Podcasts about fretwork

durée : 00:06:13 - Le Bach du matin du mardi 29 avril 2025 - Notre Bach du matin est un Bach consort, un consort de Violes. Il y a quelques années, les Britanniques de Fretwork ont arrangé pour leur ensembles des pièces du compositeur, bien qu'il n'a jamais écrit pour cette formation, comme dans ce Prélude et cette fugue.

durée : 00:06:13 - Le Bach du matin du mardi 29 avril 2025 - Notre Bach du matin est un Bach consort, un consort de Violes. Il y a quelques années, les Britanniques de Fretwork ont arrangé pour leur ensembles des pièces du compositeur, bien qu'il n'a jamais écrit pour cette formation, comme dans ce Prélude et cette fugue.

durée : 00:12:14 - "Upon Silence" : Georges Benjamin - Susan Bickley et l'Ensemble Fretwork - Upon Silence met en scène Long-legged Fly, un poème tardif de Yeats qui dépeint trois personnages marquants de l'histoire absorbés dans une contemplation silencieuse.

durée : 00:12:14 - "Upon Silence" : Georges Benjamin - Susan Bickley et l'Ensemble Fretwork - Upon Silence met en scène Long-legged Fly, un poème tardif de Yeats qui dépeint trois personnages marquants de l'histoire absorbés dans une contemplation silencieuse.

durée : 00:12:14 - "Upon Silence" : Georges Benjamin - Susan Bickley et l'Ensemble Fretwork - Upon Silence met en scène Long-legged Fly, un poème tardif de Yeats qui dépeint trois personnages marquants de l'histoire absorbés dans une contemplation silencieuse.

On how to quit imposter syndrome (yes, it's doable!) and on giving voice to the inanimate - you'll love this episode! Lynne Thompson served as Los Angeles' fourth Poet Laureate, 2021-2022. Thompson is the author of four collections of poetry, Beg No Pardon, Start With A Small Guitar, Fretwork, and most recently, Blue on a Blue Palette. She serves on the Boards of Cave Canem, Poetry Foundation, Los Angeles Review of Books, and Scripps College which she lead as Board Chair, 2018-2022. Her work can be found in the Kenyon Review, Colorado Review, and Pleiades, among others.

Latest Spoken Label (Spoken Word / Poetry Podcast) features making her debut, Lynne Thompson. Lynne Thompson was Los Angeles' 2021-22 Poet Laureate and received a Poet Laureate Fellowship from the Academy of American Poets. She is the author of three previous collections of poetry: Beg NoPardon, Start With A Small Guitar, and Fretwork, winner of the 2019 Marsh Hawk Poetry Prize. Thompson is the recipient of multiple awards including an Individual Artist Fellowship from the City of Los Angeles, the Tucson Literary Festival Poetry Prize, the Steven Dunn Poetry Prize, the George Drury Prize, as well as fellowships from the Summer Literary Series, Kenya, and the Vermont Studio Center. An attorney by training with a J.D. from Southwestern Law School.Thompson sits on the Boards of Cave Canem, The Poetry Foundation, and the Los Angeles Review of Books. In June 2022, she completed her four-year service as Chair of the Board of Trustees at Scripps College, her alma mater. Thompson's recent work can be found or is forthcoming in the literary journals Best American Poetry, Kenyon Review, The Common, Pleiades, The Massachusetts Review, and Copper Nickel, among others. Her Website is the following: https://www.lynnethompson.us/

Lynne Thompson was the 4th Poet Laureate for the City of Los Angeles. The daughter of Caribbean immigrants, her poetry collections include Beg No Pardon (2007), winner of the Perugia Press Prize and the Great Lakes Colleges Association's New Writers Award; Start With A Small Guitar (2013), from What Books Press; and Fretwork (2019), winner of the Marsh Hawk Press Poetry Prize. Follow Lynne on Instagram @letpms Follow Daron @thedaronjenkins

