Podcasts about Contemporary Jewish Museum

Episode 506 - Lisa F Rosenberg - Author of Fine, I'm A Terrible Person - a funny, heart wrenching, adult mother daughter storyLisa F. Rosenberg has a B.A. from U.C. Berkeley in Art History, a M.A. in Graduate Humanities and a MFA in Creative Writing from Dominican University of California. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery.She was most recently a public guide at SFMOMA and Museum Educator on staff at the Contemporary Jewish Museum in San Francisco.Her writing up until now has been in her professional life, primarily non-fiction, essays for exhibition catalogs, art criticism, tours, and public talks. Her short story, Family Footnotes, was recently featured in the summer 2024 edition of Amaranth: a journal of food writing, art and design, and she was a quarterfinalist in the Driftwood Press in house short story contest for the Spring of 2024.Fine, I'm a Terrible Person is her debut novel. Her family heritage is Rhodeslis, Ladino speaking Sephardic Jews from the island of Rhodes. Her deep affection for her cultural legacy is reflected in the novel's historical accuracy of language, cultural authenticity, and descriptions of mouthwatering cuisine.About the BookFine, I'm a Terrible Person73-year-old, worn out, former beauty, Aurora Hmans Feldenburg, a hapless, perpetually broke, eccentric, divorcee living in the wealthy enclave of Tiburon in Marin County in Northern California, is wakened by a phone call informing her that her father's widow, has died. Her last chance at solvency, she decides to drive to Los Angeles to see if there is a will. Aurora is always ready for the next get rich scheme.Aurora's high-strung daughter, 43-year-old Leyla Feldenburg Rothstein, is a hypersensitive, insecure, perfectionist, insomniac, emotionally damaged from her father's lifelong abuse and rejection. She is married to a wealthy, Jewish prince charming, investment banker who specializes in the legal Cannabis industry.Aurora and Leyla's separate quests intersect and enmesh in Los Angeles over the course of a weekend, where they both end up staying with cousins, quirky, endearing, Sephardic Jews who speak Ladino, mostly in proverbs and cook prodigious quantities of delicacies from the old country, the island of Rhodes.When Aurora's meager inheritance is stolen, she drags Leyla into a ludicrous chase. Unable to resist the pull from the trauma bond she shares with her infuriating mother, Leyla fails to adhere to her boundaries, even after years of therapy. She risks losing everything to another one of Aurora's harebrained schemes.Their entangled journeys and the chaotic, catastrophic outcome are the last straw for Leyla who must break free from her mother's toxic dependency and destructive attachment to save herself, her marriage, and her young family.https://lisafrosenberg.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Today I talked to Lisa F. Rosenberg about Fine, I'm a Terrible Person (Sibylline Press, 2025). The pain of 73-year-old Aurora's divorce over thirty years before continues to reverberate – she's eccentric, filled with schemes, and only able to function with help from her daughter. Born in the 500-year-old Jewish community of Rhodes, she mixes Judeo-Espanol (Ladino) aphorisms into her speech and thinks she speaks Spanish, but few can understand her. With an expired license and an ancient car, she drives to Los Angeles hoping to find a treasure after the death of her father's last wife. Aurora's daughter Leyla is also affected by her father's abrupt departure and spends her life seeking perfection, trying not to let her mother make her crazy, and striving to fit into their wealthy San Francisco community. When she learns that her husband might be having an affair, she takes her two young sons for a madcap weekend in Los Angeles where she'll have to bend a few rules, grapple with her mother, sneak into her husband's conference, and learn a bit about going with the flow. This is a charming mother-daughter novel about immigrants, overcoming family dysfunction, the cuisine of the Jewish community of Rhodes, and learning to overcome obstacles. Lisa F. Rosenberg earned a B.A. from U.C. Berkeley in Art History, an M.A. in Graduate Humanities, and an MFA in Creative Writing from the Dominican University of California. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery. She was most recently a public guide at SFMOMA and a Museum Educator on staff at the Contemporary Jewish Museum in San Francisco. Her writing up until now has been primarily non-fiction essays for exhibition catalogs, art criticism, tours, and public talks. Her short story, Family Footnotes was recently featured in the summer 2024 edition of Amaranth: a journal of food writing, art, and design, and she was a quarterfinalist in the Driftwood Press in-house short story contest for the Spring of 2024. Her family heritage is “Rhodeslis,” Ladino-speaking Sephardic Jews from the island of Rhodes. Her deep affection for her cultural legacy is reflected in the novel's historical accuracy of language, cultural authenticity, and descriptions of mouthwatering cuisine. When she is not writing, she is reading, hiking, practicing yoga, or traveling with her husband of 35 years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Lisa F. Rosenberg about Fine, I'm a Terrible Person (Sibylline Press, 2025). The pain of 73-year-old Aurora's divorce over thirty years before continues to reverberate – she's eccentric, filled with schemes, and only able to function with help from her daughter. Born in the 500-year-old Jewish community of Rhodes, she mixes Judeo-Espanol (Ladino) aphorisms into her speech and thinks she speaks Spanish, but few can understand her. With an expired license and an ancient car, she drives to Los Angeles hoping to find a treasure after the death of her father's last wife. Aurora's daughter Leyla is also affected by her father's abrupt departure and spends her life seeking perfection, trying not to let her mother make her crazy, and striving to fit into their wealthy San Francisco community. When she learns that her husband might be having an affair, she takes her two young sons for a madcap weekend in Los Angeles where she'll have to bend a few rules, grapple with her mother, sneak into her husband's conference, and learn a bit about going with the flow. This is a charming mother-daughter novel about immigrants, overcoming family dysfunction, the cuisine of the Jewish community of Rhodes, and learning to overcome obstacles. Lisa F. Rosenberg earned a B.A. from U.C. Berkeley in Art History, an M.A. in Graduate Humanities, and an MFA in Creative Writing from the Dominican University of California. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery. She was most recently a public guide at SFMOMA and a Museum Educator on staff at the Contemporary Jewish Museum in San Francisco. Her writing up until now has been primarily non-fiction essays for exhibition catalogs, art criticism, tours, and public talks. Her short story, Family Footnotes was recently featured in the summer 2024 edition of Amaranth: a journal of food writing, art, and design, and she was a quarterfinalist in the Driftwood Press in-house short story contest for the Spring of 2024. Her family heritage is “Rhodeslis,” Ladino-speaking Sephardic Jews from the island of Rhodes. Her deep affection for her cultural legacy is reflected in the novel's historical accuracy of language, cultural authenticity, and descriptions of mouthwatering cuisine. When she is not writing, she is reading, hiking, practicing yoga, or traveling with her husband of 35 years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Part 2, we pick up where we left off in Part 1. We'd just learned of the call Ashley received from The Fillmore while she was working in Seattle. She'd visited San Francisco once to visit a cousin, but that stay lasted a mere 48 hours. She had one friend here at the time.   Up in Seattle, the shows she helped produce were huge acts like Beyoncé and Rihanna. What especially excited Ashley about this opportunity at The Fillmore was the potential to work on smaller shows with groups and people more on their way up, so to speak. For fans and showgoers, it was more about music discovery, as she puts it.   It was June 2012. Ashley's move to San Francisco was more or less sight-unseen. The City immediately felt like a "bigger" place for her, its music ... just a bigger city all-around. It was big, "but not that big." She landed in the Mission, moving in with a friend of that one friend she had in SF. Ashley lived at 24th and Potrero for nine years, until just three years ago.   We shift to talk about Ashley's time at The Fillmore. She shares conversations among staff there about the history of the place and placing that at the forefront. The venue partnered with the Bill Graham Memorial Foundation this past fall to reintroduce the public to the place and its long history, as well as really getting Bill Graham's story out there.   Ashley then shares that life story of Bill Graham. It was Graham who put The Fillmore on the map. His first show there was in December 1965. He had fled the Holocaust as a kid, went with family to New York, then ended up in San Francisco. He wanted to be an actor and found the San Francisco Mime Troupe. That first show at The Fillmore was a benefit for the Mime Troupe, in fact.   The place had been a dance hall and a roller rink previously. Graham might have had a hunch, but when he took over putting on music shows, it was right at an inflection point for rock music in The City. Bands like Grateful Dead, Jefferson Airplane, and Janis Joplin frequently played there.   Bill Graham had a gift for pairing musicians from different genres together in such a way that shows attracted different groups of people. Ashley points out, though, that first and foremost, Bill was a businessman. He followed and created opportunities to make money. A few years after taking over at Fillmore and Geary, he opened The Fillmore West at Van Ness and Market. There's a fun tidbit about Bill Graham appearing on David Letterman back in the Eighties—which just speaks to how big a personality he'd become.   Our conversation then shifts to two questions I had for Ashley. I wanted her to talk about the red apples that are always found in a bucket at the top of the stairs when you enter The Fillmore. That, and the posters handed out to showgoers on their way out of sold-out events.   No one really knows how the apples got started, she says. There are versions of the story. One holds that Bill Graham gave them out as a simple gesture of hospitality. Another was that putting a little food in your belly after a night out can't hurt anything. A rather elaborate telling is that, as part of an exhibit on Bill Graham at the Contemporary Jewish Museum, someone who'd been in France with him when they were kids shared the story of sneaking out at night to go to an apple orchard.   As for the posters, Ashley talks about their origins, when they were simply advertisements for shows at The Fillmore. The posters eventually took on a life of their own, though—for many of the early ones, the style of lettering worked better as a memento than an ad. It almost seems quaint at this point that the posters were anything but keepsakes.   I ask Ashley what it's like to now have her name appear on these iconic pieces of art (in her role as art director). "It's strange ... but cool." She speaks to how much work goes into each poster. And then Ashley talks about the logistics of making posters for.   "At this point, we have a pretty good idea of which shows are gonna sell out." (Seems obvious, but as someone on the outside, I wondered.) "It's not a perfect science, but we're pretty good at it," Ashley says. She thinks of her job as more art curation than direction. She considers the overall collection of posters a little more than the nitty gritty of what each poster's details are.   We end the podcast with Ashley's thoughts on what it means to "keep it local," our theme this season.   Follow The Fillmore on Instagram.   Photography by Nate Oliveira

In this episode of CounterPunch Radio, Rebecca Maria Goldschmidt talks with fellow members of California Jewish Artists for Palestine, Sophia Sobko and Steph Kudisch, about their collective decision to submit and withdraw explicitly anti-Zionist artworks to an open call for Jewish artists at the Contemporary Jewish Museum in San Francisco. They discuss the process of pulling their works out of the exhibition; the importance of the academic and cultural boycott of Israel (PACBI); and what it means to be Jewish artists publicly confronting Jewish arts institutions that receive Zionist funding and are struggling to address the ongoing genocide of the Palestinian people. Steph Kudisch is a trans genderfluid artist whose work uses mutated intertidal aesthetics and personal storytelling to dwell in in-betweens. They work as a teaching artist on Lisjan Ohlone land, also known as the San Francisco Bay Area. Kudisch and their collaborator Kate Laster form Clear as Schmutz Press as well as the collective Hevra Kadisha in which they create site-specific works across the mediums of printmaking, sculpture, performance, and sound. Sophia Sobko (she/they) is an artist, educator & researcher born in Moscow, USSR & based on Lisjan Ohlone Land in Oakland, CA. They are excited about collaborative learning, participatory art, and co-creating a more liberatory world. Sophia is founder/co-steward of two queer post-Soviet Jewish collectives: Kolektiv Goluboy Vagon and Krivoy Kolektiv. Get in touch with CJAFP at cajewishartists4palestine[@]proton.me More The post California Jewish Artists for Palestine: Sophia Sobko and Steph Kudisch appeared first on CounterPunch.org.

Welcome to this week's episode of the Happy Mama Movement podcast.This week's guest is a writer who has been exploring the politics and culture of parenting and caregiving for more than fifteen years.The marvelous Elissa Strauss.We cover a lot of ground, including:Insights from her book,'The unexpected magic of caring for others'How we can inspire a new culture and conversations.The intersection of motherhood and cultural criticism.The effect of cultural programming on today's society.Balancing professional life with family responsibilities.I hope you find this conversation useful, and if you do, please share it widely so mothers everywhere can access the support and information they need to thrive.ABOUT ELISSA: Elissa has been writing about the politics and culture of parenting and caregiving for more than fifteen years. Her work appears in publications like the Atlantic, the New York Times, Glamour, ELLE, TheWeek.com, and elsewhere. She was a former contributing writer at CNN.com and Slate, where her cultural criticism about motherhood appeared on DoubleX. Her book, When You Care: The Unexpected Magic of Caring for Others, is out now from Gallery Books.She also works in curation and cultural programming. She is the associate director of LABA: A Laboratory for Jewish Culture, a global artists incubator program that uses ancient Jewish texts to inspire the creation of new culture and conversation and the artistic director of the LABA hub in the Bay Area. Additionally, she is the senior curator of the 2024 California Jewish Open at the Contemporary Jewish Museum in San Francisco.She lives in Oakland, California, with her husband and their two sons.RESOURCES:WEBSITE: https://www.elissastrauss.com/INSTAGRAM:https://www.instagram.com/elissaavery/FACEBOOK: https://www.facebook.com/elissa.strauss.7/TWITTER/ X: https://x.com/elissaaveryPURCHASE ELISSA'S BOOK, 'When You Care: The Unexpected Magic of Caring for Others': https://www.amazon.com/exec/obidos/ASIN/1982169273?tag=simonsayscom Hosted on Acast. See acast.com/privacy for more information.

