Podcast appearances and mentions of Leif Ove Andsnes

Il primo giugno Karol Nawrocki è stato eletto presidente della Polonia, in un'elezione che ha registrato una delle più alte affluenze nella storia delle presidenziali polacche. Con Lorenzo Berardi, giornalista, da Varsavia.Ad aprile il produttore di auto elettriche cinese Byd per la prima volta ha venduto in Europa più auto elettriche della concorrente statunitense Tesla, l'azienda di proprietà di Elon Musk che per molto tempo ha dominato il mercato. Con Alessandro Lubello, editor di economia di Internazionale.Oggi parliamo anche di:Corpo e mente • "Strategie per sopravvivere nell'epoca del narcisismo" di Arthur C. Brookshttps://www.internazionale.it/magazine/ayoba-faye/2025/05/29/un-incertezza-insopportabileDisco • Liszt: Via crucis e altri pezzi, Leif Ove Andsnes, Norwegian Soloists' ChoirCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Bei Passionsmusik denkt man direkt an Bach & Co. Daneben gibt es Schönes und Sonderbares zu entdecken. Wie Franz Liszts „Via Crucis“, eingespielt von Leif Ove Andsnes.

Andakterna den här veckan tar sin utgångspunkt i de fem världsreligionerna och har temat Hat. Idag med Albin Tanke, som utgår från sin kristna tro. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Att inte tycka om, att vara arg, eller uttrycka sin ilska, eller vad vi nu behöver uttrycka för att säga ifrån och sätta gränser – det är inte samma sak som hat. För hat, det är en bild av ondskan. Om jag uppfylls av hat behöver jag göra allt vad jag kan för att bryta med det, och försöka välja en annan väg i stället – kärlekens väg. Det är såklart lättare sagt än gjort många gånger, men lika viktigt för det. Att fastna i hat det kan få själen att förtvina.Hatet förblindar, stänger och förkrymper – och är orsak till så mycket av världens lidande, våld och krig. Jag tror att Gud såklart vill att jag ska kunna känna mina känslor, t. ex. ilska och vrede – de känslor som är till för att värna och upprätta – och försöka rikta dem till det goda.Jesus säger i Matteusevangeliet: Ni har hört att det blev sagt: Du skall älska din nästa och hata din fiende. Men jag säger er: älska era fiender och be för dem som förföljer er; då blir ni er himmelske faders söner. Ty han låter sin sol gå upp över onda och goda och låter det regna över rättfärdiga och orättfärdiga. TextMatt 5:43-45Musik:Prague's Ballet av Marius Neset med Marius Neset, Leif Ove Andsnes och Louisa TuckProducent:Susanna Némethliv@sverigesradio.se

durée : 01:28:49 - Leif Ove Andsnes, passionné et créatif - par : Aurélie Moreau - Leif Ove Andsnes, grand pianiste norvégien, sur ses interprétations : « J'essaie de découvrir par moi-même tous les récits qui peuvent exister, et en travaillant avec la partition, l'histoire devient de plus en plus complexe et riche ». (Resmusica).

durée : 01:27:48 - En pistes ! du jeudi 17 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le pianiste norvégien signe un disque spirituel avec deux œuvres religieuses de Liszt. Mais aussi : une intégrale des mélodies de Bizet pour célébrer les 150 ans de la mort du compositeur de Carmen, le quatuor de saxophones Kebyart réinvente la musique de Ravel et ses héritiers...

durée : 00:13:05 - Le Disque classique du jour du jeudi 17 avril 2025 - Le pianiste norvégien Leif Ove Andsnes dévoile une facette souvent oubliée de Franz Liszt. Sa musique sacrée offre une image plus intime de l'homme et de sa foi profonde.

durée : 01:27:48 - En pistes ! du jeudi 17 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le pianiste norvégien signe un disque spirituel avec deux œuvres religieuses de Liszt. Mais aussi : une intégrale des mélodies de Bizet pour célébrer les 150 ans de la mort du compositeur de Carmen, le quatuor de saxophones Kebyart réinvente la musique de Ravel et ses héritiers...

durée : 00:13:05 - Le Disque classique du jour du jeudi 17 avril 2025 - Le pianiste norvégien Leif Ove Andsnes dévoile une facette souvent oubliée de Franz Liszt. Sa musique sacrée offre une image plus intime de l'homme et de sa foi profonde.

