Podcasts about Bronco Billy

The Searchers are all back to cover Clint Eastwood's 1980 film, Bronco Billy. Don't miss this one, folks! Our episode catalogue: https://searchersfilmpodcast.podbean.com/

A dynamic conversation with the legendary Jeff Browning on the Free Outside Podcast. With over 200 ultra marathons, 40 wins, and a record-breaking career spanning decades, Jeff shares invaluable insights on longevity in ultrarunning, mindset training, and his approach to coaching. We dive into the evolution of the sport, gear innovations, nutrition strategies, and some wild stories, including his adventures in 200-mile races and the Colorado Trail. This episode is packed with inspiration, laughter, and actionable takeaways for runners of all levels. Don't miss this deep dive into the world of ultrarunning! Follow Jeff on the internet: https://www.instagram.com/gobroncobilly/ takeaways -Jeff Browning has completed nearly 200 ultra marathons and has over 40 wins. -The impact of pregnancy on athletic contracts is significant and groundbreaking. -Coaching plays a crucial role in ultra running, providing personalized training plans. -Nutrition and recovery are key components for success in ultra running. -The transition to 200-mile races presents unique challenges and requires a -different approach. -Mindset is essential for overcoming obstacles during long races. -Chafing management is a critical aspect of ultra running that can affect performance. -The future of trail running may see more specialization among athletes. -Individualized nutrition strategies are important for optimal performance. -Fast packing can be a viable alternative to racing for enjoying the experience. Sound Bites "I need to update them." "I want to appreciate it more." "Bronco Billy has superpowers." Chapters 00:00 Introduction to Jeff Browning's Achievements 11:54 The Role of Coaching in Ultra Running 17:55 The Evolution of Ultra Running and Training Methods 23:49 Influences and Resources in Training Philosophy 30:23 Training Insights from Elite Runners 36:42 Tracking Training: The Evolution of Technology 43:44 The Shift in Running Shoe Philosophy 49:08 Lessons from Multi-Day Races 54:29 Reflections on Endurance and Motivation 01:00:14 Chafing Challenges and Creative Solutions 01:07:37 Understanding Hydration and Nutrition in Ultra Running 01:17:01 Introduction to Contract Season in Trail Running 01:17:02 The Future of Trail Running and Athlete Negotiations keywords: ultra running, Jeff Browning, coaching, nutrition, trail running, 200-mile races, mindset, athletic contracts, recovery, training methods

We start this episode talking about Jeff Browning's (a.k.a. Bronco Billy) impressive FKT on the Colorado Trail's West to East, Collegiate West route. Then we dive into race results from Oregon Cascades, Twisted Branch, Matterhorn Ultraks, Habanero Hundred, and Midwest States 100. Johnny breaks down the best pie in New York's Finger Lakes region where Twisted Branch takes place. Then we do our UTMB Preview and make podium picks for the women and the men along with a Wildcard pick for each. We end by going over where Mike Wardian and Tara Dower are on the AT as they are both doing a through run for different charities. Tara is going for the FKT. Socials Instagram: https://www.instagram.com/ultrarunning_news_network/ Facebook: https://www.facebook.com/profile.php?id=61555338668719 X (Twitter): https://twitter.com/ultrarunnews Threads: https://www.threads.net/@ultrarunning_news_network Email: ultrarunning.news.network@gmail.com

This is a must listen to episode!Derek interviews 2018 Songwriter Hall of Fame Inductee, Steve Dorff. Steve talks with Derek about his personal journey, legendary career, dealing with personal tragedy, what success looks like, and stories of writing and working with the top musical artists of all time.Steve also shares highlights from his new book "I wrote That One Too...A Life In Songwriting From Whitney To Willie". Order Steve's book here: https://www.amazon.com/Wrote-That-One-Too-Songwriting/dp/1495077292 3 time Grammy and 6 time Emmy nominated Steve Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks and countless others, while also establishing himself as a gifted film and television composer. He's tallied over 40 BMI awards with hits like Rogers' “Through the Years,” Murray's “I Just Fall in Love Again” (Billboard's top country hit of 1979), Strait's “I Cross My Heart,” Lee Greenwood's “Don't Underestimate My Love for You,” and Eddie Rabbitt's “Every Which Way But Loose”—the title track from Clint Eastwood's 1978 film. His songs have charted in 5 successive decades, with #1 records across 4 decades.Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba; his other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup and Honky Tonk Man.Key songs in the Dorff catalog include: * Through The Years * I Just Fall In Love Again * Heartland * Every Which Way But Loose * Hypnotize The Moon * I Cross My Heart, and countless others recorded by over 250 Artists from all genres of music.His many TV and cable movie credits include the Emmy nominated CBS mini-series "Elvis", the Hallmark Hall of Fame "Rose Hill", the animated Christmas classic "Annabelle's Wish", "Babe Ruth", "The Quick and The Dead", "Moonshine Highway" and "The Defiant Ones". Dorff's many movie songs and scores have been featured in "Bronco Billy", "Blast From The Past", "Rocky IV", "Pure Country", "Tin Cup", "Michael", "Dudley Do-Right", "Dancer, Texas", "The Last Boy Scout", "Curly Sue" and "Honky Tonk Man".Perhaps Dorff's most ambitious move to date has been a giant leap into his first love, musical theater. He currently has two projects making their way to the stage: "Josephine" (The Josephine Baker Story) and "Pure Country" (The Musical).

Jeff Browning is currently ranked 2nd in the world for most 100 mile career wins, having competed in over 200 ultras and standing at the top of the Podium for races like Hardrock, Bighorn 100, HURT 100, and so many more. He has been named in the top 10 ultra runners of the year an astounding 8 times, and at age 52, is the oldest male to ever be ranked. And he just keeps getting better. He took the win at 5 of his 7 races in 2023, and then kicked off this year with a win at the Coldwater Rumble 100, a podium slot at the Mesquite Canyon 50 miler, and then came across the line at the Cocodona 250 with a heart wrenching 2nd place finish due to a bout with Reactive Airway Dysfunction after absolutely dominating the majority of the race. He is renowned for his coaching, his expansive knowledge around training, strength work and nutrition, and after getting to spend a little time with him, we can confirm that he is the nicest dude you could ever hope to come across. No matter where you are in your ultra journey, there is always so much to learn from this guy so be sure to plug in for our chat with the one and only Jeff Browning, aka "Bronco Billy." This episode was edited by Steve Saunders at Saunders Audio Check out more from The Ultra Running Guys Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theultrarunningguys.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Race: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Final Countdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - September 16, 2024 Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/theultrarunningguy⁠s --- Send in a voice message: https://podcasters.spotify.com/pod/show/theultrarunningguys/message Support this podcast: https://podcasters.spotify.com/pod/show/theultrarunningguys/support

Jeff Browning aka Bronco Billy recently placed second in the Cocodona 250.  He lead the race for a lot of miles before a lung condition caused him to slow down drastically losing the lead in the last 5 miles.  He shares his experience with this race and many of the others he has run.   Jeff is also a very accomplished coach.  He has the second most wins in ultras of 100 miles or longer with 30.  Just absolute joy to talk to and an honor to share with you.  Enjoy!@gobroncobilly Miles With Marty Podcast | Home base for the ultra-running community | PatreonSt. Pete Running Company Florida | Top 50 Running Store (stpeterunningco.com)MWM20 - 20% off discount codeSquirrel's Nut Butter: Natural Anti-Chafe & Skin Restoring Salves (squirrelsnutbutter.com)Timberfriends - 10% off discount codeHome - PlayOn Reliefmartygardner15 - 15% off discount code@pacertravel

This week we talk about the craziness that ensued at Cocodona 250 after our last episode. We talk about Tillamook Burn Trail Run and the power couple who won the 50 miler there. We dive into Hellbender 100 and talk about how it is well on it's way to becoming a premier 100 miler. There was a great pic of the aurora borealis at a race in Wales. We discuss Ginger Runner's cool looking race Tiger Claw 50K. Uber competitive Transvulcania was last weekend. Quicksilver 100K, Ice Age Trail 50 and Thunderbunny 50K also took place. We have a LazCon update and talk about two other trans continental runs. Bronco Billy's Instagram post: https://www.instagram.com/p/C67jdXrJDKo/?hl=en Cool pic from Ultra Snowdonia: https://s3.amazonaws.com/www.irunfar.com/wp-content/uploads/2024/05/13083939/2024-Ultra-Trail-Snowdonia-by-UTMB.jpg RUFA Virtual Challenge on Strava: https://www.strava.com/challenges/4230?invite=true&_branch_match_id=1260026083936477117&_branch_referrer=H4sIAAAAAAAAA8soKSkottLXLy4pSixL1EssKNDLyczL1jcI86syMkuKyvVKAgCeyIX8IwAAAA%3D%3D Socials Instagram: https://www.instagram.com/ultrarunning_news_network/ Facebook: https://www.facebook.com/profile.php?id=61555338668719 X (Twitter): https://twitter.com/ultrarunnews Threads: https://www.threads.net/@ultrarunning_news_network Email: ultrarunning.news.network@gmail.com

Join us as we shine a spotlight on some of the most captivating stage productions gracing the city's iconic venues. From uproarious comedies to mind-bending magic, we have a line-up that promises to delight and entertain. So, sit back, relax, and let's explore the magic of the stage together. 

In this episode we opening with The Hills of California and onto the exhilarating energy of Red Pitch. Join us for a thought-provoking journey through identity and extremism in Foam, and don't miss our exclusive chat with Tarrin Calendar, the star of the thrilling musical Bronco Billy. 

Neste episódio, Rafael Nogueira e Diego Galatti se reuniram para falar dos últimos musicais que assistiram. Rafael também conta sobre os nove musicais que assistiu recentemente no West End. Venha saber sobre Cabaret, Tarsila, Beetlejuice, The King and I, The Little Big Things, Back to the Future, Bronco Billy, The Time Traveller's Wife, Book of Mormon, Hamilton, Standing at the Sky's Edge e Guys and Dolls. Ajude o Musical Cast se manter vivo! Contribua no Catarse e assine nosso conteúdo. https://www.catarse.me/musicalcast Siga a gente no: Instagram: instagram.com/MusicalCast e instagram.com/Arquivo.musicais Facebook: facebook.com/MusicalCast YouTube: youtube.com/c/MusicalCast E-mail: contato@musicalcast.com.

In this episode AJW cracks a brew with Jeff Browning, aka Bronco Billy, to discuss his upbringing on a farm in Missouri, the keys to his longevity at the top of the sport and the challenge of transitioning from 100 to 200 mile races and beyond.     Follow Jeff on instagram @gobroncobilly

Tarinn Callender is starring as the title role in Bronco Billy at the Charing Cross Theatre. Bronco Billy has book by Dennis Hackin, music & lyrics by Chip Rosenbloom & John Torres, with additional lyrics by Michele Brourman. Bronco Billy is based on the Warner Bros motion picture written by Dennis Hackin.Tarinn made his professional debut as Hercules Mulligan and James Madison in the original West End cast of Hamilton (Victoria Palace Theatre). His other West End credits include playing Bob & others in Come From Away (Phoenix Theatre) and Johnny Moore, Gerhart Thrasher & others in The Drifters Girl (Garrick Theatre). Tarinn recently made his National Theatre debut in The Odyssey (Olivier). Some of his additional theatre credits include The Secret Life of Bees (Almedia Theatre), Kiss Me, Kate (Kilworth House) and Dick Whittington (Hackney Empire). Recorded pre-show at the Charing Cross Theatre, in this episode Tarinn discusses entering his cowboy era with Bronco Billy, the impact of making his theatre debut in such a big way with Hamilton and why he's passionate about making theatre accessible.Bronco Billy runs at the Charing Cross Theatre until 7th April 2024. Visit www.broncobillymusical.com for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

West End Frame Editor, Andrew Tomlins, is back for some bonus show talk!The shows covered in this episode include The Big Life (Stratford East), I Should Be So Lucky (New Wimbledon Theatre, UK Tour), Bronco Billy (Charing Cross Theatre), Redcliffe (MT Fest, Turbine Theatre), Frozen (Theatre Royal Drury Lane), Mamma Mia! (Novello Theatre) and Daniel Koek's West End Sessions (Brooks Mews Wine Bar). Andrew also discusses West End Frame's 12th birthday and the sad Broadway postponement of My Son'a A Queer (But What Can You Do).Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

Welcome to a dazzling showcase of theatrical delights in the heart of London! First up, we've got the fourth edition of the Bitesize Festival at Riverside Studios, running from January 29 to February 25, 2024. This festival is a golden opportunity for emerging artists to shine. Riverside Studios is opening its doors, offering a platform for creatives to not just perform but to experience the full spectrum of producing a show, from rehearsal to marketing, all within the iconic venue of West London. Next, join the wedding celebration of Leyla and Joel in the extraordinary and mesmeric play, A Mirror. Starring the award-winning actors Jonny Lee Miller and Tanya Reynolds, this West End production, following a sell-out run at the Almeida Theatre, promises a thought-provoking journey. With the talented duo of writer Sam Holcroft and director Jeremy Herrin, be prepared for a captivating exploration of the intersections of creativity and corruption. Prepare yourself for a trip to the wild side of the West End with Bronco Billy The Musical at Charing Cross Theatre. Set in 1979, this Wild West musical introduces you to a group of romantic, fast-drawing, trick-riding, and disco-dancing Wild West enthusiasts led by Bronco Billy. When Bronco Billy crosses paths with Antoinette Lilly, a determined Manhattan heiress on the run, get ready for a thrilling, zany ride filled with love, reinvention, and the pursuit of dreams. Starring the talented Victoria Hamilton-Barritt and Tarinn Callender, this musical is set to be a rollicking good time! And stay tuned for an exclusive interview with James Hillier and Neil D'Souza, who will be sharing insights into their new play, Out of Season, opening at Hampstead Theatre Downstairs on February 16. This promises to be a compelling addition to London's theatre scene.Join us for an episode brimming with theatrical wonders, where creativity knows no bounds, and the stage is set for unforgettable performances!

