Podcasts about Leni Riefenstahl

Nina Gladitz dedicated her life to proving the Triumph of the Will director's complicity with the horrors of nazism. In the end, she succeeded – but at a cost Written and read by Kate Connolly. Help support our independent journalism at theguardian.com/longreadpod

In the 1930s, Leni Riefenstahl infamously directed two propaganda films, Triumph of the Will and Olympia, for the Nazi Party. For the rest of her life, which ended in 2003, she denied knowledge of the regime's crimes, including the Holocaust. In 2016, her heirs gave her estate, which included a vast collection of personal documents, correspondence, and film and tape recordings, to the Prussian Cultural Heritage Foundation, which itself gave permission to Sandra Maischberger and Andres Veiel, a journalist and filmmaker respectively, to use the material as the basis of a documentary. Riefenstahl, comprising countless elements of the archive, along with documents from other sources, builds a biography of a person who never came clean about what she knew about Nazi Germany, and never took responsibility for her part in it. It's a complex and layered examination of a life led between pride and denial, and has resonances today: take Riefenstahl's television appearance in 1976 alongside Elfriede Kretschmer, an anti-Nazi activist and contemporary who refuses to believe her claims of ignorance during wartime, which is followed by recordings of phone calls to Riefenstahl in support of her stance and contempt for Kretschmer. The line between those calls and the metastasising popularity of extreme right-wing, "anti-woke" and similar ideologies today is self-evident, as is the difference between ideas expressed publicly and privately. Riefenstahl is more outspoken off the record than on it, demanding interviewers' cameras be turned off to prevent them from capturing candid revelations. In this sense and others, her life provides a window into fascism - what drives it - her initial response to seeing and hearing Adolf Hitler speak is almost sexual - what it represents and offers to its adherents, and how it shrinks and cowers when it doesn't get everything it wants. It's a problem for Mike that the film doesn't seem to think that the artistic and cultural impact of Riefenstahl's work is worth exploring, where to him it's the most interesting thing about her. Not only were her films technically and artictically innovative - something claimed by subjects in the film but not explained or examined - but her work arguably gives the Nazis their key, and enduring, victory. As thuggish and vile as the regime was, and despite its collapse, through Triumph of the Will and Olympia it created an image of itself as glorious and powerful with which we continue to associate it, and to which neo-Nazis today aspire to emulate. Few filmmakers have left a cultural legacy of such significance and duration, but the documentary isn't interested in the work - only the person. Quibbles apart, Riefenstahl is an excellent example of how to tell a complex tale with intention, clarity, and concision, while allowing for interpretation of the material presented, and it'll be the basis of endless conversations. Highly recommended. Recorded on 2nd June 2025.

Dokumentarni film Propagandist spremlja vzpon in padec nizozemskega filmarja Jana Teunissena, ki je med drugo svetovno vojno postal najpomembnejši človek v nizozemski filmski industriji. Kot vodja filmskega oddelka SS in nizozemske nacistične stranke je postal znan kot filmski "car" in nizozemska "Leni Riefenstahl". Z režiserjem dokumentarca Luukom Bouwmanom se je pogovarjala Petra Meterc. Bere Igor Velše, ton in montaža Franci Moder.

Ugens Radio Information undrer sig over, at Københavns politikere tror, at man kan lave en plan uden konkrete tiltag, at den danske regering kan se relativt passivt til, hvad der sker i Gaza – og så skal vi lidt til Cannes --- Det israelske sikkerhedskabinet godkendte i denne uge en plan om at indkalde titusindvis af reservister for at eskalere offensiven yderligere i enklaven, indtage en endnu større andel af landområdet og fordrive størstedelen af befolkningen til en enkelt humanitær zone. FN vurderede for nylig, at situationen er værre end på noget andet tidspunkt i løbet af den halvandet år lange krig, og Røde Kors advarer om, at Gaza »i fraværet af øjeblikkelig handling« vil »synke dybere ned i et kaos, som humanitære indsatser ikke vil kunne afhjælpe«.  Men gør vi i Danmark nok for at bidrage til at forhindre dette civilisatoriske sammenbrud, beskytte civile og opretholde international ret?, spørger Anton Geist i en leder. Han kommer i studiet og udfolder de muligheder, som Danmark ville have – hvis Danmark faktisk ønskede at leve op til skåltalerne om den internationale retsorden.   Og så skal det handle om den københavnske klimaplan. Et flertal i Københavns Borgerrepræsentation har meldt sig klar til at gøre noget, som andre politikere ryster i bukserne over: At gøre op med københavnernes tårnhøje klimaaftryk. De har derfor i kommunens nye klimastrategi foreslået et mål om at halvere udledningerne fra københavnernes forbrug – helst inden 2035. Men da rådhusets politikere blev præsenteret for en konkret plan – udformet af embedsværket – for, hvordan vi skal nå det nye progressive mål, udviklede det sig nærmest til et kapløb om at tage mest muligt afstand fra den. Marie Sæhl fortæller.  Og så skal vi sende Christian Monggaard pænt til Cannes – for 25 gang! Men lige inden han får lov til at dandere i det sydfranske med stråhat og hørsæt, skal han lige anmelde en ny dokumentarfilm om den tyske filmmager (og fascist) Leni Riefenstahl, der var kunstnerisk beundret for foruroligende innovative propagandafilm lavet til Adolf Hitlers ære, men som selv forsvarede sig med, at hun var var politisk naiv og kun interesseret i skønhed. 

The Matts are joined by New European political editor James Ball to step back and reflect on why Keir Starmer's government is conspicuously failing to excite and unite a British public desperate for change after so many years of Tory rule. They have their theories. Is there an easy(-ish) answer? And who should they really be worried about if it's not Reform? In the second half, the Matts take a look at the new documentary into the life of Leni Riefenstahl, filmmaker to the Nazis, and ask what her post-war rehabilitation tells us about the intersection of culture and politics.EXCLUSIVE OFFER: Get The New European for just £1 for the first month. Head to theneweuropean.co.uk/2matts Hosted on Acast. See acast.com/privacy for more information.

