Podcast appearances and mentions of crystal bridges

My guest this week is multidisciplinary artist Nicholas Galanin.Nicholas is from the sitka tribe of Alaska and has exhibited his works all over the world, from the Whitney Museum and Museum of Modern Art, to the Abu Dhabi Biennial. His work challenges stereotypes of indigenous art while also addressing social and environmental issues.He recently received the Don Tyson Prize for outstanding achievement in American Art from the Crystal Bridges museum.Nicholas and I discuss life in Sitka, embracing cultural heritage, his incredible Never Forget series, fashion brands leveraging indigenous designs and more.*Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch 

Spring is one of the best times to experience Bentonville's vibrant arts and outdoor scene! In this episode, we're joined by an expert from Crystal Bridges Museum of American Art and The Momentary to talk about the ultimate ways to enjoy the season—from art-filled nature trails to live music performances, seasonal exhibits like "KAWS:FAMILY," and immersive experiences. Whether you're a local or planning a visit, this is your guide to making the most of spring in Bentonville!

On this week's edition of the Flavors of Northwest Arkansas podcast, we head to Crystal Bridges where we talk to Chef Tim Ordway, Associate Director of Culinary Operations at Crystal Bridges & the Momentary... But before we get to Tim, we have food news! The Akira Ramen and Bowl food truck in Fayetteville is adding a brick and mortar location. The quickly popular Stonebreaker Hotel restaurant has new hours Sadly, we have 2 restaurant closures to talk about Chef Tim Ordway started his culinary career like so many- as a teenager working in fast food (Chik-Fil-A, actually), and knew pretty early-on that he wanted to work in food. But it wasn't just for the food aspect. Tim will explain. He credits his college education at Johnson & Wales for giving him a head start in the culinary industry, where he moved up quickly. He became a sous chef quickly in his early 20's at a restaurant where he met his wife.  Chef Tim tells us why they moved from Charlotte to Northwest Arkansas. And there are many folks out there wondering why Crystal Bridges has a chef. They have several, and Chef Tim will tell you what all they're responsible for- it's a BIG list. For those that don't know, there are MANY culinary adventures are offered at Crystal Bridges, and that list is about to grow. ***Sidenote- if you haven't seen or heard, we've added video to Flavors and you can now watch on YouTube (just search for Flavors of Northwest Arkansas, or find the link on our Facebook or Instagram). 

In this episode, we hear all about the artistic and cultural transformation happening in Northwest Arkansas as we chat with Jill Wagar, the visionary director of the Momentary and senior director at Crystal Bridges. Explore Alice Walton's profound philanthropic endeavors, including the Art Bridges Foundation, designed to bring art to communities nationwide. We discuss the collaborative spirit that drives Alice Walton's visionary projects, from free museum admission policies supported by Walmart to groundbreaking educational initiatives like the Alice Walton School of Medicine. Jill sheds light on how these initiatives not only make art more accessible but also aim to transform healthcare delivery, emphasizing the Walton family's significant investments in the region's growth and accessibility.Jill shares about the magic behind the Momentary, where art meets entertainment in unforgettable ways. From renowned performances by Brothers Osborne to the unique Supper Club food series, the Momentary has become a beloved community hub. She shares exciting news on upcoming events and festivals like Send it South, a thrilling blend of mountain biking and music, promising to captivate art and music enthusiasts alike. Join us as Jill invites collaboration and engagement, reinforcing the community aspect of these cultural gatherings.

Millions of children across America don't have art classes in school and don't grow up going to art museums and galleries. They might be hours away from the closest museum, or their families might not have the means to bring art into their lives. Philanthropist Alice Walton had that kind of childhood, and wants to prevent as many people as possible from repeating it. When she discovered the art world as an adult, she also learned how insular and urban it was, leaving out so many. These experiences led her to found the Crystal Bridges Museum of American Art in Bentonville, Arkansas, which opened its doors to all in 2011. Admission at Crystal Bridges is free, and Walton has also instituted educational programs that cover the costs of bringing children in from around the region. Anne Kraybill is the CEO of a related program called Art Bridges, which is attempting to spread the philosophy of art for all and help smaller museums around the country increase access to art. In this talk from the 2024 Aspen Ideas Festival, Ford Foundation president Darren Walker interviews Walton and Kraybill about these initiatives and the motivations that created them. aspenideas.org

Artificial Intelligence is part of the present and our future, but how can it help provide better medical care? On today's show, we hear about a conference hosted by the Alice Walton School of Medicine and Stanford Medicine at Crystal Bridges to investigate just that. Also, we hear about the decades-long relationship between Jimmy Carter and Bill Clinton. Plus, the Mount Sequoyah cross is getting a tune-up.

Blind Hog and Acorn had a very quiet Christmas since the kiddos were doing their own visitations. Acorn cooked up a delicious rib roast with veggies underneath, baked up some Yorkshire puddings with all but leapt out of their pan.  Totally delicious.Farm chores chugging along.  Blind Hog got the drainage ditch behind the workshop cleared out- it had dammed up and was washing out the bottom turn of the driveway.  Sam got to pose on the cement plug.  He was very proud.Goats doing well, kids keeping right up with their moms. The lads are happy as long as they get goat kibble too.A trip to Crystal Bridges was on tap for Acorn's birthday.  Having all the fun seeing art!  Happy New Year from the farm!

Curious about what it takes to run a half marathon? Join us as we chat with Christian Moore from Bentonville Parks and Recreation about Run Bentonville. Celebrating its 15th year, this event has it all— a half marathon, a 5k, and a two-person relay, fun atmosphere, live music, and a supportive community. Christian shares his journey from Fayetteville to California and back and stories like the 92-year-old who completed the Bentonville Half Marathon. We also offer insights into registration, including early bird pricing and deadlines (February 14), to help you secure your spot. Discover the course in Bentonville, with must-visit spots like Crystal Bridges trails.Register Today: www.runbentonville.com/half-marathonYou can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict. Find us at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn.

We start the show by continuing our discussion on the poor state of healthcare in the U.S. Then, GBH News art editor Jared Bowen discusses his recent trip to the Crystal Bridges museum in Arkansas and the 2025 Golden Globe nominations. And, it's Ask the Mayor with Michelle Wu. Actor and author Marianne Leone discusses her new book "Five Dog Epiphany: How a Quintet of Badass Bichons Retrieved Our Joy." Finally, Jim wanted to talk about regifting, Margery wanted to talk about reusable bags --- so we open up the phone lines to ask about both.

On today's show, we learn about a nine-figure gift for the University of Arkansas. Also, 13 years after opening, Crystal Bridges continues to expand and explore. Plus, Becca Martin Brown returns for a new episode of "The Other Way".

On today's show, building a new shared kitchen in Springdale. Also, the busy autumn schedule for LatinX Theater Project. Plus, we get a preview of this weekend's KaniniFest at Crystal Bridges.

Join us as we sit down with Ricardo Rivero, the visionary for Time Loop, an outdoor art experience at Crystal Bridges. The podcast will uncover the journey behind this latest project as well as Ricardo's transformation from a filmmaker to the creative director for Klip Creative. We dive into his DIY ethos and how it fuels his passion for turning ordinary spaces into extraordinary, immersive experiences. Learn how Time Loop electrifies the North Forest at Crystal Bridges, creating a meditative exploration through stunning light and sound projection mapping. We uncover the process of designing a nature-inspired art installation that resonates deeply with its natural environment. From the symphony of bird and cricket sounds to depictions of pine cones, fruit, and fungus, every element is carefully curated. This episode is not just about art—it's about the power of time and presence in connecting us to the world around us. Enjoy the podcast and then reserve your Time Loop tickets at Time Loop by Klip Collective: A Forest Light Experience.You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict. Find us at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn.

This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit.  Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.

Conway County Fair gets underway today; Beeson's Grocery to close after over 130 years; Bigelow High School to get arts grant from Crystal Bridges; SCCSD's 'Race to the Future' goal to replace Chromebooks; Foshee promoted at TOLM Group; Devil Dogs notch season-opening win over Russellville.

Join us as Dr. Mindy Besaw from Crystal Bridges addresses traditional American Western narratives with passion and insight, discussing the groundbreaking Knowing the West art exhibition coming to Crystal Bridges from September 14 through January 27. Co-curated with Jamie Powell, this show will help expand our thinking on the West and include voices and stories often overlooked.  Knowing the West highlights the contributions of both Native American and non-Native American artists. With more than half of the artists being women, this exhibition promises to offer a fresh and inclusive perspective on the American West. From textiles to painting, pottery, and even a saddle, this exhibition promises to surprise and delight!You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict. Find us at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn.

Listen in this week as Dane runs a half marathon, Samuel gets on-stage with NEEDTOBREATHE, and A.I. generates 10 pickup lines that are sure to work! Additionally, we discuss Top Golf, Crystal Bridges, Funko Pops, Spike Ball, Nine Square, Mountain Dew, and much more. --- Please follow our Instagram (@UntilNextWeekPodcast) & TikTok (@UntilNextWeekPodcast), leave us a 5 STAR review (& subscribe) on Spotify & Apple, and send us a voice message below to be featured on one of our next episodes. --- BUY "RESCUED" BY ELIZABETH VIRGIL: Please visit Elizabeth's website, https://pastorsagainstabuse.us/ to purchase the $15 book. Use code "NEXT" for 20% off not only this book, but anything on her website! --- LISTEN TO "THE MANWAGON" PODCAST BY JOSHUA SCHMITZ: https://podcasters.spotify.com/pod/show/the-manwagon-podcast --- SUPPORT DANE: [Please send us a DM with your name and amount if you decide to donate for tracking purposes] https://hillcityglobal.managedmissions.com/MyTrip/danebiesemeyer1 --- GET 2 PICKLEBALL PADDLES FOR $98: [USE CODE SAMUEL 14434] https://www.fridaypickle.com/discount/SAMUEL14434 --- Send in a voice message: https://podcasters.spotify.com/pod/show/untilnextweek/message Support this podcast: https://podcasters.spotify.com/pod/show/untilnextweek/support

Crystal Bridges Museum of American Art in Bentonville, Arkansas is one of the country's leading cultural institutions. Founded by philanthropist and arts patron Alice Walton, the museum's permanent collection spans five centuries of American artworks from early American to the present.In this episode, what is “radical access” and how does this concept and practice help to break down traditional barriers? How does Crystal Bridges create a community-centric space where art catalyzes conversations about diversity, inclusion, and belonging? And how does the museum's leadership create a workplace culture as vibrant and diverse as the art it celebrates?You can read the full transcript of this conversation on our website.Featured In This Episode KC Hurst is Chief Marketing, Communications, and Digital Officer for Crystal Bridges Museum of American Art, a renowned cultural institution located in Bentonville, Arkansas.Marissa Reyes is Chief Learning and Engagement Officer for Crystal Bridges Museum of American Art. She has over 20 years of experience in the arts, education, and culture sectors and 14 years of senior leadership experience in art museums. She was recognized as the 2014 Illinois Museum Art Educator of the Year by the Illinois Art Education Association.Cameron Magee is the owner of avad3 Event Production, a full-service provider of audio, video, lighting, staging, set design, and streaming services for in-person, virtual, or hybrid events. Cameron founded the company in 2011 in his college dorm room. He now leads a team of over 50 hard-working professionals that design and deliver flawless event production for clients nationwide. Cameron believes that character is as important as competence. He's committed to building a people-centered production company that brings listening, empathy, and integrity to every client engagement, along with world-class technical expertise and seamless execution. Learn more about avad3 in Episode 5: “Building a People-Centered Production Company” Adrian McIntyre, PhD is a cultural anthropologist, media personality, and internationally recognized authority on communication and human connection. He delivers engaging keynote speeches and experiential culture-shift programs that train executives, managers, and teams to communicate more effectively and connect on a deeper level by asking better questions and telling better stories. Want Some Inspiration for Your Next Big Event?At avad3 Event Production, we're passionate about using lighting, sound, and video to transform event spaces from mundane to magical. Browse our gallery of "Success Stories" to spark your creativity and get some design inspiration for your own future events.You Need a Show Flow, Not a Script.A “show flow” is a simple yet powerful tool that savvy event planners use to effectively communicate the essential details to the right people at...

