Podcast appearances and mentions of alan j pakula

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

The continuing podcast journey of a boy becoming a young man one iconic movie at a time. James had never seen Alan J. Pakula's gripping political thriller, All the President's Men, so he watched it with Dan and they recorded a podcast about it. In this episode, they follow the slow-burning investigation of journalists Woodward and Bernstein as they uncover the Watergate scandal and explore how a film built on note-taking, paperwork and door-knocking somehow creates edge-of-your-seat tension. They also discuss William Goldman's Oscar-winning screenplay, the film's meticulous direction, and ask how watching two men talk on the phone can be so compelling.   Stay Connected:X: @talkinfilmBluesky: @talkinfilm.bsky.socialTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platformsEnjoy our podcast? Share it with friends and leave a review on Apple Podcasts or Spotify

Juzo and Isaac dig into director Alan J. Pakula's All the President's Men (1976), unpacking a classic investigative reporting romp through 1970s DC. Starring Robert Redford and Dustin Hoffman as Washington Post reporters Bob Woodward and Carl Bernstein, the film chronicles the unraveling of the Watergate scandal, focusing on process over spectacle. We also discuss All the King's Men (2006), an infamous film that Isaac watched when previously assigned this film.    Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Se cumplen 50 años de uno de los clásicos del cine de los setenta y que es tótem de todo un subgénero como es el thriller político y periodístico. "Todos los hombres del presidente" de Alan J. Pakula siempre está vigente por su intriga, tensión y pertinencia por lo que recuperamos el reportaje que le dedicó Paula de Aguirre. En Hollywood canalla Mary Carmen Rodríguez se adentra en la caza de brujas sufrida por Charles Chaplin que le llevó, de ser una de las figuras más rutilantes del Hollywood clásico, a ser todo un apestado que tuvo que terminar huyendo del país. En Leer cine, la biblioteca sonora de Carlos López-Tapia, "Historia para el mañana. Mirar al pasado para caminar hacia el futuro" de Roman Krznaric y reportaje sobre "Peaky Blinders: El hombre inmortal", el epílogo cinematográfico de una de las series más relevantes de los últimos años. ¡Muchas gracias por escucharnos!

(00:00:00) Revisiting All the President's Men: A Timeless Thriller (00:05:09) How Robert Redford Shaped the Watergate Film (00:16:26) The Meticulous Craft of All the President's Men (00:45:19) Balancing Historical Fact with Cinematic Drama (00:53:44) The Importance of Institutional Separation in Journalism (01:11:13) Modern Media Challenges and the Need for Fact-Checking (01:26:21) The Changing Workflow and Discipline of Journalism (01:36:14) The Film's Commitment to Historical Events and Realism (02:00:53) Confronting Indecency and the Power of Individual Conscience (02:16:53) The Film's Timeless Message and Podcast Wrap-Up For our latest commentary track we mark the 50th anniversary of All the President's Men, revisiting Alan J. Pakula's classic 1976 thriller. Listen separately or watch along as we talk through the film's meticulous reporting, Redford and Hoffman's iconic pairing, and how a story built on phone calls and note-taking still manages to feel like one of the most gripping movies ever made, with plenty of behind-the-scenes stories and digressions along the way.Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

All the Film Things is BACK after a short break! On the fifty- ninth episode, production designer Izzy Dondero and filmmaker Franklin Ritch join me in analyzing Alan J. Pakula's 1976 biographical political thriller masterpiece, All the President's Men, to celebrate the film's 50th anniversary this month! This episode is explicit and spoiler- filled.All the President's Men is without a doubt one of the most significant films in American cinema for many reasons from the story at the center to being really the first film about journalism. The film, which is essentially a reenactment, follows The Washington Post journalists Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) slowly uncover the infamous story of Watergate scandal that led to the first and only resignation of a US president. This slow burn paranoid thriller is the final film in Alan J. Pakula's paranoid trilogy and, considering the film ends, the paranoia is deeply felt within the audience. All the President's Men, which is based on the book of the same title by Bob Woodward and Carl Bernstein, was published just two years before this film was released. Robert Redford secured the rights to the book before Woodward and Bernstein were even finished writing it because he was fascinated in what they were uncovering, and, even more so, in the two very different journalists who had trouble getting along in bringing this story to light. All the President's Men went on to win four out of the eight Academy Awards the film was nominated for, including Best Adapted Screenplay and Best Actor in a Supporting Role for Jason Robards' portrayal of Ben Bradlee. What speaks to the film's legacy more than its Oscar wins is that this film, this now legendary story of Woodward and Bernstein, inspired a generation to become journalists which has surely continued to this day. This is Franklin's third and Izzy's first time on the podcast! I interviewed Franklin in December 2024 (see Episode 34) and, last fall, he joined our friend Emma Catharine and I in discussing another 70s classic, One Flew Over the Cuckoo's Nest (check out Episode 50). I became friends with Franklin over two years ago and Izzy about a year ago at Film Bar but the two of them have been friends and collaborators for a decade now. All the President's Men is a longtime favorite of Franklin's as well while this was Izzy's first time watching the film. It's evident in our discussion, and audibly through our voices, we all are very passionate about this film. That passion is audible but, unfortunately, Franklin's audio had some technical difficulties so he sounds a little quieter than usual. This episode was recorded on March 19, 2026. Just this past weekend on April 4, Izzy produced ExHiBiT JAX where four Jacksonville writers, including Franklin, brought their short plays to the stage! It was a big success as the “one- time only” showing shortly became sold out so another earlier showing was added! You'll have to stay tuned if they'll make ExHiBiT JAX a series by following @exhibitjax on Instagram but, in the meantime, Izzy is also producing a production of The Sound of Music in St. Augustine! Auditions for every role will be held in person on April 25 but self- tapes can be submitted. Go to Limelight-Theatre.org for more details! In this episode, Izzy, Franklin, and I talk about what All the President's Men is like to watch decades removed from the events depicted in the film, the peculiar prominent prop in Woodward's apartment, the surprising number of humorous moments, and how journalism has changed in 50 years! All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

