Podcasts about Appalachian studies

Dr. William Turner and Dr. Ted Olson talk to Geonoah Davis and Kelly Thompson, two artists whose hip-hop sounds are expanding traditional ideas about music in Appalachia. Borrowing from a generations-old African American heritage of spoken word expression, rap and hip-hop echo a long narrative tradition of African American cultural survival against all odds. These original historical elements are deeply rooted in the fabric of Appalachia, blending into the backdrop of the region's musical character yet revived and brought forward again by these fresh creative talents with their contemporary styles.Geonoah Davis, known by the artistic name geonovah, was born and raised in Big Stone Gap, VA, in the heart of Appalachia's coal and iron industry. He wasn't the first rapper in his family, and early collaborations with his cousin RKMITCH allowed him to develop his powers of poetry into an artistry for hip-hop lyric and verse. Kelly Thompson, a.k.a Pookie, also hails from Big Stone Gap but spent his early childhood in North Carolina. Friends since middle school, he and Geonoah have made music together for many years—Kelly creating beats and Geonoah writing lyrics. Kelly evolved his talents to include music production, learning from local producers in his area.Dr. William Turner is a long-time African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. In 2021, Turner received Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies. His memoir called The Harlan Renaissance, available from West Virginia University Press, was awarded the prestigious Weatherford Award at the 2022 Appalachian Studies Association Conference.Dr. Ted Olson is a music historian and professor of Appalachian Studies at East Tennessee State University. He is the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including On Top of Old Smoky and Big Bend Killing, both from Smokies Life. His work has received a number of awards, including nine Grammy nominations. The East Tennessee Historical Society honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:1.    “John Henry” performed by Amythyst Kiah and Roy Andrade from GSMA's (now Smokies Life's) album Big Bend Killing2.    “Takin' Me Over” performed by geonovah for the album No Options: Hip-Hop in Appalachia, used courtesy of June Appal Recordings3.    “S&S” performed by geonovah for the album No Options: Hip-Hop in Appalachia, used courtesy of June Appal Recordings4.    “Black Lives Never Mattered” by RKMITCH featuring geonovah, vocals mixed by Pookie 

Send us a textCome along with us, your hosts Erin and Heather, as we learn about the Appalachian region of the United States - its food traditions and so much more - with our special guest Amy Clark, host of the Talking Appalachian Podcast. We're so excited to bring this episode to you! If you love learning about people, their culture and society, language and food traditions, you're in for a treat. Amy Clark is a Professor of Communication Studies and Director of the Center for Appalachian Studies at the University of Virginia's College at Wise. Her podcast, Talking Appalachian, is based on her 2013 co-edited book Talking Appalachian: Voice, Identity, and Community. In this episode you'll get a little teaser for just a few of the types of things you'll learn if you tune in to Amy's podcast. We talk about the dialect of the Appalachian region, the history, and the stereotypes in popular culture. And of course, we cook some classic Appalachian food: soup beans, corn bread and killed lettuce. The recipes are on our blog, as always, and the links are at the bottom of these notes. It's all easy, inexpensive and nutritious and we know you'll want to add it to your meal rotation.    We hope you enjoy this conversation as much as we did. Be sure to check out Amy's podcast (links below) because we know you'll love it as much as we do.     Episode Links~~~~~ Talking Appalachian Podcast~Talking Appalachian Podcast on Instagram, Facebook~ Talking Appalachian Book~ Soup Beans Recipe~ Sweet Cornbread Recipe~~~~ Three Kitchens Podcast - a home cooking showCheck out our website where you can listen to all of our episodes and find recipes on our blog: www.threekitchenspodcast.comYou can support the show with a small donation at Buy Me A Coffee.Want to be a guest? We want to hear from you! Join us on our socials!Instagram @three_kitchens_podcastFacebook @threekitchenspodcastYouTube @threekitchenspodcastTikTok @threekitchenspodcastRate, review, follow, subscribe and tell your friends!

Today, we are setting the table with a traditional food of Appalachia, “Apple Butter.” Each year in the fall time of the Mountain South, you can find pockets of people who get together, and cook down bushels of apples, sugar, and sometimes cinnamon into this biscuit-slathering favorite. It is one of those old-fashioned foods that is still a favorite on dinner tables near and far and makes a favorite gift for the holidays. Almost as important as the final product is the sense of community and preservation of culinary traditions that these “Apple Butter makings” preserve. Our featured guest is Derek Blankenship, an Orthopaedic Therapist at an East Tennessee long-term health and health care facility. Derrick and his family keep a family tradition of making apple butter each year at this time of year in Fall Branch, TN. The recipe that they use dates back to 1905. Fred Sauceman - Professor of Appalachian Studies, ETSU, Johnson City, Tennessee with a 
And also Amy shares a recipe for “Apple Butter Pork Roast” by way of “All Recipes”. And I (Amy Campbell) also share a recipe for “Apple Butter Pork Roast”, and Fred Sauceman shares a segment of Apple Butter making in the Mountain South, and a recipe for sausage balls with apple butter.

On today's episode, Chuck and Big John talk about WVU's confusing and extremely disappointing blame game about the Appalachian studies minor, discuss the bonkers racism coming out of politicians mouths about Haitian migrants in Springfield, OH, and then Chuck talks to D.J. Byrnes — the man holding Buckeye state politicians feet to the fire under the mantle of "The Rooster."Subscribe to The Rooster and support D.J.'s work!: https://www.rooster.info/Timestamps03:21 — WVU's appalling blame game for Appalachian Studies minor15:25 — The fake racist story about Haitian migrants eating pets in Ohio12:30 — Banning crowdfunding for teacher classroom supplies26:15 — Interview with D.J. Byrnes (The Rooster)28:27 — D.J.'s background and how he broke the Urban Meyer lap dance story35:58 — FirstEnergy bribery scandal & gerrymandering40:11 — How TV news and media consolidation has warped local/state politics43:21 — Background on Haitian immigrants in OH/racist political games53:33 — How D.J. duped former GOP presidential candidate Vivek Ramaswamy into meeting him at a Raising Cane's01:07:10 — Big John's got beef WITH HIMSELF!-----------------------------------------------HELP SUPPORT APPODLACHIA!Join our Patreon, for as little as $5/month, and access live events, weekly exclusives, bonus series, and more patreon.com/appodlachia-----------------------------------------------Check out our fantastic sponsors!Red Rooster Coffee! Use our promo code “DOLLY” for free shipping!https://www.redroostercoffee.com/CBD and THC gummies & more: (use code “BANJO” for 25% off) http://www.cornbreadhemp.com/DISCLAIMER: None of the views expressed in this show represent the views of either Chuck or John's employers, and they never willSupport the show

Wyrd Mountain Gals How Did We Get On Truth Social? Episode Airs   Sunday   3-17-24   7pm EST Episode Link here:  https://www.podbean.com/eas/pb-2vb29-15b09f5 The gals find out the podcast is listed on both Amazon (Alexa) & Truth Social.  Wait...what?  We hear about Byron's last trip to the Appalachian Studies conference at Western Carolina University & what's coming up in a few days.  There's a quick mention of politics & our soon to be robot overlords.  Byron recounts one of her "crazy dreams".   Quote:  Was it Bizarr-O?  Was it Strange-O?  What was that? ~ BB We hope you enjoy!     #WyrdMountainGals #CultClassic #ByronBallard #DigitalWitchery      

On the latest episode of Now, Appalachia, Eliot interviews author Karen Spears Zacharias about her new novel NO PERFECT MOTHERS. Karen Spears Zacharias is an American writer whose work focuses on women and justice. She holds an MA in Appalachian Studies from Shepherd University and an MA in Creative Media Practice from the University of West Scotland. She lives at the foot of the Cascade Mountains in Deschutes County, Oregon. Zacharias taught First-Amendment Rights at Central Washington University and continues to teach at writing workshops around the country.

On the latest episode of Now, Appalachia, Eliot interviews author Karen Spears Zacharias about her new novel NO PERFECT MOTHERS. Karen Spears Zacharias is an American writer whose work focuses on women and justice. She holds an MA in Appalachian Studies from Shepherd University and an MA in Creative Media Practice from the University of West Scotland. She lives at the foot of the Cascade Mountains in Deschutes County, Oregon. Zacharias taught First-Amendment Rights at Central Washington University and continues to teach at writing workshops around the country. --- Support this podcast: https://podcasters.spotify.com/pod/show/eliot-parker/support

On the latest episode of Now, Appalachia, Eliot interviews author Karen Spears Zacharias about her new novel NO PERFECT MOTHERS. Karen Spears Zacharias is an American writer whose work focuses on women and justice. She holds an MA in Appalachian Studies from Shepherd University and an MA in Creative Media Practice from the University of West Scotland. She lives at the foot of the Cascade Mountains in Deschutes County, Oregon. Zacharias taught First-Amendment Rights at Central Washington University and continues to teach at writing workshops around the country.

My guest this week is Ted Olson.Ted is Professor of Appalachian Studies at East Tennessee State University.  He's also written liner notes and essays for some wonderful projects, including “Doc Watson – Life's Work: A Retrospective,” and the fantastic  “Nothing But Green Willow: The Songs Of Jane Gentry and Mary Sands” by Martin Simpson & Thomm Jutz.Ted joins me to talk about three wonderful projects he worked on for Bear Family Records, celebrating three key recording sessions that took place in East Tennessee in the 1920s and '30s - The Bristol Sessions, The Johnson City Sessions and The Knoxville Sessions.Bear Family put out a multi-CD box set for each of these, which Ted did extensive research and  provided some wonderful essays and liner notes for. Each set is also distilled into a single CD release.We talk about why The 1927 Bristol Sessions, which brought The Carter Family and Jimmie Rogers to the attention of the world, came to be known as the 'big bang' of Country music, why that label doesn't sit quite right with Ted, how the sessions came about, what was happening in the world of commercial recording at the time and why the legacy of those recordings is so important, plus much, much more.It was a fascinating conversation and put those recordings in a whole new context for me, both helping me understand their importance, but also (thanks in part to the wonderful transfers and re-mastering, as well as the incredible liner notes) helping me realise there's just some great music in there too!You'll find the single CDs here:Bear Family CDsBristol SessionsJohnson City SessionsKnoxville Sessionsand the box sets here:Bear Family box setsBristol SessionsJohnson City SessionsKnoxville SessionsHappy picking!Matt Support the show===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Born of Appalachian soil in Sharps Chapel, Tennessee, Sarah Kate Morgan sings, plays, and writes like she's been in these hills since the dawn of time. She's had plenty of varied influences, beginning with hearing a classical music CD belonging to her family and going on to discover old time music through a dulcimer built by her grandfather. She began playing dulcimer at age 7.   This proved to be a pivotal moment. At 18 years old, Sarah Kate placed 1st at the 2012 National Mountain Dulcimer Championships in Winfield, Kansas. She's gone on to build a unique personal style which honors mountain dulcimer giants such as Jean Ritchie while working across genres to build something new. Her dexterous approach to the instrument is one that only masterful artists can bring to the table; much like Bruce Molsky and the fiddle, having been a dedicated student of the dulcimer's complexities Morgan is able to distill them into a beautifully polished package. Well-known and widely respected as one of the leading experts of the mountain dulcimer, Sarah Kate is also a first-rate singer and songwriter. Her earthy and poetic lyrics embrace the highs and lows of southern appalachian life while her voice does the same – moving between alto and soprano parts with ease. Her crystal-clear but rootsy vocal style combines the best of country, old time, bluegrass, and gospel influences who, like Morgan, foreground their cultural roots. All of this goes hand in hand to create a musical experience akin to a sonic baptism. None of this is lost on the giants of roots music. Sarah Kate has performed and/or recorded with artists like Tyler Childers, Alice Gerrard, and Erynn Marshall & Carl Jones. In addition to her musical prowess, Sarah Kate is an accomplished scholar who graduated from Morehead State University with degrees in Traditional Music, Appalachian Studies, and Arts Administration. Currently based in Hindman, Kentucky, she practices, cultivates, teaches, and preserves Appalachian folk traditions in her role as the Hindman Settlement School's Traditional Arts Education Director. Whether calling square dances, playing the mountain dulcimer, or making music and creating art with Appalachian youth, Sarah Kate Morgan's work centers on a lived belief that art and tradition are living, breathing tools that foster hope, build community, and create change.

In this episode, my featured guest is Knoxville Native, seed saver, artist, and farmer John Coykendall. John will let us know the origins, qualities,, and culinary uses of Cushaw squash. I (Amy Campbell) share a recipe from John's book for baked cushaw, courtesy of Mrs. Cornelia Weldon, mother of Sarah Weldon Hackenburg who took many of the photos for John Coykendall and Christina Melton's book Preserving Our Roots: My Journey to Save Seed and Stories. Fred Sauceman, Food historian, Writer, and Professor of Appalachian Studies at ETSU shares a segment on the Native American origins of Cushaw squash.

The Hawk's Nest Tunnel Disaster involved thousands of workers being exposed to silica dust, and many continued to get sick and die for years after the tunnel was finished. The project was run with total disregard for workers' lives and safety. Research: Investigation Relating to Health Conditions of Workers Employed in the Construction and Maintenance of Public Utilities : hearings before the United States House Committee on Labor, Seventy-Fourth Congress, second session, on Jan. 16, 17, 20-22, 27-29, Feb. 4, 1936.” https://play.google.com/books/reader?id=OhHRhNWDGi4C&pg=GBS.PA1&hl=en Cherniack, Martin G. "Hawks Nest Tunnel Disaster." e-WV: The West Virginia Encyclopedia. 14 March 2023. Web. 08 August 2023. Cherniack, Martin. “The Hawk's Nest Incident: America's Worst Industrial Disaster.” Yale University Press. 1986. Crandall, William “Rick” and Richard E. Crandall. “Revisiting the Hawks Nest Tunnel Incident: Lessons Learned from an American Tragedy.” Journal of Appalachian Studies , Fall 2002, Vol. 8, No. 2 (Fall 2002). Via JSTOR. https://www.jstor.org/stable/41446542 Georgius Agricola “De re metallica.” Translated by Herbert Clark Hoover and Lou Henry Hoover. The Mining Magazine. 1912. https://archive.org/details/georgiusagricola00agririch Harrington, D. and Sara J. Davenport. “Review of the Literature on the Effects of Breathing Dusts, With Special Reference to Silicosis.” United States Bureau of Mines. House of Representatives Subcommittee Report. “Congressional Record: Proceedings and Debates of the Second Session of the Jordan, Jennifer. “Hawks' Nest.” From the West Virginia Historical Society Quarterly, 12:2(April 1998): 1-3. https://archive.wvculture.org/history/wvhs/wvhs122.html Lancianese, Adelina. “Before Black Lung, The Hawks Nest Tunnel Disaster Killed Hundreds.” Weekend Edition Sunday. NPR. 1/20/2019. https://www.npr.org/2019/01/20/685821214/before-black-lung-the-hawks-nest-tunnel-disaster-killed-hundreds Marcus, Irwin M. “The Tragedy at Gauley Bridge.” Negro History Bulletin , April, 1976, Vol. 39, No. 4 (April, 1976). Via JSTOR. https://www.jstor.org/stable/44175749 Quail, M. Thomas. “Special Report.” Journal of Environmental Health , January/February 2017, Vol. 79, No. 6. Via JSTOR. https://www.jstor.org/stable/10.2307/26330599 Rosner D, Markowitz G. A Short History of Occupational Safety and Health in the United States. Am J Public Health. 2020 May;110(5):622-628. doi: 10.2105/AJPH.2020.305581. Epub 2020 Mar 19. PMID: 32191514; PMCID: PMC7144431. Rosner, David and Gerald Markowitz. “Workers, Industry, and the Control of Information: Silicosis and the Industrial Hygiene Foundation.” Journal of Public Health Policy. 16, No. 1 (Spring, 1995). Via JSTOR. https://www.jstor.org/stable/3342976 Rukeyser, Muriel. “The Book of the Dead.” With an introduction by Catherine Venable Moore. West Virginia University press. 2018. Seventy- Fourth Congress of the United States of America. Vol. 80, pt. 5. Washington: GPO, 1936.” From West Virginia Archives and History. https://archive.wvculture.org/hiStory/disasters/hawksnesttunnel04.html Spencer, Howard W. “The Historic & Cultural Importance of the Hawks Nest Disaster.” PSJ Professional Safety. February 2023. https://www.assp.org/docs/default-source/psj-articles/vpspencer_0223.pdf?sfvrsn=afa39647_0 Stafnaker, C. Keith. “Hawk's Nest Tunnel: A Forgotten Tragedy in Safety's History.” Professional Safety. October 2006. Wills, Matthew. “Remembering the Disaster at Hawks Nest.” JSTOR Daily. 10/30/2020. https://daily.jstor.org/remembering-the-disaster-at-hawks-nest/ See omnystudio.com/listener for privacy information.

