Podcasts about vinyl lp

Im Mai 1970 erschien "Live At Leeds", das legendäre Live-Album von The Who – und ist bis heute eine der kraftvollsten Rockaufnahmen aller Zeiten. Mitgründer und Sänger der Rockband The Who Roger Daltrey sagte einmal, die Rolling Stones seien die beste Rock 'n' Roll-Band der Welt, aber The Who machten keinen Rock 'n' Roll, sondern Rock. Damit grenzte sich die Band bewusst ab und setzte auf kompromisslosen, direkten Rock und genau das setzten sie in "Live At Leeds" auch musikalisch um. Die Originalpressung von "Live At Leeds" aus dem Jahr 1970 enthält nur sechs Songs und beginnt mit "Young Man Blues". Spätere Neuveröffentlichungen hatten andere Reihenfolgen und fügten deutlich mehr Titel hinzu, die Vinyl-LP bot jedoch nur begrenzten Platz. "Live At Leeds" enthält auf der ersten Seite vier Songs und auf der zweiten Seite zwei lange Stücke: Eine fast 15-minütige Version von "My Generation" mit Teilen aus der Rockoper "Tommy" und eine fast achtminütige Version von "Magic Bus", die die LP-Seite füllten. Die Songs wurden bei zwei Konzerten im Februar 1970 aufgenommen: in Leeds und in Hull. Letztlich konnte jedoch nur das Leeds-Konzert verwendet werden, da beim Hull-Mitschnitt die Bass-Spur fehlte. Pete Townshend hatte erkannt, dass The Who eine genauso große Live- wie Studioband ist. Nach einer Tournee durch europäische Opernhäuser Ende der 60er- und Anfang der 70er-Jahre, wollten The Who zurück in die Clubs, wo das Leben stattfindet, und ihre Fans mitgrölen. Deshalb spielten sie am 14. Februar 1970 in Leeds und am 15. Februar in Hull, um diese beiden Konzerte für ihr kommendes Live-Album zu nutzen. The Who legten großen Wert auf gutes Monitoring, also darauf, sich selbst oder die gesamte Band auf der Bühne hören zu können. Viele andere Bands wie die Beatles scheiterten dagegen oft an der Lautstärke des Publikums. Pete Townshend hatte sogar einen eigenen Mischer für seine Monitorbox. Das ermöglichte ihnen präzises Spielen, unabhängig vom Lärm im Publikum. "Live At Leeds" klingt anders als viele andere Live-Aufnahmen damals, rauer, direkter und authentischer. Statt aufwendiger Technik setzten sie bei den Aufnahmen auf ein einfaches Acht-Spur-Gerät und die Nähe zu den Verstärkern, was zu einem kompakten, klaren Sound führte: Gitarre, Bass und Schlagzeug sind deutlich hörbar, und "mehr brauchte es gar nicht", so SWR1 Musikredakteur Benjamin Brendebach. Warum The Who einiges an Live-Material verbrannten, wie ein offizielles Album zum kultigen Bootleg werden konnte und noch viel mehr erfahrt ihr im Meilensteine Podcast zu "Live At Leeds" von The Who __________ Über diese Songs vom Album "Live At Leeds" wird im Podcast gesprochen: (03:49) – "Young Man Blues"(12:26) – "Summertime Blues"(18:58) – "Substitute"(22:38) – "My Generation"(32:23) – "Magic Bus" Über diese Songs wird außerdem im Podcast gesprochen (12:50) – "Young Man Blues" von Mose Allison (28:44) – "Pinball Wizard" von The Who__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/the-who-live-at-leeds-meilensteine __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 9