In questo periodo di dissestamento sociopolitico mondiale, torniamo agli iuessei che ci raccontava Alan J. Pakula. Francesco Tanzillo, Alessandro De Luca e Ugo Laviano celebrano i cinquant'anni di Tutti gli uomini del presidente. Buon ascolto| Soundtraccia: Odd Theme - Fabio Bortolotti / Pengo (Locomotive Mix) - Andrea Babich / Notti fotoniche - Fabio Bortolotti Vuoi darci una mano? Abbonati su Twitch: https://www.twitch.tv/outcastvideo Fai acquisti su Amazon: https://amzn.to/3pGObEq Fai acquisti su Fusion Retro Books: https://fusionretrobooks.com/?ref=pzxtr4vyfzsy Usa il codice outcastlive su Epic Games Store. Compra le nostre felpe e magliette: https://outcastlive.threadless.com/ Supportaci su Patreon: https://www.patreon.com/outcast?ty=h Supportaci con PayPal: https://www.paypal.com/donate/?hosted_button_id=K9TL85M7PDN4YLa pagina di Outcast Popcorn.

Hoy comentamos un trabajo bien documentado de Pakula y Robert Redford, comprometido con el proyecto desde mucho tiempo antes. Redford insistía en el rigor y la exactitud, quería un enfoque totalmente de documental, a lo que Pakula se negó argumentando que si no imprimía algo de suspense a la acción nadie querría acudir a las salas a ver la película. En este thriller periodístico de factura seria, Pakula se centra en el trabajo de los periodistas y cuenta con el guionista William Goldman para condensar los hechos que cuenta. He ahí el meollo, no importa el final porque ya lo sabemos, para muchos se comete el error de abrumar con demasiados datos, apellidos, que lleguen a confundir ar a un espectador poco intuitivo y no dispuesto a dejarse llevar por el maremágnum al que asiste. Woodward recibirá un día una llamada enigmática, una garganta profunda con ajustes de cuentas pendientes quiere aportar luz en sus pasos a ciegas. La madeja se va deshilando y las teclas de las máquinas de escribir de los dos reporteros percuten como armas de fuego sobre el papel. Un caso de corrupción gubernamental desentrañado a base de escuchas telefónicas, investigado por dos jóvenes. Dustin Hoffman y Robert Redford, tanto monta monta tanto, ambos se complementan en su reconstrucción de la investigación que llevó a cabo el tándem Bernstein-Woodward para el Washington Post. Gordon Willis aporta su saber iluminando los interiores de la redacción, en el apartamento de Woodward, o el oscuro garaje donde se encuentra con el confidente – Hal Holbrook-. Planos de categoría como el ascenso progresivo en la biblioteca del Congreso, vemos empequeñecerse a los dos thombres, son hormigas ante un monstruo ingente. Esta noche seguimos el rastro del dinero… José Miguel Moreno, Zacarías Cotán, Salvador Limón y Raúl Gallego

Greg screens Alan J. Pakula's 1971 mystery "Klute."

50 Years Of... kicks off with Alan J. Pakula's paranoia thriller All The President's Men starring Robert Redford and Dustin Hoffman and written by William Goldman. Talking with me about the film's impact is Conan Neutron of Movie Night Extravaganza and Conan Neutron & the Secret Friends. We discuss investigative journalism, the death of the newspaper, the cinematography of Gordon Willis, the film's eerie relevance to modern day America, and much more. follow and subscribe to the show on your favorite platform via the link below:https://linktr.ee/martynstrangeSupport me on Patreon: https://www.patreon.com/martynstrange Hosted on Acast. See acast.com/privacy for more information.

Today on another encore episode of the Rarified Heir Podcast we are talking to guest, actor Christopher Murray on part two of our conversation about growing up the child of powerhouse actors Don Murray and Hope Lange. On part one last week, we discussed his parents career as well as his own. In addition we learned about his grandparents career in 'the business' as well. On this episode, we dig in to some truly cosmic connections. Such as? Well for starters, how many actors outside of Laura Dern could say that both parents and child were directed by David Lynch? Christopher tells us stories about his own life and how he ingratiated himself with co-star Sean Connery on the set of the film Just Cause, what it was like spending time on the set of the film Klute with Jane Fonda and Donald Sutherland directed by his stepfather Alan J. Pakula & what it was like travelling with him as well. We also discuss backstage gossip from the film his parents worked on Bus Stop, travelling to Morocco and Italy with Pakula and much more. On this, our part two of our conversation with Christopher Murray, we really do get to hear some of the charmed life he has lead but also some of the truly shattering heartbreak as well. And through it all, Christopher never shied away from either the good or the bad. Our conversation was at times silly, at times crushing and other times wonderfully wholesome. This is a fun one and we are glad we had two episodes to tell Christopher's story. The Rarified Heir Podcast. Off we go!  

