1973 studio album by Buckingham Nicks (Stevie Nicks and Lindsey Buckingham)
POPULARITY
2 episodes with Buckingham Nicks
2 episodes with Buckingham Nicks
2 episodes with Buckingham Nicks
3 episodes with Buckingham Nicks
By 1975, Fleetwood Mac had already had many iterations and lineups. Started by veterans of John Mayall's Bluesbreakers, early Fleetwood Mac were a blues based band with limited success on the US Billboard chart. By 1975, they had lost their main singer, lead guitarist and main songwriter in Bob Welch and remaining members Christine McVie, John McVie and Mick Fleetwood were on the search for a spark. While working at Sunset Studios, they heard the debut album from a duo that was also a couple, Buckingham Nicks. Though at first they were interested in hiring on Lindsey Buckingham as their singer and guitarist, they soon found out that he would only join if they took his singer/songwriter girlfriend Stevie Nicks as well. The rest is pop/rock history as the 1975 product of the five piece, Fleetwood Mac, would go on to sell over 7 million copies in the US alone. Now with three lead singers/songwriters in the band, they could choose the best of the best for inclusion on the record. While the choices for singles didn't always make sense (Warm Ways was the 1st UK single, World Turning wasn't released as a single), the chemistry did and the world heard harmonies that were unknown before. While Christine McVie held her own with lilting love songs (Warm Ways, Over My Head, Say You Love Me), Lindsey Buckingham offered more upbeat rockers like Monday Morning and the brooding So Afraid. However, the real star in the making was Stevie Nicks who turned the album's and the band's fortunes with her all-time classic Rhiannon. It really introduced the world to Stevie Nicks and the power she possessed in her voice and songwriting. She also offered the sweet Landslide, another track on this album that would go on to be a rock radio staple and part of their live show. The success of Fleetwood Mac gave them the opportunity to release Rumours in 1977, an album that would sell over 40 million copies worldwide. But this album laid the groundwork for Rumours and all the future success for the band for the next 50 years. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
By 1975, Fleetwood Mac had already had many iterations and lineups. Started by veterans of John Mayall's Bluesbreakers, early Fleetwood Mac were a blues based band with limited success on the US Billboard chart. By 1975, they had lost their main singer, lead guitarist and main songwriter in Bob Welch and remaining members Christine McVie, John McVie and Mick Fleetwood were on the search for a spark. While working at Sunset Studios, they heard the debut album from a duo that was also a couple, Buckingham Nicks. Though at first they were interested in hiring on Lindsey Buckingham as their singer and guitarist, they soon found out that he would only join if they took his singer/songwriter girlfriend Stevie Nicks as well. The rest is pop/rock history as the 1975 product of the five piece, Fleetwood Mac, would go on to sell over 7 million copies in the US alone. Now with three lead singers/songwriters in the band, they could choose the best of the best for inclusion on the record. While the choices for singles didn't always make sense (Warm Ways was the 1st UK single, World Turning wasn't released as a single), the chemistry did and the world heard harmonies that were unknown before. While Christine McVie held her own with lilting love songs (Warm Ways, Over My Head, Say You Love Me), Lindsey Buckingham offered more upbeat rockers like Monday Morning and the brooding So Afraid. However, the real star in the making was Stevie Nicks who turned the album's and the band's fortunes with her all-time classic Rhiannon. It really introduced the world to Stevie Nicks and the power she possessed in her voice and songwriting. She also offered the sweet Landslide, another track on this album that would go on to be a rock radio staple and part of their live show. The success of Fleetwood Mac gave them the opportunity to release Rumours in 1977, an album that would sell over 40 million copies worldwide. But this album laid the groundwork for Rumours and all the future success for the band for the next 50 years. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
THE RECORD STORE with Lance LeVine is an enthralling podcast that captivates music enthusiasts with its insightful reviews and discussions. Lance LeVine delves into the mesmerizing world of music by dissecting and analyzing his album collection. Through Lance's articulate narration and keen observations, THE RECORD STORE transcends mere criticism to become a celebration of the power and beauty of music in all its forms. Check out our LINK OF ALL LINKS to watch the show and listen to our podcasts! https://linktr.ee/STSPOD Do you want these shows as soon as they are recorded? Join Patreon!! Subscribe now ! https://www.patreon.com/shootintheshiznit Vitality Chiropractic in Jonesboro and Newport, Arkansas, is a trusted haven for individuals seeking comprehensive chiropractic care. With a dedicated team of professionals, they prioritize spinal health and overall well-being. If you're looking for personalized and effective chiropractic services, reach out to them at (870) 523-2225 to experience their commitment to enhancing your health and vitality. Meal prep in Northeast Arkansas! 15% Off with our code STSPODCLUB at bare870.com. That's 15% off and use our code STSPODCLUB Go to bare870.com Trust Bare for your meal prep needs in Northeast Arkansas. Eat Better. Live Better. Paypal LINK ! https://py.pl/15aeX0 Link of all links: https://linktr.ee/STSPOD Search “Cool Kids Wrestling & MMA Talk” on Facebook to join us ! Search “Shooting The Shiznit” to LIKE the STSPOD FB page !! Follow Lance LeVine on Twitter: @chocolatierLL Sponsored by Spunklube is the perfect blend of water and silicone. It is an all purpose personal lubricant that can be used for any occasion. You will love the natural feeling and look of it. It is safe for sensitive skin. Go to spunklube DOT com and tell them shootin the shiznit sent you ! Follow them on Twitter @SpunkLube Have you used the UBER Eats app? If not, you can download it & get $7 off your first order by using this code: eats-briant24790ue Did you love this week's episode?? Was it worth a $1 ? $2? $100?? Donate to STS by using the Cash app and sending $$$$ to: $BTSTS In partnership with Championship Wrestling on CW30! Every Saturday at Noon on YouTube. Follow them on Twitter: @cw30wrestling Do you wanna be a pro wrestler ? Go to championshipwrestlingmemphis.com and apply for classes that start soon !! LIVE MEMPHIS WRESTLING: EVENTS: https://tinyurl.com/Upcoming-Live-Even
Andrew Bird, al costat de Madison Cunningham, ha repetit el que van fer l'any 73 Stevie Nicks i Lindsey Buckingham al disc "Buckingham Nicks". La nova versi
By 1990, exes Stevie Nicks and Lindsey Buckingham had both quit their band Fleetwood Mac. So there was no reason for them to interact anymore, right? …Wrong! It's never really over with Stevie and Lindsey. In this second part episode, we follow Buckingham Nicks through the ‘90s to now—including their iconic reunion during The Dance tour and *that* Silver Springs performance. Did something happen between them during The Dance? Are feelings still there even now? And why was Lindsey kicked out of the band in 2018? Let's find out… Clips Mentioned: Kiss on the head! May 1997 Silver Springs performance November 1997 Silver Springs performance ***** This is a teaser for a bonus episode. You can listen to it in full on Patreon! Significant Lovers is a true-love podcast about historic and celebrity couples. You can contact us at significantlovers@gmail.com and follow us on Instagram and TikTok @significantlovers. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for ‘fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Support this podcast: https://podcasters.spotify.com/pod/show/significantlovers/support
Dreams. Go Your Own Way. Silver Springs. Never Going Back Again. The Chain. Iconic songs from Fleetwood Mac's Rumours album chronicling the breakup between bandmates Stevie Nicks and Lindsey Buckingham. But there's way more to the story than these lyrics and guitar riffs. Stevie and Lindsey's passionate love-hate affair spans nearly five decades, starting way back in highschool. We take you through the first several decades of Stevie and Lindsey's relationship, through their Buckingham Nicks days to joining Fleetwood Mac, to both eventually quitting the band by the start of the ‘90s. Buckingham Nicks syllabus: As mentioned, Lindsey's ‘Trouble' music video 1982 Performance of Go Your Own Way, watch at 2:23 1982 The Chain performance, watch at 2:30 1990 Landslide ***** Significant Lovers is a true-love podcast about historic and celebrity couples. You can contact us at significantlovers@gmail.com and follow us on Instagram and TikTok @significantlovers. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for ‘fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Support this podcast: https://podcasters.spotify.com/pod/show/significantlovers/support
In 1973, before their ascent to rock superstardom with Fleetwood Mac, Lindsey Buckingham and Stevie Nicks were just two young lovers making music in Los Angeles. Their debut album, Buckingham Nicks, though commercially unsuccessful at the time, would prove to be the catalyst that changed their lives. When Mick Fleetwood happened to walk into Sound City Studios and overheard Buckingham's masterful guitar work, he knew he'd found what his band desperately needed given the departure of their guitarist Peter Green. Fleetwood invited Buckingham to join the group, and Buckingham agreed on one condition: his musical and romantic partner, Stevie Nicks, would come too. This fateful meeting would birth the legendary lineup that created Fleetwood Mac and Rumours, albums that would define a generation. Yet all this time, the band's origin story, captured in Buckingham Nicks, has remained locked away in aging vinyl archives – until now. Grammy-winning guitarist Madison Cunningham and virtuoso multi-instrumentalist Andrew Bird have breathed new life into this historic recording with their interpretation, Cunningham Bird. Cunningham, celebrated for her sophisticated fingerpicking and intricate compositions, joins forces with Bird, whose distinctive violin work and plaintive vocals have earned him critical acclaim. Their reimagining of this pivotal album offers fresh insight into both Fleetwood Mac's enduring influence and the rocky romance that sparked their success. I sat down with the duo to discuss their approach to this legendary material and what drew them to resurrect these long-lost songs. Switched On Pop spoke with Madison Cunningham and Andrew Bird about how they adapted Buckingham Nicks into Cunningham Bird Learn more about your ad choices. Visit podcastchoices.com/adchoices
Andrew Bird has been on a quest for meaning in sound since childhood, starting with the violin at age four and earning a degree in violin performance from Northwestern University. His journey has taken him from classical and folk roots to the vibrant Chicago swing scene, to creative isolation in a barn in Western Illinois, and eventually to become a gendre defying artist and composer with a unique voice. Andrew's lyrics are both confessional and impressionist, often leading listeners on a journey through evocative imagery. With just a looping pedal, he reinvented his sound, blending classical, folk, and indie rock and crafted a distinct sonic landscape that defines his music today. After nearly three decades and 20 albums, Andrew continues to evolve. His latest release, Sunday Morning Put On, pays tribute to jazz standards while maintaining his signature sound. He describes it as a “sabbatical” project, giving him space to reflect and create without pressure. Just recently, he released Cunningham Bird, a tribute to the classic Buckingham Nicks album. Here he shares insights about his early days, the isolation that shaped him, songwriting as a form of “speaking in tongues”and the lessons learned from performing standards. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story
Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sweet Dreams (Are Made of This) by Eurythmics (1983)Song 1: Marquee Moon by Television (1977)Song 2: Taking Water by Billy Strings (2019)Song 3: Skate or Die by Teenage Bottlerocket (2009)Song 4: I Was Born to Love You by Queen (1995)Song 5: Kick, Push by Lupe Fiasco (2006)Song 6: Without a Leg to Stand On by Buckingham Nicks (1973)Song 7: Walk of Life by Dire Straits (1985)Song 8: Everything is Embarrassing by Sky Ferreira (2012)Song 9: Another Op'nin, Another Show by Annabelle Hill & Kiss Me, Kate Cast (1949)Song 10: Say You Won't Let Go by James Arthur (2016)
Lindsey Buckingham cumple hoy 75 años. Lo celebramos escuchando canciones suyas en solitario, con Fleetwood Mac, con Stevie Nicks y con Christine McVie. DISCO 1 LINDSEY BUCKINGHAM Instal Intro + Don’t Look Down (OUT OF THE CRADDLE)DISCO 2 FLEETWOOD MAC Go Your Own Way (RUMORS)DISCO 3 FLEETWOOD MAC Never Going Back Again (RUMORS)DISCO 4 BUCKINGHAM NICKS Don’t Let Mew Down AgainDISCO 5 FLEETWOOD MAC Oh Diane (FLEETWOOD MAC 50 YEARS)DISCO 6 FLEETWOOD MAC Family Man (TANGO IN THE NIGHT)DISCO 7 FLEETWOOD MAC Big Love (THE DANCE)DISCO 8 LINDSEY BUCKINGHAM Trouble (SOLO ANTHOLOGY)DISCO 9 LINDSEY BUCKINGHAM Soul Drifter (OUT OF THE CRADDLE)DISCO 10 LINDSEY BUCKINGHAM Under The Skin (UNDER THE SKIN)DISCO 11 LINDSEY BUCKINGHAM Did You Miss Me (GIFT OF SCREWS)DISCO 12 LINDSEY BUCKINGHAM Seeds We Sow (SEEDS WE SOW)DISCO 13 LINDSEY BUCKINGHAM & CHRISTINE McVIE In My WorldDISCO 14 FLEETWOOD MAC Bleed To Love Her (THE DANCE)Escuchar audio
John and Scotto return to Fleetwood Mac to review one of their pre-Buckingham Nicks albums, Then Play On. Stream Downloadhttp://www.podtrac.com/pts/redirect.mp3/archive.org/download/thehearingfleetwoodmac2/thehearingfleetwoodmac2.mp3 Then Play On on Spotifyhttps://open.spotify.com/album/4Ji83LjzvEzFoCpN85m5lW?si=WCPNZ5XlT1ScZiuO2gR3YAThen Play On on YouTubehttps://www.youtube.com/playlist?list=OLAK5uy_kBQKTXtfFJ9O53m9W8njYkoXrFMCVh94Q John’s music on YouTubehttps://www.youtube.com/johnhmaloneyJohn’s music on Bandcamphttps://johnhmaloney.bandcamp.com/John’s music on Spotifyhttps://open.spotify.com/artist/74nsH2oiAAgU5DsiKyFiCp?si=BSYyUuw1Sj-C0SSBhvFf4A PlaylistsJohn’s Best of The Hearing Playlisthttps://open.spotify.com/playlist/6hWWxJqHZNu0MY6kS35dRlScotto’s Best of The Hearing Playlisthttps://open.spotify.com/user/1232945495/playlist/2DHpKN5k4T7M7nDFl9aXaeThe Playlist of Unoriginalityhttps://open.spotify.com/user/1232945495/playlist/4nVqHVlBVgSVass55VwPxM
Oooo-aaaaaaaaaaah I wanna rank with you everywhere! Chris and Nikki continue their discussion of Fleetwood Mac's discography from the majestic Tango in the Night, to the disappointment of Behind the Mask, swiftly swimming over the murky depths of Time and ending with the pleasantly surprising Say You Will! Stick around for 'A Beatles Wig and a Ukelele', where they will each choose their top 5 songs from transatlantic bands. Let us know if we missed any! --- Send in a voice message: https://podcasters.spotify.com/pod/show/blackbandtshirt/message
OH BOY. Ridiculously, this is the 50th full episode of the Black Band T-Shirt podcast... so we had to do something big! Join Chris and Nikki as they rank and discuss the 8 albums of what we're calling the Buckingham and Nicks era of Fleetwood Mac, from 1975's self titled album through all the highs and lows to 2003's Say You Will. Part one is a slightly epic affair due to a Fleetwood Mac obsessive being given the chance to talk about two of the greatest albums ever made... sorry about that! --- Send in a voice message: https://podcasters.spotify.com/pod/show/blackbandtshirt/message
Stevie Nicks presented her own barbie doll on tour last month, and it's been sold out since! I made a top 10 showcasing her musicality in Fleetwood Mac, solo work, and biography. Theme Song: "Dance Track", composed by Jessica Ann CatenaStevie Nicks Top 10 playlist:10. “Silver Springs” - Fleetwood Mac (1976, 1997)9. “Crystal” - Fleetwood Mac (1975, 1998)Buckingham Nicks' 1973Practical Magic's "Crystal" (1998) clips: spell, ending8. “Rhiannon” - Fleetwood Mac (1975)Amerian Horror Story: Coven clips: "Rhiannon", "Has Anyone Written for You Lately?", "Seven Wonders" 7. “Stand Back” (1983)6. “Gypsy” - Fleetwood Mac (1982)American Horror Story: Apocalypse5. “Sara” - Fleetwood Mac (1979)4. “Stop Draggin' My Heart Around” - & Tom Petty (1981)3. “Dreams” - Fleetwood Mac (1976)Glee clip, single - Kristen Chenoweth & Matthew Morrison (2010)Viral videos: Nathan Apodaca, Mick Fleetwood, Stevie Nicks, Lindsey Buckingham2. “Edge of Seventeen” (1981)"Bootyliclious" - Destiny's Child (2000)"Edge of Midnight" - Miley Cyrus feat. Stevie Nicks (2020)1. “Landslide” - Fleetwood Mac (1975, 1997)VH1 Storytellers"Landslide" (2002) - The (Dixie) ChicksVH1 Divas 2002 - The (Dixie) Chicks & Stevie NicksRelated Episodes:Ep. 53 - Fleetwood Mac's "Dreams" - HistoryEp. 61 - John Lennon Tribute InterviewsEp. 65 - Top 40 Songs of 2020 (Part 2)Ep. 91 - MTV's Music Impact - 40thEp. 107 - 13 Halloweenish SongsEp. 133 - Miranda Lambert DiscographyEp. 144 - Yacht Rock - Boat SongsEp. 161 - Weird Al Top 10 ParodiesEp. 165 - Christine McVie Top 10Ep. 203 - Barbie: The AlbumsEp. 210 - Darius Rucker Top 10
iotboy Productions presents Phonogenics 101 - the podcast where people who love music discuss albums track by track.In the era of the digital single it's important to remember the artistry of the LP. During our Phonogenics 101 discussions we take an album we love and discuss it in detail, track by track. Phonogenics is hosted by Tampa performer/songwriter Jeremy Gloff. Thank you to my Patreon subscribers for making this possible. Please consider supporting this project at www.patreon.com/jeremygloff - even a couple bucks a month is awesome!Support the show
Het is deze week precies 50 jaar geleden dat het album Buckingham Nicks uitkwam. Dat album was de reden om het stel, Lindsey Buckingham en Stevie Nicks, uit te nodigen lid te worden van de dan kwakkelende band Fleetwood Mac. Het bleek een gouden greep.