As Gen Z slowly but surely unearths gems in film history, one of our beloved Gen X films, Less Than Zero, always seems to escape their discovery. This is because the film is not available anywhere- when it is streaming for a few months on MAX, my various text threads light up, but alas, it leaves as quickly as it comes. One of my top 10 gifts ever received was the Vinyl LP for my Birthday 5 years ago and they can pry my burned DVD of the film from my cold dead hands. It's one of my all-time favorites and I am not alone. Everyone knows that this is Robert Downy Jr.'s best performance, that fans of the Brett Easton Ellis novel hated it, that Jami Gertz' performance was widely criticized (not by me- I love it) and that Brad Pitt is famously in the movie as a random party guest, but let's look deeper into the design, the cinematography and the soundtrack. In this episode, we begin looking at the creative elements of this film that no one will discuss with me. No one. So here I am, crowd-sourcing for as much info as possible to put into one place. Kelli and I scoured what is out there and are parsing it into 2 episodes. If you are out there and worked on this film, please know I have reached out to find you and have heard back that you will not talk about the film or I haven't heard back at all and would absolutely love to. This Gorgeous Film was assembled by: Director: Marek Kanievska Starring: Robert Downey, Jr., Andrew McCarthy, Jami Gertz, James Spader DP: Edward Lachman Production Designer: Barbara Ling Costume Designer: Richard Hornung HMU: Deborah Figuly, Adam Christopher, Barbara O'Neill, Angelo Di Biase 00:00:00 1987's Less Than Zero 00:03:20 Depicting Addiction in Film and Robert Downey Jr.'s unforgettable performance. 00:05:48 Robert Downey Jr. interview clip 00:09:16 Impresario Rick Rubin and his first soundtrack- Less Than Zero 00:11:37 Class Consciousness in Production Design For more insights and interviews, check the show notes and stay tuned for a follow-up episode as we continue to uncover the mysteries of Less Than Zero. LINKS:Less Than Zero on DVDLess Than Zero on VinylLess Than Zero BookSome IG gems Looking back on the gorgeous '80s excess in Less Than Zero - Interview Magazine Bret Easton Ellis - Interview Magazine Brat by Andrew McCarthy Excerpts on Less Than Zero Brat by Andrew McCarthy The BEST way to Support is to SUBSCRIBE INSTAGRAM Get full access to Look Behind The Look's Substack from Tiffany Bartok at lookbehindthelook.substack.com/subscribe

We tested out the OpenWRT One and tried it in a unique use case. Then, Wes goes back to 1999 to solve a problem.Sponsored By:Tailscale: Tailscale is a programmable networking software that is private and secure by default - get it free on up to 100 devices! 1Password Extended Access Management: 1Password Extended Access Management is a device trust solution for companies with Okta, and they ensure that if a device isn't trusted and secure, it can't log into your cloud apps. Support LINUX UnpluggedLinks:

This episode I meet and chat with Glenn from Pixel Crib, and Australian based globally shipping online store that focus's primarily on gaming soundtracks with the emphasis being on Vinyl LP and Compact Disc (CD). Glenn tells how he went from collector to online vendor just wanting to share his fascination and love for gaming soundtracks with the wider public. From packaging on his kitchen table back in 2016 to now having a contractor collect his daily shipments from his business specific warehouse premises shipping all sorts of amazing and often rare and unique soundtrack merchandise both domestically and across the globe. We discuss the music the art and the just 'having' of this amazing media. Website - https://www.pixelcrib.com.au/⁠ Insta - https://www.instagram.com/pixelcrib/ You can find me at @skt73 on Instagram and contact me at pixelpiepodcast@gmail.com with any questions, gdays or feedback whether it be positive or not...all communications are appreciated. You can find the podcast on SPOTIFY, GOOGLE PODCASTS, APPLE PODCASTS, STITCHER, OVERCAST, BREAKER, POCKET CASTS & RADIO PUBLIC

Keith and Ben preview UFC on ABC 7 with detailed predictions and picks for all 13 fights. Side topics of conversation include belt systems in kids' martial arts programs, minor league baseball, and of course Bo Nickal.For those who have been asking: the new album by Ben's band, Bayou Saints, is now streaming on Spotify (https://spoti.fi/4dnqZyB), Apple Music/iTunes (https://apple.co/3yjVGWA) and all other major streaming platforms. Vinyl LP release will be in the late summer/early fall.0:00 Intro: A Moment of Self-Promotion8:51 Sedriques Dumas (9-2) vs. Denis Tiuliulin (10-9, 1 NC)17:19 Jai Herbert (12-5-1) vs. Rolando Bedoya (14-3)25:07 Victoria Dudakova (8-0) vs. Sam Hughes (8-6)33:48 Guram Kutateladze (12-4) vs. Jordan Vucenic (13-2)46:19 Shamil Gaziev (12-1) vs. Don'Tale Mayes (11-6, 1 NC)1:05:09 Mohammad Yahya (12-4) vs. Kaue Fernandes (8-2)1:13:15 Alonzo Menifield (15-4-1) vs. Azamat Murzakanov (13-0)1:25:20 Joel Alvarez (20-3) vs. Elves Brener (16-4)1:33:50 Mackenzie Dern (13-5) vs. Lupita Godinez (12-4)1:46:57 Tony Ferguson (25-10) vs. Michael Chiesa (16-7)2:03:04 Marlon Vera (23-9-1) vs. Deiveson Figueiredo (23-3-1)2:17:50 Sharabutdin Magomedov (13-0) vs. Michal Oleksiejczuk (19-8, 1 NC)2:30:24 Cory Sandhagen (17-4) vs. Umar Nurmagomedov (17-0)