Acclaimed German journalist and film producer Sandra Maischberger talks about her new documentary about Leni Riefenstahl, which re-examines the life and career of the filmmaker and Nazi propagandist who was one of the most controversial women of the 20th century. Art historian and curator Sandy Nairne, a member of the Queen Elizabeth Memorial Committee, and journalist and broadcaster Nancy Durrant discuss digital designs by teams shortlisted to create the permanent memorial to Queen Elizabeth in St James's Park in London. And Ivor Novello Award-winning musician Martin Green talks about his debut musical for the National Theatre of Scotland, Keli, a story of creativity, music and community which marks 40 years since the Miners' Strikes. Presenter: Kirsty Wark Producer: Mark Crossan

I næste time zoomer vi ind på æstetikken, magten og manipulationen i Trumps sociale medier. Er det bare memes og sjov - eller moderne propaganda forklædt som underholdning? Vi trækker også tråde tilbage til filmhistoriens mest berygtede propaganda-skaber, Leni Riefenstahl, som netop er aktuel i en ny film. For kan der findes paralleller mellem Trumps pressesekretær Karoline Leavitt og nazisternes propaganda-instruktør Leni Riefenstahl - det mener den amerikanske forfatter Frank Schaeffer? Medvirkende: Mette Houlberg Rung. Samlings- og udstillingschef på Frederiksborg Nationalhistoriske Museum Fie Dandanell, journalist på Zetland, Steen Bille; forfatter og tidligere filmkonsulent Claus Bülow, medieanalytiker Anne Porse Nielsen, direktør i Producentforeningen Vært:Gustav Hagild Producer: Anders Skytte Agergaard Redaktør: Lasse Lauridsen

Even more than 20 years after her death, Leni Riefenstahl remains controversial. Andres Veiel's documentary sheds light on her role in the Nazi regime using previously unpublished archival materials from 700 boxes of estate — including private films, letters and sound recordings — and takes a new look at the director's self-portrayal as an “apolitical artist.” - Auch über 20 Jahre nach ihrem Tod bleibt Leni Riefenstahl umstritten. Andres Veiels Dokumentarfilm beleuchtet ihre Rolle im NS-Regime anhand bislang unveröffentlichter Archivmaterialien aus 700 Kisten Nachlass – darunter private Filme, Briefe und Tonaufnahmen – und wirft einen neuen Blick auf die Selbstdarstellung der Regisseurin als „unpolitische Künstlerin“.

Andres Veiel's latest documentary, Riefenstahl, delves into the dark and deep archive of the private estate of Leni Riefenstahl, exposing the deep ties the filmmaker had with the Nazi regime. Andres uses footage and correspondence from Riefenstahl's own personal records, including hidden interviews and documents that present a different side of a director who has been both acclaimed and criticised for her role in the rising Nazi regime.Riefenstahl is a powerful and impactful film that shows just how deep the director was within Hitler's regime, and how much she tried to micro-manage her own public facing image, down to the point of giving precise direction to those who were interviewing her. This is captivating work from Andres Veiel.In the above interview with Andres Veiel, recorded ahead of Riefenstahl's Australian screenings at the German Film Festival, which Andres will be in attendance for, the documentarian talks about the importance of creating the final statement on Leni Riefenstahl's filmography at this point in time.Riefenstahl screens nationally from 30 April 2025 at the German Film Festival. Visit GermanFilmFestival.com.au for screening details.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your film loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from filmmakers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Andres Veiel's latest documentary, Riefenstahl, delves into the dark and deep archive of the private estate of Leni Riefenstahl, exposing the deep ties the filmmaker had with the Nazi regime. Andres uses footage and correspondence from Riefenstahl's own personal records, including hidden interviews and documents that present a different side of a director who has been both acclaimed and criticised for her role in the rising Nazi regime.Riefenstahl is a powerful and impactful film that shows just how deep the director was within Hitler's regime, and how much she tried to micro-manage her own public facing image, down to the point of giving precise direction to those who were interviewing her. This is captivating work from Andres Veiel.In the above interview with Andres Veiel, recorded ahead of Riefenstahl's Australian screenings at the German Film Festival, which Andres will be in attendance for, the documentarian talks about the importance of creating the final statement on Leni Riefenstahl's filmography at this point in time.Riefenstahl screens nationally from 30 April 2025 at the German Film Festival. Visit GermanFilmFestival.com.au for screening details.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your film loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from filmmakers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

As the German Film Festival  rolls out across the country, we meet two directors featured in this year's lineup...Acclaimed director Andres Veiel discusses his documentary Riefenstahl, a captivating insight into the private estate of Leni Riefenstahl and her complex relationship with the Nazi regime.Award-winning director Mehmet Akif Büyükatalay's second feature, Hysteria, comes to Australia directly from the 2025 Berlinale...a suspenseful behind-the-scenes conspiracy thriller about a real-life 1993 arson incident on the set of a film production.Presenter: Jason Di RossoProducer: Sarah CorbettSound engineer: Ross RichardsonExecutive producer: Rhiannon Brown

As the German Film Festival  rolls out across the country, we meet two directors featured in this year's lineup...Acclaimed director Andres Veiel discusses his documentary Riefenstahl, a captivating insight into the private estate of Leni Riefenstahl and her complex relationship with the Nazi regime.Award-winning director Mehmet Akif Büyükatalay's second feature, Hysteria, comes to Australia directly from the 2025 Berlinale...a suspenseful behind-the-scenes conspiracy thriller about a real-life 1993 arson incident on the set of a film production.Presenter: Jason Di RossoProducer: Sarah CorbettSound engineer: Ross RichardsonExecutive producer: Rhiannon Brown

Zum Ende des 19. Jahrhundert wurden verschiedene Reformbewegungen, die auf die veränderten Arbeitsverhältnisse der Industrialisierung und die Veränderungen der Lebensumstände in wachsenden Großstädten regierten, unter dem Begriff Lebensreform zusammengefasst. Ein Strang der Reformen war ein neues Körperbild, ein Streben, die durch die industrielle Entwicklungen von der Natur entfremdeten Menschen zu einem gesunden und mit der Natur sich im Einklang befindenden Zustand zurück zu führen. Von diesen Vorstellungen führt allerdings auch eine direkte Linie zu den Anschauungen der Nationalsozialisten, die diese Körperertüchtigung rassistisch aufluden und mit einer Wehrertüchtigung kombinierten. Ein Beispiel, an dem man das zeigen kann, ist der Kulturfilm der UFA „Wege zur Kraft und Schönheit“ aus dem Jahre 1925, den das Pinneberger Tageblatt vom 14. April rezensiert. Der hier zelebrierte Körperkult findet sich in manchen Passagen nahezu unverändert im propagandistischen Film „Olympia“ von Leni Riefenstahl aus dem Jahre 1938 wieder. Da erscheint es beinahe als folgerichtig, dass die 1925 noch nicht prominente Tänzerin Leni Riefenstahl in „Wege zur Kraft und Schönheit“ in einer Szene einen Auftritt als Statistin hat. Es liest Frank Riede.

