Podcasts about speed museum

Chris Pappan is an enrolled member of the Kaw Nation and honors his Osage and Lakota heritage. His cited artistic influences are the Lowbrow art movement, Heavy Metal and Juxtapoz magazines, and taps into the American cultural roots of 1970s underground comics, punk, and hot rod cultures. His art literally reflects the dominant culture's distorted perceptions of Native peoples and is based on the Plains Native art tradition known as Ledger Art. A graduate of the Institute of American Indian Arts in Santa Fe and a nationally recognized painter and ledger artist, Chris' work is in numerous museums such as the National Museum of the American Indian, Washington D.C.; the Tia collection in Santa Fe NM and the Speed Museum of Art in Louisville KY among many other important collections both nationally and internationally. He is represented by Blue Rain Gallery in Santa Fe NM. Chris is currently a board member of the Illinois State Museum and is a co-founder of the Center for Native Futures, a Native American gallery and studio space in Chicago's Loop. He lives and works in Chicago with his wife Debra Yepa-Pappan, and their daughter Ji Hae. headshot photo by Tran Tran Website: http://chrispappan.com/ Center for Native Futures Website: https://www.centerfornativefutures.org/ Unbound: Narrative Art of the Plains https://americanindian.si.edu/explore/exhibitions/item?id=1005

William M. Duffy's solo exhibition currently at the Speed Museum, is the second installment of the Louisville Black Avant-Garde series, highlighting local, historically significant Black visual artists active from 1950–1980. A lifelong artist, Duffy first began with painting, silk-screening, and drawing. However, after witnessing a car crash destroy a bank building's marble column, he felt compelled to ask for remnants of the broken stone; from then on, he taught himself how to carve and sculpt through research, improvisation, and repetition. This retrospective exhibition spans over 4 decades of creativity and presents not only the sculpture that Duffy is now known for, but also his earlier drawings, paintings, and digital art. In addition to featuring works of fine art, this retrospective also includes commercial works commissioned by local community groups and works made over the course of his long career as an educator in the Jefferson County Public Schools – and done in collaboration with his students.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

Keltie Ferris was born in Kentucky in 1977 and currently lives and works in Brooklyn, New York. He graduated with a BFA from the Nova Scotia College of Art and Design and an MFA from the Yale School of Art in 2006.Keltie has had recent solo shows at Mitchell-Innes & Nash, Morán Morán, Klemm's Gallery, Gana Art Sounds, the Speed Museum in Louisville, KY, the University Art Museum at SUNY Albany, the Santa Monica Museum of Art, just to namw a few. His works have been included in group exhibitions at institutions, including Klemm's Gallery, G Gallery, Seoul, the American Academy of Arts and Letters, the Asheville Art Museum, Morán Morán, Makasiini Contemporary, Maruani Mercier,  Saatchi Gallery, the Contemporary Arts Museum of Houston, and the Brooklyn Museum. He was awarded the Rosenthal Family Foundation Award in Painting by the Academy of Arts and Letters in 2014. Sound & Vision is supported by the New York Studio School, Golden Artist Colors and Fulcrum Coffee.

