Podcast appearances and mentions of Roberto Rossellini

A comienzos de la década del 50, el binomio artístico-sentimental de Ingrid Bergman y Roberto Rossellini estaba plenamente consolidado. Pese al escándalo en Hollywood, a la mala prensa en Italia y la excomunión del Vaticano a ambos, el dúo se lanzó a explorar un terreno totalmente nuevo en la historia del audiovisual: el drama sicólogico existencial. Hijo directo de la inmensa crisis social y personal gatillada tras la posguerra, este nuevo tipo de filme indagaba en el trayecto social y espiritual de personajes sometidos a tensiones imposibles. Se trataba, en esencia, de un viaje interior que bebía de raíces melodramáticas, pero que superaba con mucho las convenciones del cine de género. En cierta forma, se trataba del origen de lo que alguna vez se conoció como cine arte, cine de autor o cine ensayo. La primera muestra de algo que más tarde desarrollarían multitud de cineastas, artistas como Bresson, Bergman, Fellini, Antonioni, Erice, Wenders, Kiarostami, Kieslowski y un largo listado que llega hasta nuestros días. Incluso así, y dicho todo lo anterior, Europa '51 todavía sorprende al narrar la historia de una mujer de clase alta quien, tras la muerte de su hijo, comienza a ver el mundo de una forma que nadie, ni siquiera sus más cercanos, pueden compartir. Es como si, de un momento a otro, el velo que tiene sobre los ojos se descorriese y comenzara a ver el mundo en términos totalmente espirituales, sin concesión alguna. Sobre esa situación imposible, sobre este logro artístico absoluto, sde discute en este podcast.

Mrparka's Weekly Reviews and Update Week 475 (06.20.2026) (Wake In Fright 4K, Mortal Kombat 4K)www.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00https://www.facebook.com/mrparkahttps://letterboxd.com/mrparka/https://www.patreon.com/mrparkahttps://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogKhttps://anchor.fm/mrparkahttps://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571Time Stamps 0:00“Wake in Fright” 4K Review - 0:18“Mortal Kombat” 4K Review - 9:54“Mortal Kombat: Annihilation" 4K Review - 16:35“Kingdom of the Silver Lion” Blu-Ray Reviews - 21:42“Earwig” Review - 25:56“Backrooms” Review - 30:491983 “Demons of Ludlow” Blu-Ray - 37:371983 “The Last Night” Review - 41:111983 “To Kill a Stranger” Review- 45:361983 “The Horror of it All” Review - 49:01Patreon Pick “Rome, Open City" Review - 51:28Questions/Answers/ Comments- 55:53Patreon Drawing- 1:00:5522 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/Podcast Under the Stairs – https://tputscast.com/podcastVideo Version –https://youtu.be/R378B7n8n70Links Arrow Video - https://www.arrowvideo.com/Wake in Fright 4K - https://mvdshop.com/products/wake-in-fright-limited-edition-4k-ultra-hdMortal Kombat 4K Kollection - https://mvdshop.com/products/mortal-kombat-limited-edition-4k-ultra-hdEureka Films -  https://eurekavideo.co.uk/Adventure Calls! Karl May at CCC Blu-Ray - https://mvdshop.com/products/adventure-calls-karl-may-at-ccc-4-disc-limited-edition-blu-raySeverin -  https://severinfilms.com/The Worlds Of Lucile Hadžihalilović Blu-Ray - https://severinfilms.com/products/the-worlds-of-lucile-hadzihalilovic-4-disc-blu-ray-box-setBackrooms JustWatch - Weird Wisconsin: The Films of Bill Rebane - https://www.amazon.com/Weird-Wisconsin-Rebane-Collection-Blu-ray/dp/B08Y4F8V37Magic, Myth & Mutilation: The Micro-Budget Cinema of Michael J Murphy, 1967-2015 Blu-ray- https://www.powerhousefilms.co.uk/products/magic-myth-mutilation-the-micro-budget-cinema-of-michael-j-murphy-1967-2015-leTo Kill a Stranger IMDb - https://www.imdb.com/title/tt0090179/The Horror of it All IMDb - https://www.imdb.com/title/tt0162992/Rome, Open City Blu-Ray - https://www.criterion.com/boxsets/689-roberto-rossellini-s-war-trilogyFilm Notes Wake in Fright 1971 Directed by Ted KotcheffMortal Kombat 1995 Directed by Paul W. S. AndersonMortal Kombat: Annihilation 1997 Directed by John R. LeonettiKingdom of the Silver Lion 1965 Directed by Franz Josef GottliebEarwig 2021 Directed by Lucile HadžihalilovićBackrooms 2026 Directed by Kane ParsonsThe Demons of Ludlow 1983 Directed by Bill RebaneThe Last Night 1982 Directed by Michael J. MurphyTo Kill a Stranger 1986 Directed by Juan López MoctezumaThe Horror of It All 1983 Directed by Gene Feldman, Suzette WinterRome, Open City 1945 Directed by Roberto Rossellini

In occasione del 2 giugno, ripercorriamo uno dei momenti cruciali della storia del nostro Paese, rivivendo le vicende che, nel giro di un paio di anni, avrebbero portato alla nascita della Repubblica italiana. Lo facciamo con il capolavoro di Roberto Rossellini, “Roma città aperta”: Anna Magnani e Aldo Fabrizi ci portano nella capitale occupata del 1944, quando la Resistenza partigiana è attiva contro il nazifascismo, mentre gli Alleati sbarcati in Sicilia risalgono la penisola.See omnystudio.com/listener for privacy information.