Bruno Wyndaele praat met historica Annette Birschel over Leni Riefenstahl. Riefenstahl was de regisseur van twee nazi propaganda films voor de Tweede Wereldoorlog: 'Triumph des Willens' en 'Olympiade', over de Olympische Spelen van 1936 in Berlijn. Maar was ze ook een aanhanger van Hitler? Wist ze van de misdaden tegen de menselijkheid van de Nazi's? Dat zoekt de documentaire Riefenstahl uit aan de hand van oude interviews en andere documentatie.

150-ajam M. K. Čiurlionio jubiliejui Emiija Škarnulytė sukūrė naują kūrinį „Sofija“. Kuo Čiurlionis aktualus šiuolaikinei, visame pasaulyje kuriančiai menininkei?Kultūros bendruomenės atstovus vienijančios organizacijos sunerimo dėl svarstomų mokesčių pakeitimų. Dėl ko bijoma ir kokios išeitys siūlomos?Leni Riefenstahl yra fašizmo prototipas, sako kino režisierius Andresas Veielsas. Jo dokumentikoje „Riefenstahl“, kuri šiuo metu rodoma „Kino pavasaryje“, nagrinėjamas šios Hitleriui dirbusios kino kūrėjos gyvenimas ir palikimas.„Lukiškių kalėjimas, nors ir tapo atviru visuomenei, vis dar tebėra Vilniaus centrą paralyžiuojantis, izoliuotas urbanistinis svetimkūnis“, – sako menotyrininkas Ernestas Parulskis.Pasaulio kultūros įvykių apžvalgoje – sušvelnintos ilgametes tradicijas Meksikoje turinčios bulių kautynės, europarlamentaro siūlymas Amerikai sugrąžinti Laisvės statulą Prancūzijai bei šiųmečiai „Polar Music Prize“ apdovanojimų laureatai.„Kai gimsta teksto užuomazga, pajaučiu, ar tai daina, ar eilėraštis“, – apie kūrybą skirtingomis formomis sako reperis Pijus Opera. Pokalbis apie Lietuvos hiphop‘o kultūrą, nutolusią savo šaknų, ir tai, ką filologijos studijos atneša į repo tekstus.Ved. ir red. Indrė Kaminckaitė

V Ljubljani poteka 27. festival dokumentarnega filma, ki letos predstavlja še posebno zanimiv izbor dokumentarcev z vsega sveta. Kot je v uvodniku zapisal Simon Popek, je tema, ki se letos na programu ponovi večkrat, pristno proti lažnemu, medtem, ko predvsem iz Ukrajine in Palestine prihajata tudi povsem nedvoumni zgodbi o vojni, okupaciji, zatiranju in razčlovečenju. Ogledali smo si dokumentarec o Leni Riefenstahl, arhivsko pripoved o vlogi vlaka v družbenem, političnem in kulturnem kontekstu 20. stoletja, Vlaki, ter film Glasba za vojaški udar. Pogovarjali smo se z Majo Weiss, ki so ji ob 60-letnici na festivalu posvetili retrospektivo. Ocenjujemo pa tudi novi film Bonga Džuna Hoja, znanstveno-fantastično črno komedijo Mickey 17.

David Waldman and Greg Dworkin are back and will continue to return until we straighten up. Today in political procedure efficaciousness: Democratic Representatives aren't really into leading a peaceful revolution at the moment, which will probably end in… something not so good… that they won't be leading anyhow. Therefore, it falls upon Gops to be responsible and save the nation and stuff... Meanwhile, Attorney General Pam Bondi, flanked by FBI agents, as a signal that she meant business, announced the immediate arrest of traitors to the Father… no wait, she didn't. Plenty of others around the world are happy to, however, and Americans can and will die from this. As per tradition, Gazans will be allowed to leave a trail of tears when relocated. We abandon Ukraine. We abandon Nato. We abandon the world. We are such pussies. Disney fights woke by taking the trigger warning off Dumbo, while slipping in the most woke verse to the most woke song on the most woke theme park ride ever. Finally, the yoke of woke is off entertainment! Finally, the Kennedy Center will be free to honor the next Leni Riefenstahl, as long as she's blonde with double Ds. The State Department said they were buying $400M in Cybertrucks. Elon Musk denied that the State Dept is buying $400M worth of Tesla Cybertrucks. The state department removed the word “Tesla” from the $400M contract. Waste and corruption are gone! You are welcome! Elon Musk will pay $10 million to settle its NOT-Z site lawsuit. Elon Musk collects $8 million per day for his DODGEY efforts. Even Elon's son THX-1138 can do the math on who's in charge here. Arbitrary and capricious! Who'd guess that something as obscure as “law” would throw Trump off his righteous path? Trump and paperwork, man. JD Vance has always been JD First, which he believes will get him into Heaven. Experts disagree.

durée : 00:22:36 - Les Nuits de France Culture - par : Albane Penaranda - Alors correspondant de guerre en Allemagne, l'humoriste et résistant Pierre Dac interroge en 1945 Paul Mauser, Leni Riefenstahl et le docteur Fucke-Michels sur leurs rapports avec Hitler et le nazisme. Des interviews que l'on pourrait prendre pour des canulars mais qui n'en sont pas. - réalisation : Vincent Abouchar - invités : Pierre Dac Auteur et humoriste français; Leni Riefenstahl Réalisatrice