Ep.198 Allison Janae Hamilton (b. 1984 in Kentucky, raised in Florida) has exhibited widely across the U.S. and abroad. Her work has been the subject of institutional solo exhibitions at the Georgia Museum of Art, the Joslyn Art Museum, Massachusetts Museum of Contemporary Art (MASS MoCA), and Atlanta Contemporary, as well as a commissioned solo project with Creative Time. Her sculpture, Love is like the sea… (2023) is currently on view in the Poydras Corridor Sculpture Exhibition, presented by The Helis Foundation in New Orleans, LA. Select recent group exhibitions include The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Virginia Museum of Fine Arts; Shifting Horizons, Nevada Museum of Art; Enunciated Life, California African Art Museum; More, More, More, TANK Shanghai; and Indicators: Artists on Climate Change, Storm King Art Center. Work by the artist is held in public collections such as the Studio Museum in Harlem, the Hood Museum of Art, The Menil Collection, Nasher Museum of Art, Nevada Museum of Art, and Speed Museum of Art, among others. Hamilton has participated in a range of fellowships and residencies, including at the Whitney Independent Study Program, New York, NY; the Studio Museum in Harlem, New York, NY; and Fundación Botín, Santander, Spain. She is the recipient of the Creative Capital Award and the Rema Hort Mann Foundation Grant. Hamilton holds a PhD in American Studies from New York University and an MFA in Visual Arts from Columbia University. She lives and works in New York. Portrait: Heather Sten Artist https://www.allisonjanaehamilton.com/ Marianne Boesky Gallery https://marianneboeskygallery.com/artists/60-allison-janae-hamilton/press/ Storm King Art Center https://indicators.stormking.org/allison-janae-hamilton/ Georgia Museum of Art https://georgiamuseum.org/exhibit/allison-janae-hamilton-between-life-and-landscape/ University of Georgia https://www.wuga.org/show/museum-minute/2022-10-28/museum-minute-allison-janae-hamilton Nasher Museum of Art https://nasher.duke.edu/stories/allison-janae-hamilton-floridawater-ii-sisters-wakulla-county-fl-and-when-the-wind-has-teeth/ Helis Foundation https://www.thehelisfoundation.org/pcse/love-is-like-the-sea... Pippy HouldsworthGallery https://www.houldsworth.co.uk/exhibitions/140-tales-of-soil-and-concrete-brett-goodroad-allison-janae-hamilton-yun-fei-ji-arturo/works/ The Highline https://www.thehighline.org/art/projects/allison-janae-hamilton/ Contemporary Art Library https://www.contemporaryartlibrary.org/artist/allison-janae-hamilton-6327 Artpil https://artpil.com/allison-janae-hamilton/ The Clark https://www.clarkart.edu/microsites/humane-ecology/about-the-artists/allison-janae-hamilton UGA Today https://news.uga.edu/nature-is-at-the-center-of-allison-janae-hamiltons-work/ Rema Hort Mann Foundation https://www.remahortmannfoundation.org/allison-janae-hamilton/ Ogden Museum https://ogdenmuseum.org/event/florida-stories-a-conversation-with-author-lauren-groff-and-visual-artist-allison-janae-hamilton/ Kids Kiddle https://kids.kiddle.co/Allison_Janae_Hamilton WWD https://wwd.com/feature/allison-janae-hamilton-marianne-boesky-gallery-art-exhibition-1234792142/ Whitewall Art https://whitewall.art/art/allison-janae-hamilton-interrogates-myths-around-landscape-and-stories-of-paradise/ Whitewall Art https://whitewall.art/whitewaller/allison-janae-hamilton-a-romance-of-paradise/ Where y'at https://www.whereyat.com/allison-janae-hamilton-lauren-groff-florida-new-orleans The Bitter Southerner https://bittersoutherner.com/summer-voices/aunjanue-ellis/allison-janae-hamilton C& https://contemporaryand.com/exhibition/allison-janae-hamilton-a-romance-of-paradise/ The University of Texas at Austin https://repositories.lib.utexas.edu/items/3f37e356-f2a7-4f3b-a9d4-7614ddfac848 Urban Milwaukee https://urbanmilwaukee.com/people/allison-janae-hamilton/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with textile artist Maria Guzman Capron, as she discusses her journey from painting to textiles, influences from her multicultural background, her innovative textile design for the San Francisco Ballet, and her mission to incorporate craft into contemporary art.About Artist  Maria Guzman Capron:Maria A. Guzmán Capron was born in Italy to Colombian and Peruvian parents. She received her MFA from California College of the Arts in 2015 and her BFA from the University of Houston in 2004. Select solo exhibitions include The San Francisco Museum of Modern Art, San Francisco, CA; the Blaffer Art Museum, Houston, TX; Shulamit Nazarian, Los Angeles, CA; Texas State Galleries, San Marcos, TX and Guerrero Gallery, San Francisco, CA. Select group exhibitions include Boston University, Boston, MA; Contemporary Jewish Museum, San Francisco; Berkeley Art Center, Berkeley, CA; Shulamit Nazarian, Los Angeles, CA; The Mistake Room, Los Angeles, CA; Public Gallery, London, UK; NIAD Art Center, Richmond, CA; CULT Aimee Friberg Exhibitions, San Francisco, CA; Deli Gallery in Brooklyn, NY; and Buffalo Institute for Contemporary Art, Buffalo, NY. Her works have been written about in Hyperallergic, Variable West, Bomb Magazine, and Art in America. Capron's work is in the collection of the de Young Museum, San Francisco, CA, the Jorge M. Pérez, Miami, FL, and the Speed Museum, Louisville, KY. As a 2022 recipient of SFMOMA's SECA Award, her exhibition Respira Hondo was presented at SFMOMA through May 2023.For more about Maria, CLICK HERE. Follow Maria on Instagram:  @MariaGuzmanCapronLearn more about Maria's Scenic Curtain at the SF Ballet HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Steve, Renee and Jeremy talk to Marc Abrams, chair of the Art of Bourbon Event at the Speed Museum about how the audience can get involved in the bidding for very rare whiskey! The Bourbon Show music (Whiskey on the Mississippi) is by Kevin MacLeod (incompetech.com). Important Links: ABV Network Shop: https://shop.abvnetwork.com/ YouTube: https://bit.ly/3kAJZQz Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

