Podcasts about Raw Like Sushi

For the final UKBHM retrospective of this year, we look at the career and solo discography of sonic nomad Neneh Cherry who has traversed the UK music landscape from the 80s onwards to now with a penchant for always doing it differently than her peers.TIMESTAMPS:Weekly Music Roundup - (0:58)Ben:Kembe X - it's not that deepNappy Nina - Nothing is my Favourite ThingDeJ Loaf - End of SummerPayroll Giovanni - Hustle MuzikCharlie:Imperial & Awon - On TempoThe Doppelgangaz - G Pack, Vol. 6Ray BLK - A Forest FireSamara Cyn - The Drive HomeMORGAN - Emotional GangsterJoe James - BEAST LIVINGBawo - It Means Hope Where I'm FromChe Noir - The Lotus ChildMegan Thee Stallion - MEGAN: ACT IITopic Intro/Ben's Research House - (16:22)Raw Like Sushi - (26:44)Homebrew - (37:11)Man - (45:59)Blank Project - (51:29)Broken Politics - (57:02)The Versions - (1:03:57)Lighter Note - (1:12:06) Thanks for listening. Below are the Social accounts for all parties involved.Music - "Pizza And Video Games" by Bonus Points (Thanks to Chillhop Music for the right to use)HHBTN (Twitter & IG) - @HipHopNumbers5E (Twitter & IG) - @The5thElementUKChillHop (Twitter) - @ChillhopdotcomBonus Points (Twitter) - @BonusPoints92Other Podcasts Under The 5EPN:"What's Good?" W/ Charlie TaylorIn Search of SauceBlack Women Watch...5EPN RadioThe Beauty Of Independence

Is this thing on? Music of the Mat rises from its slumber with a remixed format. Instead of analyzing wrestling songs, Andrew and a guest will play and chat about songs related to a wrestling concept, term, reference, pun, etc. Yes, it really is that simple. Andrew explains the reason behind the big change, then gets down to business with returning guest and absolute delight Maura Johnston. Together they tackle the topic of "in-ring debuts," playing songs off debut albums from Aerosmith, Madonna, The Killers, Oasis, George Michael, Neneh Cherry, Living Colour, and many more. It's over 2 hours of potent fun that will have you raising the roof like Ultimo Guerrero!Follow Music of the Mat on Twitter: @MusicoftheMatFollow Maura on Twitter: @mauraMaura's website: http://Maura.comRead Maura's review of Neneh Cherry's "Raw Like Sushi": https://pitchfork.com/reviews/albums/neneh-cherry-raw-like-sushi/All VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat: https://redcircle.com/music-of-the-mat/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Interview by Kris PetersMr. Big have been captivating music lovers since their inception in 1988 with an irresistible blending of rock and blues music that is as infectious as it is beautiful to hear.After releasing their self-titled debut album in 1989, Mr. Big - (vocalist Eric Martin, guitarist Paul Gilbert and bassist Billy Sheehan) achieved universal breakthrough success with the follow-up Lean Into It, an album that spawned the smash single To Be With You that set Mr. Big on a collision course with destiny that has continued unabated ever since.A combination of musical brilliance, integrity and genuine love for their craft has allowed Mr. Big to perform for over three decades, but, sadly, all good things must come to an end and for Mr. Big that ending is delivered in the form of The Big Finish touring extravaganza that has wound its way around the world at select destinations from last year, winding up - at this stage - in Romania on August 27.But in true Mr. Big style, the band was not content to leave their fans with only the memories of their final live performances, but also announced their tenth studio album - appropriately named Ten - would be unleashed with a strong nod to the entire history of the band in a musical farewell that promises an eternal gateway into the sonic sensibilities of a band who may never be rivalled.With the release of Ten rapidly approaching its global birth on July 12, HEAVY had the honour of sitting down for a one-on-one with founding member Billy Sheehan to talk about the album, Mr. Big's legacy and more."It's our 10th studio record," Sheehan proudly affirmed. "There have been a lot of other records. The first time we played in Japan, we had a wonderful time. And they knew we wouldn't be coming back until the next record - which was going to be a cycle that happens - so they wanted a live record. And we didn't really have the facilities because we were on tour with Rush in America, and so the sound man took a DAT tape, a digital audio tape that they don't have many more that cost $7.95, and put it in and hit record on our show with no multi-track, no fixes, no overdubs, no nothing. So our recording budget for the whole show was $7.95 (laughs). That tape became the first Raw Like Sushi. I think in Korea it's sold like 350,000 units. I don't know how many in Japan, but I hope we recouped our investment (laughs). But it was kind of cool that it was completely real and no fixes, no turning the audience up or any of those cheaters that you can do. So we've done a lot of records. And there's a million bootlegs, too. There was a great bootleg store in Japan - I think they're long gone now - selling CDs, and they had the most amazing set of bootlegs you could imagine. I got the Band of Gypsys, Jimi Hendrix demos and rehearsals. I got Genesis', The Lamb Lies Down on Broadway demos. It's the most amazing thing, the Montrose first record, all the demos, Boston demos that led up to these iconic records. And so we'd go there after our show, and they'd already have our record with artwork for sale (laughs)."We ask Sheehan to tell us more about Ten musically."We took a break on a tour and were able to go in and record," he explained. "I was super busy and couldn't make it for the writing sessions, so I came in and just played bass and that was kind of cool. I just could go, what do you got? Okay, maybe this will work and I would put a little bass line down. The songs were very together, but it was nice to be able to just come in and create a baseline that just came from nowhere, just from my first impression of how the song went. I didn't have a lot of time to even rehearse the songs. So in a way, that was kind of good, too, because it was spontaneous and came right, I didn't think it through. Thinking often… thinking will ruin a song pretty easily. And that happens with writing a lot. You just come up with a part and like it (but) the next day you think maybe we should hold on a second. Wait a minute. We had it. And now you're changing your mind? So that was a cool way to approach it. I just went in and played bass, and we came up with some cool stuff."In the full interview, Billy discussed a range of topics related to music production and performance. He talked more about Ten and its significance as their 10th studio record. Billy provided a detailed account of the recording process for the singles Good Luck Trying and Up On You, emphasizing the value of spontaneity and avoiding overthinking when creating music.The conversation also touched on the art of song arranging and hit songwriting techniques, exploring the concept of motifs, key changes, and song structures. We discussed the deliberate use of songwriting mechanisms to create hits and the intentional avoidance of radio-friendly song titles by bands like Led Zeppelin. Additionally, he explored the importance of live performances and spontaneity in music production, emphasizing the raw energy and genuine feel that it brings to recordings, plus heaps more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