Los Angeles Poet Laureate, Lynne Thompson, as our distinguished guest. Her words flow gracefully and effortlessly as she reads several of her poignant poems, including Ode to Bones and A Woman's Body, Aging, Still Loves Itself from her latest book Blue on a Blue Palette. Through our conversation, Lynne shares insight into her poetic process, the lessons she has gleaned along her journey, and powerful observations on the current state of women's lives and history. Tune in to experience the eloquent wordsmith at work and delve into an enlightening dialogue with this remarkable poet. Lynne Thompson was the 4th Poet Laureate for the City of Los Angeles, The daughter of Caribbean immigrants, her poetry collections include Beg No Pardon (2007), winner of the Perugia Press Prize and the Great Lakes Colleges Association's New Writers Award: Start with a Small Guitar (2013), from What Books Press; and Fretwork (2019), winner of the Marsh Hawk Press Poetry Prize. Thompson's honors include the Tucson Festival of Books Literary Award (poetry) and the Stephen Dun Prize for Poetry as well as fellowships from the City of Los Angeles, Vermont Studio Center, and the Summer Literary Series in Kenya. https://www.lynnethompson.us/ Lynne Thompson's Blue on a Blue Palette (2024) reflects on the condition of women—their joys despite their histories, and their insistence on survival as issues of race, culture, pandemic, and climate threaten their livelihoods. The documentation of these personal odysseys—which vary stylistically from abecedarians to free verse to centos—replicate the many ways women travel through the stages of their lives, all negotiated on a palette encompassing various shades of blue. These poems demand your attention, your voice: “Say history. Claim. Say wild.” Blue on a Blue Palette Fretwork Beg No Pardon Start with a Small Guitar

The adopted daughter of Caribbean immigrants, Lynne Thompson was Los Angeles' 2021-22 Poet Laureate and received a Poet Laureate Fellowship from the Academy of American Poets. She is the author of three previous collections of poetry: Beg No Pardon, Start With A Small Guitar, and Fretwork, winner of the 2019 Marsh Hawk Poetry Prize. Thompson is the recipient of multiple awards including an Individual Artist Fellowship from the City of Los Angeles, the Tucson Literary Festival Poetry Prize, the Steven Dunn Poetry Prize, the George Drury Prize, as well as fellowships from the Summer Literary Series, Kenya, and the Vermont Studio Center. An attorney by training with a J.D. from Southwestern Law School, Thompson sits on the Boards of Cave Canem, The Poetry Foundation, and the Los Angeles Review of Books. In June 2022, she completed her four-year service as Chair of the Board of Trustees at Scripps College, her alma mater. Thompson's recent work can be found or is forthcoming in the literary journals Best American Poetry, Kenyon Review, The Common, Pleiades, The Massachusetts Review, and Copper Nickel, among others. https://www.lynnethompson.us/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/lisa-tomey/message

Ansamblid Alamire ja Fretwork jäädvustavad David Skinneri eestvedamisel William Byrdi vokaalmuusikat. Plaadile on jäädvustatud Byrdi 1589. aasta psalmid, sonetid ja laulud.

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Saates kõlab valik kogumiku "Songs of sundrie natures" teiselt plaadilt. William Byrdi vokaalmuusikat aastast 1589 esitavad ansamblid Alamire ja Fretwork.

durée : 01:58:46 - Le Bach du dimanche du dimanche 13 août 2023 - par : Corinne Schneider - Une programmation toute nouvelle en première heure avec Pascal Boëls (guitare), Alexander Boldachev (harpe), Benjamin Alard (orgue) et le Consort de violes anglais Fretwork ; la musique vocale d'Alessandro Scarlatti ; puis en deuxième heure une « Ode à la nuit » (émission n° 238) - réalisé par : Anne-Lise Assada

This week's Gramophone Podcast sees acclaimed viol player, and founding member of Fretwork, Richard Boothby join Editor Martin Cullingford to talk about his new album 'Music to hear...'. Featuring works by Alfonso Ferrabosco written for lyra viol and dating from 1609, it's available now on Signum Classics. We discuss the composer and his place in the London cultural life of his day, and the sort of instrument he actually wrote for - plus, hear some beautiful excerpts from the album.