Fleetwood Mac [01:08] "I Don't Want to Know" Rumours Warner Bros. Records BSK 3010 1977 Funny how the classic rock radio format ruined so much music for me through it's incessant repetition of what it deemed classic, and yet I still thoroughly enjoy Rumours. A fun little number originally from the Buckingham Nicks days. Deerhoof [04:22] "Twin Killers" The Runners Four Children of the Hoof #1 2006 Maybe it's my Gemini nature (certainly not my killer nature) that draws me to this song. Arlo Guthrie [06:41] "Coming in to Los Angeles" Running Down the Road Reprise Records RS 6346 1969 Some solid country rock on this sophomore album from Woody's son. Support musicians include Clarence White, Ry Cooder, Gene Parsons, James Burton, Chris Ethridge and Jim Gordon. Ah the joys of travelling while holding. Neil Young & Crazy Horse [10:48] "Pocahontas" Rust Never Sleeps Reprise Records HS 2295 1979 Neil, I can probably tell you how she felt. The Rutles [14:10] "Cheese and Onions" The Rutles Warner Bros. Records HS 3151 1978 Yes indeed, the Prefab Four: Ron, Dirk, Stig, and Barry (https://youtu.be/sEwySvgfwLE). While my favorite Rutles song is "I Must Be in Love (https://youtu.be/54KBPA20b9Q)", "Cheese and Onions runs a close second, thank in no small part to the Galaxie 500 cover (https://youtu.be/pAzdSeAwKpg) of that song. Boston Pops/Arthur Fiedler w. Hugh Downs, Narrator [16:51] "Britten: The Young Person's Guide to the Orchestra, Op. 34 (Theme)" Carnival Of The Animals / The Young Person's Guide To The Orchestra, Op. 34 RCA Victor Red Seal LSC-2596 1964 Benjamin Britten's helpful introduction to the orchestra, interestingly used for an documentary film: Intstruments of the Orchestra (https://youtu.be/vkwgihr1hMM) from 1946. The Philadelphia Orchestra [21:26] "Saint-Saëns: Symphony No. 3 In C Minor, Op. 78 ("Organ Symphony") - Allegro Moderato; Presto; Maestoso" Saint-Saëns: Symphony No. 3 In C Minor, Op. 78 Columbia Masterworks MS 6469 1963 Hopefully you used your recently refreshed knowledge to listen to this piece, with the addition of ORGAN! Lou Reed [36:36] "Sally Can't Dance" Sally Can't Dance RCA CPL1-0611 1974 Another vivid Manhattan story from Lou's best chart performing album. Neko Case with the Pine Valley Cosmonauts [40:43] "Right or Wrong" Salute the Majesty of Bob Wills - The King of the Western Bloodshot Records BS 029 1998 A fine assortment of late-90s Bloodshot Records luminaries headed by Jon Langford give Neko Case a hand on this jazz standard that Bob Wills turned into a Western Swing classic. The Clash [43:57] "The Magnificent Seven" Sandinista! Epic FSLN 1 1980 Track one, side one from this 3 record release from The Clash. It features a pretty dope bass groove performed by the Blockheads' Norman Watt-Roy. Sarah Vaughan [49:29] "Just Squeeze Me" Sarah + 2 Roulette SR 52118 1965 The plus two being Joe Comfort on bass and Barney Kessel on guitar. A fine rendition of this Ellington standard. Music behind the DJ: "Love Grows Where My Rosemary Goes" by Terry Baxter and his Orchestra
In 1973 Lindsey Buckingham and Stevie Nicks released their debut album with Buckingham Nicks, with it started one of the longest-running, tumultuous relationships in music history. Join us as we sit down with singer/songwriter Tennessee Tuckness and dissect this six-decade, long relationship the good, bad, and the ugly with the album that started it all with Buckingham Nicks.
What's your most loved and least favorite song on Fleetwood Mac's album Rumours?! For our third request episode, Dan's teenage nephew Esher suggested the 1977 classic and it won our public election. This second season finale turned out as epic as the album itself, with several rankings the likes of which we've never seen in our 30 episodes. Lots of fun facts and opinions and tales about the album producer getting you fired from the hosts plus the nominator nephew himself and Mara Kuge of the long-running Los Angeles AM Gold party Soft Rock Sundays. Listen at WeWillRankYouPod.com, Apple, Spotify and your local second hand newsstand. Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod . SPOILERS/FILE UNDER:Alcohol, Beyond Yacht Rock, Big Love, breakups, Lindsey Buckingham, Buckingham/Nicks, Irene Cara, Rio Caraeff, The Chain, classic rock, clavinet, Clinton inaugural ball, Crunch Media, dobro, Dogg Face, Don't Look Down, Don't Stop, Dreams, drugs, Janice Engel, Esher, Chris Farley, Mick Fleetwood, Fleetwood Mac, Go Your Own Way, Going Home documentary, Gold Dust Woman, harmonies, Hole, I Don't Want to Know, Jellyfish, Mara Kuge, Led Zeppelin, Lola (My Love), Christine McVie, John McVie, the Move, Never Going Back Again, Stevie Nicks, Oh Daddy, Pixies, request episode, Rhiannon, Rumours, season finale, Second Hand News, soft rock, Soft Rock Sunday, Songbird, Whenever I Call You Friend, yacht rock, Yachtski scale, You Make Loving Fun, Zellerbach Hall, 1977 US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/user/dancecarbuzz (Dan's playlists)
WARNING: This episode contains discussion of drugs and addiction. Listener discretion is advised. If you or anyone you know is battling a drug addiction and would like to get help, call American Addiction Center Hotline 1-800-662-HELP. "DO YOU ALWAYS TRUST YOUR FIRST INITIAL FEELING?"... The patrons have spoken! YOU GUYS picked April's hot topic in our Patron-only poll and that topic is our favorite witchy songstress and lady from the mountains STEVIE MCFUDGIN' NICKS! If you are a Practical Magic movie fan, then you may know Stevie's songs "Crystal" and "If You Ever Did Believe", two tracks which both have a home on the major motion picture soundtrack. In this episode we're gonna deep dive on the origins of these songs and the stories behind them. Using the framework of the biography GOLD DUST WOMAN written by Stephen Davis, as well as various other sources and interviews, we will take you on a journey through Stevie's life from the time she was a child, to her early days in Fritz, Buckingham Nicks, Fleetwood Mac, all the way up to her successful solo career as the reigning White Witch of Rock Music that we know and love today! She has become a legend in her own rite! Although Stevie has denied "rumors" of being a WITCH over her extensive career, real practicing witches have adopted her as their SUPREME, or at the very least, Pop Pantheon! We'll chat about the mystical presence she possesses that has us all dreaming of being initiated into her "Sisters of the Moon" club. The Stinas also daydream about a Stevie collab and reminisce on how her music has become engrained into their own lives throughout the years. In this beast of an episode, we go down the rabbit hole and bring you 3.5 hours of Stevie Nicks content! TOPIC MAP: (00:00) Intro (51:17) Stevie's Life Overview (01:45:45) Stevie in Practical Magic (02:05:44) Stevie's Whimsigoth Image (02:22:26) Stevie and Witch Craft (02:55:17) Tributes and Events (03:06:33) DocuFilms (03:10:33) Stevie in Pop Culture Recorded: 4/1/23 SOCIALS: Patreon Instagram Kristina's Instagram Justina's Instagram Voice Message HERO SOURCES WHERE TO FIND THE BOOKS AND MOVIE DISCLAIMER The Magnolia Street Podcast intends to discuss the movie, “Practical Magic” in its entirety. This will evidently result in spoilers and it is recommended that you watch and or read the following. Alice Hoffman's: Practical Magic, Rules of Magic, Magic Lessons, Book of Magic. The Magnolia Street Podcast is for entertainment and informational purposes and should not be used as a substitute for professional or medical advice. Do not attempt any of the discussed actions, solutions, or remedies without first consulting a qualified professional. It should be noted that we are not medical professionals and therefore we are not responsible or liable for any injuries or illnesses resulting from the use of any information on our website or in our media. The Magnolia Street Podcast presenters, Kristina Babich and Justina Carubia are passionate fans of Alice Hoffman's work and the Practical Magic word she has created. There is no copyright infringement intended, all characters and story lines are that of Alice Hoffman. We do not own any of that material as well as any of the move score music shared within the podcast. All intellectual property rights concerning personally written music and or shared art are vested in Magnolia Street Podcast. Copying, distributing and any other use of these materials is not permitted without the written permission from Kristina Babich and Justina Carubia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/magnoliastreetpodcast/message
Stop the presses! This lady is the real deal. She has been there, and done that … and nowempowers people to make the shift, work through the messy stage of transformation, and definewhat success and legacy mean to them. Jennie Bellinger drops secrets and tips from her lifetimeof learning moments you will not want to miss! She draws parallels between her private life andthe business world leading to the conclusion that communication is KEY for effective, safeconsent. It is her mission to empower rockstar direct sales moms to be leaders at home and inbusiness; to achieve top performance faster and with less pain. Push past it, and rise up.Jennie's Favourite album: Buckingham Nicks by Lindsey Buckingham and Stevie Nicks (preFleetwood Mac)Website: https://badassdirectsalesmastery.com/Website: https://levelupcoachllc.com/Facebook: https://www.facebook.com/jbellingerPLInstagram: https://www.instagram.com/thedirectsalesdomme/LinkedIn: https://www.linkedin.com/in/badassdirectsalesmastery/Contact: jennie@levelupcoachllc.com
[Transcript included at the end of these show notes] Fleetwood Mac's "Everywhere" is one of the greatest pop songs ever. Although forged in tumultuous times, "Everywhere" sounds like it comes straight from heaven. Thanks for spending your time with us! Follows, ratings, and recommendations are always appreciated! Helpful links mentioned in the episode: Our mixtape The demo That awful video You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript (easier to read on our website) Bill: [0:07] Let me set the stage for you, Frank. It's 2011. Frank: [0:11] Okay, like now or then? Gotcha. Bill: [0:13] Then, so bring yourself back to 2011. Frank: [0:19] 34 years old? Oh, what was I doing? Bill: [0:23] I know what I was doing. Frank: [0:25] Oh, yeah, that's right. Bill: [0:26] I was pining. So it's somewhere in March and I'm wondering if things are going to work out with me and, Ashley because we're not back together yet. It's been this seven year stretch and things look like they're promising but there are no kind of guarantees. Frank: [0:44] Yeah. Bill: [0:52] She's actually living in France. dating somebody else. Frank: [0:58] So there's a lot of obstacles stacked up against you. Bill: [1:03] Yeah, I got some, I got a bit of faith. [1:09] And that's, that's what I had going for me. Gumption. Frank: [1:12] Yeah engumption yes. Bill: [1:16] Yeah, that's right. I had gumption. So it's my like week off from school and our great friend of the podcast, our mentor, Chris Newkirk, says to me, hey, I got to go back to the States. Do you want to drive with me? I got to go for the week. It's your holiday. Why don't we drive down and you can do we road trip it? Frank: [1:38] And just road trip it. Yeah, nice. Bill: [1:40] So I went with on this road trip with Chris Newkirk. And at one point we're doing a drive from New Jersey to Pennsylvania. And he said, you know what? I have an iPod. He had an actual one of those old iPods, not even a phone, just iPod full of music. Frank: [1:58] Yeah, yeah, yeah. I had one of those up until about two years ago when it was stolen out of my car. Bill: [1:59] Because when we play a game. [2:03] That's right. Frank: [2:04] Just so you know. Bill: [2:05] Yeah, that's right. No, of course not. So he said, why don't we play three songs each? Frank: [2:06] It's not that old. It's not that uncommon, Bill. Bill: [2:11] You pick three songs and you could set it up in queue and then he'd pick three songs in queue and so that would be our way to kind of get things moving on our journey. And so I'm looking through his music which of course is way cooler than mine so I'm like I don't know this Smith song, I don't know this Pure song. So I'm desperately trying to find a song that I could put on also to impress him because we're always kind of trying to impress him. And then I see this song, Fleetwood Max everywhere. And I think to myself, oh, I remember this song. I was a kid, I loved this song. So I put it on the queue and then those opening notes come out or what would we call it? Opening beats. Frank: [2:55] Notes. I think you were right the first time. Bill: [2:56] Notes. Notes. I think you were right the first time. Okay. And suddenly everything is right in the world. And I say to him, everything about this song, is what makes life beautiful, something like that. I had this like profound moment that everything is gonna be okay. This is the most joy I have felt. And suddenly when I heard this song, it brought back feelings of being a kid and full of wonder. And it brought back sort of memories of just straight up hopefulness. And then I knew things would be okay. And so within the week, things are looking good. I'm engaged to Ashley by June, we're married. And then flash forward 11 years later, you're sitting amongst a ton of toys and blocks. And I apologize, there was a diaper right at your feet. We couldn't figure out why this place smelled like sewage. My apologies, but this is the life. This is everywhere to me. Frank: [3:57] In your defense, you didn't smell it because you're nose-blind. But no, this is a good place to be, and I'm glad that we can do this podcast everywhere. Bill: [4:12] Christine McVie just passed away recently. So people have been commenting on social media and in the news about how she really was. Frank: [4:14] Yeah, yeah. Bill: [4:24] One of the great songwriters of the past 40 years in a sense. And with Fleetwood Mac, we love to talk about, the Buckingham Knicks thing, the kind of craziness surrounding their albums, but she was the sort of steady hand in terms of making consistently great songs. Frank: [4:44] Yeah, so after her passing, I found I was listening to the radio and they did this little thing talking about Christine McVie and how she joined the band. So I don't know if you if you heard this necessarily. So she she's married to the bass player John McVie, but she has her own solo thing going on. But the tensions of like, two artists, you know, separately on the road doing different things. She kind of took a backseat and decided like, you know, I'm gonna give up my solo career and, I'm gonna be a wife. I'm gonna try and like that this marriage is too important like I'm gonna make the sacrifice and and just like I'll give up music as my career and, Then I can't remember which album it was but they're in this cabin and they're, No, no, sorry. It was it was for a tour, tour. They're in this cabin and they're just kind of rehearsing and performing and all this. And she's sitting there just on the sidelines. She knows all the songs because she's been with the band for as long as they've been together at this cabin rehearsing, getting ready for this tour. And