August 1989.The final year of ‘the finest pop decade ever'™️ is moving along quite nicely thank you very much. There's most definitely a change in the air, and we don't mean the launch of the FOUR channel Sky TV network. Relax everyone, UK Gold and TOTP reruns are coming in three years!No, real change was coming. The second summer of love in 1988 (sorry Danny Wilson, probably a year out) as witnessed on the utterly imperial NOW 11, 12 and 13 had demonstrated that the 90s were calling and they would be decked out in dayglo. And most importantly a new positivity was being felt in the air, across the airwaves and through the pop we were all immersed in.And let's not beat about the bush, folks, 1989 was a seismic year for music. Let me indulge you listeners:Disintegration, Three Feet High and Rising, Doolittle, Technique, Club Classics Volume One, Raw Like Sushi, The Stone Roses, , Like A Prayer, Hats, The Seeds of Love, Flowers In The Dirt, Paul's Boutique, The Raw And The Cooked…And of course Neither Fish Nor Flesh (A Soundtrack of Love, Faith, Hope & Destruction).And so, to our favourite compiler of variously compiled pop. 1989 saw four (yes, as many as that!) new NOW, That's What I Call Music albums. Why four, I hear you cry? Well, because the summer was adorned with the first new dance volume since 1986, an album that, NOW fans will know, featured Love Can't Turn Around by Farley Jackmaster Funk - the first House track to break the UK. And 1989 was time (not for the guru, that's 1990 of course) to celebrate how dance was back, Back, BACK!And this additionally delicious dance volume enabled the BIG summer fifteenth volume to go deeper into the year's genres. So step forward delights including Soul II Soul's era defining classic, Paul McCartney's Hofner bass-adorned celebration of TV dinners, Swing Out Sister's mind-bending, sumptuous sixties throwback and De La Soul's daisy-age makeover of Hall and Oates (the ultimate backward nod to the outgoing 80s?).What a time to be on the edge of seventeen (deliberate Stevie Nicks nod, there) as this listener was!And joining me for this sepia-tinged and frankly tear-stained 1989 nostalgia fest through NOW 15 is the music journalist and author of the 33 1/3 book on George Michael's Faith, Matthew Horton.Discover how homemade mixtapes (his mums AND his own) inspired many a house party and achieved (almost) legendary status. Which cassettes were stuck in his Walkman at the outdoor Lido pool, why goth stars and American soap operas need to come together, which rapper performed for Matthew (and others, obviously) at Bristol University and (YES!) why the love for Fish and Flesh will never go away.And amongst these glittering 1989 delights, experience the moments when I actually say positive things (almost) about our friends from the north The Beautiful South and Hue and Cry.Join us on the glorious beach (best cover ever™️ - Jude Rogers) as we head back to NOW15. I think it's going to be alright. Hosted on Acast. See acast.com/privacy for more information.

