Podcasts about Metalhead

Interview by Angela CroudaceIn conversation with Dominic (Nicky) Palermo, the driving force behind Nothing, it's clear that A Short History of Decay isn't just another chapter for the long-running shoegaze outfit, it's a reckoning. Described as their most emotionally direct release to date, the record finds Palermo shedding vagueness in favour of brutal self-examination.“I just had to look at myself in the mirror a little bit more,” he admits. Time away from the relentless album-tour cycle forced reflection on family, identity and the distractions that once kept deeper truths at bay. The result is a body of work that feels less like therapy and more like confrontation.Borrowing its title from Romanian philosopher Emil Cioran's book of the same name, the album also draws inspiration from William H. Gass's novel The Tunnel, literature steeped in guilt, introspection and uncomfortable honesty. Palermo also carried a stark line from ancient philosopher Anaxagoras with him throughout recording: “The descent to hell is the same from every place.” It became a kind of thesis statement, there's no holding back with this record.Sonically, singles like Toothless Coal push into industrial territory, reflecting a band no longer trying to fit neatly into any box. After 15 years, Nothing still thrives in that tension; not heavy enough for some, not soft enough for others.And for Australian fans? Palermo hints there's a strong chance we'll see Nothing return this year — perhaps even for a festival slot. If this turns out to be true, you heard it here first! Fingers crossed.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In episode 259 of Heavy Metal Philosophy, Jon Barbas shows his love for the metal community, but points out 4 places we could do better. These are things that could help the heavy metal image with the mainstream and things we can do better for ourselves. Did I miss any? Let me know, join the conversation!Get 10% of Hear's Earplugs here:https://www.hears.com/HEAVYMETALPHILOSOPHYHeavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Substack Articleshttps://substack.com/@jonbarbas#metal #metalhead #metalfans*This episode includes paid promotion*

American deathcore outfit Signs of the Swarm are widely regarded as deathcore's most ferocious bands.After recently completing a sold out US tour to celebrate ten years as a band, Signs Of The Swarm have now set their sights on Australia, heading Down Under for a string of shows with Born Of Osiris in March.Over six studio albums - the most recent of which being last years To Rid Myself Of Truth - Signs Of The Swarm have embedded themselves in the upper echelon of metal bands worldwide, with an unrelenting presence and dynamic output that looks set to dominate well beyond their current decade of dominance.HEAVY caught up with frontman David Simonich to find out more. We question David about their ferocious reputation and ask if it is a badge of honour worn proudly by the band."Absolutely," he smiled. "I feel like that we bring an attitude that a lot of people can't imitate because it's very organic. We just try to be ourselves and that's just the energy that conveys of us being ourselves, you know? Good old American deathcore, brother."With the band recently celebrating ten years together, we take the opportunity to ask David what sorts of things he has learnt about himself and his music over the journey."There's been a lot of learning curves professionally and musically," he measured, "always figuring out, like, sometimes you have to find the right balance of what you want to do and what your fans will like, where you'll be happy to play it for 10 more years. You know what I mean? So there's some songs on other records where I'm like, man, I hope I never have to play that one. Just my head was in the wrong place at the wrong time, you know?"In the full interview David answers the last question in more detail, talks about touring with Born Of Osiris and what fans can expect from the shows, celebrating ten years, how Signs Of The Swarm have grown as a band, how their live show has expanded since the last Australian tour with Within Destruction in 2022, some funny tales from that tour and more.BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour DatesWednesday 18th March ADELAIDE, Lion Arts FactoryThursday 19th March MELBOURNE, Max WattsFriday 20th March BRISBANE, Brightside OutdoorsSaturday 21st March SYDNEY, Manning Bar Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Explosive Ukrainian metalcore force SPACE OF VARIATIONS returns with their new album, Poisoned Art, out now via Napalm Records. Blending furious brutality with heartfelt emotion, the four-piece band sheds their skin and continues to push the boundaries of modern metal, their new record showing a new facet of their ever-evolving sound—a new era.Bold as ever, Poisoned Art explores the boundaries of modern sounds. SPACE OF VARIATIONS directs the way into the future of metalcore: unbroken, unapologetic—unstoppable.HEAVY caught up with the band to find out more, starting by asking how they were feeling about Poisoned Art just out from last weeks release."I'm excited, confident, but in the same way, I'm thinking how to play these songs live," Dima Kozhuhar (vocals) replied. "It's both things for me. It's like excitement and a little bit of like fear, you know, how the people will react. But in the end, I'm happy that we did this album and finished it."We ask the band to dive deeper into the album from a musical point of view."What can I say about musical parts from a musical point of view?" Alex Zatserkovny (guitar, vocals) measured. "It's a natural extension of our previous art. For me it's still Space Of Variations and we always change something when we're recording. It's like normal, organic and natural stuff. I don't know, we're always looking for some new angles, new points of view or art. No dramatic changes, I believe, but at the same time, I believe this album sounds very different from all previous albums."Discussion then moved into musical intent and composition: the band described the album as a natural extension of prior work, blending genres and seeking new angles in composition and sound. They explained the singles strategy—releasing varied tracks (Halo, Tribe, Lies, Doppelganger, Ghost Town) to keep listeners uncertain about the album's full scope—and confirmed Tribe was chosen as opener and lead single for its impactful qualities. They addressed bilingual lyrics as a nod to Ukrainian fans and discussed touring ambitions including a clear interest in playing Australia, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceA Wilhelm Scream are heading back to Australia this March and if you know AWS you know that these guys, much like myself, love a chat! So much in fact, that we had to schedule two interviews just to get through all my questions. Thank you for the laughs guys, I sincerely needed that after the week I was having, anyway, let's get into what we discussed.Our interview with Trev and Ben started off strong talking of coffee rituals, the band's unfiltered group chat, and the ever-expanding “Wilhelm Scream” lore that continually grows more nuanced.Beneath the laughs, though, was something more telling. Trev spoke about constantly chasing the next goal, never settling, never coasting. It's that mindset that's fuelled a career built on integrity rather than trends. Far from a cliché quintet, A Wilhelm Scream have carved out their lane with staggeringly rich albums of ultra-technical, melodic punk firestorms, drawing from their deep catalogue when shaping new material instead of reinventing themselves for relevance.Joining them in Melbourne on March 8 are Authority Zero and Aussie punks The Decline. Expect riffs, sweat and zero complacency, oh yeah and maybe a dash of yapping.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In recent years, California deathcore juggernauts Spite have risen to the forefront of modern heavy music, building a reputation as one of the most formidable forces in the genre. They've drawn comparisons to Thy Art Is Murder, The Acacia Strain and Suicide Silence, and have consistently pushed and pulled at the boundaries of metalcore, nu metal and deathcore. Their rise has been fast and impossible to ignore, seeing the band collect millions of streams and hundreds of thousands of social media followers.Unafraid to experiment and unfazed by expectation, Spite have continually expanded their sonic palate with each new release, culminating with last year's well received album New World Killer, which will be the focus of the band's debut Australian headline performances.Through past visits sharing the stage with Make Them Suffer and Thy Art Is Murder, Spite have integrated themselves into the lives of Australian music lovers with their uncompromising live assault and inate ability to genuinely enjoy each passing moment as a band.With the tour set to kick off in Brisbane on April 24, HEAVY caught up with frontman Darius Tehrani to guage just how much carnage Spite plans to reign down on us all.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