In this episode, Gramophone's Editor Martin Cullingford talks to pianist Leif Ove Andsnes about his new recording on Sony Classical of the extraordinary work Via Crucis by Franz Liszt, the composer's deeply spiritual meditations on the Stations of the Cross, released just before the start of Holy Week.  This week's podcast is produced in association with Wigmore Hall, where performers over the coming week include two performances by the former Gramophone Artist of the Year, pianist Víkingur Ólafsson, conductor William Christie with the ensemble that he founded, Les Arts Florissants, and the Chiaroscuro Quartet. For full details of these concerts, and many more, visit https://www.wigmore-hall.org.uk

durée : 01:28:36 - Relax ! du vendredi 10 janvier 2025 - par : Lionel Esparza - La saison musicale reprend de plus belle, en région et à Paris, avec quelques grands noms qui vont nous régaler ! Leif Ove Andsnes, Vilde Frang ou Zubin Mehta, le London Symphony Orchestra ou le Wiener Philharmoniker, Barbe-Bleue ou Carmen sont au programme de vos prochains concerts - réalisé par : Antoine Courtin

durée : 01:28:36 - Relax ! du vendredi 10 janvier 2025 - par : Lionel Esparza - La saison musicale reprend de plus belle, en région et à Paris, avec quelques grands noms qui vont nous régaler ! Leif Ove Andsnes, Vilde Frang ou Zubin Mehta, le London Symphony Orchestra ou le Wiener Philharmoniker, Barbe-Bleue ou Carmen sont au programme de vos prochains concerts - réalisé par : Antoine Courtin

Als „Klaviersinfonie“ wurde Sergej Rachmaninows drittes Klavierkonzert einmal bezeichnet. Dem norwegischen Pianisten Leif Ove Andsnes sagt man nach, er habe ein „neues Rachmaninow-Feeling“ entwickelt.

durée : 01:28:49 - Leif Ove Andsnes, passionné et créatif - par : Aurélie Moreau - Leif Ove Andsnes, grand pianiste norvégien, sur ses interprétations : « J'essaie de découvrir par moi-même tous les récits qui peuvent exister, et en travaillant avec la partition, l'histoire devient de plus en plus complexe et riche ». (Resmusica).

In this episode, we discuss recordings of “An Evening in Vienna 1784” (Supraphone) by The Bennewitz Quartet, “The Estonian Cello” (Tocatta Next) by Valle-Rasmus Roots & Sten Lassmann, “Who We Are” (Simax) by Marius Neset & Leif Ove Andsnes, “Northwind” (Puzzlemusik) by Ntinos Manos, “Elements of Light” (Candid Records) by Simon Moullier, and “Auteur” (Origin) by The David Weiss Sextet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 183 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “An Evening in Vienna 1784” (Supraphone) Bennewitz Quartet https://open.spotify.com/album/6wRrFj7ZZpHFKbaMiQC93W https://music.apple.com/us/album/an-evening-in-vienna-1784-haydn-mozart-dittersdorf-vaňhal/1763423163 https://music.amazon.com/albums/B0DDHRJR1W   “The Estonian Cello” (Tocatta Next) Valle-Rasmus Roots, Sten Lassmann https://open.spotify.com/album/16Rg6CTSvKS9jJ0nNUEjDc https://music.apple.com/us/album/the-estonian-cello/1756285059 https://music.amazon.com/albums/B0D8CPBPBX   “Who We Are” (Simax) Marius Neset, Leif Ove Andsnes https://open.spotify.com/album/1YdvvxhqFIkfRsnjgj3xmN https://music.apple.com/us/album/who-we-are/1751278688 https://music.amazon.com/albums/B0D6NHX3VH   “Northwind” (Puzzlemusik) Ntinos Manos https://open.spotify.com/album/0jBcqjGs2TX5uEBJjxVcWs https://music.apple.com/us/album/northwind/1756580922 https://music.amazon.com/albums/B0D96TLBG9   “Elements of Light” (Candid Records)  Simon Moullier https://open.spotify.com/album/33qR6cvaLQDNf3QYjSJFwG https://music.apple.com/us/album/elements-of-light/1749072535 https://music.amazon.com/albums/B0D54PD2JW   “Auteur” (Origin) David Weiss Sextet https://open.spotify.com/album/2gXCoEI1M7oB2SagSp3zZg https://music.apple.com/us/album/auteur/1765217616 https://music.amazon.com/albums/B0DB8CV63Z

durée : 00:08:49 - "Who We Are" : Leif Ove Andsnes à la lisière du jazz et de Beethoven - par : Max Dozolme - Max Dozolme nous parle de Who we are, un disque étonnant qui sort aujourd'hui, album très réussi à la lisière du classique et du jazz puisqu'il réunit d'un côté le saxophoniste et compositeur Marius Neset et de l'autre un pianiste classique qu'on adore sur France Musique à savoir Leif ove Andsnes !

durée : 00:15:25 - Disques de légende du vendredi 08 décembre 2023 - Sur cet album, Leif Ove Andsnes présente la plus importante collection pour piano du grand compositeur romantique Antonín Dvorák - les Poetic Tone Pictures, injustement négligés.