Back in 1989, Neneh Cherry released her debut album. Raw Like Sushi was a smash in the UK and here in Australia. This young Swede based in London caught all of our attention, and through the 90's she'd release two more albums before taking a breather from music. But her creative life began way earlier. With an artist mother and jazz legend Don Cherry as her stepfather, Neneh's childhood was a life less ordinary. She split it between commune-style living in rural Sweden and loft apartments in New York, and when she moved to London as a teen, she fell in with some of that city's most creative punks – people she remains friends with to this day.Her story is wild, which is why - back in 2019 - I invited her to Take 5. As we mark 35 years since that debut, I'm dusting this gem off to share it again with you. Settle in for a convo with one of the greats, and an extraordinary chat about the power of song.Tanya Winley - 'Vicious Rap'Stevie Wonder - 'Living For The City'Frank Ocean - 'Seigfried'Dice Ailes - 'Otedola'Nina Simone - 'Mississippi Goddam'

Das Album "Disintegration" der britischen Rockband The Cure gilt als eines der besten Alben der 80er-Jahre, sagt zumindest das Musikmagazin Pitchfork. Wir schließen uns da gerne an und haben uns für die Aufzeichnung sogar im typischen The Cure Schwarz gekleidet. Bei "Disintegration" geht es um den Tod und das Altern und das alles in einem schaurig-schönen, düsteren Klanggewand mit Songs, die sich selbst viel Zeit und Raum geben, um sich zu entfalten. Zum Beispiel der Song "Pictures of You", da wird sich richtig Zeit gelassen. Bei dem Song starten die Vocals von Frontmann Robert Smith, die fast schon so was sind wie eine Anleitung für Herzschmerz und Trauer, erst nach über zwei Minuten. "Ich sehe uns auf diesem Album, wenn ich das Bild aufmachen will im Spa-Bereich im Hotel "Zur dunklen Seele des Robert S." und er ist der Bademeister und lässt uns gleich im ersten Song ("Plainsong") ein großes Bad ein. Mit den The-Cure-Badezusätzen, die wir brauchen. Da ist Melancholie, da ist Hall, da ist Einsamkeit, da ist Größe, da ist Verlorensein – alles das tut er rein", sagt SWR1 Musikredakteur Stephan Fahrig. Zu Gast in dieser Folge der SWR1 Meilensteine ist Heiko Maile von der deutschen Band Camouflage, die mit "The Great Commandment" und "Love Is a Shield" auch in den 80ern zwei große Hits hatten. Dank des Managements hatte die Band 1989 schon die Möglichkeit, vor der Veröffentlichung von "Disintegration" in das Album von The Cure reinzuhören. Heiko Maile erinnert sich noch daran, wie die Band das Album "Disintegration" während eines bitterkalten Videodrehs zum ersten Mal gehört hat. "Da kam der A&R-Manger von der Firma und hatte dieses Tape dabei von The Cure, "Disintegration" [...] Dann haben wir das quasi damals im Auto am Strand in Sankt Peter-Ording das aller erste Mal gehört und das werde ich nie vergessen! Sehr beeindruckend", beschreibt Heiko Maile von Camouflage die damalige Situation. Wie auch bei "Pictures of You" startet der Opener des Albums mit einem langen Intro. Beim "Plainsong" macht The Cure auch genau, was der Titel sagt. Es ist eigentlich ein einfacher Song, der aber mit vielen Klangflächen arbeitet und den Hörer schön langsam in das Album hineinzieht. Langsam aber mit einem epischen großen Sound. "Ich denke, es ist