuss when law school would be the right choice for you. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/gloria-j-browne-marshall/support

Sonny visits with San Antonio College student, Angela Quillian, Deborah Martin from Alamo Colleges and broadcast veteran, Arch Campbell who helped start the Jean Longwith Endowment - a scholarship fund for students seeking a career in broadcasting. Angela is a former recipient of the Jean Longwith Scholarship.  Sonny and Arch were in Ms. Longwith's first class at San Antonio College all those years ago! In this episode: Sonny and Arch reminisce about the most important teacher in their respective careers. Arch tells the unusual rebel-like circumstances the led to Ms. Longwith's joining San Antonio College. Sonny shares the story of the window that changed his life. Learn how you can make a difference in the life of a future broadcaster. and How to apply for this prestigious scholarship. More info at: https://SonnyRadio.com/jean-longwith-scholarship      

    I have collaborated with Paul Asbury Seaman and several mixes and I look forward each and every one. Paul's mixes tend to be more ethereal, spiritual than mine and that's why I enjoy them so much. they take me on journeys I would go on otherwise.   They way Paul and I work on these mixes is he sends me his well thought out tracklist in order. Then I just mix them together so they flow well. Essentially, Paul does all the heavy lifting.   So here is our latest collab - Shimmering Land. Paul had this to say about it:   "Meg Bowles is one of the few (prominent) female artists working in the ambient/electronic genre. She has only released five albums, including Evensong earlier this year, seven years after her last one, so there's cause for celebration. All her albums are top-notch ethereal/soothing journeys similar to the tracks by other artists featured here. This mix includes a beautiful piece by Deborah Martin from her recent compilation."   I hope you enjoy it as much as I did.   Cheers!   T R A C K L I S T : 00:00    Meg Bowles - Into the Gloaming (The Shimmering Land 2013) 08:25    Sherry Finzer & Tom Moore - Infinite Space (Whispers From Silence 2016) 14:30    Alio Die - Radiance Revealed (Time Zone Portal 2017) 22:25    Ishq - Scielienta (Lyght 2018) 27:30    Jeff Greinke - High Flyers of the Night Sky (Before Sunrise 2018) 35:50    Meg Bowles - The Forgotten Valley (From the Dark Earth 1999) 42:55    Zero Ohms - Glimpsing the Eternal (Process of Being 2014) 55:00    Deborah Martin - Blue Lake (Selections 2018) 61:10    bvdub - Rainless [R]ivers (A Different Definition of Love 2018) 72:07    end          

Deborah Martin, poet and author says that some people don't get her.. But she has mastered survival and it's impossible to resist her charming and humorous call to arms.

Garrett Stevens and Spotted Peccary's Deborah Martin discuss the power of music to shift consciousness, and Hemi-Sync's newest Metamusic project, "Elevations," which is based on a musical piece by Sverre Knut Johansen originally entitled "Secret Space Project." Sorry about the audio quality on this one, but we had issues with the mics and had to go to plan B.

With Kirsty Nicolson, Ben Fagan, and Jemima Foxtrot. Poets Against Humanity returns for its last regular show, recorded live at the Banshee Labyrinth on Monday 14th August. Also featuring guest performances by Leyla Josephine, Deborah Martin and Ross McCleary.

