Podcasts about asian cinema

For a bonus episode this week, Emilio goes solo for a (mostly) spoiler free talk about a film he really loves, Ang Lee's "The Wedding Banquet".  It was a successful and critically acclaimed independent film back when it was released in 1993, but has mostly stayed relevant as its esteemed director's international breakthrough.  Yet it's a timeless film full of humor, compassion,  and reflections on what we sacrifice of ourselves due to societal forces and the expectations of our families.  Its enduring place in cinema history is evidenced by it being reimagined by writer/director Andrew Ahn - this remake can currently be seen in theaters nationwide.   Emilio gets into what he enjoys so much about the original, shares his thoughts on the remake and how it is distinct from the original, and speaks with Professor Zhen Zhang, an NYU film professor who shared this film with him in an undergraduate seminar, about Ang Lee's original film.  Professor Zhen Zhang is a film professor at NYU's Tisch School of the Arts and the Director of the Tisch's Asian Film and Media Initiative.  She has a decades long, decorated career in academia that also includes guest-curating film programs for the Film Society at Lincoln Center of Performing Arts, Museum of Modern Art in New York, and the Women Make Waves Film Festival in Taipei.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

We've got the fabulous Parvesh Cheena here, once again on the gaysian movie beat! This time around, it's Andrew Ahn's THE WEDDING BANQUET, which reimagines and modernizes the core story of a nearly unseeable 1993 Ang Lee film (maybe try your local library?). It's a complicated relationship comedy between two queer couples, and two of their matriarchs.  Plus, we choose which classic films we'd like to see get a queer remake (besides all of them).What's GoodAlonso - TCM FestivalDrea - Drag Race finale, TV as a group activityParvesh - More Drag RaceIfy - Temptation Island (see also: Montoya Por Favor)ITIDICSINNERS is the first horror movie to receive an ‘A' Cinema ScoreWicked's VOD “Bonus Features” Are Getting Tons of PlaysStaff PicksDrea - The Half of ItAlonso - Art for EverybodyParv - A Nice Indian BoyIfy - Crouching Tiger Hidden DragonSee Parvesh in Trauma Play at IAMA Follow us on BlueSky, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

Cinema Junkie Beth Accomando speaks with PacArts artistic Brian Hu and filmmaker Jota Mun about some Asian cinema classics as well as bold new work.

In South East Asia, cinema attendances are growing, thanks to a renewed interest in local product. For instance, the Thai movie How to Make Millions Before Grandma Dies, broke box office records this year. We hear from director Pat Boonnitipat about the reasons why he believes his film touched the hearts of so many people. The same is true in Vietnam. Last year the country produced its biggest national and international hit Mai, which also became a social media sensation. Historian Tuyet Van Huynh explains why the film's star and director Tran Thanh is a phenomenon in his own right. Indonesian director Eugene Panji reveals why his country's movie industry is also booming, so much so that they are running out of studio space to keep up with the demand. This edition of The Cultural Frontline was recorded before the Myanmar earthquake that also affected parts of Thailand.

Tell us what you though of the episodeProducer Shashi Ranjan explores the rich legacy of music, lyrics, and poetry in South Asian cinema—once the soul of storytelling—and how their influence is gradually fading in the face of Westernization and evolving audience tastes. This episode delves into the unique narrative power of Indian musical traditions and the poetic essence that once defined the region's films, while examining the cultural shifts reshaping global cinematic narratives.​Shashi Ranjan is an Indian actor, director, and producer known for his contributions to the Bollywood film and television industry. He has directed and produced films such as "Dobara" (2004) and "Dhoom Dadakka" (2008). As an actor, he has appeared in movies like "Guddo" (1985) and "Prem Geet" (1981). Additionally, he played the role of Mohanlal in the 2012 film "Gali Gali Chor Hai." ​#bollywood #bollywoodmusic #bollywood60s #bollywoodsongs #bollywoodlyrics  http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

