Podcast appearances and mentions of valentina lisitsa

Une émission de Muda, Pedro Dos Dos, Julien Préfecture & Brice De Luguonnet. Avec: Karel Kryl, La Zizanie, Valentina Lisitsa, Les Quatre Barbus, Bernard Dimey, Boris Vian, Alain Goraguer, Boby Lapointe, Archet Cassé, Cesaria Evora, Mayra Andrade, Baden Powell, Vinicius... Continue Reading →

Carrièredrift, uitbuiting, ijdelheid: niks menselijks is de klassieke muziek vreemd. Platenlabels gooien jonge musici op de markt, via Instagram boetseert menigeen aan zijn imago. Hoog tijd dat Joris en Guido stilstaan bij marketing en hype. Wie voelde zich verantwoordelijk voor Janine Jansen? En is Lorenzo Viotti de ophef waard? Speellijst * Andrew Lloyd Webber, Pie Jesu, Charlotte Church (sopraan), Orchestra of the Welsh National Opera o.l.v. Sian Edwards * Sergej Rachmaninov, Prelude op. 23 nr. 5, Valentina Lisitsa (piano) * Jean Sibelius, Allegretto uit Vioolconcert, Janine Jansen (viool), Oslo Philharmonic Orchestra o.l.v. Klaus Mäkelä * Maurice Ravel, Pianoconcert voor de linkerhand, Bertrand Chamayou (piano), Nederlands Philharmonisch Orkest o.l.v. Lorenzo Viotti * Frédéric Chopin, Etude  op. 10 nr. 12, Yunchan Lim (piano)

SynopsisIn essence, the music of the 18th century was an international, cosmopolitan language. But just as “nationalism” in language, culture and politics came to the fore in the 19th century, so did the radical new idea that each nation should develop its own, distinct, “national” style of music.On today's date in 1840, a dramatic manifestation of this new trend occurred in the city of Pest. Hungarian-born piano virtuoso and composer Franz Liszt returned in triumph to his native land for a gala concert at the Hungarian National Theatre. After the performance, several Hungarian aristocrats, decked out in lavish native costumes, presented Liszt with a bejeweled Sword of Honor and delivered speeches in Hungarian praising him as an artist and patriot. For his part, Liszt delivered an equally impassioned speech calling for Hungarian cultural and political independence. The patriotic audience went berserk with joy and began a torchlight procession of about 5,000 people through the city, with Liszt at the front.It's one of those nice, ironic touches of history, however, that Liszt, the standard bearer for Hungarian national music, didn't really speak Hungarian well — and, for the record, delivered his patriotic address in French.Music Played in Today's ProgramFranz Liszt (1811-1886) Hungarian Rhapsody No. 2; Valentina Lisitsa, piano Audiofon 72055