Square dancing has very old roots and has endured as a pastime to present day. Its history, though, comes with some thorns, and scholars don't even agree on its exact origin.  Research:         Anderson, Virginia C. “It All Began Anew: The Revival of Folk Dancing.” Western Folklore , Apr., 1948, Vol. 7, No. 2 (Apr., 1948). Via JSTOR. https://www.jstor.org/stable/1497379         Blakemore, Erin. “The Slave Roots of Square Dancing.” JSTOR Daily. 6/16/2017. https://daily.jstor.org/the-slave-roots-of-square-dancing/         Burger, Hans, complier. “History and Heritage of Modern American Square Dancing.” Phantom Promenaders Munich. European Association of American Square Dance. Via archive.org. https://web.archive.org/web/20040409113940/http://eaasdc.de/history/shehisto.pdf         Dallal, Jenine Abboushi. "French Cultural Imperialism and the Aesthetics of Extinction." The Yale Journal of Criticism, vol. 13 no. 2, 2000, p. 229-265. Project MUSE, doi:10.1353/yale.2000.0016.         Damon, S. Foster. “History of Square Dancing.” Barre, Mass. 1957.         Gifford, Paul M. “Henry Ford's Dance Revival and Fiddle Contests: Myth and Reality.” Journal of the Society for American Music (2010) Volume 4, Number 3, pp. 307–338.         Hunt, Tracie. “Birdie in the Cage.” Produced by Annie McEwen, Tracie Hunte, and Matt Kielty. Radiolab. 10/23/2019. https://radiolab.org/podcast/birdie-cage         Jamison, Philip A. “Square Dance Calling: The African-American Connection.” Journal of Appalachian Studies , Fall 2003, Vol. 9, No. 2 (Fall 2003). Via JSTOR. https://www.jstor.org/stable/41446577         Lovett, Benjamin B. and Henry Ford. “'Good Morning': After a Sleep of Twenty-five Years, Old-fashioned Dancing is Being Revived by Mr. and Mrs. Henry Ford.” Dearborn Publishing Company. January 1926.         Mangin, Julianne. “The State Folk Dance Conspiracy: Fabricating a National Folk Dance.” Originally published in the Old-Time Herald, v.4(7) p.9-12, Spring 1995. http://juliannemangin.com/the-state-folk-dance-conspiracy/         MasterClass. “All About Square Dance: A Brief History of Square Dance.” https://www.masterclass.com/articles/square-dance-explained         Miller, Rebecca S. "Creolizing Contradance in the Caribbean." American Music, vol. 28, no. 4, winter 2010, pp. 501+. Gale In Context: U.S. History, link.gale.com/apps/doc/A401215265/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=5ce2f07f. Accessed 1 June 2023.         Nelson, Kevin. "Square Dancing." Encyclopedia of Recreation and Leisure in America, edited by Gary S. Cross, vol. 2, Charles Scribner's Sons, 2004, pp. 305-307. Gale In Context: U.S. History, link.gale.com/apps/doc/CX3434800241/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=eed3a8c4. Accessed 1 June 2023.         Optimist Daily. “The history of square dancing in America—part I of True American.” 8/12/2022. https://www.optimistdaily.com/2022/08/the-history-of-square-dancing-in-america-part-i-of-true-american/         Optimist Daily. “The square dancers of today—part II of True American, a mini-series.” 8/19/2022. https://www.optimistdaily.com/2022/08/the-square-dancers-of-today-part-ii-of-true-american-a-mini-series/         Quigley, Colin. “Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States": Cultural Politics and an American Vernacular Dance Form.” Yearbook for Traditional Music , 2001, Vol. 33 (2001). Via JSTOR. https://www.jstor.org/stable/1519639         Sabatella, Matthew. “Southern Appalachian Square Dance: A Brief History.” Ballad of America. https://balladofamerica.org/southern-square-dance/         Szwed, John F. and Morton Marks. “The Afro-American Transformation of European Set Dances and Dance Suites.” Dance Research Journal , Summer, 1988, Vol. 20, No. 1 (Summer, 1988). Via JSTOR. https://www.jstor.org/stable/1478814         U.S. House of Representatives. “Can I have This Dance?” Whereas: Stories from the People's House. 4/29/2020. https://history.house.gov/Blog/2020/April/4-29-squaredance/         Warnock, Emery C. “The Anti-Semitic Origins of Henry Ford's Arts Education Patronage.” Journal of Historical Research in Music Education , Apr., 2009, Vol. 30, No. 2. Via JSTOR. https://www.jstor.org/stable/40215355  See omny.fm/listener for privacy information.

Half a million Northumbrians, the proud people of the English-Scottish border region, settled in the Appalachian mountains in the eighteenth century. And they left their mark in the song, speech and maybe even politics. Geordie culture: the often overlooked element in the forging of the American South. Adam talks to Dan Jackson, author of The Northumbrians: Northeast England and its People, and Ted Olson, Professor of Appalachian Studies at East Tennessee State University. Hosted on Acast. See acast.com/privacy for more information.

Rumi Forum, Interfaith Council of Metropolitan Washington, and Washington Theological Consortium presented the 4th Interfaith Leadership Forum: “Interfaith Engagement with the Environmental Crisis” on May 31, 2023. The program featured keynote speaker Rabbi Fred Scherlinder Dobb, an interfaith panel, and an opportunity for small group dialogues. Keynote by: Rabbi Fred Scherlinder Dobb, D.Min. started at Adat Shalom when the synagogue was only eight years old, and meeting at the JCC – he was still in rabbinic school, Founding Rabbi Sid was part-time, Shabbat morning services were every other week, and cell phones hardly existed. Upon ordination from the Reconstructionist Rabbinical College in 1997, he became its first full-time rabbi and has joyfully served here ever since. Rabbi Fred currently serves as Chair of the National Coalition on the Environment and Jewish Life and is on the boards of the National Religious Partnership for the Environment and Interfaith Power and Light (The Regeneration Project). Fred has also been deeply engaged in social and racial justice (including Jews United for Justice), multi-faith (a past board member of the Interfaith Conference of Metropolitan Washington), and Israeli-progressive (J Street and more) efforts. Panelists: Sevim Kalyoncu: Growing up in Alabama surrounded by woods and creeks, Sevim Kalyoncu discovered early that her most direct connection with God came through nature. To this day, she still finds peace in natural surroundings and holds a deep concern regarding humankind's responsibility as vicegerent of the earth. She is involved with multiple local climate action groups and is dedicated to helping educate youth about the importance of environmental awareness for spiritual, mental, and physical well-being. She holds a B.S. from Georgetown and a master's degree from the University of Chicago and has many years of nonprofit experience in Washington, DC, and the San Francisco Bay Area. She is also a naturalist interpreter and a yoga instructor. Rev. Dr. Gilson Waldkoenig: Rev. Dr. Gilson Waldkoenig teaches methods for understanding ministry in context and applied theology rooted in the resilient grace of Christ. As Director of the Town and Country Church Institute (TCCI), Dr. Waldkoenig teaches courses in rural and Appalachian ministry and is sought out by synods, judicatories, and other seminaries for consultation and teaching. His research has included multiple-church ministries, environmental ministries, and a variety of other topics, all reflecting his practical theology of “means of grace and scenes of grace.” He belongs to St. James Lutheran Church in Gettysburg. His books include Cooperating Congregations and Symbiotic Community, The Lost Land, and his reviews appeared in Agricultural History, Journal of Appalachian Studies, Journal for Study of Religion, Nature & Culture, Christian Century, and others. Dr. Rajwant Singh: Dr. Rajwant Singh is the founder and President of EcoSikh, a global organization working on the climate crisis facing the planet. It has engaged the worldwide Sikh community to take action on environmental issues. He also co-founded the National Sikh Campaign, an initiative to inform Americans about the Sikh identity. Dr. Rajwant Singh is also the Chairman of the Sikh Council on Religion and Education (SCORE), an organization that has worked with the White House and the members of the United States Congress. He organized a large gathering of the Sikhs to interact with political and elected leaders at Capitol Hill. He was instrumental in organizing the first-ever celebration of Guru Nanak's birth anniversary at the White House in 2009. Kristin Barker: Kristin Barker is co-founder and director of One Earth Sangha, whose mission is cultivating a Buddhist response to ecological crises. She graduated from Spirit Rock's Community Dharma Leader program and now teaches with the Insight Meditation Community of Washington. As a co-founder of White Awake, Kristin has been supporting white people since 2011 with a Dharma approach to uprooting racism in ourselves and in our world. With a background in software engineering and environmental management, she has worked at several international environmental organizations. She is a GreenFaith Fellow and serves on the advisory board of Project Inside Out. Kristin was born and raised in northern New Mexico and currently lives in Washington, DC, the traditional lands of the Piscataway people. The Interfaith Leadership Forum (ILF) presented its 4th program during Days of Unity, entitled “Interfaith Engagement with the Environmental Crisis”. Rumi Forum and its partners were glad to collaborate with the Interfaith Council of Metropolitan Washington (IFCMW) for the 4th ILF, which coincides with their 6th Annual Days of Unity during the month of May 2023.

This week the Army base Fort Lee, located in Central Virginia will be renamed to Fort Gregg-Adams. The fort was originally named for Confederate General Robert E. Lee in 1917 and is located on historic grounds where European settlers first met the Powhatan Confederation in 1607 and where Captain John Smith set up some of the first plantations along the James River. Located only thirty minutes from the capitol of the Confederacy, Fort Lee is one of many military installations trying to write the wrongs of the past and bring in a new era in America that no longer celebrates those who took up arms against America. Some Army bases, established in the build-up and during World War I, were named for Confederate officers in an effort to court support from local populations in the South. That the men for whom the bases were named had taken up arms against the government they had sworn to defend was seen by some as a sign of reconciliation between the North and South. It was also the height of the Jim Crow Laws in the South, so there was no consideration for the feelings of African Americans who had to serve at bases named after men who fought to defend slavery.This week we have a thought-provoking interview with Reverend Robert W. Lee, the the collateral descendant of Confederate General Robert E. Lee. In this episode, Reverend Lee shares his personal journey of grappling with his family's complicated legacy and the role it played in America's history. As an author, activist, and public theologian, he discusses how he came to terms with his relationship to Robert E. Lee, how his activism has been received by his family and the wider community, and his thoughts on how we can move forward as a society and reconcile with our past. This interview is a must-listen for anyone interested in issues of racial justice, reconciliation, and the legacy of the Civil War.Guest Bio:The Reverend Robert Wright Lee, IV (Rob) is an author, activist, commentator, and preacher. His work has been covered by MTV, the View, The New Yorker, CNN, the New York Times, NPR, and countless others. That may sound like a mouthful, so Rob is often found just telling stories with friends in his hometown. Speaking of that, Lee is a native of Statesville, North Carolina and graduate of Duke University Divinity School in Durham, North Carolina. He received his Master of Theological Studies in May of 2017 with a focus in practical theology and homiletics His thesis was on the corpus work of Bishop Will Willimon. He was an endowed scholar while at Duke University. Lee completed his undergraduate work in Religious Studies and Appalachian Studies at Appalachian State University where he met his wife, Stephanie. Though he flies to New York, Boston, Chicago, and all kinds of other places—the red clay of the Piedmont of North Carolina is in his bones. He is currently pursuing doctoral work through the Pacific School of Religion in Berkeley, California. Visit his website: https://www.roblee4.com/aboutSupport the showTo learn more about the show, contact our hosts, or recommend future guests, click on the links below: Website: https://www.faithfulpoliticspodcast.com/ Faithful Host: Josh@faithfulpoliticspodcast.com Political Host: Will@faithfulpoliticspodcast.com Twitter: @FaithfulPolitik Instagram: faithful_politics Facebook: FaithfulPoliticsPodcast LinkedIn: faithfulpolitics

The AppalachiaFest: From Surviving to Thriving!  In this episode Neil and Will sit down with Dr. Michele Morrone (Conference Chair - Appalachian Studies Association) and Dr. Tiffany Arnold (Program Chair - Appalachian Studies Association), both professors at Ohio University, as well as Dr. Ricardo Nazario, current president of the Appalachian Studies Association.  The Appalachian Studies Association (ASA) annual conference is taking place in Athens, OH at the campus of Ohio University on March 16-19 for the first time in its 46 year history.  The ASA is an incredibly important aspect to the scholarly endeavors throughout the region, but also focuses on the region as a whole to foster quality of life, democratic participation and appreciation of Appalachian experiences regionally, nationally and internationally.  Take a listen as they describe the work that has gone into organizing the upcoming conference and their thoughts on the significance of the gathering (and of the association itself)...and if you're in Athens on March 16-19, check it out!  During the episode, you might even hear Will break down his favorite indulgent day, and Neil's memories of just that.  Also, don't forget the #AppBiz(s) of the week: Passion Works Studio; Casa Nueva; and West End Ciderhouse and Distillery!     Appalachian Studies Association: www.appalachianstudies.org        AppalachiaFest 2023: www.appalachianstudies.org/2023-conference    Passion Works Studio: www.passionworks.org    Casa Nueva: www.casanueva.com    West End Ciderhouse: www.athenswestend.com/ciderhouse    West End Distillery: www.athenswestend.com/distillery    Hill Spirits (Music): www.hillspirits.bandcamp.com       -"Cold Frosty Mornin"      -"Seasonal Gal"      -"Steepletown"      

In this episode my featured guest is Knoxville Native, seed saver, artist and farmer John Coykendall. John will let us know the origins, qualities,, and culinary uses of Cushaw squash. I (Amy Campbell) share a recipe from John's book for baked cushaw, courtesy of Mrs. Cornelia Weldon, mother of Sarah Weldon Hackenburg who took many of the photos for John Coykendall and Christina Melton's book Preserving Our Roots: My Journey to Save Seed and Stories. Fred Sauceman, Food historian, Writer, and Professor of Appalachian Studies at ETSU shares a segment on the Native American origins of Cushaw squash.

In this episode my featured guest is Knoxville Native, seed saver, artist and farmer John Coykendall. John will let us know the origins, qualities,, and culinary uses of Cushaw squash. I (Amy Campbell) share a recipe from John's book for baked cushaw, courtesy of Mrs. Cornelia Weldon, mother of Sarah Weldon Hackenburg who took many of the photos for John Coykendall and Christina Melton's book Preserving Our Roots: My Journey to Save Seed and Stories. Fred Sauceman, Food historian, Writer, and Professor of Appalachian Studies at ETSU shares a segment on the Native American origins of Cushaw squash.

Dr. William Turner and Dr. Ted Olson talk to Amythyst Kiah, an acclaimed musician and songwriter whose work is redefining genre boundaries and has established her as a distinctive new voice of Appalachia. Reconnecting with Amythyst in this episode is her mentor, Jack Tottle, an accomplished musician with a long career as a singer, songwriter, author, and educator.Amythyst Kiah has won critical acclaim as a member of the group Our Native Daughters and for her most recent album, Wary + Strange, which melds roots traditions with alternative rock in songs of personal revelation. She is a native of Chattanooga, TN, and a graduate of East Tennessee State University's Bluegrass, Old-Time, and Roots program. She received a Grammy nomination in 2020 for “Black Myself," a song she wrote to confront the oppression of her ancestors and to honor their strength.Jack Tottle is a multi-instrumentalist, recording artist, songwriter, author, and educator whose career has allowed him to share the stage with some of America's most revered bluegrass artists. He founded the first comprehensive bluegrass music studies program at a four-year university, East Tennessee State's Bluegrass, Old-Time, and Roots Music Studies program, which celebrates its 40th anniversary this year. For many years, he has examined the significant influence of Black Appalachian music on the bluegrass canon.Dr. William Turner is an African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. In 2021, Turner received Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies. His memoir The Harlan Renaissance, available from West Virginia University Press, was awarded the prestigious Weatherford Award at the 2022 Appalachian Studies Association Conference.Dr. Ted Olson is a music historian and professor of Appalachian Studies at East Tennessee State University. He is the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's On Top of Old Smoky and Big Bend Killing. His work has received a number of awards, including seven Grammy nominations. The East Tennessee Historical Society honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:1.    “John Henry” and “Pretty Polly” performed by Amythyst Kiah and Roy Andrade from GSMA's album Big Bend Killing2.    “The Bluegrass Sound” by Jack Tottle, from a collaborative album he produced called The Bluegrass Sound and Other Stories3.    “Black Myself” performed live by Amythyst Kiah for our podcast. Recordings are available on Songs of Our Native Daughters and Wary + Strange4.    “Goin Down this Road Feelin' Bad” performed by Amythyst Kiah and Roy Andrade from GSMA's album On Top of Old Smoky: New Old-Time Smoky Mountain Music

Amy D. Clark, PhD,Amy Clark is a professor of Appalachian and Communication Studies at the University of Virginia's College at Wise, where she is the founding co-director of the Center for Appalachian Studies, and founding Director of the Appalachian Writing Project. She is author and co-editor of Talking Appalachian: Voice, Identity, and Community (University Press of Kentucky). Her work on Appalachian dialects has appeared in the New York Times and NPR, among other publications. She co-hosts the podcast Southern Salon: Culture and Communication Podcast  which includes a new series on Talking Appalachia. Jayne Moore WaldropJayne Moore Waldrop is a  western Kentucky native,   She is the author of Retracing My Steps, a finalist in the 2018 New Women's Voices Chapbook Contest, and Pandemic Lent: A Season in Poems. Waldrop's work has appeared in the Anthology of Appalachian Writers, Still: The Journal, Appalachian Review, New Madrid Review, Deep South Magazine, New Limestone Review, Women Speak, and other literary journals. She lives in Lexington, Kentucky.University Press of Kentucky  The University Press of Kentucky has a dual mission—the publication of academic books of high scholarly merit in a variety of fields and the publication of significant books about the history and culture of Kentucky, the Ohio Valley region, the Upper South, and Appalachia. The Press is the statewide nonprofit scholarly publisher for the Commonwealth of Kentucky, serving all Kentucky state-sponsored institutions of higher learning as well as six private colleges and Kentucky's two major historical societies.The Short Fuse PodcastHosted and produced by Elizabeth Howard.  Learn more at Elizabeth Howard.The Arts Fuse   The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 60 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.  Courtesy of Smithsonian FolkwaysSmithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution, the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people's engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. Smithsonian Folkways is part of the Smithsonian Center for Folklife and Cultural Heritage.Alex Waters Alex is the technical producer, audio editor and engineer for the Short Fuse Podcast. He is a music producer and a student at Berklee College of Music. He has written and produced music and edited for podcasts including The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living.  He lives in Brooklyn can can be reached at  alexwatersmusic12@gmail.com with inquiries. 