Carolyn: Welcome to Circulation on the Run, your weekly podcast summary and backstage pass to the journal and it's editors. I'm Dr. Carolyn Lam, Associate Editor from the National Heart Center and Duke National University of Singapore. In today's podcast interview we will be discussing the ruling in and ruling out of myocardial infarction with the European Society of Cardiology 1-hour algorithm. Stay tuned for a discussion of new data and controversies on this hot topic. Now, here's a summary of this weeks issue.     The first paper brings us one step closer to the ultimate goal of cardiac tissue engineering. That is to replicate functional human myocardium in vitro. In this study, by first author Dr. Ruan, corresponding authors Dr. Murry and Regnier from the Institute for Stem Cell and Regenerative Medicine and University of Washington, authors recognize that human-induced pluripotant stem cells, or iPSC-derived cardiomyocytes, really provide a cell source for cardiac tissue engineering. However, their immaturity limits their potential applications. Hence, they sought to study the effect of mechanical conditioning and electrical pacing on the maturation of iPSC-derived cardiac tissues.     They found that after two weeks of static stress conditioning, the engineered myocardium demonstrated increases in contractility, tensile strength, construct alignment, cell size, and SERCA2 expression. When electrical pacing was combined with static stress conditioning the tissue showed an additional increase in force production and further increases in expression of RyR2 and SERCA2. These studies really demonstrate that electrical pacing and mechanical stimulation promote the maturation of the structural, mechanical, and force generation properties of iPSC-derived cardiac tissues and constitute a really important contribution to cardiac tissue engineering.     The next study is the first large-scale, nationwide, population-based investigation of the association between congenital heart defects and any placental measure. This study by Dr. [Matheson 00:02:27] and colleagues from Aarhus University Hospital in Denmark, included all 924,422 live-born Danish singletons from 1997 to 2011. Congenital heart defects was present in 7,569 newborns. The authors compared the mean differences in placental weight between newborns with and without congenital heart defects and found that only three specific subgroups of congenital heart defects were associated with measures of impaired placental growth. These included Tetralogy of Fallot, double outlet right ventricle, and major ventricular septal defects. In these subgroups, the mean deviations from the population mean head circumference and birth weights were reduced by up to 66%, with adjustment for placental weight. In other words, up to two thirds of the deviations in fetal growth, including fetal cerebral growth, may be related to the impaired placental growth. The present work provides an important contribution to the existing knowledge on the association between congenital heart defects and placental anomalies as well as the possible importance for fetal growth in this population.     The next study provides an up-to-date evaluation of the cost effectiveness of antibiotic prophylaxis in the prevention of infective endocarditis. In this study by first author Dr. Franklin, corresponding author Dr. Thornhill, and colleagues from the University of Sheffield, the cost effectiveness of antibiotic prophylaxis, namely single dose amoxicillin or clindamycin, in patients at risk of infective endocarditis. They did this using, firstly, recent estimates of the effect of antibiotic prophylaxis on infective endocarditis in the English population; secondly, rates of antibiotic adverse drug reactions; and thirdly, estimates of the probability of developing infective endocarditis following dental procedures derived from French data. All this as foundation for analysis of cost and health benefits.     A decision analytic cost effectiveness model was used based on the decision model by the National Institute for Health and Care Excellence, or NICE, that was used to inform the 2008 guidelines. The authors found that antibiotic prophylaxis was less costly and more effective than no antibiotic prophylaxis for all patients at risk for infective endocarditis. In fact, if antibiotic prophylaxis was reinstated in England for those at moderate or high risk of infective endocarditis, it could save 5.5 to 8.2 million pounds and result in health gains of more than 2,600 quality-adjusted life years. Antibiotic prophylaxis was even more cost effective for those at high risk of infective endocarditis, being cost effective even if only on 1.44 cases of infective endocarditis was prevented per year. In summary, these updated findings really support the cost effectiveness of guidelines recommending antibiotic prophylaxis use, particularly in high risk individuals.     The last study provides data on long term cardiac mortality among survivors of cancer diagnosed in teenagers and young adults in the largest population-based cohort to date. Furthermore, the study provided, for the first time, risk estimates of cardiac death after each cancer diagnosed between the ages of 15 to 39 years. For example, survivors of Hodgkin lymphoma, lung cancer, acute myeloid leukemia, non-Hodgkin lymphoma, and CNS tumors experience 1.3 to 3.8 times the population-based mortality rates. This study provides important insight into the cardiotoxicity of the treatments given in the past to teenagers and young adults with each individual type of cancer and importantly, provides an initial basis for developing evidence-based follow up guidelines.     