In the tenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the modernizing film language of Roberto Rossellini as he excavates his own deteriorating marriage through the lens of societal privilege, historical devastation, and personal isolation in the psychological road film Viaggio in Italia (1954).

durée : 00:06:11 - Les Nuits de France Culture - par : Albane Penaranda - En 1946, le réalisateur Roberto Rossellini est à Paris pour la projection de son film "Rome ville ouverte". Il évoque le choix des acteurs, le tournage avec les enfants, ses autres projets dont un film sur Naples, une ville qui symbolise selon lui les mutations sociales de l'époque. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA - invités : Roberto Rossellini Cinéaste italien Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:49:58 - Les Nuits de France Culture - par : Albane Penaranda - En janvier 1944, alors que Rome vient d'être libérée, Roberto Rossellini commence le tournage de "Rome, ville ouverte", avec Anna Magnani. Il montre des résistants italiens face au nazisme et au fascisme. En 1980 le film ressort, l'occasion pour "Le cinéma des cinéastes" de lui consacrer un numéro. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA - invités : Caroline Champetier Directrice de la photographie, Pierre Donnadieu , Philippe Collin Réalisateur, critique de cinéma Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with its second entry, Roberto Rossellini’s Rome, Open City. Made in the immediate aftermath of Nazi occupation and against the backdrop of a country still in crisis, the film merges neorealist observation with the tension and structure of a spy thriller. The conversation explores how the movie captures resistance not as myth but as lived experience, examining its radical immediacy and why the film stands as a blueprint for what revolutionary cinema could become.See omnystudio.com/listener for privacy information.

"Kontinental '25" is a Romanian absurdist black comedy-drama film written and directed by Radu Jude. It stars Eszter Tompa as a bailiff in Cluj-Napoca who faces a moral crisis when a homeless man she has evicted kills himself. Its title is inspired by the Roberto Rossellini film Europe '51. An international co-production between Romania, Brazil, Switzerland, the United Kingdom, and Luxembourg, the film premiered at the 2025 Berlin International Film Festival, where it won the Silver Bear for Best Screenplay. Jude was kind enough to return to the podcast and spend some time talking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from 1-2 Special. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Roberto Rossellini travels length of the Italian peninsula in the immediate aftermath of WWII to share 6 stories about the lives of Italian civilians and partisans and their relationships with foreign Allied troops.  Love, tragedy, heroism, and sacrifice result from the difficulties of communicating purpose and need of individuals confronted with the inhumane machine of war. *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Gillo Pontecorvo's Burn! (1969).

What does it mean to die?  What does it mean to truly live… on a road trip across Spain with Terence Stamp, John Hurt, and Tim Roth in a giant white Mercedes Benz?  Director Stephen Frears grabbles with these enduring questions in his sun-soaked take-down of the neo noir.  Ten Years after snitching on his compatriots, a criminal in hiding is rousted from his dreamy Spanish village life by two hit men sent to exact retribution.  But he seems oddly cool about it all.  What gives? *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Roberto Rossellini's Paisan - War Trilogy (1946). 

En el programa de hoy rescataremos del recuerdo el programa "A fondo" (RTVE, 1976), presentado por el periodista Joaquín Soler Serrano. A lo largo de sus decenas de programas, se entrevistaron a actores, escritores, directores de cine, pintores, científicos, arquitectos o políticos para conocer más acerca de ellos y acercarlos a la audiencia. Ha sido un programa de referencia en la televisión por su calidad tanto de los entrevistados como de la forma de desarrollar la entrevista. En este programa, seleccionamos algunos fragmentos de las entrevistas acordes a la temática de este programa: - Alberto Sols (bioquímico) - Ramón J. Sender (escritor) - Leandro Mbomio (periodista) - Roberto Rossellini (director de cine) - Quino (dibujante) - Luis Rosales (escritor) - Gabriel Celaya (escritor) - José Luis López Aranguren (filósofo) - Lydia Cabrera (etnógrafa) - Severo Ochoa (bioquímico) - Jorge Luis Borges (escritor) - Facundo Cabral (cantante) Música: Roger Subirana Mata: -"Island of light" Maryna: -"Uplifting Emotion Background" http://creativecommons.org/licenses/by-nc-sa/3.0/ Película: "Fahrenheit 451" (François Truffaut, 1966)

What is it about the Italians? The rich food. Thousands of years of incredible art and sculpture and music. Something's in the blood over there that produces a high concentration of moviemakers with incredible lush styles: Sergio Leone, Federico Fellini, Lucio Fulci, Mario Bava, and Dario Argento to name just a few. This week, Secret Movie Club founder.programmer Craig Hammill riffs on what it means to be a "stylist". And why Italian masters like Roberto Rossellini and Vittorio De Sica don't quite feel like part of that category because other traits of their moviemaking dominate.  Craig also tries explores why, even if your aesthetic is different, studying stylists is key to the craft. 