Discover the vibrant educational scene of arts and culture in Bentonville through this captivating conversation with Jessica Sudduth, Senior Education Manager at Ovations+. From theater classes and student productions to orchestra concerts and youth ensembles, Ovations+ offers a wide range of enriching programs to bring premier children's theater to NWA through the merger of Trike Theatre and Arkansas Philharmonic Orchestra. Get the inside scoop on upcoming summer camps, fall classes, and not-to-be-missed events like the Arkansas Philharmonic Youth Orchestra and the adult orchestra's side-by-side concert at Crystal Bridges on March 27. Whether you're new to the area or a longtime resident, this episode is a must-listen for anyone passionate about the flourishing arts and culture scene in Bentonville.You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.  Don't forget, Visit Bentonville is here to assist you in finding things to do, where to eat and stay, and find out what's going on in the city. Visit our website visitbentonville.com and subscribe to our enewsletter here. Follow us on Facebook, Instagram, TikTok, Twitter, and LinkedIn.  

On today's show, Christopher Marley's “Exquisite Creatures” opens at Crystal Bridges. Plus, when work on stage can truly inspire relationships off stage: we meet the entire cast of TheatreSquared's “Cambodian Rock Band."

Ep.192 Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023, Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges' 120-acre campus through a series of new commissions, touring group exhibitions, and long term loans. She has also acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, Counterpublic Triennial, Prospect New Orleans triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, and ART21 Magazine, amongst others. Glenn sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit. Photograph by Grace Roselli Allison Glenn https://www.allisonglenn.com/ Artnet https://news.artnet.com/art-world/valuations-allison-glenn-2395989 NYTimes https://www.nytimes.com/2023/05/09/arts/design/counterpublic-st-louis-public-art.html ARTnews https://www.artnews.com/art-news/artists/qa-david-adjaye-on-his-first-permanent-sculpture-1234670283/ e-flux https://www.e-flux.com/criticism/537239/counterpublic-2023 NPR https://www.stlpr.org/arts/2023-03-07/massive-public-art-exhibition-will-highlight-historical-injustices-in-st-louis The Architects Newsletter https://www.archpaper.com/2022/04/david-adjayes-first-permanent-public-artwork-among-art-and-architectural-commissions-for-2023-counterpublic-triennial-in-st-louis/ Artnet https://news.artnet.com/art-world/counterpublic-2023-2106157 ARTnews https://www.artnews.com/list/art-news/artists/shaping-art-2022-deciders-1234612406/naomi-beckwith/ NYTimes https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html Observer https://observer.com/power-series/2021-arts-power-50/ Artforum https://www.artforum.com/features/huey-copeland-and-allison-glenn-on-promise-witness-remembrance-249992/ SAIC https://www.saic.edu/news/alum-allison-glenn-and-the-power-of-listening NYTimes https://www.nytimes.com/2021/03/11/arts/design/speed-museum-breonna-taylor-curator.html Art Newspaper https://www.theartnewspaper.com/2021/02/25/speed-art-museum-will-reflect-on-the-death-of-breonna-taylor-in-an-exhibition Surface https://www.surfacemag.com/articles/breonna-taylor-exhibition-speed-art-museum-other-news/#taylor Culture Type https://www.culturetype.com/2021/02/22/the-week-in-black-art-february-22-28-2021-cameron-shaw-named-executive-director-of-california-african-american-museum-aperture-names-seven-new-trustees/ Artnet https://news.artnet.com/art-world/louisville-speed-art-museum-breonna-taylor-1945823 Observer https://observer.com/2021/02/breonna-taylor-speed-art-museum-louisville/ 88.9 WEKU https://www.weku.org/post/new-speed-exhibition-honor-life-legacy-breonna-taylor#stream/0

Andy Chasteen, co-director of the Rule of Three gravel event in Bentonville, Arkansas, joins host Craig Dalton to discuss the vibrant gravel cycling community in Northwest Arkansas. They delve into the importance of connectivity and safe infrastructure for cyclists, the origins of the Rule of Three event, and the unique experience it offers with a combination of pavement, gravel, and singletrack. Andy also shares his perspective on event organization and the value of creating a memorable and enjoyable experience for participants. Don't miss this engaging conversation about the growth and excitement surrounding gravel cycling in Bentonville. Rule of Three Website Episode sponsor: Pillar Performance (use code CRAIG for 15% off) Support the Podcast Join The Ridership  About the Guest(s): Andy Chasteen is an avid cyclist and the co-founder of Rule of Three, a unique gravel cycling event held in Bentonville, Arkansas. He has a background in rock climbing and ultra marathoning, which led him to discover his passion for cycling. Andy is also a consultant in the outdoor industry and has worked with brands like Allied Cycle Works. He is dedicated to creating a vibrant cycling community in Northwest Arkansas and promoting the gravel riding experience. Episode Summary: In this episode, Craig Dalton interviews Andy Chasteen, co-founder of Rule of Three, about the vibrant gravel cycling community in Northwest Arkansas and the unique gravel event they organize. They discuss the growth of Bentonville as a cycling destination, the importance of connectivity and safe infrastructure, and the origins of Rule of Three. Andy shares his journey from rock climbing to cycling and his passion for creating events that offer a challenging yet enjoyable experience for participants. He also emphasizes the value of different types of gravel events and the need for inclusivity in the cycling community. Key Takeaways: Bentonville, Arkansas, has become a thriving cycling destination with a strong focus on connectivity and safe infrastructure. Rule of Three is a gravel cycling event that combines pavement, gravel, and single track sections to create a challenging and engaging experience. The event aims to provide a unique and fun atmosphere for participants, with a focus on community building and inclusivity. Andy Chasteen believes that gravel cycling offers a more accessible and enjoyable experience for riders of all skill levels. Rule of Three is committed to delivering a high-quality event and prioritizes participant experience over profit. Notable Quotes: "We're building gravel connectors that are not used by cars. They're just for cyclists to get from the center of Bentonville out into these rural areas." - Andy Chasteen "Gravel riding resonated with my culture and personality. It felt like home." - Andy Chasteen "Our goal is to put on the best event possible for the people that show up." - Andy Chasteen Automated Transcription.  Please excuse the typos: [TRANSCRIPT] [00:00:00] - ():  Craig Dalton: Andy welcome to the show. [00:00:03] - ():  Andy Chasteen: Thank you. It's an honor to be here. I've been listening to you for a long time. [00:00:08] - ():  Craig Dalton: That's amazing [00:00:09] - ():  Andy Chasteen: to hear Andy. Well, sometimes it's just weird to be on a podcast that you've been listening to and you're talking to the person that you listen to all the time. So it's. It can be awkward, but it's great. **** - (): It's an honor to be here. Thank you. [00:00:20] - ():  Craig Dalton: Yeah, a hundred percent. And I feel like I've been observing your antics from afar for a while. So I feel like I know you a little bit, but it's the first time I think that we've actually got a chance to chat. [00:00:30] - ():  Andy Chasteen: Yeah. Yeah. I'm S I'm super stoked to talk to you. So sweet, [00:00:34] - ():  Craig Dalton: well, a lot of people will have heard of rule of three, and I definitely want to get into that event. **** - (): Super excited to talk to you about that and, um, gravel cycling in Northwest Arkansas as well. Just as a general topic, because I know as we were talking about offline, that community that you're part of cultivating and a member of is just. So vibrant that, uh, you know, I just love to hear stories from the ground and how other communities can mimic what you're doing and the passion that the community seems to have for gravel riding. [00:01:04] - ():  Andy Chasteen: Yeah. It's, uh, you know, as we were, as we were talking a few minutes ago, there's a lot going on here and, uh, it's quite exciting. And as we like to stay around here, we're, uh, we're just on first base, which is kind of, which is kind of exciting to, to even say, yeah. [00:01:19] - ():  Craig Dalton: And for those of us who have been to Bentonville to. **** - (): To, to hear you describe it as first base is insane because you've got great infrastructure. You can get around town on bike paths, but that's just the tip tip tip of the iceberg. There's a couple of substantial mountain bike areas and obviously miles and miles and miles of great gravel as demonstrated in the big sugar gravel event every [00:01:41] - ():  Andy Chasteen: year. **** - (): That's right. And, uh, you know, we're working on, you know, like you said, connectivity, and I don't mean to jump straight into this, but like a lot of what we are working on in the Bentonville area is connectivity. How can we connect neighborhoods, uh, you know, business centers and just life in general to trail and gravel road and safe connectors to get out into these rural area, like. **** - (): That's a, that's a thing that's been on our mind for, you know, well, for, for a while, but what we've really focused on in the past year is, is really making, it's connecting, uh, Bentonville or the Northwest Arkansas area to the ride experience, which has been a fun, a fun time for [00:02:24] - ():  Craig Dalton: sure. Yeah, I bet. You know, that, that safe connector thread, I think is so important because a lot of areas are great for cycling, but you have to get there and many of us want to ride there. **** - (): And if riding there is dangerous, that's just going to prevent people from enjoying the sport in the way we want them to. [00:02:42] - ():  Andy Chasteen: Yeah, uh, the lens with which we've been looking at, uh, let's, let's just stay on the gravel side for now, but like the lens with which we've been looking at the gravel side of the, you know, the experience in Northwest Arkansas is, has been heavily towards, okay. **** - (): This area is growing. This area is growing very, very fast. And there's, there are some things that we cannot control and we can't control growth. You know, we, we, we don't, you know, we want the Bentonville Northwest Arkansas area to grow and be prosperous. And, you know, but we also have to make sure that that experience for the rider is You know, safe, it's enjoyable. **** - (): Um, it's, uh, it's approachable for someone who might be brand new. So that's kind of the lens with which we've been looking at the gravel experience. And quite honestly, we're building gravel connectors that are not used by cars. They're just for cyclists to get from. Say, let's just say for right now, uh, the center of Bentonville out into these rural areas. **** - (): So as Bentonville grows and the footprint expands, those will be protected in perpetuity for their gravel experience, which is really cool. And I'm maybe there's other, you know, communities doing that. But if, if they are, I'm not aware of it. And it really is this amazing foresight, uh, to where 20 years from now, we hope that the gravel experience is protected and enhanced and, uh, and it's still what it currently is. **** - (): So. [00:04:11] - ():  Craig Dalton: Yeah, it's probably worth, you know, I've, I've spoken about Bentonville a couple of times on the podcast before, but it's probably worth noting that the sort of. And correct me if I'm wrong, but the major employer in Bentonville is Walmart and then entities that are related to Walmart. And it's just, it's been there for many, many years. **** - (): Sure. The Walmart family has had a commitment to investing in cycling infrastructure. So that when they're thinking about their new campus from the ground up, they're always thinking about how can people ride bikes in and it seems from an outsider's perspective that that's infused across the entire town. **** - (): Just this idea that bikes are going to be part of this community and to your recent point, we're going to build in infrastructure from the onset of planning, not try to slap it on after we've built a subdivision or grown the community in [00:05:02] - ():  Andy Chasteen: some way. That's right. There has to be some foresight and you're right there. **** - (): That's the, that's the, that's the focus for sure. And it can't be done. Like you said, behind the ball, we have to be ahead of the ball on that. You know, for example, the walmart's building a new, uh, ginormous, uh, home office campus and on that campus will be single track and there's initiatives within the, within the home office, you know, To, to have a certain percentage of people commuting there, you know, to, to work on, you know, on a weekly basis. **** - (): And so there is a lot of foresight within, you know, cycling and riding a bike is not only healthy, but it makes, you know, it's just, it's better for a community as well. So, yeah, absolutely. [00:05:44] - ():  Craig Dalton: Yeah. And as an off road cyclist, I remember going from my Airbnb to an event that the people, people for bikes conference people were having at the, that great museum you have there. **** - (): And I remember Bridges. Yeah, Crystal Bridges. Yeah. And I remember having the opportunity to ride single track just on the way there to get from point A to point B. And I was like, this is fantastic. [00:06:07] - ():  Andy Chasteen: Yeah. There's kids, you know, kids ride single track to school every day, which I mean, yeah, I'm a little jealous cause I wish I would have had that experience, but yeah, it's, it's a, it's a, it's, we got a lot going on here. **** - (): There's it's. I like to use the word bonkers. There's a lot of bonkers things going on here. It's busy. It's bustling and it's great. If you're a bike rider, it's hard for me to think there's a better place to be. That's for sure. [00:06:32] - ():  Craig Dalton: Yeah, no, I agree. It's definitely someplace everybody needs to visit at some point. **** - (): You know, Northwest Arkansas 10 years ago might not have been on people's radar as a cyclist as a place to go. And now I think unequivocally for anybody who's set foot in that town of Bentonville in that area, it's an emphatic yes, go visit. [00:06:51] - ():  Andy Chasteen: That's right. Yeah, for sure. For [00:06:52] - ():  Craig Dalton: sure. You were talking about sort of childhood and the ability to ride to school, etc. **** - (): Yeah. Let's, let's roll back a second and just kind of learn a little bit more about where you grew up, Andy. And how'd you find the bike originally? [00:07:05] - ():  Andy Chasteen: Well, man, that's a long story, but I'll try to, I'll try to keep it short. Uh, I grew up in Southern Missouri, kind of right across the border, actually from Northwest Arkansas. **** - (): It's a really small town. Went off to college. Um, I played, I actually played basketball in college and, uh, you know, in, into team sports, basically, you know, my entire childhood and into, you know, probably 21, 22 years old. And then after I graduated college, I, I got obsessed with rock climbing for some weird reason and, uh, and got really into rock climbing, ultra marathoning. **** - (): Um, and like I said, like a very long story made very short, maybe not very short, but short, um, I was running the, I was running ultra marathons and in order to train for ultra marathons, I'm like a big guy by like 200 and I knew that I couldn't run a lot of miles to train for these ultras. And so what I would do is I would go out for like, you know, maybe like a 10 mile trail run and then I would jump on a bicycle. **** - (): I wasn't a cyclist, but I would jump on a bicycle. To take that, you know, pressure off of my joints and like keep injury free. And so I, I would go out and jump on a bicycle for four hours and I just got hooked, completely hooked and really the rest is history, been on a bike ever since. Um, and you know. I still love to do all these. **** - (): I love outdoor endeavor, outdoor rec, anything outdoor rec, paddling, you know, climbing trail. I like all that, but my obsession is certainly with the bike. So, um, that's the, that's the short story and we [00:08:39] - ():  Craig Dalton: did you discover yourself as a, as a mountain biker in those early days or what, what was your niche of choice? [00:08:46] - ():  Andy Chasteen: Uh, at the time I was actually living in, in Oklahoma city and which, which is, you know, It's there's, there's not a lot of what I would consider like great bike riding there, but the community is amazing. It's a very tight knit, not a big community, very tight knit, but it's very road centric. Um, so I started off kind of on the road bike and, uh, you know, I raced, I did road racing and crate racing and all that. **** - (): And, uh, I, I was, I was certainly into mountain biking at the time, but that wasn't what I spent most of my days doing. So it kind of started on the road. [00:09:17] - ():  Craig Dalton: Gotcha. Since we're going to get into the rule of three event that you're putting on there in Bentonville, I think it's going to be interesting to just talk about your journey and experience as an event organizer. **** - (): And I know from your bio that a rock, a big rock climbing event happened sometime. In that period. So why don't you walk us through like that event? Cause I think it is for those of you who haven't heard of Horseshoe hell, go look it up. I think I S I want to say I saw, uh, some stuff on Red Bull TV about it, but I've read about it now outside magazine over the years. **** - (): So it's a really amazing event, but I'd love to just hear how it got started because I think it's part of your origin story as someone who stuck up their hand and said, I can put on an [00:10:00] - ():  Andy Chasteen: event. Yeah, for sure. So like, you know, rewind back when I was in this very obsessive rock climbing phase and, uh, you know, there's a, there's this beautiful, beautiful canyon out in, uh, in Arkansas called, uh, Horseshoe Canyon Ranch, and they have, you know, 600, uh, you know, sport routes. **** - (): Um, so single pitch technical, you know, sport route, rock climbing. And I would spend a lot of time there in kind of the early years of my climbing. And we just, me and some buddies, when we can get this crazy idea, it's, it's kind of an outdoor climbing gym. You got a route here, you can climb this route, you take, you know, 10 steps to your right and you got another one, you know what I mean? **** - (): It's like route on route on right on route. And they're all really good routes. And so I, we got this wild idea to put on an event that was like a 24 hour rock climbing competition, which seems. Idiotic. Yeah. Had anybody [00:10:54] - ():  Craig Dalton: done that in the past? No, no, no. Yeah, we have like on the mountain bike side, there's 24 hour mountain bike racing, but sounds like it was a totally foreign concept. [00:11:03] - ():  Andy Chasteen: Very foreign. Of course, very, very foreign. Um, and so, and all my buddies thought it was a great idea, but nobody really wanted to like I kind of take the reins. So I took the reins and, uh, and, uh, you know, I, it's a private, it's a private property. So I, you know, I went and asked the owner and he was like, yeah, yeah, yeah. **** - (): You can do that. And just, and thus started this beautiful relationship. This is 2006. And, uh, this, this beautiful relationship with this, with this great, amazing place. And we built this. really cool experience where it started off as a 24 hour rock climbing competition, but now it's a five day festival, right? **** - (): And so, uh, outside climbing or I'm sorry, outside magazine calls it the burning man of rock climbing. So you got people in costumes and it's a five day love fest party, right? Like, It's I like to say, you know, you can come here and be anybody you want to be for five days as long as you're respectful to, you know, to your fellow, you know, people there. **** - (): So, um, and the rest is history. It still happens. We're still, we're still doing it. And, uh, even though I'm not like a huge climber is into it as I used to be, um, it's still, it's still a raging, we can, we can only allow 500 competitors, um, so that people can like. Accomplish their goals that they set out, you know, for that 24 hours, we can only let 500 people in, but it the amount of spectators that come and the people who just want to kind of party for the weekend is way beyond that. **** - (): So, yeah, it's really cool. And oddly enough, I'd never put on a bit before that. I had never even been to a rock climbing competition before I put that on. And sometimes I think that that is actually the golden ticket. Like, yeah. It's almost better to not know how things are done or they're supposed to be done when you're trying to do something that way you can be creative and kind of do, you know, something a little different. **** - (): So anyways, that was kind of the origins of my first event. And I don't consider myself. I still don't consider myself an event promoter because I have always just done them for fun. I've always had a real job. And, uh, but these have always been for fun and we've cultivated beautiful communities behind them. **** - (): And that's, that's what I'm proud of, um, in these events. [00:13:15] - ():  Craig Dalton: Yeah. Amazing. I'll make sure to link to Horseshoe Howell. Cause I just, I think it's a fascinating story and the pictures that come out every year. Yeah, [00:13:22] - ():  Andy Chasteen: it looks awesome. It's a real wild time. It's a real wild. [00:13:26] - ():  Craig Dalton: Is it a two person team for 24 hours or is it solo? **** - (): That's [00:13:30] - ():  Andy Chasteen: it's a two person team. Cause you have to have a belayer obviously. So the whole idea is like, but there are categories just like any other event. Like, you know, there's categories for the most amount of routes climbed by a team or an individual or the F the most amount of, uh, Uh, routes climb that are certain, you know, difficulty level or whatever the case may be. **** - (): So you, there's all these just like, um, like kind of like the Tour de France. There's a race, there's lots of races within the race. There's lots of categories within this bit, this one event that you can actually go after, which is kind of cool. [00:14:02] - ():  Craig Dalton: Yeah. Yeah. So much fun. So much fun. When did you find yourself actually moving to Bentonville and what, what attracted you to, to that area? **** - (): Uh, [00:14:12] - ():  Andy Chasteen: I'm trying to think of how many years ago that was that I, that I moved to Bentonville. I, I originally, I originally, uh, became involved in the Bentonville area through, um, I'm self employed. I'm a consultant in basically really what I I've always considered like the biker outdoor industry. And so I really started coming to Bentonville years ago, um, as a consultant for different brands in the industry. **** - (): So I, you know, I had go to Bentonville and, uh, in my sprinter van and, uh, and spend, you know, you know, Half of a month there at a time. I spent half my time there, uh, just kind of living out of the van and working for clients and doing work that way. And, uh, eventually I moved full time. Uh, we're full time in Bentonville now, but my wife and I, but, um, it started off as kind of like I was kind of, I hate to use the word squatting in Bentonville, but I was kind of squatting in my Sprinter van in Bentonville for work. **** - (): Yeah. Which is wild. Obviously [00:15:06] - ():  Craig Dalton: you started to discover some of the riding throughout the area. Yeah. Okay. Was there a certain point in time when you sort of got under, got your first gravel bike underneath you? [00:15:17] - ():  Andy Chasteen: Uh, I had been, I had been dabbling in gravel bike, you know, before I started going to Bentonville. **** - (): I was super into the gravel scene early on, um, for a lot of different reasons. Um, I, I grew up in the outdoors. Um, you know, hunting, fishing, things like that. And it just felt like gravel was more all in line with like my personality and where I came from. I, I grew up in a rural area. So even today, when I ride my gravel bike in rural areas, it feels like I'm home. **** - (): And so, um, I was, I was into the gravel scene pretty early, I guess, if you will, but not because I thought it was the next big thing is just because it kind of resonated with my culture. Yeah. Personality or my soul a little bit more. Yeah. [00:15:58] - ():  Craig Dalton: Did that, did that lead you to testing the water or some of those early [00:16:02] - ():  Andy Chasteen: events? **** - (): Yeah, yeah, yeah, yeah. I had a lot of, you know, I wrote an article many years ago. I'm trying to remember when, when that was, but I wrote this crazy article. I have to look it up on the date, but the, and it was just for like my personal website. It wasn't to like, you know, I wasn't a journalist or anything like that, but I wrote this article and this is when, you know, mid South was, was called, you know, the land run 100. **** - (): And the article was, was titled. Oh yeah. Um, and it just gave all the, I gave all these reasons because it was a bill. It was, it was for everyone. It was for everyone who wanted to ride a bike, no matter who you were and the, the community, the community building and like. So I, I just, it resonated with me early, I guess, is what I'm trying to say. [00:16:48] - ():  Craig Dalton: Yeah. Yeah. And imagine, you know, at that time, obviously being familiar with Mid South and all the events that were going on at that time, over the subsequent years, we started to see, I mean, for lack of a better word, a professionalization of some subset of races. Sure. Lots of community based races. I mean, still to this day, I think event organizers have to kind of navigate their lane and understand like what type of they're putting on. **** - (): But as we come to the rule of three, I'm just curious of your mindset of. Was there something missing? Was it more, Hey, Bentonville is awesome. And I know my way around and I want to show people a great day out there. Talk us through the mindset of the origin of that event. [00:17:33] - ():  Andy Chasteen: Yeah. Um, I think, I think there's probably a combination of, of, of maybe all of those, um, The origin came, I have to say, you know, allied cycle works has been one of my clients for quite a few years. **** - (): And, uh, a guy named Sam Pickman, he's the director of product over there. He designs all, you know, all the bikes and everything. I'm a podcast guest over here. Oh, no way. Okay. That's awesome. Yeah. Sam is a super good buddy of mine. I adore him. And, uh, there's actually a connection with that too, because Sam's wife, Lauren is my co director for rule of three. **** - (): So anyways, I want to back up. Uh, we were, you know, when the Abel came out, Allied's first, first gravel bike, um, we, we were on, Sam and I were riding around, um, on the, on prototypes in Bentonville one time, and we were hopping on single track and popping in and out of single track trail and then back onto gravel and things like that, and we got this one day, boom, all this crazy idea, why don't we put on an event that is equal amounts pavement, uh, Gravel and single track, and we kind of like threw it around a little bit. **** - (): We thought it was a really cool idea. And that honestly is the origin of rule of three. And really, we sat on that idea for probably 2 or 3 years or I did the Sam's busy. He doesn't want that. He didn't want it. That's not Sam's lane, right? Sam is a brain. He's a brain guy. Um, so that was where the origin of the idea came from is riding our gravel bikes on the single track in Bentonville. **** - (): And so we sat on this idea for quite some time. Right. And this would have been early 2021. I remember specific, the specific time when I decided it was go time for rule of three, um, uh, Mid South, uh, uh, uh, Mid South again, I love you, Bobby, Mid South had just canceled, uh, their event because of COVID. And the reasoning behind is we can't bring people from all over the country here. **** - (): Um. Because, because of COVID and I thought to myself, well, you know what I could do? I could put on an event in Bentonville where it's just locals, no one has to travel and we let, you know, we have maybe 150 people show up and that is our, like dipping our toes into the event scene, right? This is my time. **** - (): This is my time. And so I like started this free Instagram account and just kind of started marketing the idea behind rule of three. Um, next thing, you know, we sold out 700 spots in the first year. I didn't, wasn't expecting that, but, um. That's the origins of Rule of Three. And quite honestly, I'd never put an event on. **** - (): I've been to a lot of them, obviously, um, and I didn't do it out of, out of a desire to do something. I didn't think it was necessarily something that was lacking in the scene. I just was like, you know what? I want to put on an event and I want to do it my way. You know what I mean? Um, and we'll do it different than everyone else. **** - (): Um, because I personally speaking, I find value in all of these different ways that gravel events are put on. I think they're all valuable. I think they're all great. Right. Whether you're putting on this beautiful, UCI feel, you know, SBT gravel, that's a polished and beautiful, or you've got unbound. That's this really long ginormous event, right? **** - (): That's like the worldwide, or you've got rule of three, which we put it on in a freaking field. We're dirty. We're grimy. We're different, right? I find value in all of those. And I think that, I think that, you know, uh, There's, there's enough of an audience now to where, uh, to where all of these different ways of putting on an event find value with, they resonate with, you know, a certain audience. **** - (): And I, so that's, that was really the reason behind it. Yeah. A [00:21:13] - ():  Craig Dalton: hundred percent. I remember when I first read about rule of three, I was like, this is my jam because I often say like my favorite events. You're going to hate your bike at least once during the event. Event organizer did it right. And when you guys kind of came out with rule of three, I was like, this is awesome. **** - (): Like it's really putting a fine point on like. You better pick your poison and I very much enjoyed hearing stories about it and hearing some of the racers talk about it because they were going through these thought processes in their head. Like I remember Ian Boswell talking about it and he's like, you know, I know I'm not going to rip single track. **** - (): So if I'm going to be competitive in this race, I need to do something on the road section and on the gravel section that's going to meaningfully displace some of the more skilled mountaineers [00:22:02] - ():  Andy Chasteen: in the bunch. And he did, he did that year, you know, he put the hammer down and dropped almost everyone on a, on a really long kind of gravel pavement sector, you know. **** - (): Um, which, you know, the routes really hard, you know, you know, it's historically speaking, we've, it's been a hundred mile route with about 10, 000 feet of climbing and about 20 miles of singer track, you know, it's, and he don't do all that single track at once. Like you're kind of in and out of stuff all day. **** - (): Right. And that's the whole idea. You gotta be on, there is no zoning out at rule of three, you zone out, that's when you're in trouble. You know, and so the whole idea was to do something that was really, really difficult. Um, but keeps you on and honest all day long. Right. Yeah. And so, um, that was kind of the idea behind it. **** - (): We throw a huge finish line party. Um, and that's one other thing that we do differently. We're in a field, right? We're in this big wide open field and you're, the finish line is basically a two track road. Last year we built a cyclocross curl course for you for the finish line. Um, and so, and what we do, what I do on purpose or what Lauren and I do, I, I should give Lauren the, Lauren does most of the work. **** - (): She's the brains behind the operation. What we do is we, we build the finish line. And this is a, this is a very important part for, for the, the brand of Rula3. Our finish line, you cross that finish line in the finish line shoot, and you are in the party. We don't shoo you out of the shoot. You, you, as you come in to cross the finish line, you're in the party. **** - (): We don't move you, you're there. You can stay there as long as you want to. We put a bag over your shoulder, and in that bag is a burrito, a beer, a coke, and a muffin. So that, so you don't have to go somewhere and pull your wallet out to find food. It's right there. We expect you to stay and have a good time with all your friends and tell stories and whatever, right? **** - (): But in order to do that, there, it also has to be safe, right? So what we, what we did is we put the last corner, um, on the course, about 10 feet from the finish line. So no one, there are no sprints across the finish. The sprint is before you get to the finish. And so that keeps it like nobody's getting ran over by a bike going too fast. **** - (): So there's, there's thought behind that because I want people to feel like when they cross that finish line, they can stay right there. And so all these little things that like doing things differently, I think sets us apart and all sets all these other events, but not just us, but everyone who does all these different things with their events that sets them apart. **** - (): I think that's cool. [00:24:35] - ():  Craig Dalton: Yeah, that's awesome. Since I want the listener to definitely walk away with a real. Understanding of the rule of three course, you know, you talked about these three elements of single track kind of gravel roads and road, you know, as you, as you talk through people who are coming to the event about the type of equipment they would use, I mean, is the single track entirely, or is it. **** - (): You know, it's rideable on, you know, a four C tire. I'm just curious about that. [00:25:03] - ():  Andy Chasteen: We keep it, I like to keep it as, as not gnarly as possible. That way, that way, because I don't, I don't want to limit our audience to people who are really good mountain bikers. I don't think that's fair. And so we try to keep most of the single track, uh, in, in like a, like the green blue. **** - (): Yeah, you know, realm, right? And there'll be some technical sections, but they're not long. If you need to hop off your bike for a second, that's okay. It's not that big a deal, right? We do suggest, um, nothing smaller than a 45 on tire width. Yeah. Um, and, and 50 is your go to quite honestly, just because really. **** - (): The standards kind of moving that direction anyways, but, um, you're going to have a much more pleasant day on a, on a 50 than you would say, uh, even a 45, but, um, but the course is hard, you know, you know, in, in Bentonville, we don't have these, we don't have these big long climbs like you do out, out where you're at. **** - (): So we call it death by a thousand cuts, you know, 10, 000 feet of climbing and a hundred miles when you don't have a climb longer than, you know, half a mile at the most. You know, uh, that's, that's a lot of steep, punchy climbing, you know, it's really, it wears you down over the day and like death by a thousand cuts is, is, is the name of the game. [00:26:20] - ():  Craig Dalton: It's so interesting coming from the Bay area where, you know, we have to do an 800 foot climb or 1200 foot climb. Just we go up and then we go down. There's not a lot of flat rule stuff. I personally, I have a really hard time transitioning to the Bentonville type hills because as you said, they just. You might push over the first one and the second one, and then they start to add up, add up, add up. **** - (): And it hits me a lot differently as a cyclist than the long climbs that I'm used to out [00:26:48] - ():  Andy Chasteen: here. Yeah. It's interesting. Uh, it's an interesting, uh, difference. Like I don't, I don't adjust well to the climbs that you do because of where I live too, you know, so I'm used to, I'm used to 20 seconds at, you know, whatever. **** - (): 500 Watts or like something above threshold or something. Right. So I guess it's just kind of, you're used to where you're at. Right. So, um, but yeah, it's a, it's a very unique course and we've, we've certainly started out at a, a lot of kind of B road sections, um, which can be in general, even more technical than some of the single track too. **** - (): Yeah. So we, we changed the course every year, every single year. It's different. I [00:27:27] - ():  Craig Dalton: think that, that underscores how much terrain you have access to, to, which is exciting. [00:27:32] - ():  Andy Chasteen: Yeah. I mean, we change it up. Uh, Drastically every year. It feels completely different every year, which is cool. And you're like, you said the, the, you know, our, uh, our canvas is big. **** - (): So it's, it's not hard to do that, which is a huge blessing for us. For sure. [00:27:49] - ():  Craig Dalton: The other incredibly unique thing about this event is the entry fee. Can you talk about that? Yeah. [00:27:56] - ():  Andy Chasteen: Yeah. Um. This is just kind of another part of the, of our ethos is our brand. Like we, and it's not just the entropy and it also, it goes back to what I said, uh, you know, a few minutes ago, I don't do this for my job. **** - (): This is not my day job. I'm doing this. I do this cause I want to, cause it's fun. Lauren and I both do it because it's important to us to put on our, our goal is, uh, not to make money on this. I mean, I know that sounds counterintuitive, but our goal is to put on the best event. Possible for the people that come up that show. **** - (): And so, um, our entry fee's, 85 bucks, um, and I believe we began, I think our first year it was 65 and now it's 85. And we'll never go over the amount of miles that the event is, is what, is basically That's the goal. Yeah. I think what, what I've committed to, and I, and I like to commit that in public 'cause it keeps me accountable. **** - (): One other, one other thing that we do is we do not. Take or accept cash from sponsors. We want a sponsor to come to our event and take that cash that they would have given us and use it to add value to the participants, right? The people that are there. Um, I, I'm a fallible human. And so if you were to give me just, I'm just saying personally, me, if you're a sponsor, you're going to give me, let's say whatever, 10, 000 bucks to be a sponsor of rule of three, guess what I'm do probably going to pocket 5, 000 of that and then put 5, 000, the rest other 5, 000 into making the event better for the people. **** - (): So. What I do to hold myself accountable is I just don't take cash at all. I just say, if you want to sponsor the event, then you're going to have to, you're going to have to come and add some sort of value to the event. And, and it's, and we don't make rules in this, which, which is cool. Like someone came last year and cooked. **** - (): Bacon the out at an aid station the whole day. Um, so there's all these crazy ideas that we encourage the sponsors to come and do, uh, aid stations, uh, parties at the finish line. Somebody's making margaritas in one of their tents or whatever. Specialized comes and they give they do post finish. They do finish line photos when you're all 30 and gross. **** - (): And yeah, and those are free. You get those for free. We don't charge. There's no charge for those. Um, and we have. Yeah. What I like to call the best swag bag in the, in the biz, like, um, we give every competitor to not one water bottle too, because everybody likes a matching water bottle. Right? So that's right. **** - (): We do. Yeah, we do water bottles. We, you know, you get a tea, you get a bandana, you get a, uh, you get an ass saver, you get, you know, you get a stainless steel pint last year. Uh, mirror gave everybody's, uh, insulated, uh, Bottles that were logoed and like, so we, I like, I like to have two or $300 worth of cool stuff that people will actually use Yeah. **** - (): In the bag that they, that they get at pack and pickup. So for us it's really about creating value and creating a real good time of the at, you know, at, at the event. And, uh, and that's what we're committed to doing. So that's, I guess, a few of the ways that we like to kind of do things different. Right. And I'm, I'm, I'm, I'm lucky I'm blessed that, um, I don't. **** - (): I don't put this event on for my living if I'm just being honest. [00:31:15] - ():  Craig Dalton: Yeah. It changes the dynamic entirely, I think, because I mean, it's such a, it's such a difficult business to be in the event business. It [00:31:23] - ():  Andy Chasteen: is. It is. That's right. I can make every decision I make is. Is not attached to the bottom line. And I, I, I know that other events aren't like that and I, I applaud them. **** - (): I think every other event out there, I've been to almost, not all of them, but a lot of them. And almost all of them. And I will go to them this year too. 'cause I think they're amazing, but we just wanna do things different at rule three. Yeah. Yeah. [00:31:47] - ():  Craig Dalton: And as you said, there's room quite simple. There's room for it all. **** - (): A [00:31:51] - ():  Andy Chasteen: thousand percent room for it [00:31:52] - ():  Craig Dalton: all. Yeah. I think you mentioned this, but I wanted to make sure the listener, uh, has this as a takeaway that the it's a hundred mile event, but it's, I think you have a, uh, additional distance this year. Is that right? [00:32:04] - ():  Andy Chasteen: Yeah, we actually, we, we also offer a 50 mile event. Um, so that's something that like we like to, we like to say, if you, if you don't think that you can finish the, well, you know, this isn't your typical gravel race, it takes or gravel event. **** - (): I'll hate calling it a race for some reason that doesn't sit well for me. Um, if. You know, this is not 100 mile gravel event. This will take you a lot longer than you would. It would normally take you to do a gravel event because of that 20 miles a single track. Yeah, you don't think that you can finish something like that and say 10 to 12 hours. **** - (): We always we like, just we respectfully say you should dip your toes in the 50 miler. And then once you've got that under your belt, hit that next one, right? And so we've got the 50, we've got the 100, and this year we're actually adding the 200. Um, which will be such, it's going to be a sick route. And we're only opening it to a hundred people. **** - (): Because it's, you know, you know, my, my thoughts are ultra distance. If it's not already here, it's the future. People, you know, I'm thinking of, I'm thinking of myself. I've done how many hundred mile events. And. Where I, while I still love them, sometimes I think to myself, well, what's next? Right. I think people are thinking in, I think a lot of people are thinking, what's next for me? **** - (): I've done 10 hundred mile gravel events. What's my next step? Well, a 200 mile is probably your next step. And I know that unbound is a 200 miler, but. This isn't unbound. This is, you know, this is 200 miles with 30 plus miles of single track at, you know, and you're circumnavigating this ginormous lake out east of Bentonville. **** - (): There's a lot of climbing and it's way out in the middle of nowhere. It's an adventure. Yeah. So we're adding that on this year. Yeah. [00:33:45] - ():  Craig Dalton: Given, given the, obviously the duration it takes to ride the single track about 100 and the added single track in the 200, how long of an event are you thinking that's going to be for, I mean, I don't know how to put it in perspective for people from the first to last, but what's the window of time you're thinking? [00:34:03] - ():  Andy Chasteen: Well, we're going to, we'll start the event the day before. So we'll start, we'll start the 200 miler on Friday afternoon, and it'll start from where packet pickup is basically. Um, in town and we're, we're, we're making a 30 hour cutoff and you'll have to wear a spot tracker on your, just like you would any other ultra distance event. **** - (): Right? So yeah, it really is. It's, it's unsupported. It's fully self supported. We ain't coming to pick you up. So it's, it's a different adventure, but I, I do, I personally believe if it's not already here, it is the future of, of, uh, you know, the gravel experience, at least part of the future. Yeah. [00:34:40] - ():  Craig Dalton: I mean, I think to your point, just about the different flavors of events that exist, even in that like a narrow hundred mile mindset. **** - (): Now you're seeing it go both directions, which is pretty natural. I mean, I think again, like sometimes. Riding 100 is not enough should be for most people. Sometimes [00:34:58] - ():  Andy Chasteen: it's not. Yeah. And we, we, I had a question. I had someone asked me the other day. Are you ever considered making doing like a 20 miler because your events not that approachable for maybe a newer person. **** - (): And I was just honest. And I said, no, we're not going to. But what we do, what we do offer is we offer training rides. Um, yeah. In Bentonville, for no charge, they're free. We just did what we call the Rule of 399 last weekend, which we offered a 22 miler route. For people who wanted to see what it's like, you get to practice on the single track. **** - (): You get to see that, wow, this is a lot harder than a 22 mile gravel ride, right? It takes a lot longer. It's harder to do. It takes a little bit more technical skill. So we, we are, we're trying to train up newer people to at least have the opportunity to maybe hit that 50 miler one day. I don't think that we'll ever have a, a distance that's shorter than that, but we do that outside of our rule of three events, like our rule of three and nine, we do training events and things like that to give people that approach approachable mindset of maybe I can do the 50, you know what I mean? [00:36:02] - ():  Craig Dalton: Yeah. Super interesting. And that goes back to where we were talking about, which is that great community of cyclists and cycling events that's growing up and around Bentonville. It sounds like there's plenty of opportunity and exposure. For people to all these great events that are going on and as they sort of start to put a toe in the water, you're not the only person who's told me there's, you know, great group ride events quite regularly out in Bentonville for people to get a understanding what gravel cycling [00:36:30] - ():  Andy Chasteen: is all about. **** - (): There are, there's a lot of great events that happen in Bentonville. It, it seems like they're, they're nonstop actually. But, um, and they're amazing. I love to go to all of them. Um, you know, Big Sugar's a big deal, you know? Um, and so, you know, and there's, there's many more that's not, they're not the only one, but there's the, the opportunity, opportunities are endless. **** - (): You know, in our neck of the woods, [00:36:54] - ():  Craig Dalton: if you will, when does rule of three happen each year? [00:36:59] - ():  Andy Chasteen: Uh, we have we're on the same weekend every year. So, uh, I like to You know, it happens on may 18th, but I like to say that I think that's may 18th saturday might be the I think it's 18th. Um, but I like to say that rule of three is like May 16th through the 19th because we got to shake out rides. **** - (): We've got, you know, uh, we got, uh, breakfast on Sunday morning. Uh, you know, uh, after the event, we've got all kinds of things going on all weekend. So I hate to like, pin it down. Like, I'm like, come early, stay late, bring your mountain bike to, you know, let's party, you know? So, uh, but yeah, it's on the 18th this year. **** - (): Yeah. And we like, let's, I mean, yeah. I'm gonna, I'm gonna shout out to like, I think Gravel Locos is that weekend. I think, uh, I think Pete's Pizza Pater is that weekend. And, you know, I've talked to, I've talked to all those guys and I'm like, they're, you know, everybody's kind of like, are you guys, are we, are we okay with all this? **** - (): And I'm like. We're all in different parts of the country. The audience is humongous. Who cares? You're going to fill up, you're going to fill up, we're going to fill up. Let's all be okay with this. There's no problem with us overlapping dates. I've had zero problems with that. Yeah, [00:38:15] - ():  Craig Dalton: I'm sure. How much writer capacity do you have for this year? [00:38:20] - ():  Andy Chasteen: We, we, uh, we limited at 1600 people, and there's a reason behind that. I think we could probably sell 3, 000 spots, but I don't want to. I want someone who crosses that finish line to look over our after party, right? And feel like they know everyone there. They don't have to know everyone there, but I want them to feel like they do. **** - (): And so, um, I'm not interested in, uh, you know, having it. Be bigger than that. So that's kind of, that's what we've been at for, this will be our third year that we've been at, at 15, 1600 people. And I like that number. It's, it's nice for us. Um, it helps, it helps our logistics and it just helps people have a better experience too. **** - (): And so that's probably what we'll stick at. [00:39:04] - ():  Craig Dalton: Yeah. It's funny. I was having a totally unrelated conversation in my day job, just about a business I used to run and this opportunity we had to basically double the business. But I recognize that doubling the business was going to ruin my life. It was going to be miserable. **** - (): You know, we'd have to run two shifts in a factory. No one would be happy. I couldn't imagine it being the same thing. And so it's great for you. It's great to hear it from your words as well. Just like, this is a great size for us where you're confident that we can deliver an exceptional experience to 1600 people and why deliver a subpar experience to 3000 people. [00:39:45] - ():  Andy Chasteen: Yeah. And part of that is because this isn't my real job, you know, um, you know, you let three, 4, 000 people in that becomes your real job and I don't want it to be, I like my real job. [00:39:59] - ():  Craig Dalton: Um, when does anyone's registration open? [00:40:03] - ():  Andy Chasteen: Registration opens, uh, February 5th. So what is that like a few days from now? Yeah. **** - (): Um, and that's okay. If that's okay. If you're like, if, if this is coming out after that, it's not a big deal. I, we have always sold out in like a minute or two anyway. So it's, it's, I just love getting on here. And if, if, if I'm being completely honest. The legacy that I would love to leave behind with Rule of Three is not the event. **** - (): The, the legacy I would like to leave behind is that everyone goes out and rides these types of, does these types of rides where they live, no matter where they live. Yeah. I, I call 'em rule of three rides. You know what I mean? That's a legacy I wanna leave. Like I think that this is the funnest form of riding a bike that I've ever experienced, even just bar none. **** - (): And, uh, and I would, I would be happy over the moon if everyone, uh, out there rode, did these kind of rides where they lived. So, yeah, that's a legacy we really wanna leave behind. So, [00:41:04] - ():  Craig Dalton: I, I love it, Andy. I'm just going to shut up. If you had a microphone, I would have just allowed you to drop it and we would have cut the cut the show right there. **** - (): But I do want to just conclude by saying thank you for the energy you're putting into the sport, your energy into the community there. We'll definitely put, you know, links to rule of three because whether it's this year or next year, love for more people to go and get exposed to that great Bentonville riding and the experience you just described to us. [00:41:33] - ():  Andy Chasteen: Thank you. It was, it's, I've, I'm serious. I've listened to your podcast for a long time. How long, how long have you been doing this now? God, I think it's [00:41:39] - ():  Craig Dalton: five years. [00:41:41] - ():  Andy Chasteen: I was going to say, I didn't want to speak out and say, like, I've been listening to you for three years and you've only been around for two, but cause I, I did, I, you know, you lose track of time. **** - (): Yeah. I'm, I'm almost positive. I've been listening to you since the beginning. So, uh, very well done. I love listening to your stuff. It's, I like the variety, like you're always speaking to interesting people about all these different interests topics. So keep it up. It's awesome. Thank you. I appreciate [00:42:05] - ():  Craig Dalton: that Andy. **** - (): Right on. Thanks for spending some time with us, man. [00:42:09] - ():  Andy Chasteen: Thanks man. Thank you.      

Tune in to hear XNA Chief Operating Officer Andrew Branch detail the major terminal modernization (T-MOD) project currently underway. With new restaurants like Einstein Bagels and Slim Chickens, a Crystal Bridges art gallery, increased check-in capacity, and more nursing rooms and private work pods, the Northwest Arkansas National Airport is elevating the passenger experience.  Whether you're a resident or visitor, you'll want to get the insider's view on the convenient new offerings and updates that, in our opinion, continue to make XNA one of the best airports to fly to. You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.  Don't forget, Visit Bentonville is here to assist you in finding things to do, where to eat and stay, and find out what's going on in the city. Visit our website visitbentonville.com and subscribe to our enewsletter here. Follow us on Facebook, Instagram, TikTok, Twitter, and LinkedIn.  

In this episode of the Voice of Business Podcast, Hosts Steve Cox and Nick Smith welcome Shannon A. Jones to the panel to discuss the thriving performing arts scene in Northwest Arkansas. Jones, the Executive Director of TheaterSquared in Fayetteville, brings wonderful insights from the performing arts profession on the impact the arts have in the development of a community as well as how NWA embraces the arts wholeheartedly. Education and Enrichment: Studies show that arts programs in schools boost academic achievement, critical thinking skills, and social-emotional development. In the 2019-2020 school year, 87% of public elementary and secondary schools offered visual and performing arts instruction, impacting millions of students. Economic Engine: The arts are a powerful economic driver. According to the U.S. Bureau of Economic Analysis, the arts and cultural sector contributed $919.7 billion to the U.S. GDP in 2022, supporting 5.1 million jobs. Social Bridge: Art transcends cultural divides, fostering empathy, understanding, and a sense of shared humanity. Live performances bring people together, creating a platform for dialogue and connection. Northwest Arkansas pulsates with a vibrant arts scene. Renowned institutions in NWA include Arkansas Public Theater, Walton Arts Center, Crystal Bridges, SoNA, the AMP, and of course TheaterSquared.

Christmas movies, Christmas parties, Christmas shopping – woo hoo!  We cover it all in this episode.  My big mom fail, Reece's inspiring grab bag, and Tanya's night at Crystal Bridges in 70's wear all make an appearance in our discussion.  Tanya updates us on KJ, things she's watching and what she has learned from Hallmark.  I'm thrilled to tell of time with my grandbabies and family, as well as, what the rest of our December holds.  May you have a very Merry Christmas celebrating God's gracious gift of HIs Son.  We are so very thankful for you.  Take care, Jasa  Superlatively Yes website   Superlatively Yes on Patreon   Superlatively Yes Instagram Page Superlatively Yes Facebook Page   Jasa's Instagram Jasa's Facebook   Tanya's Instagram   Cute and Fun   The 12 Days of Christmas Eve   Diane Shiffer on Instagram   Kendra Scott Necklace   Francescas Necklace   Big Country Toys   Personalization Mall Jasa's Good American Jeans Tanya's Good American Jeans    

Tune in for an engaging conversation with our host, Allen Woody, and Micah Klasky, executive chef at The Hive in Bentonville. In this episode, Klasky shares his recent experience filming A Southern Night at the Cinema, which premiered this month in New York City. Klasky took filmmakers from the Local Palate to three of his favorite spots in Bentonville, including PinoyLicious Filipino Kitchen, a food truck located at Osage Park; The Meteor Café, located in Bentonville's Market District; and the Art trail, which connects Compton Gardens and the Crystal Bridges trails.  The local chef also talks about his passion for the No Kid Hungry organization and shares about Chefs Cycle—an exciting fundraiser he'll be involved in on May 6-9, 2024. Contribute to Micah's Chefs Cycle fundraiser here.    

During this episode of Why Change? co-hosts Rachael and Jeff discuss their recent work and draw connections to Jeff's interview. Jeff shares his conversation with Jean Hendrickson, a champion for arts integration in her community and around the world. They discuss the opportunities and challenge of scaling and the bravery needed to achieve it. Rachael and Jeff share their hopes and frustrations with adoption of permission practices in education reform. In this episode you'll learn: About a model of whole school arts integration and how it emerged; How the story of a champion of arts integration influenced the adoption of a practice; and  Why the arts should remain at the center of all we do as educators, leaders, and advocates. Check out some of the things mentioned during this podcast, including:  Sorgente research project Ireland's Basic Income for the Arts pilot scheme Oklahoma A+ Schools Institute at the University of Central Oklahoma A+ Essentials framework S3 Ep14: Grasping The Aerosol Of Creativity With Michael Anderson Preparing Educators for Arts Integration: Placing Creativity at the Center of Learning book The A+ Schools Program: School, Community, Teacher, and Student Effects. (Report #6 in a series of seven Policy Reports Summarizing the Four-Year Pilot of A+ Schools in North Carolina) About Jean Hendrickson Director emeritus of Oklahoma A+ Schools at the University of Central Oklahoma, Jean is a speaker and writer who consults with those that share her belief that all children are entitled to a rich, full, educational experience that equips them to take their rightful place in the world. She works with groups such as the National A+ Schools Consortium (www.nationalaplusschools.org), the Americans for the Arts, Crystal Bridges, and other like-minded organizations working to put the arts in their rightful place in schools and communities. Executive director for OKA+ Schools from 2003-2014, Jean directed development across the state and fostered national and international partnerships. OKA+ Schools' model has been cited in such works as Sir Ken Robinson's books, Creative Schools and The Element, the President's Committee on the Arts and Humanities' landmark report Reinvesting in Arts Education: Winning America's Future through Creative Schools, the latter of which launched the nationwide Turnaround Arts initiative for which she served as a member of the team that trained the schools' cadres for the first two years. Jean authored a chapter in the book Preparing Educators for Arts Integration, a project of the Arts Education Partnership's Higher Ed Task Force, and has contributed numerous articles and other works to such as Education Week, Americans for the Arts, and other educational organizations. Described by Sir Ken as “one of the most impressive people I know in education,” Jean was a principal in Oklahoma City for seventeen years and named National Distinguished Principal in 2001 as well as receiving many other recognitions throughout her career. Jean received her Bachelor of Arts, summa cum laude, and the “Outstanding Future Teacher” award from Oklahoma City University. She received her master's, also summa, from the University of Central Oklahoma. She has served on numerous boards, as a founding member of Creative Oklahoma, a trustee for the Oklahoma Foundation for Excellence, Visionary Oklahoma Women and founding member of Harding Fine Arts Academy in Oklahoma City. She and her husband reside in Oklahoma City. This episode was produced by Jeff M. Poulin. The artwork is by Bridget Woodbury. The audio is edited by Katie Rainey. This podcasts' theme music is by Distant Cousins. For more information on this episode and Creative Generation please visit the episode's webpage and follow us on social media @Campaign4GenC --- Support this podcast: https://podcasters.spotify.com/pod/show/whychange/support

Our host Allen Woody sits down with Jen Padgett, Windgate curator of craft at Crystal Bridges Museum of American Art, to talk all about the exciting new advancements happening around craft at the museum. Tune in to hear Padgett talk about how ceramics, textiles, and other craft objects are integrated throughout the galleries, and get the inside scoop on the recently opened focus exhibition Takaezu & Tawney: An Artist is a Poet, which debuts 12 new acquisitions to the Crystal Bridges collection, and tells the story of a remarkable friendship between two women who shaped craft history in the US.

In this episode I had the honor to sit down with artist Jeffrey Gibson joined by curator and co-editor of An Indigenous Present, Jenelle Porter. We were given space at SITE Santa Fe in Director Louis Grachos office to have a long and generative conversation while we celebrated the book's launch over Indian Market weekend. We talk about Jeff's practice and his journey to this moment and the Artist shares the vulnerable, complicated, difficult and joyous path of choosing to be an Artist, offering reflection from what he has learned along the way, understanding how the practice and studio has evolved in the 20 some years of being a working Artist. We then dive in with both Jeff and Jenelle to speak on Jeff's thought process behind An Indigenous Present, learning about the years of care and intention behind the project, which is, as Jeff reflects, an “Artist book about Artists”. We round out our 2 plus hour chat with the excitement and work that has come with Jeffrey being named the artist to represent the U.S. at the 60th Venice Biennale. As we end our chat, both Jeff and Jenelle share important and practical insight on how to navigate the art worlds and art markets and Jeffrey reminds us all that “Artists do have the power to set precedence in institutions”. Featured song: SMOKE RINGS SHIMMERS ENDLESS BLUR by Laura Ortman, 2023 Broken Boxes introduction song by India Sky More about the publication An Indigenous Present: https://www.artbook.com/9781636811024.html More about the Artist Jeffrey Gibson Jeffrey Gibson's work fuses his Choctaw-Cherokee heritage and experience of living in Europe, Asia and the USA with references that span club culture, queer theory, fashion, politics, literature and art history. The artist's multi-faceted practice incorporates painting, performance, sculpture, textiles and video, characterised by vibrant colour and pattern. Gibson was born in 1972, Colorado, USA and he currently lives and works in Hudson Valley, New York. The artist combines intricate indigenous artisanal handcraft – such as beadwork, leatherwork and quilting – with narratives of contemporary resistance in protest slogans and song lyrics. This “blend of confrontation and pageantry” is reinforced by what Felicia Feaster describes as a “sense of movement and performance as if these objects ... are costumes waiting for a dancer to inhabit them.” The artist harnesses the power of such materials and techniques to activate overlooked narratives, while embracing the presence of historically marginalised identities. Gibson explains: “I am drawn to these materials because they acknowledge the global world. Historically, beads often came from Italy, the Czech Republic or Poland, and contemporary beads can also come from India, China and Japan. Jingles originated as the lids of tobacco and snuff tins, turned and used to adorn dresses, but now they are commercially made in places such as Taiwan. Metal studs also have trade references and originally may have come from the Spanish, but also have modern references to punk and DIY culture. It's a continual mash-up.” Acknowledging music as a key element in his experience of life as an artist, pop music became one of the primary points of reference in Gibson's practice: musicians became his elders and lyrics became his mantras. Recent paintings synthesise geometric patterns inspired by indigenous American artefacts with the lyrics and psychedelic palette of disco music. Solo exhibitions include ‘THE SPIRITS ARE LAUGHING', Aspen Art Museum, Colorado (2022); ‘This Burning World', Institute of Contemporary Art, San Francisco, California (2022); ‘The Body Electric', SITE Santa Fe, New Mexico (2022) and Frist Art Museum, Nashville (2023); ‘INFINITE INDIGENOUS QUEER LOVE', deCordova Sculpture Park and Museum, Lincoln, Massachusetts (2021); ‘To Feel Myself Beloved on the Earth', Benenson Center, Art Omi, Ghent, New York (2021); ‘When Fire is Applied to a Stone It Cracks', Brooklyn Art Museum, Brooklyn, New York (2020); ‘The Anthropophagic Effect', New Museum, New York City, New York (2019); ‘Like a Hammer', Madison Museum of Contemporary Art, Madison, Wisconsin (2019); Seattle Art Museum, Seattle, Washington (2019); Mississippi Museum of Art, Jackson, Mississippi (2019); Denver Art Museum, Denver, Colorado (2018); ‘This Is the Day', Blanton Museum of Art, Austin, Texas (2019); Ruth and Elmer Wellin Museum of Art, Clinton, New York (2018) and ‘Love Song', Institute of Contemporary Art, Boston, Massachusetts (2013). For the Toronto Biennial 2022, Gibson presented an evolving installation featuring fifteen moveable stages at Museum of Contemporary Art Toronto, Ontario, Canada. Other recent group exhibitions include ‘Dreamhome', Art Gallery of New South Wales, Sydney, Australia (2022); ‘Crafting America', Crystal Bridges, Bentonville, Arkansas (2021); ‘Monuments Now', Socrates Sculpture Park, Queens, New York (2020); ‘Duro Olowu: Seeing Chicago', Museum of Contemporary Art, Chicago, Illinois (2020) and The Whitney Biennial, Whitney Museum of American Art, New York City, New York (2019). Works can be found in the collections of Denver Art Museum, Denver, Colorado; Eiteljorg Museum, Indianapolis, Indiana; High Museum of Art, Atlanta, Georgia; Museum of Fine Arts, Boston, Massachusetts; The Museum of Modern Art, New York City, New York; National Gallery of Canada, Ottawa, Canada; Rose Art Museum, Brandeis University, Waltham, Massachusetts; San Francisco Museum of Modern Art, San Francisco, California; Seattle Art Museum, Seattle, Washington; Smithsonian Institution, Washington, DC and Whitney Museum of American Art, New York City, New York, amongst others. Gibson is a recipient of numerous awards, notably a MacArthur Foundation Fellowship (2019), Joan Mitchell Foundation, Painters and Sculptors Grant (2015) and Creative Capital Award (2005). More about Curator/Writer Jenelle Porter: Jenelle Porter is a curator and writer living in Los Angeles. Current and recent exhibitions include career surveys of Barbara T. Smith (ICA LA, 2023) and Kay Sekimachi (Berkeley Art Museum, 2021); Less Is a Bore: Maximalist Art & Design (ICA/Boston, 2019); and Mike Kelley: Timeless Painting (Mike Kelley Foundation and Hauser & Wirth, New York, 2019). She is co-editor of An Indigenous Present with artist Jeffrey Gibson (fall 2023), and a Viola Frey monograph (fall 2024). From 2011 to 2015 Porter was Mannion Family Senior Curator at the Institute of Contemporary Art/Boston, where she organized Fiber: Sculpture 1960–present and Figuring Color: Kathy Butterly, Felix Gonzalez-Torres, Roy McMakin, Sue Williams, as well as monographic exhibitions of the work of Jeffrey Gibson, Jessica Jackson Hutchins, Dianna Molzan, Christina Ramberg, Mary Reid Kelley, Arlene Shechet, and Erin Shirreff. Her exhibitions have twice been honored by the International Association of Art Critics. As Curator at the Institute of Contemporary Art, Philadelphia (2005–10), Porter organized Dance with Camera and Dirt on Delight: Impulses That Form Clay, the first museum surveys of Trisha Donnelly and Charline von Heyl, and numerous other projects. From 1998–2001 Porter was curator at Artists Space, New York. She began her career in curatorial positions at both the Walker Art Center and the Whitney Museum of American Art. She has authored books and essays including those on artists Polly Apfelbaum, Kathy Butterly, Viola Frey, Jeffrey Gibson, Sam Gilliam, Jay Heikes, Margaret Kilgallen, Liz Larner, Ruby Neri, and Matthew Ritchie, among others. An Indigenous Present: Conversation with Jeffrey Gibson and Jenelle Porter

The director of the new Crystal Bridges Museum of American Art tells us how a small city in Arkansas became home to a major art museum. Then author Rick Antonson describes how motoring west along the legendary Route 66 can reveal easily overlooked slices of Middle America. Plus, a Dutch tour guide discusses Amsterdam's reliance on bicycles — and what visitors should know before jumping into the bike lane. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

About the Show:"The most successful cities of the future are going to be those that are the most adaptable to change.” - Emily HamiltonIn the second installment of the Future is Now Speaker Series, Randy Wilburn talks to Duke McLarty, Matthew Petty, and Emily Hamilton about affordable housing in the region. The guests highlight the importance of addressing the shortage of affordable housing in growing urban areas, including Northwest Arkansas. Hamilton suggests thinking beyond increasing the supply of homes to focus on building housing in high-opportunity areas. Petty introduces the concept of pattern zones, which pre-approve buildings for construction, as a new approach to tackle the issue of slow permitting. The speakers discuss the success of small lot single-family developments in Houston and multifamily housing in high-density areas like Palisades Park, New Jersey. Hamilton talks about the importance of legalizing small lot single-family development and multifamily housing in commercial spaces to build housing in areas with existing infrastructure in place. All of the guests emphasized the importance of building trust with communities by showing clear renderings and visual models to execute successful housing projects. This event took place at the Northwest Arkansas Board of Realtors in Lowell, AR. "We have a responsibility to create places where everybody can live, work, learn, and play.” - Matthew PettyWhat you will learn in this episode:Delve into the effects of zoning regulations on residential construction.Understand the importance of fostering relationships between government and community entities.Discover groundbreaking ways to address housing affordability, featuring ADUs and housing finance innovations.Realize the essentiality of tailoring strategies to complement unique local needs and conditions.Learn the benefits of educating involved parties and seeking guidance from external sources.All this and more on this episode of the I am Northwest Arkansas podcast. Important Links and Mentions on the Show* Download a copy of Emily Hamilton's policy brief on Housing Reform in the States.Check out the Market Urbanism blog for more insights on urban economics and land use policy.Look into the Pattern Zones program to learn more about how cities can guide development and lower barriers to small parcel development.Attend the next iteration of the Future is Now speaker series on June 21 at Crystal Bridges, which will focus on community engagement.Visit the Northwest Arkansas Council's website to learn more about their initiatives related to workforce housing, development, recruitment, and retention.Consider becoming a member of the Northwest Arkansas Board of Realtors to stay informed about the local housing market and support their efforts to provide member support, MLS management, and education...

This episode we have the privilege of speaking with the legendary photographer and artist Ming Smith. During a career spanning almost six decades, Smith has documented everyday moments while pushing the limits of photography as a medium. Her distinct style combines a deliberate blurriness with experimental post-production techniques including double exposure, collage, and painting to amplify the works' dream-like qualities. Well known for her in-action portraits of notable cultural icons - from James Baldwin to Grace Jones - Smith's ethereal compositions celebrate the richness of Black culture and the African diaspora. In 1972, Ming joined the Kamoinge Workshop, a collective of Black photographers established in New York City. Born in Detroit, Michigan and raised in Columbus, Ohio, Smith earned a Bachelor of Science from Howard University before moving to New York in the early 1970's, where she now lives and works. Smith's work has been exhibited in critically-acclaimed exhibitions including MoMA's ‘Pictures by Women: A History of Modern Photography'; Brooklyn Museum's ‘We Wanted A Revolution: Black Radical Women, 1965-85.' and one of my personal favorites - ‘Soul of a Nation' which opened at Tate Modern, and traveled to Brooklyn Museum, Crystal Bridges and The Broad. In addition, Smith's work is included in the permanent collections of the Museum of Modern Art in New York; the Whitney Museum of American Art; and the Smithsonian National Museum of African American History & Culture in Washington, D.C. - just to name a few. Some artists and individuals discussed in this episode: Diane Arbus Roy DeCarava Romare Bearden David Hammons Linda Goode Bryant Jacob Lawrence Ed Clark Elizabeth Catlett Jayne Cortez Michael Jordan Thelma Golden For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy!

Our host Allen Woody sits down with Amanda Horn, Sr. PR Director with Crystal Bridges and the Momentary, for a lightning round update about what's on at Crystal Bridges and the Momentary for Spring 2023! Spoiler alert: there's a lot!Listen for an inside scoop on why you should check out the current exhibitions at both locations, including Diego Rivera's America, Listening Forest by Rafael Lozano-Hemmer, What a Time to Be by Yvette Mayorga, and Firelei Baez. You'll also hear about upcoming live music acts at the Momentary, including, yes, you read that right, Wu-Tang Clan. Plan your trip to visit Bentonville and experience these excellent art and music events before they're gone!  Stay social with Downtown Bentonville Inc. on Facebook, Instagram, and LinkedIn!

What do you think of when you hear the state, Arkansas? This is Clay Newcomb's beloved homeland, and on this episode he dives deep into the long-standing national image of Arkansas. It hasn't always been great. Scholars say it was the most picked on state in America in the 20th century and to this day remains the most “hillbilly” state per the internet. But is that truth, or just the results of branding and strong stereotypes? Clay interviews Dr. Books Blevins, Dr. Jeanie Whayne, and Dr. Bob Cochran to get to the bottom of this image. It's fascinating, entertaining, and in the end you may wish you were bare-footed and grinning ear-to-ear, living the highlife in Arkansas. Clay visits one of the nation's premiere American art museums, Crystal Bridges, in Arkansas. He visits the Walmart museum to talk to Sam Walton's hologram, and lastly, he'll release a never before heard interview with Arkansas's first son, Bill Clinton -- for real. All this will prove that there are really two Arkansas's -- the stereotype and the real thing. We really doubt you're going to want to miss this one. Connect with Clay and MeatEater Clay on Instagram MeatEater on Instagram, Facebook, Twitter, and Youtube Shop Bear Grease MerchSee omnystudio.com/listener for privacy information.

We're going all over the place today, from Bentonville Arkansas to New York City to Indianapolis Indiana with guests Dylan Turk of the Crystal Bridges Museum, Kate Scott of NABR, a development firm doing interesting things with Bjarke Ingels, and Vess Ruchtenberg, grandson of Jan Ruhtenberg, one of the most influential architects and designers you've never heard of. 

The Visit Bentonville team is in the studio with Kayla Grizzard,  founder of Perry Ryan Theater Company, which is hosting "From Broadway with Love" in the Great Hall at Crystal Bridges on Feb. 17 and 18 starting at 7:30 p.m. Kayla talks about her experience moving from New York City to Bentonville and why she founded Perry Ryan Theater Company, calling on friends from Broadway and Off Broadway to bring an elevated musical theater experience to the city.  For more information about upcoming performances, follow the theater company on Instagram @perryryantc. 

In this episode of Broken Boxes we talk about the life and current projects of Cherokee/Muscogee artist and composer Elisa Harkins. From her experience of being an adopted child to surviving a near fatal bike accident, Elisa shares both foundational and vulnerable life experiences which gave her strength as an artist. Elisa also reflects on grad school, noting artists who inspired her through insight and mentorship. We speak on how she has used language as a tool in her practice and as a way to access belonging and participation in community. She walks us through Radio III, a collaborative performance project which recently toured Europe. In closing, Elisa reminds us that as we strive to do things in a good way as creatives, we should also not be afraid to take a chance on bold ideas that push our comfort levels. Elisa Harkins is a Native American (Cherokee/Muscogee) artist and composer based in Tulsa, Oklahoma. Her work is concerned with translation, language preservation, and Indigenous musicology. Harkins uses the Cherokee and Mvskoke languages, electronic music, sculpture, and the body as her tools. She is the first person to use the Cherokee language in a pop song. Harkins received a BA from Columbia College, Chicago, and an MFA from CalArts. She has since continued her education at the Skowhegan School of Painting and Sculpture. She has exhibited her work at Crystal Bridges, documenta 14, The Hammer Museum, The Heard Museum, and MoMA. In 2020, She created an online Indigenous concert series called 6 Moons and published a CD of Muscogee (Creek)/Seminole Hymns. She is also the DJ of Mvhayv Radio, an Indigenous radio show on 99.1FM in Indianapolis, IN, and streaming from OK#1 in Tulsa, OK. Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ is a dance performance that features music and choreography by Harkins. With support from PICA and Western Front, songs from the performance have been collected into a limited edition double LP, which can be found on Harkins' Bandcamp. Harkins resides on the Muscogee (Creek) Reservation and is an enrolled member of the Muscogee (Creek) Nation. Song Featured: Deadly by Elisa Harkins

SummaryThe NWA Tech Summit is the Heartland's premier technology conference and serves to enhance, prepare, and diversify the local Northwest Arkansas economy. In its ninth year, the NWA Tech Summit came back with 1,700 registered attendees when it returned in-person to downtown Bentonville. The NWA Tech Summit is an event hosted by the Greater Bentonville Area Chamber of Commerce, and it is supported by the Walton Family Foundation, Northwest Arkansas Council, Walmart, J. B. Hunt, Tyson Foods, Salesforce, and the University of Arkansas Blockchain Center of Excellence.Show Notes(0:52) Introduction to Alex Howland(13:26) Introduction to Craig Immel(30:44) Introduction to Caleb Talley(36:05) Introduction to Katie Thompson(44:32) Introduction to Kirt Gill(59:15) Introduction to John Wilcox(1:06:33) Closing ThoughtsLinksJames BellBentonville Economic DevelopmentKris AdamsNorthwest Arkansas Technology SummitAlex HowlandAlex Victtoria EventsCraig ImmelGoKey NetworkThe MomentaryFreshgrass | BentonvilleFORMAT FestivalBlockchain NWAOZDAOCaleb TalleyStartup JunkieJeff AmerineStartup Junkies PodcastKatie ThompsonScience Venture StudioWinrock InternationalFuel AcceleratorAayush ThakurFR8RelayPressroomThe Preacher's SonScott Family AmazeumCrystal Bridges Museum of American ArtKirt GillNeuraStasisVIC Technology Venture DevelopmentWhole Health InstituteAlice L. Walton School of MedicineJohn WilcoxDiatech DiabetesWalmart (new home office)LedgerTable Mesa BistroMuseum of Native American History21c Museum HotelQuotes“We're in a place where people care about the future of our built environment, and that's so powerful. I think they're building the right way. I think there's some important people here doing the right type of work in figuring out what's next and how we're going to plan for the impacts of what we build now and what it's going to mean for future generations.” - Alex Howland, (8:03)“I'm happy to be here in Northwest Arkansas and blown away by all the changes I've seen…the changes have been significant, but they've also been really nice. I see a lot of quality development, and it's cool to see quality of growth and not just quantity.” - Craig Immel, (13:37)“I think it's a testament to how much the community's grown and the effort of the Chamber and other stakeholders in Northwest Arkansas, Bentonville specifically, to develop what is here, add onto it and do the things that are enticing the talent and culture to put down roots.” - Caleb Talley, (35:17)“I have a six and an eight year old, and we love coming up to Bentonville…I grew up in a small town in Texas and didn't have the opportunities to see artwork, so to be able to take them to places like Crystal Bridges at no cost to me is always amazing.” - Katie Thompson, (42:36)“It's my first time coming to Northwest Arkansas, and it's really beautiful…I went to Crystal Bridges, and there's certain art pieces that really spoke to me…It's hard to imagine what America looked like before all this development, and how beautiful this country is from a natural perspective, and you get to imagine it through some of the artwork that's there, and I think that's special.” - Kirt Gill, (53:43)“We were able to see the Walmart campus being built and that total bikeable building, everything is so modern…Bentonville is beautiful, and I've been very impressed with the urban planning and the restaurants…The infrastructure is incredible, and I saw the bike pass too, so that's been awesome. I want to come back and do some more riding.” - John Wilcox, (1:03:29)

On today's show, Hillary Clinton, former first lady Arkansas and secretary of state, spoke at Crystal Bridges Museum of American Art. Paul Gating, editor of the Northwest Arkansas Business Journal, interviews Charles Robinson, the newly appointed chancellor of the University of Arkansas. Plus, a fundraising dance competition, tunes for the weekend and more.

We preview several events coming up this weekend with KUAF, including this month's Lunch Hour event, Constitution Weekend at Crystal Bridges, and more.

On today's show, a new exhibition at Crystal Bridges highlights architecture. Plus, an update on monkeypox, live music, and much more.

As housing developments, individual living structures and complexes are built in Northwest Arkansas, housing issues persist. Crystal Bridges' Architecture at Home exhibition shows the perspective of five architectural firms with the goal of starting conversations on rethinking ideas of housing, customization and what creates a home.