Independent cinema in Southeast Asia has been on the rise recently. A new generation of filmmakers in this region are making an impact on the world stage. While independent filmmakers face countless obstacles, the community has sought ways to fuel growth and ambition. Vietnamese horror comedy film, 'Don't Cry, Butterfly', which Singapore was involved in, has won two awards at this year's Venice International Film Festival.The debut film by Vietnamese film-maker Duong Dieu Linh, held its world premiere at Venice Critics' Week. It was presented with the section's top prize for Best Film and the Verona Film Club Award for Most Innovative Film. The Vietnam-Singapore-Philippines-Indonesia production was supported by the Infocomm Media Development Authority's (IMDA)Singapore Film Commission, through the Southeast Asia Co-production Grant. We speak with Tan Si En of Singapore-based Momo Film Co about the business of filmmaking in Southeast Asia. Si En is the producer for the award-winning 'Don't Cry, Butterfly'.See omnystudio.com/listener for privacy information.

Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today, only, Twin Brothers Work, Tim and Joe's new podcast is going out on the Alive After Reading feed. Check the rest out on patreon.com/bookmastertim as more episodes drop. No need to subscribe for free episodes. Twin Brothers Work is a show where Tim and Joe, identical twins, chat as Joe drives to work.

Original Release Date: Monday 29 July 2024    Description:  Birthday boy Dean Haglund has the week off, so Phil Leirness welcomes Marc Hershon to discuss the recent Emmy Awards nominations and all that is excellent right now in what we used to call "television". Marc is a screenwriter, author, improv professor, comedy impresario, columnist, editorial cartoonist, and corporate branding expert. He is also responsible for Dean and Phil seeing many of the shows they have discussed over the past several years. Phil also welcomes Jeff Briggs to discuss China's first female action star, "The Queen of Swords", Cheng Pei-Pei, who died recently at the age of 78. Jeff is a lifelong archivist, a former magazine writer, and an expert on Asian Cinema. He is also Phil's former college roommate! All in all, this week's show is a globetrotting 73 minute epic!

This special episode has been hand-picked by one of you! Patreon member James Buckley was given the opportunity to choose the episode he'd like to hear, which is why Jeff and Andy are talking about one of John Woo's most acclaimed films. Load your Barettas and take aim with us at "Hard Boiled!"For exclusive episodes and content, check out A Film By... Podcast on our Patreon with a FREE 7-day trial. You can also sign up as a free member!Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on X Twitter, Instagram, and Facebook @afilmbypodcast.

Elwood and Stephen celebrate another 25 episodes by adding another 50 picks to their ever growing list of essential Asian Cinema Check out the full list - ‎Asian Cinema Film Club - Top 250 ⁠Buy us a coffee and support the show⁠⁠⁠ - ⁠https://ko-fi.com/acfilmclub⁠ Check out our sponsor: ⁠Yes Please Vintage

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If you've never seen a 1990s or earlier Hong Kong action film, you're seriously missing out! In honor of the Chinese New Year season, we invited director, writer, and kung fu film enthusiast, Chris Cowden, to come on and talk about two of his favorite Hong Kong action films: John Woo's 1992 Hardboiled and Jackie Chan's 1994 The Legend of the Drunken Master. Both films are a blast. If you're new to this genre, listen in and get a director's inside scoop on how these films were made, with lots of interesting trivia.