https://daredaniel.com/wp-content/uploads/2025/11/CANON-FODDER_S01_E51.mp3 Paisan (1946; Dir.: Roberto Rossellini) Canon Fodder Episode 51 Daniel and Corky keep it Neo-Real with their review of Italian Neo-Realist icon Roberto Rossellini’s highly influential Paisan. Rather than simple tales of heroes at war, Rossellini offers bitterness-tinged stories of tenuous brotherhood along the Allied path to victory. But did this WWII anthology leave your hosts battling a bulge, or do they have their heads up their Anzio? PAISAN (1946) FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #196 [tied] World premiere: September 1946 (Venice Film Festival) IMDB synopsis: “American military personnel interact warily with a variety of Italian locals over a year and a half in the push north during the Italian Campaign of WWII as German forces make their retreat.” CLIPS & CLIPPINGS Martin Scorsese presents Paisan The opening scenes “You can’t cross the road now.” Just watch the whole movie NEXT EPISODE’S MOVIE Metropolis (1927; Dir.: Fritz Lang) IMDB synopsis: “In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.” Our review of Metropolis comes out Dec. 16! Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Be sure to listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Paisan (1946) – Canon Fodder Episode 51 appeared first on Dare Daniel & Canon Fodder Podcasts.

FILMOTECAMURCIA.ES IMAGO CIVITASLunes 17 de noviembre / 20:45 horas Alemania, año cero (Germania, anno zero, Roberto Rossellini, 1948). Italia. 74'. Edmund, un niño de doce años, intenta sobrevivir a las duras condiciones de la postguerra alemana, especialmente en Berlín, una ciudad que ha quedado completamente derruida tras la Segunda Guerra Mundial. DEL LIENZO A LA PANTALLA Martes 18 de noviembre / 19:15 horasJohn Singer Sargent: Actitud y estilo (John Singer Sargent: Fashion and Swagger; David Bickerstaff, 2024). Reino Unido. 90'. John Singer Sargent es conocido como el mejor retratista de su época. Lo que hacía que sus retratos “imponentes” fueran notables era su control sobre sus modelos: lo que vestían y cómo se presentaban ante el público. A través de entrevistas con curadores, fashionistas contemporáneos e influencers de estilo, el documental explora cómo la práctica única de Sargent ha influido en el arte, la cultura y la moda moderna.Presenta: Rafaél Fuster. Museo Ramón Gaya. DÍA INTERNACIONAL DE LOS DERECHOS DE LA INFANCIAJueves 20 de noviembre de 2025 / 20:15 horas The Florida Project (Sean Baker, 2017). Estados Unidos. 115'. VOSEUna niña de 6 años y sus amigos pasan el verano en un pequeño motel muy próximo a Disneyworld, mientras sus padres y el resto de adultos que les rodean sufren aún los efectos de la crisis. Entrada libre hasta completar aforo ESTRENOS DE LA SEMANA Ahora me ves 3 (Ruben Fleischer, 112 min)Jessica Eisenbrg, Woody Harrelson, Dave Franco, Isla Fischer, Rosamund Pike Tercera entrega de la franquicia "Ahora me ves" (2013-2016). Los Cuatro Jinetes regresan junto a una nueva generación de ilusionistas en una extraordinaria aventura que contiene giros asombrosos, sorpresas alucinantes y trucos de magia nunca vistos en la gran pantalla. AHORA ME VES 3 vuelve a reunir el elenco original de la saga mientras incorpora nuevos rostros jóvenes y una villana de altos vuelos, Veronika Vanderberg, interpretada por la nominada al Oscar® Rosamund Pike. La larga marcha (Francis Lawrence, 108 min) novela: Stephen KingCooper Hoffman, David Johnson, Mark Hamill, Judy GreerEn un futuro distópico, cien adolescentes participan en una brutal competición conocida como "La larga marcha", donde deben caminar sin descanso: si se detienen o reducen la velocidad de la marcha, mueren. Solo uno sobrevivirá. Adaptación cinematográfica de la novela de Stephen King. Todos los lados de la cama (Samantha López Speranza, 112 min)Ernesto Alterio, Pilar Castro, Jan Buxaderas, Lucía CaraballoTras décadas sin verse, Javier (Ernesto Alterio) y Carlota (Pilar Castro) montan en cólera cuando descubren que sus hijos Óscar (Jan Buxaderas) y Julia (Lucía Caraballo) planean casarse. ¿Quién a su edad tiene una relación heteronormativa y exclusiva en 2025 con todo lo que les queda por experimentar? ¿Es que no les han enseñado nada como padres? Ni Paula (Natalia Verbeke), madre de Óscar; ni Rafa (Alberto San Juan), convertido en gurú contra las relaciones tóxicas; ni Pilar (María Esteve), wedding planner; ni su amigo Carlos (Secun de la Rosa), sirven de mucha ayuda a Javier y Carlota en su firme propósito de impedir la boda. Y aunque Julia y Óscar pertenecen a una generación en la que el amor, el sexo y las relaciones son más libres y respetuosas que las de sus padres, las tretas ruines de Javier y Carlota ponen todo patas arriba a medida que la fecha de la boda se acerca. Porque por mucho que todos ellos hayan explorado Todos los lados de la cama, en el amor y el sexo la única certeza es que nadie sabe nada.