If well-constructed and properly cared for, an instrument will outlive generations of musicians that play it. Many of the instruments that have influenced our music still sing long after their owners have gone on. The Southern Appalachian Archives in the Ramsey Center for Appalachian Studies at Mars Hill University hold some of the most well-known instruments from our musical past. Take a listen.

If well-constructed and properly cared for, an instrument will outlive generations of musicians that play it. Many of the instruments that have influenced our music still sing long after their owners have gone on. The Southern Appalachian Archives in the Ramsey Center for Appalachian Studies at Mars Hill University hold some of the most well-known instruments from our musical past. Take a listen.

On this episode of our mini-series Sepia Tones, Dr. William Turner and Dr. Ted Olson welcome Dom Flemons, a renowned performer of American folk music and a founding member of The Carolina Chocolate Drops. Citing a variety of musical influences—including the legendary Howard Armstrong and the inimitable Elizabeth Cotten—Flemons shares his journey into becoming a tradition-bearer of old-time music and demonstrates the subtleties of rural black musical styles he's learned along the way. Dom Flemons is a founding member of the Grammy-winning Carolina Chocolate Drops, a two-time Emmy nominee, and the creative force behind a number of solo works including, most recently, Black Cowboys and Prospect Hill: The American Songster Omnibus. He is a multi-instrumentalist whose repertoire spans the history of American folklore, ballads, and tunes.Dr. William Turner is a long-time African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. In 2021, Turner received Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies. His memoir called The Harlan Renaissance, available from West Virginia University Press, was awarded the prestigious Weatherford Award at the 2022 Appalachian Studies Association Conference.Dr. Ted Olson is a music historian and professor of Appalachian Studies at East Tennessee State University. He is the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's own On Top of Old Smoky and Big Bend Killing. His work has received a number of awards, including seven Grammy nominations. The East Tennessee Historical Society honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:1.    "John Henry" performed by Amythyst Kiah and Roy Andrade from GSMA's album Big Bend Killing2.    “Going Down the Road Feelin' Bad” and “Knox County Stomp,” both from Dom Flemons' most recent album, Black Cowboys, from Smithsonian Folkways Recordings3.    “Po' Black Sheep” performed by Dom Flemons as part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture. Courtesy of the Library of Congress4.    “Dona Got a Ramblin' Mind” and "Cornbread and Butterbeans" both by The Carolina Chocolate Drops and Joe Thompson, from their collaborative album released by Music Maker Foundation5.    And a selection of music performed for our podcast by Dom Flemons

In the final installment of our six-part series on continuing rural postsecondary education and workforce development, produced in collaboration with and supported by the Ascendium Education Group, Michael chats with two education leaders who are doing some amazing work with rural colleges: Jeb Puryear, the Suzanne and Dave Peterson Endowed Professor of Gifted Education at the University of Montana and a former secondary science teacher and program coordinator who primarily studies creativity, talent development mechanisms, and programmatic inequities in educational settings; and Jonathan Plucker, the Julian C. Stanley Professor of Talent Development at Johns Hopkins University and a former elementary school science teacher who studies education policy, creativity, and advanced learning in both K–12 and higher education settings. Puryear and Plucker discuss place-based education and how it relates to rural education. They dive into the importance of data, the student shift from rural to urban settings, and how rural education programs can help to improve outcomes. Plus, they outline several examples of successful programs (e.g. Appalachian Studies at Appalachian State and The Nebraska Writing Project at the University of Nebraska). This episode, and the entire six-part series, is sponsored by the Ascendium Education Group, whose philanthropy aims to remove systemic barriers faced by certain learners, specifically first-generation students, incarcerated adults, veterans, students of color, and rural community members. For more information, visit ascendiumphilanthropy.org.

Notes: There's a freedom in not waiting for a cure. Traditional music is a way to connect to your spiritual ancestral community; it can affirm your experience and there's the "big expansion of empathy that is happening when we sing." Ornamentation and pronunciation of words in oral tradition. We don't create in isolation. How Saro's mom conveyed joy in singing, and what Saro would love "every human being on the planet to understand about disability." The broad umbrella of disability. Speaking with compassion to our bodies, and how that relates to justice work. Why singing is too important to be left to the professionals. Need I say more? This conversation with Saro has left me mulling over so much, and learning "Navigate the Current" has touched me deeply. Here's a chance to dig into what authentic expression feels like... ​ Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies. Links:  www.sarosings.com www.patreon.com/sarolynch, Music at sarolyncht.bandcamp.com, TikTok and Instagram at @songspeaksaro Sign up for Saro's newsletter to be the first to hear when the class info is available... ​Tim Eriksen Soul of the January Hills -- the link goes to Bandcamp, because if you buy the album there, the artist receives a larger % than any other source. Learn more about Tim Eriksen here: Tim Eriksen (timeriksenmusic.com) Michael & Carrie Kline at ​Talking Across the Lines (folktalk.org) Nuts & Bolts: 2:2, Aeolian (minor), ballad form Visit abreathofsong.com for lyrics, more of Patty's artwork, and a way to nominate songs or songwriters for the podcast. Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. I'd be curious to hear how it feels to you to sing it with me? Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!" Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies. Links:  www.sarosings.com, www.patreon.com/sarolynch, Music at sarolyncht.bandcamp.com, TikTok and Instagram at @songspeaksaro Saro herself singing More Waters Rising. Nuts & Bolts: 4:4, Aeolian, harmonizable Visit abreathofsong.com for lyrics, more of Patty's artwork, and a way to nominate songs or songwriters for the podcast. Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

On this episode Whitney Kimball Coe from the Rural Assembly shares a conversation with Anthony Flaccavento, a farmer in southwestern VA, as well as an author, political candidate, and most recently co-founder of the Rural Urban Bridge Initiative. This interview comes from the Everywhere Radio podcast produced by the Rural Assembly. Following that are remembrances from three folks who spoke at a memorial for bell hooks held at Berea College on April 14th. bell, who was born Gloria Jean Watkins in Hopkinsville KY, died dec 15, 2021. She came back to Kentucky to serve as Distinguished Professor in Residence in Appalachian Studies at Berea College in 2004 and from that point on made her home there. The international outpouring of grief and love for bell hooks that came with her passing may have surprised many in this region and state who were unaware that such a renowned figure lived amongst us. Linda Strong Leek who was Berea College Provost before becoming provost at Haverford College in Philadelphia, introduces Paige Melman, and Beverly Guy Sheftall, and then concludes the program.

What is Appalachia? This week, we're re-airing a December 2021 episode that seeks to answer this question, with stories from Mississippi to Pittsburgh.  Appalachia connects mountainous parts of the South, the Midwest, the Rust Belt, even the Northeast. Politically, it encompasses 423 counties across 13 states — West Virginia is the only state entirely inside Appalachia.   That leaves so much room for geographic and cultural variation. This week, we ask people from five Appalachian states if they feel like they're in Appalachia.   Mississippi Bob Owens, locally known as 'Pop Owens', standing in front of his watermelon stand outside New Houlka, Miss. Pop said he was aware that Mississippi is part of Appalachia, but that no one in the state would consider themselves Appalachian. Caitlin Tan/WVPB Bob Owens is a watermelon farmer outside New Houlka, in the northeastern part of Mississippi. Owens said he was aware that Mississippi is part of Appalachia, but that no one in the state would consider themselves Appalachian.  Shenandoah Valley  In the 1960s, while some localities were clamoring to get into Appalachia, on the eastern edge of the region some lawmakers fought to keep their counties outside the boundaries, including politicians in Roanoke, Virginia and the Shenandoah Valley. Appalachian Studies associate professor Emily Satterwhite said explaining to her students why some counties in Virginia are included in Appalachia, but others aren't is confusing.  Pittsburgh  Appalachia's largest city is Pittsburgh, Pennsylvania. When we asked people from that city to tell us if they consider it a part of Appalachia, about half said no.  “I definitely do not feel that I am Appalachian culturally,” said Mark Jovanovich, who grew up just outside Pittsburgh's city limits in the Woodland Hills area. “Personally, I would consider the city of Pittsburgh is sort of like a mini New York City. I guess we'd probably be lumped in as like a Rust Belt city, which makes enough sense, but definitely not Appalachian culturally.” Writer Brian O'Neill disagrees. He wrote a book called “The Paris of Appalachia: Pittsburgh in the Twenty-First Century.”  What Do You Think? How about you? Do you call yourself an Appalachian? Why or why not? Send an email to insideappalachia@wvpublic.org or Tweet to us @InAppalachia.  Our theme music is by Matt Jackfert. Other music this week was provided by Amythyst Kiah, Jake Schepps, and Jarett Pigmeat, courtesy of Appalshop and June Appal Recordings and Dinosaur Burps. Roxy Todd is our producer. Our executive producer is Eric Douglas. Kelley Libby is our editor. Alex Runyon is our associate producer. Our audio mixer is Patrick Stephens. Zander Aloi also helped produce this episode. Jess Mador, Shepherd Snyder and Liz McCormick contributed to this episode.

On this episode of our mini-series Sepia Tones, Dr. William Turner and Dr. Ted Olson welcome a spirited conversation with special guests Dr. Kathy Bullock and Rev. Dr. Virgil Wood. Our guests discuss the African American traditions of spiritual music, gospel, and the unique revival of shape note singing in 20th-century Appalachia. In many cases, music from sacred traditions and communities also became anthems that propelled those struggling in the civil rights movement.Dr. Kathy Bullock is an arranger, choral conductor, pianist, and recently retired Professor Emerita of Music at Berea College in Kentucky specializing in gospel music, spirituals, and classical works by composers of the African diaspora.Dr. Virgil Wood is a longtime church leader, educator, and civil rights activist who, among many other accomplishments, helped found the Southern Christian Leadership Conference alongside the organization's first president, Dr. Martin Luther King Jr. Dr. William Turner is a long-time African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. His memoir called The Harlan Renaissance is available now from West Virginia University Press. In 2021, Turner was honored with Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies.Dr. Ted Olson is a professor of Appalachian Studies at East Tennessee State University and the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's On Top of Old Smoky and Big Bend Killing. He's received a number of awards in his work, including seven Grammy nominations. The East Tennessee Historical Society recently honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:"John Henry" performed by Amythyst Kiah and Roy Andrade from GSMA's album Big Bend Killing"Come and Go" performed by the Berea Black Music Ensemble at the Berea College Celebration of Traditional Music, 2014, Berea Sound Archive"I Have a Friend Above All Others" performed by the Bethlehem Kings Quartet, 1949, Berea Sound Archive"Swing Low" performed by Mount Sinai Spirituals at the Berea College Celebration of Traditional Music, 2015, Berea Sound Archive"Jesus Is a Rock in a Weary Land" performed by members of the Holiness Church by Faith in Ozark, AL, 1968, recorded by Richard H. Tallmadge, Berea Sound Archive"Precious Lord" performed by Nat Reese at the Berea College Celebration of Traditional Music,1991, Berea Sound Archive"Amazing Grace" performed by the Wiregrass Sacred Harp Singers during the Symposium of Rural Hymnody at Berea College, 1979, Berea Sound ArchiveAnd a selection of music performed for our podcast by Dr. Kathy Bullock

In this episode we ask Melanie Harsha, aka Peanut, that burning question: “Is hiking sexy?” Melanie is a seasoned hiker who has thru hiked both the Appalachian Trail, as a solo NOBO, and the Pacific Crest Trail NOBO with her partner James (Cricket). She has a masters in Appalachian Studies; talk about an expert! Courtney and Melanie explore what it is like to hike solo, hike with a dog and last but not least, hike with a lover. You can find Melanie on Instagram or check out her blog. https://linktr.ee/Melaniepeanut. She plans to complete the “Triple Crown” as soon as possible. Congratulations to Episode #5's Instagram winner, Jonathan Hayes! He shared and commented to win something that I love. Thank you for your support. Your goodies are on the way! Remember, I'd love to hear from you on any topic that comes up in the show or if you know someone that would be a great guest for the show. Email me at hikingunfiltered@gmail.com. Enjoying the show? Leave us a review wherever you listen to the podcast. It really helps the show! You can join the Unfiltered community on Facebook to share your questions and show ideas. https://www.facebook.com/HikingUnfiltered You also find me on Instagram https://www.instagram.com/hikingunfiltered/ If you enjoy my Unfiltered banter, you will love the conversations I have with my son Jacob (plus his candid take on the world). Check out my book: Jacob Talks: Precocious Wit and Wisdom From A Preschooler https://www.amazon.com/Jacob-Talks-Precocious-Wisdom-Pre-Schooler/dp/B096TLBPN6

Appalachia connects mountainous parts of the South, the Midwest, the Rust Belt, even the Northeast. The Appalachian Regional Commission defined the boundaries for Appalachia in 1965 with the creation of the Appalachian Regional Commission, a part of Lyndon B. Johnson's War on Poverty. It was legislation that sought to expand social welfare, and some localities were eager for the money, while others resisted the designation. The boundaries and definition of Appalachia can only be changed by an act of Congress.  Politically, Appalachia encompasses 423 counties across 13 states — and West Virginia's the only state entirely inside the region.  That leaves so much room for geographic and cultural variation, as well as many different views on what Appalachia really is. For Inside Appalachia this week, we're turning our entire episode over to the question, “What is Appalachia?” With stories from Mississippi to Pittsburgh, we ask people across our region whether they consider themselves to be Appalachian.  Mississippi Bob Owens is a watermelon farmer outside New Houlka, in the northeastern part of Mississippi. Owens said he was aware that Mississippi is part of Appalachia, but that no one in the state would consider themselves Appalachian. “I consider myself the worst redneck you've ever seen,” Owens said. “I live in the area of the Appalachian mountain range—not part of it, but close to it. So I guess you call me a redneck Appalachian.” This is the general consensus among the people in Mississippi we spoke to.  Geographically, the foothills of the Appalachian mountain range are located in northern Mississippi. The state's tallest point is Woodall Mountain, 806 feet in elevation. For reference, the highest point in North Carolina, Mount Mitchell, is more than 6,600 feet in elevation, eight times higher than Woodall Mountain. Shenandoah Valley  In the 1960s, while some localities were clamoring to get into Appalachia, on the eastern edge of the region some lawmakers fought to keep their counties outside the boundaries, including politicians in Roanoke, Virginia and the Shenandoah Valley. Appalachian Studies associate professor Emily Satterwhite said explaining to her students why some counties in Virginia are included in Appalachia, but others aren't is confusing. “The students in front of me are wondering why they're not included,” White said.  Pittsburgh  Appalachia's largest city is Pittsburgh, Pennsylvania. When we asked people from that city to tell us if they consider it a part of Appalachia, about half said no. “I definitely do not feel that I am Appalachian culturally,” said Mark Jovanovich, who grew up just outside Pittsburgh's city limits in the Woodland Hills area. “Personally, I would consider the city of Pittsburgh is sort of like a mini New York City. I guess we'd probably be lumped in as like a Rust Belt city, which makes enough sense, but definitely not Appalachian culturally.” Writer Brian O'Neill disagrees. He wrote a book called “The Paris of Appalachia: Pittsburgh in the Twenty-First Century.” “My original title for the book was ‘I love Pittsburgh like a brother and my brother drives me nuts.'” An editor advised him to change the title of his book to a phrase that he said is sometimes used to refer to Pittsburgh derisively. “I couldn't figure out why that should be put down because Paris is nice. And Appalachia is a beautiful part of the world. And if we were called the Paris of the Rockies, we wouldn't run from that. So why would we run from this? Why don't we embrace it? So that became the title of my book.” He said that geographically, Pittsburgh is clearly in the Appalachian Mountains. “I mean, this is one mountain range that stretches from Georgia to Maine. And the idea that it belongs only to the southern part of the mountain range defies logic to me,” O'Neill said. 