So, recent Eric Bibb gigs, Helix programming Skills for wedding gigs, Fret Dressing Anxiety, Luthiery dreams and much more, this week is a mixed bag conversation of many things but nothing in particular! Hope you enjoy it.   For links to all our important stuff, check out our LinkTree...https://linktr.ee/guitarsmartsRemember to please subscribe wherever you listen to your podcasts, and come to see us on our social media channels below:https://www.facebook.com/Guitarsmartshttps://www.instagram.com/guitar_smarts/Have a very merry time playing guitar this week, and we will see you soon!Support the show

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. Vandaag aandacht voor de nieuwe albums van Le Concert Spirituel, Ensemble Hemiolia, Alamire & Fretwork, en organist Léon Berben.  1. Marin Marais (1656-1728) – Tweede acte uit de opera Ariane et Bacchus Uitvoerenden: Diverse solisten, waaronder Judith van Wanroij, sopraan. Le […]

BYRD: Pavana y Gallarda a 6 (3.33). Fantasía a 6 (5.18). Fretwork. MAHLER: Sinfonía nº 2 en Do menor “Resurrección” (Cuarto y quinto movimientos: Urlich: Sehr feierlich, aber schlicht; In tempo des scherzos: Wild herausfahrend) (36.12). H. Harper (sop.), J. Baker (mez.), Coro y Orq. Sinf. de la Radio de Baviera. Dir.: O. Klemperer. LITERES: Aria “Pues del culto mi piedad” (Acis y Galatea) (1.46). M. Almajano (sop.), Al Ayre Español. Dir.: E. López Banzo. Escuchar audio

Eamonn and Robert are back to chew the choral cud - this week about autumnal projects. Music by James MacMillan, Billiam Wyrd, Joanna Marsh, Eoghan Desmond - and J.S.Bach in absolute rip-roaring form: why isn't the Gloria from his F Major Lutheran Mass available on the NHS? Performances by The Sixteen, I Fagiolini, Fretwork and the Gabrieli Consort & Players.Support this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we discuss recordings of “Thomas Lupo: Fantasia” by Fretwork,“Brahms: Piano Quintet in F minor Op.34 & String Quintet in G major Op.111” by The Pavel Haas Quartet, Boris Giltburg & Pavel Nikl, “Ravel Influence(s)” by Trio Sr9, “Precarious Towers” by Johannes Wallman, “First Move” by Aaron Seeber, and “Life” by Marco Pacassoni.   The Adult Music Podcast is featured in: Feedspot's Best 60 Jazz Podcasts   Episode 70 Deezer Playlist   “Thomas Lupo: Fantasia” (Signum) Fretwork https://open.spotify.com/artist/4Ld6KhVOGRdto6GPGRdAhx https://music.apple.com/us/album/lupo-fantasia/1619004060   “Brahms: Piano Quintet in F minor Op.34 & String Quintet in G major Op.111” (Supraphon) Pavel Haas Quartet, Boris Giltburg (piano), Pavel Nikl (viola) https://open.spotify.com/artist/2x7X3t5RZDXMpcxHabxPiN/discography/all?pageUri=spotify:album:6f243RBtSdCpCYqKEtlGLV https://music.apple.com/us/album/brahms-quintets-opp-34-111/1620544303   “Ravel Influence(s)” (Evidence Classics) Trio Sr9 https://open.spotify.com/album/78JyglYfgWwxPVh8Kcxg1k https://music.apple.com/us/album/ravel-influence-s/1611940461   “Precarious Towers” (Shifting Paradigm Records)  Johannes Wallman https://open.spotify.com/album/3Bp4pMlXLvl0FiI0PwX5Lu https://music.apple.com/us/album/precarious-towers-feat-sharel-cassity-feat-sharel-cassity/1616782507   “First Move” (Cellar Live)  Aaron Seeber https://open.spotify.com/album/3lkC2oo91lTaWVeJqkqhcD https://music.apple.com/us/album/first-move/1606244445   “Life” (Giotto Music) Marco Pacassoni https://open.spotify.com/album/2DdgfyOBVpqX4OJYUOuS6g https://music.apple.com/us/album/life-feat-john-patitucci-antonio-sanchez/1619906308