durée : 02:04:29 - Musique matin du mardi 05 décembre 2023 - par : Jean-Baptiste Urbain - En plus de ses deux concerts à la Philharmonie de Paris les 6 et 7 décembre, le pianiste norvégien fait paraître, chez Warner, un coffret de 36 disques regroupant tous ses enregistrements de 1990 à 2010. Rencontre avec un musicien prolifique. - réalisé par : Yassine Bouzar

durée : 01:33:33 - Relax ! du lundi 04 décembre 2023 - par : Lionel Esparza - Alors qu'il est de passage en France pour un concert avec l'Orchestre de Paris et Klaus Mäkelä, portrait du pianiste norvégien : l'occasion d'ouvrir le coffret que Warner publie de ses enregistrements entre 1990 et 2010. En disque de légende : les Suites de Bach par Pierre Fournier

durée : 01:34:08 - Relax ! du jeudi 02 novembre 2023 - par : Lionel Esparza - Relax vous fait découvrir le sommaire du magazine Diapason du mois d'octobre.

durée : 01:28:11 - En pistes ! du lundi 23 octobre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour débuter la semaine, Emilie et Rodolphe ont choisi pour vous la musique de Grieg interprétée par Leif Ove Andsnes, mais aussi celle de Fauré avec Xavier Philipps et Cédric Tiberghien, sans oublier l'œuvre du compositeur styrien Johann Joseph Fux, "La corona d'Adrianna", par l'Ensemble Zefiro

Kate Molleson is joined by South African cellist, singer and composer Abel Selaocoe with his cello in tow, as he prepares to tour this autumn with The Bantu Ensemble. Abel talks about the "swirling cultures" from which he takes his inspiration, whether it's the different church traditions in South Africa or the music of JS Bach, and he treats us to a live improvisation. Norwegian pianist Leif Ove Andsnes joins Kate for a walk on the windy slopes of Arthur's Seat in Edinburgh. With a new boxset featuring Leif Ove's recordings from 1990-2010 due out in October, he reflects on how his approach to music has changed over the years, why there are certain composers whose music he preserves for listening not performing, and how the natural world is at the heart of how he plays. And as the new school year gets underway, we visit Acland Burghley School in Camden, North London, where three years ago the Orchestra of the Age of Enlightenment moved in. The orchestra's Chief Executive Crispin Woodhead gives us a tour of the school and explains how students, teachers, orchestral musicians and the wider community benefit from the collaboration and how he believes this model answers many of the problems faced by the arts and by education right now.

Albumi keskmes on Norra tunnushelilooja ainuke jutustav laulutsükkel, unenäoline "Haugtussa".

Leif Ove Andsnes — Dvořák: Poetic Tone Pictures (Sony) Jump to giveaway form New Classical Tracks - Leif Ove Andsnes by “It's similar to life with its highs and lows. That's what I love about this cycle. It's so contrasting and varied,” said Norwegian pianist Leif Ove Andsnes, who recently fell in love with Antonín Dvořák's Poetic Tone Pictures. It's an ambitious and unusual cycle of piano pieces by the Czech composer featured on Andsnes' latest recording, Dvořák: Poetic Tone Pictures. “He has this reputation for not writing very well for the piano because he was not a pianist. He was a violinist and didn't own a piano until he was about 40,” he said about Dvořák. “It's strange. I've known these pieces since childhood because my father came home from London once and brought a bunch of his pieces. One of them was the cycle played by the Czech pianist Radoslav Kvapil. So I listened to these pieces when I was little, and I especially liked some of the first ones. I played some of them in a youth competition when I was 12. “I studied the whole cycle during the pandemic, and now I'll give the whole cycle a chance,” he said. “Let's see if Dvořák is right because he wrote in a letter to a friend that he thought one could only experience his real intentions about this music if one played the whole cycle, all the 13 pieces together. That's almost an hour of music. I do feel a difference. I feel it's a great journey when they are played together from beginning to end.” What pieces did you play at that competition? “I played the first piece, ‘The Night Journey,' which is also one of the more ambitious pieces and one of the more difficult ones.” What did you find challenging when revisiting the cycle? “It's a mixture of homecoming and challenging passages that exist. It's such a wonderful piece because it opens like a novel. It's saying, ‘I'm going to tell you a story.' It just opens this personal world to enjoy.” Can you give me an example of the range of unique colors in these pieces? “The second piece, ‘Toying,' is unassuming. It's full of surprisingly short staccato notes in the main section, with a conversation between the right and left hands. Then it has, in contrast, a very legato middle section. That means that the notes are bound together, and it's full of pedal. It feels like a brook or river you might find in Schubert's music. It's fluid with wonderfully beautiful bell-like colors.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Leif Ove Andsnes — Dvořák: Poetic Tone Pictures (Amazon) Leif Ove Andsnes (official site)

durée : 00:05:54 - Classic & Co - par : Anna Sigalevitch - "Poetic Tone Pictures", en français "Impressions poétiques"… Ce sont 13 courtes pièces pour piano solo d'Anton Dvorak au programme du nouvel album du pianiste norvégien Leif Ove Andsnes. Un cycle très rarement joué…