No episódio de hoje da Taverna do Lugar Nenhum, eu, Gabriel Vince, revisito uma antiga inquietação pessoal: o que aconteceu com o imaginário do jornalismo?Formado na área, já enxerguei a profissão como uma aventura intelectual capaz de unir investigação, política, história, literatura e filosofia. Durante muito tempo, acreditei na figura do jornalista como alguém que articula conhecimento, confronta o poder e ajuda a sustentar a democracia. Mas, com o passar dos anos, essa imagem foi se desfazendo.A reflexão deste episódio nasce da revisita a um dos maiores clássicos do cinema político: All the President's Men, dirigido por Alan J. Pakula e baseado no livro de Bob Woodward e Carl Bernstein.O filme reconstrói a investigação do escândalo Watergate, que levou à renúncia de Richard Nixon, e transforma um processo jornalístico em um estudo rigoroso sobre ética, poder e responsabilidade pública. Mais do que contar uma história, ele constrói um mito: o mito do jornalista obstinado, racional, comprometido com a verdade acima de tudo.Neste episódio, analiso:• O papel simbólico do jornalismo no cinema• A construção estética e narrativa do filme• A figura do repórter como herói moderno• A diferença entre o mito cinematográfico e a realidade contemporânea• O desencanto com a profissão e a nostalgia de uma ideia que talvez nunca tenha existido como imaginamosEssa não é apenas uma análise de filme. É um ensaio pessoal sobre desilusão, memória e a tensão entre ideal e prática.

Today on another encore episode of the Rarified Heir Podcast we are talking to actor Christopher Murray, son of the acting dynamo parents, Don Murray and Hope Lang. Born into show business – his grandparents we in show business too, Christopher tells us all about his life growing up with two famous parents. When both your father are Academy Award nominated actor for his first film, Bus Stop with Marilyn Monroe and your mother earns one at age 24 for Peyton Place, it's probably likely, acting will be your calling. So on part one of our conversation with Christopher, we get quite a bit of background on both of his amazing parents. Like what you ask? Well, how about the work his parents helped displaced Europeans during WWII and the Korean War that still is making inroads to this day? Or possibly how his mother provided a safe haven for good friends and gay Hollywood couples during his youth? Or maybe it's how after his parents' divorce, his step-father became iconic film director Alan J. Pakula? And that's just the beginning. If Elvis Presley, Roddy McDowell, Charles Laughton, Sean Connery, Kathleen Turner and Eleanor Roosevelt mean something to you, then this is your episode. The Rarified Heir Podcast. Everyone has a story. This one has two. And we haven't even mentioned his parents Broadway yet, have we?   

Did you hear that? Are we being watched? Join Zeth as he gets out his flashlight and explores the dark corners of film history, specifically the paranoia of the 1970s and how real life was reflected in the films America was watching. Those films include the first installment in Alan J. Pakula's so-called “paranoia trilogy,” 1971's ‘Klute' starring Jane Fonda and Donald Sutherland. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Did you hear that? Are we being watched? Join Zeth as he gets out his flashlight and explores the dark corners of film history, specifically the paranoia of the 1970s and how real life was reflected in the films America was watching. Those films include the first installment in Alan J. Pakula's so-called “paranoia trilogy,” 1971's ‘Klute' starring Jane Fonda and Donald Sutherland. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

TVC 723.6: From July 2020: Actor, author and acting teacher Basil Hoffman (Acting and How to Be Good at It, Cold Reading and How to Be Good at It) talks to Ed about how Jim Hutton and James Garner were two of the many actors he worked with who happened to be tall; how Richard Benjamin and Alan J. Pakula are examples of "actor first" directors (and how Steven Spielberg and the Coen Brothers exemplify "camera first" directors); and how Basil also happened with a number of actors who were father and son, including Jim Hutton and Timothy Hutton and Carl Reiner and Rob Reiner. Basil Hoffman passed away on Sept. 17, 2021.

Alex and Nick end season 1 of the WAYW New Hollywood Film Project with Alan J. Pakula's Paranoid Thriller Trilogy. KLUTE, THE PARALLAX VIEW, and ALL THE PRESIDENT'S MEN are three of the best New Hollywood films.The guys break down each film, Pakula's career, Gordon Willis' astonishing work as a cinematographer, the current state of journalism, Watergate, “Deep Throat,” JFK, sex work, and so much more.Part 10 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Instagram / Letterboxd / XSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. Presented in full and free for the holidays! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. Presented in full and free for the holidays! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Lee and Daniel continue their look at some Robert Redford this episode, covering Alan J. Pakula's paranoid thriller based on the book about the Watergate investigation, "All the President's Men" (1976), and Barry Levinson's slice of American baseball mythology, "The Natural" (1984). One of these films does the leg work and checks it sources, while the other strikes out badly. The hosts also talk about what they've watched recently. Batter up! "All the President's Men" IMDB  "The Natural" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Mentioned in the episode: Patrick (H) Willems on movies about research.  Featured Music: "The Conspiracy Song" by The Dead Milkmen; "Here's to the State of Richard Nixon" by Phil Ochs; and "Centerfield" by John Fogerty.