On this week's episode of Rural Health Leadership Radio, we're talking to a nurse trying to make a difference in the Appalachian region. Robyn Seamon has earned advanced degrees, studied, and conducted research to help prepare her to serve Appalachian residents. “The Appalachian region has the highest number of every chronic disease we look at.” ~Robyn Seamon Robyn is a Certified Transcultural Nurse who is passionate about seeing the health of people radically transformed in the Appalachian Region. Facilitating improvement in the high rates of health disparities in the Appalachian Region is her heartfelt desire. As a Registered Nurse for over 35 years, she has had many diverse experiences, including hospital nursing, home health and hospice, a startup clinic at a homeless shelter, and various volunteer experiences. Robyn holds a Master of Arts degree in Appalachian Studies. She is the owner of Appalachian Healthcare Training & Consulting and regularly provides Appalachian-focused professional development workshops and consultation services.

n this episode my featured guest is Knoxville Native, seed saver, artist and farmer John Coykendall. John will let us know the origins, qualities,, and culinary uses of Cushaw squash. I (Amy Campbell) share a recipe for baked cushaw, courtesy of Mrs. Cornelia Weldon, mother of Sarah Weldon Hackenburg who took many of the photos for John Coykendall and Christina Melton's book Preserving Our Roots: My Journey to Save Seed and Stories. Fred Sauceman, Food historian, Writer, and Professor of Appalachian Studies at ETSU shares a segment on the Native American origins of Cushaw squash.

Today, we are setting the table with a traditional food of Appalachia “Apple Butter”. Each year in the fall time of the Mountain South, you can find pockets of people who get together, and cook down bushels of apples, sugar and sometimes cinnamon into this biscuit slathering favorite. It is one of those old fashioned foods that is still a favorite on dinner tables near and far, and makes a favorite gift  for the holidays. Almost as important as the final product is the sense of community and preservation of culinary traditions that these “Apple Butter makings” preserve. 
Our guest is Derek Blankenship, OT, at an East, Tennessee long term health and heath care facility. He and his family keep a family tradition of making apple butter each year at this time of the year in Fall Branch, TN. The recipe that they use dates back to 1905. 
Fred Sauceman - Professor of Appalachian Studies, ETSU, Johnson City, Tennessee with a 
And also Amy shares a recipe for “Apple Butter Pork Roast” by way of “All Recipes”.  And I (Amy Campbell) also share a recipe for “Apple Butter Pork Roast”, and Fred Sauceman shares a segment of Apple Butter making in the Mountain South, and a recipe for sausage balls with apple butter. 

On the latest episode of Now, Appalachia, Eliot interviews scholar and editor Sylvia Shurbutt about a new collection of essays titled SILAS HOUSE: EXPLORING AN APPALACHIAN WRITERS WORK. Sylvia is the director of the Shepherd University Center for Appalachian Studies and Communities. She currently serves as the Appalachian Heritage WIR Project Director at Shepherd University and as the editor of the Anthology of Appalachian Writers. --- Support this podcast: https://anchor.fm/eliot-parker/support

On the latest episode of Now, Appalachia, Eliot interviews scholar and editor Sylvia Shurbutt about a new collection of essays titled SILAS HOUSE: EXPLORING AN APPALACHIAN WRITERS WORK. Sylvia is the director of the Shepherd University Center for Appalachian Studies and Communities. She currently serves as the Appalachian Heritage WIR Project Director at Shepherd University and as the editor of the Anthology of Appalachian Writers.

On the latest episode of Now, Appalachia, Eliot interviews scholar and editor Sylvia Shurbutt about a new collection of essays titled SILAS HOUSE: EXPLORING AN APPALACHIAN WRITERS WORK. Sylvia is the director of the Shepherd University Center for Appalachian Studies and Communities. She currently serves as the Appalachian Heritage WIR Project Director at Shepherd University and as the editor of the Anthology of Appalachian Writers.

In this episode Will and Neil turn to the scholars as they speak to Dr. Chad Berry, an expert in Appalachian Studies and professor at Berea College.  Dr. Berry's essay, "Appalachia: Who Cares and So What?", speaks directly to the "creation" of Appalachia and how the local is important in learning about the global - or better yet, PLACE MATTERS!  Also, listen to the guys talk about backyard games - straight outta Appalachia!    

On this episode of our mini-series Sepia Tones, Dr. William Turner and Dr. Ted Olson examine music within rural communities with guests Earl White, Larry Kirksey, and Kip Lornell. Each of our guests has been on their own quest, whether seeking the musical kinship of other black performers past and present, finding a life outside of Kentucky coal camps, or documenting the rich musical landscape of rural communities.Earl White is an accomplished fiddler and prominent figure of old-time music and dance. He was a founding member of The Green Grass Cloggers, and his energetic and rhythmic fiddle style is showcased through his vast repertoire of Appalachian music. He resides in Floyd County, VA, where he and his wife run a farm and bakery.Larry Kirksey grew up in Harlan County in the Appalachian region of Kentucky, sharing a lifelong friendship with our host Dr. William Turner. He went on to become a respected coach in the NFL, achieving victory at Super Bowl XXIX with the San Francisco 49ers. From his beginnings in eastern Kentucky, his work has taken him all over the United States and to other countries.Kip Lornell is a professor of American music and ethnomusicology at George Washington University. He has written a number of books, articles, and essays and was awarded a Grammy in 1997 for his contribution to Smithsonian Folkways' Anthology of American Folk Music. He studied African American music for many years and completed field work in various areas, including the Appalachian region.Dr. William Turner is a long-time African American studies scholar who first rose to prominence as co-editor of the groundbreaking Blacks in Appalachia. He was also a research assistant to Roots author Alex Haley. Turner retired as distinguished professor of Appalachian Studies and regional ambassador at Berea College. His memoir called The Harlan Renaissance is forthcoming from West Virginia University Press.Dr. Ted Olson is a professor of Appalachian Studies at East Tennessee State University and the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's On Top of Old Smoky and Big Bend Killing. He's received a number of awards in his work, including seven Grammy nominations. The East Tennessee Historical Society recently honored Olson with its Ramsey Award for Lifetime Achievement.Music selections include: "John Henry" performed by Amythyst Kiah and Roy Andrade from GSMA's album Big Bend Killing"Shuckin' the Brush" performed by The Earl White Stringband, from the 2018 Mountains of Music Homecoming CD In the Key of Blue, used courtesy of The Crooked Road: Virginia's Heritage Music Trail"G-Rag" performed by the Georgia Yellow Hammers accompanied by Jim and Andrew Baxter, recorded in 1927"Driftin' and Driftin'" performed by the Foddrell Brothers, accompanied by Lynn Foddrell, at the Berea College Celebration of Traditional Music in 1982, used courtesy of  Berea Sound ArchivesClogging audio clip from the short documentary film "The Green Grass Cloggers" produced in 1978 by David Balch, filmed at the 1978 North Carolina Folklife Festival, used courtesy of The Green Grass Cloggers with thanks to Leanne SmithDevil in the Strawstack" performed for our podcast by Earl White

In Episode 6 of the We Rise Podcast, Christine Gyovai speaks with Theresa Burriss about the resilience of coal mining communities, building momentum, and the creative way artists are leading change around the globe. Learn about the incredible transformations happening locally and internationally, and what it takes to create something new. Theresa is the Director of Appalachian Studies at Radford University, the Director of the  Appalachian Regional and Rural Study Center, and the Director of Academic Outreach at the Higher Ed Center in Abington for Radford. She is a teacher, a wife, a mother, and a runner. Growing up in Bristol, Tennessee, Theresa attended Emory University in Atlanta for her undergraduate studies, followed by time in DC working on Capitol Hill and a year in law school. After a stroke in 2012, Theresa and her family made the decision to move back to her roots. They live near Bristol and Abingdon, TN on 123 wooded acres preserving the land, fauna, and flora. Links and Resources: Theresa Burriss, Director of:-Appalachian Studies at Radford University -Appalachian Regional and Rural Study Center -Academic Outreach at the Higher Ed Center in Abington Learn more about:-The Harm Reduction Program in the LENOWISCO district of VA-The Southwest Virginia Workforce Development and their R.O.P.E.S. program-Appalachian Sustainable Development and their Groundwork program-Robert Gipe and the Higher Ground Community Theatre -Opportunity Southwest Virginia -Department of Mines, Minerals, and Energy -Appalachian Voices Book and Media Resources:-Women in the Mines: Stories of Life and Work by Marat Moore-Rising: Dispatches from the New American Shore by Elizabeth Rush -Planeta Petrila (Official Trailer) Collective Resilience: We Rise is produced by Dialogue + Design Associates, Podcasting For Creatives, with music by Drishti Beats. Follow Collective Resilience: We Rise on Facebook and Instagram. Please rate, review, and subscribe to the podcast so we can continue spreading our message far and wide. Find our email list at the website: www.yeswerise.org. Thanks for listening.

Susan Pepper first came to Western North Carolina in 2003 to attend the Swannanoa Gathering at Warren Wilson College. She moved to Asheville in 2004 and in 2005 moved to Boone to pursue a master's degree in Appalachian Studies at Appalachian State University. There she found a community of musicians that helped her connect to the music and traditions in the Boone area, particularly one of her main spots of inspiration, Beech Mountain.

Susan Pepper first came to Western North Carolina in 2003 to attend the Swannanoa Gathering at Warren Wilson College. She moved to Asheville in 2004 and in 2005 moved to Boone to pursue a master's degree in Appalachian Studies at Appalachian State University. There she found a community of musicians that helped her connect to the music and traditions in the Boone area, particularly one of her main spots of inspiration, Beech Mountain.

On this special episode of Smoky Mountain Air, guest hosts Dr. William Turner and Dr. Ted Olson kick off an exciting new mini-series called Sepia Tones: Exploring Black Appalachian Music. Guests Loyal Jones, Sparky Rucker, and James Leva contribute to this lively conversation about the roots of Appalachian music and their own roles in preserving these musical influences.Loyal Jones served as director of the Appalachian Center now named in his honor at Berea College. He established the annual festival of traditional music at Berea and the Appalachian Sound Archive. Jones is the author of numerous books of regional interest.Sparky Rucker grew up in Knoxville, TN, and has become an internationally recognized folk singer, musician, and storyteller. He has been an educator, performer, and social activist and has been involved in the Civil Rights movement since the 1950s.James Leva is a multi-instrumentalist playing the fiddle, guitar, and banjo, and he’s a singer and songwriter. His work with The Lost Tribe of Country Music transcends racial and generational boundaries as well as musical genres.Dr. William Turner is a long-time African American studies scholar who first rose to prominence as co-editor of the groundbreaking Blacks in Appalachia (1985). He was also a research assistant to Roots author Alex Haley. Turner retired as distinguished professor of Appalachian Studies and regional ambassador at Berea College. His memoir called The Harlan Renaissance is forthcoming from West Virginia University Press in 2021.Dr. Ted Olson is a professor of Appalachian Studies at East Tennessee State University and the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA’s On Top of Old Smoky and Big Bend Killing. He’s received a number of awards in his work as a music historian, including seven Grammy nominations.Music selections in this episode:“John Henry” performed by Amythyst Kiah and Roy Andrade from GSMA's Big Bend Killing (https://www.smokiesinformation.org/big-bend-killing-the-appalachian-ballad-tradition-2-disk-cd)“Careless Love” performed on guitar by Etta Baker, used courtesy of Berea Sound Archive (https://soundarchives.berea.edu/items/show/2455)“Fly Around My Pretty Little Miss” performed by Ali Farka Touré with Lee Sexton and others from an informal gathering at the Smithsonian Folklife Festival, used courtesy of Bryan Wright of Rivermont Records“We Shall (We Will) Overcome” from the Highlander Collection of the Southern Folklife Collection, Wilson Special Collections Library, UNC Chapel Hill; used courtesy of the  Septima Clark Learning Center at Highlander Center (https://youtu.be/5YkTUeFViUY)“Come Sit By My Side Little Darlin’” performed by Bill Livers, Berea Sound Archive (https://soundarchives.berea.edu/items/show/6937)“Jola Gambia” performed by Daniel Jatta and the Lost Tribe of Country Music, used courtesy of James Leva (https://soundcloud.com/raisin-music/akonting)“My Home’s Across the Smoky Mountains,” performed by Sparky Rucker at the Berea College Celebration of Traditional Music, 1981, used courtesy of Digital Library of Appalachia’s Berea College collection (https://dla.acaweb.org/digital/collection/berea/id/2625/rec/11)

Written by Jules Corriere with Anne G'Fellers-Mason, Mary Noel, Mary Ann Jaeger, and Leon OverbayMusic by Brett McCluskeySound Engineer  Mike D'AvellaStage Manager  Phyllis FabozziSound Effects  Gary DegnerTheme Song  Heather McCluskeyAmeriCorps Assistant  Ian KirkpatrickEdited by Wayne WinklerStories in tonight's show inspired by interviews with or historic references of:Summer BuchananJ.A. ButlerCharlotte DillworthHoang DuongMary Ann JaegerTillman "Best Man" LandersAngelina MasonMary NoelLeon OverbayBen PutlandNancy WeaverSpecial Thanks to the Heritage Alliance Sponsored by:Tennessee Arts CommissionThe Wild Women of JonesboroughGary and Sandy DegnerRae Dee O'LufverTown of JonesboroughMcKinney CenterWETS 89.5 FM Johnson City 

Today's guest on Gateway to the Smokies Podcast is William Ritter- he is a musician, farmer, western North Carolina native, and lover of southern Appalachia. He holds an MA in Appalachian Studies from Appalachian State University, and he's been saving seeds for a long time. They will be talking about heirloom seeds and growing traditional foods and agriculture relationship to traditional music.‍Tune in for this fun conversation at TalkRadio.nyc or watch the Facebook Livestream by clicking here.Show NotesSegment 1Before introducing today's guest, Joseph discusses heirloom seeds and plants in his family. Joseph reads a poem about memories tied to seeds. Joseph introduces William Ritter, today's guest, and William talks a little about his background. William discusses how the mountains feel like home to him. William describes seed saving and how it started.Segment 2Joseph talks about his interest in music and asks William about where his interest stemmed from. William discusses how he built and learned to play the fiddle, comparing the traditions of old time music to seed saving. Joseph and William talk about farmers markets in the Smokies where heirloom vegetables can be found.Segment 3William discusses types and properties of heirloom vegetables, from candy roasters to beans to tomatoes, etc. As someone who doesn't cook much, William knows many restaurants that serve dishes with heirloom vegetables. William goes on to describe how to make leather britches out of beans. Joseph and William discuss the wide variety of places where one can find heirloom seeds.Segment 4William describes a project he is working on, Song to Seeds. The project is about more than songs and seeds though, working to bring communities together and share traditions.

This episode we spoke with Joey Aloi about his work with just transition and sustainable agriculture organizations in West Virgina, working to make Appalachia's food system more resilient, the history of that state and its relationship to food and energy, the aesthetics of experiencing natural beauty, and more! Even more than most episodes, I strongly recommend you check out the show notes for this episode. Show Notes: Follow us on Twitter at @FoodThoughtPod, and you can drop us a line at ThoughtAboutFood on Gmail. Leave us a review! It helps people find the show. Joey Aloi publishes on field philosophy at the intersection of Philosophy with Environmental and Appalachian Studies. One of the organizations Joey works with is Paradise Farms. Here's an interesting news article about Paradise Farms and the good work it does. Paradise is one of several non-profit farms that are core members of the Turnrow Collective -- a food hub in West Virginia and a few adjacent Appalachian counties. Here's a good brief video introduction to Turnrow; here's an article about how Turnrow handled the early days of the pandemic, which we discussed in the interview; and here's Turnrow's own website. The article of Joey's we discuss is Coal Feeds My Family, on the history of Appalachia through the lens of energy and food. Here's a zine on issues in modern Appalachia you might enjoy: The Cornbread Communism Manifesto. It even has a recipe! The recipe Joey brought for discussion was Anchovy Cauliflower Pasta. As he said in the interview, this is both a new and old tradition for his family, and we discuss Albert Borgman's work on focal practices like these. Here's the recipe! Ingredients: • olive oil • Flat leaf Italian parsley • One head of cauliflower (or broccoli if you like) • 2 tablespoons or a quarter cup of raisins • 2 tablespoons or a quarter cup of pinenuts • a half pound of pasta • a medium sized onion • A can of anchovies (or substitute capers, or porcini mushrooms, or sun-dried tomatoes, or a little bit of miso, or whatever gives you a nice salty umami flavor) • As much garlic, salt, black pepper and chili as you like  1. Toast the pinenuts whatever shade of brown you like (but don’t burn them!) 2. Boil just a small amount of water, and pour it over the raisins so they can soak and get plump 3. Cut the cauliflower into bite-size chunks, or break by hand. I usually just use the florettes, but you can toss the stems in if you want something that’s more difficult to chew 4. Put the cauliflower in a steamer and start steaming it 5. While you’re waiting on the cauliflower to start steaming, chop up the onion and begin to fry it in the olive oil. a. If you don’t wanna go overboard on the oil, make sure to open the anchovy can and pour all the oil out of it to cook the onion in before adding any more oil from the bottle 6. When the onions are beginning to get translucent, open the anchovy jar and distribute the anchovies across the pan. I usually pull them each apart so that each one sets on the onions individually. Use your wooden spoon or whatever spatula you have to break up the anchovies and mix them around with the onions. You basically want to get rid of any chunks of anchovies, and just have it all be mixed thoroughly into the onion. 7. Take the cauliflower out of the steamer and mix it in with the onion. a. You can reserve the water from steaming for the pasta, but you’ll probably need more water as well. b. Mixing the anchovies into the onion should’ve giving your cauliflower enough time to finish steaming, but make sure it’s pretty soft 8. Toss the raisins and pinenuts in with the cauliflower and onion, and turn the heat down 9. Salt pasta water so that it tastes like the sea, bring it to a boil, and then cook the pasta al dente 10. I usually wait until I’m draining the pasta to add the garlic, salt, pepper, and any chilies, but you could add the garlic at the beginning instead if that’s your thing. a. I often cook this without any chilies at all, especially when it’s cauliflower and not broccoli. When I do use them, I usually just use red pepper flakes, but sometimes I’ll throw in Aleppo Pepper instead. Fresh peppers alter the flavor & texture.  11. Chop up the parsley as fine or coarse as you like 12. Put the pasta on the plate, top it with the cauliflower and onion, and then with the parsley. 13. You can add salt, pepper, or any kind of cheese (like Parmesan or whatever; don’t add provolone or ricotta.) The intro and outro music is "Whiskey Before Breakfast" which is both a great traditional song and a nice companion to your aesthetic experience of nature. It was performed and shared by The Dan River Ramblers under a Creative Commons license.