Roberto Rossellini's 1946 World War II film Paisan has a unique structure: six vignettes following the American troops north from their landing in Sicily through Naples, Rome, Florence, Romagna, and the Po Delta. However, the film takes the perspective of the Italians, with the Americans more often than not naive outsiders. It is a fascinating exploration of the clash of cultures in the tragic scenarios of war and foreign occupation. One segment in particular will be very interesting to Catholics: an American priest serving as an army chaplain visits a Franciscan monastery along with his Protestant and Jewish chaplain counterparts and encounters a more intense and less ecumenical religiosity than he is accustomed to. SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to keep this podcast going: https://www.catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

Robbè, ma come ti era venuto in mente? L'immagine e la breve clip sono tratte da “Roma città aperta” di Roberto Rossellini (con Anna Magnani e Aldo Fabrizi, produzione Excelsa Film, 1945 all rights reserved)

Today's podcast is on The Flowers of St. Francis by Roberto Rossellini. We talked about faith-based films, running around in the mud with your boys, and the long-awaited return of the “God Check” segment. Get the full episode at patreon.com/extended_clip

Bruno Damini"Il primo a prender fuoco fu Totò"La Grande Storia di monsù Peppino cuoco erranteMinerva Edizioniwww.minervaedizioni.comA morire, come a vivere,nessuno te lo insegna,arrivi in fondo che non haiancora imparato a sufficienzaper insegnarlo ad altriMi chiamo Masotola Giuseppe, per tutti monsù Peppino, pure mia moglie mi chiamava così. Sono nato a Napoli nel 1889 e sono morto prima di morire quando ho smesso di cucinare.Maestro senza eredi, dopo una vita avventurosa che ha attraversato come un romanzo epico quasi un secolo di Grande Storia, Peppino decise di cancellare ogni traccia di sé, bruciando preziose lettere, attestati e fotografie: la trama della propria grande storia.Il primo a prender fuoco fu Totò, nella piccola istantanea scattata a Villa Olivella, lui col Principe e il conte Caetani, negli anni d'oro del cinema italiano quando Roberto Rossellini, Ingrid Bergman e George Sanders si riposavano a Torre del Greco durante le riprese di Viaggio in Italia.Il romanzo delle sue mille vite scorre sul confine dove la morte le ha corteggiate, prende corpo dai documenti scampati al maldestro autodafé e dai ricordi – quelli non prendono fuoco – anche di avvenimenti che il cuore avrebbe preferito cancellare.Bruno DaminiGiornalista e scrittore, parmigiano di nascita, infanzia e adolescenza fra Parma e Napoli, bolognese d'adozione. Fino al 2014 direttore comunicazione e marketing di Nuova Scena - Arena del Sole - Teatro Stabile di Bologna. Predilige frequentare i ristoranti dalla parte delle cucine e agli inviti nei salotti preferisce quelli nelle cantine. Nella sua cucina e nella pratica yoga trova equilibri altrimenti inarrivabili. Da quando ha fatto il baciamano a Jeanne Moreau ha ricordi sfocati di tutto il resto.Fra le sue recenti pubblicazioni, i racconti Tarabàcli, Cose di case che non vale la pena ricordare (CasadeiLibri, 2014); Bologna ombelico di tutto (Minerva, 2016); L'uovo di Marcello. Fame e fama dalla voce di grandi attori (Minerva, 2019), da cui sono state tratte 18 puntate per Rai Radio3; Buttami in pentola. La cucina degli avanzi per trasformare le zucche in carrozze (Pendragon, 2019); I Fagioli Ribelli (Minerva, 2021), da cui è nato l'omonimo progetto nazionale di educazione terapeutica all'alimentazione per i pazienti pediatrici con Malattia Renale Cronica approvato dal bando “Scienza Partecipata” dell'Istituto Superiore di Sanità; Borìdola! Ai bambini che saremo. Favoletta morale, con la postfazione di Moni Ovadia (Minerva, 2023); Il mondo dei Fagioli Ribelli. Il diritto alla normalità dei bambini con MRC (Minerva, 2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Thematic trilogies are fascinating and exciting. Though characters may reappear, they are really trilogies around a theme or fascination or concern. Italian master Roberto Rossellini rose to the top of world cinema in the 1940's with his trilogy of movies focused on World War II and its immediate after effects: Rome, Open City (1945), Paisan (1946), and Germany Year Zero (1948).  The first two movies deal with the war and the occupation of Italy first by Nazis then by American soldiers. The last movie suddenly jumps into the belly of the beast and examines immediate post-WWII deprivation from the point of view of a German boy and his struggling family in a bombed out Berlin.  These movies helped create and define Italian neo-realism and shared a singular focus on war's effects on everyday people. Secret Movie Club founder.programmer Craig Hammill talks about these movies and other interesting thematic trilogies like Wong Kar Wai's Love trilogy and Steven Spielberg's 9/11 trilogy along the way.  

Welcome to another Trilogies episode where Anders & Adam Holmes move (briefly) away from a Galaxy, Far, Far, Away to war torn Italy. This episode we look at Roberto Rossellini's War Trilogy. Roberto Rossellini (father of Isabella Rossellini, plus ex-father in law to Martin Scorsese) was one of the most prominent directors of Italian Neo-Realist Cinema. A film movement where its stories focused mainly on the poor and working class. Films about everyday life, poverty and oppression. Films shot on location and used primarily non-classically trained actors. Actors basically picked off the street essentially. The Bicycle Thieves is a perfect example of Italian Neo-Realism. The movement influenced French New Wave for example. Along with Rossellini, other Italian filmmakers like Vittorio De Sica and Luchino Visconti popularised this very influential film movement. Rossellini's Neo-Realist War Trilogy started with Rome, Open City (1945), Paisan (1946) and concluded with Germany Year Zero (1948). Some of the first post-war films made in Italy and films that helped shape Italian Neo-Realism. Rome, Open City has a rare 100% rating on Rotten Tomatoes and is part of the Vatican's Important Films list. It's listed under the category Values. We hope you like this episode and stay tuned for more Trilogies episode. We will be putting a pause on our Trilogies series and moving onto another series of episodes we have in the works: Fascism On Film. The first episode of that series will be on Andor & Rogue One: A Star Wars Story. Stay tuned for that and for more episodes of The Movies And Me. Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