BROsa and BROku review 'Babygirl' a 2024 American erotic thriller film written, directed, and produced by Halina Reijn. The film stars Nicole Kidman as a high-powered CEO who puts her career and family on the line when she begins an affair with a much younger intern. Sophie Wilde and Antonio Banderas also star. They also discuss @omalleyrock 's 'Rap World' a 2024 American mockumentary film written and directed by Conner O'Malley and Danny Scharar. Finally, we touch on 'Triumph of the Will' a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. Intro Rap Feat: https://www.fiverr.com/abskullSupport us on Patreon: https://www.patreon.com/CumpostingPodcastOur Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioTwitch: http://www.twitch.tv/cmpostingThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Donate: https://throne.com/cumpostingSend Us a Voice Message: https://www.speakpipe.com/cumpostingReddit (Cringe): https://www.reddit.com/r/cumpostingpod/Follow Rosa: https://www.youtube.com/@ReddestRosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wIrish Shorts Editor Rosaburgs: https://x.com/marxlsmusOutro guitar solo performed by @djangoklumppguitarImage of the Week: https://imgur.com/a/o22Jx4D#babygirl #rapworld #filmreview Timestamps:0:00 Intro4:07 'Babygirl' (2024) Review & Analysis8:53 Pills Ad9:18 'Babygirl' (2024) Review & Analysis9:44 Crypto Ad11:12 'Babygirl' (2024) Review & Analysis24:59 Livers Ad26:50 Scoring & Ranking 'Babygirl'29:10 'Rap World' (2024) Review & Analysis38:33 Scoring & Ranking 'Rap World'39:10 'Triumph of the Will' (1935) Review & Analysis52:39 Dialysis Machines Ad53:48 Scoring & Ranking 'Triumph of the Will'56:04 Highly Intellectual Conversation1:02:10 Outro/ Next Week's FilmsTags:movie podcast, movie review podcast, leftist podcast, marxist podcast, communist podcast, socialist podcast, progressive podcast, film podcast, film review podcast, lesbian podcast, trans podcast, lesbian film critics, transgender movie review, lesbian movie review, left communism, leftcom, leftist film review, leftist movie review, communist film review, communist movie review, socialist movie review, socialist film review, woke movies, woke film, queer film review, queer movie review, babygirl trailer, halina reijn, a24, babygirl movie age gap explained, babygirl movie clip, babygirl bande annonce, babygirl movie a24, babygirl harris dickinson, nicole kidman babygirl interview, babygirl movie, babygirl official trailer 3, babygirl movie age gap, babygirl movie analysis, babygirl t-shirt, what is the point of babygirl, nicole kidman, cameron bailey, babygirl movie youtube, babygirl scene, babygirl a24, babygirl official movie clip, nicole kidman age, nicole kidman babygirl, babygirl movie clips, babygirl - final trailer, new hollywood movie babygirl, baby girl trailer, babygirl explained, babygirl nicole kidman, antonio banderas, nicole kidman movies, harris dickinson moives, babygirl analysis, harris dickinson, babygirl clip, a24 films, babygirl movie scenes, babygirl set, babygirl film, karsten runquist, harris dickinson babygirl, babygirl movie explained, nicole kidman and harris dickinson, what is babygirl about, babygirl interview, rap world documentary, coolife, conner o'malley, connor o'malley, coolbaugh crew....

Die Queen, Leni Riefenstahl und küssende Krankenschwestern. Ist schon viel passiert, auf den vergessenen Flughäfen unserer Stadt. Hier kommt Teil zwei der spektakulären Doppelfolge. Diesmal: Johannisthal und Gatow. Tim Koschwitz und Lydia Mikiforow verraten, welche skurrile Tradition es bei Flugshows in Johannisthal gab und warum dort die Traumfabrik des Ostens war. Und sie erzählen, warum wir dem Flugplatz in Gatow viele Sex-Shops zu verdanken haben und welche wichtige Rolle er bei der Luftbrücke spielte. Folge 276 des rbb 88.8-Podcasts "100 % Berlin"

Ihr Name steht seit Jahren für Debattenkultur im deutschen Fernsehen: Sandra Maischberger. Sie hat sich die journalistische Form der kritischen Gesprächsführung ganz zu eigen gemacht und widmet sich in ihrer Polit-Talkshow „Maischberger“ jede Woche den Themen, „die auf den Tisch kommen“. Sie begann als Hörfunk-Reporterin und Moderatorin beim Bayerischen Rundfunk, machte sich aber rasch als Moderatorin von „Live aus dem Schlachthof“, „Talk im Turm“ oder dem Interviewformat „Ich stelle mich“ einen Namen. Ihre Interviews mit Helmut Schmidt gehören zu seinen persönlichsten und auch mit anderen Politgrößen der Bundesrepublik wie Hildegard Hamm-Brücher oder Angela Merkel suchte sie beständig die Auseinandersetzung auf Augenhöhe. Die Liste ihrer Auszeichnungen reicht vom Bayerischen und Deutschen Fernsehpreisen über Medienpreise bis zum Bundesverdienstkreuz. Für FREIHEIT DELUXE schiebt Sandra Maischberger einmal die aktuellen Themen bei Seite, die „die Politik uns jeden Tag hinlegt“ und gibt tieferen Einblick in die Gedanken und Motive, die ihrer Arbeit zu Grunde liegen. Sie beschreibt Ihren Auftrag, eine gute öffentliche Debatte zu gestalten und „Fragen stellvertretend für alle zu stellen, die es nicht können.“ Dabei loten Jagoda Marinic und Sandra Maischberger die Grenzen der Meinungsfreiheit aus und Sandra Maischberger stellt sich kritischen Fragen: Welche Gäste verträgt etwa eine Talkshow nach demokratischen Begriffen ohne als Propagandatool von Populisten missbraucht zu werden? Doch sie spricht auch über die Projekte, die sie neben dem aktuellen Journalismus über lange Zeit sehr beschäftigen, wie zuletzt der Film „Riefenstahl“ von Regisseur Andres Veiel, bei dem sie nicht nur als Produzentin beteiligt war, sondern selbst den Anstoß gab. So legen die beiden im Laufe des Gesprächs auch frei, was Sandra Maischberger in all ihrer journalistischer Arbeit am meisten antreibt: Herauszufinden, was Wahrheit und was Lüge ist… Hier hört ihr, warum es für Sandra Maischberger so wichtig ist, Andersdenkenden ihren Raum zu lassen (4:13) was sie dazu bewegte, sich mit dem Nachlass von Leni Riefenstahl auseinanderzusetzen (17:05) wie sie mit der Resonanz auf ihre Sendungen umgeht (34:34) welche Wege sie sieht, mit vorsätzlichen Lügen in Talkshows umzugehen (44:12) was für Überlegungen bei der Gästeauswahl ihrer Sendungen eine Rolle spielen (54:42) was Angela Merkel und Sandra Maischbergers Mann gemeinsam haben (1:04:28) wie sie über einen „Fehlstart“ an der Uni zum Journalismus kam (1:12:42) FREIHEIT DELUXE mit Jagoda Marinić ist eine Produktion des Hessischen Rundfunks in Zusammenarbeit mit dem Börsenverein des deutschen Buchhandels. Redaktionsteam: Andrea Geißler und Christoph Scheffer. Ihr erreicht uns per Mail: freiheitdeluxe@hr.de

