Podcasts about me worry

SHOW NOTES Episode 34 • October 14, 2024     FIRST STRAIN   News ‘n' Notes:   • Laguna Beach Community Concert Band celebrates 25 years   https://www.lagunabeachindy.com/keeping-the-beat-community-concert-band-celebrates-its-25th-year/   • News item title: Savannah State University gets its first white drum major   https://hbcugameday.com/2024/09/13/hbcu-band-appoints-its-first-ever-white-drum-major/       SECOND STRAIN   Topic: “What, Me Worry?” Two college bands schedule a play-date     TRIO   This week's interview guest: MICHAEL COOGAN, continued!   Dover Community Band: www.facebook.com/dovercommunityband/ www.youtube.com/@DoverCommunityBand/videos     DOGFIGHT   Topic: The SMU band makes commentary   https://www.usatoday.com/story/sports/ncaaf/acc/2024/09/30/smu-football-band-sad-war-chant-florida-state/75450124007/     CODA: a Joke!       FOLLOW US!   BandWagon RSS feed: feed.podbean.com/heyband/feed.xml BandWagon website: heyband.podbean.com BandWagon on Facebook: facebook.com/profile.php?id=61555170345309 BandWagon on Instagram: https://www.instagram.com/rhammerton1 Rob ("HammertonMedia") on Facebook: facebook.com/HammertonMedia Rob on X/Twitter: twitter.com/DrRob8487   SUBSCRIBE TO BANDWAGON!   https://www.podbean.com/site/podcatcher/index/blog/eg706GUVzixV   WE GOT MERCH!   Visit www.teepublic.com/user/bandwagon-with-rob-hammerton -or- got to teepublic.com and search “bandwagon”   SEND US YOUR FEEDBACK!   Email: heybandwagon@yahoo.com Voicemail: speakpipe.com/HeyBandWagon

As our Halloween festivities continue, we take a quick look at the horror movies parodied in Mad Magazine in the 1980s. Including: The Shining, Poltergeist, Psycho II, a couple of Alien movies, and Gremlins (with Alfred E. Neuman as Gizmo on the cover). Speaking of Mad and Alfred, we just visited the Norman Rockwell Museum for an amazing exhibit called "What, Me Worry? The Art & Humor of Mad Magazine." And it closes in two weeks, so GO RIGHT NOW. Also: It's World Singing Day. And we are not the world. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Earth Station Who!

Upside Down Kingdom Daily Devotion  - What, Me Worry? Matthew 6:25-34 ~ Marcia Jacobs Christ United Church Mobile, Alabama

Upside Down Kingdom Daily Devotion  - What, Me Worry? Matthew 6:25-34 ~ Marcia Jacobs Christ United Church Mobile, Alabama

“What, Me Worry? The Art and Humor of MAD Magazine” is a new exhibition at The Norman Rockwell Museum in Stockbridge, Massachusetts. In this special broadcast, Joe Donahue and Brian Shields explore the exhibition with artists, writers, editors, and exhibition curators.

WHAT, ME WORRY? Pastor Peg   Why worry? All of us were taught to worry. Worry is a learned behavior, …Continue reading →

Retire Hour goes mad magazine in this episode where we discuss Alfred E Neuman's thoughts on the retirement landscape, a listener question about restarting IRAs, plus tips on medicare, medicaid, and tax miracles. #money #financialhelp #daveramsey #retirement #recession #taxes #financialeducation #kansas #kansascity #missouri Intro: 0:00 Financial Advisors: "What, Me Worry?" - 0:21 Financial Advisors: Company Stock Awards - 9:52 Client Question: Old IRAs - 17:13 Medicare Advisor: Special Enrollment and Declared Disaster Periods - 24:48 Eidelman Law Advisor: Dementia And Medicaid - 33:25 CPA: Don't Expect A Miracle - 41:08 Credits: 47:31 Learn more at: https://retirehour.com Retire Hour is a weekly radio show and podcast. This financial education resource is for those approaching retirement, or seeking knowledge investing, income planning, taxes, medicare and estate planning.

Episode # 300 What, Me Worry? Air Date: February 28, 2024 New actors often have several concerns as they enter the world of acting. It can seem quite daunting and stressful. Many of these concerns can be solved, however, if we look at each one and say, “What, me worry?” We'll tackle some of the common concerns right now on Casting Actors Cast.

Kid Beast Party Theme The Exbats - Ghost In The Record Store The Darts - New Boy Thee Headcoatees - When You Stop Loving Me The Detroit Cobras - Everybody's Going Wild Delvon Lamarr Organ Trio - Cold As Weiss Portugal. The Man - What, Me Worry? Alvvays - Hey Tony Christie - Jambalaya Kermit - Movin' Right Along Gomez - These 3 Sins The Exotic Ones - Cat Beast Party iAmMoshow - Move That Cat Beastie Boys - Super Disco Breakin' Gorillaz - Crocadillaz Right Said Fred - I'm Too Sexy (Italian Version) Riziero Ortoiani - I Giorni Dell'Ira Elvis Costello & The Attractions - I Can't Stand Up For Falling Down Bobby Ramone - I Don't Wanna Stand Up The Swingin' Neckbreakers - Do The Stand The Punkles - I Saw Her Standing There The Police - I Can't Stand Losing You The Hotrats - I Can't Stand It Roman Holliday - Stand By X - I'll Stand Up For You

This week we take a long look at the famous “Mister Sack” storyline; a sequence of strips from 1973 that Schulz picked as his personal favorite. Charlie Brown wears a paper bag on his head to hide the weird baseball looking rash he has developed. The results of this turn his life upside down. Plus: What! Me Worry? Transcript available at UnpackingPeanuts.com Unpacking Peanuts is copyright Jimmy Gownley, Michael Cohen, and Harold Buchholz. Produced and edited by Liz Sumner. Music by Michael Cohen. Additional voiceover by Aziza Shukralla Clark.  For more from the show follow @unpackpeanuts on Instagram and Twitter, and @unpackingpeanuts on Facebook and YouTube. For more about Jimmy, Michael, and Harold, visit unpackingpeanuts.com.   Thanks for listening.