Those were you summaries. Now for our feature interview.     Our feature paper today discusses the hot and controversial topic of ruling in and ruling out myocardial infarction with the European Society of Cardiology 1-hour algorithm. I'm so excited to have with us the corresponding author of the paper that really represents the first multi-center external validation of these ESC guidelines for MI and the first multi-centered direct comparison of the performance of the algorithm with high-sensitivity troponin I and high-sensitivity troponin T assays. This would be Dr. Martin Than from Christ Church Hospital in New Zealand. Welcome Martin.   Martin: Thank you very much. It's a great pleasure for me to be able to join everybody and talk here.   Carolyn: It's great to have you. We also have with us the editorialist on this paper, Dr. Allan Jaffe from Mayo Clinic, Rochester, Minnesota. Allen, it's so good to hear your voice again.   Allan: Good to talk to you again too, Carolyn.   Carolyn: Finally, we have Dr. Deborah Diercks, Associate Editor from UT Southwestern. Welcome Deb.   Deborah: Oh, it's good to be here and I'm looking forward to the conversation and what we're going to learn from these two gentlemen.   Carolyn: Absolutely. You know what? I'm going to start with Martin. I love the way to set up your paper. You very correctly pointed out that there's a tension in that ED physicians require really high sensitivity to confidently rule out MI and send patients home, whereas cardiologists do not want high proportion of false positives because we don't want false high risk to lead to invasive testing. I just love, if you could start by telling us how the ESC 1-hour algorithm fits into all this and what you were trying to do in your study.   Martin: I heard Deb Diercks on the phone as well, who's a very respected emergency physician in this area, and I think we would both say that we have a certain bias in our perspective on this, which is of course we are the people at the end of the day that have to send people home when they present with chest pain and possible myocardial infarction. We are also, of course, the people that take the fall if there are any mistakes made. Historically, people have not been very kind to emergency physicians who miss such a diagnosis. It's an extremely high source of medical legal action in the United States and, in fact, worldwide. So we're somewhat paranoid as a speciality about missing cases of myocardial infarction because at the end of the day, the worst thing that can possibly happen is for you to send someone home who comes to harm from the very clinical complaint for which they came to you for help. We want to avoid that at all costs and that was the basis behind us trying to put together this paper.     Soon after the ESC guidelines come back and I returned from London, where they were announced at the conference, to New Zealand, I received quite a lot of phone calls and correspondence saying, "Okay, we see these new ESC guidelines are out. When are we going to start introducing them?". I immediately wanted to say, "Well, the key thing is to understand how they would work, how they would be implemented, and whether they'd work in my own setting" because if we want to implement them in New Zealand or Australasia, we would want to double-check on that first. That's the basis and the philosophy behind the manuscript.   Carolyn: Tell us what you found.   Martin: As Allan will be the first to point out, I think there are a number of flaws in the data we had available to us that allowed us to do this analysis, but based on the concept that when we've surveyed emergency medicine physicians, the sensitivity that was wanted was at least 99% if not higher. We found that neither of the algorithms produced that level of sensitivity, although the algorithm based on hsTnI was very close. I think it's 98.8%, so that was very good. Reasonably wide confidence intervals on that. The hsTnT algorithm performed slightly less well with a sensitivity around 97%. I guess, if I was to start with an a priori question, which is did we reach a standard of 99%, then our answer to this was, in one case, not quite, and the other case, no, we probably didn't. We said that if you wanted to use a metric of negative predictive value, which I know a lot of people do, then there was actually very good negative predictive value in the high 99 percentage range for both pathways.   Carolyn: Do you mind if I stretch you a little bit and ask you to describe exactly what you did in the cohorts? You were saying that there were some imperfections. Maybe you'd like to tell us a little bit about that.   Martin: Absolutely. As always, when you're writing a paper, you look back and you always feel there are far too many imperfections, but I guess the principle one I would say that's been noted is that we had samples done on arrival and the algorithm itself specifies a [inaudible 00:11:43] one-hour second sample. We didn't have those specimens, so we had to base our data analysis on samples done either at 90 minutes afterwards or two hours afterward. It's clearly not being tested exactly as it was written, although one could argue that that slightly delayed sampling is potentially reflective of real life, where it's very hard to hit a one hour mark in a busy emergency department, and two, where the slight delay in getting the samples would actually allow more time for a troponin to rise and therefore give a chance of providing a better sensitivity.     I think the other I guess key flaw is that of course, the people present to emergency departments at different time frames following the onset of their symptoms. There's been some valid concern raised that algorithms may not necessarily perform as well in very early presenters. In fact, that is something that's being emphasized now in the ESC guidelines.   