In this episode Eric sits down with the wonderful author Lynne Thompson where they discuss her childhood, family roots and fascination with African American history. How she transitioned from being a lawyer, to eventually following her dream to write and become a poet. They discuss how Thompson was recently appointed Poet Laureate for the City of Los Angeles and the many activities she has done in that role; to promote literacy for Angelinos! They discuss her writing process; her use of sound and rhythm and how she has been influenced by renowned musicians and artists such as Miles Davis and William Pajaud. Lynne shares inspiring words of wisdom to writers.. and even recites one of her beautiful poems.. “The House of Many Pleasures! For more visit: www.ericsperspective.comGuest Bio: Lynne Thompson is the 2021-2022 Poet Laureate for the City of Los Angeles. The daughter of Caribbean immigrants, her poetry collections include Beg No Pardon (2007), winner of the Perugia Press Prize and the Great Lakes Colleges Association's New Writers Award; Start With A Small Guitar (2013), from What Books Press; and Fretwork (2019), winner of the Marsh Hawk Press Poetry Prize. Thompson's honors include the Tucson Festival of Books Literary Award (poetry) and the Stephen Dunn Prize for Poetry as well as fellowships from the City of Los Angeles, Vermont Studio Center, and the Summer Literary Series in Kenya. Her work has appeared in Ploughshares, Poetry, Poem-A-Day (Academy of American Poets), New England Review, Colorado Review, Pleiades, Ecotone, and Best American Poetry, to name a few. A lawyer by training, Thompson sits on the boards of the Los Angeles Review of Books and Cave Canem and is the Chair of the Board of Trustees at Scripps College, her alma mater. She facilitates private workshops, most recently for Beyond Baroque, Poetry By the Sea Conference, Moorpark College Writers Festival, and Central Coast Writers' Conference. Thompson is a native of Los Angeles, California, where she resides.About Eric's Perspective: A podcast series on African American art with Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.For more on Eric's Perspective, visit www.ericsperspective.com#ERICSPERSPECTIVE #AFRICANAMERICAN #ART SUBSCRIBE: http://bit.ly/2vVJkDn LISTEN ON: Apple Podcasts: https://apple.co/2B6wB3USpotify: https://spoti.fi/3j6QRmWGoogle Podcasts: https://bit.ly/3fNNgrYiHeartRadio: https://ihr.fm/2KtYGXv Pandora: https://pdora.co/38pFWAmConnect with us ONLINE: Visit Eric's Perspective website: https://bit.ly/2ZQ41x1Facebook: https://bit.ly/3jq5fXPInstagram: https://bit.ly/39jFZxGTwitter: https://bit.ly/2OMRx33 www.mhanksgallery.comAbout Eric Hanks: African American art specialist and owner of the renowned M. Hanks Gallery, Eric Hanks is one of the leading representatives of Black artists, promoting and selling their works nationally to individual and museum collections, publishing exhibition catalogues, teaching art appreciation classes, and writing articles and essays appearing in prestigious art books and various other publications. 