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler's People: The Faces of the Third Reich (Penguin Press, 2024), he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down. With a novelist's eye for detail, Evans explains the Third Reich through the personal failings and professional ambitions of its members, from its most notorious deputies--like Goebbels, the regime's propagandist, and Himmler, the Holocaust's chief architect--to the crucial enforcers and instruments of the Nazi agenda that history has largely forgotten--like the schoolteacher Julius Streicher and the actress Leni Riefenstahl. Drawing on a wealth of recently unearthed historical sources, Hitler's People lays bare the inner and outer lives of the characters whose choices led to the deaths of millions. Nearly a century after Hitler's rise, the leading nations of the West are once again being torn apart by a will to power. By telling the stories of these infamous lives as human lives, Evans asks us to grapple with the complicated nature of complicity, showing us that the distinctions between individual and collective responsibility--and even between pathological evil and rational choice--are never easily drawn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Seit mehr als 20 Jahren ist Sandra Maischberger eine feste Grösse in der ARD. Neben ihrer politischen Talkshow engagiert sich die Journalistin auch als Produzentin und Filmemacherin. Ihr neuestes Projekt: ein Dokumentarfilm über Leni Riefenstahl, die als Propagandistin des Nazi-Regimes bekannt wurde Mit Sandra Maischberger sprechen wir auch über die Memoiren der Alt-Kanzlerin Angela Merkel, über den aktuellen Zustand Deutschlands und die bevorstehende Bundestagswahl im kommenden Februar. Ausserdem fragen wir sie, ob die Nazi-Regisseurin Leni Riefenstahl tatsächlich eine unpolitische Ästhetin war, wie sie stets behauptete, oder ob sie eine überzeugte Nationalsozialistin war, die von Hitler sehr geschätzt wurde.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Steven Bach Steven Bach (1938-2009) author of the biography “Leni: The Life and Work of Leni Riefenstahl”, interviewed in 2007 by Richard Wolinsky. This podcast was first posted May 5, 2017. Leni Riefenstahl was the film maker behind the Nazi propaganda films Triumph of the Will and Olympia. Reifenstahl, who died in 2003 at the age of a hundred and one, to the end of her life denied her work was political, that she was an artist. Stephen Bach, who died at the age of 70 in 2009, had been a studio executive and began writing  books with “Final Cut”, his memoir about the making of the film Heaven's Gate. He followed that with a biography of the playwright Moss Hart, and then a biography of actress Marlene Dietrich, which as he says, led him to Leni Riefenstahl. The interview was recorded in the KPFA studios on May 7, 2007. Guardian Obituary. In an interview perhaps more timely today than the year it was recorded, Bach compares Reifenstahl's work to right-wing propaganda in America, and the use of the Hitler playbook. Complete Interview.   Charles Yu Charles Yu, whose novel Interior Chinatown just won the 2020 National Book Award for fiction, is interviewed by host Richard Wolinsky. Interior Chinatown takes place in a meta-world in which Hollywood's Chinese stereotypes are portrayed by Asian immigrants and second-generation Asian Americans in films and TV shows. The book uses tropes from screenplays as well as prose fiction to illuminate these tropes, switching between narrative, entertainment history, and polemic in a highly original way. Charles Yu is the author of two previous short-story collections and one novel, has worked as an attorney, and also has worked in the writers' room of several television shows, most notably during the first season of HBO's Westworld. Interior Chinatown is now a television miniseries streaming on Hulu and Disney+. Complete Interview.   Review of “Jaja's African Hair Braiding” at Berkeley Rep Peets Theatre through December 15, 2024. Review of “The Antipodes” by Annie Baker, performed by the Actors Reading Collective, at Marin Shakespeare Theatre through Dec. 1, 2024./a>   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).  The Antipodes by Annie Baker, through December 1, 2024. Marin Shakespeare Theatre, San Rafael. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre A Whynot Christmas Carol, November 26-December 24, Toni Rembe Theatre. Aurora Theatre  Felonious, Bay Area hip-hop ensemble, special engagement, Dec 6-7; 13-14. The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Matchbox Magic Flute, October 18 – December 9, Roda Theatre. Jaja's African Hair Braiding by by Jocelyn Bioh, Nov 13 – Dec 15, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. New Years Eve at the Speakeasy, Jan. 1, 2025. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for events at the Orpheum, Curran and Golden Gate. Kimberly Akimbo, November 6 – December 1, Golden Gate. See website for special events. Broadway San Jose:  Shrek, The Musical. December 17-22. California Shakespeare Theatre Closed. Center Rep: A Christmas Carol, December 12-22. Central Stage. Leili & Majnun, written and directed by Torange Yeghiazarian. December 5-15. Central Stage, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Gutenberg! The Musical January 17-26, 2025, Warren Theatre, Sonoma State University. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre A Charlie Brown Christmas, Nov. 23 – Dec. 15. Curran Theater: See website for special events.. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for information and notice of a final production. 42nd Street Moon. See website for upcoming productions. Golden Thread  See website for upcoming productions. Hillbarn Theatre: Anastasia, December 5 -29, 2024. Lorraine Hansberry Theatre. See website for upcoming productions Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Theatre Company Waste by Harley Granville-Barker,  Feb. 6 – March 2, 2025.Transcendence Theatre: Broadway Holiday, December 12-15, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) The Gulf, An Elegy by Audrey Cefaly, October 18 – November 24. Deep Inside, Tonight by the Kinsey Sicks, December 4 – January 5. Oakland Theater Project.  Ghost Quartet by Dave Malloy, Oakland Nov 1-24. Flax Art & Design (closed); San Francisco, Dec. 5-8. ODC Theatre. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. The Agitators by Mat Smart, Nov 22 – Dec. 15. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Waitress, November 21, 2024 – January 18, 2025. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for upcoming schedule. Shotgun Players.  Thirty Six: Do You Like What You See by Leah Nanako Winkler. November 18 – December 22. South Bay Musical Theatre: Urinetown,  January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Cabaret, November 21 – December 15. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Miss Bennett: Christmas at Pemberley by Lauren Gunderson and Margot Melcon, December 4- 29. . Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   . The post November 28, 2024: Steven Bach – Charles Yu appeared first on KPFA.