Our guests Dr. William Turner and Dr. Ted Olson talk about an exciting new podcast mini-series they'll be co-hosting as part of Smoky Mountain Air called Sepia Tones: Exploring Black Appalachian Music. This mini-series can be found right here through this podcast, with new episodes every other month. Dr. William Turner is a long-time African American studies scholar who first rose to prominence as co-editor of the groundbreaking Blacks in Appalachia (1985). He was also a research assistant to Roots author Alex Haley. Turner retired as distinguished professor of Appalachian Studies and regional ambassador at Berea College. His memoir called The Harlan Renaissance is forthcoming from West Virginia University Press in 2021.Dr. Ted Olson is a professor of Appalachian Studies at East Tennessee State University and the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's On Top of Old Smoky and Big Bend Killing. He's received a number of awards in his work as a music historian, including seven Grammy nominations.We spoke to Dr. William Turner and Dr. Ted Olson on an online video chat.Music selections in this episode:"My Home's Across the Smoky Mountains" by Sparky Rucker from the Digital Library of Appalachia's Berea College collection (https://dla.acaweb.org/digital/collection/berea/id/2625/rec/11)"John Hardy" by Martin Simpson, featuring Dom Flemons on harmonica and bones, from On Top of Old Smoky: New Old-Time Smoky Mountain Music (https://www.smokiesinformation.org/on-top-of-old-smoky-new-old-time-smoky-mountain-music-cd)"Key to the Highway" by the Foddrell Brothers from the Berea Sound Archive (https://soundarchives.berea.edu/items/show/2652)"John Henry" by Amythyst Kiah and Roy Andrade from Big Bend Killing (https://www.smokiesinformation.org/big-bend-killing-the-appalachian-ballad-tradition-2-disk-cd)"Goin' Down this Road Feelin' Bad" by Amythyst Kiah and Roy Andrade from On Top of Old Smoky: New Old-Time Smoky Mountain Music (https://www.smokiesinformation.org/on-top-of-old-smoky-new-old-time-smoky-mountain-music-cd)

Krystal With the Brown Beanie introduces herself to the square dance universe by reading poems by Jo Carson.

Join Barbara Ellen Smith, Lesley-Marie Buer, and Ash-Lee Woodard Henderson as they discus single health issues such as black lung, overdose deaths, HIV and hepatitis C, COVID-19, in Appalachia and what they reveal about the cracks in America's health and health care systems in general. ———————————————————— Most responses to these single issues have done little to change the overall systems, but there are initiatives and groups that offer glimpses of what change could look like. They will explore topics such as mutual aid, researcher/clinician/community member coalitions, harm reduction, street medics and how they can be applied in Appalachia and beyond. Lesly-Marie Buer is an activist and public health practitioner at Positively Living/Choice Health Network in Knoxville, Tennessee. Her work on substance use and harm reduction has appeared insuch publications as Boston Review, the Journal of Appalachian Studies, and North American Dialogue. Ash-Lee Woodard Henderson is a 33 year old, Affrilachian (Black Appalachian), working class woman, born and raised in Southeast Tennessee. She is the Co-Executive Director of the Highlander Research & Education Center in New Market, TN. She has served as president of the Black Affairs Association at East Tennessee State University and the Rho Upsilon Chapter of Delta Sigma Theta Sorority, Inc. She is a long-time activist working around issues of mountaintop removal mining, and environmental racism in central and southern Appalachia, and has served on the National Council of the Student Environmental Action Coalition. She is an active participant in the Movement for Black Lives and is on the governance council of the Southern Movement Assembly. Barbara Ellen Smith has participated in and written about movements for social justice in Appalachia and the U.S. South for more than forty years. She is professor emerita at Virginia Tech ———————————————————— To order a copy of Rx Appalachia: https://www.haymarketbooks.org/books/1496-rx-appalachia To pre-order a copy of Digging Our Own Graves: https://bookshop.org/a/1039/9781642592757 For more info on the Highlander Research & Education Center: https://www.highlandercenter.org/ Watch the live event recording: https://youtu.be/Gi2rOa2Wvo0 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Please join us as we chat with Dr. Lisa Day, Director of Women and Gender Studies and Appalachian Studies here at EKU. Learn what makes these disciplines so important and relevant in today's society and how cultural movements such as the #metoo campaign are making a positive lasting societal impact. And learn of the profound benefits of receiving a minor or certificate in either program.

Written by Jules Corriere with Anne G'Fellers-Mason, sarah elizabeth, Sound Engineer:  Jared ChristianAccompanist:  Brett McCluskeySound Effects: Gary DegnerStage Manager:  Phyllis FabozziProgram Editor:  Wayne Winkler SPECIAL MUSIC GUEST: Aaron Jackson SPONSORED BY:The Tennessee Arts CommissionThe Wild Women of JonesboroughMain Street Cafe and CateringNancy Hope and Odie MajorWETS 89.5 FMMcKinney CenterAppalachian Light and ProductionTown of JonesboroughHeritage Alliance   

STORYTOWN PRODUCTION TEAMWritten by Jules Corriere, with Anne G'Fellers-MasonEditor                                            Wayne Winkler, WETS 89.5 FMStage Manager                      Phyllis Fabozzi         CASTCheryl ClarkeLee ClementsJules CorrierePhyllis FabozziStephen GoodmanMarcy HawleySabra HaydenSadie HyattTimothy HerronGregg HuddlestoneDana KehsNancy Hope MajorAnne G’Fellers-MasonGuerry McConnellAudrey NidifferBrent NidifferJuanita NidifferKathleen O’BrienMaggie PoldenJason RichardsCalvin RobinsonMiriam RobinsonCatherine ShealyAnni ZimmermanFOLLOW US ON TWITTER, FACEBOOK, and INSTAGRAMStoryTown Radio Show@storytownjboStory Town Radio Show SPONSORED BY:Tennessee Arts CommissionMcKinney CenterTown of JonesboroughWild Women of JonesboroughMain Street Cafe and CateringNancy Hope and Odie Major

Wilderness explorer and philosopher, Harrison Perusek, takes the podcast to the great outdoors in this episode. We dive into the environmental ethical frameworks and the systems that permit humans to make decisions about it. Harrison Perusek is a senior Outdoor Leadership major and an Appalachian Studies minor; he brings a new and refreshing layer of analysis to the podcast and we're certain you'll enjoy it.

Ray Sugg Appalachian Studies (20:13)

Kathryn Newfont joins us for this week's episode of THINK HUMANITIES to tell us about the upcoming 43rd Appalachian Studies Conference taking place at the University of Kentucky. The conference theme is "Appalachian Understories: Growing Hope and Resilience from Commonwealth to Global Commons" and will be taking place March 12 - 15.

Weedeater by Robert Gipe   Special guest Anita Puckett, Appalachian Studies professor at Virginia Tech, discusses the powerful and challenging book, Weedeater, An Illustrated Novel, by Robert Gipe, which centers on the problems with poverty and opioid addiction in the Appalachian region. Music Attributions:   Reverie (small theme) by _ghost featuring Pitx

Episode #29 of the Ground Shots Podcast features a conversation with Marc Williams, who is based out of Asheville, North Carolina. I took a trip to the Southeast this past September, where I visited my folks in southern Virginia and friends in Asheville, NC. Marc and I met up for an interview in West Asheville, NC, in the backyard of our mutual friend. I've known Marc since 2012 or so, when I moved to Asheville to attend herbalism school.   According to the Plants and Healers website: Marc Williams is an ethnobiologist. He has studied the people, plant, mushroom, microbe connection intensively while learning to employ botanicals and other life forms for food, medicine, and beauty. His training includes a Bachelor's degree in Environmental Studies concentrating in Sustainable Agriculture with a minor in Business from Warren Wilson College and a Master's degree in Appalachian Studies concentrating in Sustainable Development with a minor in Geography and Planning from Appalachian State University. He has spent over two decades working at a multitude of restaurants and various farms. He has travelled throughout 30 countries in Central/North/South America and Europe and all 50 of the United States. Marc has visited over 200 botanical gardens and research institutions during this process while taking tens of thousands of pictures of representative plants. He is also Executive Director of Plants and Healers International www.plantsandhealers.org. Marc has taught hundreds of classes to thousands of people about the marvelous world of humans and their interface with other organisms while working with over 70 organizations in the last few years and online at the website here. His greatest hope is that this effort may help improve our current challenging global ecological situation.   In this conversation with Marc, we talk about: the green path as a way to live life and as a physical gathering that is nonlinear and open to anyone Frank Cook's influence on the ideas behind the green path way of life what is the green path? fermenting processes, 're-skilling' for living closely to the land, donation based or free plant walks, the sharing that happens at earthskills gatherings, folk schools, botanical gardens, a camp at the rainbow gathering, and more different opportunities for education about the natural world and our connection to it issues around accessibility at earthskills gatherings and with the 'green path' the urgency of 're-localizing' and learning skills of sustainability Asheville, North Carolina as an incubator for the 'green path' the role of permaculture in the 'green path' the importance of pilgrimage and how a pilgrimage can be interpreted in many ways pilgrimage as a form of meditation and rite of passage addressing the reality of how travel has a large environmental footprint, even travel with good intentions! learning skills as a form of activism     Links: 7Song's The Northeast School of Botanical Medicine and CALM first aid camp at the rainbow gathering, mentioned in the podcast: http://7song.com/ Green Path facebook group: https://www.facebook.com/groups/145910154568/ Plants and Healers International: http://www.plantsandhealers.org/ Botany Everyday: http://www.botanyeveryday.com/ The United Plant Savers and Goldenseal Sanctuary: https://unitedplantsavers.org/ The Cabbage School: http://thecabbageschool.net/ Listen to Turtle T. Turtlington's podcast episode (#4) on his pilgrimage walking across California NuMundo: NuMundo https://numundo.org/ podcast hub, and of sedge & salt blog where you can find photo diaries, ethnobotanical plant profiles, more on past podcast guests: http://www.ofsedgeandsalt.com Our Instagram page @goldenberries Join the Ground Shots Podcast Facebook Group to discuss the episodes Subscribe to our newsletter for updates on the Ground Shots Project Theme music: 'Sweat and Splinters' by Mother Marrow Produced by: Opia Creative

  Herbalist, teacher, and wild foods expert Becky Beyer of Blood and Spicebush is our guest this week! Becky, who holds a masters in Appalachian Studies, practices traditional witchcraft and runs two educational programs in Western North Carolina. In this episode, Becky gives an overview of traditional witchcraft, the historical basis for her practice, and … Continue reading "Episode 47: Traditional Witchcraft with Becky Beyer"

