Italian film director and screenwriter
POPULARITY
6 episodes with Roberto Rossellini
5 episodes with Roberto Rossellini
4 episodes with Roberto Rossellini
3 episodes with Roberto Rossellini
3 episodes with Roberto Rossellini
3 episodes with Roberto Rossellini
3 episodes with Roberto Rossellini
3 episodes with Roberto Rossellini
5 episodes with Roberto Rossellini
Welcome to another Trilogies episode where Anders & Adam Holmes move (briefly) away from a Galaxy, Far, Far, Away to war torn Italy. This episode we look at Roberto Rossellini's War Trilogy. Roberto Rossellini (father of Isabella Rossellini, plus ex-father in law to Martin Scorsese) was one of the most prominent directors of Italian Neo-Realist Cinema. A film movement where its stories focused mainly on the poor and working class. Films about everyday life, poverty and oppression. Films shot on location and used primarily non-classically trained actors. Actors basically picked off the street essentially. The Bicycle Thieves is a perfect example of Italian Neo-Realism. The movement influenced French New Wave for example. Along with Rossellini, other Italian filmmakers like Vittorio De Sica and Luchino Visconti popularised this very influential film movement. Rossellini's Neo-Realist War Trilogy started with Rome, Open City (1945), Paisan (1946) and concluded with Germany Year Zero (1948). Some of the first post-war films made in Italy and films that helped shape Italian Neo-Realism. Rome, Open City has a rare 100% rating on Rotten Tomatoes and is part of the Vatican's Important Films list. It's listed under the category Values. We hope you like this episode and stay tuned for more Trilogies episode. We will be putting a pause on our Trilogies series and moving onto another series of episodes we have in the works: Fascism On Film. The first episode of that series will be on Andor & Rogue One: A Star Wars Story. Stay tuned for that and for more episodes of The Movies And Me. Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.
A l'occasion du Festival de Cannes, plongez au coeur du star système et découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Plongez dans l'intimité des plus beaux couples d'acteurs et d'actrices avec Alice Deroide. Leur union fut une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices
"May the Force Be With You," and also May The 4th Be With You.The Holmes Brothers head back to the world of Star Wars to review The Prequel Trilogy. We're back with another Trilogies episode. The films in the trilogy include Episode I: The Phantom Menace (1999), Episode II: Attack of the Clones (2002) and Episode III: Revenge of the Sith (2005). Revenge of the Sith is currently being re-released in select cinemas to coincide with its twenty year anniversary.Before the rights of LucasFilm and the world of Star Wars were sold to Disney, George Lucas came back to finish the Star Wars saga with the Prequels. Whether you like the films or not, cinema and visual effects technology caught up with Lucas's vision and he was able to tell the full story in the way that he envisioned. He could finally show Podracers, Gungans, the planet Coruscant and also show how Anakin Skywalker became Darth Vader. There was a lot of hype and expectations around these films. Back in 1999 before the release of Episode I, people would buy tickets to other films just to see the trailer and then leave. This is way before YouTube. Today there has been a slight reappraisal of the films from some corners of cinema fans and lovers of all things Star Wars, compared to the critical bashing they all got during their original releases from fans, filmmakers and critics. The films were not as popular as the Original Trilogy. They did not receive the same love and acclaim at the time and a lot of the criticisms the films got were due to the writing, storytelling, characterisation and sometimes the VFX. Now many years later, where do you think we land on the films? Listen to the episode and find out.We hope you like this episode and stay tuned for more Trilogies episode. The next episode will be on The War Trilogy, directed by Italian filmmaker Roberto Rossellini.Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out. Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.
On this episode of What a Picture, Bryan and Hannah stoke the flames of Vesuvius with their conversation about Journey to Italy, the 1954 movie directed by Roberto Rossellini that ranks #72 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll.Email us at podcast@whatapicturepod.comWhat a Picture website:https://whatapicturepod.comBryan's Social Media:Letterboxd |BlueskyMusic is "Phaser" by Static in Verona.
A l'occasion de la Saint-Valentin, découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Plongez dans l'intimité des plus beaux couples d'acteurs et d'actrices avec Alice Deroide. Leur union fut une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices
The American experiment with Democracy is in a perilous place with the re-election of Donald Trump. Art, and cinema, is inherently political by virtue of the time it was made, as well as the time in which we watch it. In the first episode of what will be a miniseries for the Sonic Cinema Podcast, we begin looking at the ways in which films have portrayed fascism and authoritarianism over the years. Joining me for this first episode is Jason from Binge Movies, and we take a deep dive into America, as well as three films that look at people standing up to authoritarianism- Charlie Chaplin's "The Great Dictator," Roberto Rossellini's "Rome, Open City" and Herbert Ross's "Footloose." I hope you enjoy!
Support Breaking Walls at https://www.patreon.com/thewallbreakers As Broadway Is My Beat was taking to the air on February 3rd, 1950, snow was on the ground. Three inches had fallen on the 1st. That Friday, nuclear physicist Klaus Fuchs was arrested by agents of Scotland Yard. He was charged with providing American atomic bomb secrets to the Soviet Union. The next day, U.S. Army Lieutenant General Leslie R. Groves testified before a joint congressional committee that, as a result of the secrets Fuchs gave the U.S.S.R., the Soviets had begun development of both atomic and hydrogen bombs. At the Cort Theatre In New York, Katharine Hepburn was starring in a production of Shakespeare's comedy, As You Like It. Located at 138 West 48th Street, The Cort was renamed the James Earl Jones theatre in 2022. Meanwhile The New York Daily News cover showed Ingrid Bergman, who'd just given birth to her son Robin Rossellini. The child was born out of wedlock. She filed for divorce from husband Dr. Peter Lindstrom, and shortly thereafter Stromboli premiered in American theaters. It was accompanied by a great deal of controversy from the affair between Bergman and director Roberto Rossellini. The pair would marry on May 24th, 1950. The biggest international news was coming out of England where a general election was to be held on January 23rd. With that in mind, Elmo Roper took to the air on CBS' The People Speak with more information.