Episode 128 Terry Riley—Part 2, Solo Organ and Synthesizer Works Playlist                                                                                                                                                                                                                       Time Track Time Start Introduction –Thom Holmes 05:28 00:00 Terry Riley, “The Last Camel in Paris” from The Last Camel In Paris (2008 Elision Fields). Composed and performed on a Yamaha YC-45D combo organ custom-tuned to just intonation and outfitted with a digital delay system, Terry Riley. Concert recorded by Radio France for a France Culture program by Daniel Caux broadcast May 13, 1979, in the Atelier de Création Radiophonique series. The delay circuit was created by Chester Wood, Riley road technician. It fed stereo signals to the digital delay. The YC-45D was modified so that it had separate mono outputs for each of its two keyboards, resulting in 4-channel live performances comprising two live channels and two delayed. Riley improvised these concerts around given themes and patterns. Wood created the delay, which they called “the shadow,” out of “an ancient computer he had procured from Don Buchla and this tour was the maiden voyage to try it out,” (Riley). Previously, the analog delay Riley used on works such as the Dervishes (see previous episode) created a fixed-length delay based on the physical head gap of the tape recorders used, which consisted only of two delays of 7.5 inches per secod and 3.75 inches per second, the speeds available on his Revox tape machine. The digital delay allowed Riley to fine tune the pause before a sound would repeat, finding tape delays that worked well with the tempos he was using in his compositions. This concert came after the release of Shri Camel album on CBS, a widely known release. I thought hearing these live variations on that work would be of interest. 50:58 05:34 Terry Riley, “Eastern Man” from Songs For The Ten Voices Of The Two Prophets (1983 Kuckuck). Composed, Voice, two Prophet 5 synthesizers by Terry Riley. Recorded in concert on May 10, 1982, at Amerika-Haus in Munich. Recorded digitally on Sony PCM-100 and PCM-1610 equipment. 11:19 56:39 Terry Riley, “Aleph Part 1” from Aleph (2012 Tzadik). Composed, Korg Triton Studio 88 synthesizer, Recorded, Liner Notes, and Produced by Terry Riley. Recorded in 2008, Aleph was originally created for the Aleph-Bet sound project organized by John Zorn for the Contemporary Jewish Museum in San Francisco. 45:46 01:07:56   Opening background music: Terry Riley, “Anthem of the Trinity” from Shri Camel (1980 CBS). Produced, Composed, Performed in real-time on a modified dual-manual, Yamaha YC-45-D Electronic Organ with just intonation and digital delay, by Terry Riley.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found in iTunes and on Bandcamp.    

In this episode Amber Asay and Lisa Congdon talk about the legend that you may have not heard about, Gere Kavanaugh, who's work spans 1950's through 2020. She's another Cranbook Academy and multi-hyphenate designer, and has the most impressive repertoire of work. Sources:Architectural Digest Articles:A Look at the Life's Work of Multi-Hyphenate Designer Gere KavanaughThe Unlikely Story of One of General Motors's First Female DesignersLA Times: Gere Kavanaugh's color avalanche brightened midcentury California design2019 Book: A Colorful Life: Gere Kavanaugh, Designer (written by Louise Sandhaus, Kat Catmur)Metropolis: Gere Kavanaugh: Pioneer With a Penchant for ColorAIGA Medal ArticleAIGA Short Gere Kavanaugh, born in Memphis in 1929, is a legendary American designer known for her vibrant and innovative contributions across industrial design, textiles, and interiors. Educated at the Memphis Academy of Art and Cranbrook Academy of Art, she was influenced by greats like Charles Eames and Eero Saarinen.In the 1950s, Kavanaugh broke barriers at General Motors as one of the few female industrial designers. In 1960, she founded Gere Kavanaugh Designs in Los Angeles, known for bold colors and playful forms. Her work spans textiles, furniture, and interiors, always pushing the boundaries of traditional design.Kavanaugh's influence extends through her collaborations, mentorship, and numerous awards, including the AIGA Medal in 2010. Her legacy is marked by innovation, courage, and an unwavering dedication to making the world a more beautiful, functional place.––––Thank you to Lisa Congdon!https://lisacongdon.com/https://www.instagram.com/lisacongdonHer exhibit is up at St. Mary's until June 23, 2024: https://www.stmarys-ca.edu/museum-art/lisa-congdon-hold-it-lightlyLisa Congdon an internationally known fine artist, illustrator and writer. She makes art for clients around the globe, including The Library of Congress, Target, Wired Magazine, Amazon, Google, Schwinn, Warby Parker, Method, Comme des Garcons, REI and MoMa, among many others. She exhibits internationally, including solo shows at Saint Mary's College Museum of Art (California), Chefas Projects (Oregon) and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta and The Contemporary Jewish Museum in San Francisco. She is the author of ten books, including Art Inc: The Essential Guide to Building Your Career as an Artist and Find your Artistic Voice: The Essential Guide to Working Your Creative Magic. Lisa is self-taught and didn't achieve momentum in her career until she was nearly 40 years old. Despite her untraditional path, Lisa has achieved recognition, not just as an artist, but as a leader in the industry for her work in social justice, mentoring and teaching. In March of 2021, she was named “One of the 50 Most Inspiring People and Companies According to Industry Creatives” published by AdWeek. When she's not making art, you can find her racing her bike around Oregon. She lives and works in Portland, Oregon.

Behind the Lens: Jay Blakesberg's Las Vegas Grateful Dead ExhibitLarry Michigan is joined by Jay Blakesberg, a well-known photographer and frequent guest. They discuss various topics related to the Grateful Dead, including a specific 1973 performance and Phil Lesh's "Box of Rain." Jay shares details about his involvement in the Dead Forever Experience, a fan exhibit in Las Vegas, which includes a curated photography exhibit called "An American Beauty, Grateful Dead Photography, 1965-1995," and other memorabilia. Jay also mentions his exhibit "Retro Blakesberg" at the Contemporary Jewish Museum in San Francisco, showcasing his photography work from 1978 to 2008, which will move to the Grammy Museum in Los Angeles. Additionally, he talks about collaborating with his daughter Ricky on various photography projects and exhibitions through their business, Retro Photo Archive. The conversation includes anecdotes about Jay's experiences, including rare portraits he took of Owsley Stanley and his approach to shooting photos at concerts, particularly at the new Sphere in Las Vegas.https://www.blakesberg.com/https://deadforeverexperience.com/https://www.retrophotoarchive.com/https://morrisonhotelgallery.com/collections/jay-blakesberg?gad_source=1&gclid=Cj0KCQjwxqayBhDFARIsAANWRnSGIIenoSTtEegq11sDK9fCQIWJ03-pZTsTPvOZN8zDZT8CKEnPep4aAk_uEALw_wcB   Grateful DeadMay 20, 1973Harder StadiumUC - Santa BarbaraSanta Barbara, CAGrateful Dead Live at Campus Stadium - University Of California on 1973-05-20 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Box of Rain                                                Track #3                                                3:44 – 4:59SHOW No. 1:                    The Race Is On                                                Track # 7                                                :46 – 2:19SHOW No. 2:                    They Love Each Other                                                Track #11                                                3:30 – 5:03SHOW No. 3:                    Mexicali Blues                                                Track #15                                                1:24 – 2:30SHOW No. 4:                    Nobody's Fault But Mine jam                                                Track #26                                                0:00 – 1:17OUTRO:                               Sugar Magnolia                                                Track #31                                                5:37 – 7:03 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Last fall, the Contemporary Jewish Museum in San Francisco put out an open call for artists to apply for the California Jewish Open. Some of the artists that were accepted into the show identified themselves openly in the application as anti-Zionist, and submitted work that contained content that straightforwardly advocated for Palestinian liberation. But in April, seven of the artists withdrew from the show. A statement released by a group calling themselves California Artists for Palestine cited an “inability to meet artists' demands, including transparency around funding and a commitment to BDS [Boycott, Divestment, Sanctions].” The artists demanded to be able to have final say on wall text about the works, and to be able to pull or alter their works at any time. They were also concerned about potential “curatorial both-sidesism,” referring to an email they received on March 22nd which asked artists to sign off on the fact that their work would be “presented in proximity to artwork(s) by other Jewish artists which may convey views and beliefs that conflict with [their] own.” The museum has decided to leave blank the wall space designated for this work, “to honor the perspective that would have been shared through these works, and to authentically reflect the struggle for dialogue that is illustrated by the artists' decisions to withdraw.”This week, Jewish Currents editor-in-chief Arielle Angel speaks to two anti-Zionist multidisciplinary artists who made divergent decisions about whether to stay in the group show: Amy Trachtenberg, who opted to remain, and Liat Berdugo, who has pulled out. The trio discuss the perils and possibility of Jewish institutional life—in the art world and beyond—at this moment, the applicability of BDS in this case, and the uses and limitations of “dialogue.”Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).” ARTICLES MENTIONED AND FURTHER READING: “Jewish Anti-Zionist Artists Withdraw From Contemporary Jewish Museum Show,” Matt Stromberg, Hyperallergic“Anti-Zionist Jewish artists pull out of CJM exhibit when demands are not met,” Andrew Esensten, J Weekly“CJM visitors wonder: Does the Palestinian flag belong on the museum's walls?,” Andrew Esensten, J WeeklyPalestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) guidelines“Campus Politics Takes the Stage in The Ally,” On the Nose, Jewish CurrentsJewish Voice for Peace/IfNotNow Passover Campaign“Biting the Hand,” The Editors, e-flux“

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with textile artist Maria Guzman Capron, as she discusses her journey from painting to textiles, influences from her multicultural background, her innovative textile design for the San Francisco Ballet, and her mission to incorporate craft into contemporary art.About Artist  Maria Guzman Capron:Maria A. Guzmán Capron was born in Italy to Colombian and Peruvian parents. She received her MFA from California College of the Arts in 2015 and her BFA from the University of Houston in 2004. Select solo exhibitions include The San Francisco Museum of Modern Art, San Francisco, CA; the Blaffer Art Museum, Houston, TX; Shulamit Nazarian, Los Angeles, CA; Texas State Galleries, San Marcos, TX and Guerrero Gallery, San Francisco, CA. Select group exhibitions include Boston University, Boston, MA; Contemporary Jewish Museum, San Francisco; Berkeley Art Center, Berkeley, CA; Shulamit Nazarian, Los Angeles, CA; The Mistake Room, Los Angeles, CA; Public Gallery, London, UK; NIAD Art Center, Richmond, CA; CULT Aimee Friberg Exhibitions, San Francisco, CA; Deli Gallery in Brooklyn, NY; and Buffalo Institute for Contemporary Art, Buffalo, NY. Her works have been written about in Hyperallergic, Variable West, Bomb Magazine, and Art in America. Capron's work is in the collection of the de Young Museum, San Francisco, CA, the Jorge M. Pérez, Miami, FL, and the Speed Museum, Louisville, KY. As a 2022 recipient of SFMOMA's SECA Award, her exhibition Respira Hondo was presented at SFMOMA through May 2023.For more about Maria, CLICK HERE. Follow Maria on Instagram:  @MariaGuzmanCapronLearn more about Maria's Scenic Curtain at the SF Ballet HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Lisa Congdon an internationally known fine artist, illustrator and writer. She makes art for clients around the globe, including Target, Amazon, Google, Schwinn, Warby Parker, Method, Comme des Garcons, REI and MoMa, among many others. She exhibits internationally, including solo shows at Saint Mary's College Museum of Art (California), Chefas Projects (Oregon) and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta and The Contemporary Jewish Museum in San Francisco. She is the author of ten books, including Art Inc: The Essential Guide to Building Your Career as an Artist

This week on Unorthodox, we're regretting doing those DNA tests. Our Gentile of the Week is NBA All-Star and former New York Knick Allan Houston, who shares his new faith-based initiative, FISLL. He was joined by FISLL Youth Ambassador, Jewish teen Nate Sugar, to discuss their work. We also welcome Richard Sandler to discuss his new book, Witness to a Prosecution: The Myth of Michael Milken. Sandler was Milken's personal lawyer and the book chronicles the injustices of the investigation.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  Visit the Contemporary Jewish Museum this winter for its new exhibit, "First Light: Rituals of Glass and Neon Art." Now on view through April 28. Book tickets today at thecjm.org. 

This week on Unorthodox, we're all about the two-strain solution.  We talk to Jewish actress Jamie-Lynn Sigler, who played Meadow Soprano on the HBO show, The Sopranos. She tells us about her experience on the hit show, and everything she's been up to in the 25 years since.  We also share another story from our Israel trip: producer Elie Bleier takes Tanya Singer to his favorite hummus joint and makes the case that one of their dishes might truly bring peace to the Middle east. Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  Visit the Contemporary Jewish Museum this winter for its new exhibit, "First Light: Rituals of Glass and Neon Art." Now on view through April 28. Book tickets today at thecjm.org.

About Lindsay and Lana Lindsay and Lana are married artists, living, working and raising a baby together in Oakland, CA. They are two-thirds of the art collaborative, Bonanza, with Conrad Guevara, recently exhibiting work at the Museum of Craft and Design, The Contemporary Jewish Museum, and Gallery 16. Lindsay is a filmmaker with experience in the documentary field and currently serves as the Senior Director at Creativebug, an online platform for craft classes. Lana is a painter, ceramicist, author and garden designer. She owns and runs The Tender Gardener, a boutique plant shop and design company. Her first book, The Container Garden Recipe Book, published by Artisan Books will be available May 2024. Lindsay and Lana's podcast Lez Be Moms chronicles their adventures as queer parents. The show can be found wherever you get your podcasts! Show Notes: Lez Be Moms Podcast:https://podcasts.apple.com/us/podcast/lez-be-moms/id1707595726https://open.spotify.com/show/6ndwxksX53dBZZDF2Sm8uUhttps://shows.acast.com/648e26d87404e60011793836The Tender Gardener:https://www.thetendergardener.com/Bonanza:https://www.bonanzaart.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

This week on Unorthodox, we're devoting the episode to stories of remembrance.  We share a teaser from Covering Their Tracks, a new Tablet Studios series that tells the story of the French National Railway's complicity with the Nazis during WWII, and a decades-long pursuit of justice. We sat down with host and documentarian Matthew Slutsky to discuss the show.  Our Gentile of the Week is Kathryn Huether, a professor of musicology at Vanderbilt who studies sonic representations of the Holocaust.  Plus, we share another installment of Beautifully Jewish, our series dedicated to celebrating the objects that enrich our Jewish lives. This time, Stephanie and Tanya travel to the Illinois Holocaust Museum and Education Center to see a very special dress with a very special story behind it. This segment was created with the support of Lion Brand Yarns.  Episode art courtesy of Illinois Holocaust Museum, gift in memory of Cantor Leopold Fleischer and family.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  Visit the Contemporary Jewish Museum this winter for its new exhibit, "First Light: Rituals of Glass and Neon Art." Now on view through April 28. Book tickets today at thecjm.org.  Lion Brand Yarns is a fifth generation, family-owned business, sold online, at National Craft chains, Mass Market and independent shops. Lion Brand Yarns is passionate about helping people enjoy the pleasures of working with yarn and committed to creating a more colorful, connected, comforting, and caring world.