Episode No. 12 of the Art Throb Podcast features Dr. Fari Nzinga who is the Curator of African and Native American Collections at the Speed Art Museum in Louisville, KY. In addition to caring for and stewarding these collections, she coordinates special exhibitions as well.  Our conversation focuses on the current exhibition at The Speed Museum that Dr. Nzinga curated - Louisville's Black Avant-Garde: Robert L Douglas. Douglas, who died this past February at the age of 88, had been involved in the planning stages of his exhibition.  He was Professor Emeritus at the University of Louisville, a visual artist, community organizer, teacher and mentor to generations of artists and thinkers.  This exhibition of his work features more than 30 of his paintings, drawings, prints and sculptures and presents rarely seen work from across the span of his career demonstrating the breadth of his artistic practice and the depth of his impact both locally and regionally.Douglas was drawn to the work of the German Expressionists of the early twentieth century and their use of color to convey atmosphere and emotion.  He directly references these painting techniques in several of his works in this show with his use of bright and intense color, simple shapes, textured brushwork and the generous application of paint.  Douglas' work is at once rife with visual references drawn from art history and uniquely his own. He explores many themes in his work, including (but not limited to): Defining Black art and aesthetics; connections between Africa and African America; standards of beauty and femininity; art and everyday life; and improvisation and abstraction in the creative and artistic process.Louisville's Black Avant-Garde is intended as a four-part annual series spotlighting leading artists of the Louisville Art Workshop.  The first in this series with the work of Professor Robert L Douglas opened June 30 in the Chellgren Gallery on the second floor of the Speed Art Museum and will run until October 1, 2023.See examples of the art works mentioned at our website, https://www.artsconnectlex.org/art-throb-podcast.html

Jedimanda is a professional seamstress, author and avid costumer. She's been features in numerous publications, won awards for her costuming, and loves travel as much as she loves cosplay. At (1:54) she tells us why C2E2 Chicago is her vary favorite convention…and shares the story of how she learned to sew…and how this led to her first job in college. She takes us through her Senior thesis project and how she made things work to her liking. (5:34) Jedimanda provides a detailed description of the costume she wore during our interview and how she took this idea from imagination to reality. (6:42) How did she discover and get into cosplay? She shares her journey. And how many costumes has she made…listen to find out. (10:12) Convention competitions are a part of every event – she walks us through the specifics of how these work. And opens up about how it feels for her when she participates in one., also talking of how special she feels to interact with other participants. (14:47) Why does she attend conventions? Her friends play a big part in this for her. (16:09) After college, Jedimanda worked for the Louisville Ballet, her love and appreciation for theatre grew exponentially during this time. Hear how this shaped her future. (17:34) She has a deep love and works with SheProp! – a female centered; non-binary LGBTQ centered Facebook Group founded by her good friend Beverly Downing. Jedimanda talks about this group, their work and why it's important to her. (21:00) How did she choose the name Jedimanda? She tells us the story. And what's her brand? At (21:59) she tells us. (23:03) Her brand-new book – her second- “Level-Up Creative Cosplay” recently launched. Hear the myriad topics she covers in this terrific new venture. (25:20) Her 9 to 5 is leading marketing at the Speed Museum in Louisville, KY. Jedimanda calls this her dream job…learn how cosplay was instrumental in her landing this position. Also, learn who she calls her favorite artist. (28:37) What inspires her and what does the cosplay community mean to her? She lets us in on this! (32:32) What's next for her in her competitions and the possible road to the world event in Barcelona? She will take us along with her on that road. Her dream? To be interested, open, and humble. (35:00) And finally, she shares her biggest tips for someone wanting to start in cosplay.If you want to reach out to Jedimanda, you can do so on all social media mostly on Instagram and TikTok as Jedimanda. If you know someone who has an outstanding story that should be shared on this podcast, drop Meg a note to Meg@sewandsopodcast.com or complete the form on our website.