Trump, stanotte l'inauguration day. Jovanotti tra Sanremo e il concerto in bici. La Ferrari di Ingrid Bergman, la relazione tra Anna Magnani e Roberto Rossellini. Ospite in studio Gianluca Torre.
On Episode 140 of Floating Through Film, we conclude our series picked by Dany, Roberto Rossellini! Dany starts the episode with various discussions on Rossellini's art and method, including a discussion on his use of the zoom lens. We then review the two films for this week, 1972's Blaise Pascal (53:53), and 1975's The Messiah (1:58:58). Episode Next Week: FTF Chain-Draft Music: - Intro: from Blaise Pascal - Break: The Messiah - Outro: The Messiah Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com
Although her father was director Roberto Rossellini and her mother was actress Ingrid Bergman, Isabella Rossellini had little desire to work in the film industry when she arrived in New York City at 19 years old. She was sure that fashion was her calling—and by her late 20s, a few years after studying costume design at Manhattan's Finch College, she was appearing as a model in magazines such as Vogue and Interview. Not long after, Rossellini decided to join the family business: she was cast in her first American film in the early 1980s, before starring in David Lynch's haunting 1986 thriller, "Blue Velvet." Over the last few decades, Rossellini has only further demonstrated the breadth of her talent, working as a producer and director while still modeling and acting, most recently in the papal drama "Conclave," in which she co-stars alongside Ralph Fiennes, Stanley Tucci, and John Lithgow. On this week's episode of "Table for Two," the actress joins host Bruce Bozzi to discuss her relationship to her parents' work, how her style has changed with age, and why she went back to school in her mid-50s.See omnystudio.com/listener for privacy information.
On Episode 139 of Floating Through Film, we continue our series picked by Dany, Roberto Rossellini! Dany starts the episode with a discussion on Rossellini's shift to "Historical Neorealism". We then review the two films for this week, 1966's he Taking of Power by Louis XIV (45:37), and 1971's Socrates (1:42:38) Episode Next Week: Blaise Pascal + The Messiah Music: - Intro: from he Taking of Power by Louis XIV - Break: Socrates - Outro: Socrates Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com
On Episode 138 of Floating Through Film, we continue our series picked by Dany, Roberto Rossellini! Dany starts the episode with a discussion on what it means to say that Rossellini's camera explores the "enigmatic rapport between people and the world: how people relate to landscape, to each other, to the transcendent. (Bergala)". He then relates this to a discussion on Rosselini's thoughts on acting, and how actors should be used in film (21:43). We then review the two films for this week, 1950's The Flowers of St. Francis (40:38), and 1959's India: Matri Bhumi (1:40:37). Episode Next Week: The Taking of Power by Louis XIV + Socrates Music: - Intro: from The Flowers of St. Francis - Break: India: Matri Bhumi - Outro: India: Matri Bhumi Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com
The Renaissance according to Roberto Rossellini
On Episode 137 of Floating Through Film, we continue our new series picked by Dany, Roberto Rossellini! Dany starts the episode with a continuation of last week's discussion on what the term "neorealism" could possibly mean, specifically diving into what neorealism as a term meant to Rossellini personally. We then dive into two of the films he made with Ingrid Bergman, 1952's Europe '51 (40:01), and 1954's Voyage in Italy (1:44:54) Episode Next Week: The Flowers of St. Francis + India: Matri Bhumi Music: - Intro: from 'Europe 51 - Break: Voyage in Italy - Outro: Voyage in Italy (https://open.spotify.com/track/6jlU8q483EFuTmW41wcifK) Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com
On Episode 136 of Floating Through Film, we begin our new series picked by Dany, Roberto Rossellini! Dany starts the episode with a discussion on what the term "Neorealism" could possibly mean (3:47), before reviewing two of the three movies from his "War Trilogy", 1946's Paisan (39:48), and 1948's Germany, Year Zero (1:59:49) Episode Next Week: Europe 51 + Voyage in Italy Music: - Intro: from Early Summer - Break: Germany, Year Zero - Outro: Paisan Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com
After rising to fame as the world's highest-paid model in the early ‘80s, Isabella Rossellini broke away from convention with daring and experimental film roles in “Blue Velvet” and “Death Becomes Her.” In recent years, she's continued to follow her instincts by opening up her own hobby farm and only choosing to pursue projects that challenge her, like her new film, “Conclave,” which lifts the curtain on the Vatican's mysterious ceremony to elect a new pope. Isabella sits down with Tom Power to talk about the film, her early life growing up in Rome as the daughter of Ingrid Bergman and Roberto Rossellini, and how she got into the family business.
POP ART SAYS “WE'RE BACK”: I AM SPARTACUS–Episode 116, Total Recall/General della Rovere “Consider this a divorce”. For these two films, I and Bubbawheat (Nate Winthrow) of the Fight Club Minute, had a great time discussing two films that ask the same question: are you who you are? Are you who you think you are? Or are you who others think you are? We especially had a great discussion on such topics as modern trends in sci-fi films, the directors Roberto Rossellini and Paul Verhoeven, and the question posed above—who are we? I highly recommend checking out Bubbawheat's The Fight Club Minute at https://rabbitholepodcasts.com/fight-club-minute/?fbclid=IwY2xjawFhYvZleHRuA2FlbQIxMAABHabC_Oj7cyrjZjbcTmWGipcCMz9rKGJV-A4gQ4plRj-bS9CnakgFvFp9CA_aem_37hJ3PNyt-HGxrWCe0r3MA And his blog, Flights, Tights and Movie Nights https://flightstightsandmovienights.com/?fbclid=IwY2xjawFhYxZleHRuA2FlbQIxMAABHYbVJhuZr5W_5C7uGeqLyFBbIRkIB9L04wpn5J_gblEnrPPAk9h9qWNXeQ_aem_Ef9c5eMkE6rXbPsgART81Q And It's Time to Rewind https://podcasters.spotify.com/pod/show/bubbawheat Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support
This week Harrison will review "Journey To Italy" (1954) starring Ingrid Bergman and directed by Roberto Rossellini #journeytoitaly #IngridBergman #robertorossellini#reelyoldmovies Theme Song: "Swan Lake Op. 20, Act II" Pyotr Tchaikovsky https://youtu.be/xVBNVR1wQT8?si=LGZPuApzH1p_gX3m Social Media Links: https://linktr.ee/reelyoldmovies
Cet été dans Pépites, on vous propose de découvrir Les Vagues, le podcast co-produit par Louie Media et le magazine Elle où Marion Ruggieri interroge des personnalités sur le moment où elles se sont senties à leur place pour la première fois.Marion Ruggieri retrouve Isabella Rossellini près du musée du Louvre, à Paris, où elle a vécu quand elle était enfant. Mannequin star à 30 ans, mais aussi actrice, réalisatrice, et aujourd'hui fermière, Isabella Rossellini raconte les mille vies qu'elle a eu entre Rome, Paris et New York. Fille d'Ingrid Bergman et de Roberto Rossellini, elle a su s'affranchir de sa célèbre ascendance en se laissant guider par son insatiable curiosité et son goût de l'aventure qui la mèneront, à 50 ans passés, sur les bancs de l'école...Cet épisode des Vagues a été diffusé pour la première fois le 4 décembre 2023. Bonne écoute !