We're joined by a titan of American metal (everybody calls him that): Randy Blythe of Lamb of God.We dive deep into Randy's life and musical history, from young punk rocker hopping freight trains, blowing off singing for the band that would become Burn the Priest, battling alcoholism from the early days through the glory days of Lamb of God, getting sober on tour with Metallica, his experience in Czech prison, and much, MUCH more.This is a loaded episode with a true legend in extreme music, who practices what he preaches and lives up to all of the kind things you hear about him.Go see Lamb of God on tour, check out their new record "Into Oblivion" on March 13th, and grab a copy of Randy's latest book "Just Beyond The Light" wherever you get your books!_______________Cool links:• Get 10% off GUILTY PARTY site-wide with code HARDLORE and grab some of our favorite clothing brands of all time• Go see Lamb of God with many other great bands at Welcome to Rockville and Sonic Temple!• HardLore Official Website/HardLore Records STORE____________________00:00:00 - Start00:03:08 - Approaching the 10th Lamb of God Album00:05:26 - Logo Change (Papyrus)00:06:26 - Finding Music (Disco, Rock, Punk)00:16:15 - Finding Local Music & Community00:19:33 - Randy isn't a Metalhead, Moving to Richmond00:28:50 - Randy's First Band00:30:25 - The Tale of Burn The Priest00:43:53 - Pardon This Interuption00:46:38 - Sobriety00:49:42 - Burn The Priest Self-Titled00:55:10 - Changing The Name To Lamb Of God01:00:43 - Panic Attack on a Roof01:03:29 - Playing CBGBs, Recruiting Willy, New American Gospel01:12:54 - As The Palaces Burn, Ashes of the Wake, Ozzfest & George W. Bush01:25:10 -  Sacrament, Making LoG Their Living, Advancing Alcoholism01:28:59 - Redneck is About Randy01:35:39 - Wrath, Getting Sober on Tour With Metallica01:39:39 - Resolution, Grammy Nom #2, Alcoholism Within the Rest of LoG01:41:26 - The Dark Days: Czech Prison01:46:53 - First Day In General Population, The Metalhead Prison Guard01:52:38 -  VII: Sturm und Drang, a Relief?01:55:37 - Lamb of God Self-Titled, The P*ndemic, Omens02:05:48 - The Heavy Music Boom02:09:24 - Into Oblivion, SST Crossover, Modern Political Landscape02:18:13 - Photography, Surfing, Writing & Other Endeavors02:20:35 - Food02:23:28 - Lamb of Ghosts02:24:49 - Top 4 Hardcore Records HardLore: A Knotfest Series, Fueled by Monster EnergyEdited by Steven Grise • Title sequence by Nicholas MarzlufJoin the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes.Join the HARDLORE DISCORD for community discussions and to participate in our future Q&A episodes.FOLLOW HARDLORE: INSTAGRAM, TWITTER, SPOTIFY, APPLEFOLLOW COLIN: INSTAGRAMFOLLOW BO: INSTAGRAM, TWITTER For sponsorship opportunities, email us! hardlore@knotfest.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On todays episode we get back into the reviewing of newer albums and start with Cradle of Filth: The Screaming of the Valkyries, The Protomen: Act 3 - This City Made Us, and Paradise Lost: AscensionFind all things Metalhead Journeys here:https://linktr.ee/metalheadjourneys   Support the show

Kansas City atmospheric prog-rock band A Light Within returned late last year with their haunting new single Dying Clock, marking their first new single since 2024's Identity and the next step in their slow-burning creative evolution. Known for their dark, atmospheric soundscapes and cinematic songwriting, the band remains a must-listen for fans of Porcupine Tree, Failure, Katatonia, Tool, and Pink Floyd.Dying Clock arrived as the band continues rebuilding after a turbulent few years. A Light Within carefully crafted the track throughout 2025 and enlisted Failure drummer Kelli Scott to add his signature sound during the session. The song, clocking in at just over nine minutes, wastes no time and takes the listener on an auditory journey with an ending that even the most discerning post-rock and metal fans will appreciate. Bass on the track comes courtesy of Madelyn Robertson. Their last full release, Epilogue in 2018, concluded a conceptual trilogy built from transcribed diary entries and was recorded by respected engineer Paul Malinowski (Season to Risk, Shiner, The Life and Times) and mastered by Acle Kahney of TesseracT.Kyle Brandt (vocals, keys, production) and Jeff Irvine (guitar) joined HEAVY to bring us up to speed."It's been well received so far, and I'm glad to hear that," Kyle smiled when we asked how the new single was received. "That keeps the motivation strong and healthy. Even though mainly we make music for ourselves, when anybody else enjoys it, it's like icing on the cake, so to speak."We ask the boys to take us deeper into the musical side of Dying Clock."It kind of started as a jam in the room, and then it got to not very far," Jeff laughed. "And Kyle took that room recording and made a really killer demo out of it, like fully structured it out. We had an idea of wanting it to be two songs in one song type thing, a song with two parts, if you will. And he did that, and it was really cool. I came over and did some demo guitar recordings on it, fully digital, which I had never done. He had me kicking and screaming to pull me into that direction. But I did it. And some of those guitar tracks are still on the demo or on the song now."In the full interview, Jeff and Kyle shared insights into the creative process behind their songs, highlighting the contributions of drummer Kelli Scott (Failure), whose unique style transformed their sound. They emphasized a shift towards a more independent writing approach, with a focus on emotional expression rather than technicality, resulting in a blend of post-rock and melodic prog rock influences. The conversation also touched on the challenges of adapting to remote recording during the COVID-19pandemic, as well as the transition from analogue to digital production methods. Kyle discussed his previous work, a conceptual trilogy inspired by the album Posthumous Silence, and shared personal anecdotes related to his songwriting and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Archspire vocalist Oliver “Oli” Alleron is clearly excited about returning to Australia, with the band set to tour in January. From his love of Australian crowds to his unexpected obsession with The Block, Oliver speaks warmly about the country, its food, and its famously outgoing fans. He recalls being blown away by the sheer number of shoeys happening on stage during their last visit, and hints they may make a return. With a new drummer joining the line-up and a freshly self-produced album funded largely by fans, Archspire are entering an exciting new chapter. Oliver admits perfection isn't the goal live; having fun, staying relaxed, and connecting with the crowd matters most. Check out everything he had to say in the full interview.Archspire - Return To Prison Island Australian Tour  with Aborted and OrganectomyJan 24 - Froth & Fury PerthJan 27 - The Croxton, MelbourneJan 28 - The Triffid, BrisbaneJan 29 at The Baso, CanberraJan 30 - Liberty Hall, SydneyJan 31 - Froth & Fury Adelaidehttps://swdpresents.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Fans of  Slayer – it's time to get excited! D.X. Ferris is back on the show to talk about the updated version of his book 'Slayer 66 2/3'!Purchase a copy of Slayer 66 2/3: A Metal Band Biography [ALL VERSIONS]Purchase a copy of the audiobook version of Slayer 66 2/3: A Metal Band BiographyListen to D.X. Ferris's previous appearance [Episode 304]

Layne and Jon are still reeling from last issue’s Metalhead reveal, but to be fair so are the Turtles. So it’s time to see what this new life is like in two issues that more or less happen simultaneously: IDW’s Teenage Mutant Ninja Turtles 46 and the TMNT Free Comic Book Day issue, both from 2015!

Layne and Jon are still reeling from last issue’s Metalhead reveal, but to be fair so are the Turtles. So it’s time to see what this new life is like in two issues that more or less happen simultaneously: IDW’s Teenage Mutant Ninja Turtles 46 and the TMNT Free Comic Book Day issue, both from […]