Have you ever stumbled upon a melody that catapulted you straight back to your first concert, the lights dimming, heart racing with anticipation? That's the magnetic pull of Tony Smith's music. Celebrating a special three-year anniversary mini-season, we sit down with the extraordinary Tony Smith of Tonyboyy, Teem and Sleeper Agent fame. Savor the infectious "Counting Sheep" from his debut album "Doll Me Up," and join us as we traverse Tony's musical landscape—from the vitality of his live performances to his excursion into corporate design. We'll wax nostalgic about fandom origins, relive the vibrancy of live concerts, and tease the exciting potential of a Sleeper Agent revival.Remember the days when a friend's mixtape could redefine your music taste? Our chat with Tony Smith is a journey back to those formative years, examining how the music of Pixies, the storytelling of "Hedwig and the Angry Inch," and the authenticity of "Freaks and Geeks" infused into his own creative ethos. We share candid tales of musical peer pressure, the struggle of conforming to pals' playlists, and the evolution from staunch genre fidelity to embracing the colorful tapestry of all music genres. Stick with us as we unravel the threads of social dynamics that weave into our personal soundtracks and celebrate the liberation that comes with musical omnivorism.Ever considered how a song or movie might influence your life's direction? Diving into profound art and literature, Tony opens up about the spontaneous bursts of creativity that fuel his songwriting process and how pop culture milestones have profoundly shaped his career trajectory. From dissecting the philosophical richness of "Stranger in a Strange Land" to connecting with the teenage angst of "Freaks and Geeks," this episode is a heartfelt exploration of the ties between our favorite media and our very identities. Plus, discover how YouTube's endless well of content has transformed learning and creativity, as we reminisce about the golden age of MTV and the pivotal role of physical media in our lives. Join us for an auditory celebration of the passion, resilience, and shared human experiences that music and art bring into our lives.Buy "Doll Me Up" on Vinyl LP or CD noirincolorcreative.comTony Smith Social Links: IG: @tonyboyy_Twitter/X: @iamtonyboyyTikTok: @iamtonyboyyFB: Tonyboyy Facebook

Am 21. Juni 1948 stellt der damalige Columbia-Recordings-Chef Edward Wallerstein die Vinyl-Langspielplatte als Massenprodukt vor. Für die nächsten 40 Jahre wird diese zum dominanten Tonträger der Musikgeschichte und bestimmt auch heute noch immer massgeblich mit, wie wir Musik konsumieren. Dieser Geburtstag muss gefeiert werden! Wir tun dies mit einem zweistündigen, grösstenteils unmoderierten Vinyl-only-DJ-Set, mit welchem wir vor allem jene Künstler:innen zelebrieren, die so unvergänglich sind, wie das Format auf das sie gepresst wurden. Heute hören wir Songs aus der (ersten) Blütezeit der Vinyl-Langspielplatte von 1966-1986. Musik von Alben und Musiker:innen, die auch heute noch für den Klang unserer Sounds!-Playlisten verantwortlich sind. Playlist Stunde 1: * ROXY MUSIC «MORE THAN THIS» (1982) * FLEETWOOD MAC «THE CHAIN» (1977) * TOM PETTY & THE HEARTBREAKERS «THE WAITING» (1981) * CAETANO VELOSO «IRENE» (1969) * TALKING HEADS «ONCE IN A LIFETIME» (1980) * PAUL SIMON «DIAMONDS ON THE SOLES OF HER SHOES» (1986) * NEW ORDER «YOUR SILENT FACE» (1983) * THE CURE «JUMPING SOMEONE ELSE'S TRAIN» (1979) * BLONDIE «ONE WAY OR ANOTHER» (1978) * JONI MITCHELL «CAREY» (1971) * ARCHIE BELL & THE DRELLS «TIGHTEN UP (PART 1)» (1968) * CHARLES WRIGHT & THE WATTS 103RD STREET RHYTHM BAND «EXPRESS YOURSELF» (1970) * BRYAN FERRY «SLAVE TO LOVE» (1985) * CREEDENCE CLEARWATER REVIVAL «LOOKIN' OUT MY BACK DOOR» (1970) Playlist Stunde 2: * DAVID BOWIE «STARMAN» (1972) * RODRIGUEZ «CRUCIFY YOUR MIND» (1970) * NINA SIMONE «AIN‘T GOT NO / I GOT LIFE» (1968) * THE BEATLES «HELLO, GOODBYE» (1967) * OTIS REDDING «TRY A LITTLE TENDERNESS» (1966) * ADRIANO CELENTANO «IL RAGAZZO DELLA VIA GLUCK» (1966) * THE SPECIALS «A MESSAGE TO YOU, RUDY» (1979) * GAL COSTA «BABY» (1969) * THE ROLLING STONES «SHE‘S A RAINBOW» (1967) * BIG STAR «THIRTEEN» (1972) * ORCHESTRAL MANOEUVRES IN THE DARK «IF YOU LEAVE» (1986) * ELVIS COSTELLO «(WHAT‘S SO FUNNY 'BOUT) PEACE, LOVE AND UNDERSTANDING)» (1978) * THE DB'S «BLACK AND WHITE» (1981) * VIOLENT FEMMES «BLISTER IN THE SUN» (1983) * BRUCE SPRINGSTEEN «MY HOMETOWN» (1984) * NICK DRAKE «WHICH WILL» (1972)