We have a returning guest on the podcast this week, Jeff Browning, who is a master long distance runner. Many know Jeff as “Bronco Billy” and royalty of the ultra marathon category. He has finished around 200 ultra marathons, which includes 52 one-hundred-mile-plus ultras. He has come in first place in 30 of those races, so we are so honored to be speaking with a world champion today. Jeff and Katie talk about everything from getting in the right mindset to foot care and the importance of heart rate variability. This last race and how he won 1:30Training that mindset to do this difficult thing 6:30Foot care 20:45Heart rate variability (HRV) 29:40Staying away from seed oils 38:45“I think everything in life prepares you, I think working on your mindset all the time, and that's being willing to embrace hard things in your life, whether that's learning something new or figuring something out. Always having a positive attitude is important, and positive mental speak as much as possible. It's easy to say, hard to put into practice, to really be positive daily.” 6:51@gobroncobilly www.giddyupultra.com

Victoria Hamilton-Barritt is one of the most acclaimed leading ladies on the West End scene today. After taking the West End by storm in the UK premiere of In The Heights, she has went on to tackle key roles in TheWild Party, Murder Ballad and Cinderella, earning Olivier award nominations for the latter two. Now, she is currently preparing to make her Charing Cross Theatre debut in the UK premiere of Bronco Billy, a musical adaptation of Clint Eastwood's 1980 Western, featuring a book by Dennis Hackin who also  wrote the screenplay. Here, audiences will get to see Victoria take on the role of Constance Lily, the wicked stepmother of Emily Benjamin's Antoinette Lily. Of course, this is not the first time Victoria has played a villain and throughout our interview, we hear her talk about her love for bringing out her naughtier side and how she goes about developing characters like Constance and the Stepmother in Cinderella. In this brand new interview, Victoria Hamilton-Barritt shares her excitement at reuniting with Tarrin Callender after working together on The Odyssey at the National Theatre last Summer. As a long-time champion of new musicals, she tells us about the joy of getting to create a character and her passion for building comedy in an intimate venue like Charing Cross. We also hear her talk about the challenges of working in such a high pressure industry as she reflects on the juggle of being a West End performer and a mother to two young children. It's a fascinating conversation where we hear about some of the harsher realities of being a West End leading lady as well as the joys that come with the job. Indeed, Victoria happily admits to her love for playing villains and we can't wait to see what she does with Constance Lily in this new show.Bronco Billy runs at the Charing Cross Theatre from 24 January - 7 April with tickets on sale now!

Hardtalk hosts Dan and Chris (who don't have nicknames) sit down with two absolute legends in Hardrock lore. Please welcome on Karl "Speedgoat" Meltzer who is a 5 time winner of the Hardrock 100 Endurance Run as well as well as countless other hundreds and we also welcome back on the show Jeff "Bronco Billy" Browning to the show. These two are old friends that have a lot of chemistry and tell us about all the great times they have had out on the course. 

In this long format podcast episode with Jeff Browning, we'll explore how Jeff stumbled upon this game-changing approach, the trials and triumphs of his journey, and how OFM can not only enhance athletic performance but also impact our overall health and wellbeing. His experiences prior to adopting OFM are typical  Jeff, also known as "Bronco Billy," is not just an ultra-endurance athlete; he's a early adopter of the OFM protocol, which has transformed the way athletes fuel their bodies and minds for extreme endurance events. From considering quitting competitive ultrarunning due to energy swings and GI issues, to, upon making the change, winning races and continuing to run and win/podium at the elite level a decade later including premiere races like the Hardrock 100 and the Western States 100 even as Jeff enters into his fifties.   Episode Highlights: Jeff's Journey from traditional high carb (60-75 gels in a 100 Miler) to OFM Jeff's Training and Upcoming Races - Jeff talks about his current training regime in Flagstaff, preparation for the Coca Cola 250, and a winter 100-miler. Reflections on Moab 240 and Hydration Strategies - A discussion about Jeff's experience in the Moab 240, the importance of hydration, and how he's fine-tuned his approach over the years. Sodium Intake and Its Impact on Performance - Jeff & Peter's insights on sodium concentration levels and its vital role in endurance events. The Impact of OFM on Jeff's Career and Health - Jeff discusses how adopting OFM revolutionized his approach to nutrition and training, leading to improved performance and health. Recovery - Jeff expounds on the game-changing recovery benefits of OFM (including VESPA) and how OFM has enhanced his ability to bounce back quickly from races. This is corroborated by the experiences of athletes both Jeff and  Peter work with due to the fundamental shift to fat as fuel. Longevity: How Jeff's longevity in sport and life has been transformed by OFM Ketones, Glucose & Beta-Oxidation: Throughout the podcast Jeff & Peter discuss the relevance of the various metabolic pathways and their significance and relevance to performance and health. The Future of OFM and Endurance Sports - A look at how OFM can shape the future of endurance sports and metabolic health. Jeff's Personal Experience with OFM - Personal anecdotes and stories from Jeff on how OFM has been a game-changer in his life and career.   Subscribe and Follow: Make sure to subscribe to our podcast for more episodes on metabolic health, endurance training, and insightful conversations with leading athletes. Follow us on Facebook and Instagram for updates and additional content.

On Monday's "The Extra", guests Doug Price of VisitCOS and Baxter Lee of Bronco Billy's Casino, shared the news of the opening date for the newest resort to open its doors in Southern Colorado:  Chamonix.  Chamonix offers a 300-room resort along with amenities like a rooftop pool, fine dining and a spa; and the attraction is hiring about 100 new employees.  Chamonix Casino & Resort will be opening December 26th.  More information is available at ChamonixCO.com or ChamonixCO.com/careers. 

On Monday's "The Extra", guests Doug Price of VisitCOS and Baxter Lee of Bronco Billy's Casino, shared the news of the opening date for the newest resort to open its doors in Southern Colorado:  Chamonix.  Chamonix offers a 300-room resort along with amenities like a rooftop pool, fine dining and a spa; and the attraction is hiring about 100 new employees.  Chamonix Casino & Resort will be opening December 26th.  More information is available at ChamonixCO.com or ChamonixCO.com/careers. 

​​The MidPacker pod is brought to you by FreeTrail with generous support from Vacation Races.  Today on the Pod, Troy Meadows talks to his dear friend Heidi Garner. Heidi is a mother, community organizer, artist, entrepreneur, and Trail and UltraRunner. They talk about how Heidi has found balance in raising several children with her running goals. How she has used her passion for endurance sports to give back to her local community as a board member of the youth swim league that her children are a part of and with a program that she founded that works with local schools to teach young children the joy of running.  They discuss her need to take a step back from racing and training recently as she reevaluates her “why” for running and resets the stoke for an upcoming adventure trip to the Grand Canyon.   Lastly, they talk about the small cottage business, Heidi Garner Studio, that she has formed around her art and the love of the trails and how she was able, through a chance encounter, to give Bronco Billy a trucker hat with some of her Grand Canyon art on it.  If you follow Jeff Browning on IG or FB, you have likely seen him running the trails wearing it.  Talking with Heidi about her work for her local community and how she juggles all the things was super inspiring. Hopefully, it kindles the fire in you to give back to your local community.  We hope you enjoy this conversation with Heidi Garner. Heidi was gracious enough to give a discount to our listeners.  Check out her website: heidigarnerstudio.com Use code: midpacker for 10% off your order.   Heidi Links FBHeidi Garner Studio IGHeidi_Garner_Studio Website:heidigarnerstudio.com If you are enjoying the content, please consider supporting our sponsors using the links below. Sponsor Links:  Title Sponsor: Vacation Races - Race in epic American National Parks or take a week-long inclusive Global running Adventure with Vacation Races - Vacation Races: Run Were You Play  Use code: "freetrail15" to get 15% off any half-marathon or ultra-marathon Use code: "freetrail200" to get $200 off any Global Adventures trip Space is limited for these epic experiences, so sign up before they sell out. Visit vacationraces.com to learn more. Run Trail Life - This is a brand I am super passionate about because I am the Founder and Chief everything officer for RTL. Run Trail Life Brings you casual apparel that lets you show off your love of trail running and ultrarunning while giving back to ensure that everyone has access to the beauty of nature for generations to come. With each item purchased, we donate $1 to runners for public lands. Use code: midpackerpod to double the donation from your purchase.  Visit RunTrailLife.com to check out our line of Hats and Organic cotton T's. Freetrail - Bring Trail Culture with you everywhere you go and join an amazing community of extraordinary trail runners. Freetrail Pro membership is just $96 a year, giving you access to the Freetrail Slack community, training plans, weekly office hours, and so much more. I absolutely love this community and have personally used the training plans to get ready for my ultra efforts. Visit Freetrail.com to sign up today. Midpacker Pod Links: Instagram | Patreon Troy Meadows Links: Instagram | Twitter | Website Freetrail Links: Freetrail Pro | Patreon | Instagram | Website | YouTube

Jeff Browning, A.K.A “Bronco Billy” is an endurance coach, ultra-athlete, designer, husband, and father of three kids. He has finished nearly 200 ultra marathons in his career, racking up over 40 career ultra wins — 28 of those at the 100-mile plus distance, making him 2nd in the world for the most 100-mile wins in history. In this conversation, Jeff provides valuable insights on improving as a runner, emphasizing essential principles to help runners of all levels reach their goals. Jeff sheds light on the concept of oxidative fat metabolism and its significance for endurance athletes. Strategies to optimize the body's ability to burn fat for fuel are explored, as well as insights on nutrition timing and fueling for both health and peak performance. Key Points: The ultrarunning boom Full-time graphic designer to professional runner The differences in training for a marathon vs. an ultra Keys to improving as a runner Top strength exercises for runners How to structure strength training alongside running The 4 principles of ultrarunning What is Oxidative Fat Metabolism? How to become better at burning fat for fuel Nutrition timing and fueling for health vs. performance Benefits of a “keto reset” Strategically using carbohydrates How much protein do we need per day? Training fasted vs. fed Jeff's definition of “ambition” Connect with Jeff: gobroncobilly.com Jeff's IG Jeff's Twitter Tough 21 Workouts Connect with me: Download my FREE training app here: Upspace App Instagram: @dominicfusco TikTok: @dom_fusco YouTube: Dominic Fusco LinkedIn: Dominic Fusco Want to help the show grow? Sweet! Here's what you can do: Share this episode with someone who would find value in it. Leave a 5-star rating and review on the podcast app and let me know your honest opinion! Share this episode on your IG story and tag me @dominicfusco

https://linktr.ee/TedJonesWorld COME TO THE TED JONES COMEDY SHOW! 1:00- BRONCO BILLY! 4:00- Tapping Into A DIFFERENT PERSONALITY!  6:30- Running 100 Miles…  11:40- MOAB 240 MILE RACE- 16:00- How Many Miles To Run Each Day?? 21:15- MINDSET DURING 240 MILE RACE 30:00- WHAT IS NEXT?? MOAB 240 DOC: https://www.youtube.com/watch?v=Tr7fy6zADcY TEDJONESWORLD@GMAIL.COM COME TO THE TED JONES COMEDY SHOW! https://linktr.ee/TedJonesWorld --- Support this podcast: https://podcasters.spotify.com/pod/show/ted-jones-world/support

Today i am joined by the legendary ultrarunner Jeff Browning (AKA, Bronco Billy) to discuss his trail running journey. He shares some ultra knowledge, shares some stories from events past and what trail projects he has in the works for 2023 and beyond. Please enjoy and welcome to the Trail Life.... Jeff BrowningFollow Jeff on Instagram: @gobroncobillyWebsite: www.gobroncobilly.com

This is a must listen to episode!Derek interviews 2018 Songwriter Hall of Fame Inductee, Steve Dorff. Steve talks with Derek about his personal journey, legendary career, dealing with personal tragedy, what success looks like, and stories of writing and working with the top musical artists of all time.Steve also shares highlights from his new book "I wrote That One Too...A Life In Songwriting From Whitney To Willie". Order Steve's book here: https://www.amazon.com/Wrote-That-One-Too-Songwriting/dp/1495077292 3 time Grammy and 6 time Emmy nominated Steve Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks and countless others, while also establishing himself as a gifted film and television composer. He's tallied over 40 BMI awards with hits like Rogers' “Through the Years,” Murray's “I Just Fall in Love Again” (Billboard's top country hit of 1979), Strait's “I Cross My Heart,” Lee Greenwood's “Don't Underestimate My Love for You,” and Eddie Rabbitt's “Every Which Way But Loose”—the title track from Clint Eastwood's 1978 film. His songs have charted in 5 successive decades, with #1 records across 4 decades.Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba; his other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup and Honky Tonk Man.Key songs in the Dorff catalog include: * Through The Years * I Just Fall In Love Again * Heartland * Every Which Way But Loose * Hypnotize The Moon * I Cross My Heart, and countless others recorded by over 250 Artists from all genres of music.His many TV and cable movie credits include the Emmy nominated CBS mini-series "Elvis", the Hallmark Hall of Fame "Rose Hill", the animated Christmas classic "Annabelle's Wish", "Babe Ruth", "The Quick and The Dead", "Moonshine Highway" and "The Defiant Ones". Dorff's many movie songs and scores have been featured in "Bronco Billy", "Blast From The Past", "Rocky IV", "Pure Country", "Tin Cup", "Michael", "Dudley Do-Right", "Dancer, Texas", "The Last Boy Scout", "Curly Sue" and "Honky Tonk Man".Perhaps Dorff's most ambitious move to date has been a giant leap into his first love, musical theater. He currently has two projects making their way to the stage: "Josephine" (The Josephine Baker Story) and "Pure Country" (The Musical).