It's been more than 100 days since Hamas massacred more than 1,300 Israelis and kidnapped hundreds more into Gaza. To commemorate this grim milestone, we are pausing our regular programming to honor those who were killed that day and those still being held captive. We're sharing stories reported from Israel and segments from our Testimonies Archive. List of hostage names courtesy of BringThemHomeNow.org.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS: Visit the Contemporary Jewish Museum this winter for its new exhibit, "First Light: Rituals of Glass and Neon Art." Now on view through April 28. Book tickets today at thecjm.org.

In Part 1, we get to know Tenderloin Museum's executive director, Katie Conry. She's originally from Oceanside, California, just outside of LA, where her parents are from. They were both teachers but were priced out of the big city, a situation all too familiar around here.     Katie left home as soon as she could—when she was 18 and it was time to go to college. She had felt lonely and alienated in her hometown. But almost from the moment she arrived in Berkeley, she loved it and felt connected. In the 20-plus years since, she hasn't left the Bay Area.     She moved across the Bay to San Francisco after graduation in the mid-2000s, settling in the Mission, the neighborhood she's lived in ever since. Katie and Jeff reminisce about several Mission spots they both frequented around that time.     In the early 2010s, Katie got a job at Adobe Books, helping the bookstore raise money to make the move from 16th Street to its current spot on 24th Street. In that fundraising process, the store was turned into a co-op and its art gallery a non-profit.     This experience is how Katie started in events and working with artists. She later worked part-time at museums like the California Academy of Sciences, the Contemporary Jewish Museum, and The Exploratorium, working on private events for those institutions.     Katie was originally hired at the Tenderloin Museum as their program manager when the museum opened in 2015. The next year, she became its executive director (Alex Spoto does a lot of public programming now).     From here, we dive into the history of TLM. It was the brainchild of journalist and activist  Randy Shaw, who was inspired by what he saw at New York City's Tenement Museum. The non-profit that runs TLM was formed in 2009 and they opened their museum doors to the public in 2015. The permanent collection in their gallery spotlights stories of working-class resistance movements and marginalized communities. The museum was successful early, largely because of its public programming. They sponsored showings of the film Drugs in the Tenderloin (1967), which turned out to be very popular.      From here, our discussion pivots to the history of the Tenderloin itself. Katie shares that it (not the Castro) was the first gay hood in San Francisco. It was a high-density neighborhood filled with affordable housing, a liminal space in an urban setting. Then we hear the story of the neighborhood after the 1906 earthquake, which destroyed just about everything except the Hibernia Bank building.     The Tenderloin was rebuilt quickly, though. The Cadillac Hotel, where the museum is located today, opened in 1908 and was meant to house folks who were working to rebuild The City. The single room occupancies (SROs) left people hungry for entertainment, of which there was soon plenty.     Women were living on their own in the Tenderloin, and in response, moral crusaders came after them. These high-and-mighty types had successfully shut down the sex-worker presence in San Francisco's Barbary Coast in 1913, forcing members of that industry to the Tenderloin. And so, perhaps naturally, those same crusaders came after sex-industry women in the Tenderloin.     The first sex-worker protest in the US happened in the TL after Reggie Gamble stormed a church and gave an impromptu speech. But it wasn't enough. Those same self-righteous white men effectively shut down the Tenderloin in 1917, an occasion for which TLM did  a centennial celebration in 2017.     Check back next week for more Tenderloin History in Part 2 of this episode.   We recorded this podcast at the Tenderloin Museum in November 2023.   Photography by Jeff Hunt

This week on Unorthodox, we're trading Shia LaBeouf for Alanis Morrisette.  Our Jewish guest is comedian and podcaster Moshe Kasher, who tells us about his new book, Subculture Vulture: A Memoir in Six Scenes—especially the Jewish stuff.  We're also sharing another story from our December trip to Israel, about Blend.ar, a nonprofit Arabic and Hebrew-language program that connects Jewish and Arab Israelis.  Listen to the Testimonies Archive for more eyewitness audio accounts from Israel, and read Tablet's coverage here.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  Visit the Contemporary Jewish Museum this winter for its new exhibit, "First Light: Rituals of Glass and Neon Art." Now on view through April 28. Book tickets today at thecjm.org. 

This week on Unorthodox, we're coming to you live from Baltimore, where we appeared at the 2023 Conservative/Masorti Shabbaton & Convening. We're also sharing a new Beautifully Jewish segment for Hanukkah, featuring designer Jonathan Adler, Gabriel Goldstein of the Yeshiva University Museum, and a trip to visit Ahuva Gottdeiner, aka Homegrown Kosher, in Monsey, NY.  For more Beautifully Jewish, join our new Facebook group.  Listen to the Testimonies Archive for more eyewitness audio accounts from Israel, and read Tablet's coverage here.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  Simplify your giving with the Jewish Communal Fund, the nation's largest Jewish donor-advised fund. In good times or during times of crisis, JCF enables you to respond quickly. Open a fund with as little as $5,000 and let JCF streamline your charitable giving. Act by December 29th to lock in the maximum charitable deduction for 2023. Get started at JCFNY.org. Visit the Contemporary Jewish Museum on December 9 for Shabbat at Jewseum to celebrate Hanukkah with a day of art, stories, and community. Book tickets at thecjm.org.  The Diller Teen Tikkun Olam Awards honor up to 15 Jewish teens from across the United States with an award of $36,000 to recognize their impact and leadership to repair the world. Learn more at DillerTeenAwards.org. Be proudly Jewish with our book, The Newish Jewish Encyclopedia, covering everything from Jewish history and pop culture to holidays and food. Get a 20% discount on Newish Jewish and the entire Artisan Books Hanukkah shop with code UNORTHODOX.  Don't miss Harmony, the acclaimed new musical from Barry Manilow and Bruce Sussman that audiences are raving about. It's “powerful, moving and more resonant than ever,” says Entertainment Weekly. Get your tickets today at HarmonyANewMusical.com.

This week on Unorthodox, we're rooting for the heroes.  Our Jewish guest is philosopher and filmmaker Bernard-Henri Lévy, who returns to the show to tell us about the newest film in his Ukraine trilogy, called Glory to the Heroes. The film is a tribute to everyday Ukrainian heroes, including some Ukrainian-born Israeli soldiers who finished their service in the IDF and volunteered to fight for Ukraine. Get tickets for the local U.S. screenings here.  Our Gentile of the Week is Brooke Eby. She was diagnosed with ALS at age 33 and joins us to talk about her experience having a terminal illness at such a young age, and how she's raising awareness about the realities of ALS.  Join us at Tablet's first ever Hanukkah Bazaar in New York City on Sunday, Dec. 3 from 11 a.m.-7 p.m. Get your tickets at hanukkahbazaar.com. Listen to the Testimonies Archive for more eyewitness audio accounts from Israel, and read Tablet's coverage here.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  The Jewish Communal Fund is the nation's largest Jewish donor-advised fund. Open a fund with as little as $5,000 and let JCF streamline your charitable giving. Act by Dec. 29 to lock in the maximum charitable deduction for 2023. Get started at jcfny.org. Visit the Contemporary Jewish Museum on December 9 for Shabbat at Jewseum to celebrate Hanukkah with a day of art, stories, and community. Book tickets at thecjm.org.  The National Yiddish Theater is presenting Amid Falling Walls, a tribute to the indomitable Jewish spirit during the Holocaust. You can see the show November 14 to December 10 at the Museum of Jewish Heritage. Get tickets at nytf.org.  The Diller Teen Tikkun Olam Awards honor up to 15 Jewish teens from across the United States with an award of $36,000 to recognize their impact and leadership to repair the world. Learn more at DillerTeenAwards.org. Be proudly Jewish with our book, The Newish Jewish Encyclopedia, covering everything from Jewish history and pop culture to holidays and food. Get a 20% discount on Newish Jewish and the entire Artisan Books Hanukkah shop with code UNORTHODOX.

Find the transcript and episode notes here: https://designbetterpodcast.com/p/gil-gershoni#details October is dyslexia awareness month, and we were recently introduced to Gil Gershoni, who is on a mission to help us all recognize dyslexia as a creative superpower. Gershoni runs an influential agency that's been reshaping brands with the power of dyslexic design thinking for decades. One in five people have dyslexia, and there are many other kinds of neurodivergent thinkers out there. We hope this bonus episode opens your eyes to other modes of creative thinking. Thanks for listening. Books & Links The Dyslexic Advantage The Bigger Picture Book of Dyslexics and the Things They Do Dyslexic Design Thinking Podcast Bio Gil Gershoni is the founder and creative director of Gershoni Creative in San Francisco and Dallas. For more than 25 years, Gil has worked with clients like Google, Apple, Spotify, Deloitte, Patrón, San Francisco Art Institute, BBC and Nike, and he has presented at the Whitney Biennial, Sundance Film Festival, South by Southwest, Vancouver Institute of Media Arts, Contemporary Jewish Museum and San Francisco Design Week. Gil is an advocate for the reframing of dyslexia as a hyper-ability and regularly speaks on neurodiversity's influence on design thinking. *** Last week we launched DB+, our new premium service that gives you access to ad-free versions of the show released a week early. Subscribers will be invited to AMA (Ask Me Anything) conversations with big names in design and tech from companies like Nike, Netflix, and The New York Times who will field your questions about compelling topics.  Early bird subscribers get 50% off for the first three months. Visit designbetter.plus to learn more and subscribe. *** isiting the links below is one of the best ways to support our show: American Giant: Makers of the best hoodie on the planet, their clothing is American-made, ethically produced, and built to last. What more could you ask for? Save 20% off your first order with American Giant using our promo code DESIGNBETTER at checkout. dbtr.co/americangiant Heath Ceramics: We love Heath Ceramics. They're the types of objects you pass on from generation to generation, the kind of gift you bring to a wedding, or the dishes that you'd want to put on a beautiful Thanksgiving table: dbtr.co/heathceramics Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds

Ep. 389: Dark times call for bright lights, and we're excited to announce Tablet's Hanukkah Bazaar, taking place Sunday, Dec. 3 in New York City, featuring 40+ amazing vendors. Find out more at hanukkahbazaar.com.  Today we head Across the Jew.S.A to Washington D.C., for a special dispatch from this week's March for Israel.  We also talk with Israeli writer Etgar Keret. Known for his short story collections, he's pivoted in the weeks since the Oct. 7 attacks and is channeling his energy and talents toward helping his fellow Israelis who are looking for hope, and a bit of entertainment.  And finally, Stephanie catches up with her Kappa Kappa Gamma sorority sister, LeElle Slifer, who has several relatives who were abducted or murdered by Hamas on Oct. 7. LeElle tells us why it's been so important to share her family's story widely here in the U.S.  Join our Beautifully Jewish Craft-Along. We're meeting virtually every Monday in November to craft in support of children being treated in Israel's hospitals and the brave men and women of the Israeli Defense Forces. Find out more at tabletmag.com/craftalong. Listen to the Testimonies Archive for more eyewitness audio accounts from Israel, and read Tablet's coverage here.  Write to us at unorthodox@tabletmag.com, or leave a voicemail on our listener line: (914) 570-4869.  Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS:  Visit the Contemporary Jewish Museum on December 9 for Shabbat at Jewseum to celebrate Hanukkah with a day of art, stories, and community. Book tickets at thecjm.org.  Visit the Museum of Jewish Heritage: A Living Memorial to the Holocaust to see their new exhibit, Courage to Act: Rescue in Denmark. Plan your visit at www.mjhnyc.org.  The National Yiddish Theater is presenting Amid Falling Walls, a tribute to the indomitable Jewish spirit during the Holocaust. You can see the show November 14 to December 10 at the Museum of Jewish Heritage. Get tickets at nytf.org.  The Diller Teen Tikkun Olam Awards honor up to 15 Jewish teens from across the United States with an award of $36,000 to recognize their impact and leadership to repair the world. Learn more at DillerTeenAwards.org. Be proudly Jewish with our book, The Newish Jewish Encyclopedia, covering everything from Jewish history and pop culture to holidays and food. Get a 20% discount on Newish Jewish and the entire Artisan Books Hanukkah shop with code UNORTHODOX.