PipemanRadio talks with Christian of Savage Grace about their new album and what a masterpiece itr is. We discussed how the musicianship and talent has gotten better. The album has the foundation of 80's Savage Grace with a modern musicianship to it. They also discuss the old days and how Pipeman became a casualty of the LA Metal Scene.On this episode of the Adventures of Pipeman, Pipeman speaks to Chris from Savage Grace. After many years, they have reconnected, and Pipeman is excited to hear about Savage Grace's new album, which he thinks is the best they have ever produced. Chris is glad Pipeman appreciates their new music, as they have put a lot of effort into creating it. Chris mentions that despite people saying that Savage Grace's next record will not be as good as their previous albums, the band's music just keeps getting better, and this new album is no exception. Pipeman commends the incredible vocals in their music, which he says give him chills. Chris explains that the goal of the new album is to recreate the feeling of 1978 when bands played arena shows all over the US, such as REO Speedwagon, Ted Nugent, and Molly Hatchet. Chris wanted to create that ambiance and feeling in the new album. He also wanted to incorporate threads of the old Savage Grace music in the instrumentals, such as Saxon, Motorhead, and Priest, to bring people back to the late seventies and early eighties. Chris mentions that they have updated the themes lyrically to be more relevant to today's society, as the world has changed since their previous albums. Pipeman agrees that the new album is a modernized version of Savage Grace's old music, with many relevant themes for 2023. He notes that while many bands nowadays still rely on their old music, Savage Grace has managed to modernize their sound while still retaining their originality. Chris agrees that they have updated their music without losing their musical identity. Be sure to check out the new album as soon as it comes out very soon, with the video for Stealing My Heart coming out on May 5th, which is going to blow you away so be sure not to miss that one. Press/ Media/ Radio InterviewsNorth America Contact: Dustin Hardman / Massacre RecordsE-Mail: hardman.dustin@gmail.com Savage Grace- "Sign Of The Cross"Genre: Heavy Metal SINGLES/ VIDEOS: SAVAGE GRACE - Star Crossed Lovers (Official Video) watch HERESAVAGE GRACE - Automoton (Official Video) watch HEREINFO:SAVAGE GRACE are back with a brand-new studio album, entitled "Sign Of The Cross", and their new vocalist Gabriel Colon, who is described as a blend of the early Rob Halford and the young Ian Gillian! On their new album, SAVAGE GRACE are creating and moving into a new dimension of metal while keeping true to our authentic roots. Guitarist Christian Logue assembled the most incredible musicians from across the world to create the most devastating version of SAVAGE GRACE yet. Forty years of metal experience went into crafting each of these songs into the classics they will soon become. In addition, provocative, thought-inspiring lyrics and powerful topics weave their way through this mesmerizing collection of songs. Christian Logue comments: "This album is my masterpiece and a grand addition to my legacy of universally acclaimed classic metal recordings. Every song on this album is powerful, there is not one weak track on this record.""Sign Of The Cross" was produced by Logue and was mixed and mastered by Roland Grapow at Grapow Studios. Slated for a release as CD, ltd. Vinyl LP and Digital formats on May 5, 2023 via Massacre Records, the pre-sale has just started at THIS LOCATION!Album track listing:1. Barbarians At The Gate2. Automoton3. Sign Of The Cross4. Rendezvous5. Stealin' My Heart Away6. Slave Of Desire7. Land Beyond The Walls8. Star Crossed Lovers9. Branded10. Helsinki Nights (CD Bonus Track)DISCOGRAPHY1982 Demo1983 The Dominatress EP1984 Demo1984 Master Of Disguise1986 After The Fall From Grace1987 Ride Into The Night EP2010 The Lost Grace EP2023 Sign Of The Cross For More Info Visit:http://www.savagegracemetal.comhttps://spoti.fi/3jRkuhkwww.massacre-records.comTake some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world. Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:• The Adventures of Pipeman• Pipeman Radio• Pipeman in the Pit• Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