A l'occasion du Festival de Cannes, plongez au coeur du star système et découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Plongez dans l'intimité des plus beaux couples d'acteurs et d'actrices avec Alice Deroide. Leur union fut une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices

"May the Force Be With You," and also May The 4th Be With You.The Holmes Brothers head back to the world of Star Wars to review The Prequel Trilogy. We're back with another Trilogies episode. The films in the trilogy include Episode I: The Phantom Menace (1999), Episode II: Attack of the Clones (2002) and Episode III: Revenge of the Sith (2005). Revenge of the Sith is currently being re-released in select cinemas to coincide with its twenty year anniversary.Before the rights of LucasFilm and the world of Star Wars were sold to Disney, George Lucas came back to finish the Star Wars saga with the Prequels. Whether you like the films or not, cinema and visual effects technology caught up with Lucas's vision and he was able to tell the full story in the way that he envisioned. He could finally show Podracers, Gungans, the planet Coruscant and also show how Anakin Skywalker became Darth Vader. There was a lot of hype and expectations around these films. Back in 1999 before the release of Episode I, people would buy tickets to other films just to see the trailer and then leave. This is way before YouTube. Today there has been a slight reappraisal of the films from some corners of cinema fans and lovers of all things Star Wars, compared to the critical bashing they all got during their original releases from fans, filmmakers and critics. The films were not as popular as the Original Trilogy. They did not receive the same love and acclaim at the time and a lot of the criticisms the films got were due to the writing, storytelling, characterisation and sometimes the VFX. Now many years later, where do you think we land on the films? Listen to the episode and find out.We hope you like this episode and stay tuned for more Trilogies episode. The next episode will be on The War Trilogy, directed by Italian filmmaker Roberto Rossellini.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out. Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

On this episode of What a Picture, Bryan and Hannah stoke the flames of Vesuvius with their conversation about Journey to Italy, the 1954 movie directed by Roberto Rossellini that ranks #72 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll.Email us at podcast@whatapicturepod.comWhat a Picture website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bryan's Social Media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music is "Phaser" by Static in Verona.

A l'occasion de la Saint-Valentin, découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Plongez dans l'intimité des plus beaux couples d'acteurs et d'actrices avec Alice Deroide. Leur union fut une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices

The American experiment with Democracy is in a perilous place with the re-election of Donald Trump. Art, and cinema, is inherently political by virtue of the time it was made, as well as the time in which we watch it. In the first episode of what will be a miniseries for the Sonic Cinema Podcast, we begin looking at the ways in which films have portrayed fascism and authoritarianism over the years. Joining me for this first episode is Jason from Binge Movies, and we take a deep dive into America, as well as three films that look at people standing up to authoritarianism- Charlie Chaplin's "The Great Dictator," Roberto Rossellini's "Rome, Open City" and Herbert Ross's "Footloose." I hope you enjoy!

Support Breaking Walls at https://www.patreon.com/thewallbreakers As Broadway Is My Beat was taking to the air on February 3rd, 1950, snow was on the ground. Three inches had fallen on the 1st. That Friday, nuclear physicist Klaus Fuchs was arrested by agents of Scotland Yard. He was charged with providing American atomic bomb secrets to the Soviet Union. The next day, U.S. Army Lieutenant General Leslie R. Groves testified before a joint congressional committee that, as a result of the secrets Fuchs gave the U.S.S.R., the Soviets had begun development of both atomic and hydrogen bombs. At the Cort Theatre In New York, Katharine Hepburn was starring in a production of Shakespeare's comedy, As You Like It. Located at 138 West 48th Street, The Cort was renamed the James Earl Jones theatre in 2022. Meanwhile The New York Daily News cover showed Ingrid Bergman, who'd just given birth to her son Robin Rossellini. The child was born out of wedlock. She filed for divorce from husband Dr. Peter Lindstrom, and shortly thereafter Stromboli premiered in American theaters. It was accompanied by a great deal of controversy from the affair between Bergman and director Roberto Rossellini. The pair would marry on May 24th, 1950. The biggest international news was coming out of England where a general election was to be held on January 23rd. With that in mind, Elmo Roper took to the air on CBS' The People Speak with more information.

Trump, stanotte l'inauguration day. Jovanotti tra Sanremo e il concerto in bici. La Ferrari di Ingrid Bergman, la relazione tra Anna Magnani e Roberto Rossellini. Ospite in studio Gianluca Torre.

On Episode 140 of Floating Through Film, we conclude our series picked by Dany, Roberto Rossellini! Dany starts the episode with various discussions on Rossellini's art and method, including a discussion on his use of the zoom lens. We then review the two films for this week, 1972's Blaise Pascal (53:53), and 1975's The Messiah (1:58:58). Episode Next Week: FTF Chain-Draft Music: - Intro: from Blaise Pascal - Break: The Messiah - Outro: The Messiah Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

Although her father was director Roberto Rossellini and her mother was actress Ingrid Bergman, Isabella Rossellini had little desire to work in the film industry when she arrived in New York City at 19 years old. She was sure that fashion was her calling—and by her late 20s, a few years after studying costume design at Manhattan's Finch College, she was appearing as a model in magazines such as Vogue and Interview. Not long after, Rossellini decided to join the family business: she was cast in her first American film in the early 1980s, before starring in David Lynch's haunting 1986 thriller, "Blue Velvet." Over the last few decades, Rossellini has only further demonstrated the breadth of her talent, working as a producer and director while still modeling and acting, most recently in the papal drama "Conclave," in which she co-stars alongside Ralph Fiennes, Stanley Tucci, and John Lithgow. On this week's episode of "Table for Two," the actress joins host Bruce Bozzi to discuss her relationship to her parents' work, how her style has changed with age, and why she went back to school in her mid-50s.See omnystudio.com/listener for privacy information.