then at the last minute, it was just like, hey, do you want, Wanna just join the band? Bill: [5:58] And so that's 1970. She joins Fleetwood back in 1970. By 1971, she's writing and singing in Fleetwood Mac. And she stays right through, you know, you have Buckingham Nicks joining, right through this album, Tango in the Night. And then there was still behind the mask and time, albums in the 90s, she was still there. And still writing actually pretty good music for albums that were not strong. She still was the sort of steady hand. And then she was there for the reunion, retired, but then came back around, I think it was around 2014 or something like that. So she's back in the band and still playing up until recently. And so she's had an incredible career, and still released a pretty good album with Lindsay Buckingham a few years ago called Christine McVee, Lindsay Buckingham, although Buckingham McVee would have sounded way cooler. Frank: [6:52] Yeah, a little bit on the nose with the title of the album, right? Yeah. But yeah, to say that Fleetwood Mac's history of personality is tumultuous, I think is a slight understatement. Bill: [7:05] Oh my goodness. So, I mean, I dove deep for the last few days into the history of Fleetwood Mac and you can find it. You can find all these stories and it is a tale of massive excess. It's just insane. All the things I was warned about with heavy metal groups, I didn't realize Fleetwood Mac was way, oh man, it is insane. It's just insane. Just reading about the amount of drugs consumed and the amount of money spent and wasted is crazy. So we all know that, or if you don't know that, you can just look into it. so we won't dive into it. Frank: [7:44] Yeah, just just Google Fleetwood Mac Gong show and then it's something you'll get the whole history. Bill: [7:51] So Tango in the Night, which is this album, this was originally supposed to be Lindsey Buckingham's third solo album. He's working on it. He has three songs that are decent songs, Big Love, Caroline, and I think maybe Tango in the Night. I think that those are three songs he's already working on. And they ask him to come back and do a Fleetwood Mac album. So this is, I think, the record company. So his solo career is not taking off like Stevie Nicks and Christine McVie had a great album in the eighties. You really got a hold on me. Do you remember that song? Frank: [8:29] Oh, yeah, yeah, yeah, big. Bill: [8:30] So good. So good. She's just so steady. And Lindsay Buckingham, I think might have produced it. Either way, Buckingham's just like, okay, I'll put my solo aspirations on hold for the sake of the band. And because he's Lindsay Buckingham, He just can't go in there and play his music. He needs to kind of take over. So whoever was producing, they just ended up saying, okay, why don't you leave? Lindsay Buckingham, Richard Dashett will come in. They're gonna produce. And so there's these stories about it. And basically it's just super depressing, how much work they put in. They put in 18 months of nonstop work. It's insane. And Lindsay Buckingham is a perfectionist, but he's also experimenting with some synthesizers. the Fairlight program we've talked about, he's experimenting with that. He's doing so much. And so every song he'd spend weeks and weeks and weeks on. [9:27] So let's head into the backstory. They ended up recording at his house a lot of the time. And that wasn't good for Stevie Nicks, who was coming out of, who just came out of rehab, she wouldn't have gone in during it. And going to her ex-boyfriend's house to record didn't make her feel well. And he's, I don't think he has like a great bedside manner anyways, Mick Fleetwood and the others ended up renting an RV and stationing it in the driveway so they could go out of his house and do whatever it is they're doing. Like it sounded just like a mess. Often they would talk about how you have the sixties and they're doing all the experimenting. And then the seventies is a lot of cocaine. And the eighties, the drugs aren't working and that cocaine's now controlling the people more than they're using it to make their music. And this is what's going on. Like it's just a mess. And Buckingham talks about how they're all at their worst point when they're recording this album. I don't know much about Christine McVie in terms of this, but she brought these songs that are wonderful to this album. Frank: [10:33] She wrote some great songs for the album. Like there's this song in Little Lies, which is... Bill: [10:38] Which are the two greatest songs on the album to me. Frank: [10:40] Yeah, yeah, yeah. Absolutely there. Bill: [10:43] The amazing thing is her two songs that she brought, Little Lies and Everywhere are the third and fourth singles. You'd think they would be the lead singles. So, yeah. So the first two singles are Big Love and Seven Wonders, which are good. Frank: [10:49] They're so good. [10:51] Yeah. Well, I know, right? They're so good. Bill: [10:59] It's just so weird. whole time is weird because they those songs didn't stand the test of time in In terms of us, I like them. I like them all. I really like this album. Frank: [11:07] Well, in the context of those songs, like I don't or barely remember them. But Little Eyes and Everywhere, yeah, in a heartbeat. say Everywhere Fleetwood Mac? Yeah, I know exactly the song you're talking about and I know that it's awesome. Same with Little Lies. Bill: [11:24] Yeah. So whatever went on in production, they don't have like an interview where they talk about this. But there's a demo, which wasn't released on the deluxe edition, but I found it on YouTube. Frank: [11:30] Yeah. Bill: [11:37] So I'm assuming the demo was done by Buckingham and McVie. She brings it. He does some things to, it, but he hasn't done the full Buckingham to it. So I'm gonna play this for you. He hasn't bucking. Frank: [11:49] Yeah. He hasn't Buckinghammed it. Bill: [11:51] Their new verb. Okay. I'm going to play a little bit of it for you. So you can hear the beginnings of it, but it doesn't have that special quality. Frank: [12:02] It's really quite raw. It's missing a lot of the final touches, but you can feel hints of them. So when we played this song, it sounds magical. It sounds like a fantasy. Bill: [12:15] Yeah. Well, this is it. This is why the song is so perfect. is it creates this sort of fairy-like world where people, you can almost just see fireflies around you while the song is going on. So Richard Dashett, who is the co-producer, by co-producer, he was the encourager of Buckingham. Like he's really good about this when he talks about it. He said, I know my role. There's gonna be, Buckingham is the guy. So I'm there to support him and to kind of listen and do it. He said that the beginning that we always talk about is a half speed acoustic guitar and an electric guitar combined. And then, yeah, McV said, Buckingham slowed the tape down really slowly. So they did this all over the album, slows it down and played the part slowly. Then when it came to the right speed, it sounded bloody amazing. So whatever he was doing, he was playing with both acoustic and electric over top of each other and altering the speeds. Frank: [13:10] Mm-hmm. Yeah, okay. Yeah. Bill: [13:12] And so he does this actually with like voices too. Sometimes he uses his voice to become a female voice. Yeah, there's all these things going on. So even the voices in this song, I'm not sure who they are. And so, but apparently it is Stevie Nicks because she got into a big fight with him because she thought that he took her vocals off of this song. Stevie Nicks only showed up for two weeks to do any recording of this 18 month process. So just to put that out there, so Stevie Nicks is kind of to say the least. Frank: [13:36] Oh, tumultuous. Bill: [13:42] But anyways, we got everywhere out of this time and everywhere is perfect. Frank: [13:47] Yeah, yeah if it took 18 months to get everywhere I'm okay with that. Bill: [13:52] All right, so the opener, we got that already down. This is magical, this is perfect. Frank: [13:57] Yeah, because it's a song about those first sort of throws of being in love. Bill: [13:58] And so this is one of those things where the lyrics, they're just pretty straightforward, which she does well, but she also is able to kind of take in these sort of, the emotions of love. And she's really good at singing about this feeling in love. Frank: [14:20] And that really giddy sort of euphoric feeling you feel. And it's childlike and fun and everything's great and fantastic and the world could be crumbling around you but you're in love. So you're smiling and you're happy. Bill: [14:35] And what she say here, she says, Can you hear me calling out your name? You know that I'm falling and I don't know what to say. I'll speak a little louder. I'll even shout. You know that I'm proud and I can't get the words out. So, okay. Basically, when you're feeling this, everything seems right to say, or you have nothing to say. That sound makes sense? I'm trying to find the words myself and I can't find them. Frank: [14:59] Yeah. I can't mark. Just going through those lyrics. But like I immediately went back. There's that scene in Anchorman when Ron Burgundy is falling in love. It's like, I'm in love with Veronica Corningstone and I don't care who knows it. It's just like, did I say that loudly? It's like, yeah, Ron, you pretty much shouted it. That's that feeling, right? Like you don't care who knows. Yeah. Bill: [15:20] I think that does speak of my 2011. Like I was just so, it just set everything in motion. And then it leads to that chorus with all those voices. Frank: [15:30] Yeah. [15:31] And it's layered, right? Bill: [15:32] Yeah. Frank: [15:34] And it's soft and it's not saying a whole lot. It's just repeating the same line twice, but it's so effective and you can feel it. Bill: [15:47] I can't say this enough about how his instincts as a producer are right on the money. So he'll make his songs kind of complicated or difficult at times to listen to. They're not that difficult, but he knows that there is this sort of pure beauty to what she's doing. And he just highlights it and adds to it and does creative things, but they're all about this dreamlike feel, which he does in Little Eyes as well. It's just so incredible. And I don't know how many times he's layering voices what he's doing but I can guess just from the sounds of it. It's so pleasing to our ears but, it might have been a month of a nightmare for these other co-producers and engineers who are, just watching him. That's right the one producer used the following two words to describe the. Frank: [16:34] If they have to suffer for my pleasure, I'm okay with that. Bill: [16:41] Experience trauma. Still thank you it was worth it. The only other verse really because then they. Frank: [16:44] Yeah, exactly. Yeah. Bill: [16:52] Start repeating things but something's happening, happening to me, my friend's saying I'm acting peculiarly. Come on baby. Did I say peculiarly right? Sure. Okay. I'm gonna say yes. Come on baby. Frank: [17:02] Line, the Pekirulu. Bill: [17:06] We better make a start. You better make it soon before you break my heart. Frank: [17:10] That you said, Pekirulu, that's a good one. Bill: [17:16] Yeah. Frank: [17:17] That P word that you said, peculiar. Oh my goodness. Bill: [17:22] Peq- Oh, how did she say it? Peq-ular-ly. Yeah. Frank: [17:25] Yeah, yeah. But it's, my friends have me saying, I'm acting this way. And that's like, when you're kind of, again, giddy in love. I feel like I should write a song called Giddy in Love. It'll be like the spiritual sister to Crazy in Love by Beyonce. Anyways, when you're giddy in love, yeah, you're acting a little bit different. Like, you know, you're happy, you're bouncy, you're kind of doing goofy things, I find. Like, I know that's the way I've been, like when I'm kind of really into someone and they're into me and things are going good, before everything just falls apart. Bill: [18:07] Yeah, then it's a different song. I think that song you're looking for is Nowhere. Frank: [18:11] Yeah. That song's like every other song we've done on the podcast. Bill: [18:18] That's right. [18:19] This is a brief moment of levity. Frank: [18:20] I know, right? Yeah, so, you know, we'll do a breakup song again pretty quick, I'm sure. Bill: [18:21] I know. Thank you for bringing it back down. [18:26] Oh yeah, no question. She did co-write this with Jonas David Kroeper. I'm giving his full name just because it's on my songwriting sheet here. but that was her husband at the time. So this is about their love and their early love, so much joy and... Frank: [18:41] Yeah, yeah, he was he was also a keyboard player, right? Bill: [18:44] Okay, well then that, maybe that explains... Frank: [18:46] Because I think they married shortly after the recording of this album. Bill: [18:50] Okay, right, so they're already in this sort of love. Frank: [18:52] Yeah, this this giddy stage. Bill: [18:54] She has a tendency to do that with certain songs. By tendency, I mean she wrote one other song like that. So rumors she wrote, you make love and fun, which was about her affair or relationship, with the lighting guy in Fleetwood Mac. But she told John McVie it was about her dog so that he wouldn't get suspicious or angry. Oh man, so everywhere it was not about her dog. This is about this happy new relationship, and this marriage that was coming. The power beyond those lyrics, of course, is just the sounds. It's what Buckingham is doing with those sounds. Frank: [19:31] I read a quote saying that it's a bulletproof pop song, which I will not disagree with. The song's, what, 87 it came out, so we're 36 years after this song comes out, and it still plays, and it's still bouncy and fun and poppy and great. It's not contemporary to in 2022, but it still plays. Bill: [19:55] It not only still plays, Like it shows up in commercials in the UK and then re charts at like got to number 15 recently. Frank: [20:02] Yeah, it was used for a Chevrolet electric vehicle commercial recently. Bill: [20:09] And there are a lot of bands that have kind of, arisen in the last decade, like Vampire Weekend, there's been more than a decade I know. Paramore, there's a bunch of other bands too, who've looked towards Tango in the Night as their inspiration. They talk about it and everywhere is covered by Vampire Weekend and Perron More. Frank: [20:27] Yeah, and Paramore, yeah. Bill: [20:29] So I think it is getting its due. And when you see like the top 50 songs, or Rolling Stone did the top 50 songs of Fleetwood Mac, this was number five. So I think it's not an unsung hero. People are realizing how incredible it is. It's still incredible to me that this is the fourth single. So if I had to choose between these two, I would put this ahead of Little Lies. I like Little Lies, but everywhere is the one. I can't believe this wasn't the lead-off single. Frank: [20:56] Yeah, oh I know. And it charted relatively well. It was 14 on the US Billboard Top 100. But I mean, ultimately, the Bill and Frank's guilt-free pleasure, the only chart we really care about is the adult contemporary chart, right? Bill: [21:14] Straight to number one, baby. So, and we brought this up before, even