All Classical Portland's Program Director John Pitman has long admired the artistry of Norwegian pianist Leif Ove Andsnes, having featured his recordings regularly over the past 30-plus years. His newest release is especially exciting because it includes rare recordings of the complete Poetic Tone Pictures by Czech composer Antonín Dvořák. Keep reading on the All Classical Portland Arts Blog: https://www.allclassical.org/pitman-review-andsness-poetic-tone-pictures/

Leif Ove Andsnes begann mit vier Jahren Klavier zu spielen: Das Instrument war für ihn immer präsent. Über seine Heimat Norwegen und seine Liebe zur Kammermusik hat er mit Sophie Schulze gesprochen.

You know Norwegian pianist Leif Ove Andsnes from his classic recordings of Edvard Greig and Beethoven, but his new album is bringing us music we...

Er ist einer der beliebtesten klassischen Komponisten und doch immer wieder überraschend: Antonín Dvo?ák. Gerade hat der norwegische Pianist Leif Ove Andsnes ein Album mit Klaviermusik von ihm herausgebracht, die kaum jemand kennt. Höchste Zeit, dass sich das ändert, findet Bernhard Neuhoff.

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The 13 postcards for piano that make up Dvorák's Poetic Tone Pictures were written in the Spring of 1889, and signal a shift in style from a composer moving away from formal constructions towards a freer, inspired aesthetic. Among these charming pieces are evocations of magic and mystery (‘The Old Castle'), rustic dances (‘Furiant' and ‘Peasant Ballad'), nostalgic mood pieces (‘Twilight Way'), and tragic reminiscences (‘At a Hero's Grave'). The works range from the deeply profound to the playful, from lighthearted to furious - ‘I feel a very strong, wonderful narrative in them,' says Leif Ove Andsnes, who firmly believes Dvorák conceived the pieces of this ‘exceptional' set as a cycle to be played together.Purchase the music (without talk) at:Dvorak: Poetic Tone Pictures (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Norra pianist Leif Ove Andsnes esitab Franz Schuberti viimase klaverisonaadi.

WQED-FM's Jim Cunningham had a chance to talk with Leif Ove Andsnes about his new CD  "Mozart Momentum."  He also talks about his performances with the Pittsburgh Symphony Orchestra and more.      