Carolyn: Right. Allan, I loved your editorial. You did mention a couple of these points. Would you like to maybe clarify your view of this?   Allan: I think that there are two or three terribly important issues. We all would like to have very facile algorithms. Particularly given removing the high sensitivity, the idea would be gee, wouldn't it be nice to have something really simple that works perfectly? If you look at the validation and the way the algorithm has been put together, immediately there are some concerns that people ought to have and that at least we tried to point out, that were important. One of them Martin has already discussed a little bit, which is one looks at most of the validation studies. There are very few patients who are evaluated very early after the onset of their symptoms. That's a potential problem because the overlap, since they use very low values or very small change, that there could be, with people who have real disease, is in those very early presenters. The initial algorithm from the ESC used both a very low level troponin and a set of change criteria. Actually when they published those criteria, they changed that and eliminated, at least for the first three hours, the very low values. If one looks at Martin's study, it was again, the very early patients who potentially may have been missed. I think we need more data before we go ahead and acknowledge that this will be working for those early presenters.     There are two other problems with the population that we need to be careful about. It's been well known that when you have a negative troponin at six hours all the way back to [Chrisann's 00:14:26] original article in the '90s, that you're pretty safe. The population that you'd like to look at really are the patients who, after two hours in Martin's study, since he took a little bit longer given the logistics that were there in New Zealand and Australia, is the patient who came in at four hours because by six, they're actually meeting that six-hour criteria. When you have a large number of other such patients, you simply add noise and it makes you sensitivity look better, but it's not necessarily the case that that give you that same degree of reassurance that ED physicians would like.     The third population-related issue is that you'd like to do this in all-comers. The protocol was developed for chest pain patients, but there are a variety of patients in whom we evaluate myocardial infarction in, who may not qualify for that. The patients who are critically ill, for example, who may have Type 2 infarctions. The individuals who may come in who are very elderly, who often don't have chest pain so we don't identify them necessarily as a rule out. Interestingly, if you start thinking about those groups, they tend to have much higher troponin, so they may well skew the cut-offs that are used and change the algorithm.     In truth, we don't want more than one way of defining myocardial infarction. We only want one algorithm for ruling in and ruling out. Having an all-comers study, in my way of thinking, would be important. In that same regard, let me point out that you can rule out myocardial infarction because you don't have an acutely changing pattern of troponin elevations, but what we really rule in myocardial infarction? You rule in acute cardiac injury. Could be myocarditis, could a apical ballooning. There are a whole variety of other types of disease entities that could be involved and the arbitrary value of 52 that was put in the algorithm really, I think, is much too low for two reasons. One reason, because it didn't include all-comers. A second reason is because of the way in which the comparison between troponin T and I were done. I'll talk about that in just a moment. I would point out that using a different assay, the troponin I assay, in another set of studies, another group from Hamburg has suggested that very different metrics would be much better.     The final thing to say about extrapolation between the assays, and then I have some suggestions about what would make this better if you want to go there now or we can wait, is the comparison and the way in which the metrics for troponin I were developed really weren't by using troponin I as a gold standard. It was by taking and using troponin T as the gold standard for the diagnosis, then thawing samples many years later, running troponin I, and then extrapolating from the gold standard of troponin T to troponin I. Well, there's several problems with that. Number one is that appropriate comparisons should be fresh samples. Fresh samples. In addition, we believe, from the way in which we think about high sensitivity, which may not be correct, that the troponin I assay should be more sensitive and in [inaudible 00:18:05] fact, in the papers that were done validating this approach or attempting to describe the approach, troponin T was wildly more sensitive than was troponin T. We're extrapolating some data that doesn't sort of fit the way in which the information we have, it would mean all of the troponin I validation studies are incorrect.     