Interview by Ali WilliamsIf you think the wildest part of touring is the fans, you've clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire's resident optimist—while he was holed up in Salt Lake City after some “eventful” /white-knuckle drives that would've had most people praying to whatever rock gods they believe in. Turns out, touring with Memphis May Fire is less “luxury tour bus” and more ‘Frostpunk on wheels'. Memphis May Fire will be returning Down Under with BLESSTHEFALL in April 2026. Matty's racking up more frequent flyer miles than your average travel vlogger, but in his words, “we owed our Australian fans a proper return after too long away". As a regular coming to Australia so often, he might as well apply for citizenship and start calling Vegemite “delicious” with a straight face. Whilst he assured me there will be no pyrotechnic awesomeness or indoor fireworks this time—(insurance companies everywhere just collectively sighed in relief), the band's packing a new setlist, bigger production, and some mates from Blessthefall. The only thing going up in flames will be the crowd's energy and maybe a box of your possessions you left at an unhinged ex's place. Matty laughs off the chaos, proving he's either a genuinely chill dude or just totally numb to tour madness at this point. “I never, ever know what day it is,” he laughs. Touring sounds glamorous, right up until you're living out of a suitcase and arguing with the GPS about which patch of ice to die on next. For Matty, it's been night after night of long, snowy drives and just enough adrenaline to keep things interesting. What keeps Memphis May Fire alive after years of this chaos? Stubbornness, a refusal to quit, and the knowledge that some maniac on the internet will have a hot take on whatever you do anyway. Matty's refreshingly honest about the ups, the downs, and the sheer weirdness that comes with being in a band in 2025. There's no pretending it's all sunshine and sold-out shows—but there's a hell of a lot of laughter along the way. Every touring band has wild stories, but Matty's “unhinged moment” takes the cake (and probably an earlobe). He tells of a band trip to a South African wildlife preserve, one overly friendly baby leopard, and a bass player who learns the hard way what “bite force” means. The aftermath? Paper towels, disinfectant spray, and a new story to explain at airport security. Scar stories: not just for mosh pits. He gives a few hints about what's in the pipeline for Memphis May Fire—new music, surprise setlists. He doesn't spill everything, but has promised that they're bringing something new and exciting the second time around, and those who saw them recently won't be disappointed because it's not going to be just a repeat of their last shows, so watch this space! Memphis May Fire are still out there, still grinding, still finding new ways to laugh at the madness. Get to a show, bring the good vibes, and maybe offer to drive the van if it snows. Tickets for Memphis May Fire's next Australian tour are going fast—for all the details and your backstage pass, head to https://thephoenix.au/memphis-may-fire-2026/, and maybe, just maybe, send Matty a warm pair of socks. Catch you in the pit, or over at the bar.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Simon Russell-WhiteThough Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility about the debut Australian tour for the five piece, also featuring Greg Puciato (vocals/ex Dillinger Escape Plan/Killer be Killed & The Black Queen), Steve Micciche (bass/ex Every Time I Die) and Clayton "Goose" Holyoak (drums/ex Every Time I Die).For Jordan, it's been 6 years since he travelled to this Great Southern Land, and when asked the obvious question about how excited the band is about finally coming out to Australia, his reply was in the form of a question: “Be honest, is it gonna be good?!"Between Jordan, Will, Greg, Steve & Clayton, the discographies, tours and (dead set) legacies these guys possess is something to be in awe of and has earned each member much respect in the industry, especially in the genre, a genre that is tackled by many and has become saturated.To give an answer on how the tour will go, made for an easy reply, one in which I hope offered reassurance of how excited the Better Lovers punters of Australia truly are!To mix things up, joining Better Lovers on the tour is the Gold Coast's own Blind Girls and English nu metallers Split Chain. “It's a cool, mixed bill, always love a good mixed bill,” says Putney as the conversation leans into what to expect from the tour. “Reminds me of being a kid, when I first started going to shows,” he adds, as he reminisces and reels off some absolute classic gig line ups he attended many moons ago.The band's debut album, Highly Irresponsible, came into this world just over a year ago, and more recently as a deluxe edition with some extra absolute slammers of tracks. “So grateful and doesn't get any better,” says Buckley when discussing the reception the album has received worldwide. Be sure to check out those extra tracks, sitting at the end of such an album makes for a huge ending to it!Before you settle in and enjoy this conversation, as a collective, be it organisers, fans, even the sometimes unsung door people, can we please guarantee two things for the band?!Make sure the AC is in working order at all venues.Adelaide fans, make sure the last show of the tour, the best show of the tour. Amongst the insanity that will be Better Lovers' debut Australian tour, kicking off in Brisbane, there will no doubt be appreciation, sweet relief and a love for music that will be palpable for all involved, let's get hot, Australia!Tickets from destroyalllines.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

For 35 years, Poland's unholy giants Behemoth have flown the flag for blackened death metal not only in their home country, but in all corners of the world. Along with Vader and Hate, Behemoth have played an important role in establishing the Polish extreme metal underground with an uncompromisingly brutal attitude that burns brighter with each passing year.Fresh from releasing their most recent album – The Shit Ov God - in May this year on Nuclear Blast, Behemoth have set their sights on Australia in February 2026 to perform tracks from their storied discography alongside new material. Straddling the line between the sacred and profane, Behemoth has risen to become extreme metal's most revered and provocative band, steeped in anti-authoritarian fire. Renowned for their elaborate live performances, the band continues to push boundaries with their fearless artistry and vision, and have vowed to bring their menacing glory to Australian fans on the upcoming tour.To celebrate the momentous occasion, HEAVY recently sat down with guitarist/vocalist Nergal to journey through the sordid world of Behemoth. We ask if his excitement levels remain as high despite touring most countries multiple times."Yes," he smiled warmly. "I don't want to sound arrogant here, because the fact is that from the first tour that we did in Australia to the next one, it just grew by a few per cent. But every time it was bigger and bigger crowds. We even did some like big festival appearances, so we played in front of really big crowds there as well. Mostly, it's club tours, but still, I don't want to be like, oh, Behemoth is coming back, everyone is just fucking bowing. No, no, you always have to earn that. You have to work hard. We have a new record called The Shit Ov God, and I don't know how it's going over there in Australia. So it's always a test.It's always a question of how many people would like to go and check it out again if they've seen us before? And I hope they will. And how many of the newcomers are going to show up? So it's always a question mark, you know. I don't want to sound too full of myself, like it's a royal return of Behemoth. No, no. We do work hard; we do care about it, and we would love to have the biggest run yet in Australia."In the full interview, Nergal discussed Behemoth's upcoming tour in Australia in greater detail, highlighting the band's strong connections and positive experiences in the country. Nergal expressed enthusiasm for returning to Australia, noting the growth of their audience and the importance of continually earning their place in the music scene. He shared personal reflections on his career, emphasizing the gradual success of Behemoth over 34 years and the evolution of their live performances into elaborate spectacles.He also mentioned the financial challenges of live show production, drawing inspiration from other bands like Rammstein while remaining committed to enhancing their stage presence. The conversation further explored Nergal's creative process, which he described as organic and akin to piecing together a puzzle. He emphasized the need to capture fleeting ideas through notes to avoid losing creative opportunities and the challenges that come with longevity in the music scene. Nergal also discussed Behemoth's latest album, The Shit Ov God, acknowledging its potential for mixed reactions while highlighting its philosophical significance. He talked about the themes of the album and the title, expressing his thoughts going into an album cycle and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsIf you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY's own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide's criminally underrated music scene.Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians' creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. Forget digital downloads; Mitch's passion for vinyl is a religion. The band doesn't just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia's got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch's plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. The band's gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you're loved, you're loyal, but unless someone donates a private jet, don't hold your breath for monthly Dyssidia visits.Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they're basically handshakes, and the friendships are the real glue. According to Mitch, it's not about the business as much as it is about the hang. “Most of the time, you're just trying to survive and connect with other bands, so your mini-tour isn't just you in a van talking to yourself.”There's no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