Amy D. Clark, PhD,Amy Clark is a professor of Appalachian and Communication Studies at the University of Virginia's College at Wise, where she is the founding co-director of the Center for Appalachian Studies, and founding Director of the Appalachian Writing Project. She is author and co-editor of Talking Appalachian: Voice, Identity, and Community (University Press of Kentucky). Her work on Appalachian dialects has appeared in the New York Times and NPR, among other publications. She co-hosts the podcast Southern Salon: Culture and Communication Podcast  which includes a new series on Talking Appalachia. Jayne Moore WaldropJayne Moore Waldrop is a  western Kentucky native,   She is the author of Retracing My Steps, a finalist in the 2018 New Women's Voices Chapbook Contest, and Pandemic Lent: A Season in Poems. Waldrop's work has appeared in the Anthology of Appalachian Writers, Still: The Journal, Appalachian Review, New Madrid Review, Deep South Magazine, New Limestone Review, Women Speak, and other literary journals. She lives in Lexington, Kentucky.University Press of Kentucky  The University Press of Kentucky has a dual mission—the publication of academic books of high scholarly merit in a variety of fields and the publication of significant books about the history and culture of Kentucky, the Ohio Valley region, the Upper South, and Appalachia. The Press is the statewide nonprofit scholarly publisher for the Commonwealth of Kentucky, serving all Kentucky state-sponsored institutions of higher learning as well as six private colleges and Kentucky's two major historical societies.The Short Fuse PodcastHosted and produced by Elizabeth Howard.  Learn more at Elizabeth Howard.The Arts Fuse   The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.  Courtesy of Smithsonian FolkwaysSmithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution, the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people's engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. Smithsonian Folkways is part of the Smithsonian Center for Folklife and Cultural Heritage.Alex Waters Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  alexwatersmusic12@gmail.com with inquiries. 

Allison M. Glenn is a curator and writer deeply invested in working closely with artists to develop ideas, artworks, and exhibitions that respond to and transform our understanding of the world. She is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art, and she curates exhibitions across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Prior to working at Crystal Bridges, she was the Manager of Publications and Curatorial Associate for Prospect New Orleans’ international art triennial Prospect.4. She and Zuckerman discussed regionalism, the center becoming the periphery, cultural exchange, being stewards of the institutions we work for, ambitious projects, identifying key stakeholders first, Amy Sherald’s portrait of Breonna Taylor, the limits to what exhibitions can do, not yet having actually seen things we think we have, not knowing what we think we know, roles and responsibilities, and her curation of Promise Witness Remembrance at the Speed Museum, permission, accessible freedoms, and how people can act in museums! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website. If you are interested in creating a custom piece please email custom@bestandcoaspen.com and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email press@hiz.art *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

In capturing the transcendent moments between silence, introspection and self-discovery, Sibylle Peretti seeks to find and depict places of mystery and wonder as launching spots in a journey towards the infinite. Ethereal imagery and haunting subtexts flow freely from porcelain sculpture and mixed media panels, which incorporate multiple layers of paper, oil paint, and watercolor on either side of Plexiglas. Through these techniques the artist creates a darkly romantic mix of fairytale and tension. Her skillful combination of engraving, photography, painting, and glass casting exposes exquisitely subtle environments we wish to enter in spite of some uneasiness.  Heller Gallery, New York City, has recently extended Peretti’s current online solo exhibition, Backwater, through June 13, 2020. The show features nine major new works – five wall pieces and four cast sculptures, as well as an installation of Glass Notes, an ongoing collaboration between Peretti and her husband, artist Stephen Paul Day.  Peretti says: “One aspect of my work reflects on our disrupted relation to nature and our yearning to achieve a unity with the natural world. Backwater describes places that are isolated and constantly changing. Living in New Orleans just footsteps away from the Mississippi river, I explore almost daily the ever-changing alluvial land with its magical backwaters.” Anchoring Backwater is Tchefuncte, Peretti’s large 48-panel wall piece (60 x 80 inches), which combines photography and drawing with surface interventions such as engraving, mirroring and glass slumping. It is based on a photograph she took along the riverbanks of the Tchefuncte river north of New Orleans, an area that was populated by the Tchefuncte culture as early as 500 BCE, and which derives its name from the Choctaw word for a dwarf chestnut, a plant used as medicine by the first people who inhabited this area. Peretti calls it a “temporal place that is likely to soon vanish due to flooding and human expansion,” but the composition suggests a portal, “a waterway that is open to the viewer’s imagination. When you look at the landscape, you also see your own reflection in the mirrored parts of the glass, and you become a part of the journey.”  Peretti received her MFA in Sculpture and Painting from the Academy of Fine Arts in Cologne, Germany, after first studying glassmaking and design at the State School of Glass in Zwiesel, Germany. In the past year her work was added to the collections of the Toledo Museum of Art, Toledo, OH; the newly established Barry Art Museum in Norfolk, VA; and most recently to the Huntsville Museum of Art in Huntsville, AL. Her work can be found in the permanent collections of the New Orleans Museum of Art, New Orleans, LA; the Corning Museum of Glass, Corning, NY; the Carnegie Museum of Art, Pittsburgh, PA; the Montreal Museum of Fine Arts, Canada; the Museum of Applied Arts, Frankfurt, Germany; the Hunter Museum, Chattanooga TN; and the Speed Museum and 21c Museum, both in Louisville, KY.  Awards and endorsements include grants from the Pollock-Krasner Foundation and the Joan Mitchell Foundation, as well as the 2013 United States Artist Fellowship. In 2018 Peretti’s work was featured in a solo exhibition Promise and Perception: The Enchanted Landscapes of Sibylle Peretti, at the Chrysler Museum of Art in Norfolk, VA.  Exploring the relationship between time, loss, emotion, memory and solitude, Peretti’s multimedia collages and sculptures provide a place into which her protagonists- the people and animals that inhabit her work – retreat. Impactful and unforgettable, the work balances the nostalgia of impending loss with the profound fortitude of understanding ourselves… and the world. In October 2020, during her residency at the Corning Museum of Glass, Peretti will work on a new project inspired by the Werner Herzog movie Heart of Glass. She will explore ideas of the historic importance of making Gold Ruby, and how it can be seen as a metaphor for a collapsing world.  