Nicola Campogrande"MiTo Settembre Musica"https://www.mitosettembremusica.it/itUn cartellone comune tra Torino e Milano che esplora le relazioni tra la musica e la luce attraverso grandi capolavori e creazioni inedite. 116 concerti per la sedicesima edizione, con ospiti internazionali, eccellenze nazionali e programmi appositamente impaginati per un Festival sempre più inclusivo. Seguendo il filo conduttore del tema “Luci”, tutti i programmi dei concerti sono impaginati appositamente per proporre al pubblico una nuova esperienza d'ascolto, indagando le relazioni tra la musica e la luce: si tratta di sinestesie tra suoni e immagini che a volte emergono esplicitamente dalle indicazioni scritte dal compositore in partitura, come chiaro, scuro o luminoso, e altre volte sono il frutto di riflessioni suggerite dall'ascolto della musica.«L'idea, il gioco della luce è applicato a un cartellone che, volutamente, propone molti capolavori, pagine fondamentali, capisaldi della musica classica – spiega il direttore artistico Nicola Campogrande. Perché, soprattutto in un periodo complicato e drammatico come quello che stiamo attraversando, ci sembra bello e importante fare una sorta di appello ai brani che hanno segnato la storia, invitandoli metaforicamente ad essere con noi, a manifestarsi in sala da concerto come punti fermi, appigli culturali».Questa edizione intende, quindi, “illuminare” le grandi pagine della storia della musica attraverso accostamenti inediti, interpretazioni originali e nuove chiavi di lettura, anche con brani in prima esecuzione.Alcuni dei pilastri su cui si fonda l'edizione 2022 – ovvero internazionalità, capisaldi della musica classica e novità – sono già evidenti nella serata d'apertura del Festival intitolata “Luci immaginarie”, in programma lunedì 5 settembre all'Auditorium “Giovanni Agnelli” del Lingotto di Torino e martedì 6 settembre al Teatro alla Scala di Milano. Protagonista una grande compagine rinomata nel mondo come la londinese Philharmonia Orchestra diretta per l'occasione da John Axelrod, che propone capolavori come Peer Gynt di Grieg e Shéhérazade di Rimskij-Korsakov, abbinate alla prima esecuzione italiana di The imagined forest della giovanissima e pluri-premiata compositrice inglese Grace-Evangeline Mason. O ancora nel concerto conclusivo tutto mozartiano dal titolo “Cristalli”, sabato 24 settembre al Conservatorio di Torino e domenica 25 settembre al Conservatorio di Milano, dove la Mahler Chamber Orchestra, formazione europea nata nel 1997 sotto l'egida di Claudio Abbado, presenta senza direttore un programma inusuale con Leif Ove Andsnes in veste di solista.Tra gli ulteriori appuntamenti sinfonici da non perdere si segnalano il graditissimo ritorno al Festival, nella doppia veste di direttrice d'orchestra e soprano, della canadese Barbara Hannigan, che sul podio dell'Orchestra dell'Accademia Nazionale di Santa Cecilia propone la Sinfonia Il miracolo di Haydn e la Quarta Sinfonia di Mahler cantando nel Lied finale Das himmlische Leben (La vita celeste), il 16 al Teatro Dal Verme di Milano e il 17 all'Auditorium del Lingotto di Torino. Immancabile l'Orchestra Sinfonica Nazionale della Rai, guidata dal suo Direttore ospite principale, lo statunitense di origini messicane Robert Trevino, che affianca la Symphonie Fantastique di Berlioz alla prima italiana di The wonder of life di Régis Campo, il 9 all'Auditorium Rai di Torino e il 10 al Conservatorio di Milano. Concerto festoso, poi, per celebrare i duecento anni di indipendenza del Brasile con i giovani dell'effervescente Neojiba Orchestra - Orchestra Giovanile dello Stato di Bahia, diretta da Ricardo Castro, insieme a un'istituzione del pianoforte come la portoghese Maria João Pires che suona il Terzo Concerto op. 37 di Beethoven. Ritmi, colori e strumenti sudamericani sono parte della serata grazie alle pagine di Antônio Carlos Gomez, Heitor Villa Lobos e Jamberê Cerqueira, il 13 al Conservatorio di Milano e il 14 all'Auditorium del Lingotto di Torino.Altri attesi ritorni al Festival sono la leggenda del pianoforte Ivo Pogorelich, impegnato nel recital “Luci erranti” con fantasie di Mozart, Chopin e Schumann e con il Prélude di Ravel, il raffinato tenore inglese Ian Bostridge, che canta Les illuminations op. 18 di Britten, e ancora il violista Nils Mönkemeyer, che suona con il Bach Consort Wien in un concerto che esplora il barocco e il Novecento tra Sudamerica ed Europa.Scorrendo il programma di MITO gli amanti della musica barocca, e in particolare di Johann Sebastian Bach, trovano una ricca offerta declinata in concerti con musicisti di prestigio e proposte nelle quali i brani sono accostati in modo inusuale o vengono ripensate alcune pietre miliari del repertorio. Quattro pagine tra le più celebri del grande compositore tedesco sono interpretate dall'Amsterdam Baroque Orchestra diretta da Ton Koopman, mentre è curioso il concerto intitolato “La doppia arte della fuga”, nel quale il compositore Reinhard Febel, col suo Diciotto studi sull'Arte della fuga di Bach, rilegge il capolavoro, di cui si ascoltano tutte le note, in una sorta di remix – che suona molto attuale nell'epoca del digitale – affidato al Duo Tal & Groethuysen. Ed è ancora l'ascolto di un Bach insolito quello delle Variazioni Goldberg eseguite dal fisarmonicista Samuele Telari, così come è un concerto davvero singolare quello con due clavicembali accordati in due modi diversi e suonati da Luca Guglielmi.Tanta è l'attenzione che quest'anno MITO SettembreMusica dedica al pubblico dei più piccoli, ampliando e arricchendo la proposta artistica con novità assolute e grandi interpreti. E lo dimostrano anche i tre melologhi per adulti e bambini che contengono ben due commissioni del Festival 2022 in prima esecuzione assoluta: quella a Carlo Boccadoro, che ha creato Animalia – su testi di Martino Gozzi – per “Luci bestiali” (il 10 a Torino e l'11 a Milano), e quella a Federico Gon, che ha composto Il piccolo Franz e il pifferaio magico per “Monelli” (il 24 a Torino e il 25 a Milano). Sul palco del primo concerto Laura Curino come voce recitante e l'Ensemble Cameristico dell'Orchestra Filarmonica di Torino diretto dallo stesso Boccadoro, e del secondo Elio come voce recitante (al suo ritorno dopo l'edizione dello scorso anno) e l'Orchestra degli allievi dei Conservatori di Torino e Milano diretti da Andreas Gies. Infine, i giovani de LaFil guidati da Marco Seco, con la voce recitante di Licia Maglietta, sono protagonisti dell'appuntamento dal titolo “Elefanti”, che propone un doppio Babar: quello celebre dell' Histoire de Babar le petit éléphant di Poulenc e quello del compositore François Narboni intitolato Le voyage de Babar, creato sfruttando un testo originale di Brunhoff non utilizzato da Poulenc (17 a Torino e 18 a Milano).