Podcasts about Andalusian

Philip Gulley, Peterson, and Sweet Miche share their personal journeys of unlearning traditional theological concepts and reflect on what makes Quakerism a meaningful path to a more authentic faith. Gulley highlights fear as a significant motivator for religious beliefs and a tool for control and how the current political moment is a masterfully evil manipulation of human fears. Gulley also offers his perspective on the continued usefulness of organized religion, emphasizing the importance of bringing people together, respecting personal autonomy, and aligning its social efforts with the ethos of Jesus and radical love. Philip Gulley is a Quaker pastor, writer, and speaker from Danville, Indiana.  Gulley has written 22 books, including the Harmony series recounting life in the eccentric Quaker community of Harmony, Indiana, and the best-selling Porch Talk essay series. Gulley's memoir, I Love You, Miss Huddleston: And Other Inappropriate Longings of My Indiana Childhood, was a finalist for the Thurber Prize for American Hor.  In addition, Gulley, with co-author James Mulholland, shared their progressive spirituality in the books If Grace Is True and If God Is Love, followed by Gulley's books If the Church Were Christian and The Evolution of Faith. In  Living the Quaker Way: Timeless Wisdom For a Better Life Today, Gulley offers the opportunity to participate in a world where the values of the Quaker way bring equity, peace, healing, and hope. In his most recently published non-fiction work, Unlearning God: How Unbelieving Helped Me Believe, Gulley describes the process of spiritual growth, especially the re-interpretation of the earliest principles we learned about God. Resources Here are some resources for friends in the process of unlearning and seeking spiritual growth: Therapy Therapy and spiritual growth can be deeply complementary. While therapy doesn't typically provide spiritual direction, it creates fertile ground for unlearning and spiritual development. You can use online therapist directories to find a therapist by location, insurance, specialty, cost, and more at Psychology Today, TherapyDen, or Open Path Psychotherapy Collective. Poets and Authors Audre Lorde is a profoundly influential Black lesbian feminist writer, poet, theorist, and civil rights activist. Her work powerfully explores the intersections of race, class, gender, sexuality, and ability. You can read her essays in Sister Outsider and her "biomythography" Zami: A New Spelling of My Name. Federico Garcia Lorca is one of Spain's most important poets and playwrights of the 20th century. His work is celebrated for its intense lyricism, surreal imagery, and passionate exploration of themes like love, death, desire, oppression, and Andalusian culture, particularly in works like Gypsy Ballads and plays such as Blood Wedding and The House of Bernarda Alba. Walt Whitman is a central figure in American poetry, often called the "Bard of Democracy." Whitman revolutionized poetry with his use of free verse and expansive lines. His lifelong work, Leaves of Grass, celebrates the individual, democracy, nature, the body, spirituality, and the interconnectedness of all life, aiming to capture the diverse spirit of America. Mary Oliver is an American poet who focuses on the natural world, particularly the landscapes of New England.  Her work finds wonder, spirituality, and profound insight in quiet observation and moments of attention to nature, inviting readers to connect more deeply with the world around them. Christian Wiman is a contemporary American poet and essayist known for his unflinching honesty and intellectual rigor in exploring themes of faith, doubt, suffering (often drawing on his own experience with chronic illness), mortality, and love.  Joy Harjo is a member of the Muscogee (Creek) Nation and served as the first Native American U.S. Poet Laureate. Her work weaves together Indigenous history, spirituality, myth, social justice, resilience, and a deep connection to the land, often infused with the rhythms of music and prayer. Akwake Emezi is a non-binary Nigerian writer and artist known for their powerful, innovative, and often genre-bending work. Their novels (like Freshwater and The Death of Vivek Oji) explore complex themes of identity, spirituality (often drawing on Igbo cosmology), gender, mental health, trauma, and the body, challenging conventional Western frameworks of selfhood. Elaine Pagels is a renowned historian of religion, particularly noted for her scholarship on early Christianity and Gnosticism. Her groundbreaking book, The Gnostic Gospels, brought non-canonical early Christian texts to wider attention, revealing the diversity of early Christian thought and exploring how political and social contexts shaped religious history and scripture. LGBTQ+ film festivals are events dedicated to showcasing films by, for, or about queer individuals and communities. They serve as vital platforms for representation, providing visibility for filmmakers and stories often marginalized in mainstream media. These festivals (like Frameline, Outfest, NewFest, and countless others globally) are also important spaces for community building and celebrating queer culture. Quaker Voluntary Service is a year-long program rooted in Quaker values. It brings young adults together to live in an intentional community, work full-time in social justice-focused non-profit organizations, and engage in spiritual exploration and leadership development, putting faith into action. Listener Responses We hear directly from Roxanne, who unlearned the idea that any single group holds the definitive spiritual answer, instead discovering valuable truths across diverse practices and traditions through their continuous seeking. On Facebook, friends shared their experience wrestling with the traditional ideas about God they grew up with. Many people mentioned letting go of a harsh or judgmental image of God, questioning core doctrines, and letting go of feelings of unworthiness. Thank you to Angela, Rae, Tim, Amy, Iris, Christine, Steve, David, Tyler, Joe, Deepak, and Whittier for sharing so openly with our question of the month. Question for Next Month Beyond a roof and four walls, what does the word 'home' mean to you? Share your response by emailing podcast@quakerstoday.org or call/text 317-QUAKERS (317-782-5377). Please include your name and location. Your responses may be featured in our next episode. Quakers Today: A Project of Friends Publishing Corporation Quakers Today is the companion podcast to Friends Journal and Friends Publishing Corporation content. It is written, hosted, and produced by Peterson Toscano and Miche McCall. Season Four of Quakers Today is Sponsored by: Friends Fiduciary Since 1898, Friends Fiduciary has provided values-aligned investment services for Quaker organizations, consistently achieving strong financial returns while upholding Quaker testimonies. They also assist individuals in supporting beloved organizations through donor-advised funds, charitable gift annuities, and stock gifts. Learn more at FriendsFiduciary.org. American Friends Service Committee (AFSC) Vulnerable communities and the planet are counting on Quakers to take action for a more just, sustainable, and peaceful world. AFSC works at the forefront of social change movements to meet urgent humanitarian needs, challenge injustice, and build peace. Learn more at AFSC.org. Feel free to email us at podcast@friendsjournal.org with​​ comments, questions, and requests for our show. Music from this episode comes from Epidemic Sound.  Follow Quakers Today on TikTok, Instagram, and X. For more episodes and a full transcript of this episode, visit QuakersToday.org.

You can learn more and see some Flamenco at the Festival des Migrations on 15th March. Georgois, who will lead the conference, explained how flamenco evolved, particularly its deep ties to the Andalusian gypsies and the impact of Franco's dictatorship on its development. He emphasized flamenco's role in preserving collective memory and cultural identity, as well as its global influences from Africa and the Americas. The interview shed light on flamenco's three core elements—singing, guitar playing, and dance—stressing that without these, flamenco wouldn't exist. Rosella, working with an NGO focused on cultural and social inclusion, highlighted how flamenco embodies the contributions of minorities and multicultural fusion. She shared how their flamenco group formed in Luxembourg, uniting musicians and dancers passionate about the art form. The event, free of charge, will include a lecture, live Q&A, and a flamenco performance, offering an immersive experience for attendees. The hosts wrapped up by celebrating Luxembourg's diverse cultural landscape and the festival's role in fostering artistic exchange.

Este episodio estábamos cansados hasta de vivir, porque se grabó un domingo y como todo el mundo sabe ese día es para DESCANSAR. Si os gusta este formato comentad, sino también, para quejaros… total, os vamos a hacer el mismo caso. Por último os dejamos aquí nuestras redes para que nos sigáis (eh, hacedlo) y nos deis mucho amor/turra: X / Twitter: @yodispare (si, como antaño) Instagram: @ydas_podcast

Soundwaves from the Underground at TDR presents an exclusive playlist featuring the powerful sounds of Spanish singer-songwriter, vocal coach, singing voice actress, and “song sketcher” from Cádiz, Cecilia Blanco. In our brand-new review, we shine a spotlight on her latest single “Tiempo,” an introspective track infused with Andalusian influences that explores the passage of time. Tune in for our exclusive interview with host Luis Varela as we celebrate Cecilia’s remarkable musical journey—from her roots in La Década Prodigiosa to her award-winning compositions. Discover two standout tracks—“Pruébalo y Verás” and “Tiempo”—in this special playlist, and immerse yourself in the artistry of one of Spain’s most versatile talents. Find more at: linktr.ee/TiemposdeRadio Follow her on: https://www.instagram.com/ceciliablancoficial?igsh=b2g0aXN0djZjZGp0

The first title that springs to mind at the mention of William Golding's name is most often Lord of the Flies. The classic story of a group of schoolboys marooned on a desert island all but made his reputation and has somewhat overshadowed his twelve other novels. Golding was a fascinating and often troubled man, a voracious reader who enjoyed the Odyssey in Greek as well as Georgette Heyer and Jilly Cooper and was an influence on many novelists from Stephen King to Penelope Lively, Ben Okri and Kazuo Ishiguro. Definitely a writer ripe for rediscovery. Now, the Slightly Foxed team sit down with the author's daughter Judy and Golding expert Professor Tim Kendall to discuss the life and work of this brave and highly original writer, whose novels transport the reader to distant but entirely believable worlds. His work grapples with the big questions of existence but his originality as a writer sometimes worked against him, and Lord of the Flies was rejected by seven publishers before it was accepted by Charles Monteith at Faber. It was glowingly reviewed and became a bestseller but, behind the scenes, Golding was struggling with his addiction to alcohol and the fame his writing would bring him. After a poor reception from the critics for several of his following books, including both The Spire and The Pyramid, Golding was thrown into a deep depression. This crisis lasted over ten years, but when he finally returned to writing he went on to produce a series of successful novels – including Rites of Passage, winner of the 1980 Booker Prize. In 1983 he was awarded the Nobel Prize for Literature.  The usual round of reading recommendations include South from Granada, Gerald Brenan's recollection of the years he spent in an Andalusian village in the 1920s with visits from the Bloomsbury group; Robert Harris's Precipice, a semi-fictional account of the relationship in 1914 between Prime Minister Asquith, and Venetia Stanley, and Penelope Lively's novel Passing On. For episode show notes, please see the Slightly Foxed website. Opening music: Preludio from Violin Partita No. 3 in E Major by Bach Hosted by Rosie Goldsmith Produced by Philippa Goodrich

In this episode, we chat with Joe David, MD of Elementos, a resources development company focused on the exploration and development of tin projects into operations, with a focus on jurisdictions that demonstrate a high level of governance and foster a responsible approach to mining. Their assets are in Spain and Australia. With qualifications in Mine Engineering, Civil Engineering, and a degree in Finance, Joe’s career has spanned executive roles with private equity, listed and private mining companies, as an Associate Director within M&A advisory and running his own project development consulting company. During his career, he has managed the development of mining projects, bankable feasibility studies, exploration and metallurgical programs, project financing, corporate finance advisory, corporate strategy, and mergers and acquisitions. He gives us an overview of Elementos, their Oropesa Tin Project and Cleveland Project, the tin market, and advice for those seeking c-suite roles in mining. KEY TAKEAWAYS Elementos is a resources development company focused on tin projects in Spain and Australia. The company aims to become a vertically integrated tin producer within the European Union, addressing the current lack of domestic tin supply in the region. The flagship asset, the Oropesa Tin Project in Andalusia, Spain, is positioned to produce approximately 5,400 tonnes of tin concentrate per year. The project benefits from a supportive regulatory environment and is expected to receive necessary permits by the end of 2025 or early 2026. The Cleveland Tin Project in Tasmania has a rich history of tin mining and significant resources. Recent drilling has revealed promising tungsten mineralization, indicating potential for additional valuable resources alongside tin and copper. While developing mining projects in Europe can be challenging due to regulatory hurdles, Spain is seen as a favourable location due to its historical mining background and government support for revitalising the industry. The European Union's Critical Raw Materials Act further encourages domestic production, making it an attractive environment for mining investments. BEST MOMENTS "For me, I want to explain how I've got to where I am in my career, certainly took the generalist path, which can certainly be a frustrating path when you don't feel like maybe you're progressing as much as the specialist early in your career." "There's currently no operating tin mines within the European Union at all. There's no domestic supply." "The tin industry has been screaming out for vertical integration for a while... we're just not a company that's prepared to sit around and wait." "Spain is a bit of an outlier... the Iberian Peninsula has had a long history of mining... and the Andalusian government is putting huge investment effort into rebuilding the Spanish mining industry." VALUABLE RESOURCES Mail: rob@mining-international.org LinkedIn: https://www.linkedin.com/in/rob-tyson-3a26a68/ X: https://twitter.com/MiningRobTyson YouTube: https://www.youtube.com/c/DigDeepTheMiningPodcast Web: http://www.mining-international.org This episode is sponsored by Hawcroft, leaders in property risk management since 1992. They offer: Insurance risk surveys recognised as an industry standard Construction risk reviews Asset criticality assessments and more Working across over 600 sites globally, Hawcroft supports mining, processing, smelting, power, refining, ports, and rail operations.For bespoke property risk management services, visit www.hawcroft.com GUEST SOCIALS https://www.elementos.com.au/ https://www.linkedin.com/company/elementos-limited/ https://x.com/ElementosTin ABOUT THE HOST Rob Tyson is the Founder and Director of Mining International Ltd, a leading global recruitment and headhunting consultancy based in the UK specialising in all areas of mining across the globe from first-world to third-world countries from Africa, Europe, the Middle East, Asia, and Australia. We source, headhunt, and discover new and top talent through a targeted approach and search methodology and have a proven track record in sourcing and positioning exceptional candidates into our clients' organisations in any mining discipline or level. Mining International provides a transparent, informative, and trusted consultancy service to our candidates and clients to help them develop their careers and business goals and objectives in this ever-changing marketplace. CONTACT METHOD rob@mining-international.org https://www.linkedin.com/in/rob-tyson-3a26a68/ Podcast Description Rob Tyson is an established recruiter in the mining and quarrying sector and decided to produce the “Dig Deep” The Mining Podcast to provide valuable and informative content around the mining industry. He has a passion and desire to promote the industry and the podcast aims to offer the mining community an insight into people’s experiences and careers covering any mining discipline, giving the listeners helpful advice and guidance on industry topics.