Rebecca and Andrew talk about the way plants work in their lives – through sharing about their studies and personal journeys with plants. They also talk about fear and how pushing through that brings better things even though it isn't easy. Finally they also talk about traditional knowledge and how to respect elders an indigenous people.  Find Rebecca at BloodandSpicebush.com and the classes at Sassafras-School.com Think about how much you've enjoyed the podcast and how many episodes you listened to, and consider if it is time to support the Patreon You can do so here. If you want more of this in your life you can subscribe by RSS , iTunes, Stitcher, or email. Thanks for joining the conversation. Please share the podcast to help us grow and change the world.  Andrew You can book time with Andrew through his site here.  Transcription ANDREW: [00:00:01] Welcome to The Hermit's Lamp podcast episode 93. I am here with Rebecca Beyer, who is an herbalist and plant person and does all sorts of wonderful things in that environment. For [00:00:17] those who don't know you, Rebecca, give us . . . give us a quick introduction. Who are you? What do you . . . what are you about? REBECCA: Hi! I'm about, I guess, I'm about Appalachia and I'm about plants and [00:00:32] I'm about traditional witchcraft. That's like those three things. I think. ANDREW: Yeah. Well, if people don't know what Appalachia is . . . REBECCA: Yeah! ANDREW: Let's start with that, because maybe not everybody does.  REBECCA: That's so interesting and [00:00:47] I love that you all are up in Canada. So it's really cool to to know, you don't know what Appalachia is! [chuckling]  ANDREW: I mean, I think people . . . I do, but yeah, let's, let's just make sure nobody has to go Google anything mid-podcast.  REBECCA: That's such a good idea. Yeah, Appalachia is a region, [00:01:02] which is debated, that's cultural and ecological in the Eastern side of the United States. It's a mountain range that extends from, culturally, I would say, you know, Western Pennsylvania through Northern Georgia, [00:01:17] but mountain-wise and ecologically through a few different regions on the Eastern Seaboard, kind of inland. ANDREW: Mm-hmm. REBECCA: So, this big mountain range, the Appalachian Mountains. Mm-hmm. ANDREW: And there's a lot of spiritual tradition that's [00:01:32] kind of from that area, right? Like a lot of, sort of more folk magic and you know, those kinds of approaches, right? REBECCA: Yeah, that's one of the things that I am a student of and teach is Appalachian folk magic, and [00:01:47] I'm very passionate about . . . and especially where plants and plant lore come into that story. ANDREW: Mm-hmm. So did you grow up with that or did you find your way into it? Like how did that come about for you? REBECCA: That's a good question. I did not grow [00:02:02] up with it. I grew up on a farm in New Jersey. ANDREW: Okay. REBECCA: And, yeah . . . and halfway in both states. And it's funny cause when I tell people I'm from New Jersey, they're like, "Oh, you're not, you don't seem like you're from New Jersey at all," and I'm like, "Are you saying like, I'm not an asshole," like what? ANDREW: [laughing] REBECCA: What are [00:02:19] you saying? I don't know if I'm allowed to say that on the air. ANDREW: I'm sorry to everybody in New Jersey who's listening to this. Yeah. REBECCA: Well, I'm sorry, because I like, you know, I had a beautiful upbringing in a very pretty little country spot in central New Jersey. ANDREW: Mm-hmm. REBECCA: And I [00:02:34] loved our little farm, but we didn't raise plants. We just raised animals.  ANDREW: Okay. REBECCA: But I've always loved, I feel like since I was a little girl I wanted to be a witch. It was just something I've always been interested in and I was raised in the Unitarian Universalist Church. [00:02:49] So I met a lot of witches and it was easy to start studying witchcraft seriously. At around 12, I kind of dedicated myself to studying it and, through that, became more interested in plants and realizing that they could be used for more than food. [00:03:04]  ANDREW: Mm-hmm. And, so how did the head of the Appalachian part come in? Like, did you meet somebody, did you like, you know, go stand on a mountain and be like, oh, this is home. Like . . . ?  REBECCA: That's a good question. [00:03:19] I was obviously a very weird kid as we've, most of us probably were. ANDREW: Sure. REBECCA: And very socially isolated. We moved nine times when I was a kid, so I didn't have strong connections with other human adults till I was 18, when I moved to Upstate New York to go to college [00:03:34] at Bard College, and I met my now best friend Sarah Lynch Thomason, who's an Appalachian ballad singer, who's from Nashville, Tennessee. And she moved to Asheville right after we graduated from college. She graduated ahead of me, and she was like, you [00:03:49] HAVE to move here, Asheville, North Carolina, like, it is what's up. So I just packed my truck with all my things and drove to Asheville. And--after I graduated from college--and I just lived in her living room for two weeks. ANDREW: Right. REBECCA: And then I just fell [00:04:04] in love. I tried to leave, once, I think to go back up to Vermont where I had been living before, and I think that lasted like three weeks and I came back. So that was in 2010 when I moved here. So I've been here for longer now than anywhere I've ever lived in my life. ANDREW: It's [00:04:19] interesting how, you know, like I think about . . . I mean, Vermont's got lots of mountains. Upstate New York's got lots of mountains, you know? It's funny how, you know, from a geologic point of view, anyway, there's [00:04:34] this like, oh look. Well, it's all mountains. What about . . . what is it about those mountains? What is it about that place that drew you in or captivated you?  REBECCA: That's a good question. Well, I think, geologically speaking, the Appalachians are so special, [00:04:49] because they're some of the oldest mountains in the world, which we forget in America. We often like to excoticize--and I'll say North America, to include all of us on this continent--like to exoticize things from far away, but we have some of the most ancient land masses [00:05:05] in existence right at our fingertips, and it's pretty incredible. And plant communities that are very unique. And to me, the extreme biodiversity of where we live in southern Appalachia, where I live is temperate [00:05:20] rain forest. So we have more plants than anywhere except for North Alabama, which has the most diverse plant life in the United States.  ANDREW: That's amazing. REBECCA: Mm-hmm.   ANDREW: And did you find . . . do you feel like . . . You [00:05:35] know, like, lots of people talk about sort of spirit of place, right? as a thing that's sort of emerged into people's awareness more over time. And you know, at least more recently from my perspective. REBECCA: Yeah. ANDREW: You know, do you feel that that's part of it [00:05:50] for you? Like is there, is there a spirit of the land where you're actually hanging out that's, that's part of your life?  REBECCA: Yes, my friend Marcus McCoy who started the Veridis Genii Symposium . . . ANDREW: Yeah. REBECCA: When I was [00:06:05] early 20s--you probably know him--when I was in my early 20s, I stumbled across his blog, Bioregional Animism, and it really changed . . . It gave me words for things that I had felt but I didn't know were names for and other [00:06:20] bloggers have now gone on to further that idea, which was, you know, kind of coined, I'd say in the 70s with the rise of bioregional scholarship, on just like, policy and land management.  ANDREW: Mm-hmm. REBECCA: They took it deeper, you know? I [00:06:35] wrote a lot of my thesis--I have a master's degree in Appalachian Studies--and I wrote my thesis on--which is really silly, I know. But I looked a lot at like the history of bioregionalism and like what makes Appalachia and regional studies important. ANDREW: Mm-hmm. REBECCA: And [00:06:51] to me, in this globalized world, you know, we struggle for meaning, you can see it everywhere. Especially white folks, like without any cultural, strong cultural ties, will grab onto any strong cultural tie from any culture that [00:07:06] we can find. And yeah, and I think a lot of that comes from a lack of grounding in place. So to me, I do think there is a spirit of Appalachia. My friend Byron Ballard, who's a well-known Appalachian folk practitioner, she, in our area, says there's [00:07:21] a mother Appalachia, this kind of an entity that makes this place so special. And to me, I'm also a musician, I'm an artist, and all the things I do revolve around Appalachian folk practice. And to me, it's like helped me ground in, because [00:07:36] I wasn't raised here . . . ANDREW: Mm-hmm. REBECCA: Into the life way and the art way and the music way of this place. And not necessarily say, this is mine, it's from me, but wow, I participate in this, and I love it, and I want [00:07:51] to, you know, support it and continue it and nurture it.  ANDREW: Yeah. I think it's always interesting when people, you know, or never mind people. For me, you know, I mean, I found my way into being a Lukumi, you know Orisha [00:08:06] practitioner, right? You know, so, I'm initiated in an Afro-Cuban religion, you know, and that's, that's been my journey for, you know, getting towards being 20 years now, you know, but I think that it's really always interesting when people are looking [00:08:21] for that meaning and they find it somewhere else. How do you go about exploring that and connecting with that, in a way that is, you know, respectful, meaningful in a broader context, because it's . . . [00:08:36] I think that you know what people do in general, even if it's not respectful, might be meaningful to them personally, you know, but problematically culturally, right? But what do you think about . . . how you know, how, how would you recommend people approach this [00:08:51] kind of stuff if what you're talking about is something that they're drawn towards?  REBECCA: Yeah, I think that's such a good question and it's a sensitive one. You know, there's . . . I always notice that I feel fear and I feel nervousness when [00:09:06] talking about these things, because, unfortunately the way that people communicate online is very different than how they'll communicate in real life. [laughs] Discovered . . . I just taught a class, this is a great example, and I think will answer this question, on [00:09:21] the uses of fumatory plants worldwide to address cultural appropriation issues. ANDREW: Sure.  REBECCA: Because, specifically with white sage being overharvested, and a lot of indigenous Western folks saying, hey, can you guys slow your roll on this, you know? buying all this unsustainably [00:09:36] harvested sage? [laughs] ANDREW: Mm-hmm. REBECCA: So, like, why do you feel the need to burn this plant specifically, when it's not part of your cultural lineage? And I don't think anyone at this point in the world is like, you can't do anything that's not from your specific ancestry, because I mean I have eight different ancestries. [00:09:52] You know? And it's . . .  ANDREW: Sure. REBECCA:  Most people do. And, and, and I think that's not what people are saying, and a lot of folks get defensive, and say, "Well, what, am I not allowed to do anything?" and it's like, "No, calm down. [laughs] No one's telling you that." And I think what you're doing when you're initiated in something . . . [00:10:07] Initiation is an invitation. ANDREW: Mm-hmm. REBECCA: If you are studying with a person from that, you know, Afro-Cuban lineage, who's saying, "You're welcome here, come into this space." That's very different than when someone says, you know, "I'm gonna self study [00:10:22] this thing, and then declare myself an expert and then make money off this thing . . ." ANDREW: Mm-hmm. REBECCA: And never study the cultures that this thing comes from. ANDREW: For sure.  REBECCA: Yeah, because what I do, I'm not technically Southern Appalachian, but I practice and teach Appalachian folk magic. And some people, I'm sure, would take issue with that. But [00:10:37] what do I do? I think it's all about how we how we raise up the cultures that we are benefiting from. How do we support them? How do we not try to speak for them and do the like white savior thing? And like, how do we invest [00:10:53] ourselves in the continuance and preservation and nurturance of the cultures that bring us such joy and meaning. And I include myself in that even though, technically, Appalachian folk culture is largely based on some things I have cultural access to. It's also based [00:11:08] in Cherokee and African traditions. ANDREW: Mm-hmm. For sure.  REBECCA: That have direct lineage too, that I need to respect and call attention to.  ANDREW: Yeah, and that's an interesting thing about a lot of those, you know, Appalachian, you know, root work, hoodoo [00:11:23], like a lot of those, sort of, you know, from there, heading further south, traditions are really such an interesting meld of, you know, of cultures, right? REBECCA: Mm-hmm. ANDREW:  You know, they're, they [00:11:38] involve stuff that came from Africa through the slaves. They involve stuff that came through the indigenous communities that were there alongside those people, you know, and then they have a mixed in, you know, depending on the region, [00:11:53] you know, European Christian or other folk traditions too, right? Like it's such a . . . it's such an interesting meld and I think that it's so helpful to really respect the fact that they come from a bunch of different places. They [00:12:08] come from all those lineages, you know?  REBECCA: Yeah. Mm-hmm. ANDREW: Yeah, because it's easy to, like, it's easy to be like, well, you know, this is just like this person's thing or this is that person's like . . . They're diverse and their strength [00:12:23] comes from that history, right?  REBECCA: It's true. It's true, and it's great talking to my friends who are hoodoo practitioners, and saying, you know, the first time I met my friend Demetrius, who I don't know if you know, from New Orleans at [00:12:38] Veridas Genii Symposium. We were kind of like doing a comparison like, what do you, do you do this, in hoodoo?  And he's like, well, do you do this in Appalachian folk magic? And it was just like, such overlap that we were like, of course, these things are so similar. ANDREW: Mm-hmm. REBECCA: And it was wonderful and then we were like, "Let's sing a Scottish [00:12:53] ballad," you know, and like, because he does a lot of ballads. And then I'm like, let's, you know, he's like, "Do you want to learn this song in this West African language?" And I was like, "Oh heck, yeah." It was just, it was really cool, because it was like living that experience of seeing the lines . . . ANDREW: Mm-hmm. REBECCA: By sharing verbally [00:13:08] those things and song and in tradition and looking at different charms we were talking about. ANDREW: Mm-hmm.  REBECCA: And I loved that. It was really special and what you're saying, too, is, we tell stories about traditions being [00:13:23] all one thing and they're . . . One thing I learn as I get older--and I'm 31, I'm not terribly wise--but I notice things are always more complicated and beautifully complex than we think they are. ANDREW: Mm-mm. REBECCA: The're never black or white. It's just [00:13:38] complex. ANDREW: For sure. Yeah. Yeah. I think that one of the other things I want to circle back to, you know, is, you mentioned, you know, briefly about, like, sustainability and stuff like that. And I think that that is [00:13:53] also such an important part of the equation of what's, what we're talking about here too, right? Like, you know, if you're going to live in, you know, in connection with plants and connection with [00:14:08] the spirits of the, of a place or whatever, right? I think that, that that attention on making sure that it's sustainable, making sure that there's some left, you know, like . . . I mean, you know, in my tradition, we use a lot of plants and some [00:14:23] of them do grow up here. Some of them I grow myself inside. And you know, some of them are just not possible in the far far north where I practice, but you do what you can. But you know, one of the things that my elders always stress is, you know, you never [00:14:38] take it all. You always leave enough that it keeps going, right? You always want to make sure that whatever you're working with, that, you know, later on it'll have regrown or next season it will regrow or whatever, because there is this eye towards . . . [00:14:53] You know, this is, this is a thing forever, hopefully. And therefore we want to keep that going forever, you know?  REBECCA: Yeah. Mm-hmm. ANDREW: Yeah. REBECCA: Yeah, I teach foraging classes as my day job. [laughs] ANDREW: Yeah! REBECCA: That's what I do [00:15:08] for a living. And this year, I'm actually going to teach foraging at the University of North Carolina. ANDREW: Amazing. REBECCA: As a college course. I know, I feel so honored. It's one nice thing about having an Appalachian Studies Master's, is now I can teach at colleges and that's, you know, even though they pay terribly, it's very good. [ringing phone] ANDREW: [00:15:23] I'm sorry. Can we pause for one second here? I've no way to make the phone stop ringing. [whispers] Stupid phone! [laughs] It's . . . REBECCA: Also, I have to say . . .  ANDREW: What's that?  REBECCA: Your mustache is spectacular.  ANDREW: Thank you, thank you. REBECCA: It's like, that mustache is [00:15:39] on point.  ANDREW: I started it as a joke, like a year and a half ago. Somebody on the radio was saying like, mustaches are coming in. And I was like, I've never grown a mustache. I wonder if I can grow a mustache? And, and then, I started growing it and I posted to Facebook and [00:15:54] everyone was like, yes, keep it going, and now, I'm just like, all right. This is my, this is my life now, so. REBECCA: That's amazing. Mustache life!  ANDREW: Mustache life.  ANDREW: Mustache life. All right, I'm going to clap and then we can start again. [claps] All right. [00:16:09] You were talking about teaching at the university.  REBECCA: Yeah, I'm really excited to get to teach at UNCA. I'm teaching foraging, and you were speaking about sustainability, and there's a lot of interesting, confusing, [00:16:24] complex arguments about wildcrafting in the United States, especially. ANDREW: Mm-hmm. REBECCA: And in Canada, and any place that is colonized indigenous land. And what, as settler folks, who are European ancestry, like what are our responsibilities to [00:16:39] be good wildcrafters. Some people say you shouldn't wildcraft at all, zero percent is sustainable. ANDREW: Mm-hmm. REBECCA: Others say, you can just take indiscriminately and do whatever you want. But obviously, I think the truth, there's no such thing as truth, [00:16:54] but I think a more balanced view is somewhere in between and something I've been really interested in and enjoying doing is: there's a lot of plants we call invasive and some of them radically alter their landscape, like one of my favorite plants, kudzu. ANDREW: Mm-hmm. REBECCA: Which [00:17:10] on Gordon White's podcast, I mentioned I like kudzu and you would not believe the angry humans on those comments. [laughs] ANDREW: I would, I would.  REBECCA: I did not say we should go plant kudzu. I did not say like throw its seeds everywhere. I just said I love kudzu. And that triggered [00:17:26] a lot of people. Because it's edible, it's medicinal, and I'm in recovery from alcoholism, and kudzu's root has some great compounds in it that specifically help with the cravings for alcohol. So it's one, spiritually very in line with my heart and my personal journey. So, [00:17:41] and it was used in Japan and China for that purpose for a long time. But it's just funny because I can harvest as much kudzu is I want, you know, and like, I'm not going to put a dent in it. [laughs] But, I mean, if I want to harvest as much bloodroot, a native [00:17:56] plant, as I want, I can destroy that plant population. ANDREW: Sure.  REBECCA: So, it's just so . . . And, like, to me, saying all or nothing is never the right answer because harvesting invasives is actually beneficial to the environment, because it frees up space for more native [00:18:11] plants.  ANDREW: Yeah. I love dandelion. REBECCA: Me too! ANDREW: And you know, there's another one, like there's just, you know, I could never get rid of it in my garden, even if I tried probably. So, the amount that I can [00:18:26] take of that is basically everything that's showing, any time I want, and it just, you know, give it two or three weeks and boom, they're back again with another crop. REBECCA: Mm-hmm. ANDREW: You know, so, yeah.  REBECCA: And those plants have followed us from Europe here and [00:18:41] from Asia and from all the different places that all the different people that live on this continent now come from and it's the story of the colonization of this continent is evident in our plant life. ANDREW: Mm-hmm. REBECCA: And it marks the times that all the different people have come over here. And [00:18:56] all the different trading has occurred. You know, kudzu came over, I think, in the 30s and 40s for the World's Fair, as an erosion control plant and a crop for animals to eat, because it's very good for horses and cows and pigs and chickens and [00:19:11] [laughs] and people to eat, it's fine protein. So, I just think, you know, focusing on harvesting invasive plants and plants that are abundant is a great way to ask the question: Is this sustainable? And also know that you will never know the answer. ANDREW: Uh huh. REBECCA: A lot of: plant [00:19:26] world are like, "I know the truth!" And you're like, you do? That's . . . Okay. I see you're very confident in yourself. Because we're always finding new things out, and ecology is just like folk magic or any magic spiritual tradition, always changing.  ANDREW: For sure. And also, you [00:19:41] know, with climate change.  REBECCA: Oh, yes. ANDREW: Like, I think that that's another thing that comes into this where it's like, we might have an idea based on, you know, our experiences or our lifetime or you know, maybe even like our parents' or grandparents' lifetime, [00:19:56] but, things are changing a lot now. And you know, that's going to change what, what all these plants do it, you know, and and also, you know all these, you know, continuously there are new plants being introduced and shifting back and forth [00:20:11] and all that kind of stuff, right? So. It's such a dynamic system.  REBECCA: Dynamic is such a good word to describe it. And I think, you know, once again, it's so funny. Like I even feel fear saying like: Invasive plants. Harvest them. Because you know, it's like, it's tough. People have very strong opinions [00:20:26] about how plants are to be managed and a lot of very good and important hard questions come up around that. ANDREW: Mm-hmm. REBECCA: But the thing is, we do need to eat and heal ourselves from illness.  ANDREW: Yeah. REBECCA: Most of those things can [00:20:41] be done with a lot of the invasive plants. And that's not to say I never harvest native plants. Like I use poke a lot, which is a native plant, but most people think it's a noxious weed. They'll say, oh, that's a weed. ANDREW: Sure.  REBECCA: It's not, it's a native plant. It's, you know, it's just [00:20:56] funny that people are like oh, this horrible weed. And I'm like, what are you talking about? ANDREW: Well, it's true. It's like, you know, so a bunch of the plants that grow around here, that I use often in my religious practice, [00:21:11] you know, purslane, you know, stuff like that. You just find them growing out of the sidewalk, right? Like, in the city, it's, you know, you just, you go down the back lane way and you're like, oh look, you know, here's this one and that one [00:21:26] and you know, and they're just growing up between cracks in the cement and wherever, because those, those really hardy, you know, aggressive plants, you know, one, they have a lot of strength magically, you [00:21:41] know, in a general way, I think. But, but, two, they, you know, they're, they're everywhere and again, they're the kinds of things where it's like, you know, you don't take it all but also, even if you did, they're so resilient, like, people are [00:21:56] trying to get rid of them all the time and they cannot, you know, so yeah, it's very interesting. REBECCA: Yeah, and that's a great way too, to find places to forage. I talk to a lot of farmer friends and I'll say, you know, I love dandelion root . . . ANDREW: Mm-hmm. REBECCA: For its liver medicine. And it [00:22:11] definitely is, you know, is a plant I feel is aligned with the element of air, it's very good for spirit work and communication, but also not toxic so you can use it with impunity in some ways. ANDREW: Mm-hmm. REBECCA: And call my friends and say, hey, do you mind if I bring my apprentices and our trowels out and we'll dig some dandelion [00:22:26] at your house. And they're always like, oh come on over. Or you call people in, you know, and they're like, oh, come on over. So we go to different farms and kind of weed them. ANDREW: Mm-hmm. REBECCA: And then we go home with all the things that we want. It's a great symbiotic relationship. [laughs] ANDREW: For sure. Yeah, I have [00:22:41] raised beds in my, in my garden . . . REBECCA: Oh! ANDREW: And then the rest of it is this sort of crummy hard pack, you know, dirt that's . . . whatever was like, you know, when [00:22:56] they built it, they filled in because we're over a parking garage, right? And yeah, it's, all the stuff that grows there is all wonderful energetically. And you know, dandelion, and plantain, and you know, like all that kind of stuff. It's like we [00:23:11] would just go out in the yard and my kids are like, you know, they go ahead and pick a bunch and come back and make salad out of it and all that kind of stuff, you know, because it's there, and it's useful if you know what you're looking at, right?  