(01:45) Column Abdelkader Benali. (07:11) Abdelkader Benali praat aan de hand van zijn column verder met Annette Birschel, Nederland-correspondent voor Duitse media. Zij deed de afgelopen weken met stijgende verbazing verslag van ons nieuws en de historische verwijzingen die worden gebruikt. Zo sprak premier Schoof over een groep die 'moreel ontaard' is, terwijl het Duitse woord ‘Entartet' iedereen doet denken aan het nationaalsocialisme.  (12:18) Ze is een pionier in de filmgeschiedenis, en de meest bekende regisseur van nazi-Duitsland: Leni Riefenstahl. Nu op het IDFA: een nieuwe documentaire over haar. Geeft het nooit eerder vertoonde archiefmateriaal een nieuw beeld? Journalist Annette Birschel bekeek voor ons de film en vertelt. (25:45) Operatie Nachtwacht is van start. Na vijf jaar onderzoek begint het Rijksmuseum met de restauratie van Rembrandts beroemde schuttersstuk. Dit is niet de eerste keer dat eraan De Nachtwacht wordt gesleuteld. Van alcoholdamp tot bijenwas, restaurator Esther van Duijn vertelt meer over de restauratiegeschiedenis van het schilderij. (39:35) De grootste bezuiniging op ontwikkelingshulp ooit is aanstaande. Dirk-Jan Koch is hoogleraar internationale handel en ontwikkelingssamenwerking en zet de aangekondigde bezuinigingen in historisch perspectief. Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/17-11-2024.html# (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/17-11-2024.html)

Ze is een pionier in de filmgeschiedenis, en de meest bekende regisseur van nazi-Duitsland: Leni Riefenstahl. Bekend en berucht om propaganda-films als Triumph des Willens uit 1935, en om haar weigering historische schuld te bekennen. En op dat laatste schijnt de nieuwe documentaire Riefenstahl een nieuw licht. Geeft het nooit eerder vertoonde archiefmateriaal uit deze film ons een nieuw beeld van Leni Riefenstahl? Journalist Annette Birschel bekeek voor ons de film en vertelt.

Steven Bach (1938-2009) author of the biography “Leni: The Life and Work of Leni Riefenstahl”, interviewed in 2007 by Richard Wolinsky. This podcast was first posted May 5, 2017. Leni Riefenstahl was the film maker behind the Nazi propaganda films Triumph of the Will and Olympia. Reifenstahl, who died in 2003 at the age of a hundred and one, to the end of her life denied her work was political, that she was an artist. Stephen Bach, who died at the age of 70 in 2009, had been a studio executive and began writing  books with “Final Cut”, his memoir about the making of the film Heaven's Gate. He followed that with a biography of the playwright Moss Hart, and then a biography of actress Marlene Dietrich, which as he says, led him to Leni Riefenstahl. The interview was recorded in the KPFA studios on May 7, 2007. Guardian Obituary. In an interview perhaps more timely today than the year it was recorded, Bach compares Reifenstahl's work to right-wing propaganda in America, and the use of the Hitler playbook. The post Steven Bach (1938-2009): Leni Reifenstahl and the Hitler Playbook appeared first on KPFA.

Was wissen wir noch nicht über Leni Riefenstahl und ihre Rolle im Nationalsozialismus? Dieser Frage nähert sich der deutsche Regisseur Andres Veiel in seinem neuen Dokumentarfilm “Riefenstahl”, in dem er den Nachlass der Propaganda-Filmemacherin studierte und daraus neue Erkenntnisse, rund um die komplexe und höchst umstrittene Figur der deutschen Geschichte gesammelt hat. Insgesamt 700 Koffer umfasste der Nachlass von Leni Riefenstahl, zu dem Andres Veiel Zugang hatte und auf seiner Spurensuche auch Beweise dazu fand, dass die selbsternannte “unpolitische Künstlerin” eine überzeugte Nationalsozialistin war und auch direkten Einfluss auf eines der ersten Massaker an Juden gehabt habe. Im Gespräch mit Wolfgang erklärt Veiel, dass die Arbeit an dem Film eine “Reise in die Hölle”gewesen sei und sich viele Leerstellen in ihrer Biografie aufgetan haben, denen er sich im Prozess zu nähern wagte. Außerdem besprechen sie die persönliche Geschichte von Veiel, der in seiner Vergangenheit Teil einer radikalisierten Bewegung war, sowie seinen Film Black Box BRD aus dem Jahr 2001, in dem er sich mit dem Terror der RAF auseinandersetzte. Der Dokumentarfilm “Riefenstahl” von Regisseur Andres Veiel und Produzentin Sandra Maischberger startet am 31. Oktober in den Kinos. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Willy Zielke war der Kameramann hinter Riefenstahls Olympia- und Tiefland-Produktionen. Wie die Filmemacherin ihn und seine Kunst für die eigenen Zwecke missbrauchte, ist heute Abend in Nürnberg zu erleben im szenischen Dialog "Stahltier" mit Veronika Ferres und John Malkovitch. Ein Gespräch darüber mit dem Theaterautor Albert Ostermaier // Jella Lepmans Traum: Die Internationale Jugendbibliothek in München wird 75 Jahre alt (Niels Beintker) // Tindersticks, Chilly Gonzales, Lady Blackbird im Album Round Up der Woche (Christoph Lindemann)

heute u.a. Filmfestspiele Venedig ziegt Doku über Leni Riefenstahl; Neues Album von Nick Cave & the Bad Seeds: "Wild God"; Mehr als nur Grau: Alberto Giacometti in Brühl; Gedicht: "Hat einer mein Pferd gesehen?" von Sheldon Thomas; Streaming-Tipps: "A Good Girls Guide to Murder" und "Powerplay" . Moderation: Jörg Biesler. Von Jörg Biesler.