Not every music student or even professional musician has explored classical music, much like not necessarily every classical musician will know something about jazz or any other genre.  However, each genre has certain pieces that one should know from each genre regardless of your preference.  These are 25 of many possible choices, not necessarily "the best", but some pieces you should recognize by title and composer upon hearing. Musical examples used in this episode: 06:53 P. Tchaikovsky: "Dance of the Sugar Plum Fairy" from The Nutcracker - (Montreal Symphony; Charles Dutoit) 12:49 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Hannes Kästner, organ) 13:15 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Czech Philharmonic; Leopold Stokowski) 17:26 S Barber: Adagio for Strings (New York Philharmonic; Thomas Schipps) 19:48 Beethoven: Symphony No. 5 (Vienna Philharmonic; Carlos Klieber) mvt 1 and 4 24:03 Beethoven: Symphony No. 9 (Berlin Philharmonic; Von Karajan) mvt. 4 and 2 28:33 Brahms: Hungarian Dances 4, 5, 6 (Vienna Philharmonic; Claudio Abbado) 30:56 A Copland: "Hoe-Down" from Rodeo (St. Louis Symphony; Leonard Slatkin) 32:33 F Chopin: Grand Valse Brillante op. 18 (Valentina Lisitsa) 34:22 Debussy: Prelude to the Afternoon of a Faun (Royal Concertgebouw; Bernard Haitink) 36:01 Dvorak: Symphony No. 9 "From the New World" mvt 2 (London Philharmonic; Charles MacKerras) 38:16 Grieg: Peer Gynt and Peer Gynt suite no.1 (San Francisco Symphony; Herbert Blomstedt) 40:13 Handel: The Messiah "Hallelujah" (London Symphony; Colin Davis) 40:43 Handel: Water Music selections (English Chamber Orchestra; Raymond Leppard) 41:30 Holst: The Planets "Mars" - (Montreal Symphony; Charles Dutoit) 42:13 Liszt: Hungarian Rhapsody No. 2 (Marc-Andre Hamelin) 43:22 Mendelssohn: Overture and Wedding March from A Midsummer Night's Dream (London Symphony, Andre Previn) 45:11 Mozart: Overture to The Marriage of Figaro (Academy of St Martin in the Fields; Neville Marriner) 46:16 Mussorgsky: Pictures at an Exhibition - Promenade and Great Gate of Kiev (Berlin Philharmonic; Claudio Abbado) 48:25 Rachmaninoff: Piano Concerto No. 2 (Vladimir Ashkenazy; Moscow Symphony; Kirill Kondrashin) 49:38 Ravel: Bolero (Boston Symphony; Seiji Ozawa) 51:42 Ravel: Daphnis & Chloe (Rotterdam Philharmonic; Yannick Nézet-Séguin) 52:46 Rimsky-Korsakov: Flight of the Bumblebee (Berlin Philharmonic; Zubin Mehta) 53:08 Rimsky-Korsakov: Scheherezade mvt IV and III (London Symphony; Charles MacKerras) 55:06 Schubert: Ave Maria (Barbara Booney) 55:31 R Strauss: Also Sprach Zarathustra (Chicago Symphony; Fritz Reiner) 57:15 Stravinsky: Rite of Spring (from Part 1) (New York Philharmonic; Leonard Bernstein) 58:21 Tchaikovsky: Russian Dance, Arabian Dance, Dance of the Reed Flutes from The Nutcracker (Montreal Symphony; Dutoit)   Do you have a different recording of these pieces that you'd recommend?  Let me know by telling me directly at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact  The blog post that goes with this episode can be found here: https://www.davidlanemusic.com/post/25-essential-classical-pieces-to-know You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

Vitaliy Katsenelson joins Devin Patrick Hughes on One Symphony. He was born in Murmansk, USSR, and immigrated to the United States with his family in 1991. Vitaliy became CEO of Investment Management Associates in 2012 and has written two books on investing and for publications including Financial Times, Barron's, Institutional Investor and Foreign Policy. Vitaliy's articles can also be found at ContrarianEdge.com and on the Intellectual Investor Podcast.   Soul in the Game is a book of inspiring stories and hard-won lessons on how to live a meaningful life.  Drawing from the lives of classical composers, ancient Stoics, and contemporary thinkers, Katsenelson weaves together a tapestry of practical wisdom that has helped him overcome his greatest challenges: in work, family, identity, health – and in dealing with success, failure, and more.   Part autobiography, part philosophy, part creativity manual, Soul in the Game is a unique and vulnerable exploration of what works, and what doesn't, in the attempt to shape a fulfilling and happy life.   Thank you for joining us for on One Symphony.  Thanks to Vitaliy Katsenelson for sharing his wealth of knowledge, you can check out Soul in the Game where you get your books and myfavoriteclassical.com. Thank you to all amazing performers featured on today's show: Valentina Lisitsa, Michael Francis and the London Symphony, Roger Norrington and the London Classical Players, Valery Gergiev and the Vienna Philharmonic, Yevgeny Mravinsky and the Leningrad Philharmonic, Leonard Bernstein and the New York Philharmonic, Lang Lang, Daniel Barenboim and the Chicago Symphony, Bernd Glemser, Antoni Wit, and the Polish National Radio Symphony.   You can learn more about Vitaliy at https://contrarianedge.com/. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Valentina Lisitsa, 'codardia cedere alla folla anonima'