With their ninth studio album, Another Miracle, landing on November 14 - and an Australian tour commencing May 7, 2026 - Of Mice & Men are stepping boldly into their next era—one defined by emotional depth, creative freedom, and an unshakeable bond with their fans. Drummer Valentino Arteaga speaks about the record with a mix of pride and awe, describing it as a “journey” built on layered soundscapes, soaring melodies, and crushing heaviness. It's an album meant to be absorbed front to back, not just thrown on a playlist.Self-produced and richly textured, Another Miracle reflects a band continually pushing their own boundaries. Valentino compares its intricate sonic layers to “ten wedding cakes stacked on top of each other,” each one representing experimentation, growth, and the group's ever-expanding musical vocabulary. Songs were crafted during a period of major life changes, including frontman Aaron Pauley discovering he was about to become a father, which brought a new emotional dimension to the writing.Valentino's current favourite track, Troubled Water, mirrors the album's dynamic energy with groove-driven drumming and bold performances. Yet he insists each song offers something different: “With Of Mice & Men, there's something for everybody.”Despite their evolution, one thing remains firmly intact; their connection to fans. Community is at the heart of their legacy, and it's something the band is determined to honour. “When you come to an Of Mice & Men show, you're there with family,” Valentino says. That spirit will follow them to Australia in May 2026, where they'll tour with genre-blurring heavyweights Crystal Lake for what promises to be an explosive run of shows.With Another Miracle, Of Mice & Men aren't just reinventing their sound, they're reaffirming why their music continues to resonate so deeply after 16 years: honesty, passion, and a commitment to constant elevation.OF MICE & MEN + CRYSTAL LAKE May 2026 Australian Tour DatesTuesday 5th May - PERTH, Magnet HouseThursday 7th May - ADELAIDE, Lion Arts FactoryFriday 8th May - MELBOURNE, 170 RussellSaturday 9th May - SYDNEY, Manning BarSunday 10th May - BRISBANE, The TriffidTickets: https://thephoenix.au/of-mice-men-2026/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Armed with undeniably some of the heaviest riffs known to mankind, DYING FETUS have established a reputation for uncompromising integrity with a slew of classic albums, and today ride a resurgence of respect and esteem with a new generation. After 12 horribly long years since their last tour in Australia and in only their second appearance in New Zealand since 2009, DYING FETUS are well overdue to lash us unmercifully this December with their savage beat downs and earth-moving grooves and grunt, equally designed to pulverize and mesmerize. And smash us they shall, but to find out just how they plan to do that, HEAVY sat down to chat with bass player Sean Beasley. One of the things we ask about is the well-known ferocity of Dying Fetus's mosh pits and what it looks like from stage."Yeah, it's always different," Beasley smiled. "You never know with big festivals or whatever. That's when you see it, like, oh shit, somebody might get hurt out there. Usually, people get hurt when they fall over the railing instead of being in the pit, you know?"We also address the fact that the band have not toured Australia for well over a decade, and ask cheekily why they have neglected their fans here for so long."I don't know, to tell you the truth," he replied, laughing. "It just hasn't worked out. We haven't been back to Southeast Asia either, so for some reason that hasn't worked out. It's been this long, which is really surprising to me. I had to look it up and was, like, damn, when was the last time we were there (laughs), and then I had a look and realized it's been that long!"In the full interview, Sean talks more about the tour and what we can expect from Dying Fetus. He runs through what has changed with the band in between visits, including new albums and how much attention they will be getting in the set list.We praise him on the selection of 200 Stab Wounds as support, talking about this being their first tour of Australia and how they will adapt. The excellently graphic tour poster is discussed, along with more on the mosh pits in the crowd, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Entering album number ten, the all-encompassing sonic realm inhabited by Swedish musical enigma Avatar looked set to face the band's biggest personal hurdle to date. Very much a band who have proudly proclaimed their intention to maintain musical growth from day one, Avatar were forced to confront the critical and commercial success of the wildly entertaining album Dance Devil Dance. While most bands would welcome such success, it also forced Avatar to take stock of their music and career.This is a band who have steadfastly refused to become a parody of themselves, forsaking convention and expectation in pursuit of their own musical vision from where the sonic Garden Of Eden would forever bunker down. But the temptation would surely have been there. The temptation to possibly rehash whatever winning formula was at the core of Dance Devil Dance's success and squeeze that metaphorical cash cow while the milk was still fresh and creamy.So what did they do on their recently released follow-up, Don't Go In The Forest?They did exactly what long-term fans of the band and the band themselves would have expected and basically raised their middle fingers in the air in an act of defiance to the Metal Gods, who felt they had paved the way for Avatar to continue their journey unabated to the upper layers of the global music empire.While understandably retaining certain elements of what was created on Dance Devil Dance, Avatar more took the challenge of continuing their sonic evolution, exploring new and unchartered ideas personally. Maybe not outwardly, but certainly in the dark recesses of their brain, the band vowed to stick by their word. Stick by their mantra, their fans, but most importantly themselves. What they created was pure musical genius of unrestrained creativity that is perfectly represented by the intentionally sporadic and unexpected turn taken over the very first few songs on Don't Go In the Forest and only gets more disturbed from there.HEAVY was given the opportunity to journey into the creative mind of Avatar frontman and mastermind Johannes Eckerström and relished the chance to put some sense to the engulfing madness."The first couple of weeks is transpositional in the sense that you are a writer; you're a performer, we're a bunch of stuff, right?" he more stated than asked the question. "And release, as in putting something out, that word has a double meaning. Because release also means letting go. And as far as the writer in us goes, it's done. It's gone forever. It doesn't belong to us anymore, it belongs to everybody."We mention that it must be hard to emotionally let go of a body of work that has dominated their world for such a large period of time."There's a thing I do for myself...," Johannes measured, choosing his words carefully. "Ever since going back to the Black Waltz, because that album started an... I don't know... a quarter-life crisis kind of place in our lives, at least speaking for myself and John (Alfredsson, drummer). We had a powerful moment of that around that time, which, long story short, led to us really thinking, 'okay, this is the last album. Fuck it.' And that mindset of this is the last album, fuck it, I've tried to keep that ever since. I mean, I have some kind of confidence in that we will get to do another one (laughs), but it's always that question. If this were to be the last album, would I be okay with that? Did we achieve what we want to achieve here? If the world hates it, did we do enough to be at peace with that? And yes, I am. So, yeah, I have that little mental exercise or whatever you want to call it to deal with exactly that."In the full interview, Johannes spoke deeper about the musical side of Don't Go In The Forest, including the deliberately eclectic nature of the music and the way they approached the order of the songs on the album. We discussed the singles released and the thought process that goes into their selection, and the ways in which Avatar go against usual industry practices when it comes to everything about their music.Johannes explained the creative vision of Avatar and the importance of continual progress and experimentation within their music, their place in the sonic universe, creating an all-encompassing music experience for themselves and the listener and Avatar's perpetual quest for musical enlightenment.We explored the importance and meanings behind the album title and took a look inside the theatrical nature of the band and their music, discovering even more layers and complexities in Avatar and their quest. As if we needed to go down that rabbit hole…Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceHalf a century on from his Rabbit days and even longer since fronting the very first line-up of AC/DC, Dave Evans hasn't slowed down one bit. Celebrating 50 years of Rabbit with the new album Defenders of Rock, the self-proclaimed “King of All Badasses” still lives by the mantra: every song a killer, no song a filler.Speaking to us from Mexico, Evans radiates the same unstoppable energy that's defined his career. “I'm lucky I went solo years ago,” he says. “I can record with anyone, anywhere in the world. If someone gives me the shits, I just say, ‘See ya later!'” That autonomy, he explains, keeps his fire burning and his fans around the globe ready to rock.Evans credits his longtime collaborator and Rabbit guitarist Mark Tinson, “the king of all riffs,” for the new album's punchy sound. “Rabbit's a party band — sexy and tough. The world needs Rabbit right now,” he grins. “No doom and gloom. Just rock and roll, baby.”Reflecting on the early Aussie rock scene, Evans recalls when “getting signed was like being touched by God.” Yet, even as times change, he believes the secret to survival is simple: energy, hooks, and happiness. “I still go out there to make people happy,” he says. “When they leave my show, they're smiling and that's what it's all about.”At 50 years of Rabbit and counting, Dave Evans proves that real rock 'n' roll never dies — it just keeps getting louder!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

After establishing themselves as serious contenders in the ever-growing Australian music landscape with their 2024 EP Requiem, Melbourne hard rock outfit The Last Martyr seemingly went into their shells, still playing the odd show but failing to release more new music to deliver the knockout blow.It was ultimately a combination of many different factors of life and music that stood as a buffer between maintaining momentum and walking the tightrope of everyday life, but if the absolute carnage that is their upcoming single Brain Rot is anything to go by, The Last Martyr have decided it's time to reacquaint themselves with their fans. And not by easing back into things, either.Harking back to their nu metal roots, The Last Martyr have proved that while they might not have been as prolific in the public forum, that doesn't mean they have remained idle in the creative realm. Brain Rot is a seething, attitude-laced descent into a world diminished by the rapid emergence of the digital age and the many fears, problems, and disconnections that come with it.Throw in the fact that vocalist Monica Strut was recently crowned as a deserved winner of the Women In Heavy Music Award at this year's Australian Women's Music Awards, and you have a potent mix of tempered aggression and personal embodiment that is just waiting to be unleashed. HEAVY spent time earlier this week with Monica to talk about the new single and her recent recognition by her peers."I think it's just one of those milestones that is so rare, especially in the music industry," she relayed when asked if winning the award has sunk in yet, "and as a woman, and in Australia. There's obviously the ARIA's, but you really have to be so on top of your game to win an ARIA. We don't have many awards like this in Australia, and there's something really special about even just being invited to the ceremony."We question Monica on the gap between releases and ask if she thinks The Last Martyr may have lost momentum in that time."We thought we weren't going to do it justice if we rushed it," she said of Brain Rot. "We had the song ready, but in terms of being a musician, it's not just about writing music. You've got to prepare all the contents, and you've got to have the marketing for it and create the single artwork. So I think we've delayed it a little bit, mainly due to logistical reasons."We bring up the return to a more nu metalcore sound and ask if that is going to remain the way forward for The Last Martyr."We're always going to experiment," Monica shrugged. "We're never going to be a band that sticks with a certain sound and then just copy/ paste. We have too many ideas, and we always want to be pushing ourselves as artists. But what I will say is I feel like this song and the next batch of songs, they're the best songwriting that we've ever done in terms of arrangements and everything like that."In the full interview, we explored the shift back to The Last Martyr's roots in more detail, discussing the reasons behind the return and how Monica thinks fans will react. We talked more about her recent Award and what it means to her as a person and an artist, also mentioning the previous two winners and how tight-knit the Australian metal circle is.We spoke more about not rushing into releasing anything straight after Requiem, whether Brain Rot is a standalone single or part of a bigger album picture, upcoming shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In a relatively short amount of time as far as the music industry goes, Swedish rock outfit Smash Into Pieces have quickly risen to become one of the leading exponents of rock on the planet. After twice reaching the Swedish Eurovision final and delivering a string of consistently quality albums, the band found themselves on the international stage and touring with bands of the calibre of Evanescence and Within Temptation.But if you think getting somewhere near the top is hard, it's even harder staying there. All of a sudden, the weight of expectation falls heavier on your shoulders, and new music is critiqued on a level never experienced before. Which is why the next album from Smash Into Pieces couldn't just be as good as previous releases. It had to be better.Which is exactly what Smash Into Pieces have achieved with Armaheaven, to be released on October 31. Continuing the battle between humanity and AI where previous album Ghost Code left off, Armaheaven paints an even bleaker picture of humanity's future, set to the backdrop of a cinematic and sonically abundant tapestry of riches throughout its 15 tracks. It is another step forward in the evolution of Smash Into Pieces, and reaffirms their growing status with an almost effortless ambience that hints at even more expansion to come.HEAVY sat down with frontman Chris Sörbye to find out more."We have been working on this album for a long time," he told us. "There's a lot of songs there that have been with us for a long time, which we haven't really had the time to finish. For example, Devil In My Head has been with us for almost five years now. We didn't know what to make of that song in the early stages, but it turned out great."In the full interview, Chris talks more about the musical side of Armaheaven, how it continues from Ghost Code, runs us through the storyline and gives some insightful thoughts into AI.He talks us through the guest artists on the album, including Elize Ryd from Amaranthe and the history between the two bands. The topic of integrating cinematic scores into their music was discussed, as was the art of conveying emotion through atmospherics in the studio. Talk turned to their recent tour of Australia, the ever-evolving sonic palate explored by Smash Into Pieces and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In episode 241 of Heavy Metal Philosophy, Jon Barbas responds to Andrew Lee's video essay titled "How Heavy Metal Upholds White Supremacy." As an Asian metalhead growing up in the deep south of America, a lot of what Andrew pointed out resonated with me, but some of my experiences were different than his. Those difference might be illuminating. Join in on the conversation!Andrew Lee's channel...www.youtube.com/@UCjv-NVVzWtu0f43lh7TQO-A Get Heavy Metal Philosophy Merch!https://jonbarbas-shop.fourthwall.com/Heavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Metal Digest articles link;https://metal-digest.com/author/jon-barbas/#metal #Asian #deathmetal

In this episode, host Brian VanHooker chats with Mikey Levitt, the writer of the first three issues of IDW's new Tales of the Teenage Mutant Ninja Turtles comic. Tales of the TMNT is the comic adaptation of Mutant Mayhem and the Tales of the TMNT cartoon series on Paramount+ and the comic's first three-issue arc follows Donatello on a trip toma robot camp with Metalhead. Tales of the TMNT Issue #1 goes on sale 10/15/2025. Sound Engineering by Ian Williams. Find TURTLE TRACKS PODCAST on Instagram: https://www.instagram.com/turtle_tracks_podcast/

Words and interview by Ali WilliamsSydney-based metalcore band Bloom have just finished up the first headliner tour here at home and are about to set off to Europe for their next leg of their tour. Frontman Jono Hawkey and drummer Jack Van Vilet caught up with HEAVY recently for a chat about new releases, tours, and future plans for the band.The band's journey so far has seen these young lads hit the ground running with almost instant success. Bloom formed in 2017 and has grown from playing small venues to international tours. They started with young dreams, and their music career evolved, allowing them to travel the world and perform music they love. The big breakthrough for these guys was the release of their first EP in 2018, and their single Cold unexpectedly gained traction on platforms like Spotify, which influenced their approach to creating their next EP, incorporating more strategic efforts. These guys have been able to successfully navigate the music industry essentially by acknowledging the role of online algorithms and how critical that is to succeeding in today's market. They also emphasise their focus on the storytelling aspect of music rather than just aiming to go viral. Bloom have toured extensively, enjoying the ability to connect with fans worldwide. Their recent Australian tour was significant as it showcased their growth, with more engaged audiences. Hawkey and Van Vilet note that their fan base overseas is much stronger than at home, and go on to discuss in more detail their differences in music culture in different regions of the globe and why genres like metalcore are more popular in areas like Europe and Japan, where fans show intense dedication and appreciation for the music. Bloom's musical influences come from a wide style that blends heavier metalcore with more melodic elements, drawing influence from alternative and surf rock. They aim for a versatile sound and appreciate not being confined to a single genre. High priority is made on experimenting with their sound and occasionally swapping of instruments, which not only adds to Bloom's fun and dynamic cohesion as a group, but also expands their creative exploration. Looking ahead, Bloom are preparing for a busy schedule, including tours in Europe, the UK, and America. Back home just in time for Christmas, the band will be looking forward to some much-needed downtime to rest and revive before continuing on their successful journey, but first Bloom drop their new album The Light We Chase on October 31.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hey Slackers, we're taking a fun detour this episode!Longtime listeners know I was a die-hard hair band and metal fan back in the '80s, which, let's be honest, made me a bit of a genre snob. Looking back, I realize I missed out on a ton of incredible music from that decade.Inspired by my son's request for a fresh playlist, I decided to step outside my usual rock, metal, punk, and emo comfort zone. Instead, I dove into the vibrant world of synth-pop, new wave, EDM, and alt-rock, curating a collection of tracks spanning 1980 to 1989. These are songs that lit up the charts or defined the underground scene—definitely not my typical picks!From the moody brilliance of Joy Division to the raw energy of the Pixies, I've crafted what I'm calling an "Offbeat '80s" playlist. But I need your help to make it even better! Early Gen Xers, 120 Minutes devotees, and alternative music lovers—hit me up with your must-have tracks to round out this out. What gems am I missing? Let's build this playlist together!

Jesse is an artist, self-proclaimed "Metal Head" and the owner of Th1te3n Tattoo shop in Lindsay, Ontario. I talk with Jesse about music, life and creation of the infamous "WarHammer" persona. Jesse also shares an inspiring story of how the universe conspired to lead him toward his passion and ultimate success.

Switzerland isn't known for its nu metal/metalcore bands, with thrash bands such as Coroner or extreme acts Celtic Frost more prominent. But all that changed in 2018 when Chaoseum, a newcomer to the scene, announced their arrival with their debut album First Step To Hell. The album took the musical landscape by surprise, in the process helping Chaoseum secure a US tour supporting Soulfly, and things just snowballed from there.Following a steady, yet upward trajectory, Chaoseum refined their sound on albums such as Second Life (2020) - which also welcomed new vocalist CK Smile - and The Third Eye (2022), constructing their music in such a way to incorporate more cinematic elements and soundscapes that have now become part of the band's signature sound. That evolution continued on their most recent album, Life 4 Sale, which was released this year on September 19. HEAVY recently sat down with CK Smile to find out more."This album has a completely different story," he measured, deliberating over speaking English, "more than the previous album, because I had to compose it completely alone. On the previous album, we were two composers, the ex-guitar player and I. When he quit the band, we had to find new members, and they had to learn every song from the previous album. It was huge work because we had to do some tours and many, many gigs so they didn't have time to form the composition, so I decided to do it alone. It's different, because I grew up in a nu metal era from 90s and early 2000s, and you can hear on this album it's a little bit simpler, but that's what I like. Plus, the lyrics are different too, because in the previous album, I was mixing part of a true story, mixing with something from my imagination for something more epic. This one is more real. More personal, and so that meant that it was hard for me to write that because I'm talking a lot about my past, and I have many episodes from my past that were very complicated to live. For some things, it's still a little bit complicated, but I deal with it."In the full interview, CK talks more about the writing and creative process for Life 4 Sale and how it impacted the finished result. He spoke about the darker nature on the previous album, The Third Eye and if that flowed onto this record, plus opening up more in his lyrics and how doing so was a difficult process.He spoke about the emotions and atmosphere present in Chaoseum's music and how difficult those features are to integrate into music, how Chaoseum have expanded their sound since he joined the band, how much growth the band have left in them musically and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It is refreshing to hear old school metal bands still pushing their limits and exploring fresh sonic realms, even with a sound that is known and loved and has been for more than 40 years. It is understandable when some bands mutter the words 'if it ain't broke, don't fix it', but that still shouldn't stop the creative juices from flowing, if only to challenge yourself.Which is exactly what happened with thrash metal legends Testament and their upcoming album, Para Bellum. While not detouring too far from the music for which they are universally loved and respected, Testament have found ways to reinvigorate their tried and true sound without risking the alienation of staunch, loyal fans.On this album, Testament have leaned more into the black metal side of their musical psyche, a side embraced by guitarist Eric Peterson, who tapped into the more modern aspects of metal with drummer Chris Dovas, who was working on his first album with the band. Noticeably younger than his bandmates, Dovas brought the taste of the present into Testament's creativity, with the results only solidifying the band's sound.Such is the all-encompassing sound Testament were going for with Para Bellum, the opening notes feature an old bridge thought lost from The Legacy era of the band, coming full circle in a way while still embracing change. Para Bellum is triumphant on so many levels, maybe none more so than the addition of the song Meant To Be, which is Testament's first album ballad for many years. It is exciting times for a band just about to release their 14th studio album, with frontman Chuck Billy joining HEAVY to bring us up to speed.We ask about the album title, Para Bellum - which is Latin for If You Want Peace, Prepare For War, and how it fits in with the content."First of all, it fit in with the artwork," Billy explained. "Originally we were gonna call it Infanticide AI, but that didn't really match the direction. We thought, AI, let's not go there, because maybe fans might start thinking, 'is that album cover AI? Did they use AI to write lyrics in all this?'So we said, you know what? Let's not open that door. And once me and Alex wrote Parra Bellum, and I told him what it meant, it made more sense with what he was working on with the artwork, because we knew we wanted a mushroom cloud there in the background. And I didn't know about the angel and the missile wings, but once they came up with it, it just made sense. It's subliminally war-driven a little bit, talking about silent weapons and things that are going on in our world."In the full interview, Chuck spoke more about the musical nature of Para Bellum and what they were going for this time around, the elements of black metal through most of the music and how it enhances the band's sound, the contributions of new drummer Chris Dovas in the writing and recording process and what ideas he brought to the table.We spoke about bringing a slightly modern edge to their existing sound of the importance of always trying to come up with fresh ideas, the album ballad and why now is the right time to write another one after so many years, the use of cello for that sound and how difficult it was to integrate it into their music, the meaning behind the album artwork and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Es ist die heiligste Kuh, die man in der Szene schlachten kann: die Metalkutte. Denn dazu haben die allermeisten Leute eine starke Meinung. Entweder wird sie gehasst, verlacht beziehungsweise als überkommenes Relikt wahrgenommen oder ist das wichtigste Utensil, was ein Metalhead am Körper tragen kann. Jedoch gibt es selbst zwischen den Kuttenträgern sehr unterschiedliche Meinungen dazu, wie man mit seiner Weste umgehen sollte. Wir wollen dazu heute einen Rundumschlag liefern. Kapitel 00:00 Einleitung 00:50 Getränkepodcast 05:13 Blackest Path Event-Tipp 06:25 Battle of the Boars 2025 Live-Review 14:23 Bandshirts der Woche 17:03 Kommentare kommentiert 31:00 Hauptthema Erwähnte Alben Exodus - Bonded By Blood Traitor - Knee-deep in the Dead Curse Of Khatru - Curse Of Khatru Kreator - Enemy Of God Death - Leprosy Iron Maiden - Somewhere in Time Iron Maiden - Fear of the Dark Judas Priest - British Steel Midnight - Satanic Royalty Links Der Metal Sack: https://youtu.be/w_lCZNX7N7E?si=1hRxlnc3rtDoTfIK Der Dunkle Parabelritter: https://youtu.be/8Sbh2-ex_QE?si=TIWfU80kfU7Rw5UO ------------------------------------------------------------------------------------------------------------ More Metal to find at http://totgehoert.com ...on Twitch: https://www.twitch.tv/totgehoert ...on Facebook: https://www.facebook.com/Totgehoert ...on X (Twitter): https://twitter.com/totgehoert?lang=de ...on Instagram: https://www.instagram.com/totgehoert/

Melbourne old school death metal machine Monoliyth have been steadily going about their craft for just over 25 years, grinding away on the circuit with a mission to do no more than offer a sonic distraction to the world around them.It is an often thankless task - faced by all bands - but Monoliyth have found their niche, originally starting life as more of a thrash metal band before finding their home in the nastier side of metal.Their recent release, He Who Kills, is a typical blast of aggression for Monoliyth, but this time there is a storyline to go with the carnage. A storyline that could very well be the visual accompaniment to Monoliyth's musical psyche. Each song on the album tells a tale of death and destruction through the eyes of a serial killer, with each tune showcasing a different protagonist and the evil that lurks within. It is a different, engaging, and highly confronting deviation from the norm, and one HEAVY wants to explore further when we speak to guitarist and founding member Mick Barr."Well, it wasn't anything serious," Barr replied when we asked where the idea came from. "Everything on YouTube or the old horror movies and stuff is always based on serial killers. And we thought maybe we can do something, looking through the eyes of the actual serial killers themselves and how they might perceive their surroundings or their ideology on why they do what they do. It's to do with the whole concept of how they might operate collectively. Am I a fan of serial killers? Absolutely not. I've seen plenty of docos on these people, and you can't make it up. You can't believe half the stuff they talk about."In the full interview, Mick discussed the album's musical direction, blending old school death metal with modern techniques, and highlighted the singles The Killing Floor, He Who Kills, and Excised Unborn as representations of their diverse sound. The album's concept, influenced by horror movies and online content, explores the perspective of a serial killer with a tongue-in-cheek tone, although Mick emphasised that the graphic material is not meant to be taken seriously.He reflected on the challenges of standing out in the competitive Australian music scene, while expressing satisfaction with the band's international reception, particularly in Europe. Upcoming performances include an album launch and participation in Brute Fest, with the album available for streaming and on vinyl, alongside plans for new material and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

When Australian extreme metal outfit Werewolves proclaimed to the world that they intended to release 10 albums in 10 years, the collective sighs of here we go again hung loudly in the air. Bands have promised such things or similar immeasurable times in the past, with few managing to reach the lofty heights for which they had set themselves. Not to mention the discontent from fans who then started to doubt the honesty or integrity of anything that came out of their mouths from that moment forth.But with a pedigree of members from well-respected Australian bands such as Psycroptic, The Berzerker, and The Antichrist Imperium, more than a few people backed Werewolves in.That promise was made six years ago now, and lo and behold Werewolves have just released album number six, The Ugliest Of All. Described as a "devastating album with little let up or mercy", The Ugliest Of All is pure, face-melting extreme metal of the highest calibre, proving that even just over halfway through their quest, Werewolves are yet to start scraping the bottom of the creativity well.With the recent listen to the album still infecting our ears, HEAVY sat down to chat with guitarist Matt Wilcock to find out more. We start by asking how the early reception for the album has been."It's been good," he enthused. "It's album six. We've been around for six years or seven years, and we're up to album six. And to be honest, it's funny because for us, it's just another album, but we're happy with it and people seem to dig it. We're always excited to release another ridiculously brutal and stupid album."With such a regular release cycle, we wonder aloud if Matt even gives thought to what people think of their albums and if negative feedback could ever derail the process."Oh, there'll be another one," he grinned defiantly. "I mean, it's a bit of both. We do it because we love it, and it's kind of cool to see what people think. But if no one likes this one, then fuck them. We're going to do another one next year. And it's going to be even worse (laughs)."In the full interview, Matt provided an overview of The Ugliest Of All, highlighting its relentless intensity and the absence of slow songs, with the first half featuring catchier tracks and the second half increasing in aggression. He noted the band's growth in songwriting and the fact that their music is made for themselves first and foremost.We discussed the now compulsory dis song on each album, along with the cover art by Mitchell Nolte, which reflects the album's themes. We spoke about the back and forth when creating artwork for each album cover and how they develop from a simple sketch to a graphic piece. The 10 albums in 10 years promise came up, with HEAVY asking if it was becoming difficult to come up with quality material given the short amount of time between albums, as did their run of shows early next year with Abbath Doom Occulta and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In this episode of TURTLE TRACKS PODCAST, host Brian VanHooker interviews artist Daniel Elson, who worked on packaging art for NECA Toys, specifically many of the early VHS-style boxes for the 1987 Teenage Mutant Ninja Turtles line. Elson breaks down the details of the artwork for Mondo Gecko, Metalhead, the Pizza Monster and more while also explaining how the work of Greg Martin on the original TMNT cartoon VHS art inspired them. Sound engineering by Ian Williams. Follow TURTLE TRACKS PODCAST here: https://www.instagram.com/turtle_tracks_podcast/

Join your triple threat of the APDC as they review “The Greatest Evil, Part 2” from the 1991 classic DIC animated series, G.I. Joe! Don't impugn our courage, jarhead!!! The DiC continues!! I haven't seen it so that means it's dumb!! A soreghum subject!! Dead Mall!! This is Yuengling territory!!! This distribution house is indestructible!! Jelly bazooka!!! Falcon and Cindy are captive!! Automated weapons!!! Shockwave and CG1 go all Diehard!! Metalhead go BANG!!! No way you piece of slime!!! You're a real peanut-buster parfait!!! In the Real World! Script Deviations!! Iconic Moments!!! Everything we do, we do it for YOU!!!5:10 - SHOUT OUTS6:30 - COCKTAIL15:40 - DUELING LAST EPISODE RECAPS17:45 - REVIEW1:20:40 - REAL WORLD1:47:00 - SCRIPT DEVIATIONS1:47:15 - RATE THE SCHEME1:49:10 - ICONIC JOEMENT1:50:45 - NEXT TIME!

Follow @foobarshowEpisode 373 - Talking LA Comic Con with Metalhead NelsonDoom Scrolling IntroThe Foos welcome back Metalhead Nelson on the show.-San Diego Comic Con-Edgar Allan Poe show in RiversideGeeking Out:-LA Comic Con -George Lucas goes to a con for the first time ever-K-Pop Demon Hunter-Twisted MetalHere's What I Would Do:-Debating a Career Change in My 40s from Miguel in Rancho Cucamonga-Dealing with a Passive-Aggressive Neighbor from Carla in Glendale-WTF is going on with drummers lately?-Foo Fighters & Nine Inch Nails-Spinal Tap 2 is out next month!Give us a 5-star positive review on Apple Podcasts!Listen at foobarshow.com or anywhere you get your podcasts.

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Goldie, originally episode 156 from 2017-06-21.Original writeup below:A proper filfy drum n' bass banger right here this week too as Pip is joined FINALLY after a long bout of scheduling and planning by the one and only, the Metalhead himself, the UK's national drum & bass treasure - Goldie! "The barbarians from within will raise their heads and rise the deities..." ...and that's one single quote from this absolutely ram packed and intense juggernaught rollercoaster of an episode, as Pip white-knuckles the railing and hold on for dear life as the whirlwind rolls through town and demolishes all in its path! The whirlwind being Goldie, that is. I'm sure you gathered that. Finding his home out in Phuket these days, the path has been rocky, full on, winding and incredible and Goldie has lived through it all - the raves, the graf days out in the Bronx, early days of techno, being a household name in what they used to call 'intelligent drum & bass' with his smash hit 'Inner City Life', a rugged divorce, heavy personal life events including the passing of his mother, and every single second underpinned by his unending appetite for his craft and music making. A fantastic and thrilling ride of an episode, which will make you want to dig out the back catalogue and reminisce over the past while waiting for his new album 'The Journey Man' to download... As Goldie put it himself; "There are no full stops in my life... At all..." Oh and wait for the American and German accents later on. Blimey.PIP'S PATREON PAGE if you're of a supporting natureDISCOGSONLINEINSTAGRAMMANY LINKSPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Alana aka HiddenGargoyle, a 29 year old gamer, Metalhead, Anime enjoyer, Event Panelist & Occasional Cosplayer joins us for a guest interview episode

The story of the drummer in an 80s metal band who is about to have it all: absurd wealth, global fame, and a dream girlfriend. But an unwitting role as an international spy? Author Travis Kennedy tells us the story!Purchase a copy of The Whyte Python World Tour: A NovelVisit Travis Kennedy's websiteVisit the Whyte Python band website ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Metal mayhem and festival tales dominate as we break down the Sonic Temple experience from start to finish. After four years of podcasting (an eternity in the podcast world!), we're celebrating episode 172 with a deep dive into what makes a great metal festival.Sonic Temple emerges as the clear winner when compared to Inkcarceration, offering flat ground instead of treacherous hills, better spacing between stages, and perfect timing weather-wise. The lineup delivered serious firepower with Ice Nine Kills crushing their set, Bullet For My Valentine sounding album-perfect, and Whitechapel demonstrating why they're considered death metal royalty. Even unexpected acts like ICP drew massive crowds, though some veterans like Rob Zombie showed their age with winded performances and partial lyrics.Beyond festival talk, we explore Cedar Point's surprising new comedy shows and take a musical journey through bands you might not know yet but absolutely should. From Russian mathcore outfit Ape on the Rocket to Italian metalcore group Burning Hayes, we unearth hidden gems that deserve spots on your playlist. Each discovery fuels our appreciation for the endless creativity in the metal scene.After 172 episodes, we're still passionate about sharing the music and movies we love. Whether you're here for the bands, the banter, or the bizarre tangents, we appreciate you joining our metal-fueled conversations. Check out these bands, let us know what you think, and join us next week for more mayhem.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

Incredible but we did it again, we went to Epic Fest 2025 in Roskilde, Denmark, and it was incredibly powerful. Join us as we process some of the most packed couple days we've had, the epic highs, the bizarre lows, and the promise of what's yet to come. For the impatient:00:00:00 Pre-roll00:00:43 Sup Nerds00:07:15 Copenhagen again, but sunny!00:11:33 Epic Fest 202500:13:19 Battle Born00:15:32 The duality of Powerful00:16:20 Induction00:20:13 Apostolica00:22:17 The Big Stage System00:23:01 Fabio Lione's Dawn of Victory00:28:16 A Power Metal Party00:29:16 Such a polite pit00:31:42 US fans becoming desperate00:35:09 The triple choice00:36:06 Theocracy Acoustic Set at the Roskilde Cathedral00:42:12 The Cathedral is too gorgeous00:43:29 Stratovarius00:48:33 Argentina mentioned00:49:37 Epic Fest isn't just the bands00:51:24 No breaks on Day 100:52:31 Metalhead show math00:53:36 Terra Atlantica00:57:14 They played the song our friend requested!!01:00:37 Majestica01:02:10 Ross the Boss01:07:10 For fans of Manowar01:09:44 Insania01:12:02 Epic Fest maxed out Roskilde01:16:01 Touristing for a bit01:17:35 Waking up for Day 2 was an ordeal01:18:45 Fer likes F101:20:38 Pagan's Mind01:23:40 A choice we were surprised to make01:25:26 Pirate Queen01:31:56 Royal Hunt01:33:34 Crimson Glory01:37:28 Kyle's jacket misadventure01:41:00 Shadowstrike01:43:59 Nanowar of Steel01:45:10 Wind Rose01:48:04 Best Drip01:49:02 Fun is good, actually01:51:55 Kyle's Jacket Return01:56:40 Theocracy01:58:30 Fer did not train properly01:59:31 Fellowship02:06:35 The Second Coming of Power Metal02:10:28 Does our group have a real impact?02:13:23 Trying to balance out our shilling (we fail)02:17:59 Sorry Judicator02:20:06 Surprised by the Afterparty02:24:45 2026 Lineup Announcement blew our minds02:30:40 Too much hopium02:32:40 Hoping for more Japanese bands to play abroad02:34:00 Kyle already booked the hotel02:35:12 Wrapping up Support us on Patreon!https://www.patreon.com/powerfulpodcast Follow us! Spotify, Apple Podcasts, etc - powerful. a power metal podcastFacebook - https://www.facebook.com/powerfulpodcastInstagram - https://www.instagram.com/powerfulpodcastTwitter - https://twitter.com/powerfulpm Music by Fernando ReyEdited by Fernando Rey