Gather round, little pards: the BRONCO BILLY episode's in town! Join Ian "Handsy Bill" Rhine and Jake "Steel Arlo" Serwin as they talk Clint Eastwood's 1980 Capraesque neo-western comedy, the history of wild west shows, the famous Scatman Crothers story, and get into an argument about THE FABELMANS, of all things. It's a good one! Topics include: the   

This week's episode takes a look back at the career of trailblazing independent filmmaker Robert Downey, father of Robert Downey, Jr., and his single foray into the world of Hollywood filmmaking, Mad Magazine Presents Up the Academy. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we follow up on a movie based on a series of articles from a humor magazine that was trying to build their brand name by slapping their name on movies with a movie that was sponsored by a humor magazine trying to build their brand name by slapping their name on movies not unlike the other humor magazine had been doing but ended up removing their name from the movie, and boy is brain already fried and we're not even a minute into the episode.   We're talking about Robert Downey's 1980 comedy Up the Academy.   But, as always, before we get to Up the Academy, let's hit the backstory.   If you know the name Robert Downey, it's likely because you know his son. Robert Downey, Jr. You know, Iron Man. Yes, Robert Downey, Jr. is a repo baby. Maybe you've seen the documentary he made about his dad, Sr., that was released by Netflix last year. But it's more than likely you've never heard of Robert Downey, Sr., who, ironically, was a junior himself like his son.   Robert Downey was born Robert John Elias, Jr. in New York City in 1936, the son of a model and a manager of hotels and restaurants. His parents would divorce when he was young, and his mom would remarry while Robert was still in school.   Robert Elias, Jr. would take the last name of his stepfather when he enlisted in the Army, in part because was wanted to get away from home but he was technically too young to actually join the Army. He would invent a whole new persona for himself, and he would, by his own estimate, spend the vast majority of his military career in the stockade, where he wrote his first novel, which still has never been published.   After leaving the Army, Downey would spend some time playing semi-pro baseball, not quite good enough to go pro, spending his time away from the game writing plays he hoped to take, if not to Broadway, at least off-Broadway. But he would not make his mark in the arts until 1961, when Downey started to write and direct low-budget counterculture short films, starting with Ball's Bluff, about a Civil War soldier who wakes up in New York City's Central Park a century later.   In 1969, he would write and direct a satirical film about the only black executive at a Madison Avenue advertising firm who is, through a strange circumstance, becomes the head of the firm when its chairman unexpectedly passes away. Featuring a cameo by Mel Brooks Putney Swope was the perfect anti-establishment film for the end of that decade, and the $120k film would gross more than $2.75m during its successful year and a half run in theatres.   1970's Pound, based on one of Downey's early plays, would be his first movie to be distributed by a major distributor, although it was independently produced outside the Hollywood system. Several dogs, played by humans, are at a pound, waiting to be euthanized. Oh, did I forget to mention it was a comedy? The film would be somewhat of a success at the time, but today, it's best known as being the acting debut of the director's five year old son, Robert Downey, Jr., although the young boy would be credited as Bob Downey.   1972's Greaser Palace was part of an early 1970s trend of trippy “acid Westerns,” like Alejandro Jodorowsky's El Topo and Dennis Hopper's The Last Movie. Character actor Allan Arbus plays Jesse, a man with amnesia who heals the sick, resurrects the dead and tap dances on water on the American frontier. It would be the first movie Downey would make with a million dollar budget. The critical consensus of the film at the time was not positive, although Jay Cocks, a critic for Time Magazine who would go on to be a regular screenwriter for Martin Scorsese in the 1980s, would proclaim the film to be “the most adventurous movie of the year.” The film was not a hit, and it would be decades before it would be discovered and appreciated by the next generation of cineastes.   After another disappointing film, 1975's Moment to Moment, which would later be retitled Two Tons of Turquoise to Taos Tonight in order to not be confused with the 1978 movie of the same name starring John Travolta and Lily Tomlin that really, truly stunk, Downey would take some time off from filmmaking to deal with his divorce from his first wife and to spend more time with his son Robert and daughter Allyson.   By 1978, Robert Downey was ready to get back to work. He would get a job quickly helping Chuck Barris write a movie version of Barris' cult television show, The Gong Show, but that wasn't going to pay the bills with two teenagers at home. What would, though, is the one thing he hadn't done yet in movies…   Direct a Hollywood film.   Enter Mad Magazine.   In 1978, Mad Magazine was one of the biggest humor magazines in America. I had personally discovered Mad in late 1977, when my dad, stepmom and I were on a cross country trip, staying with friends outside Detroit, the day before my tenth birthday, when I saw an issue of Mad at a local grocery store, with something Star Wars-y on its cover. I begged my dad to give me the sixty cents to buy it, and I don't think I missed another issue for the next decade.   Mad's biggest competition in the humor magazine game was National Lampoon, which appealed to a more adult funny bone than Mad. In 1978, National Lampoon saw a huge boost in sales when the John Landis-directed comedy Animal House, which had the name of the magazine in the title, became an unexpected smash hit at the box office. Warner Brothers, the media conglomerate who happened to own Mad Magazine, was eager to do something similar, and worked with Mad's publisher, Bill Gaines, to find the right script that could be molded into a Mad Magazine movie, even if, like Animal House, it wouldn't have any real connection to the magazine itself.   They would find that script in The Brave Young Men of Weinberg, a comedy script by Tom Patchett and Jay Tarses, a pair of television comedy writers on shows like The Carol Burnett Show, The Sandy Duncan Show, The Bob Newhart Show and The Tony Randall Show, who had never sold a movie script before. The story would follow the misadventures of four teenage boys who, for different reasons, depend on each other for their very survival when they end up at the same military academy.   Now, of all the research I've done for this episode, the one very important aspect of the production I was never able to find out was exactly how Robert Downey became involved in the film. Again, he had never made a Hollywood movie before. He had only made one movie with a budget of a million dollars. His movies were satirical and critical of society in general. This was not a match made in heaven. But somehow, someone at Warner Brothers thought he'd be the right director for the film, and somehow, Downey didn't disagree.   Unlike Animal House, Downey and Warners didn't try to land a known commodity like John Belushi to play one of the four leads. In fact, all four of the leads, Wendell Brown, Tommy Citera, Joseph Hutchinson, and Ralph Macchio, would all be making their feature debuts.    But there would be some familiar faces in the film.   Ron Liebman, who was a familiar face from such films has Slaughterhouse-Five, Won Ton Ton: The Dog Who Saved Hollywood and Norma Rae, would play the head of the Academy. Tom Poston, who played Mindy's downstairs neighbor on Mork and Mindy, plays what would now be considered to be a rather offensive gay caricature as the guy who handles the uniforms of the cadets, Antonio Fargas, best known as Huggy Bear on Starsky and Hutch but who had previously worked with Downey on Putney Swope and Pound, as the Coach, and Barbara Bach, who had starred as Anya Amasova in the 1977 Bond film The Spy Who Loved Me.   The $5m film would begin production in Salina, Kansas, on September 17th, 1979, still using the title The Brave Young Men of Weinberg. The primary shooting location would be the St. John's Military School, which was still functioning while the film was in production, and would use most of the 144 students as extras during the shoot. The film would shoot for nine weeks without much incident, and the cast and crew would be home in time to enjoy Thanksgiving with their friends and family.   Unlike Animal House, the makers of The Brave Young Men of Weinberg did attempt to tie the movie into the magazine that would be presenting the film. At the very end of the movie, the magazine's mascot, Alfred E. Neuman, shows up on the side of the road, to wave goodbye to people and deliver his signature line, “What, Me Worry?” in a thought bubble that leads into the end credits. The person wearing the not quite realistic looking Neuman head gear, fourteen year old Scott Shapiro, was the son of the executive vice president of worldwide production at Warner Brothers.   After the first of the year, as Downey worked on his edit of the film, the studio decided to change the title from The Brave Young Men of Weinberg to Mad Magazine Presents Up the Academy. Bill Gaines, the publisher of Mad Magazine, suggested a slightly different title, Mad Magazine Completely Disassociates Itself from Up the Academy, but the studio decided that was too long for theater marquees. But we'll come back to that in a moment.   Warner Brothers set a June 6, 1980 release for the film, and Downey would finish his cut of the film by the end of March. A screening on the Warners lot in early April did not go well. Ron Liebman hated the film so much, he demanded that Warners completely remove his name from everything associated with the film. His name would not appear on the poster, the newspaper ads, the television commercials, the lobby cards, the press kit, or even in the movie itself. Bill Gaines would hate it to, such much in fact that he really did try to disassociate the magazine from the film. In a 1983 interview with The Comics Journal, Gaines would explain without much detail that there were a number of things he had objected to in the script that he was told would not be shot and not end up in the final film that were shot and did end up in the final film. But he wouldn't be able to get the magazine's name off the movie before it opened in theatres.   Now, one of the problems with trying to research how well films did in 1980 is that you really have only two sources for grosses, Variety and The Hollywood Reporter, and they didn't always report national grosses every week, depending on outside factors. It just hadn't the national sport it's been since, say, 1983.   So when Up the Academy opened in theatres on June 6th, we don't have a full idea of how many theatres it played in nationwide, or how much it grossed. The closest thing we do have for this Variety's listing of the top movies of the week based on a limited selection of showcase theatres in the top 20 markets. So we know that the film played at 7 showcase screens in New York City that weekend, grossing $175k, and in Los Angeles on 15 showcase screens, grossing $149k. But we also know, thanks to newspaper ads in the New York Times and the Los Angeles Times that the film was playing in 11 theatres in the New York Metro area, and in 30 theatres in the Los Angeles Metro area, so those listed grosses are merely a snapshot and not the whole picture.   According to Variety's limited tracking of major market showcase theatres for the week, Up the Academy was the second highest grossing film of the week, bringing in $729k from 82 theatres. And according to their chart's side notes, this usually accounts for about 25% of a movie's national gross, if a film is playing in wide release around the entire country.   In its second week, Up the Academy would place ninth on that showcase theatre listing, with $377k from 87 theatres.    But by the time Variety did bring back proper national grosses in the film's third week of release, there would be no mention of Up the Academy in those listings, as Warners by this time had bigger fish to handle, namely Stanley Kubrick's adaptation of the Stephen King novel The Shining, and Bronco Billy, their Clint Eastwood movie for the year. In that showcase theatre listing, though, Up the Academy had fallen to 16th place, with $103k from 34 theatres.   In fact, there is no publicly available record of how many theatres Up the Academy played in during its theatrical run, and it wouldn't be until the 1981 Warner Brothers 10-K annual filing with the Securities and Exchange Commission that Up the Academy had earned $10m from American movie theatres. If studios get about 55% of the box office grosses in rental fees, that would put the $5m film in a very good position to be profitable, depending on how much was spent on P&A, prints and advertising. The film wasn't an Animal House-level hit, but it wasn't exactly the bomb many have painted it to be.    After Up the Academy, two of the actors, Wendell Brown and Joseph Hutchinson, would never act in another movie, although, billed as Hutch Parker, the latter would produce six X-Men related movies between 2013 and 2019, including Logan. Tommy Citera would make two more movies until he left acting in 1988. And Ralph Macchio would, of course, go on to play Daniel LaRusso, the Karate Kid, in a career-defining role that he's still playing nearly forty years later.   Robert Downey would make another wacky comedy, called Moonbeam, in 1982. Co-written with Richard Belzer, Moonbeam would feature a fairly interesting cast including Zack Norman, Tammy Grimes, Michael J. Pollard, Liz Torres and Mr. Belzer, and tells the story of a New York cable television station that becomes world famous when they accidentally bounce their signal off the moon. But the film would not get released until October 1986, in one theatre in New York City for one week. It couldn't even benefit from being able to promote Robert Downey, Jr., who in the ensuing years had started to build an acting career by being featured in John Sayles' Baby It's You, Fritz Kiersch's Tuff Turf, John Hughes' Weird Science, and the Rodney Dangerfield movie Back to School, as well as being a member of the cast of Saturday Night Live for a year.   There's be sporadic work in television, working on shows like Matlock and The Twilight Zone, but what few movies he could get made would be pale shadows of her earlier, edgier work. Even with his son regularly taking supporting roles in his dad's movies to help the old man out, movies like Rented Lips and Too Much Sun would be critically panned and ignored by audiences. His final movie as a writer and director, Hugo Pool, would gross just $13k when it was released in December 1997, despite having a cast that included Patrick Dempsey, Richard Lewis, Malcolm McDowell, Alyssa Milano, Cathy Moriarty and Sean Penn, along with Junior.   Downey would also continue to act in other director's movies, including two written and directed by one of his biggest fans, Paul Thomas Anderson. Downey would play Burt, the studio manager, in Boogie Nights, and the WDKK Show director in Magnolia. Anderson adored Downey so much, the Oscar-nominated filmmaker would sit down with Downey for a four-part conversation filmed for the Criterion Company in 2013.   Robert Downey would pass away in July 2021, a curious footnote in the history of cinema, mostly because of the superstar he sired. Most of his movies are hard to find on video, and nearly impossible to find on streaming services, outside of a wonderful two disc DVD set issued by Criterion's Eclipse specialty label and several titles streaming on The Criterion Channel. Outside of Up the Academy, which is available to rent or purchase from Amazon, Apple TV and several other streaming services, you can find Putney Swope, Greaser's Palace and Too Much Sun on several of the more popular streaming services, but the majority of them are completely missing in action. You can also learn more about Robert Downey in Sr., a documentary streaming on Netflix produced by Robert Downey, Jr. where the son recounts the life and career of his recently passed father, alongside Paul Thomas Anderson, Alan Arkin, and mega-producer Norman Lear.   Thank you for joining us. We'll talk again soon, when Episode 107, on John Landis's underrated 1985 comedy Into the Night, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week's episode takes a look back at the career of trailblazing independent filmmaker Robert Downey, father of Robert Downey, Jr., and his single foray into the world of Hollywood filmmaking, Mad Magazine Presents Up the Academy. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we follow up on a movie based on a series of articles from a humor magazine that was trying to build their brand name by slapping their name on movies with a movie that was sponsored by a humor magazine trying to build their brand name by slapping their name on movies not unlike the other humor magazine had been doing but ended up removing their name from the movie, and boy is brain already fried and we're not even a minute into the episode.   We're talking about Robert Downey's 1980 comedy Up the Academy.   But, as always, before we get to Up the Academy, let's hit the backstory.   If you know the name Robert Downey, it's likely because you know his son. Robert Downey, Jr. You know, Iron Man. Yes, Robert Downey, Jr. is a repo baby. Maybe you've seen the documentary he made about his dad, Sr., that was released by Netflix last year. But it's more than likely you've never heard of Robert Downey, Sr., who, ironically, was a junior himself like his son.   Robert Downey was born Robert John Elias, Jr. in New York City in 1936, the son of a model and a manager of hotels and restaurants. His parents would divorce when he was young, and his mom would remarry while Robert was still in school.   Robert Elias, Jr. would take the last name of his stepfather when he enlisted in the Army, in part because was wanted to get away from home but he was technically too young to actually join the Army. He would invent a whole new persona for himself, and he would, by his own estimate, spend the vast majority of his military career in the stockade, where he wrote his first novel, which still has never been published.   After leaving the Army, Downey would spend some time playing semi-pro baseball, not quite good enough to go pro, spending his time away from the game writing plays he hoped to take, if not to Broadway, at least off-Broadway. But he would not make his mark in the arts until 1961, when Downey started to write and direct low-budget counterculture short films, starting with Ball's Bluff, about a Civil War soldier who wakes up in New York City's Central Park a century later.   In 1969, he would write and direct a satirical film about the only black executive at a Madison Avenue advertising firm who is, through a strange circumstance, becomes the head of the firm when its chairman unexpectedly passes away. Featuring a cameo by Mel Brooks Putney Swope was the perfect anti-establishment film for the end of that decade, and the $120k film would gross more than $2.75m during its successful year and a half run in theatres.   1970's Pound, based on one of Downey's early plays, would be his first movie to be distributed by a major distributor, although it was independently produced outside the Hollywood system. Several dogs, played by humans, are at a pound, waiting to be euthanized. Oh, did I forget to mention it was a comedy? The film would be somewhat of a success at the time, but today, it's best known as being the acting debut of the director's five year old son, Robert Downey, Jr., although the young boy would be credited as Bob Downey.   1972's Greaser Palace was part of an early 1970s trend of trippy “acid Westerns,” like Alejandro Jodorowsky's El Topo and Dennis Hopper's The Last Movie. Character actor Allan Arbus plays Jesse, a man with amnesia who heals the sick, resurrects the dead and tap dances on water on the American frontier. It would be the first movie Downey would make with a million dollar budget. The critical consensus of the film at the time was not positive, although Jay Cocks, a critic for Time Magazine who would go on to be a regular screenwriter for Martin Scorsese in the 1980s, would proclaim the film to be “the most adventurous movie of the year.” The film was not a hit, and it would be decades before it would be discovered and appreciated by the next generation of cineastes.   After another disappointing film, 1975's Moment to Moment, which would later be retitled Two Tons of Turquoise to Taos Tonight in order to not be confused with the 1978 movie of the same name starring John Travolta and Lily Tomlin that really, truly stunk, Downey would take some time off from filmmaking to deal with his divorce from his first wife and to spend more time with his son Robert and daughter Allyson.   By 1978, Robert Downey was ready to get back to work. He would get a job quickly helping Chuck Barris write a movie version of Barris' cult television show, The Gong Show, but that wasn't going to pay the bills with two teenagers at home. What would, though, is the one thing he hadn't done yet in movies…   Direct a Hollywood film.   Enter Mad Magazine.   In 1978, Mad Magazine was one of the biggest humor magazines in America. I had personally discovered Mad in late 1977, when my dad, stepmom and I were on a cross country trip, staying with friends outside Detroit, the day before my tenth birthday, when I saw an issue of Mad at a local grocery store, with something Star Wars-y on its cover. I begged my dad to give me the sixty cents to buy it, and I don't think I missed another issue for the next decade.   Mad's biggest competition in the humor magazine game was National Lampoon, which appealed to a more adult funny bone than Mad. In 1978, National Lampoon saw a huge boost in sales when the John Landis-directed comedy Animal House, which had the name of the magazine in the title, became an unexpected smash hit at the box office. Warner Brothers, the media conglomerate who happened to own Mad Magazine, was eager to do something similar, and worked with Mad's publisher, Bill Gaines, to find the right script that could be molded into a Mad Magazine movie, even if, like Animal House, it wouldn't have any real connection to the magazine itself.   They would find that script in The Brave Young Men of Weinberg, a comedy script by Tom Patchett and Jay Tarses, a pair of television comedy writers on shows like The Carol Burnett Show, The Sandy Duncan Show, The Bob Newhart Show and The Tony Randall Show, who had never sold a movie script before. The story would follow the misadventures of four teenage boys who, for different reasons, depend on each other for their very survival when they end up at the same military academy.   Now, of all the research I've done for this episode, the one very important aspect of the production I was never able to find out was exactly how Robert Downey became involved in the film. Again, he had never made a Hollywood movie before. He had only made one movie with a budget of a million dollars. His movies were satirical and critical of society in general. This was not a match made in heaven. But somehow, someone at Warner Brothers thought he'd be the right director for the film, and somehow, Downey didn't disagree.   Unlike Animal House, Downey and Warners didn't try to land a known commodity like John Belushi to play one of the four leads. In fact, all four of the leads, Wendell Brown, Tommy Citera, Joseph Hutchinson, and Ralph Macchio, would all be making their feature debuts.    But there would be some familiar faces in the film.   Ron Liebman, who was a familiar face from such films has Slaughterhouse-Five, Won Ton Ton: The Dog Who Saved Hollywood and Norma Rae, would play the head of the Academy. Tom Poston, who played Mindy's downstairs neighbor on Mork and Mindy, plays what would now be considered to be a rather offensive gay caricature as the guy who handles the uniforms of the cadets, Antonio Fargas, best known as Huggy Bear on Starsky and Hutch but who had previously worked with Downey on Putney Swope and Pound, as the Coach, and Barbara Bach, who had starred as Anya Amasova in the 1977 Bond film The Spy Who Loved Me.   The $5m film would begin production in Salina, Kansas, on September 17th, 1979, still using the title The Brave Young Men of Weinberg. The primary shooting location would be the St. John's Military School, which was still functioning while the film was in production, and would use most of the 144 students as extras during the shoot. The film would shoot for nine weeks without much incident, and the cast and crew would be home in time to enjoy Thanksgiving with their friends and family.   Unlike Animal House, the makers of The Brave Young Men of Weinberg did attempt to tie the movie into the magazine that would be presenting the film. At the very end of the movie, the magazine's mascot, Alfred E. Neuman, shows up on the side of the road, to wave goodbye to people and deliver his signature line, “What, Me Worry?” in a thought bubble that leads into the end credits. The person wearing the not quite realistic looking Neuman head gear, fourteen year old Scott Shapiro, was the son of the executive vice president of worldwide production at Warner Brothers.   After the first of the year, as Downey worked on his edit of the film, the studio decided to change the title from The Brave Young Men of Weinberg to Mad Magazine Presents Up the Academy. Bill Gaines, the publisher of Mad Magazine, suggested a slightly different title, Mad Magazine Completely Disassociates Itself from Up the Academy, but the studio decided that was too long for theater marquees. But we'll come back to that in a moment.   Warner Brothers set a June 6, 1980 release for the film, and Downey would finish his cut of the film by the end of March. A screening on the Warners lot in early April did not go well. Ron Liebman hated the film so much, he demanded that Warners completely remove his name from everything associated with the film. His name would not appear on the poster, the newspaper ads, the television commercials, the lobby cards, the press kit, or even in the movie itself. Bill Gaines would hate it to, such much in fact that he really did try to disassociate the magazine from the film. In a 1983 interview with The Comics Journal, Gaines would explain without much detail that there were a number of things he had objected to in the script that he was told would not be shot and not end up in the final film that were shot and did end up in the final film. But he wouldn't be able to get the magazine's name off the movie before it opened in theatres.   Now, one of the problems with trying to research how well films did in 1980 is that you really have only two sources for grosses, Variety and The Hollywood Reporter, and they didn't always report national grosses every week, depending on outside factors. It just hadn't the national sport it's been since, say, 1983.   So when Up the Academy opened in theatres on June 6th, we don't have a full idea of how many theatres it played in nationwide, or how much it grossed. The closest thing we do have for this Variety's listing of the top movies of the week based on a limited selection of showcase theatres in the top 20 markets. So we know that the film played at 7 showcase screens in New York City that weekend, grossing $175k, and in Los Angeles on 15 showcase screens, grossing $149k. But we also know, thanks to newspaper ads in the New York Times and the Los Angeles Times that the film was playing in 11 theatres in the New York Metro area, and in 30 theatres in the Los Angeles Metro area, so those listed grosses are merely a snapshot and not the whole picture.   According to Variety's limited tracking of major market showcase theatres for the week, Up the Academy was the second highest grossing film of the week, bringing in $729k from 82 theatres. And according to their chart's side notes, this usually accounts for about 25% of a movie's national gross, if a film is playing in wide release around the entire country.   In its second week, Up the Academy would place ninth on that showcase theatre listing, with $377k from 87 theatres.    But by the time Variety did bring back proper national grosses in the film's third week of release, there would be no mention of Up the Academy in those listings, as Warners by this time had bigger fish to handle, namely Stanley Kubrick's adaptation of the Stephen King novel The Shining, and Bronco Billy, their Clint Eastwood movie for the year. In that showcase theatre listing, though, Up the Academy had fallen to 16th place, with $103k from 34 theatres.   In fact, there is no publicly available record of how many theatres Up the Academy played in during its theatrical run, and it wouldn't be until the 1981 Warner Brothers 10-K annual filing with the Securities and Exchange Commission that Up the Academy had earned $10m from American movie theatres. If studios get about 55% of the box office grosses in rental fees, that would put the $5m film in a very good position to be profitable, depending on how much was spent on P&A, prints and advertising. The film wasn't an Animal House-level hit, but it wasn't exactly the bomb many have painted it to be.    After Up the Academy, two of the actors, Wendell Brown and Joseph Hutchinson, would never act in another movie, although, billed as Hutch Parker, the latter would produce six X-Men related movies between 2013 and 2019, including Logan. Tommy Citera would make two more movies until he left acting in 1988. And Ralph Macchio would, of course, go on to play Daniel LaRusso, the Karate Kid, in a career-defining role that he's still playing nearly forty years later.   Robert Downey would make another wacky comedy, called Moonbeam, in 1982. Co-written with Richard Belzer, Moonbeam would feature a fairly interesting cast including Zack Norman, Tammy Grimes, Michael J. Pollard, Liz Torres and Mr. Belzer, and tells the story of a New York cable television station that becomes world famous when they accidentally bounce their signal off the moon. But the film would not get released until October 1986, in one theatre in New York City for one week. It couldn't even benefit from being able to promote Robert Downey, Jr., who in the ensuing years had started to build an acting career by being featured in John Sayles' Baby It's You, Fritz Kiersch's Tuff Turf, John Hughes' Weird Science, and the Rodney Dangerfield movie Back to School, as well as being a member of the cast of Saturday Night Live for a year.   There's be sporadic work in television, working on shows like Matlock and The Twilight Zone, but what few movies he could get made would be pale shadows of her earlier, edgier work. Even with his son regularly taking supporting roles in his dad's movies to help the old man out, movies like Rented Lips and Too Much Sun would be critically panned and ignored by audiences. His final movie as a writer and director, Hugo Pool, would gross just $13k when it was released in December 1997, despite having a cast that included Patrick Dempsey, Richard Lewis, Malcolm McDowell, Alyssa Milano, Cathy Moriarty and Sean Penn, along with Junior.   Downey would also continue to act in other director's movies, including two written and directed by one of his biggest fans, Paul Thomas Anderson. Downey would play Burt, the studio manager, in Boogie Nights, and the WDKK Show director in Magnolia. Anderson adored Downey so much, the Oscar-nominated filmmaker would sit down with Downey for a four-part conversation filmed for the Criterion Company in 2013.   Robert Downey would pass away in July 2021, a curious footnote in the history of cinema, mostly because of the superstar he sired. Most of his movies are hard to find on video, and nearly impossible to find on streaming services, outside of a wonderful two disc DVD set issued by Criterion's Eclipse specialty label and several titles streaming on The Criterion Channel. Outside of Up the Academy, which is available to rent or purchase from Amazon, Apple TV and several other streaming services, you can find Putney Swope, Greaser's Palace and Too Much Sun on several of the more popular streaming services, but the majority of them are completely missing in action. You can also learn more about Robert Downey in Sr., a documentary streaming on Netflix produced by Robert Downey, Jr. where the son recounts the life and career of his recently passed father, alongside Paul Thomas Anderson, Alan Arkin, and mega-producer Norman Lear.   Thank you for joining us. We'll talk again soon, when Episode 107, on John Landis's underrated 1985 comedy Into the Night, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Jeff Browning (aka Bronco Billy) is a veteran ultra-runner and endurance coach. He has competed in some of the world's most difficult ultra-mountain races over the past two decades, amassing nearly 200 ultra-marathon finishes and 39 career ultra-wins. Of those, 27 were in the 100-mile plus distance, placing him second in the world for the most 100-mile wins in history. He holds multiple course records, including Moab 240 and The double record for the fastest combined times of Western States 100 and Hardrock 100 (a mere 19 days apart). He was ranked No. 3 in Ultrarunning Magazine's North American Ultrarunner of the Decade (2010-2019) and has been ranked seven times in the Top Ten of Ultrarunning Magazine's North American Ultrarunner of the Year – the first and only man over 50 to make the list. He lives and trains in Flagstaff, Arizona with his wife and three children.  We really enjoyed this conversation with Jeff. This guy has been doing Ultras for a long time and is full of knowledge and wisdom. We covered so many topics on this one. Jeff talks about how embracing the process of training has kept him motivated. He also talks about nutrition and how that has made the biggest impact on his performance. We also talk about balancing family, career, training, and coaching. We even got into a fun discussion about music. Jeff's words of encouragement are some of our favorite. We know you will enjoy this conversation as much as we did. IG- @gobroncobilly Coaching - www.gobroncobilly.com