This week's episode takes a look back at the career of trailblazing independent filmmaker Robert Downey, father of Robert Downey, Jr., and his single foray into the world of Hollywood filmmaking, Mad Magazine Presents Up the Academy. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we follow up on a movie based on a series of articles from a humor magazine that was trying to build their brand name by slapping their name on movies with a movie that was sponsored by a humor magazine trying to build their brand name by slapping their name on movies not unlike the other humor magazine had been doing but ended up removing their name from the movie, and boy is brain already fried and we're not even a minute into the episode.   We're talking about Robert Downey's 1980 comedy Up the Academy.   But, as always, before we get to Up the Academy, let's hit the backstory.   If you know the name Robert Downey, it's likely because you know his son. Robert Downey, Jr. You know, Iron Man. Yes, Robert Downey, Jr. is a repo baby. Maybe you've seen the documentary he made about his dad, Sr., that was released by Netflix last year. But it's more than likely you've never heard of Robert Downey, Sr., who, ironically, was a junior himself like his son.   Robert Downey was born Robert John Elias, Jr. in New York City in 1936, the son of a model and a manager of hotels and restaurants. His parents would divorce when he was young, and his mom would remarry while Robert was still in school.   Robert Elias, Jr. would take the last name of his stepfather when he enlisted in the Army, in part because was wanted to get away from home but he was technically too young to actually join the Army. He would invent a whole new persona for himself, and he would, by his own estimate, spend the vast majority of his military career in the stockade, where he wrote his first novel, which still has never been published.   After leaving the Army, Downey would spend some time playing semi-pro baseball, not quite good enough to go pro, spending his time away from the game writing plays he hoped to take, if not to Broadway, at least off-Broadway. But he would not make his mark in the arts until 1961, when Downey started to write and direct low-budget counterculture short films, starting with Ball's Bluff, about a Civil War soldier who wakes up in New York City's Central Park a century later.   In 1969, he would write and direct a satirical film about the only black executive at a Madison Avenue advertising firm who is, through a strange circumstance, becomes the head of the firm when its chairman unexpectedly passes away. Featuring a cameo by Mel Brooks Putney Swope was the perfect anti-establishment film for the end of that decade, and the $120k film would gross more than $2.75m during its successful year and a half run in theatres.   1970's Pound, based on one of Downey's early plays, would be his first movie to be distributed by a major distributor, although it was independently produced outside the Hollywood system. Several dogs, played by humans, are at a pound, waiting to be euthanized. Oh, did I forget to mention it was a comedy? The film would be somewhat of a success at the time, but today, it's best known as being the acting debut of the director's five year old son, Robert Downey, Jr., although the young boy would be credited as Bob Downey.   1972's Greaser Palace was part of an early 1970s trend of trippy “acid Westerns,” like Alejandro Jodorowsky's El Topo and Dennis Hopper's The Last Movie. Character actor Allan Arbus plays Jesse, a man with amnesia who heals the sick, resurrects the dead and tap dances on water on the American frontier. It would be the first movie Downey would make with a million dollar budget. The critical consensus of the film at the time was not positive, although Jay Cocks, a critic for Time Magazine who would go on to be a regular screenwriter for Martin Scorsese in the 1980s, would proclaim the film to be “the most adventurous movie of the year.” The film was not a hit, and it would be decades before it would be discovered and appreciated by the next generation of cineastes.   After another disappointing film, 1975's Moment to Moment, which would later be retitled Two Tons of Turquoise to Taos Tonight in order to not be confused with the 1978 movie of the same name starring John Travolta and Lily Tomlin that really, truly stunk, Downey would take some time off from filmmaking to deal with his divorce from his first wife and to spend more time with his son Robert and daughter Allyson.   By 1978, Robert Downey was ready to get back to work. He would get a job quickly helping Chuck Barris write a movie version of Barris' cult television show, The Gong Show, but that wasn't going to pay the bills with two teenagers at home. What would, though, is the one thing he hadn't done yet in movies…   Direct a Hollywood film.   Enter Mad Magazine.   In 1978, Mad Magazine was one of the biggest humor magazines in America. I had personally discovered Mad in late 1977, when my dad, stepmom and I were on a cross country trip, staying with friends outside Detroit, the day before my tenth birthday, when I saw an issue of Mad at a local grocery store, with something Star Wars-y on its cover. I begged my dad to give me the sixty cents to buy it, and I don't think I missed another issue for the next decade.   Mad's biggest competition in the humor magazine game was National Lampoon, which appealed to a more adult funny bone than Mad. In 1978, National Lampoon saw a huge boost in sales when the John Landis-directed comedy Animal House, which had the name of the magazine in the title, became an unexpected smash hit at the box office. Warner Brothers, the media conglomerate who happened to own Mad Magazine, was eager to do something similar, and worked with Mad's publisher, Bill Gaines, to find the right script that could be molded into a Mad Magazine movie, even if, like Animal House, it wouldn't have any real connection to the magazine itself.   They would find that script in The Brave Young Men of Weinberg, a comedy script by Tom Patchett and Jay Tarses, a pair of television comedy writers on shows like The Carol Burnett Show, The Sandy Duncan Show, The Bob Newhart Show and The Tony Randall Show, who had never sold a movie script before. The story would follow the misadventures of four teenage boys who, for different reasons, depend on each other for their very survival when they end up at the same military academy.   Now, of all the research I've done for this episode, the one very important aspect of the production I was never able to find out was exactly how Robert Downey became involved in the film. Again, he had never made a Hollywood movie before. He had only made one movie with a budget of a million dollars. His movies were satirical and critical of society in general. This was not a match made in heaven. But somehow, someone at Warner Brothers thought he'd be the right director for the film, and somehow, Downey didn't disagree.   Unlike Animal House, Downey and Warners didn't try to land a known commodity like John Belushi to play one of the four leads. In fact, all four of the leads, Wendell Brown, Tommy Citera, Joseph Hutchinson, and Ralph Macchio, would all be making their feature debuts.    But there would be some familiar faces in the film.   Ron Liebman, who was a familiar face from such films has Slaughterhouse-Five, Won Ton Ton: The Dog Who Saved Hollywood and Norma Rae, would play the head of the Academy. Tom Poston, who played Mindy's downstairs neighbor on Mork and Mindy, plays what would now be considered to be a rather offensive gay caricature as the guy who handles the uniforms of the cadets, Antonio Fargas, best known as Huggy Bear on Starsky and Hutch but who had previously worked with Downey on Putney Swope and Pound, as the Coach, and Barbara Bach, who had starred as Anya Amasova in the 1977 Bond film The Spy Who Loved Me.   The $5m film would begin production in Salina, Kansas, on September 17th, 1979, still using the title The Brave Young Men of Weinberg. The primary shooting location would be the St. John's Military School, which was still functioning while the film was in production, and would use most of the 144 students as extras during the shoot. The film would shoot for nine weeks without much incident, and the cast and crew would be home in time to enjoy Thanksgiving with their friends and family.   Unlike Animal House, the makers of The Brave Young Men of Weinberg did attempt to tie the movie into the magazine that would be presenting the film. At the very end of the movie, the magazine's mascot, Alfred E. Neuman, shows up on the side of the road, to wave goodbye to people and deliver his signature line, “What, Me Worry?” in a thought bubble that leads into the end credits. The person wearing the not quite realistic looking Neuman head gear, fourteen year old Scott Shapiro, was the son of the executive vice president of worldwide production at Warner Brothers.   After the first of the year, as Downey worked on his edit of the film, the studio decided to change the title from The Brave Young Men of Weinberg to Mad Magazine Presents Up the Academy. Bill Gaines, the publisher of Mad Magazine, suggested a slightly different title, Mad Magazine Completely Disassociates Itself from Up the Academy, but the studio decided that was too long for theater marquees. But we'll come back to that in a moment.   Warner Brothers set a June 6, 1980 release for the film, and Downey would finish his cut of the film by the end of March. A screening on the Warners lot in early April did not go well. Ron Liebman hated the film so much, he demanded that Warners completely remove his name from everything associated with the film. His name would not appear on the poster, the newspaper ads, the television commercials, the lobby cards, the press kit, or even in the movie itself. Bill Gaines would hate it to, such much in fact that he really did try to disassociate the magazine from the film. In a 1983 interview with The Comics Journal, Gaines would explain without much detail that there were a number of things he had objected to in the script that he was told would not be shot and not end up in the final film that were shot and did end up in the final film. But he wouldn't be able to get the magazine's name off the movie before it opened in theatres.   Now, one of the problems with trying to research how well films did in 1980 is that you really have only two sources for grosses, Variety and The Hollywood Reporter, and they didn't always report national grosses every week, depending on outside factors. It just hadn't the national sport it's been since, say, 1983.   So when Up the Academy opened in theatres on June 6th, we don't have a full idea of how many theatres it played in nationwide, or how much it grossed. The closest thing we do have for this Variety's listing of the top movies of the week based on a limited selection of showcase theatres in the top 20 markets. So we know that the film played at 7 showcase screens in New York City that weekend, grossing $175k, and in Los Angeles on 15 showcase screens, grossing $149k. But we also know, thanks to newspaper ads in the New York Times and the Los Angeles Times that the film was playing in 11 theatres in the New York Metro area, and in 30 theatres in the Los Angeles Metro area, so those listed grosses are merely a snapshot and not the whole picture.   According to Variety's limited tracking of major market showcase theatres for the week, Up the Academy was the second highest grossing film of the week, bringing in $729k from 82 theatres. And according to their chart's side notes, this usually accounts for about 25% of a movie's national gross, if a film is playing in wide release around the entire country.   In its second week, Up the Academy would place ninth on that showcase theatre listing, with $377k from 87 theatres.    But by the time Variety did bring back proper national grosses in the film's third week of release, there would be no mention of Up the Academy in those listings, as Warners by this time had bigger fish to handle, namely Stanley Kubrick's adaptation of the Stephen King novel The Shining, and Bronco Billy, their Clint Eastwood movie for the year. In that showcase theatre listing, though, Up the Academy had fallen to 16th place, with $103k from 34 theatres.   In fact, there is no publicly available record of how many theatres Up the Academy played in during its theatrical run, and it wouldn't be until the 1981 Warner Brothers 10-K annual filing with the Securities and Exchange Commission that Up the Academy had earned $10m from American movie theatres. If studios get about 55% of the box office grosses in rental fees, that would put the $5m film in a very good position to be profitable, depending on how much was spent on P&A, prints and advertising. The film wasn't an Animal House-level hit, but it wasn't exactly the bomb many have painted it to be.    After Up the Academy, two of the actors, Wendell Brown and Joseph Hutchinson, would never act in another movie, although, billed as Hutch Parker, the latter would produce six X-Men related movies between 2013 and 2019, including Logan. Tommy Citera would make two more movies until he left acting in 1988. And Ralph Macchio would, of course, go on to play Daniel LaRusso, the Karate Kid, in a career-defining role that he's still playing nearly forty years later.   Robert Downey would make another wacky comedy, called Moonbeam, in 1982. Co-written with Richard Belzer, Moonbeam would feature a fairly interesting cast including Zack Norman, Tammy Grimes, Michael J. Pollard, Liz Torres and Mr. Belzer, and tells the story of a New York cable television station that becomes world famous when they accidentally bounce their signal off the moon. But the film would not get released until October 1986, in one theatre in New York City for one week. It couldn't even benefit from being able to promote Robert Downey, Jr., who in the ensuing years had started to build an acting career by being featured in John Sayles' Baby It's You, Fritz Kiersch's Tuff Turf, John Hughes' Weird Science, and the Rodney Dangerfield movie Back to School, as well as being a member of the cast of Saturday Night Live for a year.   There's be sporadic work in television, working on shows like Matlock and The Twilight Zone, but what few movies he could get made would be pale shadows of her earlier, edgier work. Even with his son regularly taking supporting roles in his dad's movies to help the old man out, movies like Rented Lips and Too Much Sun would be critically panned and ignored by audiences. His final movie as a writer and director, Hugo Pool, would gross just $13k when it was released in December 1997, despite having a cast that included Patrick Dempsey, Richard Lewis, Malcolm McDowell, Alyssa Milano, Cathy Moriarty and Sean Penn, along with Junior.   Downey would also continue to act in other director's movies, including two written and directed by one of his biggest fans, Paul Thomas Anderson. Downey would play Burt, the studio manager, in Boogie Nights, and the WDKK Show director in Magnolia. Anderson adored Downey so much, the Oscar-nominated filmmaker would sit down with Downey for a four-part conversation filmed for the Criterion Company in 2013.   Robert Downey would pass away in July 2021, a curious footnote in the history of cinema, mostly because of the superstar he sired. Most of his movies are hard to find on video, and nearly impossible to find on streaming services, outside of a wonderful two disc DVD set issued by Criterion's Eclipse specialty label and several titles streaming on The Criterion Channel. Outside of Up the Academy, which is available to rent or purchase from Amazon, Apple TV and several other streaming services, you can find Putney Swope, Greaser's Palace and Too Much Sun on several of the more popular streaming services, but the majority of them are completely missing in action. You can also learn more about Robert Downey in Sr., a documentary streaming on Netflix produced by Robert Downey, Jr. where the son recounts the life and career of his recently passed father, alongside Paul Thomas Anderson, Alan Arkin, and mega-producer Norman Lear.   Thank you for joining us. We'll talk again soon, when Episode 107, on John Landis's underrated 1985 comedy Into the Night, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week's episode takes a look back at the career of trailblazing independent filmmaker Robert Downey, father of Robert Downey, Jr., and his single foray into the world of Hollywood filmmaking, Mad Magazine Presents Up the Academy. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we follow up on a movie based on a series of articles from a humor magazine that was trying to build their brand name by slapping their name on movies with a movie that was sponsored by a humor magazine trying to build their brand name by slapping their name on movies not unlike the other humor magazine had been doing but ended up removing their name from the movie, and boy is brain already fried and we're not even a minute into the episode.   We're talking about Robert Downey's 1980 comedy Up the Academy.   But, as always, before we get to Up the Academy, let's hit the backstory.   If you know the name Robert Downey, it's likely because you know his son. Robert Downey, Jr. You know, Iron Man. Yes, Robert Downey, Jr. is a repo baby. Maybe you've seen the documentary he made about his dad, Sr., that was released by Netflix last year. But it's more than likely you've never heard of Robert Downey, Sr., who, ironically, was a junior himself like his son.   Robert Downey was born Robert John Elias, Jr. in New York City in 1936, the son of a model and a manager of hotels and restaurants. His parents would divorce when he was young, and his mom would remarry while Robert was still in school.   Robert Elias, Jr. would take the last name of his stepfather when he enlisted in the Army, in part because was wanted to get away from home but he was technically too young to actually join the Army. He would invent a whole new persona for himself, and he would, by his own estimate, spend the vast majority of his military career in the stockade, where he wrote his first novel, which still has never been published.   After leaving the Army, Downey would spend some time playing semi-pro baseball, not quite good enough to go pro, spending his time away from the game writing plays he hoped to take, if not to Broadway, at least off-Broadway. But he would not make his mark in the arts until 1961, when Downey started to write and direct low-budget counterculture short films, starting with Ball's Bluff, about a Civil War soldier who wakes up in New York City's Central Park a century later.   In 1969, he would write and direct a satirical film about the only black executive at a Madison Avenue advertising firm who is, through a strange circumstance, becomes the head of the firm when its chairman unexpectedly passes away. Featuring a cameo by Mel Brooks Putney Swope was the perfect anti-establishment film for the end of that decade, and the $120k film would gross more than $2.75m during its successful year and a half run in theatres.   1970's Pound, based on one of Downey's early plays, would be his first movie to be distributed by a major distributor, although it was independently produced outside the Hollywood system. Several dogs, played by humans, are at a pound, waiting to be euthanized. Oh, did I forget to mention it was a comedy? The film would be somewhat of a success at the time, but today, it's best known as being the acting debut of the director's five year old son, Robert Downey, Jr., although the young boy would be credited as Bob Downey.   1972's Greaser Palace was part of an early 1970s trend of trippy “acid Westerns,” like Alejandro Jodorowsky's El Topo and Dennis Hopper's The Last Movie. Character actor Allan Arbus plays Jesse, a man with amnesia who heals the sick, resurrects the dead and tap dances on water on the American frontier. It would be the first movie Downey would make with a million dollar budget. The critical consensus of the film at the time was not positive, although Jay Cocks, a critic for Time Magazine who would go on to be a regular screenwriter for Martin Scorsese in the 1980s, would proclaim the film to be “the most adventurous movie of the year.” The film was not a hit, and it would be decades before it would be discovered and appreciated by the next generation of cineastes.   After another disappointing film, 1975's Moment to Moment, which would later be retitled Two Tons of Turquoise to Taos Tonight in order to not be confused with the 1978 movie of the same name starring John Travolta and Lily Tomlin that really, truly stunk, Downey would take some time off from filmmaking to deal with his divorce from his first wife and to spend more time with his son Robert and daughter Allyson.   By 1978, Robert Downey was ready to get back to work. He would get a job quickly helping Chuck Barris write a movie version of Barris' cult television show, The Gong Show, but that wasn't going to pay the bills with two teenagers at home. What would, though, is the one thing he hadn't done yet in movies…   Direct a Hollywood film.   Enter Mad Magazine.   In 1978, Mad Magazine was one of the biggest humor magazines in America. I had personally discovered Mad in late 1977, when my dad, stepmom and I were on a cross country trip, staying with friends outside Detroit, the day before my tenth birthday, when I saw an issue of Mad at a local grocery store, with something Star Wars-y on its cover. I begged my dad to give me the sixty cents to buy it, and I don't think I missed another issue for the next decade.   Mad's biggest competition in the humor magazine game was National Lampoon, which appealed to a more adult funny bone than Mad. In 1978, National Lampoon saw a huge boost in sales when the John Landis-directed comedy Animal House, which had the name of the magazine in the title, became an unexpected smash hit at the box office. Warner Brothers, the media conglomerate who happened to own Mad Magazine, was eager to do something similar, and worked with Mad's publisher, Bill Gaines, to find the right script that could be molded into a Mad Magazine movie, even if, like Animal House, it wouldn't have any real connection to the magazine itself.   They would find that script in The Brave Young Men of Weinberg, a comedy script by Tom Patchett and Jay Tarses, a pair of television comedy writers on shows like The Carol Burnett Show, The Sandy Duncan Show, The Bob Newhart Show and The Tony Randall Show, who had never sold a movie script before. The story would follow the misadventures of four teenage boys who, for different reasons, depend on each other for their very survival when they end up at the same military academy.   Now, of all the research I've done for this episode, the one very important aspect of the production I was never able to find out was exactly how Robert Downey became involved in the film. Again, he had never made a Hollywood movie before. He had only made one movie with a budget of a million dollars. His movies were satirical and critical of society in general. This was not a match made in heaven. But somehow, someone at Warner Brothers thought he'd be the right director for the film, and somehow, Downey didn't disagree.   Unlike Animal House, Downey and Warners didn't try to land a known commodity like John Belushi to play one of the four leads. In fact, all four of the leads, Wendell Brown, Tommy Citera, Joseph Hutchinson, and Ralph Macchio, would all be making their feature debuts.    But there would be some familiar faces in the film.   Ron Liebman, who was a familiar face from such films has Slaughterhouse-Five, Won Ton Ton: The Dog Who Saved Hollywood and Norma Rae, would play the head of the Academy. Tom Poston, who played Mindy's downstairs neighbor on Mork and Mindy, plays what would now be considered to be a rather offensive gay caricature as the guy who handles the uniforms of the cadets, Antonio Fargas, best known as Huggy Bear on Starsky and Hutch but who had previously worked with Downey on Putney Swope and Pound, as the Coach, and Barbara Bach, who had starred as Anya Amasova in the 1977 Bond film The Spy Who Loved Me.   The $5m film would begin production in Salina, Kansas, on September 17th, 1979, still using the title The Brave Young Men of Weinberg. The primary shooting location would be the St. John's Military School, which was still functioning while the film was in production, and would use most of the 144 students as extras during the shoot. The film would shoot for nine weeks without much incident, and the cast and crew would be home in time to enjoy Thanksgiving with their friends and family.   Unlike Animal House, the makers of The Brave Young Men of Weinberg did attempt to tie the movie into the magazine that would be presenting the film. At the very end of the movie, the magazine's mascot, Alfred E. Neuman, shows up on the side of the road, to wave goodbye to people and deliver his signature line, “What, Me Worry?” in a thought bubble that leads into the end credits. The person wearing the not quite realistic looking Neuman head gear, fourteen year old Scott Shapiro, was the son of the executive vice president of worldwide production at Warner Brothers.   After the first of the year, as Downey worked on his edit of the film, the studio decided to change the title from The Brave Young Men of Weinberg to Mad Magazine Presents Up the Academy. Bill Gaines, the publisher of Mad Magazine, suggested a slightly different title, Mad Magazine Completely Disassociates Itself from Up the Academy, but the studio decided that was too long for theater marquees. But we'll come back to that in a moment.   Warner Brothers set a June 6, 1980 release for the film, and Downey would finish his cut of the film by the end of March. A screening on the Warners lot in early April did not go well. Ron Liebman hated the film so much, he demanded that Warners completely remove his name from everything associated with the film. His name would not appear on the poster, the newspaper ads, the television commercials, the lobby cards, the press kit, or even in the movie itself. Bill Gaines would hate it to, such much in fact that he really did try to disassociate the magazine from the film. In a 1983 interview with The Comics Journal, Gaines would explain without much detail that there were a number of things he had objected to in the script that he was told would not be shot and not end up in the final film that were shot and did end up in the final film. But he wouldn't be able to get the magazine's name off the movie before it opened in theatres.   Now, one of the problems with trying to research how well films did in 1980 is that you really have only two sources for grosses, Variety and The Hollywood Reporter, and they didn't always report national grosses every week, depending on outside factors. It just hadn't the national sport it's been since, say, 1983.   So when Up the Academy opened in theatres on June 6th, we don't have a full idea of how many theatres it played in nationwide, or how much it grossed. The closest thing we do have for this Variety's listing of the top movies of the week based on a limited selection of showcase theatres in the top 20 markets. So we know that the film played at 7 showcase screens in New York City that weekend, grossing $175k, and in Los Angeles on 15 showcase screens, grossing $149k. But we also know, thanks to newspaper ads in the New York Times and the Los Angeles Times that the film was playing in 11 theatres in the New York Metro area, and in 30 theatres in the Los Angeles Metro area, so those listed grosses are merely a snapshot and not the whole picture.   According to Variety's limited tracking of major market showcase theatres for the week, Up the Academy was the second highest grossing film of the week, bringing in $729k from 82 theatres. And according to their chart's side notes, this usually accounts for about 25% of a movie's national gross, if a film is playing in wide release around the entire country.   In its second week, Up the Academy would place ninth on that showcase theatre listing, with $377k from 87 theatres.    But by the time Variety did bring back proper national grosses in the film's third week of release, there would be no mention of Up the Academy in those listings, as Warners by this time had bigger fish to handle, namely Stanley Kubrick's adaptation of the Stephen King novel The Shining, and Bronco Billy, their Clint Eastwood movie for the year. In that showcase theatre listing, though, Up the Academy had fallen to 16th place, with $103k from 34 theatres.   In fact, there is no publicly available record of how many theatres Up the Academy played in during its theatrical run, and it wouldn't be until the 1981 Warner Brothers 10-K annual filing with the Securities and Exchange Commission that Up the Academy had earned $10m from American movie theatres. If studios get about 55% of the box office grosses in rental fees, that would put the $5m film in a very good position to be profitable, depending on how much was spent on P&A, prints and advertising. The film wasn't an Animal House-level hit, but it wasn't exactly the bomb many have painted it to be.    After Up the Academy, two of the actors, Wendell Brown and Joseph Hutchinson, would never act in another movie, although, billed as Hutch Parker, the latter would produce six X-Men related movies between 2013 and 2019, including Logan. Tommy Citera would make two more movies until he left acting in 1988. And Ralph Macchio would, of course, go on to play Daniel LaRusso, the Karate Kid, in a career-defining role that he's still playing nearly forty years later.   Robert Downey would make another wacky comedy, called Moonbeam, in 1982. Co-written with Richard Belzer, Moonbeam would feature a fairly interesting cast including Zack Norman, Tammy Grimes, Michael J. Pollard, Liz Torres and Mr. Belzer, and tells the story of a New York cable television station that becomes world famous when they accidentally bounce their signal off the moon. But the film would not get released until October 1986, in one theatre in New York City for one week. It couldn't even benefit from being able to promote Robert Downey, Jr., who in the ensuing years had started to build an acting career by being featured in John Sayles' Baby It's You, Fritz Kiersch's Tuff Turf, John Hughes' Weird Science, and the Rodney Dangerfield movie Back to School, as well as being a member of the cast of Saturday Night Live for a year.   There's be sporadic work in television, working on shows like Matlock and The Twilight Zone, but what few movies he could get made would be pale shadows of her earlier, edgier work. Even with his son regularly taking supporting roles in his dad's movies to help the old man out, movies like Rented Lips and Too Much Sun would be critically panned and ignored by audiences. His final movie as a writer and director, Hugo Pool, would gross just $13k when it was released in December 1997, despite having a cast that included Patrick Dempsey, Richard Lewis, Malcolm McDowell, Alyssa Milano, Cathy Moriarty and Sean Penn, along with Junior.   Downey would also continue to act in other director's movies, including two written and directed by one of his biggest fans, Paul Thomas Anderson. Downey would play Burt, the studio manager, in Boogie Nights, and the WDKK Show director in Magnolia. Anderson adored Downey so much, the Oscar-nominated filmmaker would sit down with Downey for a four-part conversation filmed for the Criterion Company in 2013.   Robert Downey would pass away in July 2021, a curious footnote in the history of cinema, mostly because of the superstar he sired. Most of his movies are hard to find on video, and nearly impossible to find on streaming services, outside of a wonderful two disc DVD set issued by Criterion's Eclipse specialty label and several titles streaming on The Criterion Channel. Outside of Up the Academy, which is available to rent or purchase from Amazon, Apple TV and several other streaming services, you can find Putney Swope, Greaser's Palace and Too Much Sun on several of the more popular streaming services, but the majority of them are completely missing in action. You can also learn more about Robert Downey in Sr., a documentary streaming on Netflix produced by Robert Downey, Jr. where the son recounts the life and career of his recently passed father, alongside Paul Thomas Anderson, Alan Arkin, and mega-producer Norman Lear.   Thank you for joining us. We'll talk again soon, when Episode 107, on John Landis's underrated 1985 comedy Into the Night, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Luke 12:22-31 The post Rev Dr David G Watermulder: “What, Me Worry?” (11/06/2022) appeared first on Presbyterian Church of Los Gatos.