È in prima esecuzione assoluta, inoltre, la nuova versione da camera del melologo Enoch Arden op. 38 di Richard Strauss realizzata da Ruggero Laganà, impegnato anche al pianoforte, che vede protagonista l'attrice Lella Costa come voce recitante (il 19 a Torino, il 20 Milano). Luce accesa, poi, sulle prime esecuzioni italiane, tra cui spiccano One di James MacMillan e I still dance di John Adams interpretate rispettivamente dall'Orchestra I Pomeriggi Musicali diretta da James Feddeck (l'8 a Torino e il 9 a Milano) e da quella del Teatro Regio di Torino guidata da Stanislav Kochanovsky (il 23 a Torino e il 24 a Milano), impegnate in due programmi tra Inghilterra e Scozia e tra Stati Uniti e Francia.L'edizione 2022 di MITO SettembreMusica introduce altre due importanti novità. La prima è la presenza di un festival nel festival con quattordici pianisti italiani che offrono in luoghi decentrati delle due città altrettanti concerti monografici dedicati a grandi compositori, per approfondirne la cifra stilistica, la poetica e la tecnica pianistica. Dal Beethoven di Andrea Lucchesini al Rachmaninov di Alessandro Taverna, dallo Schubert di Filippo Gorini allo Skrjabin di Mariangela Vacatello, passando per lo Chopin di Gloria Campaner, il Liszt di Maurizio Baglini e il Čajkovskij di Benedetto Lupo, solo per citarne alcuni. L'altra vede – per la prima volta – la nascita di una residenza artistica al Festival. Si tratta del finlandese Meta4 Quartet, già applaudito nella scorsa edizione, che tiene tre concerti in entrambi i capoluoghi: suona in Absolute Jest di John Adams insieme all'Orchestra Sinfonica di Milano (sul podio Patrick Fournillier), pagina che rimanda a Beethoven e alla sua Nona, in programma grazie alla partecipazione del Coro del Teatro Regio di Torino, dopo aver ripercorso l'intera storia del quartetto d'archi, da Boccherini ad Adams, in due diversi appuntamenti. Uno degli aspetti distintivi del Festival è offrire appuntamenti in orari diversi nell'arco dell'intera giornata, da quelli serali in sedi prestigiose, come l'Auditorium "Giovanni Agnelli" del Lingotto, il Teatro alla Scala, l'Auditorium Rai "Arturo Toscanini", il Teatro dal Verme e i rispettivi conservatori delle due città, a quelli diurni, per arrivare a estendersi nei luoghi decentrati. Sono confermate le introduzioni all'ascolto dei concerti, quest'anno curate da Alberto Brunero e Stefano Catucci a Torino e da Gaia Varon, Oreste Bossini e Nicola Pedone a Milano.I prezzi sono ancora una volta molto contenuti: quelli per i concerti serali vanno dai 10 ai 25 euro (ma chi è nato dal 2008 in poi paga solo 5 euro); quelli serali in luoghi decentrati con i 14 pianisti italiani, gli appuntamenti pomeridiani e per i bambini sono invece proposti a 5 euro; non mancano, poi, i concerti gratuiti.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Leif Ove Andsnes — Mozart Momentum: 1786 (Sony Classical) Jump to giveaway form New Classical Tracks - Leif Ove Andsnes by “On stage you have to have a childlike openness,” Norwegian pianist Leif Ove Andsnes said. “There will be moments in concerts where I feel, ‘I'm creating now. It's actually happening in the moment.' Also, there is nothing as beautiful as Mozart's music.” Andsnes is an artistic partner of the Mahler Chamber Orchestra, an ensemble that has no home base. They're constantly moving because it wants to make music that gets to the core of things. Together, they've taken a deep dive in the creation of The Beethoven Journey, and now they're flowing in sync, with Andsnes conducting from the piano on his latest album, Mozart Momentum: 1786. What kind of momentum was Mozart creating? “It's about the piano concerto and what happened with that genre during Mozart's life. He writes a concerto in a minor key for the first time with very serious and dramatic music. He starts to separate the soloist from the orchestra. You have dramatic and restless music during the opening from the orchestra, but the soloist enters afterwards with completely different music. “That's the very first time this happens in any concerto. Mozart must have thought, ‘Oh, I'm on to something new here.' For me, it's a revolution. It expands the storytelling and the narrative of what a piano concerto can be. You can look at soloists as an individual and the orchestra as a society. There is new psychological drama in it.” How did Mozart's love of opera inspire his piano concertos that are on the album? “He was writing The Marriage of Figaro during this time and we hear it during the woodwind solos. He gives tremendous individuality and personality to each of the woodwind instruments. There are sections where I'm listening with pleasure to what they do in these concertos.” Can you talk about the energy in Mozart's Piano Concerto No. 24? “Normally we feel that it's very classical and balanced. The phrases are often eleven bars followed by five and then seven. He always makes sure we don't know what's coming next, so we have to guess. That guesswork gives the concerto its restless energy and drama.” Tell us about ‘Ch'io Mi Scordi Di Te?' and the soprano who sings it. “The concert aria ‘Ch'io Mi Scordi Di Te?' is text from Mozart's opera Idomeneo. It's unique how he makes the beauty of the soprano voice blend with the piano. It's like a duet. You know where one is without words and the other tells the story. There's no other piece like this in the literature. “ To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Leif Ove Andsnes — Mozart Momentum: 1786 (Presto music) Leif Ove Andsnes — Mozart Momentum: 1786 (Amazon) Leif Ove Andsnes (official site)