Our next guest is the incredibly talented Aaron Henne, the artistic director of Theatre Dybbuk, a Jewish based theatre company in Los Angeles, who will be performing at the Oshman Family JCC in Palo Alto (performing the Merchant of Venice) today at 6:30pm; the Contemporary Jewish Museum in San Francisco (also performing the Merchant of Venice, and exploring the subject: The Villany You Teach) tomorrow at 2pm; and finally at the Cutting Ball Theatre in SF, where Aaron will teach a master class on “Heritage, History and Humanity” (on September 11). Aaron will talk about his upbringing, his work while he was in the bay (I stage managed for him back in 2012 where he wrote and directed Mesmeric Revelation, performed at Central Works), and where Theatre Dybbuk and Aaron will go in the future. You can learn more about Aaron and Theatre Dybbuk at their website here: https://www.theatredybbuk.org/about Theatre Dybbuk also has an Instagram account @theatredybbuk SHOWS: Cruel Intentions (Ray of Light Theatre) Sept 8 – Oct 1 Marah Sotelo (Episode 124) is in the show https://www.rayoflighttheatre.com Bald Sisters (San Jose Stage) Sept 13 – Oct 8 Jeffrey Lo (Episode 153) is directing the show https://www.thestage.org/season-2324/bald-sisters Aren't You.. (The Marsh) Sept 23 – Oct 21 Fred Pitts (Episode 256) is the writer and actor in his one man show https://themarsh.org/shows_and_events/marshstream/fred-pitts-arent-you/ Wolf Play (Shotgun Players) Sept 2 – Oct 1 Elizabeth Carter (Episode 159) is directing the show Dr. Stephanie Johnson (Episode 177) is the lighting designer for the show Maya Herbsman (Episode 145) is the intimacy choreographer for the show https://shotgunplayers.org/Online/default.asp Before the Sword (New Conservatory Theatre Center) Sept 15 – Oct 15 Kim Donovan (Episodes 80, 223) and Radhika Rao (Episodes 21, 131) are in the show https://nctcsf.org/event/before-the-sword/ The Birds (Altarena Theatre) LAST SHOW TOMORROW Kimberly Ridgeway (Episodes 155 and 251) directed the play Dr. Stephanie Johnson (Episode 177) is the lighting designer for the play https://www.altarena.org/2023-season-announcement/the-birds Cymbeline (San Francisco Shakespeare Festival) LAST SHOW TOMORROW in San Francisco Sept 16 – 24 in Orinda Eiko Yamamoto (Episodes 120 & 225) is in the show https://sfshakes.org/cymbeline/ Disenchanted (San Jose Playhouse) Oct 12 – Nov 5 Eiko Yamamoto will be in this show https://sanjoseplayhouse.org/disenchanted/ Sleeping Beauty (Presidio Theatre) Dec 1 – 30 Eiko Yamamoto and Sharon Shao will be in this show Nollywood Dreams (SF Playhouse) Sept 28 – Nov 4 Angel Adedokun (Episode 147) and Tanika Baptiste (Episode 253) are in the show https://www.sfplayhouse.org/sfph/2023-2024-season/nollywood-dreams/ Anna Christie (Eugene O'Neill Foundation) August 2 – Sept 24 Adrian Deane (Episode 82) is in the show https://eugeneoneill.org/event/eugene-oneills-anna-christie/ Barry Graves (Episode 104) has a new podcast out! The Black Man's Heart On Spotify and all your podcast apps Our wonderful consulting producer Mallory Somera (Episode 151) produces two podcasts for KCBS radio: As Prescribed, a weekly conversation with leading medical experts at UCSF Medical Center; and It's Generational, a deep dive on how each generation looks at things differently. Each episode features subject matters from perspectives of the Boomers, Gen X, Millennials and Gen Z. Check out As Prescribed and It's Generational on all podcast apps. Central Works Script Club is a podcast where you download and read a play script and then listen to an audio interview with the playwright. Delivered semi-annually. You can find the Central Works Script Club on any podcast app. Also, Bindlestiff Studios has a podcast called the Fobcast, exploring Filipino American immigrant stories. Check out The Fobcast in any podcast app. Reg Clay (@Reg_Clay) Norman Gee (@WhosYrHoosier)

Replay: Voices of Mothers in Practice What can architecture firms do to support mothers who are working in practice?Leaders of the profession share diverse perspectives on their identity between practice and motherhood. This discussion aims to explore the experiences of working mothers in diverse career stages who are raising children of different ages.Practice Disrupted is committed to elevating conversations on justice, equity, diversity, and inclusion to teach, empower, and build greater awareness across the industry.Guests:Christina Cho Yoo, AIA, PE, LEED AP BD+C is co-founder of Atelier Cho Thompson. She received a BS & MS in civil & structural engineering and construction management at Stanford University and received a masters in architecture at the Harvard Graduate School of Design. She was a structural engineer at the international engineering company Arup, where she was the Structural Sustainability Champion for the Americas & worked on projects such as the LEED-Double Platinum California Academy of Sciences, Contemporary Jewish Museum, Kaiser hospitals, Schroder Overcrossing, and various other projects. She went onto work at architecture firms internationally including Kao Design Group on Richard Branson's Eco-Island, SHoP Architects on the Google HQ, Neri & Hu in Shanghai, Mass Studies in Seoul, and Bohlin Cywinski Jackson on Apple stores, the Apple iAd office, and the Square HQ. Christina is a licensed architect and engineer in California and has been LEED accredited since 2003.Her work has spanned typologies from single-family to multifamily residences, hospitals, labs, museums, innovative workplaces, hospitality and food service, to retail, exhibits, furniture, and graphics for various organizations. Before architecture school, she staged at Tartine Bakery while taking courses at the California Culinary Academy. She has lectured on Green R&D at Harvard and served as a critic at Parsons, Stanford, Harvard, & the California College of the Arts (CCA). She is an Adjunct Professor at the CCA, having taught advanced urban studio on the Post-Retail City and Integrated Building Systems. She served as Design & Innovation Chair of the Stanford Club of SF and currently is on the Board of Directors at Pacific Primary School.Jennifer T. Matthews, Associate AIA, is a full-time remote Architectural Designer at SS&A Design Collective based in Montgomery, Alabama. With eight years of healthcare design experience, Jennifer has worked on architectural projects for multiple healthcare providers and...

For this week's episode, Sarah talks with artist Rachelle Reichert. Rachelle shares more information about her process, her undying interest in rocks, and what she does to stay positive despite the bleak news around the climate crisis and industrialization. About Rachelle Reichert Rachelle Reichert is a visual artist and art educator based in the San Francisco Bay Area, California (Chochenyo Ohlone territory). Rachelle works in a variety of media to explore landscapes permanently altered by climate change and industrialization. She is interested in earth observation satellite imagery- how nature is composed in images and then circulated to a public, algorithmic visions, and natural systems to view how nature is manipulated by human behavior. Her research focuses on sites of specific extracted materials: salt, clay, lithium. Research findings are interpreted through drawings, photographs, and mixed-media artworks that focus on materials found at the site. Artworks embody multi-scale complexities of observing the natural world, both human and machine, and the emotional connections between the two. Artwork is included in many public and private collections, including the Center for Art+Environment Archives at the Nevada Museum of Art, the San Francisco Museum of Modern Art Archive, the School of the Art Institute of Chicago Library, Facebook, and Adobe, Inc. Reichert has exhibited her work nationally and internationally at the Contemporary Jewish Museum, Center for Contemporary Art at Pacific Northwest College of Art, Anglim/Trimble Gallery, and September Gallery. Her work has been reviewed and published in the San Francisco Chronicle, Make: Magazine, Condé Nast Traveler and New American Paintings and she has completed permanent commissions for the Ritz Mandarin Oriental in Madrid, Spain and Facebook Headquarters in Menlo Park, CA. She has presented her artwork at the California Climate Change Symposium, the San Francisco State of the Estuary Conference, and the American Geophysical Union Meeting and regularly lectures on her artwork and research.   --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoopodcast/message

Sarah talks with artist and activist Amy M. Ho. Amy talks about her work as an art teacher for an art-in-prison program at San Quentin Correctional Facility and how in 2021, her father was tragically killed during a mugging in downtown Oakland. Amy shares how her background in social justice activism with the prison system, has reinforced her belief in restorative justice, despite being touched personally by violent crime. About Amy M. Ho Amy M. Ho builds video and spatial installations that bring attention to our existence as both physical and psychological beings. Amy completed her undergraduate degree in Art Practice at University of California, Berkeley and her MFA at Mills College in Oakland, CA. She was selected as a KQED Woman to Watch in 2017, received a San Francisco Arts Commission Individual Artists Grant in 2013 and once won a costume contest at Emmy's Spaghetti Shack dressed as a fusilli pasta. Amy was included in Yerba Buena Center for the Arts' Bay Area Now 7 in 2014 and was a 2013 fellowship artist at the Kala Art Institute in Berkeley, CA. She has previously exhibited at the San Jose Institute for Contemporary Art, the Contemporary Jewish Museum in San Francisco, CA, the Elmhurst Art Museum in Elmhurst, IL, and at the San Diego State University Downtown Art Gallery. Amy is a trustee at OUTPOST in Norwich, UK. She lives in Bozeman, MT and is currently designing a board game about dogs.    Show notes Amy M. Ho website Amy's Royal NoneSuch Gallery project: Spaces from Yesterday Art Date Substack About The Side Woo Host & Creator: Sarah Thibault Sound & Content editing: Sarah Thibault Intro and outro music: LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoopodcast/message

Brett Amory's multidisciplinary practice is based on the intersection of quotidian and habitual engagements with the everyday world. His works consider moments of visual perception that precede interpretation. Working primarily in painting and installation, he uses the ordinary as a vehicle for extending the familiar into the realms of the unfamiliar. His work has been exhibited both nationally and internationally, including at the National Portrait Gallery, London; the Scottish National Portrait Gallery, Edinburgh; the Fort Wayne Museum of Art, Indiana; Contemporary Jewish Museum, San Francisco; and de Young Museum, San Francisco. Brett Amory earned an MFA from Stanford University and a BFA from the Academy of Arts University. He lives and works in Oakland California. Topics Discussed In This Episode: Introduction (00:00:00) Brett's introduction to art through skateboarding (00:11:42) Using experiences to inform one's creative process (00:21:45) Honing into instincts (00:26:27) Being challenged to draw better (00:30:22) The combination of aesthetics and meaning (00:37:35) The evolution of Brett's work over the course of 25 years (00:41:33) “The Waiting Series” (00:43:33) Getting his MFA @ Stanford (00:48:31) Conclusions Brett has come to after completing his MFA @ Stanford (00:51:23) What the MFA application process is like @ Stanford (00:56:47) Phenomenology (01:01:08) Brett's recent work regarding duality and technology (01:04:00) Stoicism (01:09:40) GANs / AI (01:12:27) Artists / People Mentioned: William Strobeck (Skateboard Film Director) George Romero  (Director) Marshall McLuhan (Writer) Maurice Merleau-Ponty (Philosopher) Paul Cézanne (Painter) René Descartes (Philosopher) Martin Heidegger (Philospher) Books Mentioned: Techgnosis (Erik Davis) The Singularity is Nearer (Ray Kurzweil) Article Read In Episode Intro: "What is Embodiment? Maurice Merleau-Ponty's Philosophy of the Body" by Moses May-Hobbs artistdecoded.com brettamory.com instagram.com/brettamory

Episode 095: Voices of Mothers in Practice What can architecture firms do to support mothers who are working in practice? Leaders of the profession share diverse perspectives on their identity between practice and motherhood. This discussion aims to explore the experiences of working mothers in diverse career stages who are raising children of different ages. Practice Disrupted is committed to elevating conversations on justice, equity, diversity, and inclusion to teach, empower, and build greater awareness across the industry. Guests: Christina Cho Yoo, AIA, PE, LEED AP BD+C is co-founder of Atelier Cho Thompson. She received a BS & MS inhttp://cee.stanford.edu/ ( civil & structural engineering and construction management) athttp://www.stanford.edu/ ( Stanford University) and received a masters in architecture at thehttp://www.gsd.harvard.edu/ ( Harvard Graduate School of Design). She was a structural engineer at the international engineering companyhttp://www.arup.com/ ( Arup), where she was the Structural Sustainability Champion for the Americas & worked on projects such as thehttp://www.holcimfoundation.org/Projects/new-sustainable-california-academy-of-sciences-usa ( LEED-Double Platinum)http://calacademy.org/ ( California Academy of Sciences), Contemporary Jewish Museum, Kaiser hospitals,http://www.arup.com/projects/robert_schroder_overcrossing ( Schroder Overcrossing), and various other projects. She went onto work at architecture firms internationally including Kao Design Group on Richard Branson's Eco-Island,http://shoparc.com/ ( SHoP Architects) on the Google HQ,http://enthepractice.neriandhu.com/ ( Neri & Hu) inhttp://www.archdaily.com/417308/design-republic-design-commune-neri-and-hu-design-and-research-office/ ( Shanghai),http://www.massstudies.com/ ( Mass Studies) in Seoul, andhttp://www.bcj.com/ ( Bohlin Cywinski Jackson) onhttp://www.apple.com/jp/retail/omotesando/ ( Apple stores), the Apple iAd office, and the Square HQ. Christina is a licensed architect and engineer in California and has been LEED accredited since 2003. Her work has spanned typologies from single-family to multifamily residences, hospitals, labs, museums, innovative workplaces, hospitality and food service, to retail, exhibits, furniture, and graphics for various organizations. Before architecture school, she staged at Tartine Bakery while taking courses at the California Culinary Academy. She has lectured on Green R&D at Harvard and served as a critic at Parsons, Stanford, Harvard, & the California College of the Arts (CCA). She is an Adjunct Professor at the CCA, having taught advanced urban studio on the Post-Retail City and Integrated Building Systems. She served as Design & Innovation Chair of the Stanford Club of SF and currently is on the Board of Directors at Pacific Primary School. https://www.linkedin.com/in/jennifer-matthews-4a253528/ (Jennifer T. Matthews, Associate AIA), is a full-time remote Architectural Designer at SS&A Design Collective based in Montgomery, Alabama. With eight years of healthcare design experience, Jennifer has worked on architectural projects for multiple healthcare providers and national government entities across the United States. She was awarded the 2018 Healthcare Design Magazine's Educator Honor Award for creating an annual event that introduces architecture students to healthcare design and careers within. Her recent outreach efforts include professional practice seminars and managing her professional development platform, https://www.creativesxp.com/ (Creative's XP).  In 2013, Jennifer graduated from Tuskegee University with a Bachelor of Architecture. In 2020, she acquired a Master of Arts degree in Business Design and Arts Leadership from The Savannah College of Art and Design (SCAD). Jennifer served as the 2013-2014 National Vice President of the American Institute of Architecture Students (AIAS).