einfach ein Ort, den sie (The Cure) da festlegen. Also sie holen dich ab und sagen: "Hier, das ist unser Ort, damit fangen wir an!" [...] Jeder, der das nicht aushält, sollte die Platte dann auch nicht weiterhören! Das ist wie ein Statement", meint Heiko Maile. The Cure arbeiten aber nicht nur mit großen epischen Sounds auf "Disintegration". Manchmal sind es gerade die kleinen Dinge in den Songs, die sie so besonders machen. Beim Erfolgssong “Lullaby” zum Beispiel besingt Robert Smith den Spinnenmann, der sich immer näher heranschleicht. Diesen Spinnenmann können wir im Song sogar richtig eindeutig hören, in Form der hohen gezupften Töne schleicht sich der Spinnenmann Schritt für Schritt immer näher an sein Opfer. Unglaublich, wie schön bedrohlich das im Song klingt.  Noch intensiver wird das "Lullaby"-Erlebnis, wenn man sich das Musikvideo zum Song anschaut. In dem liegt Sänger Robert Smith in Spinnenweben eingewickelt im Bett und wartet eigentlich nur darauf, dass der Spinnenmann näher kommt und ihn auffrisst. Beim Musiksender MTV war das Video damals ein echter Dauerbrenner. Auch wenn es bei den meisten Songs auf "Disintegration" eher düsterer zugeht, die traurige Melancholie ist ja bei Robert Smith und Co. quasi ihr Markenzeichen, gibt es auch ein kleines Stimmungshoch: "Lovesong". Der Song ist sozusagen der Teil der Platte, der für die emotionale Dynamik zuständig ist. "Lovesong" ist dabei eine Liebeserklärung an Mary Poole, die langjährige Freundin von Sänger Robert Smith. Auch Megastar Adele hat "Lovesong" schon gecovert, in einer deutlich düstereren Variante als The Cure – aber nicht weniger schön. Für SWR Meilensteine Gast Heiko Maile von Camouflage ist "Disintegration" so was wie "der Schlusspunkt von The Cure", erzählt der Musiker im Podcast: "Weil, ich bin Ultra-Fan von dem Frühwerk. Als es in "Disintegration" ging [...] das schließt auch so ein bisschen meine The Cure Zeit ab. In "Disintegration" steckt irgendwie auch fast alles, was vorher schon da war. [...] Wenn ich jetzt jemandem ein Album empfehlen müsste, würde ich schon auch das Album nehmen, weil da steckt schon sehr viel drin von The Cure." __________ Über diese Songs vom Album "Disintegration" wird im Podcast gesprochen: (15:09) – "Plainsong"(22:06) – "Lullaby"(34:19) – "Lovesong"(41:32) – "Pictures of You"(53:23) – "Disintegration"__________ Über diese Songs wird außerdem im Podcast gesprochen: (04:34) – "The Great Commandment" von Camouflage(04:50) – "Love Is a Shield" von Camouflage(08:17) – "Raw Like Sushi" von Neneh Cherry(08:27) – "Seeds of Love" von Tears for Fears(20:07) – "Chariots of Fire" von Vangelis(39:03) – "Lovesong" (Cover) von Adele(55:47) – "Running Up That Hill" von Kate Bush__________ Shownotes: Der offizielle Youtube-Kanal von The Cure: https://www.youtube.com/channel/UCL_zMdXdM51oSi5XpxTvRtQ “Love Is a Shield” von Camouflage: https://www.youtube.com/watch?v=xmUGnrI9aV8 “Lullaby” von The Cure: https://www.youtube.com/watch?v=ijxk-fgcg7c “Lovesong” in der Coverversion von Adele: https://www.youtube.com/watch?v=naUqWQ-of6o __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

648 Neneh Cherry - Raw Like Sushi

Se transformó en un comienzo soñado para una artista que, más tarde, sería una suerte de madrina del triphop ayudando a grupos como Massive Attack y Portishead.