American Exception members on Patreon get first access to new episodes, and paid subscribers enjoy the entire library of the best historical analysis of deep events on the American Exception podcast. Join our Patreon at https://patreon.com/americanexception We are also on youtube at https://www.youtube.com/@americanexception9407 Aaron and Max Arvo discuss All the President's Men—the 1976 film directed by Alan J. Pakula, starring Robert Redford and Dustin Hoffman, and based on a 1974 novel (lol) by Washington Post reporters Robert Woodward and Carl Bernstein. We recommend that people watch the film before listening since we don't attempt to give any organized synopsis, nor do we avoid spoilers. Listen at your own risk! Follow and support Max Arvo on Substack! Music: "Old Movies" by Mock Orange Special thanks to Dana Chavarria for producing the episode!!

  American Exception members on Patreon get first access to new episodes, and paid subscribers enjoy the entire library of the best historical analysis of deep events on the American Exception podcast. Join our Patreon at https://patreon.com/americanexception We are also on youtube at https://www.youtube.com/@americanexception9407 Aaron and Max Arvo discuss The Parallax View—the 1974 film directed by Alan J. Pakula, starring Warren Beatty, and based on a 1970 novel by Loren Adelson Singer. We recommend that people watch the film before listening since we don't attempt to give any organized synopsis, nor do we avoid spoilers. Listen at your own risk! Follow and support Max Arvo on Substack! Music: "Silent Motion" by Mock Orange Special thanks to Dana Chavarria for producing the episode!!

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!The contentious world of the courtroom and intense legal battles are on full display in our November series as Jeannine has selected a handful of gripping 90s legal thrillers adapted from the pen of JOHN GRISHAM!Closing out the series with a little something different from Grisham as the legal world of the courtroom takes a backseat to focus on grand political conspiracy, assassinations, investigations and corruption in the vein of a 70s political thriller as Julia Roberts & Denzel Washington fight to find hard proof of White House wrongdoing and get tangled in a very deceptive, dangerous web in Alan J. Pakula's THE PELICAN BRIEF (1993)!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

When it comes to authoritarian regimes- or those aspiring to be- a free and independent press can be its worst enemy. Fake news, Lugenpresse. "Liberal bias." Those are just some of the ways they can be discredited by leaders with a fetish for dictatorships. In this episode in our "Fascism in Cinema" episode, listen as myself and the Editor in Chief at In Their Own League, Joan Amenn, discuss what a free press means, and why it matters now more than ever. We bring up more films than these, but our discussion focuses on Alan J. Pakula's "All the President's Men", George Clooney's "Good Night, and Good Luck", and Tom McCarthy's "Spotlight". I hope you enjoy!

Movie of the Year: 1971KluteWhy Klute Still Captivates AudiencesIn this episode of Movie of the Year, Ryan, Greg, and Mike examine Klute, Alan J. Pakula's groundbreaking 1971 thriller that fused noir, feminist character study, and political paranoia into a single atmospheric masterpiece. From its haunting portrayal of loneliness to its razor-sharp critique of power and control, Klute remains one of the most influential films of the 1970s — a tense, stylish, and unsettling work anchored by unforgettable performances.The Taste Buds explore how Klute uses mood, silence, and perspective to reimagine what a thriller can be, and why its themes still resonate decades later.Pakula and Willis: Crafting the Look and Fear of KluteAlan J. Pakula, working with cinematographer Gordon Willis, created in Klute what would become the visual and tonal blueprint for 1970s paranoia cinema. The Taste Buds discuss how the Pakula/Willis partnership shaped not only this film, but future classics as well.Pakula's direction emphasizes psychological distance, moral ambiguity, and bureaucratic dread.Willis — the legendary “Prince of Darkness” — saturates the film with deep shadows, cold light, and voyeuristic framing that makes the audience feel watched.The collaboration results in a thriller where silence is suspense, space is threat, and every frame hints at danger you can't quite see.This visual strategy becomes the DNA of Pakula's later films, but Klute is where the paranoia begins.Bree Daniels: Jane Fonda's Defining PerformanceNo element of Klute is more celebrated than Jane Fonda's performance as Bree Daniels, a character whose complexity transformed the possibilities for female roles in crime and thriller cinema.Ryan, Greg, and Mike explore how Bree's character:serves as the emotional center of Klutenavigates trauma, agency, sexuality, and survivalresists the stereotypes typically imposed on sex workersexpresses her inner life most vividly in her therapy scenes, where the film slows down and lets Bree define herself in her own wordsFonda delivers a portrait of a woman who is both vulnerable and fiercely self-aware — a character fighting for autonomy in a world designed to control her.John Klute: Donald Sutherland's Quiet DetectiveWhile Bree is the heart of the film, Donald Sutherland's John Klute is the unstable axis around which the mystery turns. His restrained, almost withdrawn performance contrasts sharply with Bree's vivid emotional life.The Taste Buds discuss how John Klute:subverts noir detective tropes by being passive rather than dominantreflects the unease and disillusionment of early 1970s masculinitybecomes both protector and threat, comfort and menaceheightens the film's tension simply by what he doesn't sayHis quietness becomes the film's most unsettling element — the fear that danger might come not from action, but from inaction.Klute's Themes: Power, Paranoia, and the Performance of IdentityThe Taste Buds analyze the movie as a story deeply invested in the forces that shape who we become and how we behave:Power — who has it, who wants it, who is crushed by itParanoia — the constant hum of surveillance that defines the film's worldIdentity and performance — especially in Bree's...