On Episode 139 of Floating Through Film, we continue our series picked by Dany, Roberto Rossellini! Dany starts the episode with a discussion on Rossellini's shift to "Historical Neorealism". We then review the two films for this week, 1966's he Taking of Power by Louis XIV (45:37), and 1971's Socrates (1:42:38) Episode Next Week: Blaise Pascal + The Messiah Music: - Intro: from he Taking of Power by Louis XIV - Break: Socrates - Outro: Socrates Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

On Episode 138 of Floating Through Film, we continue our series picked by Dany, Roberto Rossellini! Dany starts the episode with a discussion on what it means to say that Rossellini's camera explores the "enigmatic rapport between people and the world: how people relate to landscape, to each other, to the transcendent. (Bergala)". He then relates this to a discussion on Rosselini's thoughts on acting, and how actors should be used in film (21:43). We then review the two films for this week, 1950's The Flowers of St. Francis (40:38), and 1959's India: Matri Bhumi (1:40:37). Episode Next Week: The Taking of Power by Louis XIV + Socrates Music: - Intro: from The Flowers of St. Francis - Break: India: Matri Bhumi - Outro: India: Matri Bhumi Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

On Episode 137 of Floating Through Film, we continue our new series picked by Dany, Roberto Rossellini! Dany starts the episode with a continuation of last week's discussion on what the term "neorealism" could possibly mean, specifically diving into what neorealism as a term meant to Rossellini personally. We then dive into two of the films he made with Ingrid Bergman, 1952's Europe '51 (40:01), and 1954's Voyage in Italy (1:44:54) Episode Next Week: The Flowers of St. Francis + India: Matri Bhumi Music: - Intro: from 'Europe 51 - Break: Voyage in Italy - Outro: Voyage in Italy (https://open.spotify.com/track/6jlU8q483EFuTmW41wcifK) Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

On Episode 136 of Floating Through Film, we begin our new series picked by Dany, Roberto Rossellini! Dany starts the episode with a discussion on what the term "Neorealism" could possibly mean (3:47), before reviewing two of the three movies from his "War Trilogy", 1946's Paisan (39:48), and 1948's Germany, Year Zero (1:59:49) Episode Next Week: Europe 51 + Voyage in Italy Music: - Intro: from Early Summer - Break: Germany, Year Zero - Outro: Paisan Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

After rising to fame as the world's highest-paid model in the early ‘80s, Isabella Rossellini broke away from convention with daring and experimental film roles in “Blue Velvet” and “Death Becomes Her.” In recent years, she's continued to follow her instincts by opening up her own hobby farm and only choosing to pursue projects that challenge her, like her new film, “Conclave,” which lifts the curtain on the Vatican's mysterious ceremony to elect a new pope. Isabella sits down with Tom Power to talk about the film, her early life growing up in Rome as the daughter of Ingrid Bergman and Roberto Rossellini, and how she got into the family business.

POP ART SAYS “WE'RE BACK”: I AM SPARTACUS–Episode 116, Total Recall/General della Rovere     “Consider this a divorce”. For these two films, I and Bubbawheat (Nate Winthrow) of the Fight Club Minute, had a great time discussing two films that ask the same question: are you who you are? Are you who you think you are? Or are you who others think you are?     We especially had a great discussion on such topics as modern trends in sci-fi films, the directors Roberto Rossellini and Paul Verhoeven, and the question posed above—who are we?     I highly recommend checking out Bubbawheat's The Fight Club Minute at https://rabbitholepodcasts.com/fight-club-minute/?fbclid=IwY2xjawFhYvZleHRuA2FlbQIxMAABHabC_Oj7cyrjZjbcTmWGipcCMz9rKGJV-A4gQ4plRj-bS9CnakgFvFp9CA_aem_37hJ3PNyt-HGxrWCe0r3MA   And his blog, Flights, Tights and Movie Nights https://flightstightsandmovienights.com/?fbclid=IwY2xjawFhYxZleHRuA2FlbQIxMAABHYbVJhuZr5W_5C7uGeqLyFBbIRkIB9L04wpn5J_gblEnrPPAk9h9qWNXeQ_aem_Ef9c5eMkE6rXbPsgART81Q   And It's Time to Rewind https://podcasters.spotify.com/pod/show/bubbawheat     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

This week Harrison will review "Journey To Italy" (1954) starring Ingrid Bergman and directed by Roberto Rossellini #journeytoitaly #IngridBergman #robertorossellini#reelyoldmovies Theme Song: "Swan Lake Op. 20, Act II" Pyotr Tchaikovsky https://youtu.be/xVBNVR1wQT8?si=LGZPuApzH1p_gX3m Social Media Links: https://linktr.ee/reelyoldmovies