The holidays are a great time to catch up on all our favorite movies, and many of these films wouldn't enjoy the popularity they do without their amazing soundtracks! Today on One Symphony, we want to share with you some of our Holiday Film Score favorites! Join conductor Devin Patrick Hughes as he explores some classical films scores including Have Yourself a Merry Little Christmas from Meet Me in St. Louis, Gremlins by Jerry Goldsmith, Home Alone by John Williams, and Danny Elfman's Nightmare Before Christmas. Along the way we explore how these mammoth scores were influences by composers and works like Aaron Copland, Hector Berlioz, Tchaikovsky, Kurt Weill, Erich Wolfgang Korngold, Franz Schubert, and many more!  Thank you to all the amazing performers and record labels who made this episode possible including Danny Elfman, Disney, Judy Garland, UMG Recordings, the Mormon Tabernacle Choir, Geffen Records, the City of Prague Philharmonic Orchestra, Silva Screen Records, Warner Brothers, Orchestra of the Marinsky Theatre and Valery Gergiev, Universal Music, Atlanta Symphony and Louis Lane, Alessio Randon and Naxos, the Boston Symphony and Charles Munch, Valentina Lisitsa, Michael Francis and the London Symphony, Ute Lemper, Jeff Cohen and the RIAS Sinfonietta Berlin, with John Mauceri on Decca, Everest Records, Katherine O'Hara, Dietrich Fischer-Dieskau, Daniel Barenboim, and Mel Torme. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support to the podcast. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

The king welcomes Stephen N. Limbaugh III, a fellow Lincoln Fellow and a composer and concert pianist. Limbaugh's compositions have been recorded by the Russian Philharmonic Orchestra and Valentina Lisitsa. His debut album, Pants, was the top-selling album of contemporary concert music on the Billboard Classical charts in 2014. As a solo pianist, his engagements include the Golden Globes, Emmys, the White House, and the Nashville Scoring Orchestra. Limbaugh parlayed his success as a performer and composer into writing the musical scores for films, the latest of which was directed by Amanda Milius. Stephen is the son of federal judge Stephen N. Limbaugh Jr. of the 8th Circuit Eastern District, and cousin of the late talk radio host Rush Limbaugh. On Thursday, September 22, Jon is visiting Columbus, OH, to moderate a discussion on School Choice. Hosted by America's Future, a nationwide network of liberty-minded young professionals, the talk will be a live King of Stuff podcast recording appearing here next week. Find all the details here! Learn more about your ad choices. Visit megaphone.fm/adchoices

The king welcomes Stephen N. Limbaugh III, a fellow Lincoln Fellow and a composer and concert pianist. Limbaugh's compositions have been recorded by the Russian Philharmonic Orchestra and Valentina Lisitsa. His debut album, Pants, was the top-selling album of contemporary concert music on the Billboard Classical charts in 2014. As a solo pianist, his engagements include the Golden Globes, Emmys... Source

The king welcomes Stephen N. Limbaugh III, a fellow Lincoln Fellow and a composer and concert pianist. Limbaugh’s compositions have been recorded by the Russian Philharmonic Orchestra and Valentina Lisitsa. His debut album, Pants, was the top-selling album of contemporary concert music on the Billboard Classical charts in 2014. As a solo pianist, his engagements include the Golden Globes, Emmys... Source

The king welcomes Stephen N. Limbaugh III, a fellow Lincoln Fellow and a composer and concert pianist. Limbaugh's compositions have been recorded by the Russian Philharmonic Orchestra and Valentina Lisitsa. His debut album, Pants, was the top-selling album of contemporary concert music on the Billboard Classical charts in 2014. As a solo pianist, his engagements […]

"Spiele Chopin nie so, als würde er gerade an Tuberkulose sterben!" Diesen Rat aus dem Studium beherzigt die ukrainische Pianistin Valentina Lisitsa auf ihrer neuen CD mit dem simplen Titel: Chopin. Lebensfroh, flott und lustig, nie vom Ende her gedacht: Das ist ihr Chopin-Rezept. Christine Lemke-Matwey hat sich die neue Einspielung angehört.

The holidays are a great time to catch up on all our favorite movies, and many of these films wouldn't enjoy the popularity they do without their amazing soundtracks! Today on One Symphony, I wanted to share with you some of my Holiday Film Score favorites!  I'd like to thank our new sponsors including Kevin, Kim, Dana, Dennis, and Sound Espressivo Online Global Music Competition for their support to make One Symphony possible. Join conductor Devin Patrick Hughes as he explores some classical films scores including Have Yourself a Merry Little Christmas from Meet Me in St. Louis, Gremlins by Jerry Goldsmith, Home Alone by John Williams, and Danny Elfman's Nightmare Before Christmas. Along the way we explore how these mammoth scores were influences by composers and works like Aaron Copland, Hector Berlioz, Tchaikovsky, Kurt Weill, Erich Wolfgang Korngold, Franz Schubert, and many more!  Thank you for listening, I hope your holidays are filled with love, joy, and a bit of entertainment from some of these great films and soundtracks.  Thank you to all the amazing performers and record labels who made this episode possible including Danny Elfman, Disney, Judy Garland, UMG Recordings, the Mormon Tabernacle Choir, Geffen Records, the City of Prague Philharmonic Orchestra, Silva Screen Records, Warner Brothers, Orchestra of the Marinsky Theatre and Valery Gergiev, Universal Music, Atlanta Symphony and Louis Lane, Alessio Randon and Naxos, the Boston Symphony and Charles Munch, Valentina Lisitsa, Michael Francis and the London Symphony, Ute Lemper, Jeff Cohen and the RIAS Sinfonietta Berlin, with John Mauceri on Decca, Everest Records, Katherine O'Hara, Dietrich Fischer-Dieskau, Daniel Barenboim, and Mel Torme. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support to the podcast. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Capta l'ess