though I charted 14, whatever was number one that week. Frank: [21:16] Straight to number one. [21:24] I don't even know. Bill: [21:24] I know I don't even care because this is the one. Frank: [21:25] I don't care! Bill: [21:28] That endures, because it was played all the time. Frank: [21:30] I don't want to, you know, jump the gun here, but this is a roller rink song. Bill: [21:30] At least when I was a kid, I remember it. And so just hearing the, oh my goodness, there's so many bits and pieces to that song. [21:44] Yeah. Oh yeah. This is perfect. Roller rinks still around late 80s? Okay. Would you put, would you roller skate to this at Prudhommes Landing? Did you ever roller skate at Prudhams? Frank: [21:46] I think so. Yeah, I roller skated in the early 90s even. I mean, I would if I was cool enough to roller skate at Prudhommes Landing. No, no. Bill: [22:05] Oh man, this is a call back to our Prudhommes Landing episode. Just songs that remind you of. Frank: [22:11] If you don't know what you're talking about, just listen to all of our previous. Bill: [22:15] Yeah. Frank: [22:15] Episodes and eventually you'll get get the reference. No, no, no, no, don't tell them I'm trying to get listens here. Bill: [22:18] So in Gloria Stefan's bad boy, it's a, Oh, well we can get them straight to bad boy and we can see the, okay. Frank: [22:25] But I'm trying to get them to listen to everything. Bill: [22:27] Either way, if you don't know Prudhommes Landing, well, you'll know this is the summer song, not to jump into a category. We are there for jumping into these categories. Frank: [22:35] We're jumping into categories. Bill: [22:36] So, all right. I see this as a perfect breezy summer day. Frank: [22:44] Yes, absolutely. Bill: [22:46] Also, I could see this as snow falling close to Christmas. This could be like a Christmas song. Frank: [22:52] It's an all-season song. Bill: [22:53] It is because it just will make whatever situation you're in brighter. Now, I'll tell you what's not bright is the music video. Frank: [23:04] Yeah, it's... not good. Bill: [23:06] Yeah, apparently there was two. I can't find this other version that is with Fleetwood, McV and McV. Because by the time Everywhere comes out, this is depressing, but Buckingham has left the band. So he had done all this work on the album And then it came down to them planning their tour. And he just said, I can't do it. And basically saying, I can't be around you guys. You guys are destructive. You're gonna die. I don't wanna die. And then Stevie Nicks lunged at him while they're in Christine McVie's mansion. And then he got so angry that he chased her. And she talked about, this is Stevie Nicks saying, she was running through the halls of this sort of house that was almost like, it feels like they're in some sort, of maze and he's chasing her and they're end up on the street, he's still chasing her and she's afraid for her life. Frank: [24:05] Oh, jeez! Oh! Bill: [24:06] And he throws her against a car and then she threatens to have him killed by her family. It's just awful. And this of course is bringing over their relationship from a decade earlier and it's awful. I imagine Christine McVie just sitting still there in the house and it's- Frank: [24:17] Yeah. Oh my goodness. [24:22] I just want to sing everywhere on stage. Bill: [24:24] I know, so he's already gone, he's left the band. And so by the time this video comes out, they film it without any members of the band. And they think, oh, everywhere, why don't we do like something that's like a ghost story, and we do the highway man as a music video. Now the highway man is that old poem, and you can watch the music video and it kind of just follows the story of it. But this does not work with the song at all, because there's like... Frank: [24:53] Not at all. It's not, it's a song about falling in love and being in love early on and when everything's good and fantastic and fun. Bill: [25:04] It's not about getting kidnapped, killed and then getting revenge and then being a ghost. Oh, that's insane. The only time I want to hear the Highwayman is from Anne Shirley when she's. Frank: [25:08] Yeah, by redcoats! Bill: [25:15] Doing her speech competition and Anna Green Gables. That's the most powerful version of the Highwayman. Everything else doesn't matter. Oh, I'm sure he is. Megan Follows, best Highwayman. Frank: [25:25] Is Gilbert in the audience watching? Bill: [25:31] And rendition, that might've occurred at the same time. Cause standing green gables I think came around then. Sorry, Fleetwood Mac, bad choice. Frank: [25:35] Yeah, yeah, yeah. Bad choice, yeah. Bill: [25:39] Now, if you look at the cover of the single, this cover of the single has this sort of picture of someone whose arms are kind of open up to the world. Frank: [25:47] Oh, okay. Bill: [25:48] There's a planets star. It looks like the person who did the artwork for the little prince did the artwork for everywhere. It's perfect. It works exactly as it should. And that's what it should have been. Frank: [26:02] Yeah. [26:02] The video doesn't, yeah, it doesn't work. And if we're going to be critical of the video, so I watched it just once. And there's a bunch of scenes where like these British redcoats are running inside this cottage house or whatever it is. They're going up the stairs and it's clearly animated shadows on- so there's all these animated pieces that just like- it's like was your shadow guy on vacation? that's why you couldn't get the lighting right? I don't know. No, no, no, no, no. Bill: [26:31] It's not worthy of the song. The record company spent a boatload of money on producing this album, just like they've spent it on Tusk and other things. When oh, this is awful. This is side note, but when they would go to hotels in like the early 80s, they'd have them like bring in a grand piano. And if they couldn't get it through the doors, I don't know how you get through a hotel door, they have to like break open windows to get it in. They'd force them to repaint the walls white. so that they'd have white rooms like they were just the excess was ridiculous. That's crazy. But they didn't put any of that into this music video. No. No. No. No. How dare they? Okay. Frank: [27:08] No, no, no, no, no. How dare they? I mean, you know me, it's the chorus, right? But it's the opening of the chorus, the oh, like, I love that sustained. I right. I love that. And then I want to be with you everywhere. It's just so fun. I love it. Bill: [27:13] What's your favorite part of the song? [27:34] So that's what you're singing to in the car. Oh yeah. And you know me, I like doing backing vocals to the song so I'm doing whatever's going on in the background and trying to make those vocalizations. Frank: [27:36] Oh yeah, absolutely. [27:46] Well at the end of the chorus where it's like, I want to be with you everywhere. And then there's the sort of follow up, want to be with you everywhere. Bill: [27:53] Want to be with you everywhere. Yeah. Oh my goodness. Even thinking about that. Frank: [27:55] Yeah, yeah, yeah. Bill: [28:00] How could I pick a favorite part? Everything's perfect. Everything's great. Bulletproof. And the ending of the sort of vocals going back and forth. It's bubbly. It literally sounds like they're making bubbles to me. And it's just like, oh my goodness. Yeah. This is where. Frank: [28:02] Oh, I know. Proof Pop song. [28:14] Yeah, magical bubbles. Bill: [28:19] You go to dreamland. There's a picture of some sort of heaven where you have like grass just blowing in the wind, bubbles in the air, fairies dancing. Frank: [28:30] Yeah, people dancing with ribbons. Bill: [28:32] Yeah. [28:33] Yes. This is it. That leads us to a category pretty naturally. So for the talent show, you're going to be doing a floor routine. Frank: [28:41] Yeah. [28:41] Gymnastics floor routine with ribbons. Bill: [28:42] Yeah, gymnastics floor. Yeah, with the ribbons. Yeah. Yeah, that's that. This is easy. Frank: [28:44] Yeah. Yeah. Bill: [28:46] So there you go. Category check. Frank: [28:48] Check. Would you sing this at karaoke? Bill: [28:52] No, I don't think I could do it. It's so good that it demands this sort of perfection that I don't think I could even come near it. Frank: [28:57] I think the only way it could be done is if there's got to be someone taking the lead, but you need someone to harmonize on those choruses. Bill: [29:08] You better have someone incredible. Frank: [29:09] Yeah. I think Stevie Nicks would do karaoke with me, right? Bill: [29:14] Maybe but she might only show up for a few minutes like she did for this album. Frank: [29:19] Yeah. She showed up for enough for this album. Bill: [29:21] Oh, yeah. Okay. Hallmark movie. I have written here, no way. This needs to be a mainstream movie, not something on Hallmark TV, but this is a song that should. Frank: [29:28] Yeah? [29:28] Well, it has that, well, the opening magical like sort of dreamy sequence, right? Bill: [29:32] Be sort of like this heads in a mixtape territory. Remember when they'd play Dreams by Cranberries all the time to sort of set the stage? Forget Dreams. Play everywhere. Frank: [29:48] Well, Dreams had it too and it kind of had to because it was in the name, But also linger same same sort of a feel so I'm sure we'll do a cranberry song at some point too, but. Bill: [29:56] Our usual category, we, it keeps altering in different ways. Can Michael Bolton sing this song? Frank: [30:08] I think he can but I don't want to hear it. Bill: [30:10] No. What would Mariah Carey do to it? She would Mariah Carey it it would suck. Frank: [30:13] She would destroy this, Yeah, yeah, she I don't think she has the self-control not to go full Mariah on it. Bill: [30:23] Yeah, Celine Dion also I can't think of of anyone who could do it off the top of my head. Frank: [30:31] Also yeah. [30:32] There's a subtlety about the way that Christine McVie sings the vocals. Like she doesn't go over the top. She's a little bit reserved, like as much as it is like a fun happy song about being in love, she's reserved and conservative with it. Bill: [30:49] She does have a very British way of being, if I could say that. Yeah. She did also the song. Do you remember song, Songbird from Rumors? Frank: [30:52] Yeah. Stiff upper lip. Bill: [31:01] They closed every concert with it. So Eva Cassidy, if you remember Eva Cassidy. Frank: [31:03] Uh, yes. Yeah. Bill: [31:06] She did a version of Songbird, which is near perfect. It probably is perfect. I still don't know if Eva Cassidy could have done everywhere because there needs to be a bounciness that I, I never pictured with her, but maybe she could have done it. But there is something special about Christine McVie is both unassuming, but also is in these grand songs because she can go along with Buckingham. They always got along. So Buckingham, notoriously difficult to get along with, but he never had a bad thing to say about McVie and vice versa. They could do albums together. They understood each other. And she wasn't into all the drama. I mean, she partied hard, but compared to the rest of Fleetwood Mac, I think she's a girl guide. Frank: [31:45] Yeah, the rest of them. Yeah, she was... Yeah. Bill: [31:48] And she was also with Dennis Wilson from, um, the beach boys for a while. Yeah. There's a whole, she's got her own backstory and sadness too, right? Frank: [31:52] Oh, really? Okay. Bill: [31:56] About all that stuff. Mix tape. Frank: [31:59] You're just going to name Ashley's album? Bill: [32:01] You want me to go first? So I decided in honor of the person who was the catalyst for this song, kind of coming back to my life and then defining my 2011. Frank: [32:16] You're just gonna name Ashley's album? Bill: [32:18] You're just. Oh yeah. Well, we love you too, Ashley. But I'm thinking of Chris Newkirk. I'm dedicating this to Chris Newkirk. Frank: [32:20] Oh, that's fantastic. Bill: [32:26] Sorry, Ashley. So. She'll never listen to this. She'll never listen to this. So these are songs that I heard while hanging out with Chris Newkirk in 2011. Frank: [32:31] She'll never listen to it. Bill: [32:40] Not all of them actually, but they made me think about Chris Newkirk and his love of this sort of big dreamy sort of pop song. Okay, so everywhere we'll open it of course. Frank: [32:52] I'm sorry. Bill: [32:56] There's a song called I L U by the school of seven bells. It is insane. And the woman who sings lead also passed away few years ago, but in her 30s, I think. Frank: [33:08] Okay, oh. [33:09] Yeah, so Bill just played the song for me and it'll be in the show notes, but my goodness they gave me goosebumps bumps it's it's ethereal and and and dreamy and oh man that's good. Bill: [33:21] I heard that also on that same drive. Chris Newkirk. Wow. Great taste in music. And so also on the drive, we heard cloud busting by Kate Bush. I'm pretty sure that's like just so good. So hands of love from Kate Bush also inspired the production of Tango in the Night. So Kate Bush's style and her relentless drive was where Lindsay Buckingham was was looking towards for making this. Also, I don't think I'll ever be able to pronounce this right, but one more Chris Newkirk, number three. Hoppipolla, Hoppipolla. Frank: [34:02] Happy pool! That doesn't sound at all at least. Bill: [34:05] Yeah, that doesn't sound at all like Sigur Ross, but it is. And it's a Sigur Ross, like the major song, which played when Chris and Jade, I think we're walking down the aisle after their wedding. Frank: [34:09] That's like a new song. [34:15] Oh really? Oh nice. Bill: [34:16] So incredible song. So we were just discussing this as I was playing it, but cinematic in scope as is all these songs, as as is everywhere. Okay, and then I threw a couple more in, Fleet Fox's Can I Believe You? And one more song, Everywhere by Brandvan 3000, which I love. Frank: [34:42] Was that on that trip too or no? Bill: [34:45] No, but I just think I should have played it on the trip. I don't know if he would have liked it. Do you remember everywhere? Yes. Oh, I don't know if it fits. However, you know, those first three were something else. Frank: [34:51] Yeah, yeah, yeah, yeah. [34:57] Mix tapes are allowed to have an outlier, right? Bill: [35:01] Yeah, and maybe it transitions into yours. Frank: [35:03] All right. So my mixtape is, I tried to keep it like happy songs, like giddy songs, fun songs about falling in love. So Walking on Sunshine by Katrina and the Waves. Butterflies by Kacey Musgraves. Bill: [35:13] Okay, oh good. [35:20] Okay not crazy town. Frank: [35:22] No, surprisingly not. Bill: [35:25] No, okay, great. Frank: [35:26] He just threw me right off there. Bill: [35:31] Yeah, sorry about that. Frank: [35:33] The way you are by Bruno Mars. Love is in the Air by John Paul Young and then we finish it off with Sunshine Lollipops and Rainbows by Leslie Gore. Sunshine lollipops and rainbows everywhere that's how I feel when I feel that we're, together that's a and then finishing it off with the sunshine lollipops and. Bill: [36:00] Got it okay perfect well this mixtape just good thing i put in brandman 3000 it's just a transition straight to walking on sunshine oh good. Frank: [36:14] Rainbows. Bill: [36:15] Yeah, yeah. future I'm sure it's a future episode. Frank: [36:18] Well I'm sure yes so I before we before we came to record this song I was talking to my friend Becca and saying, oh, we got to go. I got to go and record this podcast. And he's asking, what song are you doing? I said, Everywhere by Fleetwood Mac. And she said, I love that song. When her and her partner were in New Zealand, they had this this, crappy garbage car and that had a tape deck. So her and Blake went to a thrift store to buy tapes just to play. and they bought Tango in the Night and just listened to that on repeat and this was far and away their favorite song on the album. I told Becca just like, all right I'm gonna tell that story if you're okay with it and well here it is it might actually make the cut. Bill: [37:06] I will and you know what? We don't often do these call-outs. I try to listen to other podcasts because often they're like, hey here's the name of our show which we... do we even say what we're called? Yes you did once but you have to be an astute listener but of course you also have been. Frank: [37:18] Great. Bill: [37:22] An astute enough person that if you're listening to our podcast you're looking at it and the name of our podcast is right in front of you. So we really are glad you're listening to Bill and Frank's. Frank: [37:28] Yeah, exactly. Bill: [37:31] Skill-free pleasures we don't have patreon right now for you to give us money or anything like that but what we would like is to hear your story about Fleetwood Max everywhere tell us how this song, has made your life brighter. Frank: [37:48] And also you can just mail cash to us to our addresses. Bill: [37:51] It's right. Frank: [37:52] We'll put those in the show notes. Bill: [37:53] That's right. Frank: [37:56] It's been a fun and fantastic experience putting this podcast out every week. And this song is coming out at the beginning of 2023. And we just want to thank everyone for listening to us and being with us and downloading and taking this on your drives, on your walks, wherever you listen to it. I listen to podcasts at work all the time instead of working. Bill and I would like to say we want to be with you everywhere. Bill: [38:25] Boop-a-doo-doo-doo.