Austrų režisieriui Michaeliui Haneke sukanka 80 metų. „Kodėl aš prievartauju žiūrovą? Aš tikiu jo intelektu“,- yra sakęs legendinis kūrėjas. Apie režisieriaus kūrybos principus, svarbiausius filmus kalbamės su filosofu, kino tyrinėtoju ir scenaristu Nerijumi Mileriu.Moldovos nacionalinės filharmonijos generalinė direktorė Svetlana Bivol pasakoja apie nemokamus koncertus Ukrainos pabėgėliams, apie kylantį nerimą ir žmonių ryžtą tiek padėti ukrainiečiams, tiek išlaikyti savo šalies nepriklausomybę.Smuiko žvaigždės Vineta Sareika koncertas Vilniuje. Pokalbis su Latvijos smuikininke.Visą šią savaitę LRT KLASIKOJE skamba Tarptautinei senosios muzikos dienai skirti koncertai. Paslaptingieji Viduramžiai, iškilusis Renesansas ar puošnusis Barokas… O šiandien nusikelsime į XVII amžiaus Angliją, kurioje skambėjo Matthew Locke muzika. Apie geriausiu violų konsortu visoje planetoje vadinamo ansamblio „Fretwork“ naują darbą – Igno Gudelevičiaus pasakojimas.Šiandien, Rusijos karo prieš Ukrainą kontekste kyla diskusijos, kaip dabar vertinti Rusijos literatūrą? Kokią įtaką visuomeniniams procesams turi literatūra ir jos kūrėjai? Kokie yra istoriniai kultūros ir visuomenės santykiai? Rubrikos „Be kaukių“ svečias - VU Rusų filologijos katedros vedėjas, docentas, dr. Pavelas Lavrinec.Ved. Jolanta Kryževičienė

Sunday 20 February: Fretwork's Richard Boothby on 17th century composer Matthew Locke and Kym Pitman's new album Stones Mumma Kissed.

We are thrilled to bring you a series of four of Tim's very special Monday Morning Music sessions. He will introduce music which he has enjoyed during Lockdown – and some Christmas music too. These sessions took place in the Studio Theatre, dlr LexIcon. If you would like further suggestions by Tim, see last year's Darkness to Light booklet featuring Tim's recommendations: https://libraries.dlrcoco.ie/events-and-news/library-news/darkness-light-recommended-listening-tim-thurston dlr Libraries are enormously grateful for the many CD donations Tim Thurston has given to dlr LexIcon for all to borrow and enjoy. Some Light in Darkness Monday Morning Music with Tim Thurston 6 Dec 2021 • Benjamin Britten. From Ceremony of Carols. Westminster Cathedral, David Hill. Hyperion CDA66220. • John Taverner. Dum Transisset Sabbatum 1. Tallis Scholars – Peter Phillips. Gimmell CDGIM046. • Anthony Holborne. 2 Works for Viols, Sweet was the Song. Fretwork, Helen Charlston - Soprano. Signum SIGCD680. • Henry Purcell. Funeral Sentences for Queen Mary. Collegium Vocale Gent – Philippe Herreweghe. Harmonia Mundi HMG508463. • Johann Sebastian Bach. From Christ Lag in Todes Banden – BWV4. Taverner Consort and Players – Andrew Parrott. Virgin 545011-2. • Igor Stravinsky. Fête Populaire from Petrouchka - 1913. Les Siècles – François-Xavier Roth. Musicales Actes Sud ASM15. • Berlioz, Chillcot. The Shepherd's Farewell, The Shepherd's Carol. King's College, Cambridge – Stephen Cleobury. BBC Opus Arte OA815D DVD. If anyone has any questions or comments, Tim will be delighted to respond from timthurston1610@gmail.com A Gloria listener has persuaded RTÉ to make available many of past Gloria programmes. They may be found at https://www.rte.ie/radio/lyricfm/gloria/episodes/?page=1 These 4 sessions by Tim Thurston will be available on podcast at https://libraries.dlrcoco.ie/online-library/library-podcast by mid December 2021.