Video Essay Link: https://youtu.be/gM4b5_h_PgUExploring Wong Kar-wai's moody, intimate style and how it grabs hold of our senses.Links:Website: https://solo.to/mindtheaterPatreon: https://patreon.com/mindtheaterTwitter: https://twitter.com/mindtheaterpodInstagram: https://www.instagram.com/mindtheaterpod/TikTok: https://www.tiktok.com/@mindtheaterMusic:Waltz of the Moscow Strings, Rafael KRuxThe Hidden Library, Joshua Kyan AalampourYumeji's Thheme, Shigeru UmebayashiBloom, Blue Wednesday & ShopanSources/References:https://theconversation.com/a-cinema-of-intimacy-the-enduring-beauty-of-wong-kar-wai-170217https://www.indiewire.com/news/general-news/watch-30-minute-making-of-documentary-on-in-the-mood-for-love-plus-new-the-grandmaster-featurette-94632/https://www.scmp.com/magazines/style/article/3084877/how-wong-kar-wais-mood-love-became-modern-masterpiece-20-yearshttps://niceasheck.com/blogs/news/exploring-the-visual-poetry-of-wong-kar-wais-films#:~:text=What%20sets%20song%20%20Kar%Wai,memory%20with%20a%20melancholic%20tone.https://www.dazeddigital.com/film-tv/article/52956/1/in-the-mood-for-love-remains-a-spellbinding-introduction-to-wong-kar-waihttps://www.scmp.com/lifestyle/entertainment/article/3190104/what-they-said-about-mood-love-director-wong-kar-wai-andhttps://www.sensesofcinema.com/2010/cteq/in-the-mood-for-love/https://faroutmagazine.co.uk/wong-kar-wai-masterpiece-in-the-mood-for-love/https://www.youtube.com/watch?v=677Gb9D5VjcSupport the show

"Get ready for a riveting cinematic journey on today's episode! We kick off with the intriguingly divisive film “The Killer.” Did its meticulous storytelling captivate or fall flat? We're divided, and you'll want to hear why.Next up, “John Wick” - a film that starts slow but explodes into action. You won't believe our comparison to a certain Avenger's tactic! Plus, we dive into the world of CGI, budgets, and how they shape movies like “The Killer.”Our final act? A sneak peek into “The Killer Does His Taxes.” Yes, you read that right. It's a unique blend of mundane and mayhem that ties into our wider discussion: what makes a film truly gripping?Join us for this episode as we explore these cinematic puzzles. Bring your popcorn and your opinions – we want to hear them all! Tune in now for an episode full of surprises." Support the show

A Generic Video Game Podcast About Game News A perhaps-ly named conversation about video games between Anthony Ernst and Mollie...

Lion  director Garth Davis talks about his new film Foe, a sci-fi starring Paul Mescal and Saoirse Ronan, plus two producers behind some of the best Asian cinema of the last decade.

Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image. Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization. Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies. Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image. Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization. Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies. Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image. Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization. Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies. Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image. Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization. Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies. Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

With her directorial debut, long-time screenwriter Adele Lim (Crazy Rich Asians) has delivered a raunchy comedy focusing on four Chinese-American friends as they traverse across China.  They are played by Ashley Park, Sherry Cola, Stephanie Hsu, and Sabrina Wu - they are on quest to find the birth mother of Audrey played by Park and needless to say, not everything goes as planned.  What results is a wild misadventure FILLED with sex, drugs, and rock & roll....actually K-Pop to be accurate! Host & Editor: Geoff Gershon Producer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Playwright Celine Song has made her directorial debut with this highly acclaimed romantic drama which she also wrote the screenplay for.  It's the story of Nora (Greta Lee) and Hae Sung (Teo Yoo) who grew up as very close friends in South Korea until Nora's parents moved her to the West at the age of 12.   Now as grown adults, they are about to reunite in person for the first time in 24 years in New York City, which is where Nora lives....and is also married.  And what results is a touching meditation on memories, life choices, and the how people can be drawn to others at different points in their lives.Host: Geoff Gershon Editors: Geoff and Ella GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

A Generic Video Game Podcast About Games (Raw Audio) A perhaps-ly named conversation about video games between Anthony Ernst and...

Isabel's cultured-serial-cat-dad friend Isaac Cheung Jr. stays for another episode to talk about underrated Asian cinema classics directed by Asian filmmakers including Bong Joon-ho, Zhang Yimou, Akira Kurosawa, and Johnnie To. Isaac also tells us about that time someone called him "oriental". ------------------------------------------------------- Stay Connected with Proudly Asian: Website - ⁠⁠https://proudly-asian.com⁠⁠ Instagram - ⁠⁠https://instagram.com/proudly.asian⁠⁠ Youtube - ⁠https://www.youtube.com/@proudlyasianpodcast⁠ Send us a voice message - ⁠⁠https://anchor.fm/proudlyasian/message⁠⁠ Support us - ⁠⁠https://ko-fi.com/proudlyasian⁠ Email us - ⁠⁠proudlyasianpodcast@gmail.com⁠

Fifteen films in eight days, including a tribute to Hong Kong superstars Leslie Cheung and Anita Mui.