Thomas MuellerSkuja BradenNicki GreenSept 14 - Dec 31 2022La Biennale de Lyon - Manifesto of FragilityMuseé Guimet & macLyon, Lyon FRSept 24 - Dec 10 2022Nightmare BathroomDel Vaz Projects, Santa Monica CAFeb 17 2022 - Jan 8 2023 Tikkun: For the Cosmos, the Community, and Ourselves. The Contemporary Jewish Museum. San Francisco CA

It's October 1, 2022.  BoxerBlu and Bram teach us about Anela Analeigh, the youngest black person to go to medical school in the US; the amazing story of Frank Oz's father's Hitler puppet; the life of Adam Wade, America's first African American game show host; Putin's efforts to use propaganda in schools; and the effects of what scientists are calling The Anthropause.

It's October 1, 2022.  BoxerBlu and Bram teach us about Anela Analeigh, the youngest black person to go to medical school in the US; the amazing story of Frank Oz's father's Hitler puppet; the life of Adam Wade, America's first African American game show host; Putin's efforts to use propaganda in schools; and the effects of what scientists are calling The Anthropause.

Liz and Sarah talk with Bay Area artist Klea McKenna. Liz fan-girls about Klea's work and the history of photography. Klea talks about making work as a mom, and how her artwork propelled her through the stress of the pandemic. About Klea McKenna McKenna was born in Freestone, CA in 1980 and received a BA from the University of California in Santa Cruz and an MFA from the California College of the Arts. Recent exhibitions include: San Francisco Museum of Modern Art, San Francisco, CA; Contemporary Jewish Museum, San Francisco, CA; Heckscher Museum of Art, Huntington, NY; Museum of Photographic Arts, San Diego, CA. Public collections include: The Victoria & Albert Museum, London, San Francisco Museum of Modern Art, San Francisco, CA; Santa Barbara Museum of Art, Santa Barbara, CA; Mead Art Museum, Amherst, MA; Peabody Essex Museum, MA; and the US Embassy, Republic of Suriname, Art in Embassies, US Department of State. She is the daughter of renegade ethnobotanists, Kathleen Harrison and Terence McKenna. Klea lives in San Francisco with her husband and their young children. Show Notes Euqinom Gallery In The Make Studio Visits The New Topographics Evidence 1977 by Larry Sultan and Mike Mandel Show Partners Tech For Campaigns Acorns App About The Side Woo Co-Hosts: Sarah Thibault & Elizabeth Bernstein Sound editing by Hannah Dvorak Content editing done by Sarah Thibault & Elizabeth Bernstein Intro and outro music by LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through NINA ARNETTE, a media production company, metaphysical hub, and online retail store. To learn more about NINA ARNETTE go to ninaarnette.co. For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thesidewoopodcast/message Support this podcast: https://anchor.fm/thesidewoopodcast/support

Should you explain your artwork or leave it up to the viewer? That is the question. CatherineMoore and Skye Becker-Yamakawa talk about the pros and cons, and the hows and whys ofexplaining your artwork to your audience. Lastly, they end the episode with a lively discussionabout the new Jim Henson exhibit at the Contemporary Jewish Museum in San Francisco.Check out Skye's and Catherine's work at:Skye Becker-Yamakawa IG: https://www.instagram.com/skyesartshop/ Web: http://www.skyesart.com/ Catherine Moore IG: https://www.instagram.com/teaandcanvas/ Web: http://teaandcanvas.com/ Polka Dot Raven IG: https://www.instagram.com/polkadotraven/

Episode Notes Timestamps 00:01:30 The Great Muppet Caper 00:19:52 The Jim Henson Exhibit at The Contemporary Jewish Museum 00:27:40 The Northman 00:40:55 Winning Time 00:43:05 Elden Ring 00:44:30 RRR Follow us on Twitter https://twitter.com/VagueZone

In the early 1970s, Dave Goelz was an industrial designer working for Hewlett-Packard by day and obsessing over the puppets on Sesame Street in his spare time. Fifty years later, Goelz still has the dream job he left Silicon Valley to pursue. He's the Muppet performer bringing life to Gonzo, Dr. Bunsen Honeydew, Waldolf, Zoot and others. We'll talk about the creative alchemy of Jim Henson's Muppet universe with Goelz as well as Henson's biographer and the curator of Imagination Unlimited, an exhibit about Henson which opens this week at the Contemporary Jewish Museum in San Francisco.

By Amy Mutz and Ariel Zaccheo, Carla issue #26. Read by Lindsay Preston Zappas.Read the full issue at contemporaryartreview.la/print-issue-26. 

Marc Singer talks with Ron Glait, Educator and Museum Technology Manager at the Contemporary Jewish Museum in San Francisco (located two blocks from GGU), about the challenges the museum has faced during the pandemic and the role museums play in shaping communities' sense of identity and connection in the Bay Area. See all our GGU Presents programming at ggu.edu/ggupresents

This bonus episode of Judaism Unbound is presented in partnership with Theatre Dybbuk. Once a month, their podcast -- called The Dybbukast -- releases a new episode, and we are proud to feature episode four of their podcast as a bonus episode here on Judaism Unbound's channel. In each episode, they bring poems, plays, and other creative texts from throughout history to life, all while revealing their relationships to issues still present today. Subscribe to The Dybbukast in Apple Podcasts, or anywhere else that podcasts are found.Episode four, presented in collaboration with The Contemporary Jewish Museum, explores two murder pamphlets, "The Murdered Jewess Sara Alexander: Life, Trial and Conviction of Rubenstein the Polish Jew" and "Rubenstein, or The Murdered Jewess: Being a Full and Reliable History of This Terrible Mystery of Blood.” Published in 1876, both pamphlets tell the tale of Pesach Rubenstein, a Jewish immigrant who was convicted of killing his cousin Sara Alexander and disposing of her body in a cornfield. The case was a sensation in the press and took hold of the popular imagination.Dr. Eddy Portnoy, Academic Advisor and Director of Exhibitions at the YIVO Institute for Jewish Research and author of Bad Rabbi and Other Strange but True Stories from the Yiddish Press (Stanford University Press 2017), discusses the story behind the pamphlets as the first significant intersection of Jews, the local and national press, and the American judicial system.

Episode four, presented in collaboration with The Contemporary Jewish Museum, explores two murder pamphlets, "The Murdered Jewess Sara Alexander: Life, Trial and Conviction of Rubenstein the Polish Jew" and "Rubenstein, or The Murdered Jewess: Being a Full and Reliable History of This Terrible Mystery of Blood.” Published in 1876, both pamphlets tell the tale of Pesach Rubenstein, a Jewish immigrant who was convicted of killing his cousin, Sara Alexander, and disposing of her body in a cornfield. The case was a sensation in the press and took hold of the popular imagination.Dr. Eddy Portnoy, Academic Advisor and Director of Exhibitions at the YIVO Institute for Jewish Research and author of Bad Rabbi and Other Strange but True Stories from the Yiddish Press (Stanford University Press 2017), discusses the story behind the pamphlets as the first significant intersection of Jews, the local and national press, and the American judicial system.

Check out the #ContemporaryArtConversations series where I talk with curators and arts professionals about the state of the #artmarket and the after-effects of the #COVID19 pandemic on #production, #exhibition, and #collection of #fineart. • I’m joined today by independent arts and museum leader and also my buddy, #JamesLeventhal (@jamesgleventhal)! • James G. Leventhal is an arts professional who has been in the museum field for over 25 years, most recently as the Deputy Director and Chief Development Officer for the Museum of the African Diaspora (MoAD) in San Francisco. With a strong background in program development, community engagement, and fundraising, James has worked at museums as far-ranging as The Contemporary Jewish Museum to The Metropolitan Museum of Art. He is is a graduate of the Getty Leadership Program (2015). He holds an MBA in management and museum studies from John F. Kennedy University, Berkeley, and was named Alumni of the Year in 2013. He completed course work toward an MA in art history and museum studies from The City College, City University of New York; and has a BS in studio art and anthropology from New York University. Leventhal has served on the Boards of the Western Museums Association (2010-2017) and Museum Computer Network (2010) and is currently on the Programs Committees for the American Alliance of Museums (AAM) and the Berkeley Art Center. • #ArtAboveReality

Curators Heidi Rabben and Qianjin Montoya from the Contemporary Jewish Museum talk about how art and artists can inspire us in times of crisis, in terms of helping us process, criticize and reflect on world events.

Wattz up! is produced by Yollocalli Arts Reach youth and broadcast live through Lumpen Radio, WLPN 105.5FM Chicago. **Wattz Up! is practicing staying home and social distancing, so the youth broadcasted live straight from the comfort of their couches! In this edition, the youth presented audio-pieces that formed part of "What we hold: A Youth Audio Project" at the Contemporary Jewish Museum on San Francisco, California, 2020. Featuring audio works created by teens, reflecting on stories of migration, language, passion, persistence, tradition, bridging distance, and love. Also, the youth interviewed PJ, former Youth Program Manager at the CJM and one of the souls behind this project. Enjoy!

At UNTITLED, ART San Francisco 2020, three noted San Francisco artists working in diverse media discussed their art practices, concerns and challenges, and where the equity movement might lead in coming years. Hear artists Indira Allegra, Katherine Vetne, and Erica Deeman, as well as Heidi Rabben, Senior Curator at the Contemporary Jewish Museum. This panel was organized by ArtTable Northern California, a chapter of the foremost professional organization dedicated to advancing the leadership of women in the visual arts. This year, ArtTable celebrates 40 years of women's advocacy and professional development.

California native, Dave, credits his grandfather for his early interest in real estate—and has not forgotten his motto: operate with integrity. As Associate Vice President, Investments, for CIM Group in Los Angeles, David completed over $575 million in investments in apartments, condominiums, retail, commercial offices, and hotels, a role that demanded a balance of creativity and financial acumen. David graduated Cum Laude and Phi Beta Kappa with a B.A. in Economics from Northwestern University and received his MBA from the Haas School of Business at the University of California, Berkeley. In addition to his role at Calvera, he currently serves on the boards of The Contemporary Jewish Museum, the Jewish Federation of San Francisco, and is a member of the Advisory Council at ArtPoint at the Fine Arts Museums of San Francisco. He is an avid supporter of San Francisco sports teams and enjoys arts and cultural events, Top 40 music and a good party.

In each episode we talk about a variety of books, writing, and art. Below are a few mentioned in this one:The book On Beauty and Being Just by Elaine ScarryThe website Man Repeller (link)Toward A Hot Jew: Graphic Essays by Miriam Libicki (link)The exhibition “Veiled Meanings: Fashioning Jewish Dress,” at the Contemporary Jewish Museum in San Francisco (link)The exhibition "Involuntary Archives. On the Theatre of Surveillance" by artist Miguel Fernández de Castro (link)Ellie’s film Birth on the Border (trailer link)The exhibition “Tyler Mitchell: I Can Make You Feel Good” at ICP (link)Aperture issue #223: Vision & Justice (link)The book The New Black Vanguard: Photography Between Art and Fashion by Antwaun Sargent (link)“Pendeja, You Ain’t Steinbeck: My Bronca with Fake-Ass Social Justice Literature” by Myriam Gurba (link)“There’s Nothing Thrilling About Trauma” by Ingrid Rojas Contreras (link) Tweet referenced by Ingrid Rojas Contreras (link)“Oceanic Feeling and Communist Affect” by Jackie Wang (link) Questions? Thoughts? Email us: alltalklisteners@gmail.com.About Us:Ellie Lobovits is a visual artist, educator, writer, and teacher of Jewish plant magic. ellielobovits.comLeora Fridman is a writer and educator, author of My Fault, Make an Effort, and other books of prose, poetry and translation. leorafridman.com

We were so excited to join forces with both the Contemporary Jewish Museum and the California Institute for Integral Studies for a night of stories exploring our understanding of self and the fluidity of identity. An amazing group shared personal stories inspired by the CJM exhibition Show Me as I Want to be Seen. The lineup: Kelly Beardsley has been telling wacky stories around SF for the last 15 years.  His stories have been heard on This American Life, The California Report, KQED and a bunch of Porchlight events. He works as a BART train operator and lives in Oakland. India Marie Chakraverty was raised in a small town in the Central Valley before enrolling at San Francisco State University. They are getting a Master of Fine Arts degree in Creative Writing and loving every minute of their starving artist life. They live with their boyfriend and cat (one for now) in this wonderful and expensive city and work as the General Books supervisor at the SFSU Bookstore. They are working on three novels and two short stories and aspire to be a rich author, but will settle to be an editor, because reading is wonderful and who wouldn’t love to get paid to read all day. They love cats, books, Star Wars, and so many other things, but love to smile even more. Eddie Jen is a writer and drag queen in San Francisco. He writes about life, beauty, and food, and recently won his first case as an attorney when he obtained asylum for a Guatemalan minor. Juliana Delgado Lopera is an award-winning Colombian writer, historian, speaker and performance artist based in San Francisco. The recipient of the 2014 Jackson Literary award  she’s the author of Quiéreme (Nomadic Press 2017) and ¡Cuéntamelo! an illustrated bilingual collection of oral histories by LGBT Latinx immigrants which won a 2018 Lambda Literary Award and a 2018 Independent Publisher Book Award. She's received fellowships from Brush Creek Foundation of the Arts, Lambda Literary Foundation, Yerba Buena Center for the Arts and The SF Grotto, and an individual artist grant from the SF Arts Commission. She's the recipient of the 2016 Jeanne Córdova Words Scholarship. Her work has been nominated for a Pushcart Prize and has appeared in Eleven Eleven, Foglifter, Four Way Review, Broadly, TimeOut Mag to name a few. She’s the creative director of RADAR Productions  a queer literary non-profit in San Francisco.    Donna Persona is a 71 year old San Francisco transgender/ gay community activist and drag queen performer. She began her career and activism at the age of 59. At age 20, she was associated with SF drag legends. Around 2005 i reunited with then and began a public life. She has been of the boards of Trans March, Trans Visibility, and Trans Day of Remembrance. She has worked to name SF streets after a trans woman and an historical event in The SF Tenderloin,  Compton's Cafeteria Riot.  She went on to co- write a play about the riot which had a successful run in San Francisco last year and will be remounted this year. She is currently working with a filmmaker on a documentary on her experiences. She also continues to perform on stages, stay involved with activism, and entertain gay seniors and patients in hospitals and several retirement homes. Donna helped fly the transgender flag with Mayor London Breed and has been nominated as Grand marshall for 2019 Pride. Nic Sommerfeld is an Oakland based actor and playwright, originally from Montana.  They wrote for Best of Playgound 2018 and have written for UCSF, Killing My Lobster, and The Olympians Festival. As an actor they have performed with Berkeley Playhouse, SF Playhouse, Fuse Theatre, Landmark Musicals, and others.  They are also a drag king known as Chester Vanderbox.  Hosted by Arline Klatte and Beth Lisick.  Music by Marc Capelle.  Podcast produced by Brandi Howell.