Traemos la crónica del recién terminado Mundial Montréal, con algunas de las propuestas más interesantes que pudimos ver allí en directo. También disfrutamos con nuevos discos que presentamos en esta edición. Suenan aires de Luisiana, persas, andinos, canadienses, de los pueblos indígenas de Norteamérica, mexicanos, andaluces, gallegos, vascos, finlandeses, escoceses, polacos y de la música de los gitanos de los Balcanes. We bring the chronicle of the recently concluded Mundial Montréal, featuring some of the most interesting proposals we experienced live. We also enjoy new albums presented in this edition. The sounds span from Louisiana, Persian, Andean, Canadian, Indigenous North American, Mexican, Andalusian, Galician, Basque, Finnish, Scottish, Polish, and the music of the Roma from the Balkans. – Benoît LeBlanc – Patat-la kwit – Mô kouzin mô kouzinn – Le Winston Band – Lâche la patate – Winston Express – Nimkii & The Niniis – Wiingashk – LFS5 – Duo Perse-Inca – Chupuro – Échos des montagnes / Echoes of the mountains – Chapulines – Bemba y tablao – Bululú – Fandila – La tierra girando – La fuerza de la costumbre – Carmela, Came López – Regina. O ramo [+ Pandeireteiras de Toutón] – Vinde todas – Markku Lepistö – Euskadi Express [+ Xabi Aburruzaga] – Duos – Simon Thacker & Justyna Jablonska – Ibrahim [+ Masha Natanson]- Songs of the Roma – Tamar Ilana & Ventanas – Azadi – Azadi – (Markku Lepistö – Balkan breakfast [+ Leija Lautamaja] – Duos) 📸 Simon Thacker & Justyna Jablonska

I first heard Binomi, the Catalan duo of Joan Gila and Jordi Aparicio, almost two years ago at the Mostra festival. Their set left a lasting impression on me. They delivered a masterfully curated ambient and experimental DJ set, all on vinyl. Usually, I don't focus too much on the medium, but there's something about spinning experimental music on vinyl that takes an extraordinary level of dedication and artistry. It's like watching a film come to life in real-time. Over the years, I've been fortunate enough to get to know Joan and Jordi beyond their music. I'm proud to call them friends. We've spent countless hours together on the dancefloor, talking about everything and nothing, always learning more about their endless vinyl hunts. Their passion for digging through crates is something I'll never stop admiring. Both are integral to the Mostra crew and resident DJs for Mostradio (alongside Javi). As they prepare for the next season of their radio residency, Binomi has graciously shared their recording from Simbiosis Festival in Seville - an event we had the pleasure of collaborating on last year. This set was their opening performance, and here at Delayed, we have a special affection for opening sets. They're a unique challenge and demand a different kind of energy. True to form, this one is different in the best way. The first half of their set is bold and thought-provoking yet mellow and inviting, with an experimental ambient flow that feels unfamiliar and soothing. Gradually, it shifts gears, easing into deep, dubby, low-slung techno, just in time to welcome the first dancers with open arms and warm rhythms. Joan and Jordi have crafted something that isn't just memorable; it's the kind of set you'll want to revisit often, and we're pretty sure it'll find its way into your regular rotation. It's a true privilege to feature these two talented artists and all-around wonderful humans in our next edition of “Delayed with…”. So, press play, and let this beautiful journey, recorded under the Andalusian sun, carry you away. This is what Binomi said about the set: " When Doctrina Natura and Halos invited us to play at Simbiosis, they expressed their desire for us to create a sort of turning point, symbolizing the start of a new day. That's when we decided to craft this set with a shared, overarching goal: to generate a sense of relaxation or a calm atmosphere. We divided it into two distinct parts: the first hour being ambient with experimental elements, atmospheric, tranquil, and delicate, while the second part featured downtempo beats, still maintaining that overall goal, but allowing space for the day to restart with more rhythmic sets to follow. This is the result of a morning beginning in a hidden place in Andalusia - Simbiosis, from which we have fantastic memories. We hope you enjoy it." https://soundcloud.com/binomi https://www.instagram.com/binomii/ Write up by: https://soundcloud.com/gilleswasserman Follow us on social media: https://soundcloud.com/itsdelayed https://linktr.ee/delayed https://www.delayed.nyc https://www.facebook.com/itsdelayed https://www.instagram.com/_____delayed https://www.youtube.com/@_____delayed

In his third appearance on the show, Rabbi Abe H. Faur joins us for a thought-provoking conversation about the evolving dynamics of leadership and tradition within the Jewish community. We begin by examining the concepts of "Gedolim" and "Daas Torah," cornerstones of Haredi influence. Rabbi Faur shares his perspective on whether these ideas align with Torah values and how they shape the Haredi community's approach to authority and decision-making. Next, we turn to the groundbreaking work of his father, Hakham Yosef Faur a'h, and his seminal book Horizontal Society. Rabbi Faur explains the essence of the Horizontal Society concept, its roots in our mesorah, and how it contrasts with the hierarchical, dynastic structures that dominate today. He also unpacks the idea of "Alphabetic Judaism," offering a powerful vision for the Jewish nation rooted in Sepharadi tradition and standing in stark contrast to Greek philosophical and societal frameworks. Finally, we address the challenges faced by his father, Hakham Faur, in his mission to revive and preserve the traditions of Old Sepharad, particularly in the face of opposition from the "black hat" community. Rabbi Faur reflects on his father's legacy, his unwavering commitment to authenticity, and the personal struggles he endured. In closing, Rabbi Faur shares his thoughts on the future of Judaism and whether he remains hopeful in light of these challenges. This episode is a heartfelt and inspiring tribute to a towering legacy and a powerful call for introspection as a nation. --- • Bio: Rabbi Abe H. Faur is the rabbi of Congregation Ohel David & Shelomo, in Manhattan Beach, NY. Rabbi Faur was ordained by Rabbi Mordechai Eliyahu and Rabbi Abraham Shapira. He teaches Talmudic and Rabbinic thinking in accordance with the Andalusian sages, and the teachings of his father, the Great Hakham José Faur a"h. His father was a Sepharadi rabbi, teacher and scholar in the Syrian-Jewish community in Brooklyn for many years. He was also a professor at the Jewish Theological Seminary of America, the Spertus Institute for Jewish Learning and Leadership, and Bar Ilan University, and was Professor of Law at Netanya Academic College. Rabbi Mordechai Eliyahu once said "the greatest Sephardic Hakham living in the US today is Rabbi Faur" and his books and articles continue to have a tremendous impact in both religious and academic circles around the world. You can find his shiurim on his YouTube channel, @toratandalus4535 . --- • Yafe Be'ito, meaning "nice in its time" in Hebrew, is a foundation devoted to spreading the profound Torah teachings of Hakham Dr. José Faur: https://yafebeito.com/ --- • Welcome to JUDAISM DEMYSTIFIED: A PODCAST FOR THE PERPLEXED | Co-hosted by Benjy & Benzi | Thank you to...Super Patron: Jordan Karmily, Platinum Patron: Craig Gordon, Gold Patrons: Dovidchai Abramchayev, Lazer Cohen, Travis Krueger, Vasili Volkoff, Rod Ilian, Silver Patrons: Ellen Fleischer, Daniel Maksumov, Rabbi Pinny Rosenthal, Fred & Antonio, Jeffrey Wasserman, and Jacob Winston! Please SUBSCRIBE to this YouTube Channel and hit the BELL so you can get alerted whenever new clips get posted, thank you for your support! --- Support this podcast: https://podcasters.spotify.com/pod/show/judaismdemystified/support