Recorded 28th of Feb 2025 in The Hornets Nest.Thrashin Thursday returns!Hepcat - Open SeasonConditions – When It Won't Save YouNOFX - Stickin In My Eye covered by KemuriHi Standard - Fighting Fists, Angry SoulNo Motiv - Give Me StrengthFrenzal Rhomb - Fuck The SystemThe Vandals - My Girlfriends DeadChixdiggit - Shadowy Bangers from a Shadowy DuplexThe Cosmic Psychos - Dead RooThe Dropkick Murphys - Caught In A JarGood Riddance - Weight Of The WorldGreen Day - J.A.RChoking Victim - Crack Rock SteadyThe Hippos - PleaseTuesday - Goodbyes Have Been SaidSlapstick - Theres a Metalhead in the Parking LotThe Bollweevils - Bottomless Pit88 Fingers Louie - Selfish MeansScreeching Weasel - Jeannies Got A Problem With Her UterusIron Maiden - The Trooper

A Priest, a Metal Head and a Psychic Charlatan walk into the End Times. No it's not a bad joke, its the righteous, horror-comedy The Day of the Beast. Griffey and Dandino walk a the dark path of sin and satanic rituals to stop the birth of the Anti-Christ in this insane horror gem.  Synopsis: Bent on committing as many sins as possible to avert the birth of the beast, a Catholic priest teams up with a Black Metal aficionado and an Italian connoisseur of the occult. Now, he must become an unrelenting sinner. Is there still hope? Starring: Alex Angulo, Armando De Razza, Santiago Segura Directed by Alex de la Inglesia Join the Misfit Parade: https://www.misfitparade.net/ Youtube: https://youtu.be/u9pyJvaSrXw Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now!  https://www.youtube.com/watch?v=Sz7leFqqo4g

Send us a textJoin us for an epic conversation with comedian and metalhead Jim Florentine, just ahead of his shows this weekend at the Funny Bone Westport in St. Louis! Jim dives into his lifelong love of metal, sharing incredible stories from his time on That Metal Show, backstage tales with Pantera, unforgettable moments with Dimebag Darrell, and his experiences with Howard Stern, The Opie and Anthony Show, and Crank Yankers.

As a child growing up in Madison WI, Nora Feldman filled her days creatively, filming short movies and TV commercials, writing and performing songs, choreographing dance routines, painting, drawing, and even designing brochures for imaginary businesses. She scrapbooked, wood-burned, rock-tumbled, sewed, and even took up knitting… But above all else, Nora loved making jewelry.  Surprisingly though, Nora chose a different career path in college worried that she wouldn't be able to support herself as a jewelry artist. During our conversation Nora shares how she rather unexpectedly birthed, Metalhead Jewelry when she found herself without a job due to the Covid shut downs. Going all in and dedicating herself to her craft, she quickly built a strong following. Nora talks about about finding her unique voice, authenticity and social media, the importance of novelty in her designs, and the struggles she faces with being a creative entrepreneur.  Follow Nora... Instagram: @metalheadjewelry Website: www.metalheadjewelry

This week, the boys touch down on this Icelandic coming of age drama. The only thing darker and more brutal than the current state of the world is a teenage girl channeling her grief and angst through heavy metal music in the desolate frozen wastes of rural Iceland. Crank it up to 11 and eat a big ol' plate of some sort of gray indistinct Icelandic fish meal on the Greatest Movie Ever Made! Metalhead (2013) is directed by Ragnar Bragason and stars Þorbjörg Helga Þorgilsdóttir, Ingvar E. Sigurðsson, Halldóra Geirharðsdóttir, Sveinn Ólafur Gunnarsson, and Hannes Óli Ágústsson Music: “Fractals” by Kyle Casey and White Bat Audio

Hanna, James, Britnee and Brandon discuss a grab bag of documentaries about metalheads, starting with the anthropological Judas Priest fan doc Heavy Metal Parking Lot (1986) https://swampflix.com/ 00:00 Welcome 02:45 Alice Doesn't Live Here Anymore (1974) 06:00 Baby Cat (2023) 11:41 Hearts of Darkness - A Filmmaker's Apocalypse (1991) 17:22 Tokyo Pop (1988) 21:40 Heavy Metal Parking Lot (1986) 31:22 Kittie - Spit in Your Eye (2002) 43:47 The Decline of Western Civilization Pt II - The Metal Years (1987) 1:06:34 Last Days Here (2011) 1:18:35 March of the Gods - Botswana Metalheads (2014)

Give us a follow: IG/Twitter: @wewearblackpod Email: wewearblackpod@gmail.com SophieIG/X: @iamsophiek Tiktok: @iamsophiekx YasmineIG: @yasminesumman X/TikTok: @yasminesummanx Special thanks to:Nova Twins for the intro/outro musicWargasm for the screams Hosted on Acast. See acast.com/privacy for more information.

 Frank starts the show like he always does on Fridays: With Ask Frank Anything. Frank talks with Paul Stone, the CEO of Colonial Metals Group. They discuss the importance of the economy, buying gold, inflation and government interference. Frank starts the third hour with denunciations for the week. He moves on to talk with Scott Ritter, a former U.S. Marine Corps intelligence officer and UN weapons inspector in Iraq. He's also the author of the book Covering Ukraine: The Scott Ritter Interviews Through the Eyes Of Ania K. They discuss the FBI raid on Ritter, the latest on the war in Russia and social media censorship. Frank wraps up the show with a midnight panel consisting of stand up comedian Fred Rubino, John McDonagh, a cab driver, comic, playwright, and radio talk show host and E. O'Brien (Obie) Murray, a veteran political consultant and crisis communications strategist. They spin stories on everything from artificial sweeteners to protests across the world. He is also joined by Noam Laden for News You Can Use. Learn more about your ad choices. Visit megaphone.fm/adchoices

9o Listen or watch "Linoleum" here Check out the new MxPx album 'Find A Way Home' at MxPx.com and streaming everywhere now! SEE MXPX LIVE MXPX and The ATARIS LIVE in 2024 6/28- Bremerton, WA - Admiral Theatre SOLD OUT! 6/29- Bremerton, WA - Admiral Theatre SOLD OUT! 6/30- Portland, OR - with NOFX for Last Shows 7/20- Denver, CO - with NOFX for Last Shows 10/- San Pedro, CA - with NOFX for Last Shows PAST 2024 -  1/6 MXPX at The Hollywood Palladium SOLD OUT! 2/9- New York City, NY -  Webster Hall - SOLD OUT! 2/10- Philadelphia, PA - Union Transfer - SOLD OUT! 3/15- Atlanta, GA - Buckhead Theatre 3/16- Orlando, FL - House of Blues - SOLD OUT 3/29 - Mexico City - Punk Rock Fest w/ The Ataris, Blnko y Buen Viajee 4/5- Denver, CO - Ogden Theatre - SOLD OUT! 4/6- Salt Lake City - The Depot.  - SOLD OUT Leave a message with your question or topic on the Mike Herrera Podcast voicemail. (some will be aired on future episodes of the podcast) 1-360-830-6660 (US number) TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Producing and editing by Bob McKnight. @bobandkatieshow