Na beneškem Lidu se znova odvija najstarejši filmski festival na svetu – tokrat že enainosemdesetič. Po lanskem letu, ki so ga zaznamovale stavke, so tam letos spet zvezdniška imena filmske industrije: med drugim, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig, Cate Blanchett, Brad Pitt, Joaquin Phoenix in Lady Gaga. Film je odprlo nadaljevanje priljubljenega filma Tima Burtona iz osemdesetih, Beetlejuice, Beetlejuice, ki pa je pri kritikih zaenkrat naletel na mešane odzive. Angelina Jolie je odigrala Mario Callas v filmu Pabla Larraína, postavljenem v Pariz v sedemdesetih, veliko pa smo lahko brali tudi o dokumentarnem filmu, ki je prinesel nova odkritja o glavni filmarki nacističnega režima, Leni Riefenstahl. Ocenjujemo film Sonje Prosenc, Odrešitev za začetnike, z Markom Mandićem in Katarino Stegnar v glavnih vlogah, in V mojih sanjah rase vsako noč drevo, dokumentarni mozaik odročne pokrajine in njenih ljudi, Haloz in Haložanov, ki ga podpisuje Vid Hajnšek.

Regisseur Andres Veiel zeigt Riefenstahl als Meisterin der Manipulation / Botschaft an die Nachwelt: In der National Gallery fand man in einer Säule einen einbetonierten Brief eines kritischen Museums-Mäzens

Olympia y Olimpiada en México. Dos películas sobre los Juegos Olímpicos. Olimpia, el controvertido documental dirigido por Leni Riefenstahl, es probablemente el registro más famoso de unos Juegos Olímpicos. Adelantado a su época también recogía las influencias necesarias e inevitables del cine de otros países. Hoy, aún con el debate ético alrededor de él y el compromiso ideológico de la directora con el régimen nazi que produjo la película, es o debería ser material obligado en escuelas de comunicación de todo tipo. Por el otro lado, Olimpiada en México del director Alberto Isaac, es también un documento invaluable que, a su manera, muestra e impulsa la modernidad del cine mexicano en una etapa no menos convulsa en la historia de este país. En su momento nominada al Oscar, la película de Isaac habla por el cine de esos tiempos y por el innegable talento del director y del equipo que lo acompañó. Ahora que estamos inmersos en el espíritu de los Juegos Olímpicos de París 2024 es buen momento de revisar estos documentales más allá del evento deportivo en sí. Para hacerlo invité al crítico de cine Sergio Huidobro, profesor, tallerista y buen amigo de Cinegarage. Hablemos de los Juegos Olímpicos a 24 cuadros por segundo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Even Hauen, mannen bak podkasten Taakeprat, er en av veteranene i den lille norske podkastverdenen. Han har holdt på siden 2016, og er i skrivende stund oppe i 249 episoder. I denne episoden snakker Lars med Even om hans erfaringer både som podkastlytter og podkastprodusent, hvordan han leser seg opp og skriver teksten til episodene, om hans fascinasjon for det okkulte og andre tema som dukker opp i Taakeprat, om Ole Bull, Aleister Crowley, Elizabeth Bathory, H.P. Lovecraft, Timothy Leary, Leni Riefenstahl, teosofien og dens innflytelse på både Rudolf Steiner og Maria Montessori, og mye annet.  Vi kommer også innom tema skole, siden Even jobber som miljøarbeider og nylig la ut en podkastepisode om problemer i den norske skolen. Vi snakker om seksårsreformen og flere timer i skolen, vold og trusler, hvordan vi får barn senere i livet og hva konsekvenser dette kan ha, skjermbruk, lekeslossing og sosiale ferdigheter, Jonathan Haidts bok The Anxious Generation, behovet barn har for frihet og ansvar.  For mer info om Taakeprat, se: https://taakeprat.com/ Bokanbefalinger fra Even: The Bhagavad Gita (oversatt og forklart av Eknath Easwaran) Animal Farm, av George Orwell Sult, av Knut Hamsun I Have America Surrounded: The Life of Timothy Leary, av John Higgs ---------------------------- Logoen vår er laget av Sveinung Sudbø, se hans arbeider på originalkopi.com Musikken er av Arne Kjelsrud Mathisen, se facebooksiden Nygrenda Vev og Dur for mer info. ----------------------------  Takk for at du hører på. Ta kontakt med oss på larsogpaal@gmail.com Det finnes ingen bedre måte å få spredt podkasten vår til flere enn via dere lyttere, så takk om du deler eller forteller andre om oss.  Både Lars og Pål skriver nå på hver sin blogg, med litt varierende regelmessighet. Du finner dem på disse nettsidene: https://paljabekk.com/ https://larssandaker.blogspot.com/ Alt godt, hilsen Lars og Pål

Ever wondered what it's like behind the scenes of Scientology's film productions? Mitch Brisker and I, Marc Headley, are pulling back the curtain on the bizarre and intricate world of Scientology filmmaking. From working on "EM5: How to Set Up a Session and and the E-Meter" to the absurd portrayals of L. Ron Hubbard as a white savior in Africa, we reveal unfiltered stories from the frontlines. Learn about our experiences acting in these unique films, the meticulous and often oppressive quality control at the International Headquarters, and the controversial influence of Nazi propagandist Leni Riefenstahl on Hubbard's work.Join us as we recount the surreal logistics of creating film sets at Gold Base, including the hazardous conditions faced by the sets crew and even children. Discover tales of unsafe production environments built by the Rehabilitation Project Force, the drive to meet Hubbard's exacting standards, and the cultural sensitivity challenges we navigated, like editing out outdated and racist language from Hubbard's original scripts. You'll be gripped by stories of actors like Larry Anderson and the dynamics on set, including David Miscavige's critical oversight and the peculiar bias against Scientologist actors.We also dive into the intriguing connection between Hubbard and Leni Riefenstahl, exploring how this odd historical tie influenced Scientology's technical training films. From Hubbard's bizarre belief in his reincarnation as Cecil Rhodes to the musical plagiarism controversy involving Cirque du Soleil's African-themed score, every chapter offers a mix of humor, intrigue, and critical reflection. This episode is an eye-opening journey into the strange and complex world of Scientology's film productions, packed with surprising revelations and personal anecdotes.Support the Show.BFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160/shareApple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 Spotify: ...