Dear Readers,I got what I needed Going for a Burton (that's an English RAF term from WWII, like we're going off to die). I'm at the press conference for the biggest show the Design Museum has ever hosted, with 32,000 tickets sold in advance. Much as I'm falling out of love with absorbing myself in the worlds of other people, I ask this most powerful man (who has maintained his independence through an autonomous style that stems from a wonderfully 20th-century cardboard clunkiness) a single question. I extend the invitation to enter his temple and listen to the wisdom of this master world-builder, the creator of Wednesday on Netflix, Mars Attacks!, Edward Scissorhands, and a canon of identity-inspiring creations, by pressing PLAY on the little film I've made reporting on the experience above.He talks about techniques and emphasises that it's all about mastering these in whatever art we choose to deliver. The first rule of witchcraft is to keep a tidy house, but how we define "tidy" is up to us. Living in other people's worlds has been a habit of mine. Art activates, allowing me to find myself sitting opposite Tim Burton who is exceptionally rare. He is unique. He is special. A mega-talented embodiment of the gothic who articulates his critical mind in these onscreen dramas of G-pop's [general population/consumers] relationship with home duties in the sanitised Americana of 50s suburbia. Burton's drawing descends from growing up in the suburban “Horrorwood” of California's Burbank where he took an unpretentious revenge upon the superficial. I grew up in the suburbs too.“Burbank made me want to make monster movies.” I get it.There he sent his work into art competitions, which led him to be fast-tracked on a sponsorship into the Walt Disney-founded CalArts school where he was enabled to explore his interior world, with confidence, as an obsessional artist. This is his legacy.“Each [film] leaves it's emotional scars.”Engaging with his work is like stepping into alternative, often scary, magical kingdoms. Speaking to Maria McLintock, the curator as she guides us around the show (a true privilege of being a war-torn member of culture press) her Vivienne Westwood skeleton earring swings with the same charm as her knowledge and integrity. “It's about 60%” of what's been seen in the World of Tim Burton shows which have shown everywhere from New York's MOMA to Lafayette Art and Design Center in Shanghai over the past 10 years.How does it differ to the Labyrinth shows I've seen advertised for Madrid? She's dying to see them: “They're more immersive,” says the former RIBA editor, whose knowledge of architecture creates the perfect ‘housing' for a tunnel of Allison in Wonderland to walk through. “People keep on saying this is immersive. It's not, it's more of document.”Whether Burton is a higher-res Edward Gore or an all-new Edgar Allan Poe, a tripped-out Goethe, or a Nick Cave of the Movies, it doesn't matter in a graveyard. These characters haunt us with their sublimity, ultimately embodying rebellion. Goths are eternal because death is eternal (as far as we know), and death carries powerful imagery: headstones, spiders, skulls. It's perfect that he pairs with Alexander McQueen, as proper goths canonise the act of not being mainstream cool. They embrace the coffin-cold fact that we're all going to die, but they do it on their own terms.Whether gaming is replacing movies or any art form or media is taking over is irrelevant, this is the show which views Burton as an all-seeing artist. This is why the big screen has allowed him to become an unusually family-friendly weirdo, defying the odds. His drawings of characters trap us in the simplicity of fairy tales, where children find solace in extremes. Although this show demonstrates versatility, this is a filmaker exploring the boundaries of victimhood, blurring the internal and external. The peripeteia of turning our wounds into badges of shame, then into medals of honour. It voices a universal truth. Do we walk through the broken vessels that smash to the ground around us, attacked and reacting? We can engage, ignore, sweep our house, or become injured. We all inhabit the houses of others, seeking answers from what has been missing, the art is to feel full of self (not full of oneself) and content in that rather than shamed or unworthy.Yet, what we allow into our systems (or whatever is present) shapes our journeys. Be it unfiltered water, chemically-sprayed coffee, or the myths of others. I was married to a director, so can tell you they are the gods of their creations, little would get finished without them. We enter the temples of other people through literature, music, gaming, and we choose alt Heavens and Underworlds, immersing ourselves in Utopian fantasies where impossible romanticism reigns. But what we create, we can only create ourselves. Sure we collaborate, as is discussed in the film above. Yet I am here to make an inquiry. I seek escape through the ‘Burtonesque' existential monochrome, mirroring a cartoon fear of darkness as a companion in the ironic danse macabre to the inevitable: death. I am here because the Burtonesque beats black like my coffee and heart. The gothic lifeblood channels life as an outsider. Yet I wish to belong. The dilemma of being a true rebel yet accepted by those we perceive to be “inside” requires a humble acknowledgment of our shared flaws as we walk towards the grave.There is no dumbing down or fading out the "black jeans on the beach of life" joke of being here one minute and gone the next. We choose to enjoy the ride, striking a Beetlejuice meets Robert Smith hero's pose against the paradox of beauty standards which true rebels are able to defy. (I am sure Cathi Unsworth and John Robb's goth books say much of this, with far more detail.)Burton discusses ‘the system' that tells us we aren't allowed to operate. What do you do? For me, seeking magic in others is a quest to find it within myself. In my worst of times I have had no protection against this. Hail the new witchery, the return to paganism, the need to understand and create order using more ancient traditions than this era of madness where we can see injustice in rising fundamentalism against females (I'm talking about Trump and the decline of western civilisation, mirrored in Jack Nicholson's presidential performance in Mars Attacks! as we forward-march toward a dumbed-down spectacle the Salem-esque dumbed-down fear states of 'merica) but it's so basic we can only loveheart a reaction. We are frustratingly disabled to affect geopolitics as we drop our mouths in awe at the online superficiality of the post-Covid 2020s. It's akin to the Wellness Dilemma, where justice is offered as the responsibility of the individual rather than as a responsibility of community management. The Wellness Dilemma is a mirror on consumer rights operating in carelessness for anything other than profit. We are facing serious issues of climate change, wars and over-consumption, walking hand-in-hand with trauma as victimhood flexing in a drama ritual, where space is taken up by injured parties, average accidents competing against violence rites of stabbings parading beneath a lack of societal management of equity. Everyone deserves a voice, and the power to use it, but in what system? Armies of protein-rich gym babies train for a war of healthy positivity against a past generation who self-medicated beneath banners of smiley faces or war-hangovers and first-generation struggles. I sense this may be one of my last occasions where I need to confront the ghastly aesthetic of a world policed by beauty standards imposed by ‘beauty' companies in the free-market warzone of brands, houses, offices, and entertainment institutions built to annihilate our financial empowerment. Subtle demands to comply with regimes that layer us with artificial masks of botox and filler that protect us from emotional empathy and the risk of deeper connections. Look at Madonna. Look at Robert Smith. We are symbolic parodies of the flaws of illogical systems in poorly designed worlds, we are perfect in an imperfect world, where it's challenging to determine if these designs are intentional. In the end, does it matter? Culture is a natural defense system like hitting ouch on instant messaging, to receive an animal vid or guru-shared platitudes that feel (sleepy) hollow against the backdrop of authenticity solved in a world of Wednesday.Sure, we manage our houses, filling our wells with what serves us, our revenge is to take space. To be nourished physically and metaphysically is essential, but it's hard to compare these acts as great as the spectacle of the movies, the big screen paintings which allow us to escape. I vow to write more fiction (my most popular posts here). Navigating a landscape where choice is often intertwined with financial empowerment and cultures, we must invent our own, but when they're symbols of the slavery? O Lord, yes, I would like an electric Mercedes Benz. Manifest!We must remember we're in a perpetual negotiation with the structures that seek to confine us, but not relive the horror of living in a world of overconsumption. And forgive ourselves for what we cannot afford. Our power is how we boundary our responses to outer worlds that govern us. Sometimes that requires sitting in stagnant waters, plunging to the depths of our malnourished wells, and rediscovering our needs. For me, this journey has taken me to an Andalusian mountain, battling with my soul and demons to face the hermetic dawn. I still would like an electric Mercedes Benz. That's my reaction to the Trauma Scale which operates universally; male, female, trans, everyone is entitled to suffer. Whether it's rape on a refugee camp to the bullying on social media, or sharing micro-details of foodbank trauma as drama ritual of victimhood, where space is occupied by the injured and the injuring. How is there equality in these rubrics of competing for attention amid societal neglect? What we do with our injuries defines our agency, resilience, and leadership potential, applicable to all teams. We all engage with pain, and there's a comedic tragedy in empathy, but black and white as Burton's lens is, it does not patronise with guilt; instead, he explores these wounded vessels with a perception of agency and resilience. Like any creative act, we can criticise rather than celebrate (particularly under a Beschdel lens) but there's an intimacy which the exposure-driven antics of contemporary pop culture are born from. “If it inspires you, if it makes kids want to draw, then that's a thing.” Resilience is my new tidiness. I want to claim my power with the stories I tell myself, as I know it shapes our realities. We can become interdependent with the worlds which inspire us. This is the point in having successful figures, artists and ideas, rather than just pedestal creations as being better than us. Much of our system amplifies the celebrity culture born from movies, where the industrialisation of the Star Machine creates a Warhol-esque religion of gossip and behaviors, often driven by sociopathic tendencies, glorifying chaos. It's like any dogma, astrological or otherwise, there is unlikely a single code. How we navigate the complex matrix of media and art as information in this digital age is on us. The lines between success and worthiness blur in a quest for ethical sameness. Burton is an outstanding artist in world where secretly, the weird are celebrated, because the world has gone weird, governed by dull tech bros and cartoon boardrooms with no control on government. Has it ever been different? That is what makes fairy tales eternal and keeps the town criers' crying. The aspiration to conform, through patronage or substandard revolutionary rebelliousness, leads to feelings of low self-esteem and comparison, dragging us into voids of negative capability. If we harbour a damaging self-fulfilling lack of belief in our own houses, we merely assign our power to others. “Do it from your heart because you want it, not what it leads to.” This mantra speaks volumes. We have to own our own shadows, remember not relive, and know gossip or faux-concern of the Other, and what they do or think, rarely serves anyone, merely enabling averageness. We are in a tidal onslaught of individual ‘empowerment' being exploited to sell things to or from, we owe it to ourselves to heavily police what content/art/entertainment/news/information/people/other is worthy of our short lives. This duality can be a terrifying preoccupation, the management of self-control when most of life can appear to be beyond our control. We are forced to be consumers, indexed by popularity. We have all smiled whilst being f**ked. I'm not getting into a feminist critique here, the self-portraits drawing clowns (on napkins) is a get out of jail card, from this distance. The personal, whatever (although I did enjoy the trooping of the mystery front-rowers backstage after the Q&A, who were they?!). I vow to watch Sophie Koko's animations. There is so much to consume, to create, but for me, the tensions in myself have been preventative from doing what I need to do for myself, so to hear this God speak, gives palpability to the distractions of explaining the issues of the day being explained as art versus industry, or how the rational coexists with the irrational, or progressive philosophies versus conservative risk aversion. Our biggest challenge is building our own capacity to prove our capability, to hold our own houses strong, and be as fabulous as Edward Scissorhands.Last day to enter Burton's World: April 21st 2025https://designmuseum.org/exhibitions/the-world-of-tim-burtonMy news: I'm proud to support one of the stars in my life, Pete Astor, with his THE ATTENDANT project on 21st November. I love the music, with Paul Weller's bassist and Ian Button on keys, they're also joined by the voice of fine London talent, Sukie Smith. Pete was one of the first signings to Creation Records (Oasis, Primal Scream, Jesus & Mary Chain), and we last played together when Psychomachia was first published. It's a really early show. I'm on by 7, so come early. Tickets are limited and available here:https://www.eventbrite.co.uk/e/the-attendant-tickets-1039379641487I'm excited to build on what I've been doing over the past year, and I won't keep you long. I will be using the date to complete the audiobook of Psychomachia, and will be releasing it exclusively to paying subscribers here. I share these words for free to all, in the hope to inspire.From the desk of Kirsty Allison is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.      To hear more, visit kirstyallison.substack.com

Have you ever dreamt of flying? This dream is quite common. Humans have always been fascinated by the skies, and our quest to conquer them dates back to the Spain of Al-Ándalus. Amazing, isn't it? In the 9th century, the Andalusian scientist Abbás Ibn Firnás decided he wanted to fly. After a few crashes, he created a prototype that was able to glide for a few seconds. Interestingly, this device also became the world's first parachute when he attempted to land. Fast forward to the past century, the Wright Brothers made history by creating the first airplane. With this achievement, the aviation industry took off, leading to the creation of the first airports. Today, airports have become global hubs, connecting the world through the skies. This transformation has been driven by continuous innovation and adaptation to meet new user needs and security requirements. Our colleagues from Ferrovial's Airports subsidiary, Víctor Vicente, Asset Manager; Laura López Sotomayor, Financial Director; and Ismael Ordoñez, Head of Asset Management, share insights on how airports have evolved into the infrastructures we know today. Furthermore, what can we expect from the future of aviation? Tune in to this episode and join us in a guessing game about how the horizon might look the next time we take a plane. Hosted on Acast. See acast.com/privacy for more information.

This conversation compares Torremolinos and Sitges in Spain. Torremolinos is in the Andalusian region, while Sitges is in Catalonia. Both places have a similar climate, with hot summers and mild winters. The cost of living is relatively high in both areas, especially for housing. Healthcare is accessible in both places, with private health insurance being standard. However, the public healthcare system in Catalonia does not cover PrEP for HIV prevention. Overall, Torremolinos and Sitges offer a vibrant lifestyle with access to beaches, outdoor activities, and various amenities. In this part of the conversation, the speakers discuss healthcare, language barriers, transportation, and arts and culture in Torremolinos and Sitges. They mention the availability of STD testing and HIV medication in Catalonia, the friendliness of the Spanish and Catalan people, the language differences between Catalan and Spanish, and the importance of meeting people halfway in terms of language. They also talk about the transportation systems in both places, including the local trains and buses, and the ease of walking to most places. In terms of arts and culture, they mention the presence of art galleries, museums, festivals, and theaters in Torremolinos, Sitges, Barcelona, and Malaga. Tormelinos and Sitges are excellent destinations for food lovers, offering a variety of cuisines. Tormelinos is known for its fresh sardines grilled on swords, while Sitges provides a range of Spanish and international dishes. Both places have a vibrant LGBTQ+ scene, with numerous gay bars and clubs. The communities are welcoming and accepting, making it a safe and inclusive environment for LGBTQ+ individuals. Regarding residency and taxes, Spain offers retirement visas for those who can prove they have the means to support themselves. The country has a double taxation treaty with the US, allowing residents to deduct what they pay in Spain from their US taxes. Crime rates are generally low in both Torremolinos and Sitges, and there is a strong police presence and a sense of safety. When moving to these areas, it is recommended to join local expat and LGBTQ+ communities for support and advice.Richard JasickiHe just turned 65 in May! He had a Mid-Atlantic Ocean childhood in Europe and the US as a US Air Force brat with an English “Mum.” He worked many years in the UK and California before retiring at 62 and moving to Spain.He met his life partner, Charles, in 2001 online. Their first meeting turned out to be at a wedding venue that had been canceled and opened its doors to the public—very auspicious! They married as soon as it was legal in 2014 by their pool in San Diego.He has lived in Torremolinos on the Costa del Sol for almost two years and loves it. Their apartment has a beautiful view of the Mediterranean.Leo Boni They wanted a change of lifestyle. They lived in the SF Bay Area and are both tired of the high cost of living, the lack of vacation time, and not being able to shake the feeling that they could not afford to retire there. He is Italian by birth, so they first wanted to move to Italy; they chose Spain because of its weather and infrastructure. They made an exploratory trip to Barcelona and liked it but didn't fall in love with it. They did fall in love with Sitges. They moved to Barcelona first for various reasons, mainly because this was pre-pandemic, and his job required him to be in the office, located off Passeig de Gracia in BCN. When quarantine came, they took the opportunity to move to Sitges. There were several deciding factors, being on the beach, in a smaller town, with a vibrant gay and food scene. Sitges offered them the more tranquil life they were looking for. He is an Italian citizen, so he and his partner have the right to...

This conversation compares Torremolinos and Sitges in Spain. Torremolinos is in the Andalusian region, while Sitges is in Catalonia. Both places have a similar climate, with hot summers and mild winters. The cost of living is relatively high in both areas, especially for housing. Healthcare is accessible in both places, with private health insurance being standard. However, the public healthcare system in Catalonia does not cover PrEP for HIV prevention. Overall, Torremolinos and Sitges offer a vibrant lifestyle with access to beaches, outdoor activities, and various amenities. In this part of the conversation, the speakers discuss healthcare, language barriers, transportation, and arts and culture in Torremolinos and Sitges. They mention the availability of STD testing and HIV medication in Catalonia, the friendliness of the Spanish and Catalan people, the language differences between Catalan and Spanish, and the importance of meeting people halfway in terms of language. They also talk about the transportation systems in both places, including the local trains and buses, and the ease of walking to most places. In terms of arts and culture, they mention the presence of art galleries, museums, festivals, and theaters in Torremolinos, Sitges, Barcelona, and Malaga. Tormelinos and Sitges are excellent destinations for food lovers, offering a variety of cuisines. Tormelinos is known for its fresh sardines grilled on swords, while Sitges provides a range of Spanish and international dishes. Both places have a vibrant LGBTQ+ scene, with numerous gay bars and clubs. The communities are welcoming and accepting, making it a safe and inclusive environment for LGBTQ+ individuals. Regarding residency and taxes, Spain offers retirement visas for those who can prove they have the means to support themselves. The country has a double taxation treaty with the US, allowing residents to deduct what they pay in Spain from their US taxes. Crime rates are generally low in both Torremolinos and Sitges, and there is a strong police presence and a sense of safety. When moving to these areas, it is recommended to join local expat and LGBTQ+ communities for support and advice.Richard JasickiHe just turned 65 in May! He had a Mid-Atlantic Ocean childhood in Europe and the US as a US Air Force brat with an English “Mum.” He worked many years in the UK and California before retiring at 62 and moving to Spain.He met his life partner, Charles, in 2001 online. Their first meeting turned out to be at a wedding venue that had been canceled and opened its doors to the public—very auspicious! They married as soon as it was legal in 2014 by their pool in San Diego.He has lived in Torremolinos on the Costa del Sol for almost two years and loves it. Their apartment has a beautiful view of the Mediterranean.Leo Boni They wanted a change of lifestyle. They lived in the SF Bay Area and are both tired of the high cost of living, the lack of vacation time, and not being able to shake the feeling that they could not afford to retire there. He is Italian by birth, so they first wanted to move to Italy; they chose Spain because of its weather and infrastructure. They made an exploratory trip to Barcelona and liked it but didn't fall in love with it. They did fall in love with Sitges. They moved to Barcelona first for various reasons, mainly because this was pre-pandemic, and his job required him to be in the office, located off Passeig de Gracia in BCN. When quarantine came, they took the opportunity to move to Sitges. There were several deciding factors, being on the beach, in a smaller town, with a vibrant gay and food scene. Sitges offered them the more tranquil life they were looking for. He is an Italian citizen, so he and his partner have the right to...