Like sopranos, the violins get all the attention. The violas, famously, get ignored. But of all the orchestral string instruments, the real star is the cello. In its low range, it anchors the string section; as a solo instrument, it soars with a beautifully lyrical singing voice; while in the studio, its four octave range is a compact string orchestra in one instrument. So for range, tone, versatility, and expression, the cello is unsurpassed — and it sounds especially right in the fall. On this transmission of HEARTS of SPACE from longtime guest producer for classical and sacred music ELLEN HOLMES, we follow the cello to the emotional heart of autumn, on a program called CELLO ELEGIES. Music performed by 2CELLOS, STJEPAN HAUSER, MICHAEL HOPPÉ & MARTIN TILLMAN, JULIAN LLOYD WEBBER, YO-YO MA, JACQUELINE DU PRE, SHEKU KANNEH-MASON, MATHEW BARLEY, BARRY PHILLIPS, FRETWORK, and JORDI SAVALL & HESPERION XXI. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

durée : 00:09:39 - Disques de légende du mercredi 21 avril 2021 - Les Quinze fantaisies pour viole de Purcell font partie des œuvres mythiques, redoutés du répertoire de la viole. Les raisons pour lesquelles un jeune homme de 21 ans se lança dans la composition de cet incroyable chant du cygne demeure mystérieuse. Cette version de Fretwork est une référence !

No European musician has achieved the status of JOHANN SEBASTIAN BACH, who is regularly cited as the greatest composer in history. He dominated the Baroque era of 18th century Germany, and in retrospect, played a key transitional role in the evolution of Western classical music. His virtuosity as a performer, productivity and brilliance as a composer, the vast range of his secular music and sublime profundity of his religious music — have never been equaled. An innovator in his time, he expanded the role of the pipe organ in the church and embraced new styles, while his adoption of the "well-tempered" scale set the course for the future. Beyond its breadth, depth, intellectual and emotional power, the appeal of Bach's music can be attributed to something more basic: Bach was a master of melody. The spacious lyricism of his chorales and contemplative arias creates an atmosphere of sacred mysticism that's as relevant today as it was in Baroque Germany. On this transmission of Hearts of Space from our regular guest producer for classical and sacred music ELLEN HOLMES, an all-Bach program called IMMORTAL MELODIES 2. Performances by pianists CHAD LAWSON, MARTA & GYORGY KURTÁG, and ANNA GOURARI, cellists YO-YO MA and ELISE ROBINEAU, organists FRANZ HAUK and OLIVIER LATRY, and strings by FRETWORK, the BBC PHILHARMONIC and the BBC SYMPHONY. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