Elias and I talk about a few of the great performing pianists. Part 2 we discuss modern and currently performing pianists. https://www.eapettersson.com/ Here is a list of pianists we discuss and think you should listen to: Alfred Brendel (b. 1931) Vladimir Ashkenazy (b. 1937) Martha Argerich (b. 1941) Maurizio Pollini (b. 1942) Nelson Freire (b. 1944) Ursula Oppens (b. 1944) Maria João Pires (b. 1944) Radu Lupu (b. 1945) Murray Perahia (b. 1947) Mitsuko Uchida (b. 1948) *Håkon Austbø (b. 1948) Grigory Sokolov (b. 1950) Santiago Rodriguez (b. 1952) András Schiff (b. 1953) Krystian Zimerman (b. 1956) *Dang Thai Son (b. 1958) Yefim Bronfman (b. 1958) *Sara Davis Beuchner (b. 1959) *Stephen Prutsman (b. 1960) *Paul Stewart (b. 1960) *Sergei Babayan (b. 1961) Casadesus (1st), Hamamatsu (1st), Scottish (1st), Busoni (3rd), Honens (4th) Stephen Hough (b. 1961) Jean-Yves Thibaudet (b. 1961) *Frederic Chiu (b. 1964) *Pavel Nersessian (b. 1964) *Alexander Korsantia (b. 1965) Sydney (1st) Rubinstein (1st) Leif Ove Andsnes (b. 1970) *Stanislav Ioudenitch (b. 1971) Evgeny Kissin (b. 1971) Arcadi Volodos (b. 1972) Nikolai Lugansky (b. 1972) Simone Dinnerstein (b. 1972) Valentina Lisitsa (b. 1973) *Antonio Pompa-Baldi (b. 1974) Long-Thibaud (3rd), Cleveland (1st), Cliburn (2nd) Ning An (b. 1976) *Roberto Plano (b. 1978) American Prize, Cleveland (1st), Cliburn (finalist) *Andrius Žlabys (b. 1978) “There is no better time to do the best work of your life than right now” Spencer Myer (b. 1978/9) Sa Chen (b. 1979) Alexander Kobrin (b. 1980) Alexandre Moutouzkine (b. 1980) Yundi Li (b. 1982) Lang Lang (b. 1982) *Boris Giltburg (b. 1984) (Beethoven Sonatas) Santander (2nd=1st), Queen Elisabeth (1st), Rubinstein (2nd) Evgheny Bozhanov (b. 1984) Cliburn (finalist), Queen Elisabeth (2nd), Chopin (4th-refused) Ingolf Wunder (b. 1985) *Rafał Blechacz (b. 1985) Chopin (1st) *Yeol Eum Son (b. 1986) Tchaikovsky (2nd) Vadym Kholodenko (b. 1986) *Vitaly Pisarenko (b. 1987) Liszt (1st), Leeds (3rd) Adam Golka (b. 1987) Yuja Wang (b. 1987) *Sean Chen (b. 1988) American Prize, Cliburn (3rd) *Yekwon Sunwoo (b. 1989) Sendai (1st), Cliburn (1st) *Charles-Richard Hamelin (b. 1989) Seoul (3rd), Montréal (2nd), Chopin (2nd) *Haochen Zhang (b. 1990) China Piano Competition (1st) Avery Fisher Grant, Cliburn (1st) *Claire Huangci (b. 1990) ARD Munich (2nd), Geza Anda (1st) *Lukas Geniušas (b. 1990) Bachauer (1st), Scottish (2nd), Chopin (2nd), Tchaikovsky (2nd) *Daniil Trifonov (b. 1991) Chopin (3rd), Rubinstein (1st), Tchaikovsky (1st) (also composer) *Kenny Broberg (b. 1993) Cliburn (2nd), Tchaikovsky (3rd), American Prize *Beatrice Rana (b. 1993) Montréal (1st), Cliburn (2nd) *Seong-Jin Cho (b. 1994) Hamamatsu (1st), Tchaikovsky (3rd), Rubinstein (3rd), Chopin (1st), DAEWON Music Awards *Kate Liu (b. 1994) NY International (1st), Hilton Head (6th), Montréal (finalist), Chopin (3rd) *Do-Hyun Kim (b. 1994) Gilmore Fellow, Vendome (2nd), Young Concert Artist Auditions (1st) Drew Peterson (b. 1994) American Prize, Avery Fisher Grant,  *Syzmon Nehring (b. 1995) Rubinstein (1st) *Eric Lu (b. 1997) Minnesota E-Comp. (1st), Chopin (4th), German Piano Award (1st), Leeds (1st) Tony Yike Yang (b. 1998) Chopin (5th-age of 16!) *Alexander Malofeev (b. 2001) China (1st), winner of youth competitions…career exploded (a la Kissin)