For the final episode of Mozart Momentum: in conversation, we focus on "Mozart in our time".  How does our interpretation and performance of Mozart's works differ from when they were conveived 250 years ago? Host Yannick Dondelinger discusses the relevance, beauty and timelessness of Mozart's work in the last instalment of our mini-series with pianist Leif Ove Andsnes and concertmaster Matthew Truscott. // Special thanks to the voice acting of Michiel Commandeur, Stephanie Baubin, Matthias Mayr and Anna Costa. // Generously supported by the German Federal Government Commissioner for Culture and the Media through "NEUSTART KULTUR". 

durée : 00:25:10 - Leif Ove Andsnes, pianiste (5/5) - par : Judith Chaine - La musique et les arts plastiques en miroir, voici qui passionne Leif Ove Andsnes. Il raconte ici ses souvenirs de sa collaboration avec le vidéaste Robin Rhodes autour des Tableaux d'une exposition de Modeste Moussorgski. Il évoque également son goût pour la transmission mais aussi pour Bach ! - réalisé par : Lionel Quantin

durée : 00:25:08 - Leif Ove Andsnes, pianiste (4/5) - par : Judith Chaine - La vie de soliste est une vie solitaire… On se sent chez soi partout et nulle part. Leif Ove Andsnes va finalement fonder une famille et se poser à Bergen. Il évoque ici le bonheur de gouter le printemps dans son pays, la joie de la musique de chambre et celle de ses tournées. - réalisé par : Lionel Quantin

durée : 00:25:11 - Leif Ove Andsnes, pianiste (3/5) - par : Judith Chaine - Un pianiste norvégien peut-il échapper au Concerto de Grieg ? Impossible ! Et c'est tant mieux ! Leif Ove Andsnes va en faire une carte de visite lorsque débute sa carrière internationale à 20 ans. - réalisé par : Lionel Quantin

durée : 00:25:11 - Leif Ove Andsnes, pianiste (2/5) - par : Judith Chaine - Dans ce deuxième épisode, Leif Ove Andsnes est adolescent. Il entre au conservatoire de Bergen où il rencontre celui qui sera son quasi unique professeur : Jiri Hlinka. Avec lui, il se plonge à corps perdu dans la musique. - réalisé par : Lionel Quantin

durée : 00:25:13 - Leif Ove Andsnes, pianiste (1/5) - par : Judith Chaine - Dans ce premier épisode, le pianiste raconte son enfance heureuse sur la petite île de Karmoy : le vent incessant, les bateaux qui partent en mer et parfois ne reviennent pas, la fanfare que dirige son père, les quatre mains joués par ses parents alors que lui et ses trois sœurs sont couchés… - réalisé par : Lionel Quantin

Dieser Mozart funkelt und spricht in vielen Farben - eine Empfehlung für Mozart-Fans und alle, die es werden wollen.

Everybody knows Mozart for his operas, symphonies and concert pieces, but not all know that he was a pioneer who fought for professional and artistic freedom. The composer is often considered the first musician who emancipated himself from the subordination of the feudal system and worked as a freelancer.  What did those freelance days look like? How did it influence his compositions during that time? Answer these and more questions by joining us in part three of Mozart Momentum: in conversation: A freelancer is born. Together with pianist Leif Ove Andsnes and violinist Matthew Truscott, host Yannick Dondelinger digs into the archives to unravel the life of Mozart, the freelancer.   Thanks to the voice acting of Michiel Commandeur and Stephanie Baubin. // Generously supported by the German Federal Government Commissioner for Culture and the Media through "NEUSTART KULTUR". 