Want to share your thoughts about the podcast? Text a Message!Enjoy this wonderful interview about rider confidence with Martin Arnold! His bio:Martin is a classical dressage trainer who began riding at the age of 14 and has now been training professionally for the better part of 20 years.  During his career, Martin has earned his USDF bronze, silver and gold medals having competed successfully through the Grand Prix.  Martin has also been a previous winner of the Region 9 Teaching Excellence Award and he won the 2023 IALHA (International Andalusian and Lusitano Horse Association) Impact Award for his work with the Andalusian breed.Martin and his wife, Jenna, run their horse training business, Concordia Dressage, out of the Austin, TX area.  In addition to training horses and teaching lessons there, they also teach virtual lessons and travel to teach clinics.  Martin is also a coach for J.J. Tate's online training academy (Team Tate Academy).  Martin works with horses and riders at all levels of dressage, but he truly loves helping riders with horses that are considered non traditional breeds (for dressage) and helping riders overcome not just physical obstacles in their riding, but also the mental roadblocks that thwart so many of us as well.  You can find Martin at concordiadressage.com and on social media (Facebook)If you're interested in learning more about the Inspired Riding® offers, please use Martin's affiliate code for 10% off courses and the hypnotherapy sessions!Code: MARTINWebsite: https://www.inspiredriding.comThanks for listening!

Chapter 1What is The AlchemistIn Paulo Coelho's enchanting novel, "The Alchemist," readers follow the journey of Santiago, a young Andalusian shepherd boy. Santiago, driven by a recurring dream of finding treasure in the Pyramids of Egypt, leaves behind his pastoral life and ventures into the unknown, guided by signs and omens. Along his quest, he meets a wise king, a desert woman, and an alchemist, each teaching him about listening to his heart and learning the Language of the World. The core theme of the book is about finding one's destiny or personal legend. As Santiago pursulates his personal legend, he learns that the journey itself is the most significant part of an individual's growth and not just the accomplishment of the goal. This tale wonderfully illustrates how personal discovery, and resilience can evolve one's understanding, connecting their inner self with the universe. The alchemy here is not just literal but also metaphorical, emphasizing that the real treasure is the journey itself and the wisdom gained therein.Chapter 2 Meet the Writer of The AlchemistPaulo Coelho's "The Alchemist" is marked by a simple yet profound prose style that enhances the novel's themes of destiny and self-discovery. Coelho's language is accessible but poetic, often using symbolism and allegory to impart deeper philosophical insights. The narrative's clear and concise sentences serve to make the spiritual teachings and the protagonist's journey relatable and inspirational to a broad audience.Coelho effectively uses metaphors and similes, drawing on nature and the elements—like the desert, the wind, and the sun—to symbolically represent the internal and external journeys of his characters. This use of symbolic language helps readers connect with the protagonist's quest on multiple levels, engaging with both his physical adventures and spiritual awakenings.Dialogue in "The Alchemist" is deliberately crafted to unravel the underlying truths about life, dreams, and the importance of following one's personal legend. Coelho employs a conversational tone that often takes on a didactic quality as the characters discuss profound life lessons, yet it remains engaging and not overly complex. Overall, Coelho's style in "The Alchemist" is a key element in its ability to convey deep emotions and meanings, resonating with readers seeking inspiration and a greater understanding of their own paths in life.Chapter 3 Deeper Understanding of The AlchemistPaulo Coelho's "The Alchemist," published in 1988, has had a profound impact on modern literature and has become a cultural phenomenon in its own right. Its influences are seen in several areas including literature, psychology, motivational speaking, and personal self-development.1. Literature and Philosophy: As a modern fable, "The Alchemist" has been particularly influential in the genre of philosophical novels. Its simple yet profound narrative rekindles the age-old theme of the quest for personal meaning and destiny. Literature has seen an embracing of simple storytelling with deep, underlying messages, influenced by Coelho's style. The novel has been translated into more than 80 languages, setting a Guinness World Record for the most translated book by a living author, thereby broadening its influence across global literary landscapes.2. Culture: The book has penetrated many layers of society globally because its themes are universal—dream pursuit, the importance of listening to one's heart, deciphering signs in life's journey, and ultimate personal fulfillment. It resonates with the "follow your dreams" and "self-help" narratives popular in many societies, making it a frequent recommendation in both personal and professional development circles.3. Impact on Society and Thinking: Coelho's approach has encouraged a culture of self-reflection and self-discovery....

The history of the concept of waḥdat al-wujūd finds its ‘point of rising' (maṭlaʿ) with the ideas of Ibn ʿArabī (d. 1240) on the singularity of al-ḥaqq and the ways in which that unique and absolute being is manifest in its many theophanies. Its limits (ḥudūd) and extension (inbisāṭ), however, go far beyond and reach into the very aesthetics of literature traditions across Islamicate and Persianate languages and cultures. A generation ago William Chittick indicated the significance of the reception of Ibn ʿArabī (d. 1240) in this context, and the sheer number of commentaries, marginalia, paratexts, and independent treatises that engages the metaphysics and devotional tradition of the Andalusian master testifies to a major commitment. The earliest presence of Ibn ʿArabī was in the poetry of Fakhr al-dīn al-ʿIrāqī (d. 1289), a devotee in the presence of the Suhrawardī Sufi Bahāʾ al-Dīn Zakarīyā (d. 1262) in Multan, followed by Chishtī and Kubravī masters already in the pre-Mughal period. We still have much to do to consider the literary heritage of early modern pre-colonial and colonial South Asia in terms of the broad long tradition of ḥikma, taṣawwuf, kalām, and ʿerfān. One of the decisive elements in this tradition is the way in which Persian and vernacular literary traditions negotiated the influence of Ibn ʿArabī and read his ideas in ways that conformed to their own aesthetics of presence and metaphysics of beauty. I will consider four case studies that modify and read Ibn ʿArabī in their own ways: the Mughal prince Dārā Shukoh (d. 1659), Bēdil (d. 1720) perhaps the greatest Indo-Persian poet, Mīr Dard (d. 1785) one of the pillars of Urdu poetry and the pivotal thinker of the new ‘Muḥammadan way' of Sufism, and the great Punjabi poet of the 18th century Bullheh Shah. None of these figures was a simple imitator or transmitter – literary traditions like philosophical ones acquire a dynamic that arises from creative misreadings and liminal interpretations as well as exciting new aesthetic formulations. In this way, we can consider how the metaphysics of the unity of existence and often its ethical and aesthetic implications were naturalised and transformed in the soil of Hindustān.

Fluent Fiction - Spanish: Discover the Magic of Seville at Andalusian Treasure Find the full episode transcript, vocabulary words, and more:fluentfiction.org/discover-the-magic-of-seville-at-andalusian-treasure Story Transcript:Es: En el corazón de Sevilla, había una tienda de artesanías muy especial.En: In the heart of Seville, there was a very special craft store.Es: Esta tienda se llamaba "Tesoro Andaluz".En: This store was called "Andalusian Treasure."Es: En esta tienda trabajaban Luis y María.En: Luis and María worked in this store.Es: Luis era un hombre joven con mucha energía.En: Luis was a young man with a lot of energy.Es: Siempre estaba feliz.En: He was always happy.Es: Le gustaba hablar con los clientes y mostrarles las bellas artesanías.En: He liked talking to customers and showing them the beautiful crafts.Es: Las artesanías en la tienda eran hechas a mano.En: The crafts in the store were handmade.Es: Había cerámicas, tejidos y joyas.En: There were ceramics, textiles, and jewelry.Es: Cada pieza tenía una historia.En: Each piece had a story.Es: María era más tranquila que Luis, pero muy talentosa.En: María was quieter than Luis, but very talented.Es: Ella pintaba las cerámicas.En: She painted the ceramics.Es: Sus manos eran rápidas y precisas.En: Her hands were quick and precise.Es: María conocía todos los secretos de los colores y las formas.En: María knew all the secrets of colors and shapes.Es: Le gustaba trabajar en silencio, escuchando la música flamenca.En: She liked to work in silence, listening to flamenco music.Es: Una mañana, llegó un turista a la tienda.En: One morning, a tourist came to the store.Es: El turista llevaba una cámara y un sombrero.En: The tourist carried a camera and wore a hat.Es: Estaba buscando un recuerdo especial.En: He was looking for a special souvenir.Es: Luis se acercó y dijo, "¡Bienvenido a Tesoro Andaluz!En: Luis approached and said, "Welcome to Andalusian Treasure!Es: ¿En qué puedo ayudarte?"En: How can I help you?"Es: El turista sonrió y respondió, "Estoy buscando algo único.En: The tourist smiled and replied, "I'm looking for something unique.Es: Algo que no pueda encontrar en otro lugar."En: Something I can't find anywhere else."Es: Luis pensó un momento y luego dijo, "Tengo algo perfecto para ti.En: Luis thought for a moment and then said, "I have something perfect for you.Es: Sígueme."En: Follow me."Es: Luis llevó al turista al final de la tienda.En: Luis led the tourist to the back of the store.Es: Había una pequeña caja de cristal.En: There was a small glass box.Es: Dentro de la caja había un collar de plata con una piedra azul muy brillante.En: Inside the box was a silver necklace with a very bright blue stone.Es: "Este collar fue hecho por María," explicó Luis.En: "This necklace was made by María," Luis explained.Es: "Es único en el mundo."En: "It is one of a kind."Es: El turista miró el collar con admiración y dijo, "Me encanta.En: The tourist looked at the necklace with admiration and said, "I love it.Es: ¿Puedo conocer a la artista?"En: Can I meet the artist?"Es: Luis le pidió a María que viniera.En: Luis asked María to come over.Es: María, tímida al principio, sonrió al verse reconocida por su trabajo.En: María, initially shy, smiled upon being recognized for her work.Es: El turista dijo, "Tu trabajo es increíble.En: The tourist said, "Your work is incredible.Es: ¿Puedes contarme la historia de este collar?"En: Can you tell me the story of this necklace?"Es: María explicó, "Esta piedra es especial.En: María explained, "This stone is special.Es: La encontré cerca del río Guadalquivir.En: I found it near the Guadalquivir River.Es: El diseño está inspirado en la Giralda, la gran torre de Sevilla.En: The design is inspired by the Giralda, the great tower of Seville.Es: Quería capturar la esencia de mi ciudad en esta pieza."En: I wanted to capture the essence of my city in this piece."Es: El turista quedó encantado con la historia y decidió comprar el collar.En: The tourist was delighted with the story and decided to buy the necklace.Es: Agradeció a Luis y a María y les dijo, "Llevaré un pedazo de Sevilla conmigo."En: He thanked Luis and María and said, "I will take a piece of Seville with me."Es: Luis y María se sintieron muy felices.En: Luis and María felt very happy.Es: No solo por la venta, sino porque habían compartido un poco de su pasión y cultura.En: Not only because of the sale but because they had shared a bit of their passion and culture.Es: La tienda "Tesoro Andaluz" seguía brillando, gracias al trabajo y la dedicación de Luis y María.En: The store "Andalusian Treasure" continued to shine, thanks to the work and dedication of Luis and María.Es: Y así, entre cerámicas y joyas, entre historias y risas, la tienda se convirtió en un lugar mágico en el corazón de Sevilla.En: And so, among ceramics and jewelry, between stories and laughter, the store became a magical place in the heart of Seville.Es: Fin.En: The End. Vocabulary Words:craft: artesaníashop/store: tiendahandmade: hecho a manoceramics: cerámicastextiles: tejidosjewelry: joyasquiet: tranquilatalented: talentosaprecise: precisassecrets: secretosshapes: formassilence: silencioflamenco music: música flamencatourist: turistacamera: cámarahat: sombrerounique: únicofollow: síguemeglass box: caja de cristalsilver: platanecklace: collarbright: brillanteadmiration: admiraciónshy: tímidadesign: diseñoriver: ríotower: torreessence: esenciacapture: capturarsale: venta