On this day in 1974 Lindsey Buckingham and Stevie Nicks joined Fleetwood Mac... and the rest, as they say, is history! Joining me to talk about this momentous moment is Joe Kay from Play That Rock n Roll Podcast!
Die SWR1-Musikredaktion legt euch heute kleine Geschenke unter den Baum – ihre ganz persönlichen Meilensteine. Abseits von Chartplatzierungen und Rekorden gibt es hier versteckte Perlen der Rock- und Popgeschichte zu entdecken. "The Dream of the Blue Turtles" von Sting Der Anfang in dieser Folge ist natürlich Chefsache. SWR1-Musikchef Bernd Rosinus hat eine seiner Lieblingsplatten mitgebracht, das erste Solo Album von The Police Frontmann Sting "The Dream of the Blue Turtles" aus dem Jahr 1985. Als die Platte rauskam, hat sie Bernd Rosinus total umgehauen. Auch, weil es was ganz anderes war als das, was The Police vorher gemacht haben. Das Besondere an "The Dream of the Blue Turtles" ist, dass Sting sich für die Platte ganz viele Jazzmusiker zusammengesucht hat, mit denen er dieses Album aufgenommen und produziert hat. Es ist ein Popalbum, dass der hohen Qualität der Jazzmusiker auch immer wieder den Raum gibt, um sich zu präsentieren und ihr Können zu zeigen. "The Age of Plastic" von The Buggles The Buggles, die Band kennen die meisten vermutlich vom Song "Video Killed The Radio Star", dem Song, der beim Start von MTV in Amerika 1981 als erstes Musikvideo über die Bildschirme in die Wohnzimmer flimmerte. Für SWR1-Musikredakteur und Moderator Dave Jörg haben die Buggles aber noch mehr zu bieten als nur diesen einen Megahit, auch wenn der Song auch für ihn schon etwas ganz Besonderes ist. Auf dem Album, was tatsächlich schon Ende der 70er von Trevor Horn produziert wurde, der auch mit Bands wie Yazoo, Depeche Mode oder Erasure zusammengearbeitet hat, hören wir einen fantastischen Mix aus Progrock, New Wave, Neuer Deutscher Welle und auch ein bisschen Pink Floyd, findet Dave Jörg. "Brother To Brother" von Gino Vannelli Das SWR1-Musikredakteur Stephan Fahrig für diese Weihnachtsfolge gerade das Album rausgesucht hat, grenzt an sich schon an ein kleines Weihnachtswunder, denn eigentlich hatte er eine ganz andere Folge im Sinn, aber als sein Smartphone ihn dann mit einem Rückblick an ein persönliches Treffen mit Gino Vannelli vor einem Konzert in Frankfurt erinnerte, änderte er seine Meinung zu "Brother to Brother". Für Stephan Fahrig persönlich ist diese Platte ein Meilenstein, weil für ihn der Sound der Platte und von Gino Vannelli der beispielhafte Sound der 70er ist. "This Life" von Curtis Stigers Ganz ungewohnt für die SWR1 Meilensteine: ein neues Album. "This Life" von Curtis Stigers wurde erst 2022 veröffentlicht. Aber seit der Veröffentlichung im Februar 2022 begleitet dieses Album SWR1-Musikredakteurin Katharina Heinius und sie hat sich im wahrsten Sinne richtig reingehört in die Platte. "Buckingham Nicks" von Lindsey Buckingham und Stevie Nicks Bevor Fleetwood Mac zu der legendären Band wurden, als die wir sie heute kennen, waren es zwei verschiedene Gruppen. Zum einen Fleetwood Mac und zum anderen das Duo aus Gitarrist Lindsey Buckingham und Stevie Nicks. Wie diese beiden Bands zu den legendären Fleetwood Mac wurden, das erklären wir in der Spezialfolge zu den "Sound City Studios". Für SWR1-Musikredakteur und Meilensteine-Gastgeber Frank König ist aber auch das Debütalbum von "Buckingham Nicks" bereits ein Meilenstein der Musikgeschichte. __________ Über diese Alben wird im Podcast gesprochen: 01:00 Mins – “The Dream of the Blue Turtles” von Sting 10:39 Mins – “The Age of Plastic” von The Buggles 20:00 Mins – “Brother To Brother” von Gino Vannelli 32:13 Mins – “This Life” von Curtis Stigers 43:17 Mins – “Buckingham Nicks” von Lindsey Buckingham und Stevie Nicks __________ Über diese Songs wird außerdem im Podcast gesprochen 15:47 Mins – “Relax” von Frankie Goes to Hollywood 15:47 Mins – “Always On My Mind” von Pet Shop Boys 15:47 Mins – “Poison Arrow” von ABC 15:47 Mins – “Walking in Memphis” von Cher 15:47 Mins – “Owner of a Lonely Heart” von Yes 23:32 Mins – “A Taste of Honey” von Herb Alpert 46:57 Mins – “Rhiannon” von Fleetwood Mac __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de
In this bonus episode, Neil and Phil compare the story of Hannah in the book of I Samuel to the story of Mary in the gospel of Luke and draw out some themes that turn out to be important throughout the Bible. In the course of the conversation, they discover that the Old and New Testaments have surprising parallels to the Peter Green and Buckingham/Nicks eras of Fleetwood Mac. And speaking of music, as an homage to Vince Guaraldi's classic music for A Charlie Brown Christmas they've composed a jazzy, Christmas Special theme featuring Phil on electric guitar and drums and Neil on mandolin and electric bass. Happy Holidays and a Happy New Year to everyone!
Waddy Wachtel is one of the most well-known and respected performers in the music industry. His career as a guitarist, producer and composer has spanned many decades. From his early beginnings in the L.A. music scene in the 1970's playing with such artists as the Everly Brothers, Linda Ronstadt, James Taylor, Warren Zevon, Bonnie Raitt, Randy Newman, Don Henley and Jackson Browne - to playing and writing with Keith Richards in the X-Pensive Winos - to his recent work as musical director, lead guitarist and vocalist for Stevie Nicks - he's ventured into such creative fields as composing his own songs and writing musical scores for films.Waddy was born ready....... Ready to Rock It Up! Following Waddy through his musical career, which is an on-going project, is an exploration into the history of Rock 'n' Roll itself. It's also a great example of how one man continues to keep Rock in his soul and gives his music continuously and creatively.In this episode of My Rock Moment, Waddy discusses his 50 year relationship with Stevie Nicks - from their collaboration on the Buckingham Nicks album released in 1973 to his role as Stevie's musical director and guitarist on her most recent tour. We also dive into his early career with the Everly Brothers, working with Warren Zevon on Excitable Boy and penning the track “Werewolves of London." Waddy's projects and relationships over the decades would ultimately pave the way to his current group, The Immediate Family, a tight knit group of iconic session musicians that are still touring and putting out albums to this day.Below is a link to The Immediate Family's remaining tour dates as well as the music video for their latest single, "Toughest Girl in Town":Tour Dates: https://www.immediatefamilyband.com/tourThe Toughest Girl In Town - YouTube Video: https://www.youtube.com/watch?v=UVQLZIRfLjUDon't forget to follow me on Instagram at @la_woman_rocks or on Facebook at My Rock MomentWaddy Wachtel photo credit: Jay Gilbert
Lindsey Buckingham cumple hoy 73 años. Es uno de mis guitarristas y compositores favoritos, un artista californiano brillante como ha demostrado tanto en solitario - hace un año en octubre precisamente publicó su 7º álbum - y en una carrera alternada con idas y venidas de Fleetwood Mac. Productor de John Stewart, Warren Zevon o Walter Egan y guitarrista y vocalista para otros grandes artistas como Brian - Wilson, Johnny Cash, Bob Welch o Tom Petty & The Heartbreakers, Randy Newman o Leo Sayer. Lo que escuchamos a continuación es una serie de canciones centradas sobre todo en Lindsey Buckingham con algunas piezas maestras en Fleetwood Mac. Canciones de Lindsey para que nos gusten los lunes. DISCO 1 BUCKINGHAM NICKS Stephanie + Don’t Look Down DISCO 2 FLEETWOOD MAC The Chain DISCO 3 LINDSEY BUCKINGHAM Trouble DISCO 4 LINDSEY BUCKINGHAM Go Insane DISCO 5 FLEETWOOD MAC Family Man DISCO 6 LINDSEY BUCKINGHAM Countdown DISCO 7 LINDSEY BUCKINGHAM Holliday Road DISCO 8 LINDSEY BUCKINGHAM Down On the Rodeo DISCO 9 LINDSEY BUCKINGHAM Did You Miss Me DISCO 10 LINDSEY BUCKINGHAM Seeds We Sow DISCO 11 FLEETWOOD MAC Peacekeeper DISCO 12 LINDSEY BUCKINGHAM & CHRISTINE McVIE Lay Down For Free DISCO 13 LINDSEY BUCKINGHAM I Don’t Mind DISCO 14 FLEETWOOD MAC Never Going Back Again Escuchar audio
It’s the end of July already, so it’s time for a guest writer on The Anxious Morning. Today we’ll hear from someone actively engaged in the recovery process. Lindsey is doing the work right now. She’s struggling through challenges and doing her best to surf through hard days to learn the lessons she needs to learn. She’s gaining ground and making good progress. When she told me about this little lesson she learned from an old Fleetwood Mac song, I asked if she would be willing to share this bit of wisdom and insight on The Anxious Morning. I’m so happy she agreed to do it!How can Stevie Nicks, one of the greatest singers and songwriters of our time help you with your anxiety? Just hear me out. I recently took a writing course that focused on songwriters. While studying Stevie Nicks, one story in particular about the song, “Landslide,” stopped me in my tracks. If you haven’t listened to the song, you should do that now. And if you are familiar with it, you, like most people, probably assumed it was about love – love with a man, love with a woman, love with a parent, love with a child – love with someone. What if I told you it was never about loving someone else? What if I told you it was written about loving herself, about loving her art, about not giving up on her own dreams? Landslide was written about one poignant moment - a moment in Colorado with her guitarist and then boyfriend, Lindsey Buckingham. Their first band, Buckingham Nicks, had flopped - the band she had given up everything for – and she and Lindsey had gone to Colorado to get away. Faced with having to quit singing and give up her dreams, she looked up at the “snow-covered hills” and Stevie said to Lindsey, “we’re going to the top of that mountain.” With not a dime to their names, she told him in that moment, she wasn’t giving up. And within one year, they were Fleetwood Mac. You know the rest of the story. It got me thinking about my anxiety journey. About all the times I white knuckled through large crowds. Grocery runs. Endless doctors’ appointments. Those days when I was sweaty and dizzy on long highway drives with crying babies in the backseat, looking for the nearest exit. I was always pushing through to appease someone else - my husband, my boss, my kids - to make everyone around me believe I was ok. But I wasn’t ok. And years of talk therapy didn’t fix the panic attacks. Nothing did. Nothing worked until my reason and my why became me. It never worked until I decided not to give up, until I loved myself enough to chase my own dreams and climb to the top of the mountain for me. Can the child within my heart rise above?Can I sail through the changing ocean tides?Can I handle the seasons of my life?Well, I’ve been afraid of changin’‘Cause I’ve built my life around youBut time makes you bolderEven children get olderAnd I’m getting older tooOh! I’m getting older too. – Stevie Nicks, Landslide We don’t get unlimited time to be who we want to be and do what we want to do. Love yourself enough to go climb that mountain today for you. Take it from Stevie. Don’t give up. Don’t spend all of your time trying to FIND yourself. Spend your time CREATING yourself into a person that you’ll be proud of. - Sonya ParkerEvery Friday I’ll share one of my favorite quotes. They’ll often have direct application in recovery, but sometimes they’re just generally funny, inspiring, or thought-provoking. I hope you enjoy them This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theanxiousmorning.substack.com
On episode 16 of Past Prime, Steve and Matty comb through the voluminous hair, pick at the long fingernails and revisit the rumors of an elusive stadium Rock star who spent his adulthood feeling miscast and misunderstood. Steve is a lifelong Fleetwood Mac fan, enamored equally of Stevie and Lindsey, but perhaps more "Buck-curious." So curious, in fact, that he'd traveled down the wormhole of Buckingham-Nicks erotic fan fiction. Matty is more of a neophyte, familiar with the canonical Mac releases but generally unaware of and confused by Buckingham's solo career. Together, they return to "Under the Skin," Buckingham's fourth solo album, released in 2006. As he approached sixty, Buckingham was a relative newlywed, a new (old) dad and still at odds with his former girlfriend and bandmate. Circumstances led to him making a very hushed, insular solo album, full of diary confessions and his trademark finger picking. He plays nearly every instrument, quietly harmonizes with himself, and manages to sound a good deal like Iron & Wine or Jose Gonzalez. If he were thirty and Swedish, "Under the Skin" would likely have been hailed by Pitchfork. In middle age, however, his ennui, though delivered quietly, sounds loud, clear and decidedly less "hip." During the conversation, our hosts cover everything from Art Garfunkel to "What About Bob?" Both of which, it turns out, have something to do with "Under the Skin." To read more about Lindsey Buckingham's "Under the Skin," check out the full essay at Past Prime.