Revisitamos, analizamos y discutimos la película ALL THE PRESIDENT'S MEN con Robert Redford y Dustin Hoffman de Alan J. Pakula (1976).Fico Cangiano Alexis LeonLuis AngeletJose Morales

In tribute to Robert Redford we've taken another look at the movie he and Dustin Hoffman, plus director Alan J. Pakula and screenwriter William Goldman, made about the Watergate break-in Presented by J.R. Southall, with Matt Barber

We review Klute (1971) on movie podcast The Collector's Cut. Klute is directed Alan J. Pakula and stars Jane Fonda, Donald Sutherland patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

This week, James L Brooks talked about The Simpsons, Mary Tyler Moore ,Terms of Endearment, having a million lunches to cast parts,  his difficult beginnings and how the fear of survival and women's shoes drove him to his success. We also talk about what an amazing mentor he is, incredible writer, the worst notes he's ever gotten from a network, and now he likes to have drool days.Bio:James L. Brooks is a three-time Academy Award®-winner and eighteen-time Emmy® Award-winner.  He began his television career as a writer who also produced such beloved television hits as Taxi, The Mary Tyler Moore Show, The Tracy Ullman Show, and The Simpsons. Brooks began working in film in 1979 when he wrote the screenplay for Starting Over which he co-produced with Alan J. Pakula. In 1983, Brooks wrote, produced and directed Terms of Endearment for which he won three Academy Awards. In 1987, he wrote, produced and directed Broadcast News, which was nominated for seven Academy Awards® including Best Screenplay and Best Picture. Brooks then directed I'll Do Anything starring Nick Nolte, Albert Brooks, and Julie Kavner.  In 1997, Brooks co-wrote, produced, and directed As Good As It Gets, starring Jack Nicholson, Helen Hunt, and Greg Kinnear. The film was nominated for seven Academy Awards® including Best Picture, and both Nicholson and Hunt won Oscars® for their performances. In 2004, Brooks wrote and directed the film Spanglish, starring Adam Sandler, Tea Leoni and Paz Vega. In 2010, Brooks wrote and directed the film How Do You Know, starring Reese Witherspoon, Owen Wilson, Paul Rudd, and Jack Nicholson.Brooks's company, Gracie Films has produced numerous films and television shows since it was formed in 1990. On the television side, the company produces the long-running hit, The Simpsons, as well as producing the Tracey Ullman Show, What About Joan?, and The Critic. On the feature side – Brooks has executive produced the feature film, Say Anything, produced War of the Roses, and co-produced Big. In 1996, Brooks executive produced the film Bottle Rocket, directed by Wes Anderson, and produced Cameron Crowe's Oscar®-winning Jerry Maguire, starring Tom Cruise, Cuba Gooding Jr., and Renee Zellweger. In addition, Brooks produced Penny Marshall's Riding in Cars with Boys, starring Drew Barrymore, and produced the film Edge of Seventeen, written and directed by Kelly Fremon Craig for STX Productions. In addition, Brooks co-wrote and produced The Simpsons Movie, the movie version of the Fox hit.

Paul Moyer joins Jason to discuss two paranoid thrillers of the 1970s. The Parallax View and All the President's Men are dark looks at America's secret, terrible underbelly. Both directed by the great Alan J. Pakula in the early '70s, these films are just as spooky and compelling today as the day they were first made. Join Jason and Paul for an intriguing 50-minute, SPOILER FILLED look at these classic movies.

On Episode #126 of Fear and Loathing in Cinema, our beloved panel of armchair cine-soldiers (who may or may not be honorary members of the IRA; the Irish Rewatching Association) don their greenest beer goggles and deep-dive into one of the more politically confused action-thrillers of the Clinton years. Somewhere between All the President's Men and The Pelican Brief, Alan J. Pakula must have asked himself, “What if instead of Deep Throat or Julia Roberts, it's Brad Pitt with an Irish accent trying to buy missiles in New Jersey?” Enter The Devil's Own (1997), a film that answers no questions but asks a few truly baffling ones, like: Who thought this script was ready? Why does Brad Pitt sound like a leprechaun who studied abroad in New Mexico? And why are Harrison Ford's eyebrows doing all the acting? The post Episode #126 – The Devil's Own (1997) first appeared on Boomstick Comics.