PipemanRadio talks with Christian of Savage Grace about their new album and what a masterpiece itr is. We discussed how the musicianship and talent has gotten better. The album has the foundation of 80's Savage Grace with a modern musicianship to it. They also discuss the old days and how Pipeman became a casualty of the LA Metal Scene.On this episode of the Adventures of Pipeman, Pipeman speaks to Chris from Savage Grace. After many years, they have reconnected, and Pipeman is excited to hear about Savage Grace's new album, which he thinks is the best they have ever produced. Chris is glad Pipeman appreciates their new music, as they have put a lot of effort into creating it. Chris mentions that despite people saying that Savage Grace's next record will not be as good as their previous albums, the band's music just keeps getting better, and this new album is no exception. Pipeman commends the incredible vocals in their music, which he says give him chills. Chris explains that the goal of the new album is to recreate the feeling of 1978 when bands played arena shows all over the US, such as REO Speedwagon, Ted Nugent, and Molly Hatchet. Chris wanted to create that ambiance and feeling in the new album. He also wanted to incorporate threads of the old Savage Grace music in the instrumentals, such as Saxon, Motorhead, and Priest, to bring people back to the late seventies and early eighties. Chris mentions that they have updated the themes lyrically to be more relevant to today's society, as the world has changed since their previous albums. Pipeman agrees that the new album is a modernized version of Savage Grace's old music, with many relevant themes for 2023. He notes that while many bands nowadays still rely on their old music, Savage Grace has managed to modernize their sound while still retaining their originality. Chris agrees that they have updated their music without losing their musical identity. Be sure to check out the new album as soon as it comes out very soon, with the video for Stealing My Heart coming out on May 5th, which is going to blow you away so be sure not to miss that one. Press/ Media/ Radio InterviewsNorth America Contact: Dustin Hardman / Massacre RecordsE-Mail: hardman.dustin@gmail.com Savage Grace- "Sign Of The Cross"Genre: Heavy Metal SINGLES/ VIDEOS: SAVAGE GRACE - Star Crossed Lovers (Official Video) watch HERESAVAGE GRACE - Automoton (Official Video) watch HEREINFO:SAVAGE GRACE are back with a brand-new studio album, entitled "Sign Of The Cross", and their new vocalist Gabriel Colon, who is described as a blend of the early Rob Halford and the young Ian Gillian! On their new album, SAVAGE GRACE are creating and moving into a new dimension of metal while keeping true to our authentic roots. Guitarist Christian Logue assembled the most incredible musicians from across the world to create the most devastating version of SAVAGE GRACE yet. Forty years of metal experience went into crafting each of these songs into the classics they will soon become. In addition, provocative, thought-inspiring lyrics and powerful topics weave their way through this mesmerizing collection of songs. Christian Logue comments: "This album is my masterpiece and a grand addition to my legacy of universally acclaimed classic metal recordings. Every song on this album is powerful, there is not one weak track on this record.""Sign Of The Cross" was produced by Logue and was mixed and mastered by Roland Grapow at Grapow Studios. Slated for a release as CD, ltd. Vinyl LP and Digital formats on May 5, 2023 via Massacre Records, the pre-sale has just started at THIS LOCATION!Album track listing:1. Barbarians At The Gate2. Automoton3. Sign Of The Cross4. Rendezvous5. Stealin' My Heart Away6. Slave Of Desire7. Land Beyond The Walls8. Star Crossed Lovers9. Branded10. Helsinki Nights (CD Bonus Track)DISCOGRAPHY1982 Demo1983 The Dominatress EP1984 Demo1984 Master Of Disguise1986 After The Fall From Grace1987 Ride Into The Night EP2010 The Lost Grace EP2023 Sign Of The Cross For More Info Visit:http://www.savagegracemetal.comhttps://spoti.fi/3jRkuhkwww.massacre-records.comPipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman in the Pit Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pipeman in the Pit Podcasts are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