Today in Rock History for May 15th See omnystudio.com/listener for privacy information.
Wolf Moon's Singer/Songwriter Jimmy Owen and Kelly Lethbridge draw from the creative spirit of great artists from Lindsey Buckingham (Fleetwood Mac) to Jimi Hendrix, from Heart to The Police, producing songs of beauty, sincerity and emotional weight across a range of styles that defies pigeon-holing. The band brings together some of the UK's finest musicians, with Jimmy's formidable lead guitar combined with Kelly Lethbridge's gorgeous sultry vocals backed by the inimitable rhythm section of Erik Stams (drums), Noah Nelson (bass) and Emily Francis on keys. The on-stage chemistry that results is truly captivating. Their first EP Mind Over Matter vol 1 released January 2022 was rewarded with glowing critical acclaim for its ambitious pan-genre patchwork of styles and sounds and striking ecelcticism, with frequent parallels drawn to Buckingham-Nicks. The band leads us through luminous sonic landscapes, through light and shade, with Jimmy's wild and expansive soloing style balanced perfectly by Kelly's silky expressive tone and impressive range. Wolf Moon invoke the untamed panoramas of the West Coast, shifting seamlessly from classic rock beats to sultry blues to acoustic ethereal folk and back again. There is always something new to find in Jimmy's restless harmonies and haunting, poetic lyrics, which will also take centre stage in their forthcoming second album, set for studio in early 2020. Guitar lovers will also be drawn to Jimmy's obsession with tone, working with often rare vintage gear such as ‘70s echo plex and ‘60s Marshall plexi which together with the band's rich vocal harmonies gives Wolf Moon its distinctive big panoramic sound. Beautifully summed up by John Dryland of Cargo Records, “Wolf Moon's always immaculate vocals, subtle and mature songwriting combined with stellar performances all round and with Jimmy Owen's fantastic tone and incredible guitar playing make this band a must-see. Wolf Moon really is one to watch out for.” Wolf Moon's favourite artists and biggest influences include Fleetwood Mac, Sting, John Mayer, Heart, Jimi Hendrix, Janis Joplin, Bonnie Raitt, Cream, Led Zeppelin, Trucks Tedeschi, James Taylor, Carole King, Joni Mitchell, Paul Simon, Pink Floyd, First Aid Kit, The Eagles, Big Wreck – and many more.
Mike Wagner and Vasant Ramamurthy fill in for Jim & Patrick and discuss the pre-Buckingham-Nicks work of Fleetwood Mac. Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com (c) Artie S. Industries LLC
Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by our old friend Charles C. W. Cooke. Charlie is a Senior Writer for National Review, and you can find his work wherever quality Charles C. W. Cooke products are sold (i.e. mostly right here on this website). Follow him on Twitter at @charlescwcooke.Charlie's Music Pick: Fleetwood Mac"Oh sure," you think as you read what artist we're covering this week, "I know them. Everybody knows them." Well yes . . . and no. You know the hits (everyone does -- new generations of teens have been "rediscovering" Rumours since the early 1980s at least), but what you might not know about is the sheer artistic drive of this, the latter-era version of Fleetwood Mac. That force came from the addition of none other than guitarist/vocalist/songwriter Lindsey Buckingham and vocalist/songwriter Stevie Nicks. Buckingham and Nicks were also a long-time romantic pair just then slowly beginning to come apart at the seams when they joined Fleetwood Mac, a fact that would have certain consequences for their music and their career. Even though the story only covers a handful of albums, the journey is vast. From the 1975 self-titled album (a fitting title for a true rebirth of the band) to the world-dominating pop-rock perfection of Rumours to the willful obscurantism of Tusk and the retrenchment from Mirage and onwards, the Buckingham/Nicks-era Fleetwood Mac is populated with landmarks of modern music, and attests not only to the restless studio genius (and technical perfection as a guitarist) of Lindsey Buckingham but of an entire group. They were a three-headed songwriting behemoth backed by the finest and most organically creative rhythm section in all of popular music. The soap opera is the stuff you probably already knew -- though you might not have known the Stevie Nicks cocaine factoid Jeff lays on the audience during the show -- so come and stay for an appreciation of the greatness of this music. We'll save you a place.
Se cumplen 40 años del primer disco en solitario de Lindsey Buckingham ahora que publica el nuevo, el séptimo en una carrera alternada con idas y venidas de Fleetwood Mac. Productor de John Stewart, Warren Zevon o Walter Egan y guitarrista y vocalista para otros grandes artistas como Brian Wilson, Johnny Cash, Bob Welch o Tom Petty & The Heartbreakers, Randy Newman o Leo Sayer. Lo que escuchamos a continuación es una serie de canciones centradas sobre todo en Lindsey Buckingham más allá de Fleetwood Mac. DISCO 1 LINDSEY BUCKINGHAM Instrumental Intro + Don’t Look Down (OUT OF THE CRADDLE - 1 + 2) EN CONTINUO DISCO 2 FLEETWOOD MAC Go Your Own Way (RUMOURS - 5) DISCO 3 BUCKINGHAM NICKS With A Leg To Stand On (3) DISCO 4 LINDSEY BUCKINGHAM Trouble (Cara 1 Corte 2) DISCO 5 LINDSEY BUCKINGHAM Go Insane (Cara 1 Corte 2) DISCO 6 STEVIE NICKS & LINDSEY BUCKINGHAM Twisted (TWISTER - 13) DISCO 7 LINDSEY BUCKINGHAM Soul Drifter (OUT OF THE CRADDLE - 6) DISCO 8 LINDSEY BUCKINGHAM Under The Skin (UNDER THE SKIN - 3) DISCO 9 LINDSEY BUCKINGHAM Did You Miss Me (GIFT OF SCREWS - 3) DISCO 10 LINDSEY BUCKINGHAM End Of Time (SEEDS WE SOW - 10) DISCO 11 LINDSEY BUCKINGHAM & CHRISTINE McVIE In My World (3) DISCO 12 LINDSEY BUCKINGHAM Never Going Back Again (LIVE AT THE BASS… - 3) DISCO 13 FLEETWOOD MAC Big Love (THE DANCE… - 8) DISCO 14 LINDSEY BUCKINGHAM On The Wrong Side (LINDSEY BUCKINGHAM - 3) Escuchar audio
Our Special Guests Today - "In The Present Tense" Santa Barbara multi-instrumentalists Kirstin Candy-McFarland and Billy Mandarino have combined their talents and have joined together to create a very much welcomed music duo for our times. They join that shortlist of famous male-female duos: Buckingham Nicks, She & Him, Peter Cetera & Amy Grant, Joe Cocker & Jennifer Warnes, and Universal Honey... Their new album is “Fortunately.” We listen to select tracks from the duo throughout the exclusive TJS Interview! At the end of the show - - - The TJS Radio World Premiere - The New SINGLE is - Last Day in Paradise In the Present Tense Social Media links: https://www.instagram.com/inthepresenttensemusic https://www.facebook.com/InThePresentTenseMusic https://www.youtube.com/channel/UCWvV252HTqSHW6pSvV04RNg For more of Billy Mandarino - Visit www.billymandarino.com For more Kirstin Candy-McFarland, Visit facebook.com/Kirstin-Candy
Sorry we never posted last week. Ya girl had a rough week! The podcast officially is in the double digits now! Lets take a step back and listen to the origins of Fleetwood Mac B E F O R E Buckingham/Nicks joined the iconic band I never saved the links to my research, however a lot was restated in the "Man of the World" documentary you can find on Amazon Prime. Like, subscribe, follow, y'all know the drill Share this shit with all of your friends. Don't be a weenie Follow all of us on social media instagram.com/ericas.vinyl instagram.com/cat_ut instagram.com/musichistoryonahighnotepodcast https://www.facebook.com/MusicHistoryonaHighNote/
Geese, neighbours, new friend, etc. Buckingham/Nicks. Mrs. Vilson Game Show skit. Walter Egan
Episode 017: Seventeen Miles to the SunThe Association - Never My Love (US 1967) A huge hit for these Los Angeles pop chart regulars and the paradigm for what would become the “soft rock” sound with its clear and minimal production that leaves room to emphasize the vocal. The laid back and dreamy quality of this massive single perfectly captures the feeling of being in love and sets a mood that is distinctly California. The Peppermint Trolley Co - Baby You Come Rolling Across My Mind (US 1968) A Redlands, CA band that cut the original version of the Brady Bunch theme, the Trolleys specialized in breezy sunshine pop as evidenced on this lovely heartfelt tune from their only LP. The Beach Boys - Feel Flows (US 1971) Brian Wilson and Co. never quite recovered from the media fiasco that was Smile, but arguably, they wrote and released their finest material during the band's decline in popularity in the 70's. Afforded recording technology only few in the world could claim to own, their 70's output sounds ahead of their time due to both the clarity of the production and their experiments with electronics and synthesizers, as can be heard on this stunning number - one that hundreds of rock bands would mimic in the 90's.Harpers Bizzare - Witchi Tai To (US 1969) Santa Cruz sunshine pop masters that found early success with a few hits under their belt and featured a young Ted Templeman, who would go on to be a producer of many iconic pop hits. This sweet version of a Jim Pepper tune shows off both their soaring harmonies and the hallmark psychedelic production of the time. The Mamas and the Papas - Step Out (US 1971) Taken from the last album these legendary hit-makers would produce, this light and funky tune features a heavy rhythm by LA's wrecking crew studio musicians that offsets the sugary vocals of the group. It makes one wonder what direction they would have pursued had they continued into the 70's.The Millennium - It's You (US 1968) The studio project of fearless pop experimentalist Curt Boettcher, these LA misfits featured a cast of songwriters and singers that could each hold their own as solo artists. This proto Buckingham-Nicks era Fleetwood Mac-esque stunner is taken from their only album which is a masterpiece of soft harmony laden pop-psych. Yes - Sweetness (UK 1969) The love affair between UK bands and the US west coast harmony pop bands proved a source of constant reciprocated inspiration for both camps. Before veering head first into prog territory, Yes dipped their toes into a more jammed out version of harmony pop as heard on this early original from their debut. More evidence can be heard on their lovely take on The Byrds I See You from the same LP. The Orange Bicycle - Carry That Weight (UK 1969) Another west coast sound obsessed UK outfit that turns this Beatles classic into a proto Eagles harmony jam, they released one in LP in 1970 after a three year run of fine pop-psych singles.Ian Matthew's Southern Comfort - Tonight (UK 1970) Mr. Matthews nailed the west coast harmony pop so perfectly that you'd think he was a Los Angeles native. This is no surprise, as his previous outfit The Fairport Convention arguably may be one of the first UK bands to take on the west coast sound as their own. This smooth number is years ahead of it's time and foreshadows a sound that he and so many would take less than a decade later.Bread - It Don't Matter to Me (US 1969) It's only fitting to end this episode with a band whose sound would loom large over the 70's. Bread's ballads were extra personal, heartfelt and tender and foreshadowed both the sensitive singer-songwriter movement and AOR soft rock that would dominate the decade. Though the band featured three songwriters, David Gates was responsible for all of their singles and hits.