Portugal. The Man started off as a group of teens playing music in Wasilla, Alaska. Fast forward 21 years, 8 albums, a Grammy Award, and billions of streams later and they are now one of the biggest names in alternative rock today. In this episode, I connect with the singer, songwriter, and guitarist John Gourley to discuss what life was like growing up in Alaska with his larger than life parents, the creative process behind the music, and how the band is using their success to make an impact in the indigenous community through the PTM foundation. We also chat about what's next for the band, and how John has learned to embrace his anxiety as a force for good. Check out the full interview on YouTube: https://youtu.be/ss8X3iiyY3w If you'd like to help support the PTM foundations missions to raise awareness and build communities around indigenous populations check out their website!https://www.ptmfoundation.org/Guest Links:John Gourley - @portugalthemanSpotify: https://open.spotify.com/artist/4kI8Ie27vjvonwaB2ePh8T?si=WTjXJXNnRIa8zwuJKKVDkASong Credits:What, Me Worry?People SayFeel It StillSo American

New look, new set, new vibes! The premiere you've patiently waited for, where Julio not only brings the audio caffeine, but also tosses in some high notes throughout his performances. That was not a joke; true story.A season opener like no other, Episode 121 will make you want to press the rewind button a number of times; heck, you'll probably want to replay the episode, over & over & over. Have fun; Julio is better than ever!…….Share the vibes with a friend, drop a review, kiss your dog, water your plants, pump up the volume and let's goooo! TracklistSolardo x Vintage Culture x LOWES - Adidas & PearlsKasablanca - VolitionCamelPhat (ft. Jem Cooke) - SilencedJerome Price - FallenSwedish House Mafia & The Weeknd - Moth To A Flame (KREAM Remix)Kate Bush - Running Up That Hill (KREAM Remix)Julian Kid - Ready Or NotTigs - GoodiesAnti Up - ChromaticOliver Heldens & Tchami & Anabel England - LOWMatt Sassari - Everytime I See YouWiki - To Be RealSoul Avengers - Love You Feel (Wh0 Classic Remix)Redfield - Don't Worry (Crvvcks Remix)Portugal. The Man - What, Me Worry? (LP Giobbi Femme House Remix)JuliMotional Tracks of the WeekSwedish House Mafia & The Weeknd - Moth To A Flame (KREAM Remix)Kate Bush - Running Up That Hill (KREAM Remix)Have a track you want featured? Send it to the Demo Drop on his Website!www.julitunzzzradio.com

Vintage Culture prepares for his upcoming residency at Hï Ibiza with a drop in from special guest Space Motion! Don't forget to rate & review on all of your favorite podcast apps! Post your comments on Twitter @VintageCulture #CULTURESHOCK 01. Yolanda Be Cool - Unity 02. Famba & Cloverdale - Rush On Me 03. Mephisto - State Of Mind (Gorgon City Renaissance Remix) 04. Anti Up - Chromatic 05. Joshwa - More Money Girls 06. SIDEPIECE & Lee Foss - 1, 2 Step 07. Jonasu & Reve - All Night & Every Day Jonasu (3AM Mix) 08. Space Motion & Asher Swissa & Stylo - Relax 09. RÜFÜS DU SOL - On My Knees (Cassian Remix) 10. Malaa - How It Is 11. CID & WILL K - OoooH 12. ARTBAT - Generation 13. Sonny Fodera - Better 14. John Summit - In Chicago 15. Portugal. The Man - What, Me Worry? (LP Giobbi Femme House Remix) 16. Crooked Colours - Feel It (Claptone Remix)

A new MP3 sermon from Lakeside Community Chapel is now available on SermonAudio with the following details: Title: What, Me Worry? Speaker: Bruce Mills Broadcaster: Lakeside Community Chapel Event: Sunday - AM Date: 6/12/2022 Bible: Matthew 6:25-34 Length: 51 min.