La storia di Beatrice ci ha incuriosite, innanzitutto perché ci dava l'opportunità di scoprire un nuovo settore: quello della musica classica, ma anche perché Beatrice è tra i più giovani direttori d'orchestra italiani e una delle poche professioniste femminili. Quello che trasparira dalla nostra intervista è che questo suo essere giovane l'ha portata a vedere la sua professione, e il mondo della musica classica, in una chiave diversa. Beatrice ha chiaramente una mentalità imprenditoriale sviluppata e l'ha usata per crescere nel suo percorso usando strategie di marketing intorno al suo personaggio che, unite al suo talento, l'hanno portata a collaborare con artisti di fama mondiale come Bruno Canino, Stefan Milenkovich, Valentina Lisitsa, Carla Fracci, Andrea Bocelli e con orchestre di fama mondiale come l'Orchestra del Teatro La Fenice, l'Orchestra del Maggio Musicale Fiorentino e la New Japan Philharmonic. È una delle poche donne a dirigere orchestre di livello internazionale: dal Giappone alla Bielorussia, dal Portogallo al Libano, dal Canada all'Argentina, dagli Stati Uniti all'Armenia.Nel 2017 è stata insignita della storica e prestigiosa Scala d'Oro, il Corriere della Sera l'ha inserita nella lista delle 100 donne dell'anno 2016 e in quella delle 50 donne dell'anno 2017, e nel 2018 Forbes Italia l'ha inserita la lista dei 100 giovani leader del futuro under 30.Ha anche inciso vari dischi, l'ultimo che uscirà a breve, e quest'anno molti di noi l'hanno vista sul palco dell'Ariston di Sanremo. Un suo grande sogno ed obiettivo è quello di avvicinare i giovani al mondo della musica classica. --Questo episodio è stato sponsorizzato da Young Platform, una piattaforma innovativa che permette a tutti di formarsi e poi semplicemente iniziare a comprare e vendere criptovalute in modo facile e sicuro. L'app è pensata e realizzata per chiunque voglia iniziare un percorso nel mercato crypto ma non sa da dove iniziare, quindi semplicissima e immediata nell'utilizzo.La notizia bomba è che otterrete 10€ di bonus sull'app già alla registrazione usando il link che abbiamo incluso nei dettagli della puntata o usando il codice MADEIT durante l'iscrizione. Praticamente Young vi consentirà di avere subito un budget con cui partire per acquistare criptovalute. Per attivare il bonus, dovrete iscrivervi alla piattaforma e fare la verifica dell'identità e poi fare un deposito minimo di 50€. Inoltre, all'interno dell'app potete guadagnare 5€ per ogni amico che invitate!https://youngexchange.page.link/Dw1j--Seguiteci suInstagram: https://www.instagram.com/madeit.podcast/LinkedIn: https://www.linkedin.com/company/madeitpodcast/?viewAsMember=true

durée : 00:58:25 - Le jeu unique de Valentina Lisitsa - par : Aurélie Moreau - Passé d'Ukraine vers la Caroline du Nord, Valentina Lisitsa est bien plus qu'un phénomène pianistique, elle qui a acquis sa popularité grâce à un réseau social : YouTube. - réalisé par : Benjamin Morando