PipemanRadio talks with Christian of Savage Grace about their new album and what a masterpiece itr is. We discussed how the musicianship and talent has gotten better. The album has the foundation of 80's Savage Grace with a modern musicianship to it. They also discuss the old days and how Pipeman became a casualty of the LA Metal Scene.On this episode of the Adventures of Pipeman, Pipeman speaks to Chris from Savage Grace. After many years, they have reconnected, and Pipeman is excited to hear about Savage Grace's new album, which he thinks is the best they have ever produced. Chris is glad Pipeman appreciates their new music, as they have put a lot of effort into creating it. Chris mentions that despite people saying that Savage Grace's next record will not be as good as their previous albums, the band's music just keeps getting better, and this new album is no exception. Pipeman commends the incredible vocals in their music, which he says give him chills. Chris explains that the goal of the new album is to recreate the feeling of 1978 when bands played arena shows all over the US, such as REO Speedwagon, Ted Nugent, and Molly Hatchet. Chris wanted to create that ambiance and feeling in the new album. He also wanted to incorporate threads of the old Savage Grace music in the instrumentals, such as Saxon, Motorhead, and Priest, to bring people back to the late seventies and early eighties. Chris mentions that they have updated the themes lyrically to be more relevant to today's society, as the world has changed since their previous albums. Pipeman agrees that the new album is a modernized version of Savage Grace's old music, with many relevant themes for 2023. He notes that while many bands nowadays still rely on their old music, Savage Grace has managed to modernize their sound while still retaining their originality. Chris agrees that they have updated their music without losing their musical identity. Be sure to check out the new album as soon as it comes out very soon, with the video for Stealing My Heart coming out on May 5th, which is going to blow you away so be sure not to miss that one. Press/ Media/ Radio InterviewsNorth America Contact: Dustin Hardman / Massacre RecordsE-Mail: hardman.dustin@gmail.com Savage Grace- "Sign Of The Cross"Genre: Heavy Metal SINGLES/ VIDEOS: SAVAGE GRACE - Star Crossed Lovers (Official Video) watch HERESAVAGE GRACE - Automoton (Official Video) watch HEREINFO:SAVAGE GRACE are back with a brand-new studio album, entitled "Sign Of The Cross", and their new vocalist Gabriel Colon, who is described as a blend of the early Rob Halford and the young Ian Gillian! On their new album, SAVAGE GRACE are creating and moving into a new dimension of metal while keeping true to our authentic roots. Guitarist Christian Logue assembled the most incredible musicians from across the world to create the most devastating version of SAVAGE GRACE yet. Forty years of metal experience went into crafting each of these songs into the classics they will soon become. In addition, provocative, thought-inspiring lyrics and powerful topics weave their way through this mesmerizing collection of songs. Christian Logue comments: "This album is my masterpiece and a grand addition to my legacy of universally acclaimed classic metal recordings. Every song on this album is powerful, there is not one weak track on this record.""Sign Of The Cross" was produced by Logue and was mixed and mastered by Roland Grapow at Grapow Studios. Slated for a release as CD, ltd. Vinyl LP and Digital formats on May 5, 2023 via Massacre Records, the pre-sale has just started at THIS LOCATION!Album track listing:1. Barbarians At The Gate2. Automoton3. Sign Of The Cross4. Rendezvous5. Stealin' My Heart Away6. Slave Of Desire7. Land Beyond The Walls8. Star Crossed Lovers9. Branded10. Helsinki Nights (CD Bonus Track)DISCOGRAPHY1982 Demo1983 The Dominatress EP1984 Demo1984 Master Of Disguise1986 After The Fall From Grace1987 Ride Into The Night EP2010 The Lost Grace EP2023 Sign Of The Cross For More Info Visit:http://www.savagegracemetal.comhttps://spoti.fi/3jRkuhkwww.massacre-records.comPipeman's Power of Music is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman's Power of Music features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman's Power of Music also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman's Power of Music Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pipeman's Power of Music are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

For this Weeks TechtalkRadio Show Andy, Shawn and Justin talk about Justin's purchase of Audio Technica Turntable and how much fun he has had getting the Vinyl out and playing it on the system which has many nice features. The guys share stories of their first Vinyl LP's and how the experience of owning a Vinyl Album has been different versus those that have only bought Digital Albums. This past year Vinyl Record Sale were the highest they have been for over 30 years. The guys talk about protecting your data and networks considering a recent attack on the Tucson Unified School District. Justin and Shawn share how a Hardware Firewall can add a layer of Protection. Justin recommends Fortinet Hardware Firewalls but also shares a Raspberry Pi Solution, known as PFSense. News this past week that Microsoft, Sony and Nintendo may not be attending this Junes E3 Conference. Shawn believes its smart for these companies due to the cost involved and how a Virtual Show or Digital presentation from these companies makes more sense financially. Justin asks is this could be something we could see with CES however the guys concede, the idea for in person works for CES and is important for investments in new technology. The recent Cyber Attack on Tucson Unified School District systems has been confusing for some, Andy talks with Mike Lettman, CISA Region 9 Cybersecurity advisor about what it means and how this and other Ransomware attacks occur. Mike explains how this may have happen and how anybody could be a target when it comes to data. Mike tells us about the formation of CISA, the Cybersecurity and Infrastructure Security Agency in 2018 and how cybercriminals target and why they target K-12 Schools. Mike shares info on the recovery process after ransomware attacks and what it may take to get the systems operational again. Mike also shares security tips within systems to be protected, "Patch Patch Patch." Multifactor Authentication and education and awareness for users. CISA has put together an informational package for K-12 available at https://www.CISA.gov/partnering-safeguard-K-12-toolkit Shawn shares info on the Google Fi T-Mobile issue that was recently discovered. The guys talk about your personal info which may be on the Dark Web and if company with services like LifeLock and others can be a solution for protecting your identity data. Justin shares a website for creating sounds for the background while working or relaxing, https://www.asoftmurmur.com Shawn tells us about checking out Goldeneye 007 on the Nintendo Online service. Connect with Us on social media! Facebook @techtalkers YouTube - https://www.youtube.com/techtalkradio Twitter @TechtalkRadio Instagram techtalkradio Web: TechtalkRadio.Com Subscribe and Like on Spreaker! Spotify, YouTube, Audacy, iHeart and Apple Podcast