That's where those numbers came from and even more problematic are the change numbers, which are very low. For the troponin T assay, they're three in five between ruling in and ruling out, which if you look at the assay imprecision, is something the assay can't do. Now you're extrapolating them in a very, very loose manor to troponin I and making them even lower. Those are not doable sorts of things. There's a real problem with the way in which the metrics for troponin I, even though it performed well in this circumstance, ended up being developed. I think all of those things need to be taken into account when we look at the results of the study. The results that Martin and his group got are very similar to the other validation studies that have been done because they've all done it pretty much that same way. There's not a surprise that their validation is similar, but I think unfortunately, we didn't have an opportunity to unmask, in a data-driven way, the problems that I just described.   Carolyn: Thank you Allan. Deborah, if you could share your thoughts on this.   Deborah: Martin raises some valid issues. That if something goes out as an algorithm, people want to use it. That use needs to be predicated on does it work in their patient population and is it feasible in the time frame and can it be adopted safely and what the indications are. In the emergency department, the value really is the negative predictive value because we want to be able to safely send people home. That's where rapidity of an evaluation is very important.     The other issue raised was exactly what Dr. Jaffe talked about. Does the algorithm itself reflect what we really need? Can you validate something that was created by the scientific way, but really a combination of a lot of information? Are the thresholds really valid themselves? That's the challenge with it. I think what you heard here are kind of two issues we struggle with it. We have a very respectable organization putting out an algorithm that is scientifically based and we want to adopt early, but there are questions on both sides of the issue on whether it can be adapted into real-world clinical practice on a global nature where prevalence of disease is different and the patients it'll be applied to vary, whether it's been on time of presentation or overall demographics.     Also on the scientific side, on the assays itself, are we using the right cutoff? Especially when we're looking at deltas and looking at such a rapid change. It's very nice to hear both of those points so eloquently described today during the discussion.   Carolyn: Thanks Deb. I fully agree. Hence, again, the importance of this paper. Martin, I'd love to hear your responses to Allan's comments and then also share with us, what's the take-home message for you as a clinician? How are you applying what you just found?   Martin: The guidelines are good on the right line, it's just as I said, they may not necessarily translate to all other environments. I guess that's my take-home message to myself, which was if I were to look at my own data from my own center, in Christ Church, and the way it's applied here, if I had applied the ESC guidelines and it had met the metrics which I was satisfied with, which I guess would be a very high sensitivity for me in terms of rule out, then I would actually seriously consider implementing it in my own center. It didn't reach that threshold so now I want to try and refine or explore further how I could allow the guidelines to do that. For example, one way that, and this is in the guidelines, but not necessarily in the flow chart, is the importance of applying clinical judgment and clinical findings with the results of the algorithm. I think that's a very important step in it. For example, if I was going to apply this in my own center, I'd want to be setting out clearly for the doctors concerned, how one would incorporate clinical judgment rather than it being a very subjective thing, which might vary significantly between a junior doctor or a far more experienced one.     I guess the take home message for me is this. The ESC guidelines are a very important piece of work. They've been robustly developed. For people who want to implement them, I'm no saying don't use them at all. I'm just saying that, you know, just think about carefully how you would use them and check whether you think they're appropriate for your setting.   Carolyn: That's great. Allan, what about you? What are your thoughts on how this may be applied in clinical practice and what more needs to be done?   Allan: I think we need to have a real trial where patients are managed based on the results of these approaches rather than more observational studies. I would argue that those management trials that involve an all-comers sort of population, so we are comprehensive, and should also interrogate whether or not the protocol itself is adequate or whether or not it requires follow-up to meet the metrics that have been proposed. I would point out that in the past, in the studies from the group from New Zealand and Martin Than particularly, have had very, very good follow-up. One at least needs to ask the question whether or not the algorithms that are proposed work perfectly without any follow-up or whether or not follow-up is an important component. We don't know that yet.   Carolyn: Thanks Allan. I'd love to give the final words to Deb. Take home messages?   Deborah: You know, I think that we need to look at this as a positive in that we're looking at time frames that provide a rapid evaluation and the discussion is around safety. As long as we keep focused on appropriate evaluations for the patients and applying the right algorithm to the right patient, we're going to benefit the care of those we're really concerned about. I appreciate the work that both Martin and Allan both have done on really pointing out how we can do that in a great manor.   Carolyn: Thank you, all of you, for joining us today. I mean, it's been such an enlightening conversation. I'm sure the listeners have enjoyed it and thank you listeners for tuning in. Don't forget to tune in again next week.  