Un día como hoy, 11 de diciembre: 1803, nace Hector Berlioz. 1854, nace Ernesto Elorduy. 1890 o 1887, nace Carlos Gardel. 1908, nace Elliott Carter. 1916, nace Dámaso Pérez Prado. 1963, nace Jon Brion. 1973, nace Valentina Lisitsa. Una producción de Sala Prisma Podcast. 2020

In this episode of Classics Unlocked, Graham Abbott looks at the solo piano music of Pyotr Ilich Tchaikovsky. Best known for his dramatic symphonies, ballets and concertos, Tchaikovsky wrote a plethora of smaller works which rarely see the light of day. Thanks to a recording project from Decca pianist Valentina Lisitsa, Graham shines the torch on the many beautiful pieces the Russian master composed for the solo piano.TCHAIKOVSKY: THE COMPLETE SOLO PIANO WORKSValentina Lisitsa, pianoDecca ClassicsLISTEN: https://uma.lnk.to/cJp46ZYOWE See acast.com/privacy for privacy and opt-out information.

Pianist Valentina Lisitsa esitab küllusliku valiku ikoonilisi klaveriteemasid võrratust kino kuldajastust.

Pianist Valentina Lisitsa esitab küllusliku valiku ikoonilisi klaveriteemasid võrratust kino kuldajastust.

With Dr Patricia Alvarado, we discuss her travels across central Europe, and why that ties back to her childhood as a classical pianist, as well as other bittersweet forks in the road that forever haunt artists. Credits to Valentina LIsitsa for Air in G www.youtube.com/watch?v=vNkIj_BhHvY as well as to Shia Labeouf for "Just Do It". All other music composed by Ryan Madrid.

En aquesta edició comencem musicals amb #CloudFifteen de Nuria Graham i la Sonata no. 17 de Beethoven, #LaTempesta (aquí interpretada per Valentina Lisitsa), que sona a "L'Empestat" de Jordi Oriol, de la ma del pianista, músic i professor Carles Pedragosa, que interpreta aquesta delicada peça acompanyant a Jordi Oriol en el text. Hem continuat parlant sobre "Vaig ser Prósper o recordant la Tempesta" de Projecte Ingenu a La Seca Espai Brossa, "Gossos de neu" de Paradiso 99 a l'#Àtic22 del Teatre Tantarantana i "Hàbitat (Doble Penetració)", obra col.lectiva dirigida per Roger Torns, que podeu veure a Sala Àtrium. Després hem entrevistat Josefina Llargués per parlar sobre el seu llibre "Sopas Detox", editat a Comanegra, amb delicioses receptes per cuinar i prendre durant tot l'any. I finalment, hem fet un recorregut per la programació del Zumzeig Cinema, tot donant protagonisme a la pel·lícula libanesa "Alma mater" de Philippe Van Leeuw.

En aquesta edició comencem musicals amb #CloudFifteen de Nuria Graham i la Sonata no. 17 de Beethoven, #LaTempesta (aquí interpretada per Valentina Lisitsa), que sona a "L'Empestat" de Jordi Oriol, de la ma del pianista, músic i professor Carles Pedragosa, que interpreta aquesta delicada peça acompanyant a Jordi Oriol en el text. Hem continuat parlant sobre "Vaig ser Prósper o recordant la Tempesta" de Projecte Ingenu a La Seca Espai Brossa, "Gossos de neu" de Paradiso 99 a l'#Àtic22 del Teatre Tantarantana i "Hàbitat (Doble Penetració)", obra col.lectiva dirigida per Roger Torns, que podeu veure a Sala Àtrium. Després hem entrevistat Josefina Llargués per parlar sobre el seu llibre "Sopas Detox", editat a Comanegra, amb delicioses receptes per cuinar i prendre durant tot l'any. I finalment, hem fet un recorregut per la programació del Zumzeig Cinema, tot donant protagonisme a la pel·lícula libanesa "Alma mater" de Philippe Van Leeuw.

[27/13/2017] En la segunda parte del programa repasamos los titulares, las redes sociales, disfrutamos de Cosas de Músicos, y hablamos de las últimas noticias sobre Conservatorios y sobre Valentina Lisitsa. Con Mario Mora y Ana Laura Iglesias, en www.clasicafmradio.com

[27/13/2017] En la segunda parte del programa repasamos los titulares, las redes sociales, disfrutamos de Cosas de Músicos, y hablamos de las últimas noticias sobre Conservatorios y sobre Valentina Lisitsa. Con Mario Mora y Ana Laura Iglesias, en www.clasicafmradio.com

Alexander Skrjabin: Diverse Klavierwerke | Valentina Lisitsa (Klavier)

Pianist Valentina Lisitsa talks to Gramophone about the composer's music, to mark the 100th anniversary of his death and the release of Scriabin The Complete Works by Decca. A Gramophone Milestones Podcast, in association with EFG International.