This episode features Bay Area performers and writers including a BART train operator, a recent Pride Parade Grand Marshall, and more. Presented in collaboration with San Francisco’s Porchlight storytelling series and The Contemporary Jewish Museum, each storyteller explores their understanding of self and the fluidity of identity.

Wattz up! is produced by Yollocalli Arts Reach youth and broadcast live through Lumpen Radio, WLPN 105.5FM Chicago. In this edition, Wattz Up! The Wattz Up team participated in the What We Hold: A Youth Audio Project that were featured in the Contemporary Jewish Museum.

In the final episode of season one, I speak with Mike Rothfeld, an artist living and working in Oakland and San Francisco. He received his MFA in Fine Art and MA in Visual and Critical Studies from California College of the Arts (CCA) and his BFA in Photography and Imaging from the Tisch School of the Arts at New York University (NYU). Rothfeld’s lo-fi, seemingly clumsy sculptures serve as set-pieces and props for the partial science-fiction and fantasy narratives he imagines while working in the studio. His sculptures display a dedication to play, campiness and the absurd along with an underlying sentiment of melancholy and doom. Concerned by an inability to imagine new and viable alternative futures, while still wanting to locate hope for a better tomorrow, Rothfeld makes work that references an era of visual media effects that required viewers to heavily suspend their disbelief to immerse themselves in an imagined reality. Rothfeld’s work has been displayed at The Contemporary Jewish Museum, the Yerba Buena Center for the Arts, Southern Exposure, the Wattis Institute for Contemporary Art, Alter Space Gallery, and San Francisco State University, San Francisco, CA; the Aldrich Contemporary Art Museum, Ridgefield, CT; Jan Larsen’s Xpo, Brooklyn, NY; the Beacon Artist Union, Beacon, NY; and the Institute of Contemporary Art, London, England; among other venues. His writing has appeared in Art Practical and show take-aways for Stairwell’s exhibitions. Additional Links: In the interview, Mike mentions working with artist, author, and curator Deb Willis while studying at NYU. She she later introduced him to the graduate programs at CCA. Between undergrad and grad school, Mike attended the Haystack Mountain School of Craft Residency. Finally, Mike and I discuss his participation in the Yerba Buena Center for the Arts’ ‘Bay Area Now 7’ exhibition, a project that was curated by Stairwell’s. You can learn more about Mike’s work on his website and follow him on Instagram. As always, podcast music is provided by Mr. Neat Beats.

Em Meine makes drawings, paintings, and sculptures as a means of exploring collective memory, storytelling, natural history, and anthropomorphism. The works are often figurative representations of imaginary objects or landscapes. She considers her artistic practice to be a ritual for contemplation and self-care, which enables her to experience a sense of connectivity and communion with everything beyond her self. Em’s process is meditative, allowing her to disengage from the external world, and to instead explore an internal universe. More recently, Em has been making drawings that articulate vulnerable ideas based on her own experiences with anxiety or grief. With this work, she is exploring how very personal, unique emotions can become relatable and relevant to other people. Em is a member of CTRL+SHFT Collective, an exhibition and studio space located in West Oakland. As a group of cis-women, trans-spectrum, gender non-conforming, queer, and PoC members, CTRL+SHFT interrogates what it means to build and be a part of a community. Through workshops, exhibitions, and other community engagements, CTRL+SHFT focuses on providing a platform for their ever-growing family, which includes writers, artists, thinkers, performers, curators, allies, agitators, organizers, activists, and teachers who are people of color, women, queer, trans-spectrum, and gender non-conforming folks. Meine received a BFA in General Fine Arts at Maryland Institute College of Art and her MFA in Fine Art from California College of the Arts. She has exhibited in New York, Texas, Chicago, and California, including shows at the Yerba Buena Center for the Arts, Southern Exposure, and The Contemporary Jewish Museum in San Francisco. Em lives and works in Oakland, CA. Links: Learn more about Em on her website and follow her on Instagram. As always, podcast music is provided by Mr. Neat Beats.

In episode three, I talk to San Francisco-based artist Lisa Jonas Taylor, who works by day in the field of art and design higher education. Lisa’s studio practice is grounded in various mediums, primarily painting, sculpture, and installation, as well as project-based collaborative work. Her work has been exhibited at Good Mother Gallery and City Limits Gallery, Oakland; Studio 110 Projects, Sausalito; Southern Exposure, Bass & Reiner Gallery, and the Contemporary Jewish Museum, San Francisco; Berkeley Museum of Art and Pacific Film Archive, Berkeley; Shoshana Wayne Gallery, Santa Monica; among others. Collaborative work includes a performance by New York based artist Phoebe Osborne, God Sees Everything, part of San Francisco Museum of Modern Art’s Fertile Ground at the Oakland Museum of California. She received her MFA from California College of the Arts and her BFA from CSU Long Beach. Links: For more information about Lisa and her work, please visit her website and Instagram. As always, podcast music is provided by Mr. Neat Beats.

Photograph by Michael Zagaris Anastasia James is a curator and editor based in Los Angeles where she is currently a curator at the Lucas Museum of Art. Her scholarly research focuses on both under-recognized and popular figures in the American avant-garde from 1930-present. Previously, James was curator of exhibitions and programs at The Dorsky Museum, SUNY New Paltz where she curated exhibitions with Linda Mary Montano, Angela Dufresne, and Timothy Greenfield-Sanders. At SUNY she also taught advanced courses on museum history and theory and exhibition studies. As a curator, she is known for my innovative and inclusive approaches to exhibition making and programming and her projects have been referred to by The New York Times as “celebratory,” “strident,” and “remarkable.” In 2017, she curated the traveling retrospective of Cary Leibowitz’s work and has also curated solo exhibitions of Allison Smith, Brigid Berlin, Billy Name, Ray Johnson, Stanley Kubrick, and Andy Warhol. In addition to curatorial work, James is the co-editor (with her husband Dagon James) of two book length monographs of Warhol associates Billy Name and Brigid Berlin and the editor of Cary Leibowitz: Museum Show. James has held curatorial positions at The Contemporary Jewish Museum, San Francisco and The Queens Museum and provided research support for the development of large exhibitions both in the States and abroad at institutions including The Andy Warhol Museum, The Carnegie Museum of Art, The Wurtembergischer Kunstverein, Stuttgart, and the Dia Foundation for the Arts. She received her MA from the Center for Curatorial Studies Bard College where her thesis focused on Ray Johnson's work ca. 1947-1960. Installation View of Linda Mary Montano: The Art Life Hospital, 2019, photograph by Bob Wagner Installation View of Cary Leibowitz: Museum Show, 2017, photograph by Gary Sexton 

The Book of J, Jeremiah Lockwood and Jewlia Eisenberg, stopped by the apartment for a beautiful  acoustic set. They perform music from all over the world to and our celebrating their new album and their month long residency at Barbes.     Jewlia Eisenberg works at the intersection of voice, text and diaspora consciousness, primarily as the leader of the ensemble Charming Hostess. Her music is mostly released on the Tzadik label Radical Jewish Culture imprint. Recordings include Sarajevo Blues on Bosnian resistance poetry and Trilectic on the political-erotic world of Walter Benjamin. She often works in immersive installation, making hybrid spaces that incorporate music performance, visitor participation, and experimental ritual. Installations include Teraphim (Meridian Gallery) on household gods; and The Bowls Project (Yerba Buena Center for the Arts) on Babylonian women’s amulets. Jewlia’s work has been curated into the Contemporary Jewish Museum in SF and the Museum of Peace in Uzbekistan; she performs regularly in Europe and the Americas. She has been a visiting artist at CalArts, MIT, and the University of Colorado, where she has taught on the boundary lands holding music and critical theory. Her interests include class war and knitting. Brooklyn born and bred, she now calls Oakland home. For more: www.charminghostess.com. Jeremiah Lockwood’s music career began with over a decade of apprenticeship to the legendary Piedmont Blues musician Carolina Slim, playing in the subways of New York City. He also trained under his grandfather Cantor Jacob Konigsberg and performed in his choir. Jeremiah’s band The Sway Machinery seeks inspiration from diverse realms of experience related to the cultural geography of New York City. The Sway Machinery has played around the world, including stints at legendary music festivals like Montreal Jazz, Roskilde, and perhaps most notably, Festival au Desert in Timbuktu, Mali. In addition to leading The Sway Machinery, Jeremiah toured for years as guitarist in the popular world-beat band Balkan Beat Box and has scored numerous film and video projects. Jeremiah was a recipient of the 2007-8 Six Points Fellowship for Emerging Jewish Artists, was 2010 Artist-in-Residence for the Forward and was a 2011 Brooklyn Philharmonic Orchestra Composer Fellow. Jeremiah is currently working on a PhD in Education and Jewish Studies at Stanford University. His recent recordings include a solo album, entitled LOCKWOOD, a new record from The Sway Machinery entitled Purity and Danger and, most recently a collaboration with the Brooklyn-based independent community Because Jewish, entitled Kol Nidre. For more www.swaymachinery.com.

Wattz up! is produced by Yollocalli Arts Reach youth and broadcast live through Lumpen Radio, WLPN 105.5FM Chicago. In this edition, Wattz Up! presented audio-pieces that formed part of "What we hold: Youth Voices on Roots and What Matters Most" at the Contemporary Jewish Museum on San Francisco, California.

PJ Gubatina Policarpio gets real with me on the nitty gritty of what it takes financially and emotionally to pursue a career in museums if you come from a low-income background. He discusses why building community is integral to his work, how diversifying his skill set was a financial strategy, and why he considers himself primarily a museum educator. Plus he shares his ideas on how we can mentor another generation of brown and black museum workers.  Share your own stories using the hashtag #costofmakingit.  PJ Gubatina Policarpio is an educator, curator, programmer, writer, and community organizer. His multidisciplinary practice utilizes research, collaboration, programming, pedagogy and public engagement as both art and tool. PJ creates intersections for meaningful connections between communities and art, especially addressing a diverse, multilingual, and multicultural audience. He brings dynamic and wide-ranging experience in museum education, youth development, and arts administration, previously working at The Museum of Modern Art, Queens Museum, and Brooklyn Museum. He has presented in conferences including NYCMER, AAM, NAEA, CCA and Open Engagement and is part of Museum as Site for Social Action (MASS Action). Born in the Philippines, PJ is currently the Youth Programs Manager at the Contemporary Jewish Museum in San Francisco.  Select Publications: Introduction to Filipino-American Writers. Mabuhay Magazine, June Issue. 2018 Culture Lab Manifesto Playbook. Published by Smithsonian Asian Pacific American Center. 2018 Textiles of the Philippines: A Resource Coloring Book. 2016 Engaging Multilingual Students: An Educator's Guide. artmuseumteaching.com. 2015

Death, Dementia, and… Dessert? Sometimes humor can be found in the most painful and frustrating of circumstances, especially when caring for a loved one at the end of life. Storytellers Josh Kornbluth, Julia Weber, Elizabeth Sale, and Sara Faith Alterman will let us laugh through our tears, as they share deeply personal stories and experiences that all of us can identify with. The program will be followed by a moderated discussion to cast an unflinching eye at end of life experiences and together create an interactive space to help transform this otherwise difficult conversation into one of engagement, insight, and empowerment. And of course there will be dessert—never miss an opportunity to eat sweets when discussing bittersweet topics! Presented in conjunction with Roz Chast: Cartoon Memoirs. Co-presented by Reboot’s Death Over Dinner, Jewish Edition. Josh Kornbluth has been performing autobiographical monologues since 1989. Among his many solo shows is Andy Warhol: Good for the Jews?, which began as a commission from The Contemporary Jewish Museum. More recently, Sea of Reeds explored the mysteries of interpreting the Torah and making oboe reeds. His latest movie, Love & Taxes, is available online. His upcoming monologue, The Bottomless Bowl, is based on his experiences as artist-in-residence (and, later, a volunteer) at the Zen Hospice Project. Currently, Josh is a fellow at the Global Brain Health Institute, based at UCSF's Memory and Aging Center. Find him at joshkornbluth.com.