Cleopatra Entertainment's FROST, directed by Brandon Slagle (Battle of Saipan), based on James Cullen Bressack's story and adapted for screen by Robert Thompson, and starring Vernon Wells (Mad Max 2) and Devanny Pinn (House of Manson) is the story of a young woman and her father who have to fight for survival after being stranded on a remote mountainside during a storm, FROST will be released on October 11 on Digital and Blu-ray. A full motion picture soundtrack for FROST is scheduled for both the CD and VINYL LP formats to accompany the film's release and features contributions by Rick Wakeman (YES), Geoff Downes (YES/ASIA) and Terry Reid – amongst others - courtesy of Cleopatra Records. Today I'm joined by the star of FROST, Devanny Pinn, to discuss her incredible work in the film. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/followingfilms/support

This week Nick from The Odd Advantage joins us. Nick tells us how he got into and started playing ska music. We learn about the early days of the band and we listen to their latest song. Nick tells us about song writing in the band and how their tour with For The Record went. We also give you ska news and our ska picks of the week. The Odd Advantage: https://distrokid.com/hyperfollow/theoddadvantage/pandas-in-pandemic On The Upbeat: On The Upbeat Social Media: www.Instagram.com/ontheupbeatska www.facebook.com/ontheupbeatska www.twitter.com/ontheupbeatska On The Upbeat Patreon: https://www.patreon.com/ontheupbeatska On The Upbeat Merch: https://on-the-upbeat.creator-spring.com Ska News… 1. Tryingtogetby- On Friday August 12th Tryingtogetby dropped their first album, Curse of a Tongue. https://open.spotify.com/album/2OiMac8u92YQMQqNVBEJha?si=YOa_8YuFQ-W8vzFPhVlzxg 2. Wavebreaker 2 "WAVEBREAKER 2" by Mike Park and Catbite 12" Vinyl LP + bundles. https://badtimerecords.limitedrun.com/categories/wavebreaker-2 3) Bite Me Bambi -On Tuesday August 9th Bite Me Bambi dropped a new video and song called Red Flags. https://open.spotify.com/album/1EHJhvU4HWwj4lmQ8wFL5P?si=ZQQBjZD5TxmwZu8leMaPNg Spotify playlist Ska Favorites: https://open.spotify.com/playlist/2DikTsRPk4dspXejk9bFko?si=vaPlX9V7QVW9JsTRSUdqCg Ska News Theme by Dang!t: https://dangitband.bandcamp.com/music Main Theme by Millington: https://millingtonband.bandcamp.com/music You can buy the main Theme Song: https://ontheupbeat.bandcamp.com/track/on-the-upbeat

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on August 7th 2022 These days I'm often told that, when it comes to my thoughts on things, and the emphatic stances I tend to take on events that seem not to bother other people in quite the same way, or, indeed, vice-versa, I need to loosen up a little, and learn to be a little more flexible. This seems to be especially pertinent when it comes to the small matter of the acquisition and storage of the television series which I have accumulated over the years and still want to watch, or share my insights upon. Why, I am often asked, in this era of streaming and downloading, do you still feel the need to get hard copies of all these things? Why are you so attached to the shiny disk in all its formats, and, when it comes to those boxes of old videotapes that still sit mouldering in the darkest corners of your increasingly cramped and cluttered little house, hiding behind the piles of books and CDs and magazines that also seem increasingly anachronistic to some, can you still not bring yourself to get rid of them? And, to be honest, there are a lot of people, probably a lot younger than me, and who grew up in a different era of digital accessibility, who would roll their eyes impatiently at this strange, perhaps slightly desperate, need to cling on to physical objects in order to enjoy watching certain television series of the kind I watch. And yes, whilst certain shows (because there's one born every minute), have tempted me to single, double, and even triple dip their releases through VHS, DVD, Blu-Ray and more, quite a lot of the television and films that I choose to watch in the pursuit of bringing you VISION ON SOUND each week are not widely available in any other format, and some of us are still very grateful to the companies that choose to make their products available to us in these various formats. Whilst I've not yet been persuaded of the wisdom of the resurgence of the Vinyl LP as a music-playing choice, and I have been looking at ways of retrieving data from some of my old VHS collection through digital conversion, I still get a small thrill at the announcement of a brand new blu-ray set crammed full of delightful looking VALUE ADDED MATERIAL, or even a DVD release of a series that I've never actually heard of, or which I genuinely never believed was likely to ever be seen again. So this week, I'm joined once again by PAUL CHANDLER, THE SHY YETI himself, curator of THE SHY LIFE PODCAST and we take a delightful journey through the upsides and downsides of the curious world of collecting PHYSICAL MEDIA in a digital age, a topic prompted, mostly, by PAUL extolling its virtues in response to an article in the national press which seemed to imply that this is something of an eccentric attitude for us to have. PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.