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Actor/TV Guide collector Patrick Fischler joins Matt and Tim to discuss the 1977 Alan J. Pakula film, All The President's Men starring Dustin Hoffman and Robert Redford. Richard Nixon is the President in archival footage. There's also some great David Lynch talk. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Fischler https://instagram.com/pfischler Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

We've flirted with you, gone out to dinner, and talked movies. But now, this podcast demands you face the consequences because it's time to dive into the wave of “dangerous stranger” psychological thrillers launched by Adrian Lyne's FATAL ATTRACTION (1987) starring very naughty boy Michael Douglas and the unignorable Glenn Close. We then examine the evidence in Alan J. Pakula's legal thriller PRESUMED INNOCENT (1990) starring Harrison Ford, Bonnie Bedelia, and Greta Scacchi.

This week we go back to our favorite era, the 1970's to explore a film featuring one of our favorite actors, Donald Sutherland. We visit the horror-adjacent genre of 70're neo-noir for Klute written and directed by Alan J. Pakula #necromaniacspodcast #horsemenofthepodcastingapocalypse #necrothursday Intro: “Necromaniacs” – Mike Hill Outro: “Forever my Queen”– Pentagram

The Projection Booth dives deep into the shadowy corridors of power with Alan J. Pakula's All the President's Men (1976), a landmark film about the Watergate scandal that brought down a presidency. This special episode, co-hosted by Robert Bellissimo and Andras Jones -- who requested the film for Patreon Request Month -- delves into the gripping story of Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), as they unravel the conspiracy that reached the highest levels of government.With a razor-sharp script by William Goldman and Pakula's masterful direction, the film captures the intensity of investigative journalism and the political paranoia of its time. Join us as we explore the making of this cinematic powerhouse, its relevance today, and the passion behind Redford's drive to bring this story to the screen.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

The Projection Booth dives deep into the shadowy corridors of power with Alan J. Pakula's All the President's Men (1976), a landmark film about the Watergate scandal that brought down a presidency. This special episode, co-hosted by Robert Bellissimo and Andras Jones -- who requested the film for Patreon Request Month -- delves into the gripping story of Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), as they unravel the conspiracy that reached the highest levels of government.With a razor-sharp script by William Goldman and Pakula's masterful direction, the film captures the intensity of investigative journalism and the political paranoia of its time. Join us as we explore the making of this cinematic powerhouse, its relevance today, and the passion behind Redford's drive to bring this story to the screen.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Do you like to follow the money? Have you ever had late-night top-secret meetings with government officials in a parking lot? Are you a hard hitting journalist from the 1970's? Then All the President's Men (1976) is the movie for you! Check out this skillfully written and sharply intelligent thriller directed by Alan J. Pakula, starring Robert Redford, Dustin Hoffman, and Jason Robards in an Oscar winning turn. Host Sara Greenfield and guest Sarah Rois chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support

In Presumed Innocent, Harrison Ford plays Rusty Sabich, an attorney accused of the violent rape of his colleague Carolyn Polhemus...Happy Holidays! This 1990 film is a great re-watch for a deep dive on the greatness director Alan J. Pakula brings to the storytelling, and that's what Paul & Adam do with their special guest, actor Brendan Meyer. With a top-notch supporting cast that includes Brian Dennehy, Greta Scacchi, Paul Winfield, Bonnie Bedelia, and Raul Julia, and a crew that includes legendary DP Gordon Willis, there's a lot to discuss!  Like good movie talk? Please subscribe! Website: www.themovieguys.net The Ford Fiesta: https://apple.co/3s3Om9l The TMG Interview: https://apple.co/3c21SEI The Movie Showcast: https://apple.co/3eXSrrW Countdown: https://bit.ly/38XVDzS YouTube (The Movie Guys): https://www.youtube.com/TheMovieGuys YouTube (The Movie Guys LIVE): Youtube.com/user/TheMovieGuysLIVE Vimeo: https://vimeo.com/themovieguys   X: https://x.com/TheMovieGuys Facebook: https://www.facebook.com/TheMovieGuys Instagram: https://www.instagram.com/themovieguys/

This month's film club is the presidential thriller All the President's Men, directed by Alan J. Pakula, starring Robert Redford and Dustin Hoffman Links The Vote for next Film Club Episode All the President's Men on IMDB All the President's Men on Wikipedia Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg, Joe and Marc take a look at the 1973 classic paranoia thriller "The Parallax View," starring Warren Beatty and directed by Alan J. Pakula. Marc got it immediately and was in awe of it's mastery, Greg took a bit to warm up to it but eventually agreed as to it's masterpiece status.E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comPrime Cut is on TikTok @PrimeCutPodcastFollow and Subscribe to the Prime Cut Podcast on YouTube at - https://www.youtube.com/@ThePrimeCutPodcastFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/

Alan J. Pakula's 1974 corporate assassination conspiracy thriller, THE PARALLAX VIEW, is our feature presentation this week. We talk the 70s era of conspiracy films coming out of 60s America, character actor Hume Cronyn, Beatty's campaign history with RFK, and much more! We also pick our TOP 7 WARREN BEATTY MOVIES in this week's SILVER SCREEN 7. Become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