An international figure in architecture Daniel Libeskind is renowned for his ability to evoke cultural memory in buildings.Born in Poland in 1946, Libeskind emigrated to the United States as a teenager and performed as a musical virtuoso, before eventually leaving music to study architecture. He began his career as an architectural theorist and professor, holding positions at various institutions around the world. In 1989, he won the international competition to build the Jewish Museum in Berlin. A series of influential museum commissions followed, including Imperial War Museum North, Manchester; Denver Art Museum; Contemporary Jewish Museum, San Francisco; Royal Ontario Museum; and the Military History Museum, Dresden. In 2003, Studio Libeskind won another historic competition-to create a master plan for the rebuilding of the World Trade Center in Lower Manhattan.In this extended interview, Daniel Libeskind gives John Wilson insights into his design process and the sometimes surprising artistic inspirations behind his buildings.Presenter: John Wilson Producer: Edwina PItman

Five-minute audio clip featuring comedians from "Disabled Comedy Only," produced by Nina G., and recorded live at the Impact Hub in Oakland on Oct 30, 2014. These audio clips are in conjunction with the "Humor and the Disability Experience: A Stand-Up Comedy Show" on Apr 23, 2017 at The CJM. Learn more: https://thecjm.org/programs/117 Dedication: This program at The Contemporary Jewish Museum is dedicated in memory and honor of the legacy of the founder of The Comedians with Disabilities Act, Michael O'Connell. For a full transcript of the audio clip: https://www.thecjm.org/learn_resources/281 Nina G., the program’s emcee and organizer, is a well-known stuttering stand-up comedian, disability activist, storyteller, children's book author and educator who uses comedy to help people confront and understand social justice issues such as disability, diversity, and equity. "Disabled Comedy Only" is the first-ever comedy compilation album featuring, as the title suggests, a lineup of all comedians with disabilities. The album is available on most music sites for streaming or purchase. Download Michael O'Connell's set for free at www.cdbaby.com/cd/comedianswithdisabilitie.

Lisa Congdon has been on my radar for several years.As a fine artist and illustrator Lisa Congdon is best known for her colorful abstract paintings, intricate line drawings, pattern design & hand lettering. She works for clients around the world including the MoMA, Harvard University, Martha Stewart Living, Chronicle Books, Simon & Schuster, and Random House Publishing, among many others. She exhibits her work around the country, including shows at the Contemporary Jewish Museum and Bedford Gallery in California.Lisa writes a popular daily blog about her work, life and inspiration called Today is Going to be Awesome. And she she seems to me to be quite a force on Instagram.She is the author of six books, including the starving-artist-myth-smashing Art Inc: (Which I thoroughly enjoyed...) It is The Essential Guide to Building Your Career as an Artist, as well as the illustrated books The Joy of Swimming, Fortune Favors the Brave, Twenty Ways to Draw a Tulip, A Collection a Day, and the first book of Lisa's that I read, Whatever You Are, Be a Good One,. Her seventh book, A Glorious Freedom: On Being a Woman, Getting Older, and Living an Extraordinary Life will be released by Chronicle Books later this year. She was named one of 40 Women Over 40 to Watch in 2015. She lives and works in Portland, Oregon.

Curators from The Contemporary Jewish Museum Lily Siegel and Pierre-François talk about From Generation to Generation - Inherited Memory and Contemporary Art, on view through April 2017. They were joined by Arts at CIIS curator Deirdre Visser for a conversation. This program was created in collaboration with The Contemporary Jewish Museum.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

What We Hold: Teens reflect on how memories extend over generations It started with a question: “What do we inherit, embody, and echo from previous generations?” What emerged were more questions, conversations, and discoveries. The resulting audio stories share a layered quilt of myth and memory from the perspective of Bay Area teens in 2016. Exploring their own family narratives allowed these students to claim and understand how moments of the past transform, beyond memories, into relationships and outlooks in the present. What We Hold is the fourth in a series of installations highlighting the experiences and perspectives of The Museum’s Teen Art Connect interns. The high school interns were responsible for every aspect of the recordings, from initial interviews to final edits. In presenting this work, The Contemporary Jewish Museum celebrates the valuable contributions that young people make to the creative landscape of the Bay Area.

Lisa is a Fine artist and illustrator from Portland, Oregon best known for her colorful abstract paintings, intricate line drawings, pattern design, and hand lettering. She works for clients around the world including the MoMA, Martha Stewart Living, Chronicle Books, Cloud9 Fabrics, among many others. She has exhibited her work around the country, including in shows at the Contemporary Jewish Museum and Bedford Gallery and is currently represented by Uprise Gallery in New York. Amongst all of this, she is also a prolific author, including Art Inc: The Essential Guide to Building Your Career as an Artist, Whatever You Are, Be a Good One, Twenty Ways to Draw a Tulip and Fortune Favors the Brave. Full shownotes: http://yourcreativepush.com/lisacongdon In this episode, Lisa discusses: -What makes a successful artist. -The three main things that you need to be a successful artist: talent, curiosity, and dedication. -The importance of putting your work out there even if you are not 100% satisfied or comfortable with it. -How we assume that other people ahead of us on the artistic journey already have it figured out, but in reality, nobody has it completely figured out. -How insecurity never goes away for any artist, no matter how far they have come in their career. -One of her first creative moments which, in hindsight, was a true precursor to her becoming an illustrator. -How the connection between what you loved as a kid and what you love now sometimes becomes very clear -Her life and careers before becoming a full-time illustrator. -Dealing with the stress and anxiety of being a college graduate without a direction on what to do with the rest of your life. -The danger of paralysis by analysis and how you sometimes just have to dive in and try something to see if you like it and see if you are any good at it. -The power of writing about and talking about the various things that hold you back from creating on a daily basis. -Not having to deal with existential questions on your own, because we all have them. Lisa's Final Push will inspire you to BEGIN ANYHOW!   Quotes: “Talent is 10% of what it takes to be successful.” “I still struggle with insecurity about putting my work into the world.  It still feels vulnerable.  But the key is I do it anyway.” “Eventually, people were like, ‘Hey I want to buy that.’” “Sometimes you just have to dive in and try something.” “Begin despite your fears or whatever roadblocks you think are in your way.  Let go of the excuses and justifications and begin anyhow.” Resources mentioned: Art, Inc.: The Essential Guide for Building Your Career as an Artist Connect with Lisa: Website / Facebook / Instagram / Twitter

Porchlight returns with a Bill Graham and the Rock & Roll Revolution edition featuring Wavy Gravy, Bob Barsotti, Eric Shea, Deanne Franklin, Bart Davenport, and Lorrie Murray. Hosted by Arline Klatte and Beth Lisick on May 12, 2016 at The Contemporary Jewish Museum. Recorded by Brandi Howell. Mixed by Patty Fung. 

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our eighth episode, our guest is Melanie Samay. Melanie studied literature at Fordham University in the Bronx and received her Masters in English literature from San Francisco State University. Her thesis was on The Ground Beneath Her Feet by Salman Rushdie and how he creates a literary version of the history of rock & roll by writing his own version of the Orpheus myth. Other favorite authors are: Irvine Welsh, Vladimir Nabokov, Anne Rice, Bret Easton Ellis, Chimamanda Ngozi Adichie, Arturo Perez-Reverte, J. K. Rowling, Charles Bukowski, Zadie Smith, and Chuck Palahniuk. She sometimes spends too much time reading; other times too little. Samay owns too many books but can't stop acquiring them. She's forever pro-physical books and anti-eReaders. She has a shy, skinny black boy cat named Hermione. She is a staunch defender of the serial comma. Currently she works in marketing for The Contemporary Jewish Museum. When she's not reading, she's walking around the city, sitting in parks with friends, and hanging around dark spaces at night listening to loud music. Read more on her blog about books and book-nerdom at soifollowjulian.com. Please rate, review and subscribe to the podcast on iTunes at tinyurl.com/therobburgessshow. Once you're signed in to iTunes, hit "Subscribe." Click the tab on the iTunes page near the top that says "Ratings and Reviews." From there, please leave a star rating (hopefully five stars) and click "Write a Review" to leave a review. Thanks again for the support! You can now also find The Rob Burgess Show on: Stitcher at www.stitcher.com/podcast/the-rob-burgess-show. Google Play Music at tinyurl.com/therobburgessshowgoogleplay. TuneIn at tinyurl.com/therobburgessshowtunein. YouTube at tinyurl.com/therobburgessshowyoutube. You can also subscribe directly to the RSS feed at tinyurl.com/therobburgessshowrss. If you're an Android user and you're still not sure how to listen, you can also visit the website subscribeonandroid.com/tinyurl.com/therobburgessshowrss and if you have a one click supported app on your Android device, the app will load automatically. You can find more about me by visiting my website, www.thisburgess.com. The official website for The Rob Burgess Show is www.therobburgessshow.com. Follow on Twitter at www.twitter.com/robburgessshow. Like the page on Facebook at facebook.com/therobburgessshow. Follow on SoundCloud at soundcloud.com/the-rob-burgess-show. The email for the show is: therobburgessshow@gmail.com.

Micah Elizabeth Scott (@scanlime) joined us to talk about her new art and engineering projects. Micah's site is misc.name/ and her YouTube channel is micahjd. She launched a Patreon page. Wiggleport has its own site (wiggleport.org) and github (github.com/wiggleport). Check out the art in the repo! The Bela project on kickstarter has some overlap. Micah will be keynoting the 2016 Open Source Hardware Summit in Portland in early October. Her Eclipse project (video) was at the NEAT exhibition at the Contemporary Jewish Museum in San Francisco, CA.  Micah has been on Embedded.fm before: 101: Taking Apart the Toaster (mostly aboutCoastermelt) and 41: Pink Universes Die Really Quickly (mostly about FadeCandy). Micah mentioned Boldport and the kit-of-the-month club. (Video of her building the first one!) Also: the BigClive channel on YouTube. Thank you to Planet.com for sponsoring the contest. Check out Planet.com/careers! 

Karina Deniké is a vocalist and songwriter from the San Francisco Bay Area. Born in Cambridge, England to Czech dissident artists, Deniké spent her early years performing street theatre throughout Europe, Northern Africa, and India. Upon settling in Oakland, California at age 12, she immersed herself in the vibrant local arts and music scenes of the area, soaking in everything from punk shows at the legendary 924 Gilman to the talents of jazz/soul greats Jon Hendricks, Fred Marshall (Vince Guaraldi, Chet Baker), and Sugar Pie Desanto. At age 18 she released her first album with the dual female fronted Dance Hall Crashers, and at 22 she was signed to major labels MCA and Warner/Discovery. Deniké has made a lifelong study of the finer nuances of vocals, harmony, and performance, moving fluidly from intimate torch song chanteuse to soul singer to punk powerhouse. From pop music to jazz to modern composers' works, she has lent her voice, arrangements, and compositions to more than 30 records, soundtracks, and countless national and international performances, and is an active member of the Bay Area music scenes. After extensive and fruitful collaborative work, Karina Deniké is excited to present the first album entirely focused on her unique compositional voice. "The writing for this album, Under Glass, began when I fell in love with a beautiful Farfisa chord organ. A charming, quirky wooden toy whose big reedy sound fully transported me to another time. I immediately wrote the song 'Musee Mecanique', a 1930’s inspired love ditty with a nod to my dear San Francisco and her stunning shores." Under Glass was released April 14, 2015 and features Deniké's six piece band and an impressive list of additional talent. Centered around power vocal performances and ornamented with an unusually rich collection of vintage sounds — including the chord organ, bass clarinet, Fender VI baritone guitar, vibraphone, and celeste — Under Glass features some of the Bay Area’s finest musicians and composers: Aaron Novik (Tzadik Records, PortoFranco Records), Michael McIntosh (Ralph Carney's Serious Jass Project, the Cottontails), James Frazier, Eric Garland (Mads Tolling, Donavon), and Lily Taylor (Pour Le Corps Records). The album also highlights guests Deston Berry and Alex Dessert (Hepcat), Ralph Carney (Tom Waits, B-52's), Brigid Dawson (Thee Oh Sees), Ara Anderson (Tin Hat, OK GO), and Meric Long (The Dodos). With nods to doo wop drama, crackly records, Motown beats, girl group harmonies, 60's soundtracks, and Eastern European Lullabies, Under Glass is both strikingly original and warmly nostalgic. Its 12 reflective songs are filled with tales of female aviators, love, memory, and personal and regional history, firmly rooted in the musical worlds and seaside city Karina Denike calls home. Deniké has recorded with Dance Hall Crashers (MCA), NOFX (Epitaph), Tony Sly/No Use for a Name (Fat Wreck Chords), Ralph Carney's Serious Jass Project (Smog Veil), and Hepcat (Hellcat), among others. She has shared bills with artists including The Pretenders, Fiona Apple, Beck, The Ramones, Thee Oh Sees, and Aimee Mann and performed at prestigious venues and events around the world, such as the Montreux Jazz Festival (Switzerland), the Reading Festival (UK), the Warped tour, and the Fillmore. Recently, she contributed the acclaimed opening track to The Songs of Tony Sly; A Tribute (Fat Wreck Chords), was the guest music director for the SF Bay Area's Undercover Presents Series tribute to Bob Dylan's Highway 61 Revisited (hosted by The Contemporary Jewish Museum of San Francisco), contributed lead vocals and vocal production to the album Home Street Home: The sHit Musical (written by Fat Mike of NOFX, and Tony Award winner/Avenue Q co-writer Jeff Marx), contributed a song to the 20th Century Fox film This Means War featuring Reese Witherspoon, and performed at the opening party for the world renowned art festival dOCUMENTA 2012, in Kassel, Germany.