Fluent Fiction - Spanish: Mystery in Sun-Kissed Gardens: Hidden Treasure at La Alhambra Find the full episode transcript, vocabulary words, and more:fluentfiction.org/mystery-in-sun-kissed-gardens-hidden-treasure-at-la-alhambra Story Transcript:Es: Bajo el sol brillante de un verano andaluz, Alejandro y María caminan por los jardines del Generalife en La Alhambra.En: Under the bright sun of an Andalusian summer, Alejandro and María walk through the gardens of the Generalife at La Alhambra.Es: Los aromas de las flores y el sonido del agua de las fuentes crean una atmósfera mágica.En: The aromas of flowers and the sound of water from the fountains create a magical atmosphere.Es: La guía del tour, una señora amable, explica la historia del lugar.En: The tour guide, a kind woman, explains the history of the place.Es: "Este es uno de los lugares más bellos de España," dice ella con entusiasmo.En: "This is one of the most beautiful places in Spain," she says enthusiastically.Es: María, fascinada, observa cada rincón del jardín.En: María, fascinated, observes every corner of the garden.Es: Alejandro toma fotos con su cámara nueva.En: Alejandro takes photos with his new camera.Es: De repente, Alejandro se detiene frente a una pared antigua cubierta de musgo.En: Suddenly, Alejandro stops in front of an old wall covered in moss.Es: "María, ven a ver esto," dice Alejandro.En: "María, come look at this," Alejandro says.Es: En la pared hay una inscripción en árabe antiguo.En: On the wall, there is an inscription in ancient Arabic.Es: María frunce el ceño, tratando de descifrar las letras.En: María frowns, trying to decipher the letters.Es: "No entiendo lo que dice," responde María.En: "I don't understand what it says," María replies.Es: La guía se acerca y mira la inscripción.En: The guide approaches and looks at the inscription.Es: Sus ojos se abren con sorpresa.En: Her eyes widen in surprise.Es: "Esto no es parte del tour normal," dice la guía.En: "This is not part of the regular tour," says the guide.Es: "Nunca había visto esto antes."En: "I have never seen this before."Es: La inscripción parece brillar bajo la luz del sol.En: The inscription seems to glow under the sunlight.Es: La curiosidad de Alejandro y María crece.En: Alejandro and María's curiosity grows.Es: Deciden investigar más.En: They decide to investigate further.Es: Con la ayuda de un pequeño libro comprado en la tienda de recuerdos, empiezan a traducir las palabras poco a poco.En: With the help of a small book they purchased at the souvenir shop, they begin to translate the words little by little.Es: "Dice algo sobre un tesoro escondido," dice Alejandro emocionado.En: "It says something about a hidden treasure," Alejandro says excitedly.Es: María y Alejandro sienten sus corazones latir más rápido.En: María and Alejandro feel their hearts beat faster.Es: Continúan su búsqueda, ahora con un propósito nuevo y emocionante.En: They continue their search, now with a new and exciting purpose.Es: Siguiendo las indicaciones de la inscripción, llegan a una fuente en el jardín.En: Following the directions from the inscription, they arrive at a fountain in the garden.Es: Encuentran una pequeña caja escondida dentro de un compartimento secreto en la base de la fuente.En: They find a small box hidden inside a secret compartment at the base of the fountain.Es: "¡Lo encontré!"En: "I found it!"Es: grita Alejandro con alegría.En: Alejandro shouts with joy.Es: Dentro de la caja, descubren un pergamino antiguo y una joya hermosa.En: Inside the box, they discover an ancient scroll and a beautiful jewel.Es: El pergamino tiene un poema escrito que habla de amor y belleza eterna.En: The scroll has a poem written on it that speaks of love and eternal beauty.Es: La joya brilla con una luz especial, parecida a la del sol andaluz.En: The jewel shines with a special light, similar to that of the Andalusian sun.Es: La guía, aún impresionada, les dice que han encontrado una parte importante de la historia de La Alhambra.En: The guide, still impressed, tells them they have found an important part of La Alhambra's history.Es: Alejandro y María sonríen, sienten que han vivido una aventura única.En: Alejandro and María smile, feeling that they have lived a unique adventure.Es: Después de eso, continúan explorando los jardines, pero ahora con un espíritu nuevo.En: After that, they continue exploring the gardens, but now with a renewed spirit.Es: Saben que siempre recordarán este día en La Alhambra, un día lleno de historia, misterio y belleza.En: They know they will always remember this day at La Alhambra, a day full of history, mystery, and beauty.Es: A medida que el sol comienza a ponerse, Alejandro y María dejan los jardines del Generalife, felices y satisfechos.En: As the sun begins to set, Alejandro and María leave the gardens of the Generalife, happy and satisfied.Es: Su día en Granada ha sido inolvidable, y su descubrimiento será parte de la leyenda de La Alhambra para siempre.En: Their day in Granada has been unforgettable, and their discovery will forever be part of La Alhambra's legend. Vocabulary Words:bright: brillantegarden: jardínfountain: fuentemagical: mágicaenthusiastically: con entusiasmoobserve: observacamera: cámaramoss: musgoinscription: inscripciónfrown: fruncir el ceñodecipher: descifrarapproach: acercarseglow: brillarcuriosity: curiosidadinvestigate: investigarhidden: escondidotreasure: tesorodirections: indicacionescompartment: compartimentoshout: gritarscroll: pergaminojewel: joyaspecial: especialimpressed: impresionadaunique: únicarenewed: nuevoset: ponersehappy: felicessatisfied: satisfechosunforgettable: inolvidable

Who Should Listen? Credit lenders, Managing Partners, Investors, and RIA's Topics:Factors and Complexities Within the Current MarketChallenges That RIA's FaceThe Future of Private Credit...and so much more.Top Takeaways“The market has been more dynamic over the last six months than over the last six years.” Jordan, Aaron, and Joe dive into the dynamic nature of the present market landscape They point out that the lenders struggling today might be different from the ones struggling in six months. It's important to realize that what we think about someone's market position might not always be true. The path RIAs need to take to succeed. These obstacles include balancing liquid and private credit investments, navigating the diverse landscape from major funds to smaller enterprises, and addressing educational gaps. Recognizing trends like equity and credit secondaries can drive market evolution despite these hurdles. Success in the credit markets depends on understanding different segments and investment strategies, empowering RIAs to prepare better and achieve success.“The shift we've seen is permanent”. When it comes to the future of the private credit market, Aaron acknowledges how some believe that the high returns associated with private credit may be dwindling and that investors are becoming wary of the asset class. Joe explains that this is just the beginning of a significant transformation in credit markets, with private credit set to play an even larger role in the financial landscape in the future.

Fluent Fiction - Spanish: Lost in the Enchanted Labyrinth: A Spanish Village Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.org/lost-in-the-enchanted-labyrinth-a-spanish-village-adventure Story Transcript:Es: El sol comenzaba a agachar la cabeza cuando María, una viajera incansable, permitió que su espíritu explorador la guiara a un pequeño y encantador pueblo en España.En: The sun began to lower its head when Maria, an tireless traveler, allowed her explorer spirit to guide her to a small and charming village in Spain.Es: El sabor de la aventura todavía jugueteaba en su lengua y el huerto de naranjos le sonreía con un aroma cítrico.En: The taste of adventure still lingered on her tongue and the orange orchard smiled at her with a citrus aroma.Es: María, siempre pícaro, se adentró por las estrechas calles adoquinadas del pueblo, permeadas de colores vibrantes.En: Maria, always mischievous, ventured through the narrow cobbled streets of the village, permeated with vibrant colors.Es: Los balcones desbordaban de geranios rojos y las paredes estaban decoradas con vibrantes azulejos andaluces.En: The balconies overflowed with red geraniums and the walls were decorated with vibrant Andalusian tiles.Es: Pero pronto las estrechas carreteras comenzaron a perder su encanto al caer la penumbra.En: But soon the narrow roads began to lose their charm as dusk fell.Es: ¡Oh, las calles!En: Oh, the streets!Es: Eran como un laberinto coqueto, riéndose de toda lógica y sentido de la orientación.En: They were like a flirty maze, laughing at all logic and sense of direction.Es: Rápidamente, María se encontró dando vueltas por las mismas plazas encantadoras, las mismas casas de los colores del arco iris, y las mismas fuentes de agua cantarinas.En: Quickly, Maria found herself going around the same charming squares, the same rainbow-colored houses, and the same singing water fountains.Es: Se había perdido.En: She was lost.Es: No eran las frías calles de la ciudad, sin embargo estas eran igualmente desconcertantes.En: It wasn't the cold city streets, but these were equally bewildering.Es: Pero María no dejó que el miedo se apoderara de su espíritu.En: But Maria did not let fear take over her spirit.Es: En lugar de eso, se detuvo para respirar.En: Instead, she stopped to breathe.Es: Podía escuchar los trinos de los grillos, el susurro de las hojas y el lejano murmullo de un villancico español.En: She could hear the crickets chirping, the whisper of the leaves, and the distant murmur of a Spanish carol.Es: Justo cuando la desconcertante soledad comenzaba a cubrirla con su airada sombra, vio una figura familiar a la distancia.En: Just as the perplexing solitude began to envelop her with its angry shadow, she saw a familiar figure in the distance.Es: ¡Era el propietario de la acogedora posada donde se hospedaba!En: It was the owner of the cozy inn where she was staying!Es: María lo llamó y sintió alivio al ver su rostro amigable.En: Maria called out to him and felt relieved to see his friendly face.Es: El amable posadero sonrió al verla, y le ofreció una cálida lata de churros y chocolate caliente, tal como se sirven en las cafeterías de Madrid.En: The kind innkeeper smiled at her and offered her a warm tin of churros and hot chocolate, just as they are served in the cafes of Madrid.Es: Mientras la ayudaba a volver a la posada, le describía el encanto y la naturaleza caprichosa de las calles del pueblo.En: As he helped her find her way back to the inn, he described to her the charm and whimsical nature of the village streets.Es: Al final, María no solo encontró su camino de vuelta, sino que también se llevó una experiencia rica y enternecedora.En: In the end, Maria not only found her way back, but she also took away a rich and heartwarming experience.Es: Esa noche, la luna sonreía sobre el pueblo, mientras María caía en un profundo sueño, su espíritu de aventura todavía resonando en su pecho.En: That night, the moon smiled upon the village as Maria fell into a deep sleep, her spirit of adventure still resonating in her chest.Es: Y así, un simple desvío se convirtió en una aventura mágica y todo terminó con una buena taza de chocolate caliente y churros.En: And so, a simple detour turned into a magical adventure and it all ended with a good cup of hot chocolate and churros.Es: Ah, qué dulces son los contratiempos de los viajes.En: Ah, how sweet the setbacks of travel can be. Vocabulary Words:sun: solhead: cabezatraveler: viajeraspirit: espírituvillage: puebloadventure: aventurataste: sabororange: naranjaaroma: aromastreets: callescolors: coloresbalconies: balconeswalls: paredestiles: azulejosroads: carreterascharm: encantodusk: penumbramaze: laberintologic: lógicadirection: orientaciónlost: perdidafear: miedobreath: respirarcrickets: grilloswhisper: susurrofigure: figuracozy: acogedorahelped: ayudabamoon: luna

In the summer of August 1971, in the town of Bélmez de la Moraleda nestled in the Andalusian region of Spain, a peculiar phenomenon unfolded within the Pereira family's household. María Gómez Cámara engrossed in her daily chores, noticed an ominous stain on the kitchen floor, as days passed, the stain seemed to morph into a face. Over the years, the faces became a macabre fixture, with Maria Pereira embracing them as mystical blessings rather than omens of dread.Music used in this podcast is made by Jonathan SegevContact us at: weeknightmysteries@gmail.comInstagram - https://www.instagram.com/weeknightmysteriesTikTok - https://www.tiktok.com/@weeknightmysteries

This week on the podcast I spoke with equine behaviour specialist Lauren Fraser, the woman behind the 3 Fs (Friends, Forage, Freedom) framework for species-appropriate horse management. As you might imagine, I was excited to pick her brain on the intersection between equine life-styles and environments and their behaviour.  Our conversation ranged into many interesting territories, such as the direct links between deficits in the 3Fs and the problem behaviour we may encounter as a result, the negative effects our human mindsets can have when it comes to providing appropriate lifestyles for our horses, and a few notes at the end around co-operative care and the benefit of taking enough time to train our horses so we can prevent fear and trauma rather than rehabilitate it.  Lauren Fraser is an experienced horsewoman, who has worked professionally with horses since 2006. Prior to her current specialisation, Lauren taught riding and horsemanship, and trained horses.  Lauren provides horse behaviour consultations remotely worldwide. She also teaches others about horse behaviour, regularly guest lecturing for several universities, and delivering educational courses through the Understand Horses website. Lauren also mentors horse trainers who are interested in better understanding and addressing horse behaviour problems. Lauren holds an equine science certificate from the University of Guelph, and obtained her MSc in clinical animal behaviour through the University of Edinburgh's Royal (Dick) School of Veterinary Studies. Lauren's dissertation research examined the behaviour of horses subjected to ‘laying down' during training.  Lauren was the International Association of Animal Behaviour Consultant's (IAABC) horse division chair from 2013-2021 and was an IAABC application review committee member from 2012-2023. She is an International Society of Equitation Science practitioner member, as well as a Fear Free® Certified Professional. Lauren currently has three horses: an Andalusian, an Arabian, and an Arabian/Quarter horse. She has tried her hand at many things with her horses over the years, including limited distance endurance riding, bridleless riding and liberty work, as well as working cattle and progressing her horses from the hackamore, into the two-rein. Lauren particularly enjoys training cooperative care behaviours, and teaching ‘clean slates': giving young horses solid foundations.  When not with her horses, Lauren can be found mountain biking, taking her dogs to dock diving competitions, or playing the ukulele, poorly. You can explore Lauren's work at https://www.equinebehaviorist.ca or find her on TikTok @horsebehaviourtok