I discovered the bookclub we will talk about today purely by accident. I was looking at the website of my local art museum, the Speed Art Museum, because I was buying tickets for the Toni Morrison documentary that aired this summer, The Pieces I Am, at the Speed's attached cinema. While on the website I saw a listing for the Speed Reading Club, a funny play on words title for their bookclub sponsored by the museum. My interest was piqued. What kind of bookclub would it be. I contacted today's guest, Shannon Karol, Director of Education and she was so eager to tell me about the club and invited me to sit in on a session. There I also met Cheryl Sweeney, a dedicated regular member of the group. Shannon and Cheryl talk to carrie and I about how the club integrates books and art at the museum, why reading a novel can make viewing art less intimidating, which book/art pairing involves a former president solving mysteries, and which gallery in the museum makes all the schoolchildren imagine Harry Potter. Our discussion today just reminds me that visual art and the art of words on the page are just two sides of the same coin. Its a day at the museum on Perks. You can find us on FB, instagram (@perksofbeingabookloverpod) and on our blog site at www.perksofbeingabooklover.com Perks airs on Forward Radio 106.5 FM and forwardradio.org every Wednesday at 6 pm, Thursdays at 6 am and 12 pm. We have purchased the rights to the theme music used.

Pictured above: a work by British-Nigerian artist Yinka Shonibare at the Speed Art Museum in Louisville Listen to the full length program Listen by segment: One: Good news/bad news about the general condition of children in Kentucky. A conversation with KY Youth Advocates' Terry Brooks about the findings of the 2019 KIDS COUNT Databook. LISTEN Two: A comprehensive global report from the United Nations warns that nature is declining globally at rates unprecedented in human history – and the rate of species extinctions is accelerating, with grave impacts on people around the world now likely. Greg Abernathy of the Kentucky Natural Lands Trust brings it close to home. LISTEN Three: The Lexington Theater Company prepares its 5th summer season. the organization's husband-wife co-founders Jeromy and Lyndy Franklin Smith detail the productions and the company's mission to connect local, regional and national talents both onstage and behind the scenes. And, UnderMain's Art Shechet sits down with Speed Museum curator Miranda Lash to get details on several major events happening over the summer. LISTEN Contact: Tom Martin at es@eku.edu or leave voicemail at 859-622-9358  People like you value experienced, knowledgeable and award-winning journalism that covers meaningful stories in Central and Eastern Kentucky. To support more stories and interviews like those featured in this edition of Eastern Standard, please consider making a contribution.