To Live and Dine in L.A. (Angel City Press)  Note: This event was previously scheduled for Wed, July 8th, at 7:30 pm, and has now been moved to Friday, July 17th, at 7:30 pm. We apologize for any inconvenience.  Tonight's event features the book To Live and Dine in L.A. by USC Professor Josh Kun with a Foreword by Chef Roy Choi.To Live and Dine in LA is a huge project of The Library Foundation of Los Angeles based on the Menu Collection of the Los Angeles Public Library. Central to the project are a major exhibition at the Central Library downtown and the book published by Angel City Press. Together, the exhibition and the book ask and address an important question: How did Los Angeles become the modern city the world watches? We know some of the answers all too well. Sunshine. Railroads. Hollywood. Freeways. But there's another often overlooked but especially delicious and revealing factor: food. Think veggie tacos and designer pizzas, hot dogs on sticks and burgers from golden arches, Cobb Salads and chocolate topped ice cream sundaes, not to mention the healthiest dishes on the planet. Ask anyone who has eaten in L.A.—the city shapes the tastes that predict how America eats. And it always has.  ​With more than 200 menus—some dating back to the nineteenth century—culled from thousands in the Menu Collection of the Los Angeles Public Library, To Live and Dine in L.A. ​is a visual feast of a book. In his detailed history, author Josh Kun riffs on what the food of a foodie city says about place and time; how some people eat big while others go hungry, and what that says about the past and today. Kun turns to chefs and cultural observers for their take on modern: Chef Roy Choi sits down long enough to say why he writes “some weirdass menus.” Pulitzer Prize-winning critic Jonathan Gold looks at food as theater, and museum curator Staci Steinberger considers the design of classic menus like Lawry's. Restaurateur Bricia Lopez follows a Oaxacan menu into the heart of Koreatown. The city's leading chefs remix vintage menus with a 21st century spin: Joachim Splichal, Nancy Silverton, Susan Feniger, Ricardo Diaz, Jazz Singsanong, Cynthia Hawkins, Micah Wexler, Ramiro Arvizu and Jaime Martin del Campo cook up the past with new flavors. And, of course, the menus delight: Tick Tock Tea Room, Brown Derby, Trumps, Slapsy Maxie's, Don the Beachcomber, and scores more.  Kun tackles the timely and critically important topic of food justice, and shows how vintage menus teach us about more than just what's tasty, and serve as guides to the politics, economics, and sociology of eating. To Live and Dine in L.A. ​is the first book of its kind—the definitive way to read a menu for more than just what to order. It's about how to live. And how to dine. In L.A. Spread the word and join the conversation about Los Angeles' food history online by tagging your tweets and posts with #ToLiveandDineLA. Josh Kun ​is an Associate Professor in the Annenberg School for Communication and Journalism at the University of Southern California. His previous collaboration with L.A. Public Library was the award­-winning book and exhibition Songs in the Key of Los Angeles. He has written for the New York Times, Los Angeles Times, and many other publications. He is author and an editor of several books, including Audiotopia: Music, Race, and America, Tijuana Dreaming: Life and Art at the Global Border, and Black and Brown Los Angeles: Beyond Conflict and Coalition. As a curator he has worked with the Grammy Museum in Los Angeles, Contemporary Jewish Museum in San Francisco, Santa Monica Museum of Art, and the National Museum of Jewish History in Philadelphia. Kun curated Songs in the Key of L.A. in 2013 and To Live and Dine in L.A. in 2015, both exhibitions that originated at Los Angeles Central Library galleries. Roy Choi was born in Seoul, Korea and raised in Los Angeles, California. He graduated from the Culinary Institute of America and went on to cook at the internationally acclaimed Le Bernardin. He was named Best New Chef by Food and Wine in 2010. Choi is the co-owner, co-founder, and chef of Kogi BBQ, as well as the restaurants Chego!, A-Frame, Sunny Spot and POT. He lives in Los Angeles, California.

This week, Brian and Patricia (and her stealth interns) talk shop and the sublime with Renny Pritikin, Chief Curator of the Contemporary Jewish Museum, in San Francisco. Currently on view at the CJM is Night Begins the Day: Rethinking Space, Time, and Beauty, which tackles fear and awe, time and frailty, and the limits of seeing in our age of technological innovation. The always frank and open Pritikin shares his thoughts on curating for an ethnic-specific cultural institution, curating theology into art exhibitions, East vs West Coast Jewish culture, and Amy Winehouse.   Renny has been a pivotal figure in the San Francisco Bay Area arts community for over three decades. He served as Co-Director of New Langton Arts in San Francisco from 1979 to 1992, Chief Curator at the Yerba Buena Center for the Arts from 1992 to 2004, and Director of the Nelson Gallery and Fine Arts Collection at the University of California, Davis from 2004 until 2012.   http://www.thecjm.org/on-view/currently/night-begins-the-day-rethinking-space-time-and-beauty/  

Art figures into the work scribe-in-residence Julie Seltzer creates at the Contemporary Jewish Museum in more ways than one. Commissioned by the San Francisco museum to write the Torah, Judaism's sacred text, from beginning to end using scribal techniques and traditions passed down for thousands of years, Seltzer must follow strict rules governing the document's production. And she faces the added challenge of completing the lengthy spiritual practice in plain view of museum visitors observing her progress. Seltzer's work is as potentially controversial as it is methodic and meditative. Performing an act long reserved for men, Seltzer is producing a text that many conservative Jewish communities will not consider Kosher or suitable for religious use. Ultimately, the Torah she completes will be given to a Jewish congregation that is accepting of its origins.

Interview with Donald Albrecht, Curator of "Designing Home: Jews and Midcentury Modernism. On view at The Contemporary Jewish Museum through Oct 6, 2014. Learn more → thecjm.org/designinghome Image: Ruth Adler Schnee with Slits and Slats, 1947. Photograph, 8 x 10 in. Courtesy Cranbrook Archives, The Edward and Ruth Adler Schnee Papers.

Interview with Donald Albrecht, Curator of "Designing Home: Jews and Midcentury Modernism. On view at The Contemporary Jewish Museum through Oct 6, 2014. Learn more → thecjm.org/designinghome

Interview with Donald Albrecht, Curator of Designing Home: Jews and Midcentury Modernism. On view at The Contemporary Jewish Museum through Oct 6, 2014. Learn more → thecjm.org/designinghome Image: George Nelson & Associates, Irving Harper, Vitra Marshmallow Sofa, 1956. Metal, upholstery, and paint. 31 ¼ in. x 52 ½ in. x 31 ¼ in.

Interview with Donald Albrecht, curator of Designing Home: Jews and Midcentury Modernism. On view at The Contemporary Jewish Museum through Oct 6, 2014. Learn more → thecjm.org/designinghome Image: Pond Farm entrance sign and barn/studio. Photo by Anthony Veerkamp. Courtesy National Trust for Historic Preservation.

"Jewish Jersey Italian prom night, Cadillac." Inspired by Ernest Hemingway's legendary shortest of short stories, "For sale: baby shoes, never worn," SMITH Magazine founder Larry Smith challenged readers to describe their lives in six words. In a special event at The Contemporary Jewish Museum, Director Lori Starr presents her Six-Word Memoir on Jewish Life. For more Six-Word Memoirs—in words, images, and videos—visit www.sixwordmemoirs.com

"Bad news, but it's not cancer." Inspired by Ernest Hemingway's legendary shortest of short stories, "For sale: baby shoes, never worn," SMITH Magazine founder Larry Smith challenged readers to describe their lives in six words. In a special event at The Contemporary Jewish Museum, Piper Kerman (Orange Is the New Black) presents her Six-Word Memoir on Jewish Life. For more Six-Word Memoirs—in words, images, and videos—visit http://www.sixwordmemoirs.com

The Beats inspired not only the counterculture's message but its media too, from underground comix and counterculture newspapers to the 'zine revolution and blogs. This lively panel discussion moderated by David Pescovitz (Boing Boing) includes Ron Turner (Last Gasp), RU Sirius (Mondo 2000), V.Vale (ReSearch), and Layla Gibbon (Maximum RocknRoll). Recorded at the Contemporary Jewish Museum.

Francesco Spagnolo, Curator at the Magnes Collection of Jewish Art and Life at UC Berkeley, suggests a role for archives and ritual as our culture re-imagines the idea of memory for a digital age. A podcast from the Contemporary Jewish Museum.

"Using Social Media for Arts Marketing" hosted by: San Francisco State University, College of Business, at San Francisco State University, Downtown Campus. Originally recorded: Wednesday, February 15 at 2:00 PM - 2:50 PM. Featuring Anthem Salgado from Art of Hustle, Kathy Jaller from The Contemporary Jewish Museum, Andi Wang from Walt Disney Family Museum, and James Im from Yerba Buena Center for the Arts. Host: Kathy O'Donnell. Thank you for subscribing! Please rate the podcast and leave comments. I look forward to building with you. More information and tons of free tips on marketing and management at: ArtOfHustle.com.

Check out the Contemporary Jewish Museum and their invitational exhibition showcasing artists' interpretations of the seder plate. Original air date: April 2009.

Hear Christian Cabuay, artist and author of "An Introduction to Baybayin" and Julie Seltzer, artist and Torah scribe-in-residence at the Contemporary Jewish Museum, share their perspectives. A multimedia collaboration between the Asian Art Museum and the Contemporary Jewish Museum.

Head to San Francisco's Contemporary Jewish Museum, where Julie Seltzer, a female scribe known as a soferet, is breaking ground by writing out an entire Torah. Original air date: March 2010.

http://www.andystreasuretrove.com/andystreasuretrove.com/Media/ATTSF%20Episode%20%232%20Levelated.mp3.mp3 ()In Episode #2 we'll join a media preview tour of San Francisco's new http://www.thecjm.org/ (Contemporary Jewish Museum) and spend time with its architect Daniel Libeskind, museum President Rosalyn Swig, Director Connie Wolf, artists http://www.alanberliner.com/ (Alan Berliner) and http://en.wikipedia.org/wiki/Trenton_Doyle_Hancock (Trenton Doyle Hancock), and others. We'll also talk to Liam Passmore about San Francisco's own literary festival, http://www.litquake.org/ (Litquake), coming up in October, and about the horror of those yearly visitors, the Blue Angels. Then, because they got such a great response after Episode #1, we'll hear another piece from the Ernest Bloch Bell Ringers, this one entitled “All Things Bright and Beautiful.” This episode is 37 minutes long. See photos and videos below, under the keywords. Keywords for this episode: Contemporary Jewish Museum, San Francisco, Daniel Libeskind, Rosalyn (“Sissy”) Swig, Connie Wolf, Liam Passmore, Litquake, Ernest Bloch Bell Ringers, Jewish Community Foundation Building, Jessie Street Power Station, Willis Polk, Alan Berliner, Trenton Doyle Hancock, Mierle Laderman Ukeles, Matthew Richie, Kay Rosen, Ben Rubin, Shirley Shor, Genesis, Pamela Rourke Levy, “Playing God,” Blue Angels, “All Things Bright and Beautiful,”

Patricia Maloney in her first solo outing talks to Connie Wolf Director and CEO of the Contemporary Jewish Museum.Since its founding in 1984, the Contemporary Jewish Museum has engaged audiences of all ages and backgrounds through dynamic exhibitions and programs that explore contemporary perspectives on Jewish culture, history, art, and ideas. Throughout its history, the Museum has distinguished itself as a welcoming place where visitors can connect with one another through dialogue and shared experiences with the arts.Richard and Duncan rattle on for an eternity during the intro, but there is the singing of some Queen as they discuss being named Chicago Magazine's podcast of the year.ALSO THE RETURN OF MIKE BENEDETTO!!!

This is the special “sneak preview” episode, Episode Zero, which contains mini-excerpts from full segments that will be coming up on future episodes of Andy's Treasure Trove. I hope that you'll tell your friends about Andy's Treasure Trove, where culture, art and fun co-mingle! Thanks, Andy Moore Keywords for this episode: San Francisco, art, culture, fun, Lisa Geduldig, Charo, comedy, Frameline, Frameline32, Michael Lumpkin, Terence Davies, England, The Long Day Closes, The Neon Bible, House of Mirth, Liverpool, Dawn Logsdon, Lucie Faulkner, New Orleans, independent film, documentary, Faubourg Treme, Hurricane Katrina, Karen Pedersen, San Francisco Columbarium, Steve Fagin, Eloisa Haudenschild, Haudenschild Garage, pizza, JoAnne Brasil, The Wander Theater, Stuart Gaffney, Fenton Johnson, California same-sex marriage, gay, LGBT, Keeping Faith, Barbara Sher, Wishcraft, I Could Do Anything if Only I Knew What It Was, New York, Contemporary Jewish Museum, Daniel Libeskind, Rosalyn (Sissy) Swig, Alan Berliner, nature, mockingbird, crow, The Sea Ranch, harbor seals, Jeanne Jackson, Gualala, fireworks, Sonoma, Mendocino, Mendonoma, Al the Laysan albatross, Independent Coast Observer, Hugh King, Chopper King, the Coffeehouse Movement, Writers' Guild of America Foundation Library, scripts, film, television, Factor's Deli, Kyle Jewhurst, quantum physics, flash drives, Griffith Observatory, Griffith Park, carousel, Jim Van Buskirk, Tiara, Palace Hotel, tea, first grade, Ivy League college, graduation, Linda Servis, real estate, CIA, Lauri Amat, vocalizing, Quahogging, Liam Passmore, Litquake, Susan Stryker, Maureen Gosling, Les Blank, Burden of Dreams, Fitzcarraldo, Blossoms of Fire, Juchitan, Oaxaca, matriarchy, Martha Toledo, Brooks Collins, airplane crash 1964, Jay Hall, astrology, Ken Paul Rosenthal, Ralph Jack, Mike Carroll, Camden NJ New Jersey, Fats Waller, Willie Brown, Basic Brown, film festivals, parties.