REBECCA: Kids are so good at learning plants. I teach a lot of children. People bring their kids on our foraging tours [00:23:26] and they always, at the end of the tour, can recite every plant we met. And the parents are like, oh, what was that one? And the kids are like, you know, it's bitter, hairy bittercress and I'm like, oh good job. [laughs] ANDREW: Yeah.  REBECCA: They know everything. And they'll remember all the uses. They're so good. ANDREW: That's amazing. [00:23:41] So, I'm curious, because you've mentioned this a couple times now. Is the sort of, you said, I'm afraid to talk about this. I'm afraid to talk about that.  REBECCA: Yeah! [laughs] ANDREW: What . . . [00:23:56] tell me about the reservation. Like . . . REBECCA: Yeah! ANDREW: What, what is it that you run into around that? REBECCA: Well, I think a lot of it come up recently for me with my fumatory herbs class. I got a lot of really mean aggressive and [00:24:11] I would even say violent communications around me daring to suggest to folks of non-North American indigenous ancestry that maybe they shouldn't burn white sage with impunity. And I [00:24:26] think, I tried to say this compassionately and patiently as I could, I tried not to use attacking language. I called my, you know, my own self and my own shortcomings into the conversation, because I make mistakes constantly. I don't know the right answers. I'm just guessing. ANDREW: Mm-hmm. REBECCA: I'm just trying, you know? [00:24:41]  ANDREW: Yeah. REBECCA: And I . . . the venom with which strangers will write to me is horrific, and it's funny because, you see this over and over again, on Internet communications. Because when I taught my class in person, I was terrified that people would yell at me . . . [00:24:56] ANDREW: Sure. REBECCA: There would be fighting in the class. Like I was afraid it would be really bad. I had probably 40 people show up to this class. It was incredible. People were compassionate and patient. Nobody got a millimetre out of line. ANDREW: Yeah. REBECCA: And [00:25:11] just like, I thought that was the case, but I'm so glad to see this is true. And everybody was just building together. Asking questions. Even if someone didn't understand something, no one was like well, you're an idiot for not understanding this complicated concept. [00:25:26] And I just appreciated how kind people were to each other and I see that that's the case. ANDREW: Mm-hmm. REBECCA: You know but online when you're anonymous . . .  ANDREW: Definitely. Yeah. REBECCA: And that's where it comes from for me because I just see other herbalists and I'm [00:25:41] often holding myself back in my work, I think, because I'm terrified to make mistakes and hurt people. But it also prevents me from sharing more information, or you know, providing access to education to more folks that want it. ANDREW: Yeah. I totally get that. You know?  REBECCA: You feel [00:25:56] that way? ANDREW: I . . . last fall, I had made an Orisha Tarot deck with . . . that got published through Llewellyn. And so, it's basically everywhere. And--which [00:26:11] is great--and the amount of apprehension I had about being an outsider, about, you know, even, even with the blessings of my ancestors, or like, my elders, my ancestors, the spirits through divination, like, even with [00:26:26] all those things, there's just like "ohhh, man," like waiting for that, that, you know, potential thing, right? And sometimes you get it and sometimes you don't, right? And definitely online is a place where it's way more likely, because online people [00:26:42] . . . Be kind, people, just be kind! I'm sure nobody listening to this podcast is mean online. REBECCA: [chuckles] ANDREW: But, yeah, but, but, that apprehension, right? And then also that realization, now that it's out there, that how much people [00:26:57] are benefiting from it, you know, and how much people are, you know, telling me how grateful they are that I made this offering, you know, to the world and whatever. And I think that it's such a delicate line . . . REBECCA: Yeah.  ANDREW: For, for us, [00:27:12] for people doing work, for people offering teaching, you know, and that, there's so many people out there who are just like, "Rah, rah, rah, do your thing, screw everybody, give no fucks, whatever" and I'm always like, that's horrible. Like, let's not be like [00:27:27] that! That's not useful. REBECCA: [laughs] Yeah! ANDREW: But then also there's like so many people doing good work like, you know, what you're up to, where it's, there's also that like, "Oh, should I? How's it going to go? What's gonna happen? I don't know," you know? REBECCA: Yeah. ANDREW: And, [00:27:42] and, and it's real, you know, that tension is really real. And I think that so many people experience it around their work and stuff. You know, how do you find your way through it?  REBECCA: I think a lot of it is, I try to use, [00:27:57] like I am an incredibly privileged person. You know? ANDREW: Yeah. REBECCA: I'm a large able-bodied white tall physically able person, who can appear heterosexual in certain situations. [laughs] And I . . . And [00:28:12] feminine, you know, and it's . . . So I can use those things to leverage messages and voices that are erased and largely unheard in my friends' communities, especially my indigenous friends. And I do a lot of work with [00:28:27] with the Catawba Indian nation. And the . . . I'm hoping to do some more with the Cherokee Nation around ethnobotany. And reestablishing control over the knowledge of foraging to the people who taught it to my ancestors here. [00:28:42]  And I think it's kind of crazy that me, as a European-ancestored-person, am going and teaching indigenous people how to forage, because their own knowledge was erased from them, through genocide. And it's, to me, like acknowledging those things, and like [00:28:57] when we come together as people in the real world and real life, together, me and my friends and those nations, we can create pretty amazing things. And we talk about really hard, uncomfortable, scary stuff and it's tough. You know? It's hard. It brings up a lot for both of us. But [00:29:12] instead of allowing it to paralyze us and prevent us, we're like, what can we build from the space? Like, where do we go forward? Let's acknowledge these things, talk about the hard stuff, the history, the harm caused by my ancestors, and let's [00:29:27] build something new from that. You know? ANDREW: Mm-hmm. REBECCA: And I think that's really tough. It's because we don't know what to do. None of us really know. And for me, like constantly giving word, voice, accolade, and when I have extra resources, [00:29:42] putting my resources towards the people whose land this was and is, still. That to me is what I can do. And I know that's not what everyone would say is the best way but for me, I know, I don't . . . Unfortunately, being [00:29:57] a Appalachian folk magical practitioner is definitely not a great way to make a lot of money . . . BOTH: [laughing] REBECCA: I don't have a ton of resources and I have a lot of debt. ANDREW: Uh-huh.  REBECCA: But I have a lot of non-monetary resources, like access to academic information. [00:30:12] So I do a lot of research for my friends who don't have access to journals. ANDREW: Mm-hmm. REBECCA: And I give them, you know, my university, don't tell my university I give them my login.  ANDREW: Nobody from university is listening, it's fine.  REBECCA: I know. They're not. Don't worry. But just finding ways to constantly figure [00:30:27] out like, okay, who am I speaking for? How can I help make space for others to speak and how can I make my resources available to them that are most helpful? And not what I think is most helpful, but what they need.  ANDREW: Yeah. I think that part about asking [00:30:42] people what they need? I mean, I think it's such a such a piece that gets overlooked so often in any kind of restorative approach.  REBECCA: Yes! ANDREW: Right?  REBECCA: Restorative, yeah.  ANDREW: That, like, say you're sorry, like whatever [00:30:57] it was, personal thing, you know, a generational thing or whatever, say, "Hey, I'm really sorry this happened, and then ask, like, "Is there something you need? Is there something that, that you think that I might be able to do that you need?" And then you can really [00:31:12] see where the conversation goes, right? Because I find so often people make these apologies or, you know, like, you know, I mean, again, maybe I'm being judgmental about people who are raging against you about using white [00:31:27] sage online, but I'm like, listen, just start with an apology, or just start with saying, "Huh. Well, what could I do instead. What might make sense?" You know? And maybe, maybe there are people, and probably there are people, who a hundred percent like have a deep deep connection [00:31:42] to that plant? Or, you know, like the white sage plant. Or there are lots of ways in which you can procure stuff sustainably, if you want to. REBECCA: Yeah. ANDREW: Like, you know. I got some stuff here. There's a new farmer in [00:31:57] Ontario who started growing stuff. You know, he got laid off from his job and he started expanding what he was already farming for himself, and it's great. You know, it's local, it's organic. It's . . . You know, it's sustainably harvested because [00:32:12] he's farming it himself, right? You know, it's great.  REBECCA: Yeah. ANDREW: Right? So like there's lots of options but being mad about it. That's not, like, that doesn't help anybody and . . .  REBECCA: Yeah, they don't like being told they can't do something. People are mad at me for saying . . . And I didn't say that. I said, "Hey, [00:32:27] maybe listen to indigenous people."  ANDREW: Yeah. REBECCA: And too, look at how this plant is now entering threatened status. And like, these are two things that are very important for different reasons.  ANDREW: Mm-hmm. Yeah. And, and I think too, you know, I mean, it's [00:32:42] always something that's very interesting to me, because my approach to working with plants, outside of my traditional stuff, which I learned from my elders, is I go for walks in the ravine, you know, or in the the forest in the valley here or [00:32:57] even in the lane ways. And, when I find a plant, like something'll grab my attention. And I'll be like, "Huh? What are you? What's going on?" And I'll just sit down and hang out with it for a while.  REBECCA: Yeah. ANDREW: And, you [00:33:12] know, none of those plants are mad. I've yet to find an angry plant. You know? I mean, like, that kind of like, conflicty energy, you know. Even, even plants that are in competition with each [00:33:27] other or whatever, I never have that feeling from them, that they have that aggressiveness, you know? And I think that it's an interesting thing to sort of ask yourself when you're working with plants. Like, what is the energy of this plant, [00:33:42] and how am I aligned with it? And how are my feelings aligned with it? And what's going on from there? You know? I don't know, does that make any sense to you? REBECCA: Oh, definitely. And I think . . . I totally agree with you. And I was talking to a friend the other day and he's like, "How do we separate [00:33:57] the spiritual from the political?" And I was like, "I don't think we can, and I don't think we should, at this point, but I think I see why people want to." They say, "Oh, can we just leave politics out of it?"  ANDREW: Sure.  REBECCA: Like well, that would be great. But unfortunately, with [00:34:12] the way things are, we can't. And it's . . . there's, you know, a lot of Internet explosions around things like that. ANDREW: Mm-hmm. REBECCA: Because people are like, "Well, you, don't bring up politics at this event." And it's like, well, you can't talk about plants or harvesting [00:34:27] or medicine and magic and not talk about the people it's come from, how we know about it.  ANDREW: Yeah.  REBECCA: And the story of how we got to this point. And it's . . . We need to do better as you know, as a community, especially, you know, in the white herbal world and [00:34:42] white practitioners need to do better about being open to like, talking about hard stuff and realizing it doesn't mean they have to fling themselves off a cliff. [laughs] You know? ANDREW: For sure, right? Yeah. REBECCA: You know, sometimes people think that's what people are asking of them, and it's like no one is asking you to fling yourself off a cliff. Maybe some people are, but you [00:34:57] don't have to do that. And it's just about being able to say like, whoa, what's the real story of how I got this information?  ANDREW: Yeah. REBECCA: And you know, the real story of when I harvest poke, I know what poke's medicinal uses are because indigenous and African [00:35:12] folks told my ancestors those things. So I need to, every time I work with that plant, I think about that. And I don't think about it in a negative or combative way. I think, like you're saying, I think about it in a, like, thank you, gratitude.  ANDREW: Yeah.  REBECCA: A building.  ANDREW: [00:35:27] Yeah. I don't think we can ever separate. . . I mean, yeah, I don't think we can really ever separate or ought to, as you say, at this time, separate politics from our spirituality. You know, I think that that that makes no sense at all [00:35:42] to me and even historically, you know . . . REBECCA: Yeah. [laughs]  ANDREW: You know, you look at a lot of, like the the stories of the Orishas going back, you know? So many of them demarcate political shifts in power and other kinds of things that [00:35:57] are, that are historical, you know? This group came in. They took over this, this region. They deposed the kind of person who was in charge. And the spirit that that person, you know, was most aligned with got a new story, where they [00:36:12] got demoted somehow because of something, right? Or what have you, you know? There's a lot of that. And, it's why, when I wrote the book that goes to my deck, I included the politics, a bunch of politics, all through it and even a chapter in the front that's . . . The, the header is like, why are there [00:36:27] politics in this book? And you know, and it's like, there's a few pages on like why, why I wanted to, you know, really make sure I was engaging in honoring some of that political content because it's true of the religion, it's true of [00:36:42] the world, and it's true for people who are living in the world and using these tools or these plants or whatever. We're all running into politics all the time, you know? And so I thought the idea that we could free ourselves from that somehow is, I [00:36:58] don't know, reminds me very much of like the Golden Dawn notion of like . . . REBECCA: [laughs] ANDREW: We'll get back to like the one true history behind all of the movement of the last, you know, thousands of years since Egypt and we'll, you know, access pure spiritual being or whatever. It's like no. That [00:37:13] doesn't exist. You know? REBECCA: I think you're so right. That was really well said and I totally agree. And I . . . it's . . . to me, I don't want to shame the, like when I hang out with a lot of hippies in Asheville and they're like, we're one human family. I'm like, we are, you're right and it's . . . it's great. [00:37:28] We're all humans. We have these shared human experiences. But within that human experience, my experience is very different than my friend who's, you know, Latinx or a person of color or disabled or a differently [00:37:43] abled or you know, blind or deaf or like anybody that experiences the world and and the, unfortunately, the baggage that the world puts upon them, in our culture . . . ANDREW: Mm-hmm. REBECCA: The different reasons and the different oppressions that people experience. [00:37:58] I don't understand the . . . Like, for me it's difficult to understand when people are like, let's just pretend that things don't exist, because it's hard! ANDREW: Sure. REBECCA: To deal with and it's hard when you don't experience a lot of those things, to be compassionate enough to say, what would it be like? What . . . How can I put [00:38:13] myself in that person's shoes? ANDREW: Mm-hmm. REBECCA: And be compassionate to them, and be like, wow, you have had it way more difficult than me. And that doesn't mean that once again, I need to jump off a cliff, but it means I need to be aware of how I move through the world and who I'm stepping [00:38:28] on, who I'm profiting off of . . . ANDREW: Mm-hmm. REBECCA: And who I'm supporting in the way that they would like to be supported, not the way I think they should be supported. ANDREW: For sure. REBECCA: And like you said, I don't . . . I always tell my students, I'm like, I don't know the answers. I have no idea what I'm talking about. I'm just . . . [laughs] I [00:38:43] do have some idea. But I'm guessing and I'm list-, trying to listen to my friends, and what their needs actually are, and I make mistakes. ANDREW: Mm-hmm. REBECCA: And I have to be sorry, like you said, and then ask, what do you, what word did you use, recon-, not [00:38:58] reconstructed, but re- . . . You used a great word to kind of describe that asking somebody, what can I do? What do you need from me? ANDREW: Mm-hmm. REBECCA: To- . . . true apology. ANDREW: Yeah. Yeah, for sure. I can't remember right now, but you can rewind and listen to it later. [laughs]  REBECCA: [00:39:13] Well, that word, you know . . . ANDREW: Mm-hmm. REBECCA: And that concept of . . . That to me is so integral in our in our work, especially with plants. It's so complicated. And like I said, many people will either say, "Right on," you know, or say "Wow, [00:39:28] she's a crazy communist," you know, or "Wow, she's actually horrible and she shouldn't harvest any plans at all." And I know, at some point, I want everyone to like me . . . [laughs] You know, I want everyone .  . . I'm a very people-pleasing person, being socialized female growing up, you [00:39:43] know, I always want to make everyone happy and feel safe. Also quadruple Cancer here. ANDREW: Wow, that's a lot of Cancer. It's a lot of Cancer. The struggle is real, eh? REBECCA: A real struggle but, I've got a lot of fire too. So it's hard to find out . . . ANDREW: Mm-hmm. REBECCA: What to truly do about that. [00:39:58] But I think what you've said, like, and the way you handled it in your book . . . There . . . People will be mad at us, no matter what we do in life and dislike us and that's okay.  ANDREW: Yeah. REBECCA: Looking for places who are causing real harm. That's to me more important than dealing with people who are on the Internet screaming. ANDREW: Mm-hmm. REBECCA: Real [00:40:13] purpose. [laughs] ANDREW: Yeah, for sure. Yeah, people can, people can do whatever they want on the Internet. It's fine. It's the Internet. I mean, it'd be great if people were kinder, but well, it's the Internet. So. [laughs] So that's the modern monster we've created right? Now, it's [00:40:28] funny, I've been . . . So, I guess, I have a question for you and then we will wrap up because you know, we've been on the phone for a while here, which has been super fun and we could probably talk for a long time. But so, my [00:40:43] question is: If you were to pick a plant or maybe a couple plants, that you think their energy harmonizes with kind of what we've been talking about here. What, what plant would that be, for you, for somebody [00:40:58] to get to know, you know, on an energetic level or whatever level makes sense, you know?  REBECCA: Yeah, that's such a good question. I think, for me, one of my most patron plants is mugwort, Artemisia vulgaris. ANDREW: Uh huh. REBECCA: And [00:41:13] it-- [laughs] Most gardeners in my town will be like, I hate mugwort, because it has running rootless, and it goes all over the place . . . ANDREW: Yeah. REBECCA: And it's a weed. But mugwort has been used historically all over the world as a banishing herb. ANDREW: Mm-hmm. REBECCA: The way that [00:41:28] many like new age folks use white sage now, which is not really its intended purpose, is what I've been told . . . ANDREW: Mm-hmm. REBECCA: By different folks and you can read a lot more about that by actual indigenous people online. If you want to look up the original uses [00:41:43] of white sage, I'd encourage you to do that. But mugwort, whether burned or even just hung up as a bundle, was used to keep away evil, to cleanse things, to remove disease-causing spirits, and in Asia, as well as North America and Europe, [00:41:58] and now it's naturalized. It's not native. It's naturalized all over the United States in lots of different species. And they're fragrant. They're edible, medicinal, important plants and I invite you to meet mugwort. And especially if [00:42:13] you have German ancestry, it was one of most important fumic plants of the German folks, which my last name means "from Bavaria." So, as you can imagine, that's some of the stuff I focus on in my work, but I invite people that to meet mugwort, because when you harvest it, you're weeding [00:42:28] out an invasive plant, you can make all types of food and medicine, and I have a post on my blog about the history of its magical uses, if people are curious with it.  ANDREW: We'll include a link in the show notes, for sure. That's awesome. Yeah, mugwort's [00:42:43] a really great one. You know, it's funny. It's amusing. I don't know. I don't even know what the right word is. I'm always surprised at how hard a sell it is to people sometimes? When other things are just such an [00:42:58] easy sell, right?  REBECCA: Yeah. ANDREW: But, but now I'm just going to be like, you know, look, Rebecca says you should use this one. I'll there put a little sign above the . . . You know, your face, saying, "Get this one!" right where we sell it in the shop. [laughs] Yeah. Yeah, [00:43:13] the one that I leaned on a lot through, through that kind of like journeys with this stuff was, was actually was dandelion. REBECCA: Hmm. ANDREW: You know, it's a sort of like, you know, partly because of its notion of like, that deep [00:43:28] taproot as sort of staying deeply grounded in my own practice and being really really like grounded in what I do. Partly, you know, because of, like even though people see it as a weed, the beauty of its flower, right? That sort of like [00:43:43] offering of a radiance to the world throughout what I'm trying to do with my work, and also because it's, you know, often used for like detoxifying and stuff like that, that sort of like inner cleanse. It's like, I've got to root out this stuff, that's conditioning and [00:43:58] cultural baggage and other things, so that I can be more authentic to myself and what I need to be doing, you know? So that was definitely one that I leaned down a lot. You know, last year, especially through the summer time, [00:44:13] whenever I was like, feeling, feeling that worry about what was going to happen when the thing came out. I was like, all right, let's go out in the garden, dig up some dandelions, make some tea, or like hang out with them, or put a put a bunch of them on the table for a while or whatever, you know, so. [00:44:28]  REBECCA: Yeah. ANDREW: Yeah, for sure.   REBECCA: That's amazing. I love that. Thanks for sharing that with me.  ANDREW: Yeah! So, for people who want to check out what you're up to, and people should definitely check out what you're up to. Where do they find you? Where . . . [00:44:43] what are you up to, where are you hanging out online right now? REBECCA: Where do I lurk? Well, I have a website and an Instagram account called Blood and Spicebush. And my website is BloodandSpicebush.com. Spicebush is one of my favorite native plants and a blood cleanser, [00:44:58] hence the name of my website! And I also run a small folk herbalism school with my friend Abby Artemisia, called Sassafras School. And you can find us at Sassafras-School.com. And we have a few more spaces left in our yearlong [00:45:13] program on folk medicine and wild foods, as we're both female botanists and foragers and medicinal practitioners. So, we're excited to share that, because there's lots of amazing clinical herb programs, but we've seen there wasn't really any folk [00:45:28] program. So we decided to give it a go and see how that goes. ANDREW: Nice. That's awesome. Amazing. And you're going to be in Hamilton this summer, for folks who are local to the shop. So, you know, we'll put a link in for where you can find that as well in the notes, [00:45:43] but, Rebecca's going to be up in up in our part of the world a little bit where the shop is, so.  REBECCA: End of June. Yeah. ANDREW: End of June, yeah. Well, thank you so much for being on. It's been a wonderful chatting with you. Thank you. REBECCA: It was a pleasure. Thank you. 