On this week's episode of Unclear and Present Danger, we watched the 1997 thriller The Devil's Own, directed by Alan J. Pakula and starring Brad Pitt and Harrison Ford.In The Devil's Own, Pitt plays Frankie McGuire, an IRA soldier who travels to the United States to obtain advanced weapons for the fight in Ireland. He is put up in the home of NYPD Sergeant Tom O'Meara, played by Ford, who does not know McGuire's mission. The two develop an easy rapport and McGuire becomes a part of O'Meara's family, of sorts. When McGuire's mission begins to intrude on the O'Mearas, however, the relationship — along with the family's safety — is threatened.The tagline for The Devil's Own was “One man trapped by destiny, and another bound by duty. They're about to discover what they're willing to fight, and to die for.”You can find The Devil's Own available to rent or purchase on Amazon and Apple TV.For the next episode, we will watch “The Second Civil War,” 1997 HBO film starring Phil Hartman. You can find it on YouTube.And don't forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we're almost two years deep at this point. Sign up at patreon.com/unclearpod. The latest episode of our Patreon podcast is on the 1974 exploitation film Death Wish.Connor Lynch produced this episode. Artwork by Rachel Eck.

Writer Ally Hord (Late Night with Seth Meyers) joins our Political Thriller series to discuss Alan J. Pakula's 1974 paranoia-fest, THE PARALLAX VIEW starring Warren Beatty, Hume Cronyn, and Paula Prentiss. Beatty stars as an investigative newspaper reporter uncovering a sinister shadow organization that specializes in political assassination. Released in the wake of several real life political assassinations and the Watergate scandal, THE PARALLAX VIEW typifies the stylish disillusionment of '70s era cinema, soberly shading an outlandish premise with cinematographer Gordon Willis's low-light moodiness. Join us as we contrast our different views on PARALLAX, along with diversions into Donald Trump, Home Improvement, the Burbank airport, The Paper, Harrison Ford, Glenn Close, and much, much more! THE PARALLAX VIEW is currently available to stream for free on Kanopy and PlutoTV. 

In this week's episode of Unclear and Present Danger, Jamelle and John watched Absolute Power, the 1997 conspiracy thriller directed by Clint Eastwood from a screenplay by William Goldman and based off of a David Baldacci novel of the same name. In addition to Eastwood, Absolute Power stars Gene Hackman, Ed Harris, Laura Linney, Judy Davis, Scott Glenn and Dennis Haysbert. In Absolute Power, Eastwood plays Luther Whitney, a master thief who makes the fateful decision to rob billionaire Walter Sullivan, a close friend and ally of the president of the United States. During the burglary, Whitney sees President Alan Richmond assault Sullivan's wife, Christy, with whom he is having an affair. When she fights back, the president's security detail kills her. Sullivan, who witnesses the altercation, escapes with evidence of the killing. When he becomes prime suspect in an investigation led by local police, Whitney devotes himself to exposing the president's misdeed while evading Sullivan's hired assassin — who believes Whitney is responsible — as well as a secret service agent who wants to silence the only witness. The tagline for Absolute Power was "Corrupts Absolutely."You can find Absolute Power to rent or purchase on Amazon Prime and Apple TV.For the next episode of Unclear and Present Danger, Jamelle and John will watch the 1997 thriller The Devil's Own, directed by Alan J. Pakula and starring Harrison Ford and Brad Pitt. It's available to stream on Netflix or for rent or purchase from Amazon or Apple TV.