The Crystal Bridges Museum of American Art in Bentonville, Arkansas, opened a new exhibit this summer called We the People: The Radical Notion of Democracy. It features an original print of the U.S. Constitution—one of only 11 in the world—as well as original prints of the Declaration of Independence, the proposed Bill of Rights, and the Articles of Confederation. To celebrate the opening, the museum invited Jeffrey Rosen, president and CEO of the National Constitution Center, to host a conversation centered around the text and impact of the Declaration of Independence and the Constitution. His guest was Eric Slauter, deputy dean of the humanities at the University of Chicago and the author of The State as a Work of Art: The Cultural Origins of the Constitution. Questions or comments about the show? Email us at podcast@constitutioncenter.org. Continue today's conversation on Facebook and Twitter using @ConstitutionCtr. Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate, at bit.ly/constitutionweekly.

On today's show, an increase of teens and women at crisis pregnancy centers since the reversal of Roe v. Wade. Plus, the co-creator of Def Jam Poetry is coming to Crystal Bridges, State Senator Jonathan Dismang discusses the special session, and much more.

Hannah McBroom is an artist who explores themes of transgender identity, materiality, and the body. She graduated from Mississippi State University with a Bachelor of Fine Arts in Studio Art with an emphasis in Painting and received her Masters of Fine Arts from the University of Arkansas in 2019. She has attended residencies at the Vermont Studio Center and Chautauqua School of Art. Hannah has also exhibited in shows nationally and internationally and is the recipient of the Artist 360 Grant through the Mid American Artist Coalition. She currently maintains a studio practice in St. Louis. You can see her works on display at “State of Art 2020” at Crystal Bridges and the Momentary, The Museum of Sex in New York, and her website: hannahmcbroom.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/morgan-mcgill/support

On today's show, a state-wide ballot initiative petition drive aims to place the question of legalizing recreational marijuana before Arkansas voters in November. Plus, a first edition of the U.S. Constitution comes to Crystal Bridges, the connection between inclusion and pageants, and much more.

We have learned so much since launching the podcast last year, and we mostly have learned that we have so much left to learn! During this podcast, I received a surprise delivery from Chick-Fil-A, which we will now refer to as a “Typical Tanya.” Jasa traveled from Franklin, Tennessee, to Roanoke, Virginia, and back to Russellville, Arkansas, in 10 days, so she has a lot to fill us in about, including, of course, Truett stories. And Jasa has big news to share with our listeners!  She also shares Truett's new sleep routine, which is both precious and effective.  Shep has an exciting baptism weekend planned, and the entire Dawson family and Cliff will be celebrating with him.  We recapped Easter Sunday with each of our families and talked about what else...food! You will also hear about the adventures and misadventures of our photoshoot day.  Buck's new pet bed https://amzn.to/3MJWXIf Acrylic Jewelry Box https://amzn.to/37B5q1t Acrylic Necklace Organizer  https://amzn.to/37BWsRA Left, Right, Center Game https://amzn.to/3EGw4lB Sandi Patty's Facebook page https://www.facebook.com/Sandi.Patty.Music Sandi Patty's Instagram page https://instagram.com/sandipattyp?igshid=YmMyMTA2M2Y= Crystal Bridges Museum  https://www.cbsnews.com/video/crystal-bridges-museum-and-a-towns-resurgence/ Words of Wisdom from Jasa: Shifting our focus to the goodness of God.  Psalm 116:7                                  

About This Episode: The biggest surprise was how vibrant the art community was. When my family moved to Northwest Arkansas, I didn't know what to expect. I knew https://crystalbridges.org/ (Crystal Bridges), but that was a museum. What I wasn't sure about was the local art scene.  Or if creators were toiling in relative obscurity.  What was it like for them?!  Once I got here, I met several local artists and realized that the local art/creator scene was very vibrant and well supported.  We have had a few of these artists and creators on the show, like https://iamnorthwestarkansas.com/episode-99-artist-shelley-mouber-from-deadhead-to-wutang-and-everything-in-between/ (Shelley Mouber), https://podcasts.apple.com/tt/podcast/53-kinya-christian-uses-art-to-reveal-why-1619-is-more/id1457297675?i=1000465180337 (Kinya Christian), and https://open.spotify.com/episode/6jY9QEHudyfIId1qTEFP96 (Jake Lewis), just to name a few. These guys and so many others are working hard to establish the creative hub that Northwest Arkansas has become.  https://www.linkedin.com/in/kody-ford-114800184 (Kody Ford), Founder of http://idleclassmag.com/ (The Idle Class )Magazine, is helping to shepherd this process by covering the art/creator scene with a magazine platform.  He and his team have been working hard since 2011 to create this forum.  One of his creations is the https://idleclassmag.com/blackapple2022/ (Black Apple Awards celebration). This event is a celebration to acknowledge all of the creatives in the area and highlight many making a difference with their bold ideas and art.  This will be the first year that they have been back since the start of the pandemic, and they have two years of pent-up creativity to acknowledge.   You can celebrate The Black Apple Awards with Kody and the rest of Northwest Arkansas on March 25th at 6 PM.   https://www.eventbrite.com/e/the-2022-black-apple-awards-tickets-291448699907 (Click here to get tickets.) http://idleclassmag.com/ (The Idle Class Magazine) celebrates the creative life in Arkansas. Established in 2011, the organization bridges the creative bubbles across the state by providing a media platform for artists through print, online, and podcast mediums.   All this and more on this episode of the https://i-am-northwest-arkansas.captivate.fm/listen (I am Northwest Arkansas podcast).  Important Links and Mentions on the Show* The Idle Class Magazine Email http://idleclassmag.com (The Idle Class Magazine Website) http://www.instagram.com/theidleclassn (The Idle Class Magazine Instagram) http://www.facebook.com/theidleclass (The Idle Class Magazine Facebook) http://idleclassmag.com/podcasts-northwest-arkansas/ (I am Northwest Arkansas article in The Idle Class) This episode is sponsored by*: https://www.signature.bank/ (Signature Bank of Arkansas) -   https://www.signature.bank/ (Signature Bank) was founded here in Northwest Arkansas in 2005. Their focus is personal and community banking. When you bank with a community bank, you're investing in local businesses, local entrepreneurs, local charities, and the causes close to home. Signature Bank has worked hard to earn its tagline, “Community Banking at its Best.” You may ask why bank at Signature?  Because they focus on the customer instead of having a branch on every corner, this means you can have your questions answered by a real person, whether you're reaching out to the call center or your banker's cell phone. You can access any ATM in the country without fear of a fee.  They will refund all of those fees at the end of every month. Finally, they are constantly improving their digital offerings to ensure you can access the best financial tools from your laptop, phone, or tablet 24 hours a day. Signature Bank of Arkansas is a full-service bank offering traditional checking and savings accounts, investment accounts, business and personal...

In American Waters: The Sea in American Painting is at Crystal Bridges Museum of American Art in Bentonville through January 31st. The works show more than ships and masts. And the exploration of the sea goes beyond sailing. We take a tour.

Promise, Witness, Remembrance  (on view from April 6 to June 11, 2021) at the Speed Art Museum in Louisville, Kentucky, was curated by Allison Glenn and reflects on the life of Breonna Taylor, her killing in 2020, and the year of protests that followed. The exhibition is organized around the three words of its title, which emerged from a conversation between curator Allison Glenn and Tamika Palmer, mother of Breonna Taylor, during the exhibition's planning.In "Promise," artists explore ideologies of the United States  through the symbols that uphold it, reflecting on the nation's founding, history, and the promises and realities, both implicit and explicit, contained within them. In "Witness," they address the contemporary moment, building upon the gap between what a nation promises and what it provides through artworks that explore ideas of resistance across time, form, and context. In "Remembrance," they address gun violence and police brutality, their victims, and their legacies.The death of Breonna Taylor, a Black medical worker who was shot and killed by Louisville police officers in March 2020 during a botched raid on her apartment, has been one of the main drivers of wide-scale demonstrations that erupted in the spring and summer over policing and racial injustice in the United States.A grand jury in September indicted  a former Louisville detective involved in the raid, Brett Hankison, for wanton endangerment of neighbors whose apartment was hit when he fired without a clear line of sight into the sliding glass patio door and window of Ms. Taylor's apartment. He pleaded not guilty. No charges were announced against the other two officers who fired shots, and no one was charged for causing Ms. Taylor's deathStephen Reily served as the Director of the Speed Art Museum from April 2017 to June 2021. He is a successful entrepreneur, civic leader, lawyer, and supporter of the arts in building a stronger community. A longtime supporter of the Speed, he served on its Board for 10 years, including several years as Chair of both the Museum's Long-Range Planning Committee and its Curatorial Committee. For four years, Stephen served as Chair and Co-Chair of the Board of Directors of the Creative Capital Foundation, a national grant maker in the arts. He has served as the Chair of the Greater Louisville Project and is a member of the Boards of the Louisville Urban League and the J. Graham Brown Foundation. He also founded Seed Capital Kentucky, a non-profit focused on building a more sustainable future for Kentucky's farmers.As an entrepreneur Reily foundeD IMC, a global leader in brand licensing that has generated over $3 billion in consumer product sales for the Fortune 500 brands it represents. He is also the co-founder of ClickHer, a mobile app publisher, and SUM180,  a digital financial planning service purchased by FlexWage. a national provider of financial wellness solutions. After graduating from Stanford Law School, Stephen clerked for Justice John Paul Stevens on the U.S. Supreme Court.  A native of New Orleans, he is married to historian Emily Bingham and they have 3 children.Promise, Witness, Remembrance contributing artists:Terry AdkinsNoel W AndersonErik BranchXavier BurrellMaría Magdalena Campos-PonsNick CaveJon P. CherryBethany CollinsTheaster GatesTyler GerthSam GilliamJon-Sesrie GoffEd HamiltonKerry James MarshallRashid JohnsonKahlil JosephGlenn LigonAmy SheraldLorna SimpsonNari WardHank Willis ThomasAlisha WormsleyT.A. Yero CuratorAllison M. Glenn is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art. Glenn works across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Since joining Crystal Bridges in 2018, she has worked with artists at all stages of their careers around themes of history, temporality, language, site, and identity. Community Engagement Strategist and Chair of the National Steering Committee for Promise, Witness, RemembranceToya Northington graduated with a Fine Art degree from Georgia State University and also holds a MSc in Social Work from the University of Louisville. She has exhibited in group and solo exhibitions in Georgia and Kentucky, and has recently been involved in a number of public art projects in Louisville. Working in mixed media and across disciplines, Toya speaks of her work as pushing back at societal expectations, as an act of resistance. As a feminist and social activist she states, “my work is an acknowledgment of traumas too often experienced by women and a means to foster healing and resilience from them.” Toya is the recipient of Art Meets Activism, Artist Enrichment, and The Special grants from the Kentucky Foundation for Women. In 2012 she founded artThrust a youth, art-based, mental health and social justice organization that empowers youth through art. She is currently the Community Engagement Strategist at the Speed Art Museum. Music for the Short Fuse PodcastJeannine Otis recorded the music for this episode of the Short Fuse Podcast. Music has been a part of Jeannine's life since she was born. Having a mother who was a Musical Director and a family that includes the Jones Brothers Hank, Thad, and Elvin formed the basis of exposure to music that began a career that started with Jeannine's debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN' at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production's version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts. Behind the scenes of the Short Fuse PodcastKyle Lee is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as The Daily Arrow, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at @kyleburtonlee on Instagram and Twitter.Gilda Geist is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, The Justice, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts.  What to listen to nextIf you liked this episode, you'll like our host Elizabeth Howard's conversation with Gioni Massimiliano, Artistic Director of the New Museum. They spoke about the New Museum's exhibit "Grief and Grievance, Art and Mourning in America", which  features the works of 37 Black artists and was conceived of by the late curator Okwui Enwezor. Listen here.

Today on the show, we are in news and information overload. Tiger was really gettin' it when he crashed. It's National Beer Day and we have some great stats. Exciting news about Crystal Bridges and more. Plus, an amazing piece of Music History.... Enjoy! --- Send in a voice message: https://anchor.fm/darren-minor5/message Support this podcast: https://anchor.fm/darren-minor5/support