I was taken aback by this one, but, goodness, IT IS a DEFINITE SONG 2 Manchild was the second single released from the Swedish singer-songwriter Neneh Cherrs's debut album Raw Like Sushi – it is also that album's second track – hence its appearance here.

Neneh Cherry was born cool as the daughter of international musicians. The boys discuss 1980s drum programming, bad rhymes, and strange spoken word intros. Listen to our episode companion playlist (compilation of the songs we referenced on this32 episode) here: https://open.spotify.com/playlist/1oBLMXtQcxllA5Wynyj2kM?si=4040f25046e24da1 (https://open.spotify.com/playlist/1oBLMXtQcxllA5Wynyj2kM?si=4040f25046e24da1) Listen to Raw Like Sushi here: https://open.spotify.com/album/2AyJzvREOnlnYhaBzF1Kxp?si=BY0v1HASRBGGxtPs-YjQFA (https://open.spotify.com/album/2AyJzvREOnlnYhaBzF1Kxp?si=BY0v1HASRBGGxtPs-YjQFA) Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.com Intro music courtesy ofhttps://open.spotify.com/artist/6iUot3X4FwzuZVHMQ4xh4P?si=TOpyXme9QU-Hf71jjj7_DQ&dl_branch=1 ( The Beverly Crushers) Outro music courtesy ofhttps://open.spotify.com/artist/4ehOaXsBSc6eMO2fnveJU2?si=UrpyPkbrQh2AB9wQBLVbOg&dl_branch=1 ( MEGA) Next week's album: The B-52's - The B-52'S

In this second episode of a three part series on PF Strawson's 1978 lecture Perception and Its Objects, I focus on Strawson's criticism of AJ Ayer's portrayal of the average adult human's process of perception. Through his criticism of Ayer's account, Strawson elaborates on the features of his own account - what he calls a real realism but what PF Snowden calls a relaxed realism. Can we divide our perceptual experiences into a division of raw data and theory? Strawson attempts to answer this question and comes to some Kantian conclusions.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 73: Raw Like Sushi - Album Review, It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band : www.rewind80sband.com Facebook : the80smontagepodcast twitter: 80_montage instagram : the80smontage Links from Episode 73: Raw Like Sushi - Album Review Order the 30th anniversary reissue here: https://nenehcherry.lnk.to/RLS30YD​Follow Nenehhttps://www.facebook.com/nenehcherryo...​https://twitter.com/misscherrylala​https://www.instagram.com/nenehcherry...​https://youtu.be/J31Xh8-R3IYOfficial video of Neneh Cherry performing “Kisses On The Wind” from the album “Raw Like Sushi”.Neneh Cherry - Buffalo Stance (Official Music Video)https://youtu.be/JWsRz3TJDEYNeneh Cherry - Manchildhttps://youtu.be/OJ9VBMBS3qENeneh Cherry - Inna City Mammahttps://youtu.be/j13Ah4O1E8IThe Next Generationhttps://youtu.be/EMhqdgUgC-MLove Ghettohttps://youtu.be/QaNPtKtUbjgNeneh Cherry - Hearthttps://youtu.be/gexJL7-cEawPhoney Ladieshttps://youtu.be/HJR7P8Lu_cANeneh Cherry Photoshoot - Outre Risque Locomotive Demo & Manchildhttps://youtu.be/86JycUK0r_sNeneh Cherry - So Here I Comehttps://youtu.be/IhSW_6-6L48Willhelm Scream: https://www.youtube.com/watch?v=9FHw2aItRlwOutré Risqué Locomotive: https://www.youtube.com/watch?v=SLoHcIiZfbcThanks for listening!Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.rewind80sband.comwww.the80smontage.com80s rewind80s rewind-80s 80s-montage music 1980s tribute-band the-80s-montage-podcast montage retro comedy

Criada en los límites del jazz y el punk, la artista debutó en 1989 con un disco que reflejaba su independencia musical y su riqueza cultural.

Mark Saunders  in conversation with David Eastaugh Saunders's professional music career started as a drummer playing with Carlene Carter, Johnny Cash's stepdaughter, in 1982. The first time he went into a recording studio with her to record some demos, he was excited by the whole recording process and after the stint with Carlene finished in 1984, he landed a job as an assistant at West Side Studios, London working with production pair Clive Langer and Alan Winstanley who produced for Madness, Dexys Midnight Runners, Lloyd Cole & the Commotions, Elvis Costello and later Bush. In 1985, Saunders engineered the hit record "Dancing in the Street" by David Bowie and Mick Jagger. A year later, he became a freelance engineer and was discovered by Rhythm King, a label at the forefront of British dance music. Working on a couple of Bomb the Bass mixes led to co-producing Neneh Cherry's No. 2 US Billboard hit "Buffalo Stance" and the subsequent seminal multi-platinum album Raw Like Sushi. Following this, he worked on many pop/dance acts including Erasure, Depeche Mode, Lisa Stansfield and Yazz as well as Ian McCulloch, the Mission UK, the Farm, the Heart Throbs, Texas and the Sugarcubes. Robert Smith of the Cure employed Saunders's radio friendly skills to mix all singles from the album Disintegration. "Lovesong" became the Cure's highest charting single, peaking at No. 2 on the Billboard Hot 100. Saunders went on to work on further Cure albums - UK No. 1 Wish, Mixed Up and Wild Mood Swings.

Controversial. Outspoken. Unrepentant. Those words have been used to describe both Nader and Bryan, hosts of Sports Overtime. They've had their share of mistakes, but these two outsiders continue to fight their way into New Orleans sports media. Today, I give them the opportunity to address the controversy before we discuss the Saints and Pelicans. Opening theme by DJ Dao

Let's talk about people, places, birthdays, and maybe the oscars

Willem's in The Lighthouse, Neneh's celebrating Raw Like Sushi's 30th & Lee talks fitness

Neneh Cherry fête les 30 ans de son premier disque Raw Like Sushi et sort pour l’occasion une réédition.  Il était 2003, Neneh Cherry revient dans les studios de Radio Nova qu’elle connaît bien. … See acast.com/privacy for privacy and opt-out information.

Time Bandits returns for a whole new year of movies and albums – that’s right, from now on we’ll be travelling back to 1989 and celebrating the 25th anniversary of a movie and album. This week, on Episode 26 we are talking about the hotly contested big-budget sequel Ghostbusters II, and then we’ll try to figure out exactly what a Buffalo Stance is by listening to Neneh Cherry’s album Raw Like Sushi. Joining us on our journey this week is the hilarious Rhiannon Archer! You can find her fantastic videos, stand-up dates, and more at her official website, as well as follow her super funny Twitter feed. --- Send in a voice message: https://anchor.fm/time-bandits/message

Neneh Cherry is an icon. In 1989, this young Swede based in London caught all of our attention with her debut album Raw Like Sushi, and through the 90's she'd hold it, with two more albums before taking a breather from music. But her creative life began way earlier. With an artist mother and jazz legend Don Cherry as her stepfather, Neneh's childhood was a life less ordinary. She split it between commune style living in rural Sweden and loft apartments in New York, and when she moved to London as a teen, she fell in with some of that cities most creative punks; people she remains friends with to this day. We travelled through all of this when she came in to Take 5 with songs of force. Music that had made an impact on her as a fan, a voice, and an artist. From new voices to legendary poets, the way Neneh speaks about these songs and their influence on her is something to behold. This is one hell of a way to kick off a new year. Tanya Winley - 'Vicious Rap' Stevie Wonder - 'Living For The City' Frank Ocean - 'Seigfried' Dice Ailes - 'Otedola' Nina Simone - 'Mississippi Goddam'

Neneh Cherry is an icon. In 1989, this young Swede based in London caught all of our attention with her debut album Raw Like Sushi, and through the 90’s she’d hold it, with two more albums before taking a breather from music. But her creative life began way earlier. With an artist mother and jazz legend Don Cherry as her stepfather, Neneh’s childhood was a life less ordinary. She split it between commune style living in rural Sweden and loft apartments in New York, and when she moved to London as a teen, she fell in with some of that cities most creative punks; people she remains friends with to this day. We travelled through all of this when she came in to Take 5 with songs of force. Music that had made an impact on her as a fan, a voice, and an artist. From new voices to legendary poets, the way Neneh speaks about these songs and their influence on her is something to behold. This is one hell of a way to kick off a new year. Tanya Winley - 'Vicious Rap' Stevie Wonder - 'Living For The City' Frank Ocean - 'Seigfried' Dice Ailes - 'Otedola' Nina Simone - 'Mississippi Goddam'