It's Volume 15 of Bill's Album Cuts, as Bill Ludwig once again takes us back to the days of the late-60s through the 80s (and sometimes beyond) of progressive rock radio. This time around we'll hear album cuts from Buckingham-Nicks, Emmit Rhodes, The Byrds, John Lennon, Procol Harum, and many more. Headphones on ~ Enjoy!
Launching Season 3 of Spotlight Conversations is Sean Ross, a longtime radio and music journalist who has covered the radio industry for Billboard and Radio and Records. The VP of music and programming at Edison Research talks about his weekly online newsletter on Radio Insight called "Ross on Radio" (and discusses a topic called the "Lost Factor" - why some songs are hits for radio for a short time, and then never heard of again). We also talk about what he has in store for his "Ross on Radio" newsletter in 2021; what makes a radio station "Station of the Year"; the changing scene of radio music formats (and listening habits); plus we discuss our personal frontrunners of the "Lost Factor" music scene, including my fave, the Buckingham Nicks solo LP. Sigh. I could spend the day talking to this guy! Tune in, bring a cup of whatever and enjoy!
In Episode 6 we take a look at the incredible life journey of the enchanting, mystical and courageous Stevie Nicks. From her early days raised in Pheonix, Arizona as she was taken under the wing of her beloved grandfather and his musical passion. Her first encounter with Lindsay Buckingham before performing alongside each other in the Fritz Rabyne Memorial Band and as a duo named Buckingham Nicks. Stevie would slave away working around 3 jobs at once before the pair were scouted by Mick Fleetwood of Fleetwood Mac. From there Stevie would prove all the doubters wrong with her incredible live performances, unique but strong vocals and her heartfelt songwriting ability that cast a spell on fans from all over the world. Despite losing her way at times she would become an inspiring female figure as she attempted to make it in a man's world, she battled relationship drama's, affairs, scandals and drug addiction, striking out solo and would eventually earn her rightful place as the only woman in history to make the Rock N Roll hall of fame twice, opening the door for woman like her to follow in her footsteps. Sit back and enjoy as this is one hell of an inspiring and incredible story. We take a look at the meaning behind a large number of Stevie's most memorable songs and ones you may not know too much about including Dreams, Landslide, Stand Back, Sara, Rhiannon, Gypsy, Edge of Seventeen, Leather and Lace, Has Anyone Ever Written a Song For You, Gold Dust Woman, Silver Springs and many more. This episode was written, researched, narrated, edited and produced by Adam Hampton. If you enjoyed this episode feel free to subscribe for future episodes and please feel free to leave a positive review. You can also find us on Facebook, Twitter and Instagram at Lyrics of their Life Podcast and if you're feeling really generous you can support us further at Patreon, so we can continue to bring you more great episodes in the future. https://www.patreon.com/Lyricsoftheirlifepodcast Thanks for tuning in and enjoy.
Der har nærmest været flere medlemmer i Fleetwood Mac gennem årene end i bands som Whitesnake og Deep Purple - men et par stykker har holdt fast - og danner den dag i dag stadig kernen i bandet. Blandt de er blandt andre fakkelbærerne Stevie Nicks, John McVie og Mick Fleetwood. I denne episode af myROCK myWAY tager Mike Tramp dig med hele vejen gennem den brogede historie om Fleetwood Mac. Vært: Mike Tramp
The Rule Breakers Podcast 07.07.2020This week were joined again by Lexi’s lovely side-kick, along with lots of #Vinyl talk and new music! We played #Records from Zeal & Ardor, Seasick Steve, Hayley Williams, Incubus, The Raconteurs, Shit Girlfriend, Slaves, These Wicked Rivers, The Libertines, Foals, X Ambassadors, Kate Rusby, Hozier, Evanescence, Seether, Jim Croce, The Doors, The Stooges, Velvet Underground, Buckingham Nicks, Tom Petty, Suzie Quatro, Tom Petty, T.Rex, Nick Cave and Ringo StarrListen Again Here!!------#MMH #RadioShow #Podcast #Birmingham #BlackCountry #Vinyl #LoveVinyl #LoveMusic #Analog #Midlands #Metalheads #MidlandsMetalheadsRadio #Radio #TheRuleBreakers #LexiFrances #Folk #Grunge #Rock #Unplugged #Brum #Brummie #Metal #HomeOfRock This Weeks Playlist:- Zeal & Ardor - Devil Is Fine- Seasick Steve - Church of Me- Hayley Williams - Sugar on the Rim- Incubus - Megalomaniac- The Raconteurs - Somedays I Don't Feel Like Trying- Shit Girlfriend - Mummys Boy- Slaves - Cheer Up London- These Wicked Rivers - Evergreen- The Libertines - Gunga Din- Foals - Mountain at my Gates- X Ambassadors - Boom- Kate Rusby - Friday I'm In Love- Hozier - Bridge Over Troubled Water- Evanescence - The Game is Over- Seether - Fake It- Seether ft Amy Lee - Broken- Jim Croce - Lovers Cross- The Doors - The End- The Stooges - I Wanna Be Your Dog- Velvet Underground - I'm Waiting for My Man- Buckingham Nicks - Long Distance Winner- Suzie Quatro - Devil Gate Drive- Tom Petty - You Don't Know How It Feels- T.Rex - Jeepster- Nick Cave - Cosmic Dancer- Ringo Starr - Back off Boogaloo
Hoy el comienzo del tiempo de TOMA UNO nos reencuentra con la herencia de los pioneros de la Cosmic American Music con la brisa californiana que nos regala una banda debutante como The Sunset Canyoneers con su álbum High In The Sky, al que da nombre esta canción de espíritu libre. El salón de la casa del bajista del grupo, William Duke, situado en Oakdale, la llamada capital del mundo de los cowboys, fue el lugar propicio para desplegar un sentimiento de libertad que hemos visto crecer en nosotros en estas semanas. Caleb Caudle es un fiel seguidor de las apagadas fórmulas sonoras de músicos como J.J.Cale, uno de sus referentes junto a Leon Russell o Lowell George de Little Feat. Le pega mucho a un artista que proviene de Carolina del Norte y conoce bien el espíritu de los Apalaches. Para conformar su álbum Better Hurry Up, el octavo de su andadura, se trasladó a la mítica Cash Cabin de Old Hickory Lake en Hendersonville, durante tres días, tras mudarse a Nashville el pasado año. El resultado es un disco que raya la perfección, homogéneo y de tintes oscuros con 11 canciones que Caudle ha compuesto en solitario, excepto “Regular Riot”, escrita con Natalie Hemby de The Highwomen y en el que aparece como invitado Gary Louris de los Jayhawks. Dion forma parte de diferentes estratos de la historia de la música desde que le conocimos como Dion DiMucci al frente de los Belmonts, como uno de los máximos representantes de aquellos grupos vocales conocidos como “street corner héroes” de Nueva York. Su carrera en solitario partió del doo-wop y continuó por sendas más trascendentes que le han convertido en un artista atemporal, aunque lleve seis décadas en la carretera. Ahora ha publicado un álbum con el explícito título de Blues with Friends, lleno de invitados del renombre de Van Morrison, John Hammond, Billy Gibbons, Jeff Beck, Paul Simon, Joe Bonamassa, Brian Setzer, Steve Van Zandt, Bruce Springsteen o Patti Scialfa, entre otros. Incluso Bob Dylan ha escrito el texto de un álbum en el que el veterano artista del Bronx toma el protagonismo en cada canción con la vitalidad y la brillantez del pasado. Dion ha colocado a Springsteen en la guitarra y a su mujer, Patti, en los coros vocales para “Hymn To Him”, uno de los momentos más entrañables y el cierre perfecto del registro. El pasado jueves se cumplió un año de la primera visita a nuestro país de Steve Forbert, que ahora con su más reciente álbum, Early Morning Rain, bucea en canciones que forman parte de la historia de la música de raíces norteamericanas. Entre ellas encontramos "Good Time Charlie's Got The Blues", grabada por su creador, Danny O’Keefe, allá por 1967, aunque este nativo de Spokane, en el estado de Washington, no la sacó a la luz hasta el 71 cuando publicó el primero de sus álbumes, realizando una nueva versión para el segundo. "Hay un millón de maneras de conocerte a ti mismo, yo todos deben encontrar la llave". Así canta en “This Thing Called Life” el cantautor australiano Wesley Dean, anticipando un nuevo álbum y explorando los secretos que guardamos y las angustias que soportamos durante nuestras vidas. Se trata de una buena forma de identificarse con situaciones personales y sucesos a nivel global. Son los desafíos a los que nos enfrentamos cada día. El músico de Sidney suele mezcla de folk, country y rock para dar una visión propia del mundo referida a personas y lugares, como un alivio y una cierta válvula de escape. Orville Peck, vaquero enmascarado, tiene un nuevo EP, Show Pony, que es su primer lanzamiento desde que firmó con Columbia Records y la continuación de su álbum de debut del pasado año. Entre las seis canciones del proyecto, que se publica la próxima semana, se incluye un dúo con la canadiense Shania Twain y una versión a “Fancy”, la emblemática canción de Bobbie Gentry. Sin embargo, es en "No Glory in the West" donde este músico canadiense ha querido poner el foco, con un intento de poner en cuestión los ideales románticos de la vida solitaria de los cowboys. Aunque esta vez ha tomado el tono y las formas de un legendario artista también canadiense como Ian Tyson, seguimos sin saber exactamente si Orville Peck quiere ser Roy Orbison, Chris Isaak… o ambos a la vez. Las historias sobre rupturas son argumentos sólidos para hacer buenas canciones de country. Cuando se unen nueve de ellas en un álbum como Born On The Ground el resultado es un disco sólido tal y como nos ha regalado Emily Duff, con una mirada retrospectiva suavizada por una voz creíble a medio camino entre el country y el soul. Su tema central, “Born On The Ground”, tiene un toque amigable con reminiscencias de Bonnie Raitt, aunque Rosanne Cash es su debilidad. Emily Duff proviene de la escena neoyorquina. Sustituyó como vocalista de Gods And Monsters a Jeff Buckley y escuchar a Mavis Staples la ha inclinado a paisajes sonoros con tintes pantanosos, además de llevarla en su momento a Muscle Shoals. Esta vez se ha quedado en la Gran Manzana, pero su capacidad para filtrar un crisol de experiencias ha conformado un registro luminoso. Antes de ayer se cumplieron 45 años desde que Emmylou Harris publicara en single "If I Could Only Win Your Love", un tema de los Louvin Brothers que serviría de anticipo a su primer álbum en Reprise y el comienzo de una nueva etapa en su carrera. Reprise Records había establecido contactos con ella y encargó al canadiense Brian Ahern ‑el que sería su segundo marido‑ la producción de un disco titulado Pieces Of The Sky que vería la luz en aquel 1975. Este es un nuevo momento decisivo para su carrera. En él figuran muchas de sus canciones favoritas como "Coat Of Many Colors" de Dolly Parton, "The Bottle Let Me Down" de Merle Haggard, además de "If I Could Only Wind Your Love", una canción que el desaparecido Gram Parsons adoraba. Aquel Pieces Of The Sky era un trabajo elegante, que sirvió de continuación al trabajo que Emmylou y su mentor habían realizado juntos en G.P. y, sobre todo, en Grievous Angel. Ni podemos, ni queremos, despegarnos del álbum de debut de Tessy Lou Williams que con su nombre por título nos tiene cautivados desde su primera escucha con esa vuelta a las raíces y al espíritu que nunca debió perder la country music. Afincada en Nashville, Tessy Lou parece añorar los paisajes de su natal Montana y los sonidos aprendidos desde el ambiente familiar, habiéndose rodeado de músicos muy experimentados de Music City. “One More Night” expresa la batalla entre la cabeza y el corazón, en la que casi siempre sales perdiendo, pero necesitas casi con angustia una noche más. Esta vez es la soledad en la barra de un bar a última hora contado cómo podría hacerlo las mejores Lee Ann Womack o Alison Krauss. En estos tiempos complicados es bueno que regresen artistas como The Mammals con mensajes de aliento y esperanza. El colectivo que lideran Mike Merenda y Ruth Ungar, tienen su base en el área de Hudson Valley en Nueva York y desde su creación en 2001 estuvieron muy relacionados con la escena del folk de la zona, teniendo como mentores a piezas tan fundamentales del género como el desaparecido Pete Seeger o Arlo Guthrie. In 2008, The Mammals se tomaron un largo descanso para que la pareja realizara otras aventuras como Mike + Ruthy, pero en 2017 volvieron a reunirse como en el primitivo proyecto. Ahora la formación se ha elevado a nueve miembros para dar origen a Nonet, una especie de tapiz sonoro que permite muy diferentes perspectivas. La banda encarna esa amplia variedad de propuesta, todas ellas bajo el paraguas de la Americana, con unas armonías que a veces, como en “What It All Is”, con una oposición directa al militarismo y la ruina ecológica, trae ecos del binomio Buckingham-Nicks de los mejores Fleetwood Mac. Un salto a California nos encuentra con el folk-rock del trío Distant Cousins, cohesionados precisamente por lo heterogéneo de sus aportaciones y por la familiaridad con la que siempre se han relacionado. A comienzos de este 2020 se reunieron en los Boulevard Studios para grabar Here & Now, un álbum en vivo con una colección de selecciones acústicas de sus anteriores grabaciones. Ahí está “Angelina”, una canción que Distant Cousins habían creado hace dos años y que ahora suena a medio camino entre los Lumineers y los Avett Brothers. Es una visión muy personal de los fantasmas que surgen en soledad, cuando estás solo en una habitación de hotel en Nueva York. La etapa de aislamiento está sirviendo también para que algunos de los músicos más cercanos trabajen sobre nuevos proyectos. Ese es el caso de Los Widow Makers que están culminando la edición de un nuevo álbum grabado en directo hace un año en el Fernán Gómez de Madrid. Fue la realización de un proyecto que llevó al escenario de la sala Guirau a 20 músicos muy diversos pero fundidos en un objetivo común que había nacido tiempo antes en la cabeza y el corazón de Juan Carlos Esteban, el alma mater de la banda madrileña. El disco incluye 11 canciones, con algunas que formaron parte de sus cinco discos anteriores, nuevos temas y algunas versiones, filtradas por el rhythm and blues, el góspel y el swing sin perder su razón de ser original. Ahí está “Take Me Home, Country Roads”, que Los Widow Makers han hecho suya desde hace años y que John Denver compuso junto al matrimonio formado por Taffy Nivert y Bill Danoff en una velada nocturna y que incluyó hace 49 años en su álbum Poems, Prayers And Promises para hablar de West Virginia. Escuchar audio