In flagrante deliciosa; delectable sounds from Deborah Martin, Paul Ellis, Kitaro and Time Being.

In flagrante deliciosa; delectable sounds from Deborah Martin, Paul Ellis, Kitaro and Time Being.

12:00 Noon Good Friday Service Rev. Marcia Norfleet, Dr. Donyelle McCray, Rev. Dr. Cheryl J. Sanders, Rev. Dr. Judy Fentress-Williams, Rev. Deborah Martin, Rev. Dr. Cynthia Turner and Rev. Dr. Faye S. Gunn

Deborah Martin, HPE Helion Marketing talks about use cases for enterprise customers looking at cloud computing solutions.

Raising before dawn; lowering before dusk... with Deborah Martin, Forenzics, Howard Givens and Craig Padilla.

Raising before dawn; lowering before dusk... with Deborah Martin, Forenzics, Howard Givens and Craig Padilla.

Calling across the ages: music from Robert Rich, Steve Roach and Deborah Martin... and showcasing The Call - new from Resonant Drift.

Calling across the ages: music from Robert Rich, Steve Roach and Deborah Martin... and showcasing The Call - new from Resonant Drift.

Classic New Age Electronica from the 1980s and 90s, with Fred Simon, Patrick O'Hearn, Colin Chin and Tim Story... and showcasing the re-release of Under the Moon by Deborah Martin.

Classic New Age Electronica from the 1980s and 90s, with Fred Simon, Patrick O'Hearn, Colin Chin and Tim Story... and showcasing the re-release of Under the Moon by Deborah Martin.

New York is often referred to as the concrete jungle. The paved and developed landscape offers plenty of advantages to its residents. But, there's a lot to be said for having access to green spaces as well. Not only are trees, flowers, and other plantlife easy on the eyes, they're important components of a healthy and balanced ecosystem.   As part of our Strike a Chord campaign, WFUV's been featuring public service announcements, news stories, and programming, highlighting the efforts of community gardeners and others working to green the Metropolitan region. In this one hour special, we'll hear from:    Steve Frillman of the Green Guerillas Deborah Martin is the Executive Director of the New York Restoration Project Shalini Beath is the deputy director of Million Trees NYC Ursula Chance, Director of Bronx Green-up, the New York Botanical Garden's community outreach program Jason Alosio, a PhD candidate of biology, and urban ecologist. He's the founder of St. Rose's Garden at Fordham Lisa Fabish of Pleasant Villiage community garden in East Harlem      

An evocation of glistening brilliance from Deborah Martin, Cluster Balm and Footfall.

An evocation of glistening brilliance from Deborah Martin, Cluster Balm and Footfall.

Hello and welcome to the year 2 0 1 1 - back online with new shows for you to check out. This is the first one made on Jan 16th. Sitting in the studio, thinking about all those great tracks… first let me tell you some  tracks didn’t make it to the 2010 end of year podcast; not because the tracks are not good enough… on the contrary: extremely good songs certainly worth to add to your libraries! Let’s start with Saycet from Paris, France. Also known as Pierre Lefeuvre. His second LP release after the first one back in 2006. Talking about ‘Through The Window’. a Fantastic album full of magic and haunting melodies, vocals by Phoene Somsavath. Call this experimental pop, call this electro-nu-jazz, call it music that goes with many different moments during the day and night. Play this one loud and enjoy the Saycet universe. And please, let Saycet know you have heard the music right here via the Spacemusic podcast, add a comment at his Myspace site for instance… Big thanks to Jana and Carl for the most splendid audio comment we have ever received by a Spacemusic listener… They are Northcore and it’s clear to me now we also have to thank this sound engineer at BBC World Service for  recording his collegues in the studio… Super! If you’d like to hear the clip please download and listen part 2 of the Oliebollen Show HERE. On today’s show a remix Northcore did of the track ‘Dreamwalking’ by Deborah Martin, Greg Klamt and Mark Rownd. We’re sure you like this one a lot! Check out the entire album (Spotted Peccary release) on iTunes as well. TRACKLIST  TRACKLIST  TRACKLIST  TRACKLIST [00:00] - Man must explore… welcome to the show! [03:33] - SAYCET : Bruyère [07:06] - SAYCET : Her Movie [15:25] - MARTIN, KLAMT, ROWND : Dreamwalking (NORTHCORE rmx) [23:51] - 2 0 1 1 has begun - let’s explore - stay tuned - byebye! Executive Producers for this show: S. Sparks - F. Nusrat - D. Werner Thanks for listening, have a great day today and fight the January Blues together with us, we can do it, cheers! SUPPORT THIS SHOW ::: FEEL FREE TO DONATE :::

Meteoric appearances in dark, silent places; new and re-mastered music by Deborah Martin, Vidna Obmana, Christopher Loucks, Dave Preston and Paul Avgerinos.