This week Seb and Verity chat to multi award-winning, internationally renowned countertenor Iestyn Davies. It just so happens that Iestyn and Verity were at school together so this podcast acts as a catch up after 23 years, gulp. Iestyn was due to be singing the lead in Giulio Cesare at the Met on the evening they recorded, a run which was obviously scuppered by Covid. He chats about his frustrations and despondency this lockdown but also glimmers of hope with exciting projects on the horizon.Iestyn talks about his low-key professional debut at Zurich Opera conducted by Nicholas Harncourt and singing alongside Jonas Kaufman....no big deal right? They also discuss his stint in Farinelli and the King on Broadway, at the Globe theatre and in the West End, including tales of corpsing and Kris Akabusi.At at the end of their conversation, Seb gets a short lesson from Iestyn on improving his falsetto.....it’s fairly harrowing and should possibly come with a health warning. SUPPORT THREE IN A BAR ON PATREONThis Show is purely funded by our patrons. Join our Members’ Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabarMEZZO PIANO PATRONSLeonie Hirst Anita PhilpottLinkshttp://www.iestyndavies.com/Twitter: https://www.twitter.com/iestyn_davies/Iestyn’s YouTube channel: https://m.youtube.com/channel/UCV4ajzjU8aQwCdEdWUcP-gAIestyn Davies and Alison Balsom Eternal Source of Light Devine, by Handel https://open.spotify.com/track/4FUwHeCqZZCVPmXA1i9tvi?si=urBQl615TwmBOUD06wzc_AIf: Michael Nyman, Henry Purcell. By Michael Nyman, Iestyn Davies, Fretwork. https://open.spotify.com/album/64HLCY8YcaTaXb6jdNDSjf?si=Jx6UfYiKSVKMjUQF11CswA Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Joshua Corwin interviews LYNNE THOMPSON for ASSIDUOUS DUST #14.5, asks her to share some of her poetry and engages with her in a novel type of poem, completely spontaneous and unprepared. LYNNE THOMPSON is the author of Start With a Small Guitar (What Books Press) and Beg No Pardon, winner of the Perugia Book Award and the Great Lakes Colleges New Writers Award. In 2018, Jane Hirshfield selected her manuscript Fretwork as the winner of the Marsh Hawk Poetry Prize. A “recovering attorney”, Thompson is the recipient of multiple awards among them an Individual Art Fellowship from the City of Los Angeles and a Tucson Literary Award and special mention from the Pushcart Prize. Her most recent work appears or is forthcoming in Ninth Letter, Black Warrior Review, New England Review, Pleiades, and 2020’s Best American Poetry, among others. Thompson serves on the Boards of Cave Canem and the Los Angeles Review of Books and is Chair of the Board of Trustees of her alma mater, Scripps College. Joshua Corwin, a Los Angeles native, is a neurodiverse, 2-time Pushcart Prize-nominated, 1-time Best of the Net-nominated poet and Spillwords Press Publication of the Month winner. His debut poetry collection Becoming Vulnerable (2020) details his experience with autism, addiction, sobriety and spirituality. He has lectured at UCLA, performed at the 2020 National Beat Poetry Festival and Mystic Boxing Commission Festival of Sound and Vision, read with 2013 US Presidential Inaugural Poet Richard Blanco, Michael C. Ford, S.A. Griffin, Ellyn Maybe, among others. His Beat poetry is anthologized alongside Ferlinghetti, Hirschman, Ford, Coleman and weiss (Sparring Omnibus, Mystic Boxing Commission; December 31, 2020). He hosts the poetry podcast “Assiduous Dust,” writes the weekly Incentovise column for Oddball Magazine and teaches poetry to neurodiverse individuals and autistic addicts in recovery at The Miracle Project, an autism nonprofit. Corwin’s collaborative collection A Double Meaning, with David Dephy, is seeking publication. He also has forthcoming collaborative poetry projects with Ellyn Maybe including Ghosts Sing into the World’s Ear (Ghost Accordion series 1st Wave, Mystic Boxing Commission). Corwin is the editor and producer of Assiduous Dust: Home of the OTSCP, Vol. 1 (April 5, 2021) featuring 36 award-winning poets, all demonstrating a new type of found poem (OTSCP) he invented. For more information, please visit https://www.joshuacorwin.com/. Also, see https://www.joshuacorwin.com/, and listen to the Assiduous Dust podcasts. Follow/like Assiduous Dust on Facebook and subscribe to the YouTube Channel for the video podcast episodes of Assiduous Dust. NEXT WEEK: Larissa Shmailo and Elena Karina Byrne (YouTube Premiere).

Op het enige echte portret van Bach, uit 1748, staat hij afgebeeld met in zijn handen een kleine partituur. Wie goed kijkt, ziet een Canon staan. Bach wilde zich dus laten zien met een muziekvorm die in zijn tijd al heel ouderwets was, maar getuigde van ouderwets goed vakmanschap, en met religieuze betekenis. Hoe klinkt de muziek die hij in zijn handen heeft? Johann Sebastian Bach 14 Verschiedene Canones, BWV.1087; Canon triplex a 6 Bach Collegium Japan BIS2151 0’36’’ Johann Sebastian Bach 14 Verschiedene Canones, BWV.1087; Canon triplex a 6 Fretwork Harmonia Mundi HMU 907395 1’09’’ Johann Sebastian Bach 14 Verschiedene Canones, BWV.1087; Canon triplex a 6 Café Zimmermann Alpha Classics 014 1’12’’

Voor mij was de ‘Passacaglia’ altijd topzwaar om naar te luisteren. Was... want toen hoorde ik de uitvoering door Fretwork. Er ging een wereld open! En wie schetst mijn verbazing toen ook nog bleek dat de Passacaglia een werk is van een jonge Bach, een tiener…