Alt Show #487 (the Weekend of April 29/30) Playlist: The Beastie Boys vs. Eminem - Shake That Intergalactic Ass (Mike Czech Remixxx) Cage The Elephant - Shake Me Down (Mike Czech Remixxx) The Black Keys - Wild Child Red Hot Chili Peppers - Tell Me Baby (Rhythm Scholar Remix) The Kaliedoscope Kid - Watermelon Kisses The Interrupters - In The Mirror Portugal. The Man - Feel It Still The Black Keys - Lonely Boy The Dirty Heads - Lay Me Down (Mike Czech Remixxx) Oliver Tree - Cowboys Don't Cry 311 - I'll Be Here Awhile (Cirrus Breakbeat Remix) Portugal. The Man - What, Me Worry? Gorillaz - Feel Good Inc (Kutcorners Reggae Mix) Easy Star All Stars f/ Citizen Cope - Karma Police 408 - Mark Hoppus Everlast - What It's Like Weezer - Say It Ain't So (Discotech Remix) Smashing Pumpkins - Cherub Rock (Virgin Magnetic Material Remix) Sublime vs. Travie McCoy - Santeria Billionaire (Mike Czech Remixxx) Bob Moses - Love Brand New Beck - Colors Talking Heads - Once In A Lifetime (Gigamesh Remix) RÜFÜS DU SOL - On My Knees (Oliver Schories Remix) Foster The People - Helena Beat (Oliver Nelson Remix) Florence + The Machine - My Love Beastie Boys - Jimmy James Red Hot Chili Peppers - Californication (Theatre Of Delays Remix) Jack White - What's The Trick MGMT - Kids (Two Friends Remix) easy life - BEESWAX

Bienvenue dans ce douuuuuuuuuuzième épisode du Barboteur. Il y sera sujet de verres à bière, d'expérience de brassam. Il y aura dégustation de Tanker : Kallista mind salaja Viktor Zupulin!, de Basqueland : Three Amigos et de Piggy Brewing : All In 2022 Edition. Bonne écoute.

Alt Show #486  (the Weekend of April 22/23) Playlist: Portugal. The Man - What, Me Worry? X Ambassadors - Unsteady (Justin Caruso Remix) Glass Animals - Tangerine Twenty One Pilots - Ride (J Rythm Edit) 408 - Mark Hoppus Fatboy Slim - Praise You Nathaniel Rateliff & The Night Sweats - SOB (Mike Czech Remixxx) Beck - Up All Night Imagine Dragons - It's Time (Penguin Prison Remix) The Kaleidoscope Kid - Watermelon Kisses AJR - Burn The House Down Sir Sly - & Run (K.Flay Remix) Bob Moses - Love Brand New Phantogram - Fall In Love (Silent Murda Remix) Billie Eilish - Therefore I Am Oliver Tree - Cowboys Don't Cry Filter - Hey Man Nice Shot (Nickel Bag) Faith No More - Epic (Virgin Magnetic Material Remix) The Clash - Straight To Hell M.I.A. - Paper Planes Milky Chance - Stolen Dance (Rad Stereo Remix) RÜFÜS DU SOL - On My Knees (Oliver Schories Remix) Capital Cities - Safe and Sound (DiscoTech Remix) Florence + The Machine - My Love Empire Of The Sun - Walking On A Dream (RAC Mix) The Black Keys - Wild Child Alice In Chains - Man in the Box (Virgin Magnetic Material Remix) Phoenix - Lisztomania (Alex Metric Remix) Grouplove - Inside Out Weezer vs. Sean Kingston - Take You To An Island in the Sun (Mike Czech Remixxx)

FAMILIA MIGRANTE ► Radio Mandinga - Capítulo 299 "Respirar"

Alt Show #485 (the Weekend of April 15/16) Playlist: Gorillaz - Dare (Junior Sanchez Remix) Bastille - Distorted Light Beam (CamelPhat Remix) RÜFÜS DU SOL - On My Knees (Oliver Schories Remix) The Clash - Train In Vain (DiscoTech Remix) Florence + The Machine - My Love No Doubt - Hella Good (Dr. Fresch's Summer Revival Remix) The XX - On Hold Jack White ft. Q-Tip - Hi-De-Ho Blink-182 - I Miss You (Two Friends Remix) A$AP Rocky - Sundress Spin Doctors - Two Princes (G Templeton & Branded James Remix) The Black Keys - Wild Child MGMT - Electric Feel (Justice Remix) Mark Ronson feat. Kevin Parker from Tame Impala - Daffodils The Kaliedoscope Kid - Watermelon Kisses 408 - Mark Hoppus Blink-182 - All The Small Things (Donk Edit) Nirvana - Lounge Act (Z-Trip Remix) Bob Marley - Stand Up Jamrock (Ashley Beedle Remix) Portugal. The Man - Feel It Still (Lido Remix) AWOLNATION - Sail (DJ Slink Remix) Portugal. The Man - What, Me Worry? Phoenix - 1901 (RAC Maury Mix) Yelawolf & Shooter Jennings - Make Me A Believer The Killers - Mr. Brightside (Two Friends Remix) Oliver Tree - Cowboys Don't Cry Beastie Boys - Paul Revere Sneaker Pimps - 6 Underground (Perfecto Mix) The Crystal Method - Name of the Game Bob Moses - Love Brand New

Alt Show #484 (the Weekend of April 8/9) Playlist: Red Hot Chili Peppers - Tell Me Baby (Rhythm Scholar Remix) The Kaliedoscope Kid - Watermelon Kisses No Doubt - Just a Girl Sublime - Ruca (Mike Czech PALM TREES Remix) The Black Keys - Wild Child Florence + The Machine - My Love Empire Of The Sun - Walking On A Dream (RAC Mix) Justice vs. Simian - We Are Your Friends Alice In Chains - Again (Club Mix) Sir Sly - High Portugal. The Man - What, Me Worry? Gorillaz - Feel Good Inc (Kutcorners Reggae Mix) Sublime - Pawn Shop Yelawolf & Shooter Jennings - Make Me A Believer Franz Ferdinand - Take Me Out Bob Moses - Love Brand New X Ambassadors - Renegades (Big Data Remix) Grouplove - Welcome To Your Life (Gigamesh Remix) Moby ft. Gwen Stefani - South Side Arctic Monkeys - R U Mine (Mike Czech Re-Drum) a-ha - Take On Me (Kygo Remix) Glass Animals - Gooey Living Colour - Cult of Personality (Virgin Magnetic Material Remix) Muse - Knights Of Cydonia (Gramatik Remix) Sublime With Rome - Wherever You Go Major Lazer ft. Marcus Mumford - Lay Your Head On Me (Lost Frequencies Remix) RÜFÜS DU SOL - On My Knees The Cure - Just Like Heaven (The Penelopes Remix) Edward Sharpe & The Magnetic Zeroes - Home (Party Supplies Remix) Jack White ft. Q-Tip - Hi-De-Ho

Alt Show #483 (the Weekend of April 1/2) Playlist: Sublime vs. Travie McCoy - Santeria Billionaire (Mike Czech Remixxx) Bob Marley & the Wailers - Soul Rebel [Afrodisiac Sound System Remix] Jamiroquai - Virtual Insanity Muse - Madness (More Madness Edit) Bob Moses - Love Brand New The Kaliedoscope Kid - Watermelon Kisses Daryl Hall & John Oates - I Can't Go For That (No Can Do) [Pomo Remix] Saint Motel - Cold Cold Man Gorillaz - Clint Eastwood (Godlips Remix) Foster The People - Pick U Up (Dr. Iceman Remix) The Black Keys - Wild Child Alice In Chains - Man in the Box (Virgin Magnetic Material Remix) MGMT - Electric Feel (Justice Remix) Imagine Dragons - I Bet My Life (Bastille Remix) Bastille - Distorted Light Beam The Streets - Let's Push Things Forward Chase & Status feat. Delilah - Rope (Foo Fighters Cover) Portugal. The Man - What, Me Worry? Macklemore & Ryan Lewis Ft. Ray Dalton - Can't Hold Us Yelawolf & Shooter Jennings - Make Me A Believer RÜFÜS DU SOL - On My Knees Gorillaz - Dare (Junior Sanchez Remix) Lorde - Green Light (Chromeo Remix) Foster The People - Helena Beat (Oliver Nelson Remix) Jack White ft. Q-Tip - Hi-De-Ho Florence + The Machine - My Love Capital Cities - Safe and Sound (DiscoTech Remix) Bishop Briggs - River Radiohead - Everything in its Right Place (Gigamesh Remix) Alex Clare - Too Close

Alt Show #482 (the Weekend of March 25/26) Playlist: Linkin Park - A Light That Never Comes (Rick Rubin Reboot) Tove Lo - Habits (Stay High) (Oliver Nelson Remix) Tame Impala - The Less I Know The Better Nirvana - Come As You Are (Young Edits Heroin Chic Edit) RÜFÜS DU SOL - On My Knees Tricky - Something In The Way (Nirvana Cover) The Killers - The Man (Duke Dumont Remix) The Black Keys - Wild Child The Lumineers - Ophelia (Sky Mode Remix) The Kaliedoscope Kid - Watermelon Kisses Grouplove - Welcome To Your Life (Gigamesh Remix) Weezer - Africa (RAC Remix) M.I.A. - Paper Planes (DFA Remix) Lorde - Tennis Court (Flume Remix) Bob Moses - Love Brand New Florence + The Machine - My Love Foster The People - Helena Beat (Oliver Nelson Remix) Bob Marley - Is This Love (Montmartre Remix) Coleman Hell - 2 Heads (Your Turn Remix) Jack White ft. Q-Tip - Hi-De-Ho Grouplove - Shark Attack (Viceroy Remix) Twenty One Pilots - Stressed Out (Unlike Pluto remix) Incubus - Wish You Were Here (Mike Czech Remixxx) Weezer - Say It Aint So (Discotech Remix) Panic! At The Disco - Say Amen (Saturday Night) Portugal. The Man - What, Me Worry? Elle King vs. Black Keys - Exs and Keys (Mike Czech Remixxx) Yelawolf & Shooter Jennings - Make Me A Believer The Killers - Mr. Brightside (Two Friends Remix) Welshly Arms - Are You Lonely

Alt Show #481 (the Weekend of March 18/19) Playlist: Weezer - Say It Ain't So (Discotech Remix) Blink-182 - Feelin' This (Ryan Hemsworth Remix) K.Flay - High Enough (RAC Remix) Sneaker Pimps - 6 Underground (Perfecto Mix) Bob Moses - Love Brand New The Black Keys - Wild Child MGMT - Electric Feel (Justice Remix) The 1975 - Somebody Else (EMBRZ Remix) Kongos - Come With Me Now (Mike Czech PALM TREES Remix) The Kaliedoscope Kid - Watermelon Kisses Vance Joy - Riptide (Sun City Edit) RÜFÜS DU SOL - On My Knees The Strokes - You Only Live Once The Clash - Train In Vain (DiscoTech Remix)  Jack White ft. Q-Tip - Hi-De-Ho Portugal. The Man - What, Me Worry? X Ambassadors - Low Life (feat. A$AP Ferg) (Boehm Remix) Yelawolf & Shooter Jennings - Make Me A Believer Foo Fighters vs. Kings Of Leon - Sex Is On My Hero (Mike Czech Remixxx) Welshly Arms - Are You Lonely Bob Marley and the Wailers - Duppy Conqueror (Fort Knox Five Remix) Awolnation - Kill Your Heroes (Machines Are People Too Remix) Beastie Boys - Jimmy James Foxy Shazam vs. Lyrics Born - I Like It (Mike Czech Remixxx) X Ambassadors ft. K.Flay & Grandson - ZEN Big Data - Dangerous (Oliver Remix) Tame Impala - H.F.G.W (Canyons Drunken Rage) Coldplay - Adventure Of A Lifetime (Matoma Remix) Khruangbin - Pelota (Quantic Cut a Rug Mix) The Rolling Stones - Miss You (D! D! D! Edit)

Alt Show #480 (the Weekend of March 11/12) Playlist: Beck - Wow Bob Moses - Love Brand New Andrew McMahon In The Wilderness - Cecilia and the Satellite (X Ambassadors Remix) Cold War Kids - First (Max Vertigo Edit) Red Hot Chili Peppers - Black Summer Portugal. The Man - What, Me Worry? Phoenix - 1901 (RAC Maury Mix) Yelawolf & Shooter Jennings - Make Me A Believer Nirvana - Lounge Act (Z-Trip Remix) Welshly Arms - Are You Lonely The Black Keys - Tighten Up (Fort Knox Five DCs Finest Remint) COIN - Chapstick Of Monsters & Men - Little Talks (The Knocks Remix) Cannons - Bad Dream Bob Moses - Tearing Me Up (RAC Remix) The Kaliedoscope Kid - Watermelon Kisses Weezer - Happy Hour (Lefti Remix) Portugal. The Man - Purple Yellow Red And Blue (Passion Pit Remix) Tame Impala - Is It True RÜFÜS DU SOL - On My Knees Jane's Addiction - Jane Says (Live) / Ravi Re-rub Third Eye Blind - Semi Charmed Life (DJ SCOOTER REDRUM) The Knocks - All About You (feat. Foster The People) MGMT - Kids (Two Friends Remix) I DONT KNOW HOW BUT THEY FOUND ME - Leave Me Alone Jack White ft. Q-Tip - Hi-De-Ho No Doubt - Hella Good (Sharam Jey Remix) Sex Pistols - Pretty Vacant (Drop Out Orchestra Rework)  Le Tigre - Deceptacon (DFA remix) The Neighbourhood - Sweater Weather (Joe Maz Remix)

Alt Show #479 (the Weekend of March 4/5) Playlist: Vance Joy - Saturday Sun (Luca Schreiner Remix) Glass Animals - Heat Waves (Shakur Ahmad Remix) Gorillaz - 19 2000 (Soulchild Remix) Passion Pit - Sleepyhead (Two Friends Remix) Red Hot Chili Peppers - Black Summer The Kaliedoscope Kid - Watermelon Kisses Beck - Up All Night COIN - Chapstick Cherub - Doses & Mimosas (The Knocks Remix) Cannons - Bad Dream Grouplove - Tongue Tied (Gigamesh Remix) Major Lazer ft. Marcus Mumford - Lay Your Head On Me (Lost Frequencies Remix) Foals - Wake Me Up Cage The Elephant - Cigarette Daydreams [D - Reeze Edit] RÜFÜS DU SOL - On My Knees Portugal. The Man - What, Me Worry? A-Ha - Take On Me (The Twelves Remix) Yelawolf & Shooter Jennings - Make Me A Believer Cage The Elephant - Mess Around (Mike Czech Re-Edit) Imagine Dragons & JID - Enemy  Arkells ft/ K.Flay - You Can Get It Stone Temple Pilots - Interstate Love Song (JPOD remix) Sneaker Pimps - Six Underground Beck vs. Eminem - Lose Yourself You Loser (Mike Czech Remixxx) Arctic Monkeys - Do I Wanna Know (GunFight Remix) Bob Moses - Love Brand New X Ambassadors - Renegades (Big Data Remix) Twenty One Pilots - Heathens (Mr. Collipark Remix) Bleachers - I Wanna Get Better (RAC Remix) Grouplove - Welcome To Your Life (Gigamesh Remix)

What Me Worry? Audio File What, Me Worry? – Peg Yarbrough Jesus never worried! Learn the keys to living worry-free. …Continue reading →

Portugal. The Man Guitarist Eric Howk catches up with Sarah Christie to talk about their new single "What, Me Worry?", working with Ryan Tedder, and their incredible accessibility initiative!  Subscribe for more interviews like this!

Alt Show #477 (the Weekend of February 18/19) Playlist: Queen and David Bowie - Under Pressure (Virgin Magnetic Material Edit) Cannons - Bad Dream Daft Punk ft. Pharrell Williams - Get Lucky Tame Impala - Is It True The Kaliedoscope Kid - Watermelon Kisses Portugal. The Man - What, Me Worry? Counting Crows - Mr. Jones (The Sick MIx) Yelawolf & Shooter Jennings - Make Me A Believer The Killers - Mr. Brightside (DreamTime Mix) Nirvana - Lounge Act (Z-Trip Remix) Beck vs Butthole Surfers vs Beastie Boys - Doin' It In Tejas (Merritte Remix) Bob Moses - Love Brand New M.I.A. - Paper Planes (DFA remix) Warren G & Nate Dogg - Regulate (Sebu of Capital Cities Remix) Nathaniel Rateliff & The Night Sweats - Survivor Red Hot Chili Peppers Black Summer MGMT - Kids (Two Friends Remix) Twenty One Pilots - The Outside Cold War Kids - First (Max Vertigo Edit) Beastie Boys - The New Style Mumford & Sons - I Will Wait (Unlike Pluto remix) Silversun Pickups vs. New Order - The Pit (Mike Czech Bootleg) Atlas Genius - Trojans (Lenno Remix) Foster The People - Pumped Up Kicks (Risk One Bootleg) Young The Giant - Cough Syrup (CSR REMIX) COIN - Chapstick Red Hot Chili Peppers - Snow (Lost Frequencies Extended Mix) Foals - Wake Me Up Grouplove - Remember That Time (Eden Prince Remix) RÜFÜS DU SOL - On My Knees

Alt Show #478 (the Weekend of February 25/26) Playlist: Twenty One Pilots - The Outside MGMT - Kids (Two Friends Remix) Alt-J - Left Hand Free (Lido Remix) Tom Tom Club - Genius Of Love (Rhythm Scholar Funk Mutation Remix) Red Hot Chili Peppers - Black Summer Talking Heads - Once In A Lifetime (Gigamesh Remix) Foals - Wake Me Up Borns - Electric Love Of Monsters & Men - Little Talks (Passion Pit Remix) RÜFÜS DU SOL - On My Knees Gorillaz - Feel Good Inc (Kutcorners Reggae Mix) Portugal. The Man - What, Me Worry? Phoenix - 1901 (RAC Maury Mix) Yelawolf & Shooter Jennings - Make Me A Believer Easy Star All Stars f/ Citizen Cope - Karma Police The Kaliedoscope Kid - Watermelon Kisses Coldplay - Adventure Of A Lifetime (Matoma Remix) Cannons - Bad Dream De La Soul - Me Myself And I COIN - Chapstick Dirty Heads F/ Rome of Sublime - Lay Me Down (Mike Czech Remixxx) Weezer - Say It Ain't So (Discotech Remix) K.Flay - High Enough (RAC Remix) Incubus - Drive (The Random Songs Remix) Run The Jewels ft/ Royal Blood - The Ground Below (Remix ft/ Royal Blood) Bob Moses - Love Brand New Twenty One Pilots - Heathens (Mr. Collipark Remix) Weezer - Africa (RAC Remix) Foster The People - Sit Next To Me (Rework) Nathaniel Rateliff & The Night Sweats - Survivor

 Shovels And Rope |   |  Collateral Damage Jenny Hval |   |  Year Of Love Spoon |  Lucifer On The Sofa |  On The Radio Christian Lee Hutson / Phoebe Bridgers |   |  Rubberneckers Kurt Vile |  (watch My Moves) |  Like Exploding Stones Lisa Morales / Rodney Crowell |   |  Flyin' And Cryin' *****Break***** 07:31 PM |    |    Hurray For The Riff Raff |  Life On Earth |  Nightqueen Death Cab For Cutie |   |  Waiting For The Sunrise Spoon |  Lucifer On The Sofa |  The Devil And Mr. Jones Spoon |  Lucifer On The Sofa |  Wild Ray Wylie Hubbard /lzzy Hale / John 5 |  Co - Starring Too |  Naturally Wild Portugal, The Man |   |  What, Me Worry? David Bowie /danny Saber |   |  Little Wonder Tame Impala |  The Slow Rush / Remixes And B - Sides |  The Boat I Row

After a holiday celebrating love, this week the Geek Peak decided to discuss the films, tv shows, and video games that hurt us the most. Experience true heartbreak as we discuss why content like The Last Airbender, Eragon, Game of Thrones, and much more was just so damn disappointing. Also be sure to tune into Newswatch TV on 2/25 at 7:00am on the AMC channel to see Trent discuss The Batman trailer and give them a follow on Youtube here: https://www.youtube.com/c/NWTV-NewsWatch | | Geekpeakpod.com | Patreon.com/geekpeakpod | https://geekpeakpod.threadless.com/ | | | Drink of the week: Gronkzilla double dry hopped red IPA - Motorworks Brewing Company | Michelob Ultra | Manifest Distillery Wheelhouse Brown Bourbon| | Songs of the week: What, Me Worry?- Portugal. The Man | Mood Ring - Cannons | Abcdefu - GAYLE |

John Baldwin Gourley and Zach Carothers from Portugal. The Man are this episodes' guests on the podcast. The band just released their new song "What, Me Worry?" John and Zach talk about the Mad Magazine connection, finding peace in all the noise, and the advantages of growing up in Alaska.

FTHC es el nuevo disco de Frank Turner, catorce artefactos para abordar cuestiones delicadas como el suicidio o el cambio de sexo. Él dice que es como una mini biografía ubicada en tiempo y espacio para cerrar un capítulo de su vida y abrir otro, como un nuevo punto de referencia para él y le sale su lado más country pero también el más grunge y el más salvaje en momentos como 'Haven't Been Doing So Well' o 'The Gathering'. Aparte, escuchamos lo nuevo de la australiana Hatchie y de la irlandesa Wallis Bird. EDDIE VEDDER – Power Of Right FRANK TURNER - Haven't Been Doing So Well FRANK TURNER - The Gathering HATCHIE - Giving The World Away FOXES – Sister Ray BELAKO - Profile Anxiety (Crystal Fighters Remix) MITCH DAVIS - Let It Die GOOD LOOKS - Vision Boards THE VELVET UNDERGROUND – I’m Waiting For The Man WILCO – Impossible Germany PORTUGAL THE MAN – What, Me Worry WALLIS BIRD – What’s Wrong With Changing IBIBIO SOUND MACHINE - Protection From Evil WHITE LIES - Blue Drift DEPECHE MODE – Enjoy The Silence CUPIDO – Santa Escuchar audio

Follow @foobarshowEpisode 262 - Foorona Virus!(2:18)The Foos welcome back Alejandro “G Baby” Luna to sit in for Josh and The Foo.-Joe C and Steph talk about their recent bout with COVID.(19:23)Geeking Out:-The Book of Boba Fett season finale-Ozark part 1 of season 4 (the final season)-Bulletin of upcoming releases-Doom Scrolling With Steph(53:53)The Joint Report:-Does Holding Hits Get You Higher?-Why You Should Put A Coin In Your Grinder-Is Toking Weed Resin Bad For You?(1:05:53)Music Highlights:-Heat Waves by Glass Animals-THE REV3NGE by Joey Bada$$-What, Me Worry? By Portugal. The Man-Sail by Torus-Train In Vain (Stand By Me) by The ClashGive us a 5-star positive review on Apple Podcasts!Get your Foobar Show merch at foobarshow.comSUPPORT OUR SPONSORS-ALF Live Events for all of your live audio/visual needs at alflei.com-Get 30% off on Grassdoor by clicking through our banner on our website.-Check out The Fallen Electric at thefallenelectric.com & @thefallenelectric for music, news, and merch!

On the 219th episode of Audioface: REVIEWS: "Ethereal" by $NOT, "The Dream" by alt-J, and "LP3" by Hippo Campus. New singles: "What, Me Worry?" by Portugal. The Man, "Diet Coke" by Pusha T, "Alpha House/Hide & Seek" by Knucks, "Baby Blues" by AUDREY NUNA, "Make it True" by Rae Khalil, and "mona lisa" by mxmtoon. DaBaby goes bowling with his baby mama's brother, and things go south from there. Multiple rappers have nude images leak, including a video that appears to out Isaiah Rashad. Ice T issues a warning, and Kodak Black pays the toll. The Ethereal review. Billie Eilish helps a fan during her show, which upset ye (Kid Cudi to the rescue?). The world's worst rapper is charged with a crypto scam. The Dream review. Snoop Dogg buys Death Row records amid an upcoming album release and an assault charge. Are Juggalos Better Than Deadheads? Trevor Noah proven to be a hypocrite for his opinions on Joe Rogan. The LP3 review. Team USA uses Daft Punk to win a winter olympic medal, and RIP to Syl & Jimmy Johnson: brothers and soul legends. --- GET MORE AUDIOFACE WITH SYNDICATE 23 MEMBERSHIPMore info at join.syndicate23.co AUDIOFACE'S 2022 NEW MUSIC PLAYLIST:https://open.spotify.com/playlist/5re14dHv4E6iOA9yj1PmtB?si=480f679829c0471b SUPPORT AUDIOFACE!Subscribe to this podcast (or Follow on Spotify) so you don’t miss new episodes every week. Tell some friends about this show to keep it growing! We appreciate it, and you. Reach out to us: https://twitter.com/audiofacepod/https://intsagram.com/audiofacepod/https://www.youtube.com/audiofacepod?sub_confirmation=1 For advertising opportunities, email info (at) syndicate23 (dot) co

'Earthling' es el nuevo disco en solitario de Eddie Vedder, se publicó el viernes pasado y hoy compartimos dos de las canciones incluidas: 'Picture' con Elton John y 'Try' con Stevie Wonder. Escuchamos nuevo artefacto de Jack White y sendos adelantos de los próximos discos de Foals y Portugal The Man. SPOON – On The Radio EDDIE VEDDER & ELTON JOHN - Picture EDDIE VEDDER ft STEVIE WONDER - Try FATHER JOHN MISTY - Q4 ALT J – The Actor PORTUGAL THE MAN – What, Me Worry? FOALS - 2AM SEN SENRA – Hagan 40º LOS VINAGRES – Aquí Bien TATE MCRAE - She's All I Wanna Be BREAKBOT - Remedy EVERYTHING EVERYTHING - Bad Friday PTZATA & JUACKO - Input SOFI TUKKER – Original Sin JACK WHITE – Fear Of The Down ROYAL BLOOD – Typhoons FOO FIGHTERS – Making A Fire Escuchar audio