Cet été dans Pépites, on vous propose de découvrir Les Vagues, le podcast co-produit par Louie Media et le magazine Elle où Marion Ruggieri interroge des personnalités sur le moment où elles se sont senties à leur place pour la première fois.Marion Ruggieri retrouve Isabella Rossellini près du musée du Louvre, à Paris, où elle a vécu quand elle était enfant. Mannequin star à 30 ans, mais aussi actrice, réalisatrice, et aujourd'hui fermière, Isabella Rossellini raconte les mille vies qu'elle a eu entre Rome, Paris et New York. Fille d'Ingrid Bergman et de Roberto Rossellini, elle a su s'affranchir de sa célèbre ascendance en se laissant guider par son insatiable curiosité et son goût de l'aventure qui la mèneront, à 50 ans passés, sur les bancs de l'école...Cet épisode des Vagues a été diffusé pour la première fois le 4 décembre 2023. Bonne écoute !

New episode out now! We delve into the strange dreamscape of David Lynch's 1986 film Blue Velvet. We discuss how the movie was conceived mostly through thoughts and feelings, and while it feels like a somewhat creepy nostalgia-tinted stream of consciousness, it has a fairly straightforward mystery plot after it all plays out. We reaffirm that Lynch is “still weird” and has his subversive way of examining the world, wonder which drugs were involved in making the movie, enjoy the nebulous pocket universe of a 1950s/1980s time period, and really understand how it received a polarized reception from critics and movie fans alike. We were emotionally unprepared for the film but had a good discussion debating the themes of “traumatized innocence”, misogyny, perversion, generational trauma, and men being creeps. Katy tells a story about the first time she saw Top Gun, Carrie shares a fact about a pickled ear in a jar, Maddy is a connoisseur of cute butts, and Mack gives some important tips to keep in mind when visiting Bunker Hill. We also talk about weird de-aging CGI, speculate on a Lynchian Return of the Jedi, try impressions of a famous bird, and share our favorite cheap beers. We would like to give a special thank you to Jason Henson, a friend of Carrie's, for his dossier of great information on the movie! Thank you Jason! Enjoy the episode listeners! TW: Sexual assault, domestic abuse, rape, drug use, voyeurism, coerced sex work, trafficking, misogyny, stalking, body mutilation, bullying, police corruption  Show Notes and Sources: David Lynch Theater YouTube Laura Dern Song Video (the Laura Dern part begins 2:05):  Gay Men's Chorus of Los Angeles Take The Stage | 2020 Spirit Awards Tumblr post Katy mentioned about the changes in film lighting techniques and practice: here “Blue Velvet: AN INTERVIEW WITH DAVID LYNCH” by Laurent Bouzereau and David Lynch, from Cinéaste , 1987, Vol. 15, No. 3 (1987), p. 39. JSTOR link here Jason Henson's Letterboxd  Jason's Sources for Carrie's dossier: Wild Card with Rachel Martin from NPR: David Lynch says he 'died a death' over the way his 'Dune' film turned out "Eraserhead is my most Spiritual Film" - David Lynch Wikipedia for Ronnie Rocket IndieWire article by Jamie Righetti: “‘Blue Velvet' Remembered: Isabella Rossellini and Kyle MacLachlan Praise David Lynch's On-Set Environment” Wikipedia for Ingrid Bergman about her relationship with Roberto Rossellini here Interview Magazine Dennis Hopper Part Two By Peter M. Brant and Tony Shafrazi The News Observer New NC film grant program comes with strings attached By Colin Campbell NYT contemporary review by Janet Maslin Blue Velvet | Review by Pauline Kael Washington Post contemporary review By Paul Attanasio  The 2022 edition of Sight & Sound Magazine's Greatest Films of All Time poll Box Office Mojo info

FilmBabble is BACK, and in full force! This week, Charlie and Antonio take a very brief trip to a certain European country, alongside the picturesque Ingrid Bergman and sour co-star George Sanders. "What will they find there?" you may be asking yourself. Perhaps we're asking ourselves the same question.Intro/outro music: 'Bossanova' by Liborio ContiJOURNEY TO ITALY (1954), Italy and France, written by Vitaliano Brancati and Roberto Rossellini, directed by Roberto Rossellini, cinematography by Enzo Serafin, featuring Ingrid Bergman and George Sanders.

durée : 00:57:25 - Toute une vie - "Rossellini m'a appris, écrira Truffaut, qu'un bon scénario doit tenir en douze pages, qu'il faut filmer les enfants avec plus de respect que n'importe quoi, que la caméra n'a pas plus d'importance qu'une fourchette et qu'il faut se dire avant chaque tournage : "Je fais ce film ou je crève".

Tonight we consider a highlight of Italian cinema, and world cinema in general: 1945's "Rome, Open City." Roberto Rossellini wanted to make a movie reflecting his and others' experiences living in Occupied Italy. He may have succeeded too much, as although "Rome, Open City" would become an honored part of Italy's hertigae, it was initially cold-shouldered by Italian audiences, who didn't want to be reminded of the situation they had lived for so long... asides include the embarassment of being young and highbrow, Pope Francis, junkie liars, and Italians' weird fixation on faces.  Drop us a line at worldwartwomovienight@gmail.com Check out our X at http://twitter.com/WWIIMovieNight 

durée : 00:58:28 - Toute une vie - par : Anaïs Kien - "Rossellini m'a appris, écrira Truffaut, qu'un bon scénario doit tenir en douze pages, qu'il faut filmer les enfants avec plus de respect que n'importe quoi, que la caméra n'a pas plus d'importance qu'une fourchette et qu'il faut se dire avant chaque tournage : "Je fais ce film ou je crève".

Jackie and Greg take a drive to Naples for Roberto Rossellini's JOURNEY TO ITALY from 1954. Topics of discussion include the film's minimalism, its frank treatment of a marriage on the rocks, Rossellini's scandalous affair with star Ingrid Bergman, and its influence on all of the "break-up films" that came afterwards, #41 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#72 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Internationally renowned actress, model, and individualist Isabella Rossellini is charm personified. She has a supporting role in Alice Rohrwacher's new import La Chimera,which opens in theaters March 29, and recently completed two seasons of Julia, playing Julia Child's longtime friend and cooking colleague. She also carries with her the torch lit by her famous parents, Ingrid Bergman and Roberto Rossellini and does so with grace and ease. Leonard and Jessie only had a half-hour with her but were happy to have had the opportunity.

Leur union fût une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Une histoire de spaghettis, de télégramme et de paparazzis. Une histoire d'amour. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Le mystère de la bête du Gévaudan : la naissance d'un monstre (1/4) Le mystère de la bête du Gévaudan : la chasse est ouverte (2/4) Le mystère de la bête du Gévaudan : la fin des massacres (3/4) Le mystère de la bête du Gévaudan : l'énigme enfin élucidée ? (4/4) Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices

David revisits the TV miniseries that attempts to recreate the cultural milieu of 15th century Florence in this first episode of Season 5: 1973.

David revisits the TV miniseries that attempts to recreate the cultural milieu of 15th century Florence in this first episode of Season 5: 1973.

durée : 01:00:15 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Comment Rossellini, qui vécu sous la période fasciste, devint-il l'un des pionniers du néo-réalisme au sortir de la Seconde Guerre mondiale ? Comment s'est-il évertué à filmer les conditions de vie des italiens, tant sous l'occupation que durant la reconstruction et l'exode rural des années 1950 ? - invités : Aurore Renaut Maîtresse de conférences en études cinématographiques et audiovisuelles, spécialiste du cinéma italien; Marie-Anne Matard-Bonucci Universitaire française, chercheuse à l'Institut français de géopolitique

Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“We're fighting for something that has to be, that can't help coming. The road may be long and hard, but we'll get there and we'll see a better world. And our children especially will see it.”Rome Wasn't Built in a Day, But This Movie Sure WasRome, Open City is adapted from a book of true stories about living through the Nazi occupation. Co-writer and director Roberto Rossellini took these tales of survival and wove them into a gripping drama about the Italian resistance. Filmed using non-professional actors and real Roman locations, the movie has a gritty, documentary feel. Join us – Pete Wright and Andy Nelson – as we conclude our series on the nominees of the 1947 Academy Awards for ‘Best Writing, Screenplay' with Rossellini's iconic 1945 film Rome, Open City. Reel Talk on Real LifeWe unpack this landmark of Italian neorealism that was filmed on the war-torn streets of Rome just months after the Nazi occupation ended. The filmmakers wanted to capture the rawness of life during wartime. Iconic scenes like Pina's death as she runs after the Nazi truck became cinematic landmarks. The movie birthed a whole movement in Italian neorealism.Women Navigating Impossible ChoicesPina, played unforgettably by Anna Magnani, is the fiancée of resistance fighter Francesco. Her violent death scene is one of the film's most wrenching moments. Dancer Marina gets caught up spying for the Nazis in exchange for drugs and fur coats. We see how she becomes compromised and is discarded when no longer useful. German officer Ingrid manipulates Marina through addiction. She represents the female face of Nazi villainy and moral corruption.War's Impact on the Next GenerationThe tragedy of the film is how war devastates the lives of children like Pina's son and the street boys who witness Pietro's death. Yet the image of these boys resolutely marching back into the city provides a hopeful note that the youth may lead Italy to a better future.Enduring Classic Is BornRome, Open City packs an emotional punch that holds up decades later. It's essential viewing for anyone interested in Italian cinema or World War II stories. This landmark film demonstrates how constraints can breed art and truth. So check it out then tune in! The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • Rome, Open City (01:45) - Script Origins and Size (05:52) - What Is an 'Open City'? (07:19) - Ticking Clock (10:40) - Nazi Portrayals (14:30) - Pina and the Resistance (16:12) - Shooting Style and the Story (20:13) - Italian Neo-Realism (24:30) - Within a Year of the War... Too Soon? (28:45) - Giorgio, Francesco, and Marina (35:26) - Don Pietro (37:50) - The Children (39:38) - Pina's Son and Francesco (42:37) - The Nominees (50:46) - Credits (52:39) - Trilogy (54:07) - Awards (54:50) - The Box Office (56:06) - Last Thoughts (56:59) - Coming Next Week • Death of a Salesman (59:52) - Letterboxd (01:02:35) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.

Ira and Louis discuss Bros' performance at the box office, Blonde's polarizing depiction of Marilyn Monroe, whether Hocus Pocus 2 is better than the first, Lena Dunham's Pride casket tweet, Kanye's White Lives Matter shirts, and Christian Walker's feud with his father Herschel. Plus, Hollywood royalty Isabella Rossellini joins to discuss her new one woman show Darwin's Smile, the enduring gay legacy of Death Becomes Her, and what she learned from her iconic parents Ingrid Bergman and Roberto Rossellini.