Fluent Fiction - Spanish: Rising from Falls: A Flamenco Journey of Friendship and Resilience Find the full episode transcript, vocabulary words, and more:fluentfiction.org/rising-from-falls-a-flamenco-journey-of-friendship-and-resilience Story Transcript:Es: Como cada amanecer en Andalucía, España, el sol subía en el cielo, pintándolo con hermosos tonos de naranja y rojo.En: As every dawn in Andalusia, Spain, the sun rose in the sky, painting it with beautiful shades of orange and red.Es: En un pequeño pueblo montañoso se preparaban para el jolgorio de la noche.En: In a small mountain village, they were getting ready for the festivity of the night.Es: Este era el hogar de María, Juan y Carmen, tres amigos unidos por un propósito común: aprender a bailar flamenco.En: This was the home of Maria, Juan, and Carmen, three friends united by a common purpose: to learn how to dance flamenco.Es: María, con su alegre expresión y ojos brillantes, siempre soñó con saltar y girar al ritmo del flamenco.En: Maria, with her cheerful expression and bright eyes, always dreamed of leaping and twirling to the rhythm of flamenco.Es: Carmen, morena de aspecto firme, era conocida en el pueblo por su espíritu libre y apasionado.En: Carmen, a brunette with a strong appearance, was known in the village for her free and passionate spirit.Es: Juan, con su perseverancia y sentido del humor, siempre estaba dispuesto a aceptar nuevos retos.En: Juan, with his perseverance and sense of humor, was always ready to take on new challenges.Es: Unidos por su amor al baile, el trío había decidido participar en la gran competencia de flamenco del pueblo.En: United by their love for dance, the trio had decided to participate in the village's grand flamenco competition.Es: Desafortunadamente, aún tenían que pasar la última y más difícil barrera: ¡lograr mantener el equilibrio!En: Unfortunately, they still had to overcome the last and most difficult barrier: to maintain balance!Es: Nuestros tres amigos practicaban todos los días en la cima de las montañas, con la esperanza de dominar el flamenco.En: Our three friends practiced every day on the mountaintop, hoping to master flamenco.Es: Pero cada sesión de práctica terminaba con golpes, caídas y muchos tropiezos, intercambiando el alegre "¡Olé!En: But each practice session ended with bumps, falls, and many stumbles, exchanging the joyful "Olé!"Es: " por un dolorido "¡Ay!En: for a sore "Ouch!"Es: "Un día, justo antes del anochecer, en la plaza del pueblo frente a la antigua iglesia, comenzaron de nuevo a practicar.En: One day, just before dusk, in the village square in front of the old church, they began to practice again.Es: María trató de hacer una pirueta, solo para tropezar con Juan que caía sobre Carmen de un salto mal calculado.En: Maria tried to do a spin, only to stumble over Juan, who fell onto Carmen from a miscalculated jump.Es: El caos era total en su grupo, y todos se esforzaban por mantenerse en pie.En: Chaos reigned in their group, and everyone struggled to stay upright.Es: Con cada caída, la frustración crecía.En: With each fall, frustration grew.Es: Pero, a pesar de todo, la obstinación andaluza de los tres no dejaba espacio a la rendición.En: But, despite everything, the Andalusian stubbornness of the three left no room for surrender.Es: Se alentaban mutuamente, bromeaban sobre sus fracasos, se levantaban, sacudían el polvo y se preparaban para bailar nuevamente.En: They encouraged each other, joked about their failures, got up, dusted themselves off, and prepared to dance again.Es: María sugirió, "Deberíamos empezar despacio, paso a paso, hasta que nos sintamos cómodos".En: Maria suggested, "We should start slowly, step by step, until we feel comfortable."Es: Carmen y Juan aceptaron de inmediato.En: Carmen and Juan immediately agreed.Es: Después de todo, ningún problema es demasiado grande si te enfrentas a él poco a poco.En: After all, no problem is too big if you face it little by little.Es: En las siguientes semanas, con paciencia y práctica, comenzaron a ver un cambio.En: In the following weeks, with patience and practice, they began to see a change.Es: Ya no había tantos tropiezos y cada golpe no era tan doloroso.En: There were not as many stumbles, and each fall was not as painful.Es: El sonido de sus tacones golpeando el suelo a la par con el ritmo del flamenco comenzaba a resonar en la plaza, encantando a los habitantes del pueblo que los observaban en secreto.En: The sound of their heels hitting the ground in time with the flamenco rhythm began to resonate in the square, enchanting the townspeople who secretly watched them.Es: Finalmente, el día de la competencia llegó.En: Finally, the day of the competition arrived.Es: Con el corazón palpitante y las ropas llenas de colores y volantes, María, Carmen y Juan entraron al escenario ante los ánimos de todo el pueblo.En: With hearts pounding and clothes filled with colors and ruffles, Maria, Carmen, and Juan entered the stage amidst the cheers of the whole village.Es: Al son de las guitarras, comenzaron su baile.En: To the tune of the guitars, they began their dance.Es: Tropezaron un par de veces, sí, pero nunca se cayeron.En: They stumbled a couple of times, yes, but they never fell.Es: Mantuvieron el ritmo, sus rostros brillaban con deleite al danzar al son de la melodía española.En: They kept the rhythm, their faces glowing with delight as they danced to the Spanish melody.Es: A pesar de no ganar la competencia, se alegraron al darse cuenta de qué tan lejos habían llegado desde aquellos días de caídas y fracasos.En: Although they didn't win the competition, they were happy to realize how far they had come from those days of falls and failures.Es: El viaje de aprender a bailar flamenco enseñó a María, Carmen y Juan que no es el destino, sino el camino lo que importa.En: The journey of learning to dance flamenco taught Maria, Carmen, and Juan that it's not the destination, but the journey that matters.Es: Y sobre todo, que siempre puedes levantarte, no importa cuántas veces te caigas.En: And above all, that you can always rise, no matter how many times you fall.Es: Desde entonces, cada vez que alguien en el pueblo tropezaba, siempre decían: "¡Eh!En: Since then, whenever someone in the village stumbled, they would always say, "Hey!Es: Estás bailando el flamenco de María, Carmen y Juan".En: You're dancing the flamenco of Maria, Carmen, and Juan."Es: Y esto siempre era seguido de risas y alegría, el verdadero espíritu del flamenco.En: And this was always followed by laughter and joy, the true spirit of flamenco. Vocabulary Words:sun: solsky: cieloorange: naranjared: rojomountain: montañavillage: pueblofriend: amigolearn: aprenderdance: bailarflamenco: flamencocheerful: alegrebrunette: morenastrong: firmepassionate: apasionadoperseverance: perseveranciahumor: humorchallenge: retobalance: equilibriopractice: prácticafall: caídachaos: caosfrustration: frustraciónjourney: caminopatience: pacienciachange: cambiorhythm: ritmodelight: deleitecompetition: competencialaughter: risasjoy: alegría

Fluent Fiction - Spanish: The Plaza Mayor's Flamenco Journey: Triumph Amidst Falls Find the full episode transcript, vocabulary words, and more:fluentfiction.org/the-plaza-mayors-flamenco-journey-triumph-amidst-falls Story Transcript:Es: Cierto día, bajo el arco brillante de un sol verano, en el corazón de la ciudad, la Plaza Mayor se pegaba de risas y alegría mientras dos valientes intentaban danzar al son del flamenco.En: One day, under the bright arch of a summer sun, in the heart of the city, the Plaza Mayor was filled with laughter and joy as two brave individuals attempted to dance to the rhythm of flamenco.Es: Ana y Carlos era cómo se llamaban estos intrépidos bailaores.En: Ana and Carlos were the names of these intrepid dancers.Es: Ana, con una sonrisa llena de dientes y ojos chispeantes, resplandecía con cada giro.En: Ana, with a smile full of teeth and sparkling eyes, shone with every turn.Es: Ataviada con un vestido verde andaluz lleno de volantes, parecía cómo una margarita fresca en medio del cemento de la plaza.En: Adorned in a green Andalusian dress full of ruffles, she appeared like a fresh daisy amidst the concrete of the square.Es: Carlos, robusto tras su barba de tres días, era todo nervios y sudor.En: Carlos, sturdy behind his three-day beard, was all nerves and sweat.Es: Tenía puesta una camisa a cuadros y pantalones negros, que contrastaban con la luminosidad de Ana.En: He wore a checkered shirt and black pants, contrasting with Ana's radiance.Es: Se enfrentaban a un desafío peculiar, intentando marcar cada paso de baile.En: They faced a peculiar challenge, trying to mark each dance step.Es: Pero los pies de uno chocaban con los del otro, causando torpezas y caídas.En: But one's feet collided with the other's, causing clumsiness and falls.Es: Pero el encanto estaba en cómo se levantaban después de cada caída, con una risa resonando en todo el lugar.En: The charm, however, was in how they rose after each fall, laughter echoing throughout the place.Es: Llegó un punto en que todo pareció salir mal.En: There came a point where everything seemed to go wrong.Es: Carlos pisó con fuerza el pie de Ana por accidente.En: Carlos accidentally stepped forcefully on Ana's foot.Es: Ana, con lágrimas en sus ojos por el dolor, se retorció y cayó al suelo.En: Ana, with tears in her eyes from the pain, writhed and fell to the ground.Es: La música paró, y con ella, los latidos de los corazones de los espectadores que miraban, expectantes.En: The music stopped, and along with it, the heartbeats of spectators who watched, expectantly.Es: Carlos se agachó junto a Ana, angustiado.En: Carlos knelt beside Ana, distressed.Es: "¡Ay, Carlos!En: "Oh, Carlos!Es: ¡Nos estamos haciendo un desastre!En: We are making a mess of this!"Es: " gritó Ana, todavía riendo a pesar del dolor.En: exclaimed Ana, still laughing despite the pain.Es: Carlos asintió, contemplando sus pies como si fueran unos traidores.En: Carlos nodded, looking at his feet as if they were traitors.Es: "Creo que es mejor que practiquemos más, Ana.En: "I think we should practice more, Ana.Es: No estamos listos para esto aún", confesó, ayudándola a ponerse de pie.En: We are not ready for this yet," he confessed, helping her to her feet.Es: Al día siguiente, Ana y Carlos volvieron a la Plaza Mayor.En: The next day, Ana and Carlos returned to the Plaza Mayor.Es: Esta vez, fortalecidos, no se pisaban los pies y marcaron un compás perfecto.En: This time, strengthened, they did not step on each other's feet and marked a perfect rhythm.Es: Si bien tuvieron que soportar moratones y lagrimas, el flamenco al fin resonaba en sus corazones y sus pies se movían con la gracia que antes no poseían.En: Although they had to endure bruises and tears, the flamenco finally resonated in their hearts, and their feet moved with the grace they did not possess before.Es: Así fue cómo la Plaza Mayor fue testigo de sus caídas y de su superación.En: And thus, the Plaza Mayor witnessed their falls and triumphs.Es: De su risa y las lágrimas.En: Their laughter and tears.Es: Y del flamenco torpe que logró transformarse en una danza llena de ritmo y vida, danzada por dos amigos que aprendieron que la perfección no se alcanza en un día, sino con paciencia, apoyo y mucho amor.En: And the clumsy flamenco that managed to transform into a dance full of rhythm and life, danced by two friends who learned that perfection is not achieved in a day but with patience, support, and a lot of love. Vocabulary Words:One day: un díaUnder: bajoBright: brillanteSummer: veranoSun: solHeart: corazónCity: ciudadLaughter: risasJoy: alegríaBrave: valientesIndividuals: bailaoresDance: danzarRhythm: ritmoFlamenco: flamencoNames: nombresIntrepid: intrépidosDancers: bailarinesSmile: sonrisaTeeth: dientesSparkling: chispeantesEyes: ojosShone: resplandecíaTurn: giroAdorned: ataviadaGreen: verdeDress: vestidoRuffles: volantesFresh: frescaConcrete: cemento

In this episode of Investors & Operators, Jordan sits down with Kim Smith, Chief Capital Formation Officer at Andalusian Credit Partners, to discuss her new role and dive deeper into her personal story. Together, they discuss:Her Dad's JourneyKim's Personal Health ScareInvesting Time with Veterans...and so much more.Top TakeawaysTime is more valuable than money. Kim and Jordan stress that time holds greater value than money. While financial assistance is great, the time spent with veterans, providing support, guidance, and mentorship, is often more meaningful and impactful. They highlight that being there for veterans as mentors and coaches, listening to their experiences, and fostering personal connection and mentorship is more beneficial than any monetary donation. Advocating the importance of genuine human interaction and support in assisting veterans in their post-military journey. The importance of giving back. When looking back on her upbringing, Kim emphasizes how her parents taught her the significance of sharing blessings with others. She explains that giving back includes even the simplest gestures like sharing a smile or extending a helping hand. Self-reflection on guiding values. Reflecting on a health scare, Kim sheds light on the importance of prioritizing self-care. She shares how pushing herself too hard, both personally and professionally, nearly led to a health crisis, forcing her to reevaluate her values and priorities. This experience served as a wake-up call, not only prompting her to make a change professionally but also to be more present in her everyday life. Through this time, she gained a newfound appreciation for life and to never take anything for granted.