Pop Rock Time  "The Greatest Pop Rock Hits of all Time" avec JIHEM #256 Part 01. 11-Calum Scott - If You Ever Change Your Mind #2022 12-Portugal. The Man - What, Me Worry #2022 13-Oliver Tree - Freaks and Geeks #2022 14-Les Rita Mitsouko - Marcia Baïla #1984 Part 02. 21-Benee - Beach Boy #2022 22-Living Colour - Love Rears Its Ugly Head #1990 23-The Head And The Heart - Virginia (Wind In The Night) #2022 24-Katy Perry - The one that got away #2010 Part 03. 31-The Rembrandts - Just The Way It Is, Baby #1990 32-Jonah Kagen - Drowning #2022 33-Aidan Bissett - Grocery Store Girl #2022 34-Eg - Time to fall #2009 Part 04. 41-LØLØ Feat Maggie Lindemann - Debbie downer #2022 42-Louise Attaque - Ton invitation #1997 43-Animal Triste Feat Peter Hayes - Tell Me How Bad I Am #2022 44-Roger Glover and Butterfly Ball - Love Is All #1974

What went right in 2021. Media Recap. Top Episodes and Interviews. Memories! What, Me Worry? for 2022 Resolutions. This is the abridged version of the stream. Somethingn went wrong. Terribly wrong. But shout out to Duncan (https://www.dwjcreative.com/) for telling me that mic on Camera 1 wasn't working. WHOOPS. I Think This Is Great! with Clay N. Ferno is an interview podcast about people doing and being their best. We talk about compassionate work, working on teams, getting over hurdles and doing great things even when the chips are down. This is part productivity podcast and part interview show about fascinating people in my life. Welcome, and please let me know what you think is great!

Frank Sinatra scored a massive hit in 1969 when he recorded Paul Anka's adaptation of a French song that Anka entitled “My Way.” Despite reports that Sinatra personally disliked the song's “self-indulgent” lyrics, penned by Anka, and until Sid Vicious released the definitive rendition of the song nine years later, no song has ever been more identified with Sinatra the man and the singer. Whatever one feels about the song or about Sinatra — and I must say I have always found both cloying and bumptious — it is hard to ignore the power of his performance and the defiant stance of the lyrics. The most combative words of the song arrive at the opening of the second verse.Regrets, I've had a fewBut then again too few to mentionI did what I had to doI saw it through without exemptionThink of the arrogance of this passage. The song could be titled “My Way (or the Highway).” It's a song that is befitting the patriarch of the oligarchic Roy family in the television satire Succession, or, for the more literary-minded, the general in Gabriel Garcia Marquez' exquisite and excruciating satirical novel Autumn of the Patriarch. (I recommend both.)Nonetheless, Anka's lines do raise an interesting question. What is the point of regret? To make heads or tails of regret, we will have to differentiate regret from guilt. Guilt has to do with past action or inaction we had some choice or informed agency over whereas regret refers to past action or inaction that we could neither predict nor control. In fact, the song misuses the word regret. Anka seems to be referring to actions that were taken with full knowledge of their repercussions as the third and fourth lines of the second verse indicate.I did what I had to doI saw it through without exemptionClearly Anka's singer has not experienced regret but episodes of guilt — just a few, but then again too few to mention — which Sid Vicious' video of the song (linked at the bottom of the essay) makes clear.So, properly understood, regret has to do with consequences from past action or inaction that we had no control over and cannot correct. In this way it has much in common with its counterpart, worry.In the U.S., we have witnessed the proliferation of a vast anti-worry industry staffed by an army of gurus, our greatest being not the inescapable Dr. Phil or even the ubiquitous Xanax but Alfred E. Neuman, the mascot of MAD magazine and the ur anti-worrier. Neuman's sage motto — “What, me worry?” — inspired generations of youth to release their niggling cares, relax, and read humor comics. We can learn much from him.As Mr. Neuman's astute bon mot suggests, worry can do absolutely nothing to improve tomorrow and only can ruin today. Like regret, worry addresses events we cannot control. My intense worry that my doctor's appointment next week will bring bad news can have no influence over the outcome. If the doctor's report is good, I may be flooded with relief, but I will also have wasted a week fretting for no reason. If the doctor delivers bad news, I will likely be overcome with dread — worry's more onerous sibling — and thus my self-imposed misery increases and continues. We may be tempted to accept regret and worry as “only natural,” which they are, but they are so as vestiges of a past that has not existed for thousands of years. Whatever evolutionary advantage they may have once provided to our distant ancestors, it is difficult to see what good they do us now. And yet, here they are, lurking in our daily lives and in our guts. Yes, they are part of our nature, but we can, with practice, consciously dispel them.Note that worry has no agency over the future, so what, me worry? And for that matter, regret will not change the past, so why regret? Indeed, both regret and worry can overwhelm our capacity to correct negative experiences, as in the case of regret, or avoid them, as in the case of worry.In the end, and with all due respect to the talented Mr. Anka, Mr. Neuman's sentiment is the more sagacious. Anka's lyrics coldly dispense with past error as a meaningless inconvenience while Neuman's motto is more nuanced — a simple rhetorical question cum statement of resolve. Under Neuman's schema, each of us can still look on the future, near and distant, while leaving room to address but not anguish over it. In contrast, Anka's expression of non-regret cum guiltlessness does not allow for concern or correction at all. It is brutal in its irresponsibility and its disregard for the damaged world that the narrator is leaving behind.Living a life without regret or worry is a worthy pursuit, but a life with no concern for consequences — past or future — is an empty one marked by emotional self-isolation and hard-hearted self-regard, all set to the accompaniment of a treacly melody. The choice really is simple: reject the vapid Paul Anka/Frank Sinatra/Sid Vicious bravado and its saccharine melody and embrace your inner Alfred E. Neuman. What, Me Worry?Share your thoughts on this topic or participate in a discussion by leaving a comment below or by contacting me directly by email: You must register with Substack to leave a comment, which stinks but is painless and free.I look forward to hearing from you.Get a free consultation to learn how I can help enhance your leadership and communication skills.Post this essay on social media or send it by email to someone you want to inspire or annoy.Subscribe to receive my weekly newsletter and special editions directly to your mailbox.Learn how you can improve your ability to achieve your organization's mission. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jimsalvucci.substack.com

“What, Me Worry?”: A look at Jesus command  “do not worry” in Matthew 6:25.

Steve DeBerg spent more than 20 years around professional football. Not bad for an undrafted free agent who didn't think he would ever play in the NFL. He laid the groundwork for three future Hall of Fame quarterbacks, always with an Alfred E. Newman “What, Me Worry?” approach. He joins us to talk about some of his favorite memories with the eight different teams he played for, including shattering his finger in a game and coming back to play later in the game.

“What, me worry?“   Dr. Steven Crane | May 16, 2021 GROUP QUESTIONS SERMON AUDIO SERMON VIDEO The post What, Me Worry? appeared first on Eagle Christian Church.

What, Me Worry? Podcast Date: 09/09/20

Welcome to the Cover to Cover podcast! The first show happened on March 13, 2016, and was a great success. Participants included Miki Greenberg, Jonas Friddle, and Lindsay Weinberg. Here's the breakdown of the show: Miki Greenberg: In a City on a Hill Sodom & Gomorrah Reason to Believe Diddle with a Fiddle  Jonas Friddle: Hold the People in Your Heart Careful Little Corina Rockingham Cindy  Lindsay Weinberg: Right Now Cicada Song What Do You Believe?  Miki Greenberg: This Dance by Lindsay Weinberg -- Original version: http://lindsayweinbergmusic.com/track/2870/this-danceWaltzing Away by Jonas Friddle -- Original version: https://soundcloud.com/jonasfriddle/waltzing-awayLittle Green by Joni Mitchell  Jonas Friddle: Awful Lot of Love by Lindsay Weinberg -- Original version: http://lindsayweinbergmusic.com/track/955411/awful-lot-of-loveI Have a Friend by Miki Greenberg -- Original version: https://melodicaerotica.bandcamp.com/track/i-have-a-friendCry Cry Cry by Johnny Cash  Lindsay Weinberg: Vanessa on the Bus by Miki Greenberg Use Your Voice by Jonas Friddle-- Original version: https://soundcloud.com/jonasfriddle/use-your-voiceWhat, Me Worry? by St. Vincent  Finale: Moonshadow by Cat Stevens

BP's Big Problems / Problems Underground / California Carbon / High Court and Climate Change / Counting Carbs / Emerging Science Note/Plasma Incinerator / Sunny Prospects for Solar / What, Me Worry?

BP's Big Problems / Problems Underground / California Carbon / High Court and Climate Change / Counting Carbs / Emerging Science Note/Plasma Incinerator / Sunny Prospects for Solar / What, Me Worry?

BP's Big Problems / Problems Underground / California Carbon / High Court and Climate Change / Counting Carbs / Emerging Science Note/Plasma Incinerator / Sunny Prospects for Solar / What, Me Worry?

BP's Big Problems / Problems Underground / California Carbon / High Court and Climate Change / Counting Carbs / Emerging Science Note/Plasma Incinerator / Sunny Prospects for Solar / What, Me Worry?