A Generic Video Game Podcast About The Royal Rumble A perhaps-ly named conversation about video games between Anthony Ernst and...

ESWS 286 - Our Favorites of 2022 Hong Kong Cinema Podcast Podcast episode 286 - Our Favorites of 2022 In the build up to LNY 2023 we take a moment to discuss our favorite things from 2022. visit us at www.kongcast.com or email us at eastscreen@gmail.com As always, thanks for listening!

ESWS 286 - Films of Chinese New Year 2023 Hong Kong Cinema Podcast Podcast episode 287 - Films of Chinese New Year 2023 In the midst of the LNY holiday, we discuss a few of the holiday films we've been able to see, including Donnie Yen's SAKRA , Dayo Wong's A GUILTY CONSCIENCE and the latest feature Fromm Light Chaser Animation NEW GODS: YANG JIAN . visit us at www.kongcast.com or email us at eastscreen@gmail.com As always, thanks for listening!

ESWS 285 - WARRIORS OF FUTURE Hong Kong Cinema Podcast Podcast episode 285 - WARRIORS OF FUTURE Starting out 2023 with a discussion (at long last) Louis Koo's sci-fi epic WARRIORS OF FUTURE (2022). visit us at www.kongcast.com or email us at eastscreen@gmail.com As always, thanks for listening!

One of my favorite actors from Japan sits down with me and we talk food, travel, life growing up, movie making, Sion Sono, the creator of Ju-On being in her short film (which she has many) and her first feature film coming!Checkout her stuff!- IMDb: https://www.imdb.com/name/nm7162479/- Instagram: https://www.instagram.com/akihiraoka1211/- SHORT FILM "They Are Watching": https://www.youtube.com/watch?v=z5ikbu4FPQ8- SHORT FILM: "Unknown Son": https://vimeo.com/535263812/344e5bca9f- Youtube Shorts: https://www.youtube.com/@user-zb3kk5ls1k/featuredJoin the BuzzSprout community!Buzzsprout - Let's get your podcast launched! Start for FREESupport the showLinks, yo:The BuzzSprout Website: https://arguablyawesomepodcast.buzzsprout.comOur Facebook group:https://www.facebook.com/groups/572840250885371Our dead AF Discord:https://discord.gg/9cgmQVZEub(Maybe YOU can get it jumpin')Our Insta:https://instagram.com/arguablyawesomepodcast?igshid=YmMyMTA2M2Y=A.CARD's Insta:https://instagram.com/acardtv?igshid=YmMyMTA2M2Y=Ayrflo's Insta:https://www.instagram.com/arguably_ayricOur Twitter:https://www.twitter.com/arguablyawesome

“The closer you look, the harder you fall.” Park Chan-wook cross-pollinates a police procedural with a femme fatale romance in his latest film. Swirling around two lost souls navigating a web of murder, deceit, and desire to desperately cling to their perverse affair, Decision to Leave is a sensual puzzle box. We discuss the illustrious director's filmography, the painterly craft behind the movie, and the inscrutable Tang Wei.

The team takes a listener suggestion from months ago and they review the Korean Netflix film The Call

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Chelsea and Victoria rave over this sublime adaptation of Jane Austen's Pride and Prejudice. From an original story by Joel Kim Booster, and directed by Andrew Ahn, this romantic comedy is mainstream and queer all at once.Theme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

A Generic Video Game Podcast About Not E3 A perhaps-ly named conversation about video games between Anthony Ernst and Mollie...