Legendary storytellers Rick Kaufman and Glenn Allen riff about their seminal book and upcoming series Played: The Games of the 1936 Berlin Olympics. They tell heartbreaking stories that help us conclude that the 1936 Olympics was the most significant games of all time. They have written this important book through the lens of historians, weaving important people and details together to tell the bigger story. The mentors of Rick and Glenn are no less than Ron Howard, President Bill Clinton, and Jonathan Demme. Both were taught to trust their own instincts. Purchase the book today and enjoy reading about American Olympic Committee President Avery Brundage, unmoved by the new Nazi regime's anti-Jewish doctrines. He leads the fight to participate in the 1936 Berlin Games after much debate of a U.S. boycott. Brundage desperately wants to be on the International Olympic Committee. If he doesn't get the Americans to Berlin, he can kiss that dream goodbye.When the vote is decided in Brundage's favor, AP Sports Editor, Alan J. Gould, friend and champion of the athletes, travels to Berlin to cover all of the “games” being played. Through his eyes we see the machinations of Brundage's complicity with the Nazis, the tenacity of the proud American athletes, and the extreme pressure from the Nazis on their German athletes. Their stories, heartbreaking and tragic, give rise to feats of heroism that go beyond the playing field.PLAYED is a cauldron of politics, sports, espionage and courage. Along the way we meet some of the most famous people of the time; Mae West, Charlie Chaplin, Franklin Delano Roosevelt, Joseph Goebbels, Leni Riefenstahl, Eva Braun and the madman himself, Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Continuamos el ciclo de programas dedicados a analizar 'Eichmann en Jerusalén: Un estudio sobre la banalidad del mal' y, en esta ocasión, nos acercamos a la música de Richard Wagner y al cine de la directora alemana Leni Riefenstahl. ¿Cuál ha sido su legado en la historia del cine? ¿Por qué la estética visual de 'El triunfo de la voluntad' y 'Olympia' ha sido tan estudiada? En este programa nos acercamos a la figura de una cineasta polémica que forma parte de la historia del séptimo arte. ¡La revolución ha comenzado! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Dan, Mike, and Jesse - along with special guests Grant, Jon, and Chef Bagels - dissect the infamous Area 51 Frantic Caller who caused a panic during his appearance on a 1997 episode of Coast To Coast AM. Special thanks to the Secret Transmission podcast for inviting us to weigh in on this controversial incident!All this and more in this fully remixed and remastered classic episode of Podcast 1289!

Nous sommes le 28 mars 1933, à Berlin. Quinze jour plus tôt, Joseph Goebbels est devenu ministre de l'Education du peuple et de la Propagande. Alors que le boycott antisémite mis en place par les nazis, doit entrer officiellement en vigueur le 1er avril, il écrit dans son journal : « Le cinéma ne peut redevenir sain que s'il revient à sa germanité et cherche les racines de sa force dans la nature allemande . » Le soir même, à l'hôtel Kaiserhof, devant le gratin du septième art, Goebbels annonce le programme des années à venir : « Nous sommes là, maintenant, martèle-t-il, nous ne partirons plus ! La révolution nationale ne se limitera pas uniquement à la politique, elle s'étendra aussi au cinéma. » Et c'est ainsi que comédies, mélodrames, films d'amour, musicaux ou policiers vont constituer le gros de la production du cinéma sous le national-socialisme, supplantant, en nombre, les films franchement antisémites et les documentaires, comme ceux de Leni Riefenstahl, exaltant la grandeur des aryens. Une industrie donc qui fait la part belle au divertissement, à l'image de la grande rivale hollywoodienne, que les studios de Babelsberg rêvent de concurrencer. Le cinéma allemand, au plus sombre de l'histoire du pays et de l'Europe, va connaître une sorte d'âge d'or. En effet, jamais il n'y eut autant de magazines pour parler de ses stars. Des actrices, notamment, adulées comme des icônes. Des déesses païennes que les nazis vont utiliser pour leur pouvoir de fascination sur le peuple allemand afin de lui faire oublier les horreurs de la guerre. Qui sont ces actrices ? Quels archétypes incarnent-elles ? Ont-elles été conscientes de la nature du régime auxquels elles ont participé ? Que sont devenues, après la guerre, les Zarah Leander, Marianne Hoppe ou Lilian Harvey ? Regardons en face un univers de paillettes et de torrents de sang… Invitée : Isabelle Mity, enseigne la langue et la civilisation allemandes à l'Université Paris-Dauphine. Autrice de : « Les actrices du IIIe Reich – Splendeurs et misères des icônes du Hollywood nazi » aux éditions Perrin. Sujets traités: III Reich, cinéma, actrices, propagande,Joseph Goebbels, nazis, films, Leni Riefenstahl,Zarah Leander, Marianne Hoppe, Lilian Harvey Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 15h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Piss perfumes 1918-2018 + Ray Müller's The Wonderful Horrible Life of Leni Riefenstahl (1993) with Anna Khachiyan of Red Scare 2/15/24 S6E16 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Vous aimez Stéphane Bern ? Vous allez adorer l'historienne Virginie Girod ! Aujourd'hui, en sa compagnie, vous allez découvrir le parcours d'une réalisatrice de talent, qui a beaucoup apporté au cinéma, mais dont l'histoire est liée à l'Allemagne nazie : Leni Riefenstahl.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/467-underwater-90598569 What happens when the most famous Nazi filmmaker makes a nature documentary at the ripe age of 100? We watch Leni Riefenstahl's UNDERWATER IMPRESSIONS (2002), and see if we can find any traces of fascism in the swan song of Hitler's favorite filmmaker. PLUS: Is the internet getting worse?