Pictured above: a work by British-Nigerian artist Yinka Shonibare at the Speed Art Museum in Louisville Listen to the full length program Listen by segment: One: Good news/bad news about the general condition of children in Kentucky. A conversation with KY Youth Advocates' Terry Brooks about the findings of the 2019 KIDS COUNT Databook. LISTEN Two: A comprehensive global report from the United Nations warns that nature is declining globally at rates unprecedented in human history – and the rate of species extinctions is accelerating, with grave impacts on people around the world now likely. Greg Abernathy of the Kentucky Natural Lands Trust brings it close to home. LISTEN Three: The Lexington Theater Company prepares its 5th summer season. the organization's husband-wife co-founders Jeromy and Lyndy Franklin Smith detail the productions and the company's mission to connect local, regional and national talents both onstage and behind the scenes. And, UnderMain's Art Shechet sits down with Speed Museum curator Miranda Lash to get details on several major events happening over the summer. LISTEN Contact: Tom Martin at es@eku.edu or leave voicemail at 859-622-9358  People like you value experienced, knowledgeable and award-winning journalism that covers meaningful stories in Central and Eastern Kentucky. To support more stories and interviews like those featured in this edition of Eastern Standard, please consider making a contribution.

Steve and Renee talk to Jeremy about the Art of Bourbon, a charitable event he is covering for Bourbon Zeppelin at the Speed Museum on September 21. There will be auction items, dinner and cocktails. To learn more about this event, or get tickets, click here: https://goo.gl/UCHwBJ - Today’s show was sponsored by Steve Akley’s book, Mules and More (https://goo.gl/EN3wEj). The Bourbon Daily intro music (Welcome to the Show) and outro music (That’s A Wrap) are both by Kevin MacLeod (incompetech.com). Check us out at: abvnetwork.com. Join the ABV Network Revolution by adding #ABVNetworkCrew to your profile on social media.

Lewis Furguson is the Education Program Director at the World of Speed Museum in Willsonville, Oregon. Regular listeners of Cars Yeah will remember I had David Schaeffer, the museum’s Director and Ron Huegli, the Curator on Cars Yeah in December of 2015. The museum encompasses many aspects of motorsports including drag racing, road racing, land speed racing, motorcycle racing, open-wheel cars, NASCAR, and hydroplanes. Lewis oversees the museums programs designed for students. They team up with high schools to teach children the fundamentals of automobiles by allowing them to work on cars. They earn high school and college credits and learn valuable hands-on experience. Lewis’ goal is to introduce the next generation to opportunities in the automotive industry.regon.

David Schaeffer is the Executive Director at World of Speed Museum in Wilsonville, Oregon. His role is to oversee the museum’s mission of education and entertainment through the celebration and preservation of American motorsports. Before joining the museum David worked for the Children’s Cancer Association as the Chief Development Officer and he’s also worked in the headquarters for the American Cancer Society, Make-A-Wish Foundation, and the Muscular Dystrophy Association.

Ron Huegli is the Curator at World of Speed Museum in Wilsonville, Oregon. At World of Speed Museum, he and his team are dedicated to education and entertainment through the celebration and preservation of motorsports. As curator at World of Speed, Ron is responsible for the entirety of World of Speed’s motorsports collection. He acquires, cares for, develops, displays, and interprets the museum’s exhibits. He also works with a talented team on archiving, marketing, fundraising, volunteering, and educational programs. He’s raced nitro dragsters and Top Fuel racing and he drives the Tiki Warrior funny car.

Paul Duchene has been an automotive journalist for 40 years. In that time he has owned about 250 cars, and drove an Isetta three-wheeler daily as a reporter in London in the 1960s. He’s raced motorcycles and ran the 1,000 mile Moto-Giro d’Italian on a 1957 Ducati and he ran the 5,000 mile Alcan Winter Rally six times. He has written for the Chicago Tribune, New York Times, Car and Driver, Autoweek, and Roundel, and was the Automotive Editor at The Oregonian and the Portland Tribune, and Executive Editor at Sports Car Market Magazine. These days, Paul writes classic car auction catalogs for RM and Gooding, for the soon-to-be-opened World of Speed Museum and for Hagerty’s European website. You can hear Paul at the Laguna Seca and Portland historic races as an announcer.

Dale LaFollette was the Track Manager at the Portland International Raceway for 27 years and oversaw up to 500 events a year from IMSA races to motocross, drag racing, police training, vintage racing, and more. He started selling racing photographs and metal sculpture through galleries while at the track in the 70s and 80s. During that time he started a mail order catalog business titled Vintage Motorphoto. When the Internet came along he jumped on board and sold through his website and eBay. For over 20 years he’s been a member of the nominating committee for the Motorsports Hall of Fame and he’s on the board of advisors for the World of Speed Museum that opens in Wilsonville, Oregon in April 2015.