Part two - Anthony talks with Award winning songwriter John Durrill. His songs have been sung by over sixty major recording artists in the US and around the world. Frank Sinatra, Cher, Chicago, Reba, Bette Midler, Ray Charles , The Everly Brothers, Joe Williams, Sarah Vaughan, Merle Haggard, Peggy Lee, and Fats Domino are a sampling of singers who have recorded his works. Durrill's compositions have sold over 50 million singles, albums DVD's, and CDs.Starting out in 1967 John wrote and recorded the number one single, “Western Union”, and the following year joined the world famous group, The Ventures, recording “Hawaii 5-0” with them. He has written and recorded with The Ventures for over four decades, and in 2008 the group was inducted into the Rock and Roll Hall of Fame along with Madonna, and John Mellencamp.Durrill wrote songs for five of Clint Eastwood's films creating the number one hit “Misery and Gin” for Merle Haggard in Bronco Billy. His top five song, “Charlotte's Web”for The Statler Brothers in Smokey and the Bandit received multiple awards. Altogether John has composed for more than 20 films, and in the early eighties conceived the “Will Rogers Follies” that went on to receive several Tonys.A long time affiliation with the musical group Chicago brought about his “Child's Prayer” on the Chicago XXV Christmas CD, and his “Rockin and Rollin on Christmas Day” on the group's O Christmas Three CD was written with group member Lee Loughnane..Currently, a book on John's life is in the works entitled “My Life is a Song”, and he is composing music for film and television. Miranda Lambert recently sang his “Misery and Gin” on the ACM Awards Show.

Anthony talks with Award winning songwriter John Durrill. His songs have been sung by over sixty major recording artists in the US and around the world. Frank Sinatra, Cher, Chicago, Reba, Bette Midler, Ray Charles , The Everly Brothers, Joe Williams, Sarah Vaughan, Merle Haggard, Peggy Lee, and Fats Domino are a sampling of singers who have recorded his works. Durrill's compositions have sold over 50 million singles, albums DVD's, and CDs.Starting out in 1967 John wrote and recorded the number one single, “Western Union”, and the following year joined the world famous group, The Ventures, recording “Hawaii 5-0” with them. He has written and recorded with The Ventures for over four decades, and in 2008 the group was inducted into the Rock and Roll Hall of Fame along with Madonna, and John Mellencamp.Durrill wrote songs for five of Clint Eastwood's films creating the number one hit “Misery and Gin” for Merle Haggard in Bronco Billy. His top five song, “Charlotte's Web”for The Statler Brothers in Smokey and the Bandit received multiple awards. Altogether John has composed for more than 20 films, and in the early eighties conceived the “Will Rogers Follies” that went on to receive several Tonys.A long time affiliation with the musical group Chicago brought about his “Child's Prayer” on the Chicago XXV Christmas CD, and his “Rockin and Rollin on Christmas Day” on the group's O Christmas Three CD was written with group member Lee Loughnane..Currently, a book on John's life is in the works entitled “My Life is a Song”, and he is composing music for film and television. Miranda Lambert recently sang his “Misery and Gin” on the ACM Awards Show.

Honored as a 2018 Inductee to the prestigious Songwriter's Hall of Fame in NYC,3 time Grammy and 6 time Emmy nominated Steve Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks and countless others, while also establishing himself as a gifted film and television composer. He's tallied over 40 BMI awards with hits like Rogers' “Through the Years,” Murray's “I Just Fall in Love Again” (Billboard's top country hit of 1979), Strait's “I Cross My Heart,” Lee Greenwood's “Don't Underestimate My Love for You,” and Eddie Rabbitt's “Every Which Way But Loose”—the title track from Clint Eastwood's 1978 film. His songs have charted in 5 successive decades, with #1 records across 4 decades. Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba; his other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup and Honky Tonk Man. Key songs in the Dorff catalog include: * Through The Years * I Just Fall In Love Again * Heartland * Every Which Way But Loose * Hypnotize The Moon * I Cross My Heart, and countless others recorded by over 250 Artists from all genres of music. His many TV and cable movie credits include the Emmy nominated CBS mini-series "Elvis", the Hallmark Hall of Fame "Rose Hill", the animated Christmas classic "Annabelle's Wish", "Babe Ruth", "The Quick and The Dead", "Moonshine Highway" and "The Defiant Ones". Dorff's many movie songs and scores have been featured in "Bronco Billy", "Blast From The Past", "Rocky IV", "Pure Country",  Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Jeff Browning (aka Bronco Billy) is a veteran ultra runner and endurance coach. He has competed in some of the world's hardest and most competitive ultra mountain races over the past two decades, including Western States 100, Ultra Fiord in Patagonia Chile, Europe's Ultra Trail du Mont Blanc, and Ultra Trail Mount Fuji in Japan. He's also a 5-time finisher and 2018 champion of the wild and tough Hardrock 100 in SW Colorado. He has finished over 150 ultra marathons in his career (closer to 200 based on this podcast!), racking up over 30 career ultra wins — most of those at the 100-mile distance, making him 2nd in the world for the most 100 mile wins in history behind the legendary Karl Meltzer. Follow him online @gobroncobilly and his website https://www.gobroncobilly.com/

"Ciò che mi interessa più di ogni altra cosa nel lavoro e nella vita è la ricerca della verità. Questo percorso mi spinge ancora a dirigere film" Benvenuti nel Cinema di Clinton Eastwood Jr. con i suoi film così variegati, così drammatici e comunque sempre interessanti, affascinanti e dal sapore classico. L'Uomo senza nome è morto. Lunga vita a Clint Eastwood! Dopo essersi scontrato con qualche russo brutto e cattivo, Eastwood decide di tornare dalle parti di "Bronco Billy" con uno spaccato dell'America della Grande Depressione. Il risultato è il tragico e tenero "Honkytonk Man" con protagonisti Eastwood padre e figlio.

"Ciò che mi interessa più di ogni altra cosa nel lavoro e nella vita è la ricerca della verità. Questo percorso mi spinge ancora a dirigere film" Benvenuti nel Cinema di Clinton Eastwood Jr. con i suoi film così variegati, così drammatici e comunque sempre interessanti, affascinanti e dal sapore classico. L'Uomo senza nome è morto. Lunga vita a Clint Eastwood! Eastwood è sicuramente un uomo d'azione ma ha dimostrato di possedere anche un animo malinconico che traspare in alcuni suoi film. Uno di questi è proprio "Bronco Billy", amaro ma dolce ritratto di un mondo pronto ad estinguersi e che ha proclamato come paladino lo sbruffone ma nobile d'animo Bronco Billy.

David Worth is an American cinematographer and film director. He contributed as cinematographer to more than twenty films, including Bloodsport, Any Which Way You Can and Bronco Billy. He also directed films including Warrior of the Lost World, Lady Dragon and Hard Knocks. He directed the 1989 film Kickboxer

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Clint Eastwood has cut an iconic on-screen figure for longer than almost anyone. The lean, sneering Western star made his name in front of the camera on TV's Rawhide, and as The Man With No Name for Sergio Leone. His second career as a director, often directing himself, has made Eastwood an icon twice over and seen him helm more bonafide classics than almost anyone. On the latest episode of Split Picks, Eastwood enthusiasts Bennett Glace and Michael Glover Smith discuss probably the two least-seen of Clint Eastwood's many directorial triumphs: Bronco Billy (1980) and Honkytonk Man (1982). Both films star Eastwood as struggling artists and send him out on the road alongside a makeshift family. Bronco Billy's title character, William McCoy, serves as “head ramrod” for an old-fashioned Wild West Show fallen on hard times. McCoy and the film only ever briefly lose their unflappable sense of optimism as they tour the Western states and play to thinning crowds. Honkytonk Man puts a more pessimistic spin on similar material. Eastwood plays Red Stovall, an alcoholic, tubercular country musician with one last chance to be somebody. He hits the road with his nephew (Eastwood's son, Kyle) to try out for the Grand Ole Opry before it's too late. The discussion touches on films from throughout Eastwood's long career as well as subjects including the Razzies, and, of course, the director's infamous speech at the Republican National Convention.

A couple of hometown kids, now grown, and investing back into the community so that their kids and kids' generation might have a better place to live. Anthony and Herma are the owners of the newly opened Niles Candle Company. They have lived here their whole lives; and now they are making the community a little better. But at the same time they are seeing their dreams come true right in front of them. After being disappointed with the scents and longevity of the candles they would source from other places, Herma decided to figure out how to fix the problem by making her own. Fast forward to the end of January 2022, and they have now opened their own shop in the exact place downtown Niles that they have always wanted to have a shop. It's truly a dream come true. They not only sell candles, but they have also  sourced many other handmade merchandise which they sell in there shop as well. You will have to see for yourself. They are located two doors down from Bronco Billy's Pizza in Niles. Stop in and let them know that you heard about them on the Fremont Podcast. They are open on weekdays and weekends until 6:00pm. Closed on Mondays.  Find them on Instagram, and give them a follow. 37635 Niles Blvd, Fremont, CA 94536Intro and Outro voiceovers made by Gary Williams. Check out garywilliams.org.Music was found and licensed through Soundstripe.com. Music Content ID GSWH7LBEVM5XRNUDThis is a Muggins Media Podcast.

Steve Dorff, a 3-time Grammy and 6-time Emmy nominated songwriter, will join Frank and Billy on the November 3rd episode of A Mick A Mook and A Mic. Honored as a 2018 Inductee to the prestigious Songwriter's Hall of Fame in NYC, Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks and countless others, while also establishing himself as a gifted film and television composer.Steve has tallied over 40 BMI awards with hits like Rogers' “Through the Years,” Murray's “I Just Fall in Love Again” (Billboard's top country hit of 1979), Strait's “I Cross My Heart”, Lee Greenwood's “Don't Underestimate My Love for You,” and Eddie Rabbitt's “Every Which Way But Loose”—the title track from Clint Eastwood's 1978 film.Steve Dorff songs have charted in 5 successive decades, with #1 records across 4 decades.Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba. His other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup, and Honky Tonk Man.Be sure to join Mick and Mook and meet one of the most talented songwriters ever!

New Releases: Stillwater (2021), Respect (2021), and Free Guy (2021) Chris's Top 3: Nosferatu The Vampyre (1979), Sudden Impact (1983), Bronco Billy (1980). Joseph's Top 3: Don't Breathe 2 (2021), The Ox-Bow Incident (1943), Val (2021). Fulton's Top 3: Akira (1988), Pig (2021), The Slayer (1982). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

James Lott Jr gets to chat with Laura Niemi about her new unique play that is by a pool!!! And her work on Soaps and This is Us and Rizzoli and Isles. Goto Lost Angels Theater on IG or poolboymuholland.com#poolboy #thisisus #theater #lauramiemiLAURA NIEMI AND PAT TOWNE STAR IN POOL BOY – UNIQUE OUTDOOR THEATER EXPERIENCE FROM LOST ANGELS THEATER COMPANY. Laura Niemi (portrays Milo Ventimiglia's mom, Marilyn Pearson, on the hit NBC series, This Is Us, and is currently in Warner Bros. Those Who Wish Me Dead starring Angelina Jolie directed by Taylor Sheridan) and Pat Towne (Rock of Ages, Bronco Billy) co-star in LA's award-winning theater company, Lost Angels's (Killer Joe, Bug) world premiere production of POOL BOY. Presented poolside at a gorgeous home on Mulholland Drive with a spectacular view of Los Angeles from the Hollywood Hills. This unique theater event will have a limited run - Saturdays and Sundays @ 5:15PM starting July 17th, 2021 thru August 22.This covid-friendly outdoor event will be the first site specific play under the Lost Angels Theatre Company's banner. LATC (which won the 2005 Ovation award for Tracy Letts' Killer Joe) is once again teaming up with director Scott Cummins (Killer Joe, Bug), and will mark their third collaboration. Cummins won the Ovation Award for his direction in LATC's production of Killer Joe. Playwright Wendy Hopkins (Second City alum) penned this two-hander comedy, which features a cast of two Ovation award-winning actors, Laura Niemi and Pat Towne .Set in Los Angeles during the 2020 pandemic, house sitter Glenn is looking after an elite home in the Hollywood Hills. Isolated and desperate for human contact, she attempts to make a connection with an atypical Pool Boy. Despite their contrasting personalities and rusty social skills, they forge an unlikely bond in a Covid colored world.After an inconceivably odd year, LATC presents this unique theatrical experience as a love letter to the City of Angels, celebrating its art and beauty in a quintessentially Californian way – with the sun on our face.

155 episodes in. Tonight's guest is none other than Onyx Danielle, aka Bronco Bully, aka Bronco Billy (from W.O.W.) We had fun the last time she was one, and tonight will be not different. So sit back, relax and enjoy the show.

S3 E13 SUDDEN HEARTBREAK TRIGGER WARNING:  One of the films covered in this episode, Sudden Impact, has a major plot point concerning sexual assault.  1983's Dirty Harry epic SUDDEN IMPACT, is Eastwood's only film in the series as director. Made after personal project Honkytonk Man (S3 E12) in 1982, Clint is in clear "one for them, one for me" mode here, casting Sondra Locke (her 6th and final Eastwood film) as a vengeful woman whose tactics are not dissimilar to Harry's. But they are illegal. But if they are, then aren't his? Potentially intriguing themes but is Locke the key that makes it work or is there a reason they never made a movie together again? This is the most financially successful Dirty Harry movie ever. Good, right?  "Go ahead, make my day," is one of the top five most memorable quotes in film history, according to this one poll on the internet we saw! The Enforcer (S3 E2) was supposed to be Clint's final Dirty Harry movie, having ended with Harry walking off, once again, after the system being a failure (also once again). A few tough breaks at the box office (Bronco Billy, Honkytonk Man) along with smaller films Clint needed studio backing for and he was pulled back in to the old shoulder holster (and banked a reported THIRTY MILLION for his efforts). For good or nah? The Dead Pool (S3 E12) would follow and end the Dirty Harry series five years later.1986's Heartbreak Ridge ends (spoiler) with the invasion of Grenada. Clint plays a guy named Thomas Highway. He trains a group of ragtag marine youths - RECON!! - with discipline problems. Does he get them ready to invade Grenada? What's Clint getting at with this odd little character piece, anyway? It's either boldly enigmatic and unknowable or... something else. Mario Van Peebles plays the ultimate 80s supporting character: Stitch Jones, the Marine Recon rock and roll front man who sings, among other classics, "I love you (but I ain't stupid)." American Hero and Iraq veteran Larry returns to help us figure it all out and see what Ridge got right and got wrong. DISASTER IN THE STUDIO: As resident plot recapper, who keeps every episode nominally moving, Ken takes copious notes when watching every Eastwood movie to use when recapping plots when we record. KEN LOST HIS NOTEBOOK SHORTLY BEFORE RECORDING THIS EPISODE! Can the crew survive without his notes? He has no idea who the heck is in these movies! Will we even know what movie we are talking about?SUDDEN IMPACT 00:03:02HEARTBREAK RIDGE 00:49:13

Honored as a 2018 Inductee to the prestigious Songwriter's Hall of Fame in NYC, 3 time Grammy and 6 time Emmy nominated Steve Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks, and countless others, while also establishing himself as a gifted film and television composer. He's tallied over 40 BMI awards with hits like Kenny Rogers' “Through the Years,” Anne Murray's “I Just Fall in Love Again” (Billboard's top country hit of 1979), George Strait's “I Cross My Heart,” Lee Greenwood's “Don't Underestimate My Love for You,” and Eddie Rabbitt's “Every Which Way But Loose”—the title track from Clint Eastwood's 1978 film. His songs have charted in 5 successive decades, with #1 records across 4 decades. Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba; his other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup, and Honky Tonk Man. Key songs in the Dorff catalog include: * Through The Years * I Just Fall In Love Again * Heartland * Every Which Way But Loose * Hypnotize The Moon * I Cross My Heart, and countless others recorded by over 250 Artists from all genres of music. His many TV and cable movie credits include the Emmy nominated CBS mini-series "Elvis", the Hallmark Hall of Fame "Rose Hill", the animated Christmas classic "Annabelle's Wish", "Babe Ruth", "The Quick and The Dead", "Moonshine Highway" and "The Defiant Ones". Dorff's many movie songs and scores have been featured in "Bronco Billy", "Blast From The Past", "Rocky IV", "Pure Country", "Tin Cup", "Michael", "Dudley Do-Right", "Dancer, Texas", "The Last Boy Scout", "Curly Sue" and "Honky Tonk Man". Perhaps Dorff's most ambitious move to date has been a giant leap into his first love, musical theater. He currently has two projects making their way to the stage: "Josephine" (The Josephine Baker Story) and "Pure Country" (The Musical) The Business Side of Music ™ © 2021 Beyond the Music Co-Produced and Hosted (by the guy who has a face for podcasting): Bob Bender  Co-Producer, Creator, and Technical Advisor (the man behind the curtain): Tom Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Editor (the “ums' and “aahs' removal guy who makes us sound good): Mark Sabella Marketing and Social Media: Kaitlin Fritts Talent Acquisition and Scheduling, (the one who keeps us on track) Tammy Kowalski All Around Problem Solver and keeper of the key to the vault: Connie Ribas Recorded at: The Bunker in Franklin, TN (except during the Covid 19 pandemic, then it's pretty much done VIA Skype or over the phone, with the exception for those fearless enough to come to Bob Bender's living room… and there are a few). Mixed and Mastered at Music Dog Studios in Nashville, TN Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Website: businesssideofmusic.com  Stream or Download (free) businesssideofmusic.com  To submit to be interviewed: musicpodcast@mail.com Sponsorship information businesssideofmusic.com/sponsor-affiliate/ Join our mailing list for show announcements, career advice, industry discounts, free gifts and more.  Like Free Special Thanks to Tom Sabella and Traci Snow for producing and hosting over 100 episodes of the original “Business Side of Music” podcast, and trusting us to carry on their legacy. For our disclaimer and all its details, please click on the applicable link on our website. The music provided for this episode is from: Artist: Steve Dorff Single: I Just Fall In Love Again Album: You Set My Dreams To Music Composer: Steve Dorff, Larry Herbstritt, Gloria Sklerov, Harry Lloyd Website: www.stevedorff.com   Artist: Steve Dorff Single: Through The Years Album: You Set My Dreams To Music Composer: Steve Dorff, Marty Panzer Website: www.stevedorff.com   Artist: Steve Dorff Single: Heartland Album: You Set My Dreams To Music Composer: Steve Dorff, John Bettis Website: www.stevedorff.com

S3 E9 WHITE BRONCO, BILLY'S HEARTOne of Clint's most ambitious films prior to Unforgiven,  1990's WHITE HUNTER, BLACK HEART is covered here in detail.  A roman a clef about John Huston prepping The African Queen, toxic masculinity, white imperialism, and malignant narcissism all fuel Eastwood's studied take on Huston's patrician airs. Jeff Fahey appears as foil to Clint's destructive spiral in trying to bag an Elephant. Possibly Clint's most daring role as an actor his entire career. Is his aim true or is he gored by hubris?1980's Bronco Billy was a gentle turn from Eastwood's until-then screen persona of cynical loner tough guy. Here he plays a... well, a loner tough guy, yeah, granted, but NOT a cynic. He plays the title role - a captain or king or head ramrod - of a band of misfits putting on western shows in Idaho/Montana. It collects so many actors from Eastwood's 70's output it is as close to The Avengers as Clint will ever get. Co-star/paramour Sondra Locke's performance does the film few favors, but it remains well-regarded by most Eastwood enthusiasts. But who cares about them? WHAT DO WE THINK? We are joined by podcast fave Thomas to get to it.A few major disagreements this episode. Does anyone cry as a result?Big tusker energy this episode!BRONCO BILLY 00:03:46WHITE HUNTER, BLACK HEART 00:40:52

BIOGRAFIAFecha de nacimiento: 16 de enero de 1948 (72 años).Lugar de nacimiento: Carthage N.Y.Director, productor y guionista, de cine estadounidense y ademas es compositor y músico.Ha trabajado en varios géneros de cine, pero se le asocia mas con el horror, acción y ciencia ficción donde el punto mas alto de su carrera fueron los años 70's y 80's.Entre sus películas mas reconocidas tenemos: Halloween, The Thing, Escape From N.Y., Big Trouble In Little China.Es considerado uno de los mas reconocidos directores del genero de horror, ya que sus peliculas se han convertido en éxitos con el paso de los años y estableciéndose como de culto y un referente en la historia del cine de horror.INICIOSSus padres se mudan a Kentuky, y el se sentía fuera de lugar con las creencias y forma de vida de la sociedad del estado.Este hecho el lo considera como la mayor influencia para dedicarse al cine, ya que se refugiaba en la música y cine por la vida que llevaba en Kentuky.Cuando vio en el cine la película It Came From Outer Space, se asusto mucho pero a la vez le encanto demasiado.Con esta película inicio su fascinación por el cine de horror.También leía comics como Weird science o Tales from the Crypt.Su padre le regalo una cámara de video de 8MM, y con esto aprendió lo básico de las tenias de filmación y quería dedicarse al cine y ser director;  pero su padre le decía que tenia que se dedicara a otra cosa.Estudios1968 toma una decision y se va a la Universidad de California de Sur, ahi aprendió todo sobre la realización del cine.Camara, Iluminacion, Actuación etc.Junto a un compañero de universidad, crearon una banda de rock, y también componían la música de sus pequeñas peliculas de aquel entonces.Una de ellas fue The Ressurrection of Bronco Billy la cual gano un premio Oscar a la mejor película corta.CARRERA EN EL CINEDark Star (1974)Fue su primer cinta, de Ciencia Ficción, pero inicio como una película de estudiantes, pero termino siendo una película comercial.En esta cinta, participo Dan O'Bannon, como actor, co-escritor y efectos especiales.Para Carpenter, esta cinta supuso un gran éxito ya que hacer una película de ciencia ficción que tiene lugar en el espacio era algo inaudito en la escuela de cine, sumándole que era muy joven y con poca experiencia.Assault On Precinct 13 (1976) Es una película de acción, no fue gran cosa, ni obtuvo grandes criticas, pero en los festivales de Europa tuvo buena recepción y supuso el lanzamiento de la carrera de Carpenter.En esta película, es donde conoce y trabaja por primera vez con Debra Hill, como supervisora del guion y con quien seguiría trabajando mas adelante y seria parte esencial para el éxito de las peliculas de Carpenter.Halloween (1978)Rodada con un presupuesto limitado, se convertiría en cierto tiempo el film de terror independiente de mayor éxito de la historia. Y consigue que el genero slasher se integre de lleno en el cine Estadounidense.En propias palabras de George Romero cuando vio Halloween: “Es la película de horror perfecta”. Por lo que transmita, un psicopatía que ira por ti.The Fog (1980)Fantasmas de marineros regresan de la muerte para vengarse de los habitantes de un pequeño pueblo pesquero.Vuelve a participar Jamie Lee Curtis.Escape From N.Y. (1981)Influencia Western, donde el personaje de Snake es este badass del cine, tanto que influencio a Hideo Kojima para su juego Metal Gear.Lee Van CleefThe Thing (1982)Primera cinta de su trilogía y hasta aquí es donde Carpenter había estado conforme con trabajar con un presupuesto bajo.Y aqui es donde Carpenter cambio un poco su idea para apoyarse mas en los efectos especiales y el gore que estaba de moda.Pero recibieron muchas criticas, por la violencia gráfica, lo llamaron el “pornografo de la violencia”Christine (1983)Starman (1984)Derivado de las ciriticas negativa de The Thing la carrera John Carpenter se mueve en diferentes direcciones, es por eso que realizo Starman.Donde quiso demostrar que no solo podia hacer películas de horror, sino una bonita película de ciencia ficción y romance, donde nadie muriera.Otras películas de John Carpenter:Big Trouble In Little China (1986)Prince Of Darkness (1987)Teología, Religión y CienciaThey Live (1988)Memoirs Of An Invisible ManIn The Mouth Of Madness (1994)Village Of The Damned (1995)Escape From LA (1996)Vampires (1998)Ghost Of Mars (2001)The Ward (2010)Actualmente John Carpenter continua en su linea independiente y es un director con una enorme carrera exitosa sin renunciar a sus ideas.INTRODUCCION AL CINE DE HORRORInfluenciaCuando pensó en Michael Myers, Carpenter tenía muy claro que los monstruos eran más efectivos cuando la audiencia tenía menos información sobre ellos. Así que creó a un monstruo el cuál no tenía ninguna característica, una página en blanco. Lo único que lo definía era la maldad. Logró este efecto al tener la máscara sin color y los ojos completamente negros. Al tener su rostro completamente oculto, solo podría tener información sobre su personalidad según sus movimientos, los cuales, prácticamente no existen.. vemos como camina lentamente, no reacciona ante nada. Lo define Carpenter como el viento "está ahí afuera y te va a atrapar".En su película "They Live", a pesar de tener una trama simple hace una crítica social bastante interesante. hacia el consumismo y cómo la gente es influenciada a través de mensajes subliminares. Hay aliens que utilizan estos mensajes para controlarnos. Aquí la audiencia se tiene que cuestionar sobre el horror de vivir en un mundo capitalista y si realmente existe el libre albedrío... o simplemente somos manipulados por otros... otros de este mundo que no son aliens.The Thing utilizó la idea de la Body Culture de la época para convertirla en un arma de horror. Transgredir el cuerpo humano de la forma en que lo hizo y el uso del terror psicológico fue una combinación que en su momento, derribó la película, pero el tiempo la puso en un pedestal. Ahora, este fue un remake. En ese tiempo, los remakes solían ser más fieles a la versión original. El rompió el esquema trayendo una película que en lugar de hablarle a las audiencias del 51, se enfocó en lo que era relevante en los 80s.Además, crea su propia música con sintetizador esde los 70s, comenzando con el corto película Dark Star. Este tipo de música con synth puede verse más recientemente como una influencia en Stranger Things, por ejemplo.La película It Follows, claramente tiene los tintes de Halloween.Otros directores que empezaron en la misma época que él como Martin Scorsese, Spielberg, Lucas, Ford Coppola. A pesar de la gran influencia que Carpenter tuvo en el cine nunca fue fan de la escena de los óscares como éstos otros.Su interés por traer nuevas perspectivas al cine puede verse en las decisiones que toma... por ejemplo, una película Slasher vista desde el punto de vista del asesino.En sus películas, deliberadamente quiere que la audiencia conozca bien la geografía para poner el ambiente en la escena. Para ellos, hace tomas largas y a distancia para que se pueda percibir lo cerca o lejos" de las cosas. Por ejemplo, en The Thing, cierta stomas puedes ver todos los corredores y cómo se conectan, cuántos caben y demás.Otro elemento es el uso de la sangre. En sus películas, trata de limitarlo y extender su aparición para crear una tensión para agregar suspenso. No se trata de cuántos mata, sino la idea de que el asesino puede estar en cualquier lugar, en cualquier momento. Halloween, te mantiene en ese suspenso, en The Thing igual con la paranoia, - includo Tarantino dijo que trató de emular este efecto en Hateful 8- en They Live viendo los anuncios por todos lados... Hasta cierto punto, podrías decir que no te deja respirar como audiencia, no hay lugar seguro.The Purge es una película que su director James De Monaco mismo ha dicho que el sentido de paranoia en The Thing lo inspiró en su película - el guionista escribió el guión mientras escuchaba una y otra vez el soundtrack de la película. Para la secuela, Anarquía, se inspiró en Escape de Nuea York.Los héroes en sus películas se encuenrtan en un estado perpetuo de ansiedad, miedo, e incertidumbre.Otra característica del cine de Carpenter es que debe de colocar algo de humor para liberar la válvula de tod ala tensión que crea. Esto lo hace con humor, en The Thing por ejemplo los comentarios qu etienen entre ellos ayudan.También es común que sus películas son contadas desde la perspectiva de una persona común y corriente, la clase trabajadora. Son quienes ven la realidad tal cual y por eso generan esos momentos chuscos. Traen la naturalidad del ser a la pantalla, son personas en los que podemos reflejarnos.Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Insiders por Joe Crotty (Intro)Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★

Jeff Browning aka "Bronco Billy" is an endurance coach, ultra athlete, designer, husband and father of three kids. He lives to run in wild places, as well as fighting to protect them. JB joins the gang for some insight as to what makes a professional UltraRunner tick.GoBroncoBilly.comFB: GCRunagadesIG: gascaprunagadesRunagade Hotline: 4062726388gascaprunagades@gmail.commusic: Go Cat Go by Gabriel Lucas https://epidemicsound.com/track/bGxdjTb3cXhttps://podcasts.apple.com/us/podcast/trail-cast/id1490059833?i=1000458499164

Dear Bronco, Thank you for progressing the sport of ultra-distance running. Through strong performance and stewardship in a style that is all your own--you are a shot in the arm for a sport that is hard to make sexy. Bonus points for putting Rage Against The Machine in your all-time favorite bands. In this episode of the Andrew Fast Podcast, I sit down with Jeff Browning (aka Bronco Billy). One of the most decorated and down to earth ultra-distance runners in American history. I hope you enjoy the conversation as much as I did. IG - @gobroncobilly --- Support this podcast: https://anchor.fm/andrew-fast/support