Time for a weird grape double edition. Huelva, an episode we have been to before years ago, known for its sherry-esque wines and sweet vinos. We have a bottle of Líbero, a fascinating 50/50 blend of two grapes only found in this Andalusian hideaway: Zalema and Listan de Huelva. Enjoy!

Recorded at Ten86 Cigars in Hawthorne, New Jersey, the lizards pair the La Flor Dominican Andalusian Bull with eighteen year aged Dewars Blended Scotch Whisky. The guys discuss the brand and history of this popular cigar, they debate if we are in another cigar boom, they read listener email and Rooster reveals his true identity as an A-list movie star. Plus: FDA Cigar Lawsuit UpdateJoin the Lounge Lizards for a weekly discussion on all things cigars (both Cuban and non-Cuban), whiskey, food, travel, life and work. This is your formal invitation to join us in a relaxing discussion amongst friends and become a card-carrying Lounge Lizard yourself. This is not your typical cigar podcast. We're a group of friends who love sharing cigars, whiskey and a good laugh.website/merch/rating archive: loungelizardspod.comemail: hello@loungelizardspod.com to join the conversation and be featured on an upcoming episode!instagram: @loungelizardspod

In this special Part 2 of 3 of The Marketing Corner, Nin and Shane continue telling us about their entrepreneurial journey, including the influence "The Alchemist" had along the way. "The Alchemist" by Paulo Coelho is a profound narrative that extends beyond the boundaries of ordinary fiction, touching upon themes of destiny, personal dreams, and the essence of life's journey. When viewed through the lens of entrepreneurship, the story of Santiago, a young Andalusian shepherd, becomes a metaphor for the entrepreneurial journey. "The Alchemist" is not just a book; it's a spiritual guide that encapsulates the journey of self-discovery and pursuit of dreams. At its core, the story of Santiago resonates profoundly with entrepreneurs, as it mirrors their journey of realizing a vision against all odds. This article delves into how "The Alchemist" encapsulates the essence of entrepreneurship. Understanding Your Personal Legend Much like Santiago's journey to discover his Personal Legend, entrepreneurship starts with understanding one's true calling or dream. The concept of a Personal Legend in the book symbolizes an entrepreneur's vision or business idea that they are passionately drawn to. Santiago's journey teaches the importance of listening to one's heart and recognizing the signs that guide toward one's destiny, akin to how an entrepreneur identifies market needs and opportunities. The book also emphasizes the importance of pursuing dreams with conviction, a critical trait for every entrepreneur. Overcoming Fear and Embracing Risk Santiago's journey is fraught with obstacles and fears, much like the path of an entrepreneur. Entrepreneurs, like Santiago, often face the fear of failure, financial insecurity, and the uncertainty of the unknown. "The Alchemist" teaches that overcoming fear and embracing risk is essential for fulfilling one's Personal Legend. The story encourages taking calculated risks and learning from failures, which are integral aspects of the entrepreneurial process. Santiago's resilience and courage in the face of adversity serve as a powerful example for entrepreneurs navigating the uncertainties of starting and growing a business. The Role of Omens and Learning from the Journey In "The Alchemist," omens play a crucial role in guiding Santiago. This concept can be likened to the intuition and insights that entrepreneurs gain as they embark on their business journey. Entrepreneurs, like Santiago, must be keen observers and learners, drawing lessons from both successes and failures. The book underscores the importance of being attuned to the environment, understanding market trends, and adapting strategies accordingly. Santiago's journey highlights that the path to achieving one's dream is often non-linear and filled with unexpected turns, much like the entrepreneurial journey where flexibility and adaptability are key. Furthermore, the story emphasizes that every encounter and experience along the way holds valuable lessons. Entrepreneurs can relate to this as they interact with mentors, customers, and even competitors, gaining insights and knowledge that shape their business strategies and personal growth. Finding the Treasure Within "The Alchemist" culminates in a powerful revelation: the real treasure lies within. Santiago's journey leads him to understand that the wisdom, experience, and growth he acquires along the way are the true rewards. This mirrors the entrepreneurial journey where the ultimate treasure is not just the financial success but also the personal transformation and self-awareness gained through the process. Entrepreneurs often discover their strengths, weaknesses, and true potential on their journey, similar to Santiago's self-discovery.

Embark with us on an enchanting odyssey through the heart of Granada, Spain, as we unveils the chapter dedicated to this captivating city. Explore the architectural marvels of the Alhambra, where intricate Islamic designs narrate centuries of history. Let' wonder through the Albaicín's cobblestone alleys, an ancient Moorish quarter, and witness the fusion of cultures that made Granada the place it is today. As the sun sets, poke into the city's culinary delights, renowned for its unique tapas culture. Granada stands out as one of the few places where complimentary tapas comes with every drink, transforming a leisurely stroll into a gastronomic adventure. The bars teem with the lively chatter of locals and the tempting aromas of any kind of tapas. Join Spanish Loops on this sensorial journey, where the essence of Granada is unveiled, blending history, culture, and the delectable tapestry of Andalusian life style. Subscribe to follow up on more chats with Fran and Jorge. Happy Listening!

Fluent Fiction - Catalan: Lost in Translation: A Hilarious Culinary Misadventure in Barcelona Find the full episode transcript, vocabulary words, and more:fluentfiction.org/lost-in-translation-a-hilarious-culinary-misadventure-in-barcelona Story Transcript:Ca: Sota el sol de la ciutat màgica, Barcelona, brilla una història.En: Under the sun of the magical city, Barcelona, shines a story.Ca: En Jordi i la Marta, dos amics d'infància, es van trobar a la Plaça Catalunya, davant la font lluminosa que és testimoni silenciós de centenars d'històries.En: Jordi and Marta, two childhood friends, met at Plaça Catalunya, in front of the illuminated fountain that silently witnesses hundreds of stories.Ca: Les rialles i els somriures es van barrejar amb la simfonia de la ciutat.En: Laughter and smiles mixed with the symphony of the city.Ca: Després de passejar pels carrers estrets del Barri Gòtic, van decidir anar a un bar de tapes local, famós entre els residents.En: After walking through the narrow streets of the Gothic Quarter, they decided to go to a local tapas bar, famous among the locals.Ca: En Jordi, amb gana de provar gaditanes saboroses, però no sabia com demanar-les.En: Jordi, eager to try tasty gaditanas, didn't know how to order them.Ca: Nerviós i amb la mirada fixa en el menú, intentava recordar el nom del plat.En: Nervous and with his gaze fixed on the menu, he tried to remember the name of the dish.Ca: Tot girant les fulles del menú, mirant les imatges i llegint les descripcions, en Jordi va arriscar-se a demanar, "Cambrer, vull una andalusa saborosa".En: Flipping through the menu, looking at the pictures and reading the descriptions, Jordi took a risk and asked, "Waiter, I want a tasty Andalusian dish."Ca: Hi va haver un silenci mortificador.En: There was a mortifying silence.Ca: La Marta, el cambrer, i fins i tot els altres clients van girar cap a ell amb mirades de sorpresa.En: Marta, the waiter, and even the other customers turned towards him with surprised looks.Ca: "Una andalusa saborosa?" repetí el cambrer amb una ampla somriure.En: "A tasty Andalusian dish?" the waiter repeated with a wide smile.Ca: La confusió es va apoderar d'en Jordi; volia demanar "gaditanes saboroses", però que havia sortit de la seva boca era un plat inexistent.En: Confusion overtook Jordi; he wanted to order "tasty gaditanas," but what came out of his mouth was a nonexistent dish.Ca: Intentant corregir el seu error, va balbucejar, "No, no, volia dir patates braves."En: Trying to correct his mistake, he stammered, "No, no, I meant patatas bravas."Ca: La Marta, però, esclatà a riure, deixant encara més envermellit al seu amic.En: Marta, however, burst into laughter, making her friend even more embarrassed.Ca: El cambrer, tot riure, s'excusà per anar a buscar allò que finalment en Jordi hagués demanat.En: The waiter, laughing, apologized and went to get what Jordi would have actually ordered.Ca: La Marta, per altra banda, no podia deixar de riure llargament, fent bromes sobre el "talent lingüístic" d'en Jordi.En: Marta, on the other hand, couldn't stop laughing, teasing Jordi about his "linguistic talent."Ca: Al cap i a la fi, el plat arribà.En: In the end, the dish arrived.Ca: Tot i ser patates braves, en Jordi i la Marta es van deleitar amb la seva menja saborosa.En: Despite being patatas bravas, Jordi and Marta delighted in their tasty meal.Ca: A la taula adjacent, altres clients els miraven i reien en recordar l'incident.En: At the adjacent table, other customers looked at them and laughed, recalling the incident.Ca: El moment quedà gravat a la memòria d'en Jordi com una situació embarassosa però divertida, una que sempre compartia amb una rialla cada vegada que es reunia amb amics.En: The moment remained etched in Jordi's memory as an embarrassing yet funny situation, one that he always shared with a laugh whenever he met with friends.Ca: A Barcelona, la ciutat on la vida es mescla amb la cultura, en Jordi va aprendre una lliçó inestimable: la importància de parlar clar i entendre abans de parlar.En: In Barcelona, the city where life blends with culture, Jordi learned an invaluable lesson: the importance of speaking clearly and understanding before speaking.Ca: Tot i l'error, aquella nit a Barcelona, entre la confusió, la ràbia i les riallades, es va convertir en una de les més recordades per a ell i la Marta, que encara avui dia riuen en recordar-la.En: Despite the mistake, that night in Barcelona, amidst the confusion, anger, and laughter, became one of the most memorable for him and Marta, who still laugh about it today. Vocabulary Words:Under: sotasun: solmagical: màgicacity: ciutatBarcelona: Barcelonastory: històriaJordi: JordiMarta: Martachildhood: infànciafriends: amicsPlaça Catalunya: Plaça Catalunyailluminated: lluminosafountain: fontsilently: silencióswitnesses: testimonihundreds: centenarsstories: històrieslaughter: riallessmiles: somriuresmixed: barrejarsymphony: simfoniawalking: passejarnarrow: carrers estretsstreets: carrersGothic Quarter: Barri Gòticdecided: decidirlocal: tapestapas: tapesbar: barfamous: famós

During their very first meeting, musicians Lamiae Naki and Nat Hulskamp wrote their first song together and decided to get married. The resulting project was Seffarine, an eclectic ensemble that blends traditional Andalusian and Moroccan music with jazz and other contemporary influences. The band is based in Portland, but has performed and recorded throughout Europe, Africa and North America. Their most recent residency was in Morocco, just days after the devastating earthquake that leveled several remote villages in the Atlas Mountains. Naki and Hulskamp join us for an in-studio performance and a conversation about their wide-ranging influences, their travels and the band’s upcoming show at the Alberta Rose Theatre, which will benefit earthquake relief efforts in Morocco.

Click here for the show notes:Today, we venture to Andalusia, Spain, to explore the Holistic Hotel Rancho Los Lobos. Co-owned by Barbara, Amy, and Carl, this hidden gem is nestled in the serene Andalusian landscapes. Beyond its tranquil ambiance, we'll uncover the region's natural wonders, embrace Carl's delicious vegetarian and vegan creations, and delve into holistic living. With limited Wi-Fi access and spiritual activities, guests can disconnect from the digital world. We'll also share heartwarming stories of the hotel's care for rescue puppies and their efforts to aid an injured stork. Join us in discovering this captivating world where natural beauty, compassionate cuisine, and enriching experiences converge.Check out our website | Check out all the podcast show notes | Follow us on Instagram

Hello Rank Squad!With the wheels on Europe's top five leagues squealing to a halt as we hit the second international break of the season, we thought it would be an interesting time to sit back and reflect on what's gone on so far this year, and which players have stood out. So, we've taken a look through the Premier League, Serie A, La Liga, Bundesliga and Ligue 1, to pick out the best player so far in each competition, and then stack them against each other to decide Europe's best so far - with a little help from our brilliant Ranks Community. There's a Things We Love, where Dean discusses the competitiveness of the Premier League this season, and Jack talks about two young Andalusian starlets in Bryan Zaragoza of Granada, and Assane Diao of Real Betis; before Hot Takes brings us some thoughts on Federico Valverde, and the future of Lamine Yamal. It's Ranks!Our Patreon community get two extra episodes a week, access to our brilliant Discord server, and loads more from us here at Ranks FC. Free trials are open, so why not give it a whirl?