New episode out now! We delve into the strange dreamscape of David Lynch's 1986 film Blue Velvet. We discuss how the movie was conceived mostly through thoughts and feelings, and while it feels like a somewhat creepy nostalgia-tinted stream of consciousness, it has a fairly straightforward mystery plot after it all plays out. We reaffirm that Lynch is “still weird” and has his subversive way of examining the world, wonder which drugs were involved in making the movie, enjoy the nebulous pocket universe of a 1950s/1980s time period, and really understand how it received a polarized reception from critics and movie fans alike. We were emotionally unprepared for the film but had a good discussion debating the themes of “traumatized innocence”, misogyny, perversion, generational trauma, and men being creeps. Katy tells a story about the first time she saw Top Gun, Carrie shares a fact about a pickled ear in a jar, Maddy is a connoisseur of cute butts, and Mack gives some important tips to keep in mind when visiting Bunker Hill. We also talk about weird de-aging CGI, speculate on a Lynchian Return of the Jedi, try impressions of a famous bird, and share our favorite cheap beers. We would like to give a special thank you to Jason Henson, a friend of Carrie's, for his dossier of great information on the movie! Thank you Jason! Enjoy the episode listeners! TW: Sexual assault, domestic abuse, rape, drug use, voyeurism, coerced sex work, trafficking, misogyny, stalking, body mutilation, bullying, police corruption Show Notes and Sources: David Lynch Theater YouTube Laura Dern Song Video (the Laura Dern part begins 2:05): Gay Men's Chorus of Los Angeles Take The Stage | 2020 Spirit Awards Tumblr post Katy mentioned about the changes in film lighting techniques and practice: here “Blue Velvet: AN INTERVIEW WITH DAVID LYNCH” by Laurent Bouzereau and David Lynch, from Cinéaste , 1987, Vol. 15, No. 3 (1987), p. 39. JSTOR link here Jason Henson's Letterboxd Jason's Sources for Carrie's dossier: Wild Card with Rachel Martin from NPR: David Lynch says he 'died a death' over the way his 'Dune' film turned out "Eraserhead is my most Spiritual Film" - David Lynch Wikipedia for Ronnie Rocket IndieWire article by Jamie Righetti: “‘Blue Velvet' Remembered: Isabella Rossellini and Kyle MacLachlan Praise David Lynch's On-Set Environment” Wikipedia for Ingrid Bergman about her relationship with Roberto Rossellini here Interview Magazine Dennis Hopper Part Two By Peter M. Brant and Tony Shafrazi The News Observer New NC film grant program comes with strings attached By Colin Campbell NYT contemporary review by Janet Maslin Blue Velvet | Review by Pauline Kael Washington Post contemporary review By Paul Attanasio The 2022 edition of Sight & Sound Magazine's Greatest Films of All Time poll Box Office Mojo info
FilmBabble is BACK, and in full force! This week, Charlie and Antonio take a very brief trip to a certain European country, alongside the picturesque Ingrid Bergman and sour co-star George Sanders. "What will they find there?" you may be asking yourself. Perhaps we're asking ourselves the same question.Intro/outro music: 'Bossanova' by Liborio ContiJOURNEY TO ITALY (1954), Italy and France, written by Vitaliano Brancati and Roberto Rossellini, directed by Roberto Rossellini, cinematography by Enzo Serafin, featuring Ingrid Bergman and George Sanders.
durée : 00:57:25 - Toute une vie - "Rossellini m'a appris, écrira Truffaut, qu'un bon scénario doit tenir en douze pages, qu'il faut filmer les enfants avec plus de respect que n'importe quoi, que la caméra n'a pas plus d'importance qu'une fourchette et qu'il faut se dire avant chaque tournage : "Je fais ce film ou je crève".
Tonight we consider a highlight of Italian cinema, and world cinema in general: 1945's "Rome, Open City." Roberto Rossellini wanted to make a movie reflecting his and others' experiences living in Occupied Italy. He may have succeeded too much, as although "Rome, Open City" would become an honored part of Italy's hertigae, it was initially cold-shouldered by Italian audiences, who didn't want to be reminded of the situation they had lived for so long... asides include the embarassment of being young and highbrow, Pope Francis, junkie liars, and Italians' weird fixation on faces. Drop us a line at worldwartwomovienight@gmail.com Check out our X at http://twitter.com/WWIIMovieNight
durée : 00:58:28 - Toute une vie - par : Anaïs Kien - "Rossellini m'a appris, écrira Truffaut, qu'un bon scénario doit tenir en douze pages, qu'il faut filmer les enfants avec plus de respect que n'importe quoi, que la caméra n'a pas plus d'importance qu'une fourchette et qu'il faut se dire avant chaque tournage : "Je fais ce film ou je crève".
Jackie and Greg take a drive to Naples for Roberto Rossellini's JOURNEY TO ITALY from 1954. Topics of discussion include the film's minimalism, its frank treatment of a marriage on the rocks, Rossellini's scandalous affair with star Ingrid Bergman, and its influence on all of the "break-up films" that came afterwards, #41 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#72 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
What is the fate of a once great empire after it has comprehensively fallen? How do we find our bearings in places filled with all walks of life? From where is modern political power sourced? In focusing on films set in Rome, this week's episode considers the history of Western civilisation and contemplates whether it is underpinned by any timeless values. Email us at contact@jimmybernasconi.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/2xxfm-sacredcinema/message
La Spitalul municipal din Split s-au realizat primele intervenții chirurgicale cu ajutorul robotului Hugo Ras, al companiei americane ”Medtronic”, primul robot medical de acest tip din spitalele din Croația. Robotul a intrat în dotarea spitalului în urma unei investiții de 5,6 milioane de euro, finanțate prin Planul Național de Redresare și Reziliență al Uniunii Europene. Este o tehnologie ultramodernă care permite realizarea de operații minim invazive, cu grad înalt de dificultate, în urma cărora conducerea spitalului așteaptă cele mai bune rezultate în tratamentul pacienților, scrie ziarul 24Sata din Zagreb .”Este o zi istorică pentru noi și pentru medicina din Croația. Spitalul nostru va deveni cel mai probabil un centru de instruire în chirurgia robotică unic în regiune”, a declarat directorul spitalului.El a precizat că chirurgii vor fi în continuare cei care realizează operațiile, dar datorită asistenței robotice precizia și eficiența mișcărilor necesare în timpul operației propriuzise va fi incomparabil mai bună decât în cazul chirurgiei clasice.Primele operații asistate de robot au vizat domeniul chirurgiei abdominale, în perioada următoare urmând a fi realizate și operații de chirurgie toracică, urologică, ginecologică și pediatrică. Serbia: Tinerii și presiunea vieții moderneȘomajul, calitatea educației, lipsa justiției, nerespectarea valorilor democratice sunt doar câteva dintre problemele care îi afectează pe studenți și pe tineri în general în Serbia. Este motivul pentru care studenții Facultății de artă dramatică din Belgrad au decis ca tema principală a ediției din acest an a Festivalului de Teatru Studențesc să fie presiunea pe care viața modernă o pune asupra tinerilor, transmite publicația Danas.Potrivit recensământului din 2022, tinerii reprezintă 15,76% din populația țării, în timp ce șomajul în rândul tinerilor este de 18,43% din totalul șomerilor. Două treimi dintre absolvenții de facultate nu lucrează în domeniile pentru care s-au pregătit, iar 12% dintre studenți sunt obligați să-și abandoneze studiile pe parcurs din rațiuni financiare.Cei mai mulți tineri sârbi consideră că nu valoarea sau competențele profesionale ci ”relațiile personale și apartenența politică sunt cele mai importante criterii practice pentru găsirea unui loc de muncă decent”.Studenții de la artă dramatică sunt hotărâți să lanseze o dezbatere la nivel național pe tema tuturor acestor probleme, cu ocazia celei de a 19-a ediții a Festivalului de teatru studențesc programat pentru perioada 20-25 mai a.c.Festivalul va fi inaugurat cu un spectacol susținut de studenții Academiei naționale de artă dramatică din Polonia. Vor susține de asemenea spectacole trupe ale academiilor de teatru din Bulgaria, Grecia, România și Croația. Marele regizor Veljko Bulajić a încetat din viațăUnul dintre cei mai mari regizori din fosta Iugoslavie, Veljko Bulajić, de două ori membru al juriului Festivalului de film de la Cannes și laureat al mai multor festivaluri internaționale, printre care cel de la Monte Carlo, a încetat din viață recent la vârsta de 97 de ani.Filmele sale, precum ”Bătălia de la Neretva” (1969), ”Asasinatul de la Sarajevo” (1975), ”Trenul fără orar” (1959) sau Uprising (1961), vor rămâne pentru totdeauna în istoria cinematografiei iugoslave, transmite canalul Aljazeera, secțiunea pentru țările din Balcani.A fost prieten cu celebrul pictor spaniol Pablo Picasso, căruia i-a cerut să realizeze afișul filmului său ”Bătălia de la Neretva”. Potrivit legendei, Picasso ar fi acceptat cerând în schimb o ladă de sticle cu cel mai bun vin din Iugoslavia, dar liderul comunist Josep Broz Tito, auzind despre cererea pictorului, i-a trimis acestuia nu o ladă, ci un vagon cu sticle de vin, amintește sursa citată.Veljko Bulajić s-a născut la 22 martie 1928 în satul Vilusi din actualul Muntenegru. A trăit până la al doilea război mondial la Sarajevo. În 1941 s-a înrolat în trupele de partizani și a luptat împotriva ocupanților alături de frații săi, dintre care unul și-a pierdut viața în luptă. După război și-a încheiat studiile la Sarajevo, apoi a început să lucreze ca jurnalist la Zagreb. După ce a regizat câteva piese de teatru și filme documentare, a fost admis la "Centro Sperimentale di Cinematografia" unde a urmat cursuri susținute de giganți ai cinematografiei italiene, precum Roberto Rossellini, Luciano Visconti, sau Vittorio De Sica. A realizat primul său film, ”Trenul fără orar”, la vârsta de 27 de ani. Muntenegru: Facilități pentru recuperarea datoriilor fiscaleMinisterul de finanțe a lansat în dezbatere publică un proiect de lege care vizează anularea dobânzilor pentru plata la bugetul de stat a taxelor și impozitelor restante începând cu 1 ianuarie 2025, transmite publicația Vijesti.Anularea dobânzilor ar urma să se aplice tuturor datoriilor fiscale – impozite, taxe, cotizații și alte cheltuieli.Potrivit datelor ministerului, datoria fiscală se ridica la sfârșitul anului trecut la 591,7 milioane de euro iar dobânzile la datoria de bază erau de 228, 3 milioane de euro.”Aplicarea acestei soluții legislative va crește gradul de încasare a creanțelor fiscale, va diminua datoria publică și va încuraja debitorii să-și plătească în totalitate datoriile”, au transmis reprezentanții ministerului, care explică faptul că măsura nu presupune nici un fel de cheltuieli noi din partea cetățenilor sau a agenților economici. Au contribuit la redactarea Revistei presei Europa Plus:Ilvana Halilović - Bosnia-Herțegovina; Mia Kruẑić - Muntenegru; Daria Marković - Serbia; Jelena Bistrović - Croația Europa Plus este un proiect RFI România realizat în parteneriat cu Agenția Universitară a Francofoniei
Neste episódio, Alexandre, Tony e Luísa recebem o jornalista e crítico Rafael Amaral (do blog Palavras de Cinema), para conversarem sobre aquele que é um dos movimentos mais debatidos e mais influentes da história do cinema: o neorrealismo italiano. Ao longo do episódio, são percorrido o antes, o durante e o depois do movimento, com destaque para oito filmes (dois escolhidos por cada um dos participantes): "Prisioneiros do Mar" ("Uomini sul Fondo", 1941, Francesco de Robertis), "Obsessão" ("Ossessione", 1943, Luchino Visconti), "Roma, Cidade Aberta" ("Roma, Città Aperta", 1945, Roberto Rossellini), "Angelina, a Deputada" ("L'Onorevole Angelina", 1947, Luigi Zampa), "Sob o Sol de Roma" ("Sotto il Sole di Roma", 1948, Renato Castellani), "Arroz Amargo" ("Riso Amaro", 1949, Giuseppe De Santis), "Stromboli" (idem, 1950, Roberto Rossellini) e "Umberto D" (idem, 1952, Vittorio De Sica).
Internationally renowned actress, model, and individualist Isabella Rossellini is charm personified. She has a supporting role in Alice Rohrwacher's new import La Chimera,which opens in theaters March 29, and recently completed two seasons of Julia, playing Julia Child's longtime friend and cooking colleague. She also carries with her the torch lit by her famous parents, Ingrid Bergman and Roberto Rossellini and does so with grace and ease. Leonard and Jessie only had a half-hour with her but were happy to have had the opportunity.
Leur union fût une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Une histoire de spaghettis, de télégramme et de paparazzis. Une histoire d'amour. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Le mystère de la bête du Gévaudan : la naissance d'un monstre (1/4) Le mystère de la bête du Gévaudan : la chasse est ouverte (2/4) Le mystère de la bête du Gévaudan : la fin des massacres (3/4) Le mystère de la bête du Gévaudan : l'énigme enfin élucidée ? (4/4) Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices
David revisits the TV miniseries that attempts to recreate the cultural milieu of 15th century Florence in this first episode of Season 5: 1973.
David revisits the TV miniseries that attempts to recreate the cultural milieu of 15th century Florence in this first episode of Season 5: 1973.
durée : 01:00:15 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Comment Rossellini, qui vécu sous la période fasciste, devint-il l'un des pionniers du néo-réalisme au sortir de la Seconde Guerre mondiale ? Comment s'est-il évertué à filmer les conditions de vie des italiens, tant sous l'occupation que durant la reconstruction et l'exode rural des années 1950 ? - invités : Aurore Renaut Maîtresse de conférences en études cinématographiques et audiovisuelles, spécialiste du cinéma italien; Marie-Anne Matard-Bonucci Universitaire française, chercheuse à l'Institut français de géopolitique
Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“We're fighting for something that has to be, that can't help coming. The road may be long and hard, but we'll get there and we'll see a better world. And our children especially will see it.”Rome Wasn't Built in a Day, But This Movie Sure WasRome, Open City is adapted from a book of true stories about living through the Nazi occupation. Co-writer and director Roberto Rossellini took these tales of survival and wove them into a gripping drama about the Italian resistance. Filmed using non-professional actors and real Roman locations, the movie has a gritty, documentary feel. Join us – Pete Wright and Andy Nelson – as we conclude our series on the nominees of the 1947 Academy Awards for ‘Best Writing, Screenplay' with Rossellini's iconic 1945 film Rome, Open City. Reel Talk on Real LifeWe unpack this landmark of Italian neorealism that was filmed on the war-torn streets of Rome just months after the Nazi occupation ended. The filmmakers wanted to capture the rawness of life during wartime. Iconic scenes like Pina's death as she runs after the Nazi truck became cinematic landmarks. The movie birthed a whole movement in Italian neorealism.Women Navigating Impossible ChoicesPina, played unforgettably by Anna Magnani, is the fiancée of resistance fighter Francesco. Her violent death scene is one of the film's most wrenching moments. Dancer Marina gets caught up spying for the Nazis in exchange for drugs and fur coats. We see how she becomes compromised and is discarded when no longer useful. German officer Ingrid manipulates Marina through addiction. She represents the female face of Nazi villainy and moral corruption.War's Impact on the Next GenerationThe tragedy of the film is how war devastates the lives of children like Pina's son and the street boys who witness Pietro's death. Yet the image of these boys resolutely marching back into the city provides a hopeful note that the youth may lead Italy to a better future.Enduring Classic Is BornRome, Open City packs an emotional punch that holds up decades later. It's essential viewing for anyone interested in Italian cinema or World War II stories. This landmark film demonstrates how constraints can breed art and truth. So check it out then tune in! The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • Rome, Open City (01:45) - Script Origins and Size (05:52) - What Is an 'Open City'? (07:19) - Ticking Clock (10:40) - Nazi Portrayals (14:30) - Pina and the Resistance (16:12) - Shooting Style and the Story (20:13) - Italian Neo-Realism (24:30) - Within a Year of the War... Too Soon? (28:45) - Giorgio, Francesco, and Marina (35:26) - Don Pietro (37:50) - The Children (39:38) - Pina's Son and Francesco (42:37) - The Nominees (50:46) - Credits (52:39) - Trilogy (54:07) - Awards (54:50) - The Box Office (56:06) - Last Thoughts (56:59) - Coming Next Week • Death of a Salesman (59:52) - Letterboxd (01:02:35) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.
Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“We're fighting for something that has to be, that can't help coming. The road may be long and hard, but we'll get there and we'll see a better world. And our children especially will see it.”Rome Wasn't Built in a Day, But This Movie Sure WasRome, Open City is adapted from a book of true stories about living through the Nazi occupation. Co-writer and director Roberto Rossellini took these tales of survival and wove them into a gripping drama about the Italian resistance. Filmed using non-professional actors and real Roman locations, the movie has a gritty, documentary feel. Join us – Pete Wright and Andy Nelson – as we conclude our series on the nominees of the 1947 Academy Awards for ‘Best Writing, Screenplay' with Rossellini's iconic 1945 film Rome, Open City. Reel Talk on Real LifeWe unpack this landmark of Italian neorealism that was filmed on the war-torn streets of Rome just months after the Nazi occupation ended. The filmmakers wanted to capture the rawness of life during wartime. Iconic scenes like Pina's death as she runs after the Nazi truck became cinematic landmarks. The movie birthed a whole movement in Italian neorealism.Women Navigating Impossible ChoicesPina, played unforgettably by Anna Magnani, is the fiancée of resistance fighter Francesco. Her violent death scene is one of the film's most wrenching moments. Dancer Marina gets caught up spying for the Nazis in exchange for drugs and fur coats. We see how she becomes compromised and is discarded when no longer useful. German officer Ingrid manipulates Marina through addiction. She represents the female face of Nazi villainy and moral corruption.War's Impact on the Next GenerationThe tragedy of the film is how war devastates the lives of children like Pina's son and the street boys who witness Pietro's death. Yet the image of these boys resolutely marching back into the city provides a hopeful note that the youth may lead Italy to a better future.Enduring Classic Is BornRome, Open City packs an emotional punch that holds up decades later. It's essential viewing for anyone interested in Italian cinema or World War II stories. This landmark film demonstrates how constraints can breed art and truth. So check it out then tune in! The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • Rome, Open City (01:45) - Script Origins and Size (05:52) - What Is an 'Open City'? (07:19) - Ticking Clock (10:40) - Nazi Portrayals (14:30) - Pina and the Resistance (16:12) - Shooting Style and the Story (20:13) - Italian Neo-Realism (24:30) - Within a Year of the War... Too Soon? (28:45) - Giorgio, Francesco, and Marina (35:26) - Don Pietro (37:50) - The Children (39:38) - Pina's Son and Francesco (42:37) - The Nominees (50:46) - Credits (52:39) - Trilogy (54:07) - Awards (54:50) - The Box Office (56:06) - Last Thoughts (56:59) - Coming Next Week • Death of a Salesman (59:52) - Letterboxd (01:02:35) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.
durée : 00:58:40 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Comment Rossellini, qui vécu sous la période fasciste, devint-il l'un des pionniers du néo-réalisme au sortir de la Seconde Guerre mondiale ? Comment s'est-il évertué à filmer les conditions de vie des italiens, tant sous l'occupation que durant la reconstruction et l'exode rural des années 1950 ? - invités : Aurore Renaut Maîtresse de conférences en études cinématographiques et audiovisuelles, spécialiste du cinéma italien; Marie-Anne Matard-Bonucci Professeure d'histoire contemporaine à l'université Paris 8
Since we started Criteria: The Catholic Film Podcast in May 2020, we've been hosting in-depth discussions of movies from the Vatican's 1995 list of important films. Now, after three years, we've finished discussing all 45 films - and in this episode, together with Catholic filmmaker Nathan Douglas, we're taking a look back at the list as a whole. After discussing how and why the Vatican film list (actually titled "Some Important Films") was made, and putting it in the context of several decades of concern from the highest levels of the Vatican about the social and moral influence of cinema, we talk about our favorite and least favorite films on the Vatican's list, as well as the movies we think should be added in a hypothetical future update of the list. Ultimately, watching through the entire Vatican film list is not only an education in the classics of world cinema, but also gives important perspective on the strengths and weaknesses of past cinematic engagement with religion, allowing us to see both the potential fruit that could be borne and the dead ends that should be avoided in the Catholic cinema of the future. 0:00 Introduction 11:31 History behind the Vatican film list 43:34 What films should be removed from the list? 1:24:10 Our favorite films on the list 1:55:30 What films should have been included that weren't? 2:34:09 What post-1995 films would we add? 3:00:19 The most Catholic/edifying films on the list Links Pope St. John Paul II's address on the 100th birthday of cinema https://www.vatican.va/content/john-paul-ii/en/speeches/1995/march/documents/hf_jp-ii_spe_19950317_plen-pccs.html "100 Years of Cinema" document from the Pontifical Council of Social Communications with model curriculum https://www.vatican.va/roman_curia/pontifical_councils/pccs/documents/rc_pc_pccs_doc_19960101_100-cinema_en.html Below is the 1995 list by the Pontifical Council for Social Communications, "Some Important Films" (with links to our episode on each film): Religion Andrei Rublev, Andrei Tarkovsky (1969, USSR) The Mission, Roland Joffé (1986, UK) The Passion of Joan of Arc, Carl T. Dreyer (1928, France) Vie et passion du Christ (Life and Passion of Christ), Ferdinand Zecca and Lucien Nonguet (1905, France) The Flowers of St. Francis, Roberto Rossellini (1950, Italy) The Gospel According to Matthew, Pier Paolo Pasolini (1964, France/Italy) Thérèse, Alain Cavalier (1986, France) Ordet (The Word), Carl T. Dreyer (1955, Denmark) The Sacrifice, Andrei Tarkowsky (1986, Sweden/UK/France) Francesco, Liliana Cavani (1989, Italy/Germany) Ben-Hur, William Wyler (1959, USA) Babette's Feast, Gabriel Axel (1987, Denmark) Nazarín, Luis Buñuel (1958, Mexico) Monsieur Vincent, Maurice Cloche (1947, France) A Man for All Seasons, Fred Zinnemann (1966, UK) Values Gandhi, Richard Attenborough (1982, UK/USA/India) Intolerance, D. W. Griffith (1916, USA) Dekalog (The Decalogue), Krzysztof Kieslowski (1987, Poland) Au Revoir, Les Enfants (Goodbye, Children), Louis Malle (1987, France) Dersu Uzala, Akira Kurosawa (1974, Japan) The Tree of Wooden Clogs, Ermanno Olmi (1978, Italy/France) Rome, Open City, Roberto Rossellini (1946, Italy) Wild Strawberries, Ingmar Bergman (1957, Sweden) The Seventh Seal, Ingmar Bergman (1957, Sweden) Chariots of Fire, Hugh Hudson (1981, UK) Bicycle Thieves, Vittorio de Sica (1948, Italy) It's a Wonderful Life, Frank Capra (1946, USA) Schindler's List, Steven Spielberg (1993, USA) On the Waterfront, Elia Kazan (1954, USA) The Burmese Harp, Kon Ichikawa (1956, Japan) Art 2001: A Space Odyssey, Stanley Kubrick (1968, UK/USA) La Strada, Federico Fellini (1954, Italy) Citizen Kane, Orson Welles (1941, USA) Metropolis, Fritz Lang (1927, Germany) Modern Times, Charlie Chaplin (1936, USA) Napoléon, Abel Gance (1927, Italy) 8½, Federico Fellini (1963, Italy) La Grande Illusion, Jean Renoir (1937, France) Nosferatu, F. W. Murnau (1922, Germany) Stagecoach, John Ford (1939, USA) The Leopard, Luchino Visconti (1963, Italy/France) Fantasia (1940, USA) The Wizard of Oz, Victor Fleming (1939, USA) The Lavender Hill Mob, Charles Crichton (1951, UK) Little Women, George Cukor (1933, USA)
durée : 01:27:00 - Les Nuits de France Culture - par : Albane Penaranda - Un numéro de l'émission "Ciné-Club" de 1998, dans lequel des cinéphiles se souviennent des films marquants de leur jeunesse, dans les années cinquante et soixante. Les Contrebandiers de Moonfleet de Fritz Lang (1955), La Nuit du chasseur de Charles Laughton (1955), Les Quatre Cents Coups de François Truffaut (1959), Fanny et Alexandre de Ingmar Bergman (1983). Voilà quelques-uns des films qui ont marqué l'enfance de grands cinéphiles que sont Jean-Louis Schefer, Charles Tesson, Antoine de Baecque, Noël Simsolo, Serge Daney ou Alain Corneau. Devenus critiques, réalisateurs, historiens et intellectuels du cinéma, ils témoignent dans cette émouvante émission, de leurs premiers émois cinématographiques. "Il y a des films qui ont regardé notre enfance" (Jean-Louis Schefer) Enfants spectateurs ou spectateurs de l'enfance, ils se souviennent de ces films emblématiques de la cinéphilie d'après-guerre, avec d'un côté les initiations et les épreuves vécues par les enfants de l'écran, et de l'autre, dans la salle, la découverte du monde par les films, avec ses enchantements ou ses arrachements. Avec en archives, la voix de Serge Daney - Avec des extraits des films : "Les Contrebandiers de Moonfleet" de Fritz Lang, "Sciuscià" de Vittorio De Sica, "La Nuit du chasseur" de Charles Laughton, "Fanny et Alexandre" de Ingmar Bergman, "Gloria" de John Cassavetes, "Allemagne, année zéro" de Roberto Rossellini, "Les Quatre cents coups" de François Truffaut, "Zéro de conduite" de Jean Vigo. Par Stéphane Bou Réalisation : Claude Giovannetti Ciné-club - des enfants au cinéma : l'apprentissage du monde (1ère diffusion le 25/02/1998) Rédaction web: Sylvain Alzial, Documentation sonore de Radio France Archive Ina-Radio France
EPISODE #379-- We delve back into the world of James Bond rip-offs with the 1967 all-star spy-fi banger DEADLIER THAN THE MALE directed by Ralph Thomas staring some incredible British faces. Not an episode to miss if you love Cold War spy flicks. We also talk about ROME, OPEN CITY (1945), directed by Roberto Rossellini, which is currently available on the Criterion Channel. It's good stuff. Who doesn't love a good war. . . movie? Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Instagram @kislingwhatsit and @kislingkino on Tiktok. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!
Filmed in Rome just after its liberation from the Nazis, while the rest of Italy was still at war, Roberto Rossellini's Rome, Open City documents a unique moment in the history of the Eternal City. With its story of working-class Italians secretly resisting Nazi occupiers, Open City did much to dispose Americans more kindly toward a defeated Italy, and made the cinematic movement of Italian neo-realism internationally famous. Art historian Elizabeth Lev joins the Criteria team to discuss this classic, included on the 1995 Vatican film list under the category of Values. Catholicism is central to the film, with Aldo Fabrizi playing one of the great heroic movie priests, almost an Italian counterpart to the one in On the Waterfront. But it's also interesting how the film manipulates recent history to serve as a kind of propaganda for Italian unity and the rehabilitation of Italy's global image in the post-fascist period - "art as diplomacy", as Lev calls it. https://www.elizabeth-lev.com/ https://nwdouglas.com/about Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com
On the two hundred and fifth episode of THE THIRD ACT PODCAST the crew are spreading the gospel of FILM. Christian and Jericho review the MUBI exclusive and sophomore feature from Carla Simon, ALCARRAS. We loosely pair that with a Roberto Rossellini classic about the early days of a group of monks, THE FLOWERS OF ST. FRANCIS. We also discuss pigs, peaches, and Orson Welles. Keep in touch with us on Facebook and Twitter and email us anytime at: TheThirdActPodcast@gmail.com
durée : 00:58:31 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Comment Rossellini, qui vécu sous la période fasciste, devint-il l'un des pionniers du néo-réalisme au sortir de la Seconde Guerre mondiale ? Comment s'est-il évertué à filmer les conditions de vie des italiens, tant sous l'occupation que durant la reconstruction et l'exode rural des années 1950 ? - invités : Aurore Renaut Maîtresse de conférences en études cinématographiques et audiovisuelles, spécialiste du cinéma italien; Marie-Anne Matard-Bonucci professeure d'histoire contemporaine à l'université Paris 8
durée : 00:35:00 - Les Nuits de France Culture - par : Albane Penaranda - Roberto Rossellini : "J'ai le rêve de changer le goût du public"
In the fourth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter Gio Maldonado and streamer Daniel Lopez to discuss Roberto Rossellini's bold neo-realist portrait of the rubble and ruin of World War II's ground zero and the shamed populace at its center in the humanistic and challenging Germany, Year Zero (1948).