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land. In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”. In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.  Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land. In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”. In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.  Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land. In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”. In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.  Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land. In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”. In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.  Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land. In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”. In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.  Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land. In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”. In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.  Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our region has incredible cultural assets, especially our music and dance, as well as traditional arts, crafts and foodways. In this episode of Mountain Talk Monday, we learn about the Mountains of Music Homecoming happening throughout Southwest Virginia June 9-17. Its a project of the The Crooked Road: Virginia’s Heritage Music Trail, which came into being to provide economic opportunities locally through showcasing the region's distinctive music, venues and musicians. Host Kelli Haywood and guest host Rich Kirby from WMMT’s Deep in Tradition speak with the MOMH assistant coordinator and professor of Appalachian Studies at ETSU, Ted Olsen on the upcoming 9 days filled with wonderful traditional music and cultural events. Find out more at www.mtnsofmusic.com!

Welcome to Get Up in the Cool: Old Time music with Cameron DeWhitt and Friends! This week’s friend is Shohei Tsutsumi. He recently moved from Osaka, Japan, to Boone, North Carolina for an Appalachian Studies program at Appalachian State. We talk about what led him to do so, as well as the thriving Bluegrass and Old Time scene in Japan. Also, Dave Wood, the academic program director of Shohei’s program, joins us on guitar.  Subscribe to Shohei's youtube channel: https://www.youtube.com/user/OldTimerjp  Support Get Up in the Cool on Patreon: https://www.patreon.com/getupinthecool Tunes we’ll play: forgot the first tune's title sorry guys i'm the worst Cotton Eyed Joe Red Bird Grey Eagle Old Joe Clark Bonus Track: Soldier’s Joy

In this episode, learn more about the Mountains of Music Homecoming and the The Crooked Road: Virginia’s Heritage Music Trail. Host Kelli Haywood and guest host Rich Kirby from WMMT's Deep in Tradition speak with the MOMH assistant coordinator and professor of Appalachian Studies at ETSU, Ted Olsen on the upcoming 9 days filled with wonderful traditional music and cultural events. Find out more at www.mtnsofmusic.com!

GO TO HTTP://EDACIOUS.CO/053 TO PURCHASE THIS EPISODE! Revival Work. Welcome to Sounds of the Summit, a compilation of stories, music, oral histories, and regional food studies collected during the 2016 Appalachian Food Summit in Berea, Kentucky. Back in 2013 or thereabouts, an interesting discussion developed on Facebook. Did cornbread have sugar in it? Or not? There were enthusiastic supporters on both sides, so much so a few enterprising folks decided to create a Facebook group dedicated to Appalachian Foodways. Then someone, maybe food writer Ronni Lundy, suggested we meet and discuss this important issue. Maybe over food. And fellowship. And bourbon. And more food. With those words the first Appalachian Food Summit was born. That first year at Hindman Settlement School we had a church potluck, talked about heirloom seed saving, recorded oral histories, and listened to incredible bluegrass music. The following year saw us in Abingdon, Virginia at beautiful Heartwood, where Chef Travis Milton created a gourmet cafeteria-style meal he deemed "The Fancy Ass Picadilly" and Nancy Bruns of JQ Dickinson Salt-Works taught us all about the origins of salt mining in West Virginia. Just to name a few. Because Appalachian lessons? Stories? There were a lot. It must have been quite something because the Southern Foodways Alliance awarded AFS its John Egerton Prize in 2015. GO TO EDACIOUS.CO TO PURCHASE THIS EPISODE! This year found the summit in Berea, Kentucky where the college has given us a home base in which to explore themes around regional identity, myths, and the culture of extraction for the next few years. The theme was "Routes and Roadways" and over two days dozens of authors, scholars, and foodways enthusiasts presented their findings. Appalachia is a traveled region, whether you're headed up the hill, through the holler, or just a traveler passing through. It's been that way for hundreds of years. What has changed? What hasn't? The 2016 summit attempted to find out. And find out it did. In this episode I present seven summit speakers intertwined with my own thoughts after attending. It's a unique episode and one I had great joy creating. As they say in the movies I laughed. I cried. And in the end it reminded me why the Appalachian Food Summit remains the food cause closest to my heart. Because although I'm not always sure of my connection to the region, I always know I'm welcome to the table. Thanks so much for your support of this effort. By listening, you donate $1 to ensure the 2017 summit will be the best ever. Cheers. FABULOUS PRIZES! Listen and win. Starting next Monday, November 14th, I'll choose one winner per week for the next five weeks. Thank you to these local business for donating: $50 gift certificate - Splendora's Gelato (Episode 008) $50 gift certificate - ThreePenny Café (Episode 051) $50 gift certificate - Cicchetti Bar at Tavola (Episode 026) 3-month pie club membership - The Pie Chest One dozen free apple cider doughnuts - Carpe Donut (Episode 043) Summit Speakers - There were SO many great ones. Please check out the full lineup here. And thank you to the following musicians, storytellers, and scholars for offering up their art for this episode: Matt Parsons, musician. Robert Gipe, author of Trampoline. Courtney Balestier is a West Virginia writer whose interests focus on Appalachian food and culture, particularly issues of identity, belonging, and class (Episode 52). Silas House is a nationally bestselling writer and serves as the NEH Chair in Appalachian Studies at Berea College. Dr. Alicestyne Turley is the Director of the Carter G. Woodson Center for Interracial Education and is an Assistant Professor of African and African-American Studies at Berea College. Toni Tipton-Martin is an award-winning food and nutrition journalist and community activist who is busy building a healthier community through her books, classes, and foundation. Toni is the author of the James Beard Award-winning book, The Jemima Code: Two Centuries of African American Cookbooks. Ronni Lundy has long chronicled the people of the hillbilly diaspora as a journalist and cookbook author. Lundy can currently be found behind the wheel of her trusty Astrovan, touring the country with her newest critically-acclaimed book, Victuals: An Appalachian Journey, with Recipes. Special thank you to Amy Campbell Rochelson of The Tennessee Farm Table podcast, who graciously lent me her recording of Robert Gipe's reading when my own bit the big one. Thank you Amy! Special thank you to our head organizer Lora Smith, without whom none of this would have been possible! You're a rockstar Lora. Thank you. This episode is sponsored by YOU.  That is, if you listen. It's only $1 and all proceeds benefit the 2017 Appalachian Food Summit. Thank you. GO TO EDACIOUS.CO TO PURCHASE THIS EPISODE!

Appalachian food has been sustainable and organic for generations. They have been offering “farm to table” fare forever, without needing to call it that. And the iconic dish of soup beans and cornbread is "culinary harmony," a perfect blend of the native beans with the rendered fat of the pig, an animal brought to the lower South by the Spanish in the 16th century and to the upper South by the English in the 17th. Fred Sauceman, Appalachia born and raised, tells the story. Fred Sauceman is Senior Writer and Associate Professor of Appalachian Studies at Eastern Tennessee State University. His latest book is Buttermilk & Bible Burgers: More Stories from the Kitchens of Appalachia, published by Mercer University Press. He is also the author of the three-volume book series on Appalachian foodways, The Place Setting: Timeless Tastes of the Mountain South, from Bright Hope to Frog Level, published by Mercer as well. In addition, he is editor of Cornbread Nation 5: The Best of Southern Food Writing.

Wayne Winkler, host of Community Forum, talks with Dr. Ted Olson from the Department of Appalachian Studies at ETSU and Shannon Castillo, Director of Redevelopment on The Washington County Economic Development Council, about The Johnson City Sessions.

The seldom-told story of African Americans in Appalachia has been on our minds since a few weeks ago when we spoke to Kentucky Poet Laureate Frank X Walker, who coined the term 'Affrilachian.' Kentuckians for the Commonwealth has been exploring the issue too, and is hosting an event celebrating the contributions of black folks in Appalachia Tuesday night. This week, we spoke to an innovator in this field of study. Dr. Bill Turner was the first scholar to combine interests in the fields of African-American and Appalachian Studies, having grown up himself in a coal mining town in Harlan County, Kentucky. We spoke with Dr. Turner about the importance of rediscovering this part of our history, and why the image of Appalachia as a white region is so pervasive and lasting. We also had K.A. Owens in our studio to tell us more about the Kentuckians for the Commonwealth event, From Louisville to Appalachia: Celebrating Our Common Heritage. K.A. helped make some connections between environmental preservation and social justice, too. In our Juicy Fruit segment, we talked about Janet Mock's recent video on Colorlines, where she discussed the part sex work played in her life, and drew some comparisons between her story and that of Venus Xtravaganza from our favorite movie, Paris is Burning. And to wrap things up, we talked about some of our favorite black history figures in honor of Black History Month! We'll be spending time throughout February paying tribute to some of the folks who mean the most to us—both those you know, and those who may be new to you. Happy Black History Month, Fruitcakes!

Tammy Horn was born in Harlan County, KY, on March 21, 1968. Her parents taught history and English; both maternal and paternal grandparents kept bees on their properties in eastern KY. All of these interests coalesce in my research and vision for a world in which there is, to quote J.R.R. Tolkien, “hope without guarantees.”When she was ten, her parents moved to Pine Ridge Indian Reservation. The stark Badlands and their nuanced shadows continue to serve as her aesthetic ideal when writing. Tammy received a B.A. from Berea College, an M.A. from Ft. Hays State, and finished a Ph.D. in Modernism at the University of Alabama in 1997. This was the same year that her grandfather introduced me to his bees. The real education began. For three years, Tammy taught at the University of West Alabama, returning to KY to help her grandfather with his bees. In 2000, Tammy stayed in KY to teach at Eastern Kentucky University and in 2002, transferred to teach at Berea College. In 2005, Bees in America: How the Honey Bee Shaped A Nation was published by the University Press of Kentucky. In 2006, Tammy was named the NEH Chair of Appalachian Studies at Berea College. Tammy’s research from that year has resulted in a pilot project focusing on the relationship between coal mine reclamation sites and honey bees. Hear Tammy on KY Life! This program has been brought to you by Heritage Foods USA. “We’re losing 1 in every 3 beehives every year across the nation…and that’s because we haven’t regulated pesticide use at all.” [16:30] “2013 will go down in history as the year when honey production will be at its lowest.” [21:30] — Tammy Horn on Greenhorns Radio

Spring is on its way! Gardens will be growing, and fruits and vegetables will be ready to eat - or preserve, pickle, freeze or dry! Lisa Conley is a graduate student in the Department of Sociology, and has been working on a documentary film about home food preservation methods in Appalachia since 2009. In this podcast, Conley discusses her research for the film, as well as an upcoming event. On April 5th, 2012, Conley will be presenting at the Appalachian Forum on Home Food Preservation in Eastern Kentucky, which will include a panel discussion, an excerpt from Conley's film, and a question and answer session about food safety. The forum is from 7:00 - 9:00 p.m. in Room 206 of the UK Student Center. The forum is sponsored by the Appalachian Center and the Appalachian Studies program and is free and open to the public. This podcast was produced by Cheyenne Hohman.

Amanda Fickey, a University of Kentucky doctoral candidate was recently granted a year long research fellowship by the Central Appalachian Institute in Research and Development. The Institute, located in Pikeville, Kentucky, focuses heavily on improving educational access and issues of economic development in the Central Appalachian region. Fickey, an instructor in the Department of Geography as well as in the Appalachian Studies Program while completing her doctoral studies, will spend 2013 as a fellow-in-residence at the institute. There she will focus her research around questions of regional identity and economic development throughout all of Appalachia. The fellowship is the first of its kind for CAIRD and Fickey hopes that her work this coming year will pave the way for other fellows and students to come. This podcast was produced by Patrick O'Dowd.

Ted Olson is a Professor of Appalachian Studies at East Tennessee State University.  He has published a collection of poems called Revelations.  This is a magnificent collection of poetry that touches on spirituality, nature, family, and music.  Maurice Manning writes that Revelations "...sweeps broadly, gathering family history, displaced people, the natural world, religion, small towns, solitude, and love into a single tide washing into shore."   Dr. Olson brought his banjo and his poetry.  Join us!

Ted Olson teaches Appalachian Studies at East Tennessee State University.   He has been nominated for three Grammy Awards.  Two nominations in 2012 for The Bristol Sessions 1927-1928 - The Big Bang of Country Music and another nomination in 2013 for Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads and Instrumentals Recorded in the Great Smoky Mountains by 'Song Catcher' Joseph S. Hall.   He just produced The Johnson City Sessions, rare recordings made in Johnson City in 1928.    Dr. Olson talks to me about these recordings and he brought his banjo to share some of this great Appalachian music!

WV Writers Podcast Episode 4, in which we speak to Cat Pleska, once and future officer of WV Writers. Cat talks about her work as a teacher and memoirist, her essays for WV Public Radio, her views on the current state of the literary world of Appalachia and her time spent portraying both a famous photographer from 1910 and the mother of mother's day. DOWNLOAD (Right click and Save Link Target As) West Virginia Writers Podcast Episode 4 Links mentioned in Podcast: CatPleska.com Cat Pleska's WV Public Radio Essays Cat's "Mouth of the Holler" blog Pearl S. Buck International Writers Workshop