Lynne Thompson is the author of three chapbooks and won the 2018 Marsh Hawk Press Poetry Prize for her full-length manuscript, Fretwork, published by the Press in 2019.  She also authored Start With A Small Guitar  and Beg No Pardon, winner of the Perugia Press Book Award and the Great Lakes Colleges Association’s New Writers Award. She is the recipient of an Artist’s Fellowship from the City of Los Angeles and Special Mention in the 2018 Pushcart Prizes. Thompson’s poetry appears or is forthcoming in Pleiades, Colorado Review, Ploughshares, and the New England Review; her prose is included in Jane Cooper, A Radiance of Attention issued by the University of Michigan Press (2019). Follow these links to find two examples of her work: www.poetrynw.org and www.poetryfoundation.org. Thompson serves as Reviews and Essays Editor for the journal, Spillway, and Chair of the Board of Trustees at Scripps College.

Join Sam and Tim as they take a closer look at Sibelius' masterpiece Finlandia, discuss the recent Boulanger Total Immersion, review Fretwork's new CD of Michael Nyman music AND interview classical crossover soprano Joanna Forest.Music Credits: Gioachino Rossini, ‘Cat Duet, performed live by Kiri Te Kanawa & Norma Burrows Ludwig van Beethoven, ‘Fur Elise' performed by Timmy Fisher Jean Sibelius, ‘Finlandia', performed by the Philadelphia Orchestra under Leopold Stokowski in 1931 Barrington Pheloung, main theme from ‘Inspector Morse' performed by Timmy Fisher Jean Sibelius, ‘Finlandia', performed by The Sibelius Academy of the University of the Arts Helsinki and several thousand Finns Michael Nyman, arr. Richard Boothby, ‘The Diary of Anne Frank', performed by Iestyn Davies and Fretwork on Signum RecordsJean Sibelius, Symphony No. 5 Mov. 4, performed by Timmy FisherFollow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/And do check out: Yannick Nézet-Séguin's animal playlist on Apple Music: https://itunes.apple.com/us/playlist/a-cats-music-playlist/pl.u-NE2GSWXzJ8Or Spotify: https://open.spotify.com/playlist/58wzLDWylhyq0fUxYklZNJ?si=fZVOK_EnTEWwgwPbpefDagJoanna Forest's website: http://www.joannaforest.com/‘If' by Iestyn Davies and Fretwork: https://www.prestomusic.com/classical/products/8546907--if-michael-nyman-henry-purcell The Sibelius Academy of the University of the Arts Helsinki and several thousand Finns performing ‘Finlandia': https://www.youtube.com/watch?v=tUkzmJGi1Lo

Podcast 32 spotlights a new release on Signum Classics entitled 'If'. It's the latest release by consort of viols Fretwork, and celebrates the 75th birthday of composer Michael Nyman pairing a collection of contemporary works arranged for the consort with music by Henry Purcell. The album is out on 22nd March 2019. Pre-order here >>  [http://hyperurl.co/NymanPurcell](http://hyperurl.co/NymanPurcell)

Independence Day, starring Will Smith, redefined the summer blockbuster. Now, twenty years on, writer, director and producer Roland Emmerich returns to the movie with a sequel - Independence Day: Resurgence. John Wilson talks to Roland about why he decided to make the film despite his dislike of sequels, spending huge film budgets and getting diverse actors on screen.Chris Riddell, the Children's Laureate, has been announced as the winner of The Kate Greenaway Medal 2016 for the book The Sleeper and the Spindle. Chris is the illustrator and the story is by Neil Gaiman. Chris has won this prestigious prize for illustration in a children's book for an unprecedented third time. Fretwork are a group of musicians who have been performing early music on the viol, a predecessor to the modern violin and cello, for 30 years. Founding member Richard Boothby and new recruit Emily Ashton join us to demonstrate why the viol isn't an outdated piece of musical technology.The Border is the first Polish series to be shown on British terrestrial TV. Rachel Cooke reviews this timely drama about human-traffickers on the border border of the EU between Poland and Ukraine.