Meteoric appearances in dark, silent places; new and re-mastered music by Deborah Martin, Vidna Obmana, Christopher Loucks, Dave Preston and Paul Avgerinos.

Deborah Martin's passion is to visualize and create music that takes each listener on a journey through time and space. With a vivid imagination and a deep love of historic places and peoples of the past, we see her as being blessed; for they are few, those visionaries, who can bring forth into the present, and into our hearts, the spirit of that which has been so utterly lost in antiquity. Erik Wollo grew up in a small mountain village in Norway where his ancestors have lived and farmed for hundreds of years. Weaving through this exotic and timeless landscape of snowy peaks and deep valleys, you can still hear the music of those centuries flowing through a people whose culture is deep, alive and thriving. [ad#post-ad] Here we are: the Jukebox plays the title song of the album "Between Worlds" performed by these two great ambient artists. Deborah shares some insight into the essence of the work, "The American Indian believes there are two worlds - the world of spirit and the world of form. Creating a bridge between the two worlds are ritual, healing and magic. The music process presented here was created to represent with sound this bridge between the worlds." Erik adds, "It is important to hear the voices of the past and how they lived in tune with the rhythm and spirit of the earth. With Between Worlds, we delved deeply into the experience, capturing the feeling of this American Indian heritage with sounds and compositions." Spacemusic.nl says about this album: "swept away from the present into an imaginary world that happens to tell the truth and nothing but the truth" Artist: Deborah Martin and Erik Wollo Track: Between Worlds Album: Between Worlds Buy the album on iTunes Store here Visit the Spotted Peccary label here Jukebox copy; 2009 - spacemusic.nl

In Holland we have this old man called 'Sinterklaas' bringing presents to children..... since my kids are computers I decided to skip Sint and welcome Santa! This is your coffee break, the Christmas tree has already been setup and we've got news and updates about the Spacemusic App on the iTunes Store, e-mails by our listeners and music performed by Lukas Termena, Minus Blue, Deborah Martin, Erik Wollo and Bola. It is getting dark outside..... enjoy the warm vibes from the studio in Rotterdam! Storyboard: Early arrival of the Christmas tree... music in this Coffee Break background by ELEON Music track: Parijat - 'Most Beautiful Splendour' (Lukas Termena RMX) Music track: Minus Blue - 'Fade of Day' News about the Spacemusic App Music track: Deborah Martin and Erik Wollo - 'Between Worlds' Music track: Deborah Martin and Erik Wollo - 'Winds of Time' The benefit of having a beer break... Messages by our listeners Music track: BOLA - 'Squib' (Nuclear) Time to wrap it up, stay tuned. mdash;mdash;mdash;- nbsp;Next coffee break: next month mdash;mdash;mdash;ndash;

Between worlds; music inspired by the native traditions of North America from Coyote Oldman, Jonn Serrie, Gary Stroutsos, Deborah Martin, Erik Wollo and Paul Avgerinos.

Between worlds; music inspired by the native traditions of North America from Coyote Oldman, Jonn Serrie, Gary Stroutsos, Deborah Martin, Erik Wollo and Paul Avgerinos.

Gorgeous tonal narratives from Erik Wollo, John Flomer and Deborah Martin.

Gorgeous tonal narratives from Erik Wollo, John Flomer and Deborah Martin.

Voices from the celestial spheres, featuring John Harle, Johan Agebjorn, Deborah Martin, J Arif Verner, Lisa Gerrard and Patrick Casidy... and showcasing the new album by Immersion Theory, "The Icarus Foray".

Voices from the celestial spheres, featuring John Harle, Johan Agebjorn, Deborah Martin, J Arif Verner, Lisa Gerrard and Patrick Casidy... and showcasing the new album by Immersion Theory, "The Icarus Foray".

Ambient churchscapes from Robert Fripp, Bob Holroyd, Deborah Martin and J Arif Verner.

Ambient churchscapes from Robert Fripp, Bob Holroyd, Deborah Martin and J Arif Verner.

A Latin excursion, with sounds from Jan Garbarek, Magister Perotinus, Arvo Part, John Harle, Deborah Martin and J Arif Verner.

A Latin excursion, with sounds from Jan Garbarek, Magister Perotinus, Arvo Part, John Harle, Deborah Martin and J Arif Verner.