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Episode 209 of the Moonshots Podcast, the Wisdom series continues with a deep dive into the modern masterpiece, "The Alchemist" by Paulo Coelho. The hosts explore classic Moonshots themes such as purpose, goals, overcoming fear, resilience, and more, drawing inspiration from the book that has captivated millions of readers worldwide and transformed lives across generations.Buy The Book on Amazon https://geni.us/TheAlchemistPCGet the summary via Blinkist https://blinkist.o6eiov.net/baG3GMBecome a Moonshot Member https://www.patreon.com/MoonshotsWatch this episode on YouTube https://youtu.be/k_fp7WHfBN8?si=wvK7GH1q93FDfZfK"The Alchemist" is a magical and mystical tale of self-discovery that weaves wisdom and wonder into its narrative. It follows the journey of Santiago, an Andalusian shepherd boy who yearns to embark on a quest for a worldly treasure. Little does he know that his adventure will lead him to riches far beyond what he ever imagined. Santiago's story imparts essential wisdom, emphasizing the importance of listening to one's heart, recognizing opportunities, interpreting life's omens, and pursuing one's dreams.**Runsheet:**The episode starts with an intriguing insight into Paulo Coelho's journey to becoming a writer as he shares his aspirations with Oprah, setting the stage for exploring dreams and purpose. The hosts encourage listeners not to be mere part-time dreamers but to embrace their ambitions and passions fully.**FOCUS & EGO**Conscious Originals offers two invaluable tips on remaining authentic to one's true self, steering clear of the pitfalls of ego. They delve into the concept of living one's legend, highlighting its significance in "The Alchemist."**RULES FOR SUCCESS**The episode introduces a significant idea from the book through the insights of Four Minute Books. They reveal a powerful strategy for reaching one's goals and discuss conquering fear, drawing from the wisdom of "The Alchemist." The episode concludes this segment by emphasizing the importance of rising above setbacks and challenges on the path to success.**OUTRO**Paulo Coelho returns to reflect on the paralyzing effects of legacy and success, reminding listeners to find their legend and purpose in life. The episode wraps up with a thought-provoking message that resonates with the timeless wisdom of "The Alchemist."Join the Moonshots Podcast hosts as they journey through the pages of "The Alchemist" to uncover its profound insights on purpose, dreams, and the pursuit of an extraordinary life. This episode promises to inspire and empower listeners to embark on their quests for greatness and self-discovery.Buy The Book on Amazon https://geni.us/TheAlchemistPCGet the summary via Blinkist https://blinkist.o6eiov.net/baG3GMBecome a Moonshot Member https://www.patreon.com/MoonshotsWatch this episode on YouTube https://youtu.be/k_fp7WHfBN8?si=wvK7GH1q93FDfZfK Thanks to our monthly supporters Fred Fox Austin Hammatt Catie Ivey Zachary Phillips Vanessa Dian Antonio Candia Dan Effland Mike Leigh Cooper Daniela Wedemeier Bertram O. Gayla Schiff Corey LaMonica Smitty Laura KE Denise findlay Krzysztof Wade Mackintosh Diana Bastianelli James Springle Nimalen Sivapalan Roar Nikolay Ytre-Eide Ana Beatrice Trinidad Roger von Holdt Jette Haswell Marco Silva venkata reddy Karthik Tsaliki Hari Birring Dirk Breitsameter Ingram Casey Ola Nicoara Talpes PJ Veldhuizen rahul grover Karen Petersburg Evert van de Plassche Ravi Govender Andrew Hyde Daniel Alcaraz Craig Lindsay Steve Woollard Lasse Brurok Deborah Spahr Chris Way Eric Reinders Andrei Ciobotar Barbara Samoela Christian Jo Hatchard Kalman Cseh Berg De Bleecker Paul Acquaah MrBonjour Sid Liza Goetz Rodrigo Aliseda Konnor Ah kuoi Marjan Modara Dietmar Baur Ken Ennis Bob Nolley ★ Support this podcast on Patreon ★

Early on in this conversation there's a dead patch. The mic didn't pick up the glorious seagull call that comes reverberating down the chimney into the room John Banville and I were sitting in.    John Banville is an Irish novelist, short-story writer, and screenwriter who hates his own work. He's won a ton of prizes ("hundreds") including the Booker in 2005 for The Sea. He's currently waiting on the Nobel. John published his first novel, Nightspawn, in 1971, and his first book, a collection of short-stories called Long Lankin, in 1970. In addition to the "literary" work he's also written a string of popular crime novels.  We met at his home in Howth; Howth, as you'll know, is located near that meadow in Ulysses where James Joyce has Molly Bloom saying: "…the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountains yes so we are flowers all a woman's body yes that was one true thing he said in his life and the sun shines for you today yes…" "…I was a Flower of the mountains yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him and yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will yes." John mentions what a curse it is to have Joyce, and Yeats (who, as you'll also know, wooed Maude Gonne on Howth Head), et al, writing like this, constantly looming in the rearview mirror; I follow on with the regular drill, asking John: what he does, how he does it, why he does it, and why it matters.            

The World Sacred Music festival in Fes, Morocco fully delivers on its promise of bringing together profound, spiritual music from around the globe. In one edition of the Festival, Youssou N'Dour debuted his Egypt project, backed by an orchestra from Cairo; whirling dervishes from Turkey and qawwali singers Meher Ali and Sheher Ali from Pakistan revealed contrasting faces of Sufi music and dance; the Orchestra of Fes showcased Andalusian and Jewish traditions and the art of Arab maqam; and Sufi Nights showcased many varieties of Morocco's rich, Islamic folklore. This program brings you all that and more, including a behind-the-scenes glimpse of spiritual life in the medieval city of Fes. APWW #447

Yamin Levy's The Mysticism of Andalusia: Exploring HaRambam's Mystical Tradition (MHC Press, 2023) is a groundbreaking book that delves into the mystical tradition of Andalusia and specifically of Maimonides. Unlike Kabalah and the European mystical traditions, Andalusian mysticism is rooted in clear Halakhic and philosophical principles devoid of superstition and magic. This book examines Maimonides works which serve as a guide for those interested in pursuing mystical union with G-d. Topics such as prophecy, love and awe of G-d, silent meditation, the role of prophets, and the spiritual aspects of Jewish rituals are all explored in this book. The Mysticism of Andalusia offers a refreshing perspective and path forward for all who desire deep spiritual fulfillment without the rejection of the mind and self. Ohad Fedida lives in Miami and is a psychology research and clinical assistant. He is pursuing a graduate degree in psychology, and is involved in a wide array of initiatives and studies from legal philosophy, Jewish programming, and psychology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Yamin Levy's The Mysticism of Andalusia: Exploring HaRambam's Mystical Tradition (MHC Press, 2023) is a groundbreaking book that delves into the mystical tradition of Andalusia and specifically of Maimonides. Unlike Kabalah and the European mystical traditions, Andalusian mysticism is rooted in clear Halakhic and philosophical principles devoid of superstition and magic. This book examines Maimonides works which serve as a guide for those interested in pursuing mystical union with G-d. Topics such as prophecy, love and awe of G-d, silent meditation, the role of prophets, and the spiritual aspects of Jewish rituals are all explored in this book. The Mysticism of Andalusia offers a refreshing perspective and path forward for all who desire deep spiritual fulfillment without the rejection of the mind and self. Ohad Fedida lives in Miami and is a psychology research and clinical assistant. He is pursuing a graduate degree in psychology, and is involved in a wide array of initiatives and studies from legal philosophy, Jewish programming, and psychology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In this episode, we delve into the diverse world of Islamic mysticism beyond just Sufism. Join us as we explore the various types of mysticism that have existed throughout the history of Islam. Discover the differences and similarities between them, and gain a deeper understanding of this fascinating aspect of Islamic spirituality.Support Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://www.paypal.com/paypalme/letstalkreligion Sources/Further Reading:Casewit, Yousef (2017). "The Mystics of al-Andalus: Ibn Barrajan and Islamic Thought in the Twelfth Century". Cambridge University Press.Casewit, Yousef (2020). "Shushtarī's Treatise on the Limits of Theology and Sufism: Discursive Knowledge (ʿilm), Direct Recognition (maʿrifa), and Mystical Realization (taḥqīq) in al-Risāla al-Quṣāriyya". Article. Divinity School, The University of Chicago.Casewit, Yousef (2020). "The Treatise on the Ascension (al-Risālaal-miʿrājiyya): Cosmology and Time in the Writings of Abū l-Ḥasan al-Shushtarī (d. 668/1269)". In "Light upon Light: Essays in Islamic Thought and History in Honor of Gerhard Bowering". Edited by Jamal J. Elias & Bilal Orfali. Brill.Cornell, Vincent J. (Tranlated by) (1996). "The Way of Abu Madyan: The Works of Abu Madyan Shu'ayb". The Islamic Text Society.Cornell, Vincent J. (1998). "Realm of the Saint: Power and Authority in Moroccan Sufism". University of Texas Press.Ebstein, Michael (2014). "Mysticism and Philosophy in al-Andalus: Ibn Masarra, Ibn al-Arabi and the Isma'ili Tradition". Brill.Fierro, Maribel (2005). "Proto-Malikis, Malikis, and reformed Malikis in al-Andalus". In "The Islamic School of Law: Evolution, Devolution, and Progress". Edited by Peri Bearman, Rudolph Peters & Frank E. Vogel. Harvard University Press.Karamustafa, Ahmet T. (2007). "Sufism - the formative period". Edinburgh University Press.Knysh, Alexander (2000). "Islamic Mysticism: A Short History". Brill.Stroumsa, Sarah & Sara Sviri (2009). "The Beginnings of Mystical Philosophy in al-Andalus: Ibn Masarra and his Epistle on Contemplation". JSAI 36. The Hebrew University of Jerusalem.Wymann-Landgraf, Umar F. Abd-Allah (2013). "Malik and Medina: Islamic Legal Reasoning in the Formative Period". Brill.#sufism #mysticism #andalucia Hosted on Acast. See acast.com/privacy for more information.

Stay updated: WhatsApp: https://chat.whatsapp.com/LAurH2Lw3y92gF31PhzN42We are an online and global Bet Midrash with international students, striving to know God by embracing the world through the lens of Torah. Web: www.TheHabura.com Instagram: @TheHabura Facebook: The Habura A project of the Senior Rabbi's Office (www.seniorrabbi.com), S&P Sephardi Community of the UK, Montefiore Endowment, and Dangoor Education.#torah #talmud #yeshiva #betmidrash #sephardi #sepharadi #sephardic #sefardi #sefardic #rambam Hosted on Acast. See acast.com/privacy for more information.

In this week's regular episode, Daniel Friebe and Lionel Birnie are joined by former Team Sky and Katusha ace turned gravel-racing maestro Ian Boswell.  After our usual round-up of the week's news, it's time to reflect on Tadej Pogačar's 2023 racing début at the Clásica Jaén Paraíso Interior - and his scintillating victory on the white roads of what has already established itself as Spain's answer to Strade Bianche.  The Pogcineration on the Andalusian farm tracks is also our cue to quiz Ian about what's in store for him and the gravel scene generally in 2023. Then, in the last part of the episode, we hear from EF Education First - Easypost's Esteban Chaves about his recent victory in the Colombian national road race championship and what made it so poignant.  The Cycling Podcast is supported by Supersapiens and Science in Sport. The 11.01 Cappuccino Our regular email newsletter is now on Substack. Subscribe here for frothy, full-fat updates to enjoy any time (as long as it's after 11am). Supersapiens Supersapiens is a continuous glucose monitoring system that helps you make the right fuelling choices. See supersapiens.com Science in Sport The Cycling Podcast has been supported since 2016 by Science In Sport. World leading experts in endurance nutrition. Go to scienceinsport.com to see the whole range. Better Help Visit betterhelp.com/cycle to get 10% off your first month of convenient and affordable therapy. MAAP The Cycling Podcast x MAAP collection is available now. Go to maap.cc to see the full MAAP range. D Vine Cellars To order The Cycling Podcast Highlights case, or any of the cases commemorating the 2022 Grand Tours visit dvinecellars.com Friends of the Podcast Sign up as a Friend of the Podcast at thecyclingpodcast.com to listen to more than 60 exclusive episodes. The Cycling Podcast is on Strava The Cycling Podcast was founded in 2013 by Richard Moore, Daniel Friebe and Lionel Birnie.

In this episode, we get all dreamy-eyed about everything that makes Spain a fantastic place to visit. We get curious about a unique but frequently overlooked statue on the streets of Madrid and nerd out on Spain's distinctive languages (and cuisine and art). Then we recommend great books that took us there on the page: When I Sing, Mountains Dance by Irene Solà Grape, Olive, Pig: Deep Travels Through Spain's Food Culture by Matt Goulding The Seville Communion by Arturo Pérez-Reverte The Ladies-in-Waiting by Santiago Garcia & Javier Olivares The Shadow of the Wind by Carlos Ruiz Zafón Spain is a loving assault on all your senses. It's big, it's bold, it's colorful — and yet. It's also intimately beautiful and ripe for quiet, perfect moments. Snuggled onto the Iberian Peninsula with Portugal, Spain is not just one thing. It's the imposing Pyrenees in the north and the sunny, lazy beaches of the coasts. It's the spiky Gothic architecture of Barcelona and the intricate design of a Moorish cathedral in Córdoba. The classics hung on the walls of the Prado in Madrid and the playfulness of Dalí's home in sun-dappled Cadaqués. You can marvel at Gaudi's nature-inspired architecture in La Sagrada Familia or sit peacefully in a sun-dappled square in Seville. A little exploration yields big surprises and rewards.  But wherever you go, there are a few things on which you can rely: an enthusiasm for the good life, friendly people, and ridiculously delicious things to eat and drink. There's seafood fresh from the coastal waters and patatas bravas, crisp and hot from the fryer. Perhaps you'll start your day with a rich cup of hot chocolate (hello, churros!) or dig into a potato-and-egg tortilla any time. You can sip spicy-sweet vermouth in a bar with friends and get romantic over a smooth glass of Andalusian wine. Or raise of glass of cava — and stamp your feet with flamenco rhythms — in celebration of simply being alive. For more on the books we recommend, plus the other cool stuff we talk about, visit show notes at http://strongsenseofplace.com/podcasts/2023-02-06-spain Transcript: http://strongsenseofplace.com/transcriptions/45_spain_transcript Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace Learn more about your ad choices. Visit megaphone.fm/adchoices