In an act of self-celebration, Jack and Ben talk about two movies that they adore. We've recently joined the wonderful folk over at The Twin Geeks and wanted to celebrate by flexing our knowledge about areas of Asian Cinema we adore. For Jack, it's the Hong Kong action masterpiece Eastern Condors, and a deep dive into the career of legendary stuntman and director Sammo Hung. For Ben, it's a look at one of the masters of contemporary Japanese Cinema, Kiyoshi Kurosawa, and his haunting 1997 film Cure. Be sure to follow the podcast on Twitter and Instagram - @AsianCinemaPod We also welcome any and all emails and feedback about our show - adventuresthroughasiancinema@gmail.com Follow Jack and Ben on Letterboxd for more reviews, lists, and general musings on all sort of cinema!

Brianne Tju has starred in series like Light as a Feather, I Know What You Did Last Summer, and Scream, and plays the lead in the new Blumhouse movie Unhuman. She's broken barriers and had several “firsts” under her belt. But for her, seeing the films of Wong Kar-wai was a major first – the first time she saw complex romantic relationships between characters who looked like her. Then, Jordan has one (quick?) thing about Top Gun Maverick and the women sharing Tom Cruise's action spotlight.You can stream Unhuman on Amazon or AppleTV now!Aughtsterion's coverage of the I Know… finale (spoiler alert!)***With Jordan Crucchiola and Brianne Tju

ESWS 284 - RRR Hong Kong Cinema Podcast Podcast episode 284 - RRR Back after a lengthy hiatus, we discuss the new Indian epic RRR from director S. S. Rajamouli. visit us at www.kongcast.com or email us at eastscreen@gmail.com As always, thanks for listening!

Good morning, Teasies. We're here with your, mmmmmmm, bi-weekly dose of tease. This week, we're teasing all you good little maniacs about Space Ninjas. Is it hot? Is it steamy? You'll have to listen to this tease to find out. You can watch Space Ninjas on Tubi! It's a steamy one. [[Editor's Note: this movie is, in fact, not steamy at all. Please withhold all lawsuits.]]

View on Youtube if your podcast player doesn't support video podcasts! https://www.youtube.com/watch?v=_wWswU9t8HU

If your podcast player doesn't support video podcasts, please view on Youtube. Much better with the video for this series! https://www.youtube.com/watch?v=Sq3rkK6GhuE

If your podcast player doesn't support video podcasts, head over and watch on Youtube. Much better with the cover art! https://www.youtube.com/watch?v=rVEh3PGiggk

This is a NEW UPLOAD. In the old upload I totally failed to edit out a stifled sneeze and throat clearing, and it was totally gross, and I'm completely mortified that anyone had to hear that! Luckily, most people only listened to / watched the first 7 minutes, like usual. :) If your podcast feed doesn't support video playback, please enjoy on Youtube. It's much better with the covers! https://www.youtube.com/watch?v=gK1VHYEXt_0

Link to Youtube if your Podcast feed/player doesn't allow for video podcasts: https://youtube.com/playlist?list=PLKewgRd8Eir8HDwhrq9mpcDHVZyvpP6zm

A Generic Video Game Podcast About Elden Ring A perhaps-ly named conversation about video games between Anthony Ernst and Mollie...

Show Notes 00:00:00 -Intro: There is 2 Daves, Jeremy can Piss of Anyone, 1994 Prep Talk, Asian Cinema has Varieties, Bills Win was a Statement, Scream 5 Chat, Leprechaun/Hellraiser, Latest Paranormal Activity movie, Drawing Weird Shit, South Park, Kenny Vs. Spenny, RIP to Bob Saget, Nothing But Trouble, Is 1994 Prep fun?, Moodz Sociological Expert, JP has gone Marvel Mad, Dennis Hopper, Jeremy is crazy for Slipcovers, Whats the Deal with the Vestry Label, Fridays on 4k, Robert Forster was great, Whiner reviews. Feature Reviews: Evil Dead Trap Trilogy 01:04:27 -Evil Dead Trap (1988) 01:37:50 -Evil Dead Trap 2 (1992) 02:17:03 -The Brutal Insanity of Love (1993)