The Toronto Symphony Orchestra's decision to drop its piano soloist Valentina Lisitsa this week because of her Twitter comments about Ukrainians and other ethnic groups raises a crucial point: orchestras and arts organizations find themselves walking a fine line with protecting their brand when they engage an artist with controversial views. In this episode, Washington Post classical music critic Anne Midgette argues that the Toronto Symphony handled the Lisitsa situation poorly by not presenting its case properly to the public. "The orchestra decorously cited distasteful Tweets and Lisitsa, who is a very savvy social media person, went on the warpath and said 'free speech,'" Midgette said. "Because the Toronto Symphony didn't come out and cite the Tweets they were talking about – and because Lisitsa was able to marshal opinion on her side – this has developed into a kind of cause celebre and people are jumping to conclusions based on inadequate information." Peter Himler, a P.R. strategist who advises clients on crisis management, agrees that the TSO didn't get out ahead of the story. "There is not one Tweet from them bringing up this issue," he said. "I think they should be up front and continually communicating their point of view. That's one of the rules of thumb in crisis communication." [Listen to WQXR's interview with TSO president Jeff Melanson.] Himler believes that many of Lisitsa's social media supporters may in fact be paid trolls who operate on behalf of the Russian government. "Vladimir Putin has people that go out and bolster the posts that are in his court," he noted. Both Himler and Midgette agree that artists should be free to speak their minds, but orchestras should realize that guest soloists become the temporary representative of the symphony. "Your soloist is certainly your face that week in terms of marketing," said Midgette. "You are hiring somebody as an ambassador with the assumption that your organization is aligned with what they represent." Hear our guests' examples of successful crisis management in the full segment at the top of this page, and tell us what you think in the comments below.

Toronto Symphony president Jeff Melanson tells WQXR's Conducting Business that pianist Valentina Lisitsa's politics had nothing to do with the orchestra's decision to drop her from its program this week. "The concerns raised were not about a political perspective but were about directly offensive and intolerant comments directed at other human beings," he told host Naomi Lewin. Melanson disputed Lisitsa's contention that the orchestra had made the decision in December after a donor threatened to withhold funds if she performed as scheduled. The orchestra produced a seven-page list of the Twitter commentary it found most offensive and sent it to ask if the posts were made by her, or by a proxy. "A week-and-a-half ago she confirmed that these were her words and we had to make a decision," he said. Melanson continued that "a contract provision allows us to pay an artist her fee and remove them from the program. We tried to do it in a way that was protective of the artist, in terms of not publicly discussing any of this, and of course she's chosen to turn the story into one for the Twitter-verse." Lisitsa is an ethnic Russian who was born in Ukraine. Through her active Twitter account, she has been highly critical of the Kiev government, comparing its leaders to Nazis and dog feces. In one frequently-cited Tweet, she juxtaposed a photo of contemporary Ukrainian teachers wearing traditional embroidered shirts with a photo of black costumed dancers. The pianist has not responded to multiple requests by WQXR for comment on the Tweets, but she told the CBC that the Tweets were "satirical" and "there is a great space for exaggeration and hyperbole." Melanson said the Toronto Symphony does not habitually screen artists' social media before it offers them work, nor does take a side on political matters. "We are not taking a side here between Russia and the Ukraine," he noted. The orchestra president also implied that the decision to cancel the replacement soloist, Stewart Goodyear, was made out of concern for the musicians' safety. "We could not put an orchestra, an artist and a guest artist up on stage in the context of this week's discussions," he said. For more on how Melanson said the TSO's decisions were made, and who blew the whistle, listen to the full interview at the top of this page.