The Rule Breakers May Band Holiday Podcast 25.05.2020This years Bank Holiday Special, all DJ's picked 1 song off each of their Top 10 Favourite Albums!!From this, I played #Records from Buckingham Nicks, Hozier, The Beatles, Pearl Jam, Soundgarden, Nirvana, Lou Reed, The Cure, Pixies, Mother Love Bone and David BowieListen Again Here!!------#MMH #RadioShow #Podcast #Birmingham #BlackCountry #Vinyl #LoveVinyl #LoveMusic #Analog #Midlands #Metalheads #MidlandsMetalheadsRadio #Radio #TheRuleBreakers #LexiFrances #Folk #Grunge #Rock #Unplugged #Brum #Brummie #Metal #HomeOfRock Special Playlist: Buckingham Nicks - Frozen LoveNirvana - Come As Your Are (Unplugged)The Cure - From The Edge of The Deep Green SeaLou Reed - Satellite of LoveSoundgarden - OutshinedMother Love Bone - Stardog ChampionPearl Jam - GetawayThe Beatles - I Need YouPixies - Monkey Gone To HeavenHozier - It Will Come BackDavid Bowie - Time
This is the album that turned Fleetwood Mac into a household name. Originally formed as a blues band in 1967, Fleetwood Mac had taken a turn to more pop-oriented music with their 10th and self-titled album in 1975. This precursor to Rumors also saw the addition of Lindsey Buckingham and Stevie Nicks to the band after the departure of guitarist Bob Welch. The band toured and promoted that album heavily and their work paid off. But it would be this eleventh album, Rumors, which would solidify their fame. The title was suggested by John McVie because he saw that the band members were writing about each other through the music.The band was all the walking wounded at the time. Drummer Mick Fleetwood was divorcing, bassist John McVie and keyboardist Christine McVie were separated, and vocalist/guitarist Lindsey Buckingham and vocalist Stevie Nicks were breaking up. All this drama poured into their music.While not every song was released as a single, virtually every song on the album is familiar based upon its rotation on FM radio. There is a timelessness about Fleetwood Mac, and we mention in this podcast how their popularity crossed generations.We hope you enjoy this exploration of one of the most successful albums of the 70's. Don't StopThis song was written by Christine McVie and is sung by Lindsey Buckingham and Christine McVie. It was the third single released from the album. It is an optimistic look at things after Christine's separation from John McVie to whom she was married for 8 years. Christine McVie was a session keyboardist when Fleetwood Mac first formed, and married John shortly thereafter. Bill Clinton used this music as his theme song during his 1992 Presidential campaign, and persuaded the group to reform and perform this song at his inaugural ball.DreamsThe second single from the album would be the highest charting song, going to number 1. Stevie Nicks wrote it, and handles lead vocals. It is about all the drama the members were going through - divorce, separation, and break-ups. The band was not all that impressed when they first heard it due to its simplicity in chord structure, but fortunately they decided to include it on the album after all.Gold Dust WomanStevie Nicks also wrote and sang this track, which was not released as a single, but received attention at the B-side to “You Make Loving Fun.” Nicks has described it as about Los Angeles, a bad relationship, and, perhaps most fameously, as a metaphor for cocaine.The ChainClearly the heaviest track on the album, it is the only track on the album for which all five band members received songwriting credit. This is another song in which the relationship struggles of the band are prominent. It was a literal combination of older material, and the intro was spliced in from an old Buckingham Nicks song using a razor blade to cut and splice the tapes. Stevie Nicks wrote most of the lyrics, and Buckingham sings lead. ENTERTAINMENT TRACK:Theme from “Sanford and Son” by Quincy JonesThe comedy series starring Redd Foxx came to an end in February 1977. STAFF PICKS:“Undercover Angel” by Alan O'DayWayne brings us the best known song by singer-songwriter Alan O'Day, who had written songs previously for Helen Reddy and The Righteous Brothers. He also relays a tragedy in his life where he won a Charlie's Angels poster that was never delivered!“The Things We Do For Love” by 10 ccBrian's staff pick features great harmonies and a story about a guy walking in the rain to his girlfriend's house. "like walking in the rain and the snow when there's nowhere to go, and you're feelin' like a part of you is dying."“The First Cut is The Deepest” by Rod StewartRob's staff pick was originally written by Cat Stevens; but this rendition is one of the better known, as sung by “Rod the Mod” Stewart. The Scottish-born singer was known for a high sense of fashion...and football (the soccer type).“So Into You” by the Atlanta Rhythm SectionBruce features the first single released of ARS's album "A Rock and Roll Alternative." This was their biggest hit off the album, and would kick off several years of success for the band running through this and the next two albums. INSTRUMENTAL TRACK:“Nights Are Forever Without You” by Bob JamesThis instrumental take on the hit from England Dan and Jon Ford Coley is off jazz pianist Bob James' fourth album, BJ4, which was released in this month.
Drummer Mick Fleetwood and guitarists Peter Green and Jeremy Spencer founded one of the greatest rock bands in the entire world in London in 1967. Their roots were primarily as a British blues band. But the lineup we’ve come to know and love featuring Lindsay Buckingham, Christine McVie, and Stevie Nicks, wouldn’t materialize until 1974. This is the deep dive story of Fleetwood Mac: Original guitarist Green decided to keep the guitarists out of the spotlight, and instead name the band after drummer Mick Fleetwood and eventual joining bassist John McVie The first American tour the band ever had saw them third on the bill behind Jethro Tull, and Joe Cocker Before the 70s, founding guitarist Green left the group in a really bizarre manner. He apparently declared money to be evil, gave it all away, and took a job as a gravedigger. Critics suggested that a bad LSD trip may have been to blame for Green’s erratic behavior The other founding guitarist Jeremy Spencer disappeared after leaving the band, having joined a religious cult called the Children of God. When he was found, his head had been completely shaven. The cult apparently stuck with him; he decided to name his 1973 solo album after the cult Buckingham and Nicks played together in a newly formed, critically acclaimed group aptly named Buckingham-Nicks. Their first and only album sold poorly, but their sound opened the door to their joining Fleetwood Mac You see, Mick Fleetwood was searching for former member Bob Welsh’s replacement when he scouted Sound City Studios in Van Nuys, California. The studio owner played him a Buckingham-Nicks song to demonstrate the studio's acoustics. Fleetwood asked about the guitarist, Lindsay Buckingham, saying he came as a package deal with his girlfriend Stevie Nicks and also with studio owner and producer Keith Olsen, who had signed them to a production deal and produced their first album. Fleetwood took that deal, making Olsen a co-producer of the Fleetwood Mac album and recording it at Sound City. Nicks ended up giving the group a distinctive voice and an additional songwriter that helped define their new sound. Olsen was jettisoned after that album and later sued the band for withholding royalties. Mick Fleetwood and John McVie kept the group going throughout the decades and across the myriad changes. Fleetwood says they stuck it out through "abject fear." "That's the nature of being in a rhythm section. You need someone to play with," he told Rolling Stone in 2017. "What the hell would we do if there was no band?" Currently, there is a Fleetwood Mac, but featuring all the original all-star mid-70s lineup, except Lindsay Buckingham, who told CBS Sunday Morning that he wasn’t on the same page as the group, and preferred to concentrate on his solo work
[JON's PICK] The year is 1977 and Valentines day is right around the corner. You want to get your significant other a memorable gift that really tells them how you feel. Fleetwood Mac just released the follow-up to their wildly popular self titled album, which featured musical power couple Buckingham Nicks. It's called 'Rumours,' and you grab it from the Sam Goody without listening to it, because you like how romantic it is that the two people in a passionate relationship can write music and tour together. They seem like the perfect couple. You give the album to your significant other for Valentines Day, and after a week passes, you start to have some heavy conversations about your relationship and your compatibility, and ultimately you decide it's best that you "go your own way..." One of the greatest breakup albums of all time, 'Rumours' and the story surrounding it are legendary in rock music history. Lindsay Buckingham and Stevie Nicks were at the end of their relationship and Christine and John McVie had gotten divorced, but they were all determined to power through it and made one of the most interesting and emotionally raw albums of the time. Join Brad, Dave, Jon A, and newcomer Scott Westley for a breakdown of the album and a little relationship advice... NEXT UP: (12-30-19) Sun Kil Moon - Benji "Dreams" with rough mix/vocals: https://youtu.be/6ZShvtyeUpk Miley Cyrus and Wayne Coyne Collaboration: https://en.wikipedia.org/wiki/Miley_Cyrus_%26_Her_Dead_Petz 89.9 WORT The Access Hour interview: https://soundcloud.com/wort-fm/brad-lebaron-revolover-audio Couch on the Couch: https://anchor.fm/couchonthecouch Other Links: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support
Efrain and David pay tribute to Fleetwood Mac and Stevie Nicks in this deluxe episode covering Landslide and all of Tori's other related covers. Come for the uncovered soundbites, interviews, and clips but stay for our in-depth interview with Fleetwood Mac Superfan Peter Zimmerman where he serves up all the Buckingham Nicks tea you never knew you needed. Take our love, take it down!
This week on a diverse and schizophrenic episode of Fanboys, your favorite Hard Timers “answer” (read: attack and belittle) a letter from a listener, give a platform to a brilliant rising star in the hip hop community, and get reluctantly dragged back in time to listen to some Buckingham Nicks shit. If you want to hear them help an avant-garde artist corrupt the youth and tacitly admit to some industrial sabotage, grab the full episode on The Hard Times’ Patreon! Be sure to check out this week’s featured artists: Fight Back Mountain (https://fightbackmountain.bandcamp.com/album/times-beach), Supa Dave (https://www.youtube.com/watch?v=GJjYRCY7Ra0&feature=youtu.be), Burn Ban (https://burnbanatx.bandcamp.com/), Halcyon (https://open.spotify.com/album/7vtLkq7F7kM7auUvtFAGpF), Vivaldi (https://vivaldi.bandcamp.com/), and Cerulean (https://www.youtube.com/watch?v=-EwbsbtrDsI&feature=youtu.be).
Bikini Kill are playing the UK again & Bohemian Rhapsody & Lords Of Chaos are out & reviewed. We chat a ton about this. But that pales into insignificance compared to how balls deep we go into the top 100 classic rock albums of the 70s. Make yourself a massive cuppa & join us ya long haired hippies! Tokyo Blade . Bikini Kill . The Julie Ruin . Matmos . Rusco . Queen . Bohemian Rhapsody . Lords Of Chaos . Mayhem . Matmos . Iron Maiden . Captain Beefheart . Steely Dan . Led Zeppelin . Greta Van Fleet . Styx . Old Man Lizard . Groundhogs . The Sweet . Rancid . Steeleye Span . The Cars . Free . Lou Reed . Mahavishnu Orchestra . Heart . Slade . The Beach Boys . The Only Ones . Aerosmith . Ace Frehley . Kiss . Motorhead . The Clash . Judas Priest . Buckingham Nicks . Iggy Pop . ZZ Top . Sex Pistols . Rush . The Rolling Stones . David Bowie . Pink Floyd . AC/DC .
Not a hardcore punk band from Quebec, not a black metal band from Norway and not an album from 1986. This week we’re talking about Fleetwood Mac’s Rumours. Who would have thunk? Recommended Listening: Buckingham Nicks https://www.discogs.com/Buckingham-Nicks-Buckingham-Nicks/master/119900 Smashing Pumpkins Landslide https://www.youtube.com/watch?v=-5bznN76xRY Seaweed Go Your Own Way https://www.youtube.com/watch?v=lna5ZKbZUqU Movie Classic Albums: Rumours https://www.youtube.com/playlist?list=PLZ3_Y93BJ4HvwiawUKHCeuBXYWzc1d6Mm huntsmanhill.com #huntsmanhill
Two years before joining Fleetwood Mac, Stevie Nicks and Lindsey Buckingham had no idea what lay ahead of them. They were just two kids who wanted to make great music — and they just happened to be in love. A cult favorite of Fleetwood Mac fans, this album is — curiously — still only available on vinyl. While bootlegs of the album can be streamed on YouTube, it has never been released on cassette, CD, or to streaming services like Spotify. This is perhaps part of the attraction to the album — this is music that doesn’t outright present itself; it must be found. In this episode, we discuss why we both call this album their favorite of all time, what makes it unique, and why it still takes our breath away hundreds of listens later.
It's Bonus Song Thanksgiving! Bill and Brian revisit the pre-Buckingham/Nicks era of Fleetwood Mac in a little more detail by discussing the Bob Welch penned "Hypnotize" off the band's 1973 album Mystery to Me. We discuss Welch's jazz influenced style and how the beginnings of the band's sound on Rumours started here. Additionally, we discuss the Great Polly Controversy of 2015 as we amend our comments on Nirvana's "Polly" and its electric versions. Happy Thanksgiving!
I Like Baseball - Young Marble Giants, Gerry Raferty, Cass McCombs, the Wailers, Heaven's Jail Band, Rod Stewart, Tom Ze, Guards, the Strangers, Buckingham Nicks, the Shirelles, Silver Jews, Dwight Yokam, Duffy and the Doubters, the Undertones, and Eruption 49.
Today's cut is from an album that never made it to CD-yet. Buckingham Nicks pre-Fleetwood Mac version of Crystal.
Today, I've got 5 songs from an album never released on CD. These songs are mp3 files, gloriously ripped from the vinyl. This is the best I've heard of these rips, and there are lots of scratchy ones floating around. I do own this on vinyl, but my turntable isn't hooked up and my copy is full of pops and cracks, since it was well-loved. Enjoy! Crying In The Night Crystal - which later appears on Fleetwood Mac's "Fleetwood Mac" album Long Distance Winner Lola (My Love) Don't Let Me Down Again
© 2020-2025 Ivy Podcast Discovery LLC