The Richard Syrett Show, September 6th, 2024 Subscribe to Richard's newsletter, "Why I Fight" Scroll to bottom of page https://sauga960am.ca/programs/the-richard-syrett-show Crack pipe vending machines and home delivery do not reduce harm https://nationalpost.com/opinion/adam-zivo-crack-pipe-vending-machines-and-home-delivery-do-not-reduce-harm  Adam Zivo - Columnist National Post. Director of the Centre For Responsible Drug Policies KEEPNG AN EYE ON YOUR MONEY Ford's finance minister's record is bad and getting worse https://torontosun.com/opinion/columnists/jay-goldberg-fords-finance-ministers-record-is-bad-and-getting-worse  Jay Goldberg – Ontario Director of The Canadian Taxpayers Federation Taxpayer.com THE SOFA CINEFILE The Parallax View is a 1974 American political thriller film starring Warren Beatty, with Hume Cronyn, William Daniels and Paula Prentiss directed by Alan J. Pakula. Nick Soter has enjoyed a lifelong passion for movies and is the founder of a community cinema club in Toronto. THE LIMRIDDLER Time Bomb Tools  Defusing a time bomb requires the right tools. Ultimate, absolute, consummate fools. Respectable kind Who's polite and refined. Noun type that tends to offend Scrabble rules. Kamala Harris not answering questions on whether she will sign into action her own EV mandate https://mailchi.mp/3d574764d472/kamala-harris-not-answering-questions-on-whether-she-will-sign-into-action-her-own-ev-mandate  Gregory Wrightstone Geologist and the Executive Director of the CO2 Coalition in Arlington Virginia. Bestselling Author of A Very Convenient Warming: How modest warming and more CO2 are benefitting humanity. https://convenientwarming.com Trump confirms plan to audit the ENTIRE U.S. government https://www.wnd.com/2024/09/trump-confirms-plan-to-audit-the-entire-u-s-government Gretchen Wollert Author of Born to Fight: Lincoln and Trump and The Magic & Mayhem of Donald Trump https://www.gretchenwollert.com THERE'S SOMETHING HAPPENING HERE! Singh Pulls Out of Coalition Agreement with Trudeau and Liberals: Hero or Zero? https://globalnews.ca/news/10732510/ndp-pulls-out-of-liberal-deal/  Greg Carrasco, Host of The Greg Carrasco Show, Saturday mornings 8-11am on Sauga 960 https://www.gregcarrasco.com THE LIMRIDDLE ANSWER AND WINNERS  Time Bomb Tools Defusing a time bomb requires the right tools. Ultimate, absolute, consummate fools. Respectable kind Who's polite and refined. Noun type that tends to offend Scrabble rules. The answer to today's Limriddle is: Proper The first five to answer correctly were: 1. Michael Dibblee, Vancouver, British Columbia (winner of $100 Farm Boy coupon) 2. Jack Fallon, Toronto, Ontario 3. Amy-Lou Hoo, East York, Ontario 4. Thomas LeBaron, Kingston, Ontario 5. Karen Kirton, Bridgenorth, Ontario Defusing a time bomb requires the right tools. Diffusing any bomb is a tricky undertaking and should not be attempted at home without supervision. Wire cutters are considered the proper tool according to Hollywood movies. The choice often comes down to the red wire or the blue wire, with dire consequences for getting it wrong. Ultimate, absolute, consummate fools. A proper fool is an absolute, complete, consummate and unqualified fool. This rather negative use of the word “proper” is more common among Britons. Respectable kind Who's polite and refined. A proper lady or gentleman is generally well-mannered, respectable, polite and refined. Noun type that tends to offend Scrabble rules. Scrabble is a game involving the placement of lettered tiles on a game board in a crossword fashion. Subject to some variation in rules, proper nouns are not permitted. Proper nouns name a specific person or place and tend to be capitalized. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on another episode of the Rarified Heir Podcast, we continue our conversation with actor Christopher Murray and delve deeper into some fun and fascinating new stories about his mother actor Hope Lange, father actor Don Murray and step father Director Alan J. Pakula. Christopher talks to us about one of the most interesting connections he and his parents have – Director David Lynch. Hope Lange starred in Blue Velvet and both Christopher and Don played roles on Twin Peaks all in three separate decades. A totally weird Lynchian through line that is perhaps only rivaled by Laura Dern and Diane Ladd. Moreover we discuss some of the backstage jealousies of making the film Bus Stop which his parents were both cast in – although no one knew they were married. It sheds a light on some of the insecurities and well documented frailties of Marilyn Monroe. We also discuss Sean Connery's golf game, Scarlett Johansen's first role in the film Just Cause, how you ingratiate yourself into the good graces of a Scotsman and more. This leads to a Christopher's reminisces of his truly remarkable stepfather Alan J. Pakula both at home and at work. From his time on the set of the film Klute where he met Jane Fonda to the trips Alan took he and his sister on to Morocco & Italy we really feel like we are getting a story very few know about. Part two of our conversation with Christopher is filled with beautiful memories and some tragic losses. Thanks for taking us along for the ride Chris. The Rarified Heir Podcast. Everyone has a story.

Today on the Rarified Heir Podcast we are talking to actor Christopher Murray, who we find out, was quite literally born into show business. From both his maternal and paternal grandparents as well as both of his parents, Christopher likely couldn't have escaped a career in front of the camera if he tried. So who are his parents? Well, both are Oscar nominated and his mother is a two-time Emmy award winner. Can you guess? None other than actors Don Murray & Hope Lange. Between his parents, they have starred in films and TV productions with Marilyn Monroe, Elvis Presley, Robert Wagner, Charles Laughton, Roddy McDowell, Michelle Lee, Kathleen Turner, Joan Crawford, Glenn Ford, Suzy Parker and more. And if that isn't enough, his stepfather was a giant of a director,  Alan J. Pakula who directed some of the best films of the 70s as well. Our time  with Christopher was more a conversation than an interview and frankly, those are the ones we love best on this podcast. We jumped around a lot but the connections were never more apparent than when we were discussing how it is that Charles Nelson Reilly spent so much time at his house. We delved into just about everything with Christopher to the story of how his parents helped displaced European war refugees from WWII & the Korean War that still functions to this day as well as the fabulous dinner parties his mother gave that were a safe haven for gay Hollywood couples in an era when things like that were very rare. This conversation that spans the stage, film and television and involves everyone from Hubert H. Humphrey to Eleanor Roosevelt, Sean Connery to Ed Harris & Freddy Kruger to Don Deer. But to hear all of those stories, we had to spread this episode into two parts – there was just too much great stuff to cut out. You'll have to take a listen to this episode, part one,  of the Rarified Heir Podcast to begin this verbal scavenger hunt.  Everyone has a story.

Everyone Bill Simmons, Chris Ryan, Sean Fennessey, and Amanda Dobbins have told about this podcast is dead. But that doesn't stop them from rewatching the 1993 American legal thriller ‘The Pelican Brief,' starring Julia Roberts and Denzel Washington. The film is based on the 1992 novel by John Grisham and directed by Alan J. Pakula. The Rewatchables Cold Weather Tour is here!! For tickets please head to theringer.com/events Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices