Podcast appearances and mentions of tom cohen

Tune into the fourth installment of AJC's latest limited podcast series, Architects of Peace. Go behind the scenes of the decades-long diplomacy and quiet negotiations that made the Abraham Accords possible, bringing Israel, the United Arab Emirates, Bahrain, and later Morocco, together in historic peace agreements.  From cockpits to kitchens to concert halls, the Abraham Accords are inspiring unexpected partnerships. In the fourth episode of AJC's limited series, four “partners of peace” share how these historic agreements are reshaping their lives and work. Hear from El Mehdi Boudra of the Mimouna Association on building people-to-people ties; producer Gili Masami on creating a groundbreaking Israeli–Emirati song; pilot Karim Taissir on flying between Casablanca and Tel Aviv while leading Symphionette, a Moroccan orchestra celebrating Andalusian music; and chef Gal Ben Moshe, the first Israeli chef to ever cook in Dubai on his dream of opening a restaurant in the UAE. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode lineup: El Mehdi Boudra (4:00) Gili Masami (11:10) Karim Taissir (16:14) Gal Ben Moshe (21:59) Read the transcript: https://www.ajc.org/news/podcast/partners-of-peace-architects-of-peace-episode-4 Resources: AJC.org/ArchitectsofPeace - Tune in weekly for new episodes. The Abraham Accords, Explained AJC.org/CNME - Find more on AJC's Center for a New Middle East Listen – AJC Podcasts: The Forgotten Exodus  People of the Pod Follow Architects of Peace on your favorite podcast app, and learn more at AJC.org/ArchitectsofPeace You can reach us at: podcasts@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript: El Mehdi Boudra: All the stereotypes started like getting out and people want to meet with the other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region, where you have Arabs Muslims, Arab Christians, Druze, Beta Yisrael, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region. Manya Brachear Pashman: In September 2020, the world saw what had been years – decades – in the making: landmark peace agreements dubbed the Abraham Accords – normalizing relations between Israel and two Arabian Gulf states, the United Arab Emirates and the Kingdom of Bahrain. Later, in December, they were joined by the Kingdom of Morocco.  Five years later, AJC is pulling back the curtain to meet key individuals who built the trust that led to these breakthroughs and turning the spotlight on some of the results. Introducing: the Architects of Peace. ILTV correspondent: Well, hello, shalom, salaam. For the first time since the historic normalization deal between Israel and the UAE, an Israeli and an Emirati have teamed up to make music. [Ahlan Bik plays] The signs have been everywhere. On stages in Jerusalem and in recording studios in Abu Dhabi. [Camera sounds]. On a catwalk in Tel Aviv during Fashion Week and on the covers of Israeli and Arab magazines. [Kitchen sounds]. In the kitchens of gourmet restaurants where Israeli and Emirati chefs exchanged recipes. Just days after the announcement of the Abraham Accords, Emirati ruler Sheikh Khalifa bin Zayed Al Nahyan formally ended the UAE's nearly 50-year boycott of Israel. Though commerce and cooperation had taken place between the countries under the radar for years, the boycott's official end transformed the fields of water, renewable energy, health, cybersecurity, and tourism.  In 2023, Israel and the UAE signed a Comprehensive Economic Partnership Agreement (CEPA) to advance economic cooperation, and by 2024, commerce between the UAE and Israel grew to $3.2 billion. Trade between Bahrain and Israel surged 740% in one year. As one of the world's most water-stressed countries, Bahrain's Electrical and Water Authority signed an agreement to acquire water desalination technology from Israel's national water company [Mekorot].  Signs of collaboration between Israeli and Arab artists also began to emerge. It was as if a creative energy had been unlocked and a longing to collaborate finally had the freedom to fly. [Airplane take off sounds]. And by the way, people had the freedom to fly too, as commercial airlines sent jets back and forth between Tel Aviv, Casablanca, Abu Dhabi, and Manama.  A gigantic step forward for countries that once did not allow long distance calls to Israel, let alone vacations to the Jewish state. At long last, Israelis, Moroccans, Emiratis, and Bahrainis could finally satisfy their curiosity about one another. This episode features excerpts from four conversations. Not with diplomats or high-level senior officials, but ordinary citizens from the region who have seized opportunities made possible by the Abraham Accords to pursue unprecedented partnerships. For El Medhi Boudra, the Abraham Accords were a dream come true.  As a Muslim college student in 2007 at Al Akhawayn University in Ifrane, Morocco, he founded a group dedicated to preserving and teaching the Jewish heritage of his North African home. El Mehdi knew fostering conversations and friendships would be the only way to counter stereotypes and foster a genuine appreciation for all of Morocco's history, including its once-thriving Jewish community of more than 100,000. Five years later, El Mehdi's efforts flourished into a nonprofit called Mimouna, the name of a Moroccan tradition that falls on the day after Passover, when Jewish and Muslim families gather at each other's homes to enjoy cakes and sweets and celebrate the end of the Passover prohibitions. Together.   El Mehdi Boudra: Our work started in the campus to fill this gap between the old generation who talk with nostalgia about Moroccan Jews, and the young generation who don't know nothing about Moroccan Judaism. Then, in the beginning, we focused only on the preservation and educating and the promotion of Jewish heritage within campuses in Morocco. In 2011, we decided to organize the first conference on the Holocaust in the Arab world. Manya Brachear Pashman: So did the Abraham Accords make any difference in the work you were already doing? I mean, I know Mimouna was already a longtime partner with AJC.  El Mehdi Boudra: With Abraham Accords, we thought bigger. We brought young professionals from Morocco and Israel to work together in certain sectors on challenges that our regions are overcoming. Like environment, climate change, water scarcity and innovation, and bring the best minds that we have in Morocco and in Israel to work together. But we included also other participants from Emirates and Bahrain. This was the first one that we started with.  The second was with AJC. We invited also young professionals from United States and France, which was an opportunity to work globally. Because today, we cannot work alone. We need to borrow power from each other. If we have the same vision and the same values, we need to work together.  In Morocco, we say: one hand don't clap. We need both hands. And this is the strategy that we have been doing with AJC, to bring all the partners to make sure that we can succeed in this mission.  We had another people-to-people initiative. This one is with university students. It's called Youth for MENA. It's with an Israeli organization called Noar. And we try to take advantage of the Abraham Accords to make our work visible, impactful, to make the circle much bigger. Israel is a country that is part of this region. And we can have, Israel can offer good things to our region. It can fight against the challenges that we have in our region. And an Israeli is like an Iraqi. We can work all together and try to build a better future for our region at the end of the day. Manya Brachear Pashman: El Mehdi, when you started this initiative did you encounter pushback from other Moroccans? I mean, I understand the Accords lifted some of the restrictions and opened doors, but did it do anything to change attitudes? Or are there detractors still, to the same degree? El Mehdi Boudra: Before the Abraham Accords, it was more challenging to preserve Moroccan Jewish heritage in Morocco. It was easier. To educate about Holocaust. It was also OK. But to do activities with civil society in Israel, it was very challenging. Because, first of all, there is no embassies or offices between Morocco. Then to travel, there is no direct flights.  There is the stereotypes that people have about you going to Israel. With Abraham Accords, we could do that very freely. Everyone was going to Israel, and more than that, there was becoming like a tendency to go to Israel.  Moroccans, they started wanting to spend their vacation in Tel Aviv. They were asking us as an organization. We told them, we are not a tour guide, but we can help you. They wanted to travel to discover the country.  All the stereotypes started like getting out and people want to meet with other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region where you have  Arab Muslims, Arab Christians, Druze, Beta Israel, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region.  And it's not granted in this modern time, as you can see in the region. You can see what happened in Iraq, what's happening in Syria, for minorities. Then you know, this gave us hope, and we need this hope in these dark times. Manya Brachear Pashman: Hm, what do you mean? How does Israel's diversity provide hope for the rest of the Middle East North Africa (MENA) region?  El Mehdi Boudra: Since the MENA region lost its diversity, we lost a lot. It's not the Christians or the Yazidis or the Jews who left the MENA region who are in bad shape. It's the people of the MENA region who are in bad shape because those people, they immigrated to U.S., to Sweden, they have better lives. But who lost is those countries.  Then us as the majority Muslims in the region, we should reach out to those minorities. We should work closely today with all countries, including Israel, to build a better future for our region. There is no choice. And we should do it very soon, because nothing is granted in life.  And we should take this opportunity of the Abraham Accords as a real opportunity for everyone. It's not an opportunity for Israel or the people who want to have relation with Israel. It's an opportunity for everyone, from Yemen to Morocco. Manya Brachear Pashman: Morocco has had diplomatic relations with Israel in the past, right? Did you worry or do you still worry that the Abraham Accords will fall apart as a result of the Israel Hamas War? El Mehdi Boudra: Yes, yes, to tell you the truth, yes. After the 7th of October and things were going worse and worse. We said, the war will finish and it didn't finish. And I thought that probably with the tensions, the protest, will cut again the relations. But Morocco didn't cut those relations. Morocco strengthened those relations with Israel, and also spoke about the Palestinians' cause in the same time.  Which I'm really proud of my government's decisions to not cut those relations, and we hope to strengthen those relations, because now they are not going in a fast dynamic. We want to go back to the first time when things were going very fastly. When United States signed with the Emirates and Bahrain in September 2020, I was hoping that Morocco will be the first, because Morocco had strong relations with Israel. We had direct relations in the 90s and we cut those relations after the Second Intifada in 2000.  We lost those 21 years. But it's not [too] late now. We are working. The 7th of October happened. Morocco is still having relations with Israel. We are still having the Moroccan government and the Israeli government having strong relations together.  Of course, initiatives to people-to-people are less active because of the war. But you know, the war will finish very soon, we hope, and the hostages will go back to their homes, Inshallah, and we will get back to our lives. And this is the time for us as civil society to do stronger work and to make sure that we didn't lose those two years. [Ahlan Bik plays] Manya Brachear Pashman: Just weeks after the White House signing ceremony on September 15, 2020, Israeli music producer Gili Masami posted a music video on YouTube. The video featured a duet between a former winner of Israel's version of The Voice, Elkana Marziano, and Emirati singer Walid Aljasim.  The song's title? Ahlan Bik, an Arabic greeting translated as “Hello, Friend.” In under three weeks, the video had garnered more than 1.1 million views. Gili Masami: When I saw Bibi Netanyahu and Trump sign this contract, the Abraham Accords, I said, ‘Wow!' Because always my dream was to fly to Dubai. And when I saw this, I said, ‘Oh, this is the time to make some project that I already know how to do.' So I thought to make the first historic collaboration between an Israeli singer and an Emirati singer.  We find this production company, and they say, OK. We did this historic collaboration. And the first thing it was that I invite the Emirati people to Israel. They came here. I take them to visit Jerusalem, Tel Aviv, and then I get a call to meet in Gitix Technology Week in the World Trade Center in Dubai. Manya Brachear Pashman: Gitix. That's the Gulf Information Technology Exhibition, one of the world's largest annual tech summits, which met in Dubai that year and invited an Israeli delegation for the first time. Gili Masami: They tell me. ‘Listen, your song, it was big in 200 countries, cover worldwide. We want you to make this show.' I said, OK. We came to Dubai, and then we understand that the production company is the family of Mohammed bin Zayed al Nayhan, the president of UAE. And now we understand why they agree.  The brother of Muhammad bin Zayed Al Nahyan, Sheik Issa Ben Zahid Al Nahyan, he had this production company. This singer, it's his singer. And we say, ‘Wow, we get to this so high level, with the government of Dubai.' And then all the doors opened in Dubai.  And then it was the Corona. 200 countries around the world cover this story but we can't do shows because this Corona issue, but we still did it first. Manya Brachear Pashman: The song Ahlan Bik translates to “Hello, Friend.” It was written by Israeli songwriter Doron Medalie. Can you tell our listeners what it's about? Gili Masami: The song Ahlan Bik, it's this song speak about Ibrihim. Because if we go to the Bible, they are cousins. They are cousins. And you know, because of that, we call this Abraham Accords, because of Avraham. And they are sons of Ishmael. Yishmael. And we are sons of Jacob.  So because of that, we are from back in the days. And this is the real cousins. Saudi Arabia, UAE, Morocco. They are the real ones. And this song speak about this connection. Manya Brachear Pashman: After Morocco joined the Abraham Accords, you also put together a collaboration between Elkana and Moroccan singer Sanaa Mohamed. But your connection to UAE continued. You actually moved to Dubai for a year and opened a production company there. I know you're back in Israel now, but have you kept in touch with people there?   Gili Masami: I have a lot of friends in UAE. A lot of friends. I have a production company in UAE too. But every time we have these problems with this war, so we can do nothing. I was taking a lot of groups to Dubai, making tours, parties, shows, and all this stuff, because this war. So we're still friends.  Manya Brachear Pashman: Given this war, do you ever go back and listen to the song Ahlan Bik for inspiration, for hope?  Gili Masami: I don't look about the thinking that way. These things. I know what I did, and this is enough for me. I did history. This is enough for me. I did [a] good thing. This is enough for me. I did the first collaboration, and this is enough for me. Manya Brachear Pashman: Moroccan pilot and music aficionado Karim Taissir also knows the power of music. In 2016, he reached out to Tom Cohen, the founder and conductor of the Jerusalem Orchestra East & West and invited him to Morocco to conduct Symphonyat, an orchestra of 40 musicians from around the world playing Jewish and Arab music from Morocco's past that often has been neglected.  Karim Taissir: In 2015 I contacted Tom via Facebook because of a story happening in Vietnam. I was in a bar. And this bar, the owner, tried to connect with people. And the concept was a YouTube session connected on the speaker of the bar, and they asked people to put some music on from their countries. So when he asked me, I put something played by Tom [Cohen], it was Moroccan music played by the orchestra of Tom. And people said, ‘Wow.'  And I felt the impact of the music, in terms of even, like the ambassador role. So that gave me the idea. Back in Morocco, I contacted him. I told him, ‘Listen, you are doing great music, especially when it comes to Moroccan music, but I want to do it in Morocco. So are you ready to collaborate? And you should tell me, what do you need to create an orchestra that do this, this excellency of music?'  And I don't know why he replied to my message, because, usually he got lots of message from people all over the world, but it was like that. So from that time, I start to look of musician, of all conditions, asked by Tom, and in 2016 in April, we did one week of rehearsals. This was a residence of musician in Casablanca by Royal Foundation Hiba. And this is how it starts. And from that time, we tried every year to organize concerts. Sometimes we succeed, and sometimes not. Manya Brachear Pashman: I asked this of El Mehdi too, since you were already doing this kind of bridge building Karim, did the Abraham Accords change anything for you? Karim Taissir: In ‘22 we did the great collaboration. It was a fusion between the two orchestras, under the conductor Tom Cohen in Timna desert [National Park], with the presence of many famous people, politician, and was around like more than 4,000 people, and the President Herzog himself was was there, and we had a little chat for that.  And even the program, it was about peace, since there was Moroccan music, Israeli music, Egyptian music, Greek music, Turkish music. And this was very nice, 18 musicians on the stage. Manya Brachear Pashman: Oh, wow. 18 musicians. You know, the number 18, of course, is very significant, meaningful for the Jewish tradition.  So, this was a combination of Israeli musicians, Moroccan musicians, playing music from across the region. Turkey, Greece, Egypt, Israel. What did that mean for you? In other words, what was the symbolism of that collaboration and of that choice of music? Karim Taissir: Listen, to be honest, it wasn't a surprise for me, the success of collaboration, since there was excellent artists from Israel and from Morocco. But more than that, the fact that Moroccan Muslims and other people with Israeli musicians, they work together every concert, rehearsals.  They became friends, and maybe it was the first time for some musicians, especially in Morocco. I'm not talking only about peace, happiness, between people. It's very easy in our case, because it's people to people. Manya Brachear Pashman: How have those friendships held up under the strain of the Israel-Hamas War? Karim Taissir: Since 7th October, me, for example, I'm still in touch with all musicians from Israel, not only musicians, all my friends from Israel to support. To support them, to ask if they are OK. And they appreciate, I guess, because I guess some of them feel even before they have friends from all over the world. But suddenly it's not the case for us, it's more than friendships, and if I don't care about them, which means it's not true friendships. And especially Tom. Tom is more than more than a brother. And we are looking forward very soon to perform in Israel, in Morocco, very soon. Manya Brachear Pashman: So I should clarify for listeners that Symphonyat is not your full-time job. Professionally you are a pilot for Royal Air Maroc. And a week after that concert in Timna National Park in March 2022, Royal Air Maroc launched direct flights between Casablanca and Tel Aviv. Those flights have been suspended during the war, but did you get to fly that route? Karim Taissir: They call me the Israeli guy since I like very much to be there. Because I was kind of ambassador since I was there before, I'm trying always to explain people, when you will be there, you will discover other things. Before 7th of October, I did many, many, many flights as captain, and now we're waiting, not only me, all my colleagues.  Because really, really–me, I've been in Israel since 2016–but all my colleagues, the first time, it was during those flights. And all of them had a really nice time. Not only by the beauty of the Tel Aviv city, but also they discover Israeli people. So we had really, really, very nice memories from that period, and hoping that very soon we will launch flight. Manya Brachear Pashman: Chef Gal Ben Moshe, the first Israeli chef to earn a Michelin Star for his restaurant in Berlin, remembers the day he got the call to speak at Gulfood 2021, a world food festival in Abu Dhabi. That call led to another call, then another, and then another.  Before he knew it, Chef Gal's three-day trip to the United Arab Emirates had blossomed into a 10-day series: of master classes, panel discussions, catered dinners, and an opportunity to open a restaurant in Dubai. Gal Ben Moshe: Like I said, it wasn't just one dinner, it wasn't just a visit. It's basically from February ‘21 to October ‘23 I think I've been more than six, eight times, in the Emirates. Like almost regularly cooking dinners, doing events, doing conferences. And I cooked in the Dubai Expo when it was there. I did the opening event of the Dubai Expo. And a lot of the things that I did there, again, I love the place. I love the people. I got connected to a lot of people that I really, truly miss. Manya Brachear Pashman: When we first connected, you told me that the Abraham Accords was one of your favorite topics. Why? Gal Ben Moshe: I always felt kind of like, connected to it, because I was the first Israeli chef to ever cook in Dubai. And one of the most influential times of my life, basically going there and being there throughout basically everything from the Abraham Accords up to October 7. To a degree that I was supposed to open a restaurant there on the first of November 2023 which, as you probably know, did not happen in the end.  And I love this place. And I love the idea of the Abraham Accords, and I've had a lot of beautiful moments there, and I've met a lot of amazing people there. And, in a way, talking about it is kind of me missing my friends less. Manya Brachear Pashman: So you were originally invited to speak at Gulfood. What topics did you cover and what was the reception like? Gal Ben Moshe: The journalist that interviewed me, he was a great guy, asked me, ‘OK, so, like, where do you want to cook next?' And I said, ‘If you would ask me six months ago, I would say that I would love to cook in Dubai, but it's not possible.' So having this happened, like, anything can happen, right? Like, if you would tell me in June 2020 that I would be cooking in Dubai in February 2021, I'm not sure I was going to believe you. It was very secretive, very fast, very surprising. And I said, ‘Yeah, you know, I would love to cook in Damascus and Beirut, because it's two places that are basically very influential in the culture of what is the Pan-Arabic kitchen of the Levant. So a lot of the food influence, major culinary influence, comes from basically Aleppo, Damascus and Beirut. Basically, this area is the strongest influence on food. A lot of Jordanians are probably going to be insulted by me saying this, but this is very this is like culinary Mecca, in my opinion.'  And I said it, and somebody from the audience shouted: ‘I'm from Beirut! You can stay at my place!' And I was like, it's just amazing. And the funny thing is, and I always talk about it is, you know, I talk about my vegetable suppliers in Berlin and everything in the Syrian chefs and Palestinian chefs and Lebanese chefs that I met in the Emirates that became friends of mine. And I really have this thing as like, I'm gonna say it is that we have so much in common. It's crazy how much we have in common.  You know, we have this war for the past two years with basically everyone around us. But I think that when we take this thing out of context, out of the politics, out of the region, out of this border dispute or religious dispute, or whatever it is, and we meet each other in different country. We have so much in common, and sometimes, I dare say, more than we have in common with ourselves as an Israeli society. And it's crazy how easy it is for me to strike a conversation and get friendly with the Lebanese or with a Palestinian or with the Syrian if I meet them in Berlin or in Dubai or in New York or in London. Manya Brachear Pashman: I should clarify, you run restaurants in Tel Aviv, but the restaurant that earned a Michelin star in 2020 and held on to it for four years, was Prism in Berlin. Tel Aviv was going to be added to the Michelin Guide in December 2023, but that was put on hold after the start of the Israel-Hamas War. Did your time in the Emirates inspire recipes that perhaps landed on your menu at Prism? Gal Ben Moshe: I was approached by a local journalist that wrote cookbooks and he did a special edition cookbook for 50 years for the Emirates. And he wanted me to contribute a recipe. And I did a dish that ended up being a Prism signature dish for a while, of Camel tartar with caviar, quail yolk, grilled onion, and it was served in this buckwheat tortelet. And at the time, it's a concept dish. So basically, the story is this whole story of Dubai. So you have the camel and the caviar, so between the desert and the sea. And then you have the camel, which basically is the nomadic background of Dubai, with the Bedouin culture and everything, and the caviar, which is this luxurious, futuristic–what Dubai is today. And it was really a dish about the Emirates. And I was invited to cook it afterwards in a state dinner, like with very high-end hotel with very high-end guests.  And basically the chef of the hotel, who's a great guy, is like, sending, writing me an email, like, I'm not going to serve camel. I'm not going to serve camel in this meal. And I was like, but it's the whole story. It's the whole thing. He's like, but what's wrong with Wagyu beef? It's like, we're in Dubai. Wagyu beef is very Dubai. And I was like, not in the way that the camel is in that story. Listen, for a chef working there, it's a playground, it's heaven. People there are super curious about food. They're open-minded. And there's great food there. There's a great food scene there, great chefs working there. I think some of the best restaurants in the world are right now there, and it was amazing. Manya Brachear Pashman: There have been other Israeli chefs who opened their restaurants in Dubai before October 7. I know Chef Eyal Shani opened with North Miznon in a Hilton hotel in Dubai. You recently closed Prism, which really was a mom and pop place in Berlin, and you've now opened a hotel restaurant in Prague. Would you still consider opening a kitchen in Dubai? Gal Ben Moshe: I have not given up on the Emirates in any way. Like I've said, I love it there. I love the people there. I love the atmosphere there. I love the idea of being there. I would say that there is complexities, and I understand much better now, in hindsight of these two years. Of why, basically, October 7 meant that much. I live in Berlin for 13 years, and I work with my vegetable suppliers for the past, I would say nine or eight years. They're Palestinians and Syrians and Lebanese and everything.  And even though October 7 happened and everything that's happened afterwards, we're still very close, and I would still define our relationship as very friendly and very positive. The one thing is that, I don't know, but I think it's because we know each other from before. And I don't know if they would have taken the business of an Israeli chef after October 7. So having known me and that I'm not a symbol for them, but I am an individual.  For them it is easier because we're friends, like we worked together, let's say for five years before October 7. It's not going to change our relationship just because October 7 happened. But I think what I do understand is that sometimes our place in the world is different when it comes to becoming symbols. And there are people who don't know me and don't know who I am or what my opinions are, how I view the world, and then I become just a symbol of being an Israeli chef. And then it's you are this, and nothing you can say at that moment changes it.  So I don't think that me opening a restaurant in Dubai before October 7 was a problem. I do understand that an Israeli chef opening a restaurant in Dubai after October 7 was not necessarily a good thing. I can understand how it's perceived as, in the symbolism kind of way, not a good thing. So I think basically, when this war is over, I think that the friendship is there. I think the connection is there. I think the mutual respect and admiration is there. And I think that there is no reason that it can't grow even further. Manya Brachear Pashman: In our next episode, expected to air after the High Holidays, we discuss how the Abraham Accords have held during one of Israel's most challenging times and posit which Arab countries might be next to join the historic pact.  Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jason Isaacson, Sean Savage, and the entire AJC team for making this series possible.  You can subscribe to Architects of Peace on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/ArchitectsofPeace. The views and opinions of our guests don't necessarily reflect the positions of AJC. You can reach us at podcasts@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us. Music Credits: Middle East : ID: 279780040; Composer: Eric Sutherland אלקנה מרציאנו & Waleed Aljasim - אהלן ביכ | Elkana Marziano AHALAN bik أهلاً بيك Moroccan Suite: Item ID: 125557642; Composer: umberto sangiovanni Medley Ana Glibi Biddi Kwitou / Ma Nebra - Symphonyat with Sanaa Marahati - Casablanca - 2022 Middle East: Item ID: 297982529; Composer: Aditya Mystical Middle East: ID: 212471911; Composer: Vicher  

On today's episode of Full Spectrum, the Kelley Drye Communications group covers a number of Report and Orders and Further Notice of Proposed Rulemakings covered at the FCC's July Open Meeting. First, Tom Cohen will discuss bringing common sense and fairness to correctional facility phone rates (00:33). Jenny Wainwright will then discuss modernizing E-Rate to support wi-fi hotspots (08:54). Mike Dover will discuss accessibility of user interfaces, and video programming guides and menus (15:28). Chip Yorkgitis will discuss promoting consumer choice and wireless competition through handset unlocking requirements and policies (24:18). Finally, Hank Kelly will discuss advancing the transition to next generation 911 (29:54).

On this episode of Full Spectrum, we discuss the FCC's decision at its May 2024 Open Meeting to reclassify broadband Internet access service (“BIAS”) from a lightly regulated information service to a telecommunications service regulated under Title II of the Communications Act, as well as adopt bright line net neutrality rules for BIAS providers. During the episode, you'll hear from partners Tom Cohen, Chip Yorkgitis, and Hank Kelly, special counsel Mike Dover, and senior associates Jenny Wainwright and Winafred Brantl.

In this episode of Full Spectrum, partner Tom Cohen discusses the recently held FCC Open Meeting, including a Report and Order and Further Notice of Proposed Rulemaking to establish a framework to facilitate equal access to broadband internet access service by preventing digital discrimination of access.

On this episode of Full Spectrum partners Tom Cohen and Chip Yorkgitis discuss the Notice of Proposed Rule Making adopted by the Commission at its October 19 Open Meeting in its newly-commenced Open Internet (or Net Neutrality) proceeding proposing to reclassify broadband Internet access service (“BIAS”) from a lightly regulated information service to a telecommunications service regulated under Title II of the Communications Act (01:19). The Commission's Notice proposes to adopt Open Internet rules that are very similar to those previously imposed in 2015 and largely rescinded in 2017. Additionally, Chip discusses a Second Report and Order adopted at the Open Meeting (but only released on November 1) that expands unlicensed use in the 6 GHz Band in the face of opposition from licensed incumbents by permitting very low power devices to operate in two sub-bands both indoors and outdoors, and both fixed and mobile (15:30). He also explains that the Commission continues to consider other proposals to expand unlicensed power and flexibility – both from a 2020 Further Notice of Proposed Rulemaking and a Second Further Notice of Proposed Rulemaking that accompanies the Second Report and Order. Finally, Tom and Chip give a brief preview of the Digital Discrimination item that is on the Commission's tentative agenda for its November 15 Open Meeting (35:25).

On today's episode of Full Spectrum, the Kelley Drye Communications teams will discuss a number of developments from the September FCC Open Meeting. First, Tom Cohen will briefly discuss the impact of a full Commission on the heels of an election cycle. Chip Yorkgitis (3:20) will follow up to discuss two Report and Orders related to satellite and space launches. Hank Kelly (21:02) will discuss the changes the Commission made to address direct access to numbers by interconnected VoIP providers. Finally, Mike Dover (31:18) will discuss the Notice of Proposed Rule Making establishing a 5G fund for rural America.

Tom Cohen's love for music has deep roots that can be traced back to his childhood home, where he and his parents listened to a wide variety of genres without judgment. This impartiality would prove invaluable as Tom later developed his own sound. As the founder and head conductor of the Jerusalem Orchestra East and West, Tom creates a new, integrated musical experience that blends sounds from the East and West, old and new. His innovative approach transcends pre-existing limitations in Israeli classical music and allows audiences to overlook cultural and political conflicts — if only for a few hours.Enjoy Gil and Tom's repartee about the gift of music, labor justice, and how even small acts of change can have worldwide impact.More about storymark™storymark is brought to you by itrek studios. itrek is a non-profit that inspires tomorrow's leaders through peer-led, week-long Israel Treks to experience Israel's innovation, diversity and complex reality firsthand. For more on itrek's mission, visit itrek.org.storymark is hosted by Gil Galanos. Our Producer is Patrick Emile. Our Associate Producer is Rebekah Sebastian. Our Editor is Zev Levi. Special thanks to the itrek marketing team.Connect with storymarkWant to continue the story?Sign up for the storymark newsletter which will keep you up-to-date on show news and future guests: storymarkpodcast.orgDid you enjoy this episode?Help us spread the storymark word!Please rate and review storymark on Apple Podcasts, Spotify, or wherever you listen. Want to see the faces behind the voices? Follow us on Instagram: @storymarkWant to say hello or recommend a guest?Drop us a note: storymark@itrek.org Hosted on Acast. See acast.com/privacy for more information.

Elana Cohen & Tom Cohenhttps://www.treeolifepr.com/originally aired 06.17.2022Chef Manny MendozaThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3240061/advertisement

A five-year settlement for local authorities and a change to the Highways Act to allow delivery in accordance to the imperatives of the time are two of the most important things that should be considered to help support future investment and planning for active travel, according to this week's guest on the Highways Voices podcast. The University of Westminster's Tom Cohen, report author for the latest report by the All-Party Parliamentary Group for Cycling and Walking (APPGCW). He tells this week's Highways Voices that there was an agreement among almost all those surveyed that a five-year funding settlement would be ideal to allow  a ‘funding horizon' of five years to enable transport/highway authorities to build teams and manage programmes successfully but at the same time giving central government the fiscal control it needs. A change to the Highways Act, he said would mean that local authorities could develop and manage their network in accordance with the need to achieve the goals of environmental sustainability and improved public health.  "It would need to impose upon highways authorities, a requirement to act in accordance with the imperatives of the time, notably climate change and public health. And there would be an expectation that authorities would, whenever taking action on the highway network, always be looking to improve if at all possible, the arrangements for active travel, and at the very least not to make them any worse," said Mr Cohen. The report also recommends that a new standard is created for active travel to ensure councils adhere to issues of justice when planning further active travel. Subscribe to Highways Voices free on https://podcasts.apple.com/gb/podcast/highways-voices/id1551975855 (Apple Podcasts,) https://open.spotify.com/show/0U6BbFBYLr5eeX0HuZtPv8 (Spotify), https://highways-voices.captivate.fm/amazon (Amazon Music), https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vaGlnaHdheXMtdm9pY2Vz (Google Podcasts) or https://pca.st/7a3xxskl (Pocket Casts) and never miss an episode!

“Philly's got its own way of swing — it's a deep-rooted, down-home feeling” Drummer Tom Cohen must have had flames coming off his sticks when he finished recording his latest record. Short but mighty, My Take features five burning tracks with Philadelphia greats like Hammond B3 organist Dave Posmontier and guitarist Steve Warfield, tenor saxophonists Tim Warfield and Ralph Bowen, and Joey DeFrancesco, also the Hammond B3 of course. Musicians rotate through Tom's interpretations of five classic jazz tunes. Tom Cohen reminisces about his early days on the Philly jazz scene, hanging out at Gert's Lounge with jazz organ masters like Herbie Nicks and Shirley Scott. Though there was barely enough room between the stage and the bar to squeeze in two people, the music was so toe-tapping that people couldn't help but get up and dance. Philadelphia has rightly earned its reputation as a B3 town, especially considering the players that have come out of that city: the aforementioned Herbie Nicks and Shirley Scott, Don Patterson, Trudy Pitts, and Joey DeFrancesco. Listen to the full Bite-Size Jazz interview to learn more about Tom Cohen's love for the Philly jazz scene, his experience as a versatile studio musician, and his collaboration with Joey DeFrancesco for his latest album My Take. Resources Learn more about Tom Cohen on his website. You can find My Take anywhere you stream music. It's also available for purchase on Amazon Music. Never miss out on an episode by signing up for the Bite-Size Jazz newsletter! You can be the first to know about new interviews by having them sent directly to your inbox along with exclusive content about upcoming episodes. You'll also find a link to subscribe on your favorite podcast platform and to follow us on Instagram, Facebook, and Twitter. We'd love to connect with you! And if you have three minutes, we would LOVE for you to leave us a review on Apple Podcasts. Just click this link, then click on “Listen on Apple Podcasts,” scroll to the bottom, and tell us what you think!

30 September 2021: Tom has created all the music at the Israeli pavilion of Expo 2020. William Mullally talks about the latest James Bond film, while Sneha May Francis has a list of Bollywood recommendations. Mr Brunch tells us where to go this weekend.  See omnystudio.com/listener for privacy information.

4.5 hours on the writing and 21st century theory of Angelicism01 featuring Dr. Nina Power, Buum, Janie, Paul (from bible), Pool Boy, Eris Fendo. 7 Body Angel Circle does an exposition of writing and texts, videos, and foundational works from Tom Cohen and Heidegger to Dzogchen, Axxturel, and Simone Weil-as well as some contemporary context for the reemergence of the Angel as the main subject of history and speaking into existence. Dedicated to our friend, Angelicism01, and all that it is

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 19th August 2021 Artist - Track - Album - Year Renee Rosnes    The Golden Triangle    Kinds of Love    2021 Gerry Gibbs Thrasher Dream Trios    Kick Those Feet    Songs from My Father: The Music of Terry Gibbs    2021 Pete Rodriguez    Academic Backstabbing 101    Obstacles    2021 Ray Obiedo    Santa Lucia    Latin Jazz Project Vol. 2    2021 Pete Rodriguez    Mi Ritmo    Obstacles    2021 Band of Other Brothers    The Rabbit    Look Up!    2021 Tom Cohen    Minority    My Take    2021 Kyle Asche Organ Trio    Five Down Blues    Five Down Blues    2021 Nightcrawlers    1974 Blues    Do You Know a Good Thing?    2021 The Jae Sinnett Trio    The In Crowd    Altered Egos    2021 Luke Carlos O'Reilly    Elena's Conundrum    3 Suites    2013 Todd Cochran TC3    Fantaisie    Then and Again, Here and Now    2021 Wayne Coniglio & Scott Whitfield    Mimi    Faster Friends    2021 Jesse Harris & Vinicius Cantuaria    Colibri (feat. Bill Frisell)    Surpresa    2021 Steve Million feat. Sarah Marie Young    Nika's Changes    Jazz Words    2021 Frank Kimbrough    November    Ancestors    2021 Steve Million    Missing Page    What I Meant to Say    2021 Dahveed Behroozi    Royal Star    Echos    2021 Kevin Sun    Dovetail   

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 12th August 2021 Artist - Track - Album - Year Ray Obiedo    Still Life    Latin Jazz Project Vol 2    2021 Dan Siegel    Curves Ahead    Faraway Place    2021 Kenny Shanker    Orange and Grey    Beautiful Things    2021 Band of Other Brothers    Marmalade    Look Up!    2021 Dr. Mike Bogle    Eat Your Vitamins    Let There Be Light    2021 Gerry Gibbs Thrasher Dream Trios    Townhouse 3    The Music of Terry Gibbs    2021 Gerry Gibbs Thrasher Dream Trios    T&S    The Music of Terry Gibbs    2021 Tom Cohen    Along Came Betty    My Take    2021 Steve Million    What I Meant to Say    What I Meant to Say    2021 Pete Rodriguez    Mi Ritmo    Obstacles    2021 Mike Clark & Michael Zilber    Sonny Monk (If I Were A)    Mike Drop    2021 Sarah Wilson    Color    Kaleidoscope    2021 Jacám Manricks    Common Tone    Samadhi    2021 Rajiv Halim/Sharel Cassity/Greg Ward    Thoroughbred    Altoizm    2021 Troy Roberts & Tim Jago    King of Hearts    Best Buddies    2021 Andre Ferreri Quintetto    Love Letter to Mary    Numero Uno    2021 George Cables    A Valentine for You    Too Close For Comfort    2021 Wadada Leo Smith & Bill Laswell    Prince: A Blue Diamond Spirit    Sacred Ceremonies    2021 The post The Creative Source (#CreativeSource) – 12th August 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Tom joins me from Pacific Grove, California. He is an executive producer at Kibble Creative (https://www.kibblecreative.com/) where he makes animal welfare media including videos, short films, and documentaries to help animal interest groups further their mission in the world. SIMPLE IDEA: Think. Sometimes we go through life in a routine and don't really notice how what we're doing impacts people, animals and the environment. If we stop to think a few times a day, we'll cultivate more awareness of our impact in the universe. SHOW NOTES: https://ForAnimalsForEarth.com/podcast/48

Emily is joined by CEO and founder of Let's Be Frank, Frankie Cotton, about her experience of being a woman in business. They discuss feeling unwelcome in male dominated environments and give advice about how to make positive changes without putting pressure on yourself. Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Emily speaks to Yasmin Philgence about how to bring up that awkward conversation about money. They discuss talking about salaries amongst colleagues, talking about it with your managers and knowing how to place numerical value on your abilities.Article mentioned: https://metro.co.uk/2018/11/09/can-your-boss-stop-you-talking-about-salary-with-your-coworkers-8122544/?ito=cbshareInstagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Few have done more to positively impact policies and procedures governing federal and state broadband deployment funding programs than attorney Tom Cohen, a partner in the law firm of Kelley Drye. Tom has 40 years of experience in the communications and telecommunications industry sector. His practice at Kelley Drye focuses on providing legal counsel to further the business interests of entities engaged in the provision of wireline and wireless telecommunications, cable and broadband, including internet services. He has significant experience in federal and state broadband administrative and legislative advocacy and with the Fiber Broadband Association accelerating fiber deployment over the last 20 years.

Emily talks to Charlie Wilson about his experience of working abroad. They discuss how rewarding it can be to live and work in a completely new place, despite encountering some challenges along the way. Topics include; language barriers, culture shock and how to set up a bank account in another country. Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Emily chats to entrepreneur, Holly Pollack, about how she co-founded her first business, Go Get Glitter, at the age of 19. We look back at her journey from finishing school to her most recent venture, Go Get Personalised. Topics include; decisions for further education, dealing with business finances and hiring staff. Article mentioned: https://www.theguardian.com/business/2019/dec/30/number-teenagers-uk-starting-businesses-up-eightfold-since-2009Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Emily is joined by TV Director Ruth Wilson, who talks about the differences that she has noticed whilst working with people of various generations. We discuss attitudes towards well-being, openness to change, entitlement, and need for praise and validation. Article mentioned: https://www.martecgroup.com/the-work-culture-divide-boomers-vs-millennials/.Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Emily speaks to Francesca about how she has managed to find a good work-life balance during the first year of her graduate scheme to qualify as a chartered surveyor. They discuss how to fit in the various elements that we have to factor into the working week. These include; work events, family time, social plans and having time to yourself.  Article mentioned: https://www.mentalhealth.org.uk/a-to-z/w/work-life-balance. Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Emily talks to BeoBia founder, Thomas Constant, about his choice between taking a more traditional job in a big organisation, and following his dream to start his own company. We also discuss the decisions we have to make when we are still in education and how these can impact our careers later down the line. Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.BeoBia's first product is now live and available so check it out here: https://lnkd.in/d8ujPNg.

Emily chats to Lucy about her decision to resign from her job in investment banking. She explains why she left this role, and how she gained the courage to do so.  We also discuss how it feels to quit a job without having another one lined up. Article mentioned: https://www.independent.co.uk/news/uk/home-news/employee-job-quit-pay-rise-survey-results-spana-a8829601.htmlInstagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

Emily is joined by Kobina, who talks about his experience of working in a school. We discuss the impact that being over-worked and underpaid had on his mental health. Other topics include; being unable to recognise when your employer is taking advantage of you, and not wanting to speak up about your hours for fear of seeming “difficult”. Article mentioned: https://www.topresume.com/career-advice/passion-exploitation-at-work.Instagram: @workingitoutpodcast, Artwork by Alyce Kohler, Music by Tom Cohen.

In the very first episode, Emily speaks to Sophie, a trainee solicitor, about the moments when she questioned whether she was good enough to be in this role.  We discuss having greater responsibility, gaining the confidence to attempt tasks by yourself and knowing when to ask for help. Article mentioned: https://www.thejobnetwork.com/i-have-no-idea-what-im-doing-112016/. Instagram: @workingitoutpodcast. Artwork by Alyce Kohler, Music by Tom Cohen.

Howdy Roamers! Thanks for stopping by to check out another episode of the Right To Roam Podcast! This week’s conversation takes a turn to the product realm of the great outdoors, a topic we rarely visit with regularity. Chris, Lee and Adam are joined by Tom Cohen former owner of Ursacks. For nearly 20 years […]

Vanavond om 21:00 een nieuwe uitzending van Romance & Stuff met Petra Possel. Muziek van Tom Cohen, Ryan Adams, Eric Vloeimans, Beach House, Ron Sexsmith en George Michael.

Could it be? COULD IT BE? We have made two consecutive episodes of The Quietus Radio Hour with nothing going wrong? Electromagnetic pulse detonation between typing this and the show going live notwithstanding, it seems we might have. On this week's programme we play new music from Tom Cohen, Underworld and PJ Harvey's stunning new album (this week's Lead Review) alongside tracks from Jackie Lynn, Fumaça Preta, Yossarians and Susso. We've also got a 1980 Turkish disco cover of 'Do You Think I'm Sexy'! AND speaking of having the horn, Luke discusses a weekend spent blowing Celtic instruments up in Scotland and why Romans hate free jazz, and there's more sausage-plated chat on John's failing memory, Laibach, and Wayne The Fireman's four course pizza meal. Oh yeah, and we reveal the modern-day 'Stairway To Heaven'.

Minimal Sessions Radio di.fm/shows/minimal-sessions A bimonthly 1 hour mix, always available for download. Subscribe to stay tuned for more episodes and live sets from our events! Minimal Sessions Radio airs every 2nd and 4th Friday of the month, from 1:00pm-2:00pm PST on the Minimal Channel at DI.FM Tracklist: 1. Darmec - Epos 2. Julian Jeweil - 153 Essex Street 3. Spartaque - New Order 4. Ixel - Fiction 5. Charlie Curtis - Judgement 6. Spektre - Corpus 7. Ron Costa - The Addict 8. Lia Organa - Reflextion (Urig & Dice Remix) 9. Hystericmaniak - Sunken (Drumloch Remix) 10. Darmec - Drawing Blanks 11. Joseph Dalik - Brain Activity 12. Tom Cohen & Extra Dry - Day To Fuck 13. Ronny Vergara - Crazy Mind 14. Darmec - Tunnel Stay Connected @tylerrousela | facebook.com/tylerrousela

Tune into Episode 023 of Mark EG's weekly radio show on Megapolis 89.5FM: Tune In. Turn On. Drop Out. Full details on www.markeg.com. Tracklist: RedHead - The Final Game - Original Mix - Primate Recordings, Tom Cohen feat Tom Eirh - Reptil - Hybrid Confusion, TRBNZ012 Danny Fontana - Aires - Simone Tavazzi Remix, YYR117 Arkatec - Rustatic , YYR119 Itzaia - Dark Matter, 01. Artik - Hain , 02. Artik - Oberland, WBM012D Tunnel - Descender, WBM012D Tunnel - Calling, 01. Pauspapier, 04. One Week, B2 Love Without Forgiveness - Sieren Remix,

Join Angela Lauria of The Author Incubator as she interviews TV producer and writer Tom Cohen about the publishing of his book, Dogs with Old Man Faces: Portraits of Crotchety Canines. The idea for the book came while Tom was living in Manhattan and started noticing the amazing faces of dogs and their shaggy old-soul expressions on the streets of the city on a daily basis. Being a dog lover and animal advocate, Tom thought of creating something that animal lovers or even just people that observe human behavior would find compelling and humorous. Read more and get the transcript here: Tom Cohen on the Author Incubator.

The Dog Show #296 – October 29, 2014 OLD DOGS! First, author Tom Cohen of “Dogs with Old Man Faces”: portraits and captions celebrating dogs with ‘old souls'. Then, Ardeth De Vries, author of “Old Dog Haven: Every Old Dog … Read More

Ryan and Marc talk with Tom Cohen, VP of Production at Marvel Studios, about "The Amazing Spider-Man," the future of Marvel films and much more!

When Iain Coyle invited John Ryan and Tom Cohen to talk Liverpool he never thought he'd be discussing sherbet dib-dabs. Of course there's also a football match against another Merseyside team, John Terry ex-England captain, Pienaar's bible bashing, David Davies's daughter, kicking contests, fat arses and that Babel is terrible. Just terrible.

Iain Coyle and Ashley 'the Oracle' Blaker welcome Tom Cohen for the darkest podcast on the internet (about sport).