Leif Ove Andsnes and the Mahler Chamber Orchestra follow their “triumphant” (Gramophone), “sparkling” (New York Times), and award-winning Mozart Momentum 1785 release with its partner album, focusing on the composer's extraordinary creativity in the year 1786. “When you realize how quickly Mozart developed during the early years of the 1780s, it makes you ask: why did this happen? What was going on? It's about the momentum of his creativity at this time,” says Leif Ove Andsnes.The double-album Mozart Momentum 1786 includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring guest soprano Christiane Karg. Purchase the music (without talk) at:Mozart Momentum 1786 (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

For the last seven years of his life, Wolfgang Amadeus Mozart was a member of the Freemasons. How did the Masonic order influence the life and work of the composer? Find out in the second episode of Mozart Momentum: In Conversation, a four-part podcast series where host Yannick Dondelinger dives deep into two of the most creative years of Mozart's life together with pianist Leif Ove Andsnes and violinist Matthew Truscott.   // Generously supported by the German Federal Government Commissioner for Culture and the Media through "NEUSTART KULTUR".  // Special thanks to Stephanie Baubin for lending her voice to this episode.  

1785/1786, two of the most fruitful years in Mozart's life as a composer, inspired the MCO and Leif Ove Andsnes to partner up for a multiyear recording- and performing project: Mozart Momentum 1785/1786. As the second album of the project launches, focusing on the year 1786, Between the Bars hosts a four-part miniseries podcast exploring the life of Mozart in those two vital years. In part one: 'Mozart Momentum in Conversation: The Inventor', we join host Yannick Dondelinger as he discusses Mozart as the inventor of the piano concerto and the importance of his presence in Vienna together with Leif Ove Andsnes and MCO concertmaster Matthew Truscott.   Special thanks to voice actors Michiel Commandeur, Stephanie Baubin and Matthias Mayr.    Generously supported by the German Federal Government Commissioner for Culture and the Media through "NEUSTART KULTUR". 

Norwegian pianist and conductor Leif Ove Andsnes has been called “one of the most gifted musicians of his generation” by The Wall Street Journal. He has won worldwide acclaim, eleven Grammys nominations, and six Gramophone Awards. In 2012, Andnses partnered with the Mahler Chamber Orchestra for an ambitious multi-year project titled “The Beethoven Journey,” performing all five piano concertos in 15 countries across three continents. Recently, Andsnes and the Mahler Chamber Orchestra collaborated on their second multi-year project, “Mozart Momentum 1785/86,” exploring one of the most creative and productive periods of the composer's career. Leif Ove Andsnes tells Alec about how the piano is his first language, how he prepares before a concert and what he feels all great pianists have in common.  You can listen to all of the music from this episode and other selections from Leif Ove Andsnes in a curated playlist here.  The following compositions are featured in this episode: Grieg: Piano Concerto in A minor, Op. 16 – 1st movement - Allegro Molto Moderato Leif Ove Andsnes (piano); Berlin Philharmonic Orchestra, Mariss Jansons (With the kind permission of Warner Classics)   Ludwig van Beethoven, Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" : I. Allegro, Leif Ove Andsnes (piano)  (With the kind permission of Sony Classical)   Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 - 3rd movement – Allegro scherzando Leif Ove Andsnes (piano); Berliner Philharmonic Orchestra, Antonio Pappano (With the kind permission of Warner Classics)   Janáček: On The Overgrown Path Series 1 - JW 8/17: I. Our evenings (Moderato - Adagio)  Leif Ove Andsnes (piano); Mahler Chamber Orchestra (With the kind permission of Warner Classics) See omnystudio.com/listener for privacy information.

During intermission of WQED-FM's live broadcast of the Pittsburgh Symphony Orchestra, Jim Cunningham interviewed Music Director Manfred Honeck, guest soloist Leif Ove Andsnes, and PSO President and CEO Melia Tourangeau.   

MP205 BEETHOVEN: PIANO CONCERTO #3 MOZART, BEETHOVEN & MAS presents pianist LEIF OVE ANDSNES in Beethoven's piano concerto #3

Leif Ove Andsnes returns to Heinz Hall to play the Benjamin Britten Piano Concerto No. 1 in its first time out in Pittsburgh. He talks about the concerto, playing it at the BBC Proms in 2019, the Britten record Sviatoslav Richter made with the composer conducting, Richter's eccentricities, the new Mozart recording he's just released, and his switch to the Sony label after 35 CDs for EMI. He discusses the music of Ukrainian composer Valentin Silvestrov, which he will play on Saturday night in a special benefit concert at Heinz Hall.  Leif shares with Jim Cunningham his feelings about the conflict in Ukraine and he discusses his recent all Grieg songs recording with Lise Davidsen including a meditation on Spring at the end as especially evocative of the Nordic soul.  

Norwegian pianist Leif Ove Andsnes brings his “effortless command and penetrating clarity” (The New York Times) to Britten's Piano Concerto, a glittering score composed during the lead-up to World War II. Riccardo Muti frames the program with Richard Strauss' contemplative “Dreaming by the Fireside,” from his opera Intermezzo, and Schumann's triumphant Fourth Symphony. Ticket holders are invited to a free preconcert conversation featuring Laura Prichard in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. Learn more: cso.org/performances/21-22/cso-classical/muti-andsnes-britten