Neneh Cherry is an icon. In 1989, this young Swede based in London caught all of our attention with her debut album Raw Like Sushi, and through the 90’s she’d hold it, with two more albums before taking a breather from music. But her creative life began way earlier. With an artist mother and jazz legend Don Cherry as her stepfather, Neneh’s childhood was a life less ordinary. She split it between commune style living in rural Sweden and loft apartments in New York, and when she moved to London as a teen, she fell in with some of that cities most creative punks; people she remains friends with to this day. We travelled through all of this when she came in to Take 5 with songs of force. Music that had made an impact on her as a fan, a voice, and an artist. From new voices to legendary poets, the way Neneh speaks about these songs and their influence on her is something to behold. This is one hell of a way to kick off a new year. Tanya Winley - 'Vicious Rap' Stevie Wonder - 'Living For The City' Frank Ocean - 'Seigfried' Dice Ailes - 'Otedola' Nina Simone - 'Mississippi Goddam'

By 1989, 25-year-old Neneh Cherry had already lived multiple vibrant lives. The child of bohemians (her mother, artist Moki Cherry, and her step-father, jazz musician Don Cherry). The 14-year-old high school dropout-turned-downtown-club-kid. The 16-year-old touring the UK with The Slits. The lead singer of post-punk band Rip Rig + Panic. Wife and mother. Divorced single mother, lover, and collaborator. All of these eclectic experiences and identities shape the 10 tracks of Cherry’s debut solo album Raw Like Sushi. Like Cherry, the album is impossible to pin down as one thing; it’s feisty and assertive, using a melting pot of influences from rap to funk to dance pop to convey a young woman’s truths without waiting for permission to do so. Though the album is nearly 30 years old, it’s one we have found ourselves listening to often in recent months, marveling at its prescience and continued relevancy. Not only do we hear 2018 ring in its girl power-inspiring anthems, assertions of female sexuality, or rebuking of Men Behaving Badly. We hear its decade-defining production reflected in current artists attempting to recreate specific dated sounds of the past — and use this album as a reminder that we need to understand where we have been to know where we are going. In this episode, we unpack the layers of this album’s lasting sonic influence, discuss and debate the ways its topics remain relevant in today’s cultural and political climate, and salute Neneh Cherry’s prolific unfuckwithable baddiness.

Cette semaine, Ma tasse de thé critique le nouvel album de Estrons et revisite Raw Like Sushi de Neneh Cherry comme album culte (Mathieu est d'ailleurs d'avis pour dire qu'il s'agit de l'un de ses coups de coeur à l'émission). 

The cursed are cursed! So many rounds of audio issues finally brought this shortened episode to your ears. If you have already already downloaded this, please re-download for this is where we finally review the war epic Apocalypse Now, the unique sounds of Raw Like Sushi, skip the food, figure out what Whitney Houston knows, let audio corruption lose our children's book segment and then review a sorta Bryan Fuller show. OH BOY!   Intro 0:00 -- 4:30 Apocalypse Now 4:30 -- 30:12 Raw Like Sushi 30:12 -- 36:13 Salam Leaf 36:13 -- 36:24 How Will I Know? 36:24 -- 43:12 The Snow Spider 43:12 -- 43:43 Dead Like Me 43:43 -- 53:55 Outro 53:55 -- 1:00:38   --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air.    Email Twitter iTunes YouTube   Join us Thursday next as we discuss more radical things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)    Artwork by Ray Martindale Opening tune by Adam Lord

Dan and Kailey gather at Rancho Notorious for an ad hoc Anzac Day recording. On the agenda is gruesome French body-horror Raw, Jude Law in Paolo Sorrentino's HBO series The Young Pope, an update on the continuing efforts to watch 52 films by women in a calendar year and Dan explains why this will be the last episode for the foreseeable future.

Today’s theme “RAW” You All. 生。Jesse Pinkman Style. Just loving “Breaking Bad”. 冗談は程々にしておきましょう。今回の番組はくじょうからスタート。 Yup, got my first complaint from a long time listener. Will take care of business You All.. The post Japanese Metal Head Show 016 – Raw Like Sushi appeared first on Metal Moment.