BOOTS & SADDLE - July 21, 2020 1. Safe Within Your Arms - Greg Garing (Safe Within Your Arms - 2020) 2. Four, Five Times - Buddy Emmons (Buddy Emmons Sings Bob Wills - 1976) 3. I Thought of You - Jean Shepard (Single - 1955) 4. Black & Blue - Zephaniah OHora (Listening To The Music - 2020) 5. Recuerdos - The Mavericks (En Español - 2020) 6. Lost in Austin - JD Clark & The Stuck in the Mud Band (JD Clark - 2020) 7. N'importe Quand! - Damn The Luck (Ayscrim Delicieu! - 2020) 8. Rose Tattoo - DW James (Jack Of All Trades - 1996) 9. Sometimes the Grass is Really Greener - Robbie Fulks (Gone Away Backward - 2013) 10. Can You Tell Me - Laura Mae Socks (Where You Go - 2019) 11. A Tombstone Every Mile - Red Simpson (Truck Drivin' Fool - 1967) 12. I Can't Stand Me - Merle Haggard & The Strangers (Swinging Doors - 1966) 13. Stoned At The Jukebox - Katy Moffat (Loose Diamond - 1999)  14. Orange Blossom Special - Buddy Emmons (Steel Guitar - 1975) 15. The Stranger I've Been - Joe Pug (The Flood in Color - 2019) 16. Saturday Night - Amber Digby (The World You're Living In - 2013) 17. Two Fools - Michaela Ann (Desert Dove - 2019) 18. I Forgot To Remember To Forget - Johnny Cash (Single - 1958) 19. Bronco Billy's - Joshua Ray Walker (Glad You Made It - 2020) 20. On the Rocks - Skinny Dyck (Get To Know Lonesome - 2020) 21. I'll Let the Steel Do the Crying - Philippe Bronchtein (Single - 2020) 22. Fooled Again - JP Cyr & The Midnightmen (Fooled Again - 2020) 23. Bad Liver and a Broken Heart - Zachary Lucky ("One Night in Toronto" - 2020)  24. Nobody's Fool But Yours - Buck Owens (You're for Me - 1962) 25. St. Claire's Retreat - Jesse Daniel (Rollin' On - 2020) 26. Ain't Gonna Wash My Face for a Month - Goldie Hill (Single - 1955) 27. Everything Was Fine - Secret Emchy Society (The Chaser - 2020) 28. Am I To Be The One - Ezra Lee (Copycat Killer - 2019) 29. There Will Never Be Another You - Buddy Emmons (Steel Guitar Jazz - 1963) 30. My Baby - NQ Arbuckle (X O K - 2008)

We're bar room buddies and that's the best kiiiiiiiiiiind! Leah introduces Lindsey to Bronco Billy, an 80s classic starring Clint Eastwood, Sondra Locke, and Scatman Crothers. This film has everything: cowboys and cowgirls, a modern-day train robbery (!), a performance from Merle Haggard & the Strangers, and one of the best bar room brawls ever. Lindsey points out all the ways this film hasn't aged well, and we ask ourselves: Is Clint Eastwood a gross person?

Join Heart of Indie Radio co host Emme Lentino in an exclusive interview with Steve Dorff! Honored as a 2018 Inductee to the prestigious Songwriter’s Hall of Fame in NYC,3 time Grammy and 6 time Emmy nominated Steve Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks and countless others, while also establishing himself as a gifted film and television composer. He’s tallied over 40 BMI awards with hits like Rogers’ “Through the Years,” Murray’s “I Just Fall in Love Again” (Billboard’s top country hit of 1979), Strait’s “I Cross My Heart,” Lee Greenwood’s “Don’t Underestimate My Love for You,” and Eddie Rabbitt’s “Every Which Way But Loose”—the title track from Clint Eastwood’s 1978 film. His songs have charted in 5 successive decades, with #1 records across 4 decades. Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba; his other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup and Honky Tonk Man. Key songs in the Dorff catalog include: * Through The Years * I Just Fall In Love Again * Heartland * Every Which Way But Loose * Hypnotize The Moon * I Cross My Heart, and countless others recorded by over 250 Artists from all genres of music. His many TV and cable movie credits include the Emmy nominated CBS mini-series "Elvis", the Hallmark Hall of Fame "Rose Hill", the animated Christmas classic "Annabelle's Wish", "Babe Ruth", "The Quick and The Dead", "Moonshine Highway" and "The Defiant Ones". Dorff’s many movie songs and scores have been featured in "Bronco Billy", "Blast From The Past", "Rocky IV", "Pure Country", "Tin Cup", "Michael", "Dudley Do-Right", "Dancer, Texas", "The Last Boy Scout", "Curly Sue" and "Honky Tonk Man". Perhaps Dorff’s most ambitious move to date has been a giant leap into his first love, musical theater. He currently has two projects making their way to the stage: "Josephine" (The Josephine Baker Story) and "Pure Country" (The Musical). Listeners will be truly amazed to listen to Steve's fantastic stories as he shares his musical journey with us. Tune in now!

AITA for using money we "earmarked" for our 6 month old's college fund to buy back the exact 1972 Ford Bronco I owned as a teenager?

John Durrill is a name you probably don't know but here's just a bit about him and why you'll want to listen to his story.For almost six decades, award winning, songwriter John Durrill's works have been recorded by more than sixty major recording artists in the US and around the world. Frank Sinatra, Bette Midler, Cher, and Everly Brothers, Chicago, Ray Charles, Merle Haggard, The Statler Brothers, Joe Williams. Sarah Vaughn, Peggy Lee and Reba are a sampling of artists whose hits have sold over fifty million singles, albums, DVD's and CD's of John's compositions.As a former high school English teacher in Oklahoma John, along with his close friend Mike Rabon, formed "The Five Americans" in 1963. John, Mike and group member Norm Ezell, wrote and sang the Group's first top ten hit, "I See The Light", soon followed by the number on record "Western Union" selling over a million copies.In 1968 Durrill left the The Five Americans and joined the Internationally famous, instrumental group, "The Ventures" in Hollywood, California. Shortly after their mega hit "Hawaii 5-0", John co-wrote "Kyoto Doll" which was released by The Ventures in Japan and soon the multi million selling single became a standard recorded by scores of artists in the Far East. In March, 2008 The Ventures were inducted into the Rock and Roll Hall of Fame along with John Mellencamp, Madonna, Leonard Cohen, and the Dave Clark Five.Besides his over fifty year affiliation with The Ventures, John is one of the Music Industry's most prolific songwriters. In 1970 he joined forces with one of Hollywood's all time, most successful, record producers, Snuff Garrett. Virtually every record project produced by Snuff had the Durrill name attached to it as a writer. During this period, John worked with Clint Eastwood writing songs and music backgrounds for five of Clint's popular films. His song "Misery and Gin", written for the movie "Bronco Billy" went on to become number one in the charts for legendary Merle Haggard. In Eastwood's "Any Which Way You Can", Durrill wrote five of the movies songs, one of them, "The Good Guys and The Band Guys" on camera in the film.John wrote for over twenty motion pictures and television series including "Smokey and The Bandit II", "Sharkey's Machine", "The Cannon Ball Movies", and "Reba".Over the years Cher has recorded five of Durrill's songs including her number on hit, "Dark Lady" and "I Saw A Man" and "He Danced With His Wife". The Everly Brothers' sang three of his compositions and Chicago's XXV Christmas CD included his song "Child's Prayer" which he co-wrote with Lee Loughnane, one of the founding members of the group.John continues to write and produce music, and when he can; he likes to visit Maui where I met him many years ago.

Jeff talks about his history with ultra running, Western States 100 miler, Hardrock 100, his 3rd position ranking for most winning 100 mile ultra runner and much more. Jeff Brownings Coaching website: https://www.gobroncobilly.com/. MY DETAILS www.kristianultra.com Instagram Facebook Twitter

Clint Eastwood ha compiuto 90 anni. Festeggiamo il suo compleanno con uno dei suoi film meno conosciuti che racchiude tutte le sfaccettature del poliedrico artista: Bronco Billy.

Steve, Adam, and eventually Andrew zoom over to Montana for a chat with Jeff Browning, aka Bronco Billy. As one of the most successful ultra runners in history (22 miler wins in 39 starts) Jeff shares his wealth of knowledge in mindset, nutrition, and how to keep motivated over the years and keep winning as an old man (advice for Steve). Other topics included camping with Grant Guise, facing down mountain lions, porcupines, bra fences and gin. Don't miss this wild ride! Yeehaw! And for those interested here's a list of Jeff's races... https://ultrasignup.com/results_participant.aspx?fname=Jeff&lname=Browning And here's a couple of strength training videos... https://www.youtube.com/watch?v=w-kUa5VQ5Ww https://www.youtube.com/watch?v=XSM4vgIBdU4&feature=youtu.be

Jeff Browning is an ultrarunner who goes by the nickname of Bronco Billy.  He has over 120 ultramarathons on his running resume. He has recently been listed by Utrarunning Magazine www.ultrarunning.com as one of the Top 10 Ultrarunners. Jeff is an ultrarunning coach.    This is Episode 71 of the Mile after Mile Podcast. This is a slightly different type of interview because the focus of the interview is not a single extreme event. Jeff and I don’t just discuss one race we discuss his personal nutrition journey and how he has fueled his ultrarunning over the years.   What is an ultramarathon? How did Jeff get his start in Ultrarunning? Why run a 100 mile race? Odds of getting into the Western States 100  www.wser.org Some nice things about Bend, Oregon where Jeff called home for several years. Balancing living in Montana and balancing running with marriage and family.  Jeff and his wife’s nutrition journey. He has been a vegetarian, he has followed a whole-foods diet, nutrivore diets he has worked with a paleo diet and a low-carb high fat diet, keto optimized fat metabolism.  Why Jeff says he is not a Keto-athlete and how he uses (and coaches) using strategic carbohydrates for performance.  We talk specifics about how Jeff actually eats daily and leading up to and through an actual race.  Specific issues Jeff has noticed while coaching women training for endurance events and a Keto or Low Carbohydrate diets. Jeff shares how he uses caffeine strategically as he fuels his ultramarathons. Guidelines for sports nutrition from the International Society of Sports Nutrition ISSN https://www.sportsnutritionsociety.org/ What to eat when you come into an ultramarathon rest stops to avoid gut bombs or what he calls garbage gut. Jeff talks about farming and sourcing foods. We close with chatting about where his nickname of Broco Billy comes from.   Books mentioned: Nourishing Traditions by Mary Enig https://www.amazon.com/Nourishing-Traditions-Challenges-Politically-Dictocrats/dp/0967089735/ref=sr_1_1?crid=3C632CX8VROH4&keywords=nourishing+traditions&qid=1583750262&sprefix=nourishing+traditi%2Caps%2C203&sr=8-1   The Big Fat Surprise by Nina Teicholz https://www.amazon.com/Big-Fat-Surprise-Butter-Healthy/dp/1451624433/ref=sr_1_1?crid=1JXLA4ZENO8TB&keywords=the+big+fat+surprise+by+nina+teicholz&qid=1583750696&sprefix=the+big+fat+surprise%2Caps%2C162&sr=8-1   Primal Blueprint by Marc Sisson https://www.amazon.com/Primal-Blueprint-Mark-Sisson/dp/193956347X/ref=sr_1_1?crid=1AQEX78L2WWJ&keywords=primal+blueprint+book&qid=1583750852&sprefix=Primal+Blueprint%2Caps%2C162&sr=8-1   The Art and Science of Low Carb Living and the Art and Science of Low Carb Performance by Stephen Phinney and Jeff Volek  https://www.amazon.com/Art-Science-Low-Carbohydrate-Living/dp/0983490708/ref=sr_1_2?crid=8L1QP0AR47RJ&keywords=the+art+and+science+of+low+carbohydrate+living&qid=1583750805&sprefix=the+art+and+s%2Caps%2C177&sr=8-2   The Vegetarian Myth by Lierre Kieth  https://www.amazon.com/Vegetarian-Myth-Food-Justice-Sustainability/dp/1604860804/ref=sr_1_1?crid=325YT82Q3RAMN&keywords=the+vegetarian+myth&qid=1583752933&sprefix=the+vegetarian%2Caps%2C175&sr=8-1   The Omnivores Dilemna by Michael Pollan https://www.amazon.com/Omnivores-Dilemma-Natural-History-Meals/dp/0143038583/ref=sr_1_1?crid=1TFXFOIYEPL7A&keywords=the+ominvore%27s+dilemma&qid=1583753071&sprefix=the+omin%2Caps%2C175&sr=8-1   Amy Says:  Prodigal Summer by Barbara Kingsolver but I think it’s actually called Animal, Vegetable, Miracle.  https://www.amazon.com/gp/product/B01JYX7LKU/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i7   Races Mentioned: Run up for Air https://upforairseries.org/ Western States 100 Run Rabbit Run https://www.runrabbitrunsteamboat.com/ Hellbender 100 https://www.hellbender100.com/   Products Mentioned:  Vespa Power https://vespapower.com/  Gu Energy https://guenergy.com/ You can find Jeff Browning at www.gobroncobilly.com and on Social Media @gobroncobilly. ----------------------------------------------- You can find all the episodes of the Mile after Mile Podcast at www.mileaftermilepodcast.com  You can find the host Amy at www.amysaysso.com 

Matthew and I discuss and/or mention in passing: Patreon Tootie Fruities, Howard Meyers, Paul Haggis, Million Dollar Baby, Crash, Brokeback Mountain, Jake Gyllenhaal, Paul Thomas Anderson, Scooby & Scrappy Doo, Diff’rent Strokes, One Day At A Time, Bonnie Franklin, Clint Eastwood, Paint Your Wagon, Bronco Billy, LaChoy, Marty McFly, IRS, Good Times, Nigeria, Kenneth Tigar, Hill Street Blues, Friends, Double Trouble, Small Wonder, Kraus, Benson, Freddy Mercury, Telex, Archie Bunker’s Place, The Mary Tyler Moore Show, Mel’s Diner, Alice, Martha Stewart, Patrick Henry, Nicolas Coster, Dallas, Another World, One Life To Live, As The World Turns, Santa Barbara, Ronald Reagan, Reaganomics, My Best Girl, Mame.facethefactspod.comfacebook.com/facethefactspodtwitter.com/facethefactspodinstagram.com/facethefactspodPlease SUBSCRIBE, RATE, and REVIEW!