Pianist Valentina Lisitsa on how a taste for classical music develops just like a taste for food and wine, her optimism for the future of classical music, and performing Prokofiev with the London Symphony Orchestra

Aus den Soundtracks zu "The Piano", "Drowning by Numbers", "The Diary of the Anne Frank", "Carrington", "The Claim" u.a. | Valentina Lisitsa (Klavier)

Today's Throwback Thursday looks at the continued strength of the vinyl revival. Tune in during the 8 am hour when Jeff Spurgeon plays a special vinyl track. The numbers are striking: CD sales declined nearly 15 percent last year. But vinyl sales moved in the opposite direction: up 32 percent from 2012, according to Nielsen SoundScan. Trendy retailers such as Urban Outfitters and Whole Foods are stocking vinyl records. Sales of turntables are up and artists like conductor Gustavo Dudamel, pianist Valentina Lisitsa and the Brooklyn Rider string quartet are releasing LPs. While the black disc never went away among purist deejays and audiophiles, it has made a broader comeback, especially among hipsters, college students and nostalgic baby boomers. “The whole idea of actually holding a piece of music in your hand has become sort of a quaint concept because you can carry thousands of songs around in your pocket," said Greg Milner, author of Perfecting Sound Forever: The Story Of Recorded Music. However, "if you are going to have a material object, it may as well be something that’s so far removed from digital formats.” Brooklyn Rider violist Nicholas Cords believes that vinyl records put a listener in a physical space, such as a living room or bedroom. For the quartet, "it connects us to a past, a heritage of string quartet playing that we very much admire. It was a symbolic connection to something we really love." When Brooklyn Rider released its 2012 album “Seven Steps” on vinyl (as well as MP3 and CD) the group invoked past greats like the Capet, Rosé, and Busch String Quartets, who first became known to the world through their pioneering 78 rpm releases in the 1930s and '40s. Cords dismisses the suggestion that LPs are a gimmick, noting that their creation can be painstaking and costly given the different mastering processes involved. What's more, a vinyl release is a way to connect with a specific fan base. Detractors argue that vinyl has plenty of drawbacks: it's not portable, it scratches, it warps and player needles wear out. But its advocates point out that, unlike MP3s, the sound of vinyl is not compressed and any surface noise actually adds warmth to the listening experience. “One of the reasons why people like vinyl is it imparts a kind of unreality to the sound,” said Milner. “People think of it as real but it actually gives you this thing that maybe you don’t hear in real life because in real life you’re not hearing things through the veil of hiss and noise.” But despite the love heaped on vinyl and its reported comeback, it barely moved the needle for the music industry in 2013. "Vinyl is only about two percent of total album sales, so when you talk about a revival you have to talk about it in the context of everything everyone is listening to,” said Claire Suddath, a writer for Bloomberg Businessweek. In October, Suddath reported that the number of LPs sold in the U.S. represented only 1.4 percent of all albums sold. While vinyl may not save a troubled industry – one that saw even download sales drop last year – Cords notes that it represents a link with tradition in an age when music formats can seem overly disposable. "I just don’t see vinyl going away," added Milner. “It’s a good format, it’s durable, it will last a long time.” Listen to the full segment above, take our poll and leave a comment: Do you listen to vinyl? If so, why? .chart_div { width: 600px; height: 300px; } loadSurvey( "vinyl-comeback", "survey_vinyl-comeback");

In einem Münchner Pianohaus treffen sich die Pianistin Valentina Lisitsa und Moderator Jan Holthaus zum Verhör. Jan weiß nicht, welche Fragen er zu stellen hat, denn die bekommt er erst vor Ort in die Hand gedrückt.

Hoogtepunten uit het seizoen 2010 - 2011: Compilatie 1 Evertjan ‘t Hart, Don Kozakkenkoor Rusland, Valentina Lisitsa, Peter Beets Quartet, Mark Padmore & Kristian Bezuidenhout, Hanggai, Deux accords diront, het Koor van Nederlandse Opera, Franz von Chossy trio, Mor Karbassi, Tatiana Koleva & Rutger van Otterloo, Konrad Konselleck Bigband met Sven [...]

- Pianiste Valentina Lisitsa wordt door critici beschreven als een “bonafide engel aan de piano” - De beste latin-drummer van Europa, Lucas van Merwijk met zijn Cubop City Big Band Valentina Lisitsa Met een paar miljoen bezoekers is de Oekraïense pianiste Valentina Lisitsa een hype op You Tube.Ze kan met recht een verschijning worden [...]

The subject of this lesson is a remarkable woman, born in the Ukraine but now a resident of the United States. Some say she has raised the bar of musical performance higher than anyone so far. Whether that is indeed true or not, let's hear a role-play between Énora and Paul as they talk about Valentina Lisitsa. We'll meet the following expressions, and more: couple le souffle, énerver, faire plaisir, mettre en valeur, jeter un coup d'oeil, être critique.