In this episode of Inside the Box, Trevor and David discuss 3 Films by Roberto Rossellini Starring Ingrid Bergman, featuring the films Stromboli, Europe '51, and Journey to Italy.
durée : 00:58:28 - Toute une vie - par : Anaïs Kien - "Rossellini m'a appris, écrira Truffaut, qu'un bon scénario doit tenir en douze pages, qu'il faut filmer les enfants avec plus de respect que n'importe quoi, que la caméra n'a pas plus d'importance qu'une fourchette et qu'il faut se dire avant chaque tournage : "Je fais ce film ou je crève"
Today Leslie sits down with Irina Maleeva to discuss her fascinating career in TV and Film, what it was like to be discovered by Fellini and much more.More about Irina:Star of stage, screen, television, cabaret and the world of music, Irina Maleeva is a true multifaceted international sensation. The daughter of a famed Bulgarian stage actress and an aristocratic Italian statesman, Maleeva first established herself as a child performer in her native Bulgaria -- and from there her career and talents would bring her to the glittering global stage.The world of Irina Maleeva jettisoned into the cinematic spotlight when she was discovered by the legendary Federico Fellini at age 15 and would go on to perform in three of his highly-acclaimed movies: Satyricon; Spirits of the Dead; and Roma. Later Maleeva was chosen for the lead part of Jessica in the film, "The Merchant of Venice" playing opposite Orson Welles's Schylock. The film was also directed by Orson Welles.Included in her motion picture accomplishments: studying and working with iconic Italian directors Luchino Visconti and Roberto Rossellini and starring in more than 30 leading roles in European and American films opposite such luminaries as James Mason, Valentina Cortese and Terence Stamp, plus notable actors Susan Sarandon, Charles Grodin, David Duchovny, Anthony Franciosa and Klaus Kinski, to name a few.For her portrayal as a demented countess in the cult crime mystery film Union City, Maleeva appeared opposite rockers Debbie Harry and Pat Benatar and for her memorable role in this film she was awarded at the Toronto Film Festival. Later she would play the part of Mrs. Hasadan in the screwball comedy of errors Wasabi Tuna.Among her other acting achievements are the lead in the Italian-French television series Poly in Venice and The Girl without Identity. American television roles include appearing as a guest star on Days of our Lives, The Gilmore Girls, Pensacola, Just Shoot Me, Six Feet Under, Angel and Threshold. Maleeva was a principal recurring actress on the television series Cracking Up and the award-winning soap opera The Bold and the Beautiful. She has also guest starred on American Body Shop and the critically acclaimed science fiction drama series Heroes, not to mention appearing in the role of Ruba in the HBO-produced show Twelve Miles of Bad Road. Maleeva has co-starred opposite Susan Sarandon in the comedy-drama film The Meddler and guest-starred in the television crime drama series Aquarius with David Duchovny.
The great Italian director Roberto Rossellini made what is generally regarded as the best movie about St. Francis of Assisi. Its original Italian title is Francesco, giullare di Dio ("Francis, God's jester"), but in English it is known as The Flowers of St. Francis - the film being based on a 14th-century Italian novel with the same title. As the Italian title suggests, Rossellini wanted to focus on the whimsical aspects of the saint's personality. He sought to capture “the merrier aspect of the Franciscan experience, on the playfulness, the ‘perfect delight,' the freedom that the spirit finds in poverty, and in an absolute detachment from material things," all elements he had found in the book on which the film was based. The film faithfully imitates the simple poignant and amusing charm of its source material, right down to its structure as a series of vignettes with no overarching plot. Like the book, it is about St. Francis's followers as much as the saint himself, and particularly focuses on the misadventures of Brother Juniper, as found in the Life of Brother Juniper, a text associated with The Little Flowers of St. Francis. In keeping with Rossellini's prior work as one of the founders of Italian neo-realism, the film uses almost no professional actors: all the Franciscan characters are played by real Franciscan monks. This too contributes to the film's purity and simplicity - an appropriate tribute to St. Francis. The film is one of two about St. Francis that were included on the Vatican's 1995 list of important films. The next episode will be about the other: Liliana Cavani's Francesco (1989). Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio
Ira and Louis discuss Bros' performance at the box office, Blonde's polarizing depiction of Marilyn Monroe, whether Hocus Pocus 2 is better than the first, Lena Dunham's Pride casket tweet, Kanye's White Lives Matter shirts, and Christian Walker's feud with his father Herschel. Plus, Hollywood royalty Isabella Rossellini joins to discuss her new one woman show Darwin's Smile, the enduring gay legacy of Death Becomes Her, and what she learned from her iconic parents Ingrid Bergman and Roberto Rossellini.
Isabella Rossellini is probably best known as an actor, having acclaimed parts in movies like Blue Velvet, Death Becomes Her and Big Night. She was born into European film royalty, being the daughter of director Roberto Rossellini and actor Ingrid Bergman. Isabella is not just a terrific actor. She is also a model, a performance artist, an accomplished singer and even an academic. Most recently, Isabella has lended her talents to voice acting. She is starring alongside Jenny Slate in the movie Marcel the Shell with Shoes On. Isabella Rossellini talks with guest host Louis Virtel about her role in the new film and what went into making it come to life. Plus, she talks about some of her past roles and shares why she is attracted to working in experimental films.
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