Post-synchro # 67 - Clint Eastwood chante !Il a la beauté du diable et la voix d'un ange : Clint Eastwood n'est pas que le dernier des grands acteurs et réalisateurs classiques d'Hollywood, il a également derrière lui une jolie petite carrière de chanteur. Car, à côté du jazz,  son autre grande passion musicale est bien sûr la chanson country. Ce numéro de Post-synchro est entièrement consacré au chanteur Clint Eastwood, de ses premiers singles en 1959, dans la foulée de la série télévisée Rawhide, aux interprétations au sein de films comme Bronco Billy, Any Which Way you Can (ça va cogner), Honkeytonk Man, Paint your Wagon (La Kermesse de l'Ouest) ou encore Midnight in the Garden of Good and Evil. Avec en prime quelques belles curiosités, dont, à l'occasion de duos épiques, les voix de Lee Marvin et de Ray Charles ! Yee ha !Durée: 50'

Post-synchro # 67 - Clint Eastwood chante ! Il a la beauté du diable et la voix d’un ange : Clint Eastwood n’est pas que le dernier des grands acteurs et réalisateurs classiques d’Hollywood, il a également derrière lui une jolie petite carrière de chanteur. Car, à côté du jazz,  son autre grande passion musicale est bien sûr la chanson country.  Ce numéro de Post-synchro est entièrement consacré au chanteur Clint Eastwood, de ses premiers singles en 1959, dans la foulée de la série télévisée Rawhide, aux interprétations au sein de films comme Bronco Billy, Any Which Way you Can (ça va cogner), Honkeytonk Man, Paint your Wagon (La Kermesse de l’Ouest) ou encore Midnight in the Garden of Good and Evil.  Avec en prime quelques belles curiosités, dont, à l’occasion de duos épiques, les voix de Lee Marvin et de Ray Charles !  Yee ha ! Durée: 50’

Kia Ora Whanau. This week’s episode of Dirt Church Radio is pretty much the complete package. Big call, we know.. but whakarongo mai whilst we break this down... A little race happened on the weekend, heard of it? Yeah. Tarawera, and by all accounts it slayed, being the biggest and most successful iteration of the race yet. We have a quick catch up with the men’s 100 mile winner Jeff Browning, aka Bronco Billy, aka The Finisher, aka the star of DCR #10 about his win against the indomitable Camille Heron, which included wrong turns and a phenomenal effort from Jeff in the last 40km. As a bonus bonus we speak to Jeff’s over-friendly concierge (Malkmus 1997) Grant Guise, who in addition to having the best tache in the game, placed 3rd overall in the 100 miler and was the second man home. So for the deep dark dank running heads we have the ephemera in spades. You want splits, catch ups, fuelling strategies? We got that for you.Moving to parts that are more philosophical in nature, our main conversation this week is with Kelton Wright. Kelton is an author, trail runner, and cyclist from Topanga California. Kelton is also the Editorial Director of Movement and Sport for Headspace, the mindfulness and meditation app currently taking the world by storm (a calm storm, though). Being present and being able to sit with our thoughts rather than become caught up in them is universally beneficial, both within our lives as runners, and without it. So often our training, approach to competition, the manner we deal with injuries, and the way that our relationships in this community resonate within us can be negatively affected by our attachment to thought. Mindfulness, which, as Kelton points out has been in an out of vogue for at least 3000 years in one form or another, can help us to be the best us we can. We speak with Kelton about her journey with mindful practice, and how this practice can benefit the wider community. We discuss Kelton’s journey with Headspace and the exciting shift in performance based focus towards a more mindful approach. To Eugene’s horror talk shifts to Mountain Lions and we consider just how in the moment you would need to be if you had to strangle one to death if it attacked you. Kelton’s generosity and candor is wonderful and we truly appreciated being able to speak to someone who integrates a mindful approach into performance and a trail runner who, for what feels like a first on DCR, is not training for an ultra marathon. Go Kelton! Enjoy!

克林特•伊斯特伍德 Clint Eastwood迷雾追魂 Play Misty for Me (1971)荒野浪子 High Plains Drifter (1973)西部执法者 The Outlaw Josey Wales (1976)苍白骑士 Pale Rider (1985)不可饶恕 Unforgiven (1992)战书 The Gauntlet (1977)拨云见日 Sudden Impact (1983)菜鸟霹雳胆 The Rookie (1990)绝对权力 Absolute Power (1997)春花秋月未了情 Breezy (1973)不屈不挠 Bronco Billy (1980)天涯父子情 Honkytonk Man (1982)爵士乐手 Bird (1988)完美的世界 A Perfect World (1993)廊桥遗梦 The Bridges of Madison County (1995)午夜善恶花园 Midnight in the Garden of Good and Evil (1997)百万美元宝贝 Million Dollar Baby (2004)换子疑云 Changeling (2008)Gran Torino (2008)成事在人 Invictus (2009)从今以后 Hereafter (2010)胡佛 J. Edgar (2011)泽西男孩 Jersey Boys (2014)美国狙击手 American Sniper (2014)萨利机长 Sully (2016)15点17分，启程巴黎 The 15:17 to Paris (2018)骡子 The Mule (2018)

PART ONE Scott and Paul let you in on how you can score your own autographed copy of Steve Dorff's new memoir, I Wrote That One, Too. PART TWO - 02:45 mark Mother's Day is coming up soon! Paul counts down 5 of his favorite songs about moms before Scott lists 5 of his favorite songwriters who are also mothers. PART THREE - 12:11 mark Scott and Paul head over to Steve Dorff's house to get the inside scoop on why he sees color when he hears music; the reason that knowing how to write a great song is only half of songwriting success; how he accidentally wound up playing piano on a classic soul record; what he did to make Dusty Springfield throw a chair at him; how he bluffed his way into film scoring; the time he wrote one of the most iconic TV show theme songs of all time in just 15 minutes; and why he hears Boys II Men in his head when George Strait sings one of his biggest hits. ABOUT STEVE DORFF Steve’s Dorff’s songs have been recorded by hundreds of artists, earning him nominations for six Emmy awards and three Grammys. His first major success came with the soundtrack for the Clint Eastwood film Every Which Way But Loose, which yielded three #1 singles, including the title song. Similarly successful soundtrack albums would follow, such as: Bronco Billy, which earned him #1 hits with “Cowboys and Clowns” for Ronnie Milsap and “Bar Room Buddies,” a duet for Eastwood and Merle Haggard; Any Which Way You Can, which spawned a Top 10 hit of the same title for Glen Campbell; and Pure Country, which earned George Strait two #1 hits, “I Cross My Heart” and “Heartland.” In total, Dorff has written nine #1 country hits from motion pictures, more than any other songwriter in history. In addition to his soundtrack success, Dorff has written #1 hits including “I Just Fall in Love Again” for Anne Murray, “Through the Years” for Kenny Rogers, “Don’t Underestimate My Love For You” for Lee Greenwood, “Hypnotize the Moon” for Clay Walker, and “The Man in Love with You” for George Strait. Other artists who’ve recorded his songs include Barbra Streisand, The Carpenters, Celine Dion, Cher, Dolly Parton, Dusty Springfield, Garth Brooks, George Jones, Gladys Knight, Jackie Wilson, Kenny Loggins, Randy Travis, Ray Charles, Reba McEntire, Roy Rogers, Ringo Starr, Smokey Robinson, Whitney Houston,  and Willie Nelson. In addition to his songwriting, Dorff has scored countless films and TV shows, including Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Murder She Wrote, Major Dad, Reba, and Growing Pains, for which he composed the hit theme song “As Long as We Got Each Other.” In 2017 he published his memoir, I Wrote That One, Too: A Life in Songwriting from Willie to Whitney, and he’s a 2018 inductee into the Songwriters Hall of Fame.

In the first installment of our new monthly After Dark idea, Joe watches for the first time one of the movies that shaped a young Todd into the man he is today, Bronco Billy. Witness as Clint Eastwood wears a neckerchief and sings! Listen as Joe gets confused by the heavy themes of this 1980 […] The post After Dark Episode 166: Soon to be Named Movie Club I – Bronco Billy appeared first on Longbox Heroes.

In the first installment of our new monthly After Dark idea, Joe watches for the first time one of the movies that shaped a young Todd into the man he is today, Bronco Billy. Witness as Clint Eastwood wears a neckerchief and sings! Listen as Joe gets confused by the heavy themes of this 1980 […] The post After Dark Episode 166: Soon to be Named Movie Club I – Bronco Billy appeared first on Longbox Heroes.

Last episode, we narrowly escaped a hammerhead upside our fishbrain noggins.  This week, we brave that danger once again to cover an early version of the No Holds Barred screenplay – a version written by Bronco Billy’s own Dennis Hackin.  And just like the theatrical version, these early scenes are a pulse-pounding thrill ride.  In fact, this week, we witness not one but two corporate strategy meetings (the third and fourth of the screenplay so far), a discussion of French antiques, the art of salary negotiation, and perhaps the most iconic scene of No Holds Barred.  And as always, in comparing this Dennis Hackin draft of the screenplay to the rewrite penned by Hulk Hogan and Vince McMahon, we search for clues into the authorial method, the madness, or perhaps the overwhelming emptiness at the core of these two titans of sports entertainment.   Follow us on Twitter @WGDPod Like us on Facebook: facebook.com/WGDPod Email us at WGDPod@gmail.com Theme music:  “Find My Way” by Magnolia Brown Follow Magnolia Brown on Facebook (facebook.com/MagnoliaBrownJams) and Reverb Nation (ReverbNation.com/MagnoliaBrownJams)

Since we started our show in June of 2016, we've been lucky enough to be joined by many terrific co-hosts and guests. Each of them have added unique depth, color and dimension to what we do. But none of them is quite like Bronco Billy. His enthusiasm is unmatched. He style is his own. Some say he's loud. Others say he's over the top. One thing for sure, he loves his Dallas Cowboys and he couldn't help but join us when we discussed the matchup last fall between the Dallas Cowboys and Greenbay Packers in EP#22. Chris Braaten, one of the hosts of the More Gooder Than Podcast and a huge Packers fan was also witness to the audio tornado known as Bronco Billy. WE'RE SORRY. Thanks for listening. NOTE: This is a two part appearance that we hastily and poorly edited together. More Gooder Than Podcast http://www.mgtpodcast.com/ twitter.com/MGTpodcast www.facebook.com/Moregooderthan GravityBeard Podcast contactthebeard@gmail.com https://twitter.com/thegravitybeard https://www.facebook.com/gravitybeard/

En +QCine hemos hablado mucho de Clint Eastwood esta temporada. Llevamos cuatro programas dedicandolos a repasar su etapa como actor, y hemos realizado programas temáticos del Spaguetti Western, también de Harry el sucio entre otros. Ahora toca hablar de su etapa como Director,Productor, incluso como músico. Evidentemente en todas ellas aparece como actor principal. En el programa de hoy hablaremos de: Escalofrio en la noche; Infierno de Cobardes; Primavera en Otoño; Licencia para matar; El Fuera de la Ley; Ruta suicida; Bronco Billy; El Aventurero de Medianoche; Firefox; Impacto Subito. No te lo pierdas y escucha a Jose Luis Dana en LOS OLVIDADOS.

STEVE DORFFThere is no way to capture the diversity Steve displays scoring motion pictures, television, theater, or an array of # 1 hit songs, as well as Arranging and Producing records for many top artists. In addition to winning the NSAI Songwriter of the Year award, Dorff has also been honored with more than 40 BMI, and 11 Billboard #1 awards. His breakthrough came with legendary Clint Eastwood, beginning with "Every Which Way But Loose". This smash paved the way for compositions reflecting all musical genres, from contemporary sounds to haunting orchestral melodies. Three-time Grammy nominee and a fixture on the nation's charts, his dossier includes nine #1 film songs and 15 Top 10 hits, including the Kenny Rogers' classic "Through The Years", a BMI 3 million performance song, as well as "I Just Fall In Love Again ", the Anne Murray record that captured Billboard's #1 Song Of The Year honors. His many songs have been sung by Barbra Streisand, Celine Dion, Whitney Houston, George Strait and Vanessa Williams. Emmy Nominee for six television compositions include such standards as "Murphy Brown" and "Murder She Wrote", "Growing Pains", "Alien Nation", "Spenser: for Hire", "Major Dad", "Columbo", "Reba" and  "Rodney". His TV and cable movie credits include the Emmy nominated  "Elvis", "Rose Hill", the animated Christmas classic "Annabelle's Wish", "Babe Ruth", "The Quick and The Dead", "Moonshine Highway" and "The Defiant Ones". Dorff’s many movie songs and scores have been featured in "Bronco Billy", "Blast From The Past", "Rocky IV", "Pure Country", "Tin Cup", "Michael", "Dudley Do-Right", "Dancer, Texas", "The Last Boy Scout", "Curly Sue" and "Honky Tonk Man". Dorff’s has jumped into his first love, musical theater. He has two projects making their way to the stage: "Josephine" (The Josephine Baker Story) and "Pure Country" (The Musical).He continues to be ever present in today’s recording scene with new songs being released by Barbra Streisand, Blake Shelton, LeeAnn Womack, Bill Medley, Rodney Carrington, and scoring a new Motion Picture.

Como actor parco en palabras ha construido algunos de los personajes más icónicos del cine. Como creador incansable es uno de los últimos directores clásicos de Hollywood. Lleva 60 años trabajando delante y detrás de las cámaras y con cada película sigue forjando una de las trayectorias más sólidas de la Historia del Cine. Ha pasado de estrella internacional a reconocido cineasta, explorando caminos muy variados y sutilmente personales. Es un animal extraño que ha alcanzado un estatus legendario. Es un justiciero sin escrúpulos que compone bandas sonoras… Hoy, en el Extrarradio, nos visita el Hombre sin nombre, Harry el sucio, Bronco Billy o Frankie Dunn, gracias a la figura mítica y siempre genuina de Clint Eastwood.

We traveled to New Orleans back in 1980 to talk to Clint Eastwood, Ronnie Milsap, Merle Haggard, Scatman Crothers and other stars of Clint’s movie Bronco Billy. Here’s a one-hour version of what happened over two days. Click here to return to the Roy Leonard Audio Archive. For more about Roy Leonard, visit royleonard.com.

Legendary actor/director Clint Eastwood, winner of four Oscars and whose latest film “Hereafter” was named one of the best movies of 2010 by the National Board of Review, will be honored with a special tribute during this episode. Filmmaker David Worth, who was the director of photography on "Bronco Billy" and "Any Which Way You Can," discusses his experience working with Eastwood on those two movies. Plus film historian James Colt Harrison and Fausta Wertz, an Eastwood fan, also plan to join in this tribute to the iconic Hollywood star.

With national protocols in place for the Corona Virus COVID-19, many large events--including film festivals -- have been cancelled. Manny Pacheco laments with Celebrating Act 2™ founders, Art Kirsch and John Coleman, that there will not be a TCM Classic Film Fest this year. It's grown to be a large Hollywood celebration. They discuss other film festivals such as Cinecon and the Essanay Museum which was founded by "Bronco Billy" Anderson and employed most of the great silent film stars including, Ben Turpin, Charlie Chaplin and more.