Do you consider yourself a music lover? If so, the question remains, have you ever experienced music reproduction from a quality stereo system with a turntable and Vinyl LP record? --- Send in a voice message: https://anchor.fm/patrick-ball/message

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Bad Brains. “Sailin' On.” Bar Brains, ROIR Records, 1982. Vinyl LP. Bridges, Leon. “Smooth Sailin'.” Coming Home. Columbia Records, 2015. Vinyl. LP. Fitzgerald, Ella. “A Ship Without A Sail.” The Rodgers And Hart Songbook. Verve Records, 1982. 2 x Vinyl Reissue. LP. Madness. “Night Boat To Cairo.” One Step Beyond. Sire Records, 1979. Vinyl. LP. Jones, Sharon. “Sail On.” Soul of a Woman, Daptone Records, 2017. Vinyl LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Jukebox, bunte Klamotten, Biker, Discokugel. Die Beat Music Celebration im Radioformat startet nun in die zweite Runde. Mit dabei sind wieder viele unbekannte Songs von meist doch eher bekannten Bands. Ein Blick in die Tracklist verrät, dass es diesmal in Block-Struktur zur Sache geht. Ich spiele die verschiedenen Beat Subgenrés konzentriert durch und mach mit "Beat 'n' Schlager Kuriositäten" sogar einen kleinen Schwenk in die Schatzkammer. Alle aufgelegten Songs sind wieder direkt von Vinyl LP's und Singles. ### Random Beat Musik 1. Jimmy Gilmer And The Fireballs - Daisy Petal Pickin' 2. Herman's Hermits - Hold On! 3. Cliff Richard - True, True Lovin' 4. The Easybeats - You Said That ### Freakbeat 5. The Who - Run, Run, Run 6. The Mystic Astrologic Crystal Band - Yesterday Girl 7. Status Quo - Ice In The Sun 8. Neal Ford & The Fanatics - That Girl Of Mine 9. Traffic - Hole In My Shoe ### Beat 'n' Schlager Kuriositäten 10. René Kollo - Carolina 11. Die Beatles - Komm gib mir deine Hand 12. Conny & die Girls - Tanz noch einmal mit mir 13. France Gall - Alle reden von der Liebe ### Beat vom Tellerrand 14. Dave Dee Dozy Beaky Mick & Tich - You Make It Move 15. Brenda Lee - Sweet Nothin's 16. Neil Diamond - Cherry Cherry 17. Jacqueline Taieb - 7 Heures Du Matin ### Mod 18. Sony & Cher - You Don't Love Me 19. The Yardbirds - For Your Love 20. The Who - My Generation (Live 1965 London) 21. The Kinks - Tired Of Waiting For You 22. The Rolling Stones - Talkin' Bout You 23. Them - Mystic Eyes ### Freakbeat 24. Status Quo - Gentleman Joe's Sidewalk Cafe 25. The Beatles - Bad Boy 26. The Lemon Pipers - Green Tambourine 27. The Easybeats - Promised Things ### Merseybeat 28. The Beatles - There's A Place 29. The Motions - It's Gone ### Random Beat Musik 30. Herman's Hermits - Got A Feeling 31. The Kinks - House in The Country 32. The Monkees - Last Train To Clarksville 33. The Lords - Que Sera 34. The Move - Flowers In The Rain 35. Tommy James & The Shondells # Rum 'n' Coconutwater Show Jukebox, bunte Klamotten, Biker, Discokugel. Die Liebe für "Old Time Music" der 50er bis 80er Jahre ist das entscheidende Verbindungsglied und der Kompass, der euch durch die »Rum 'n' Coconutwater« Radioshow führt. Eine musikhistorische Enteckungsreise durch die Dekaden von Rock'n'Roll bis Punk, von Folk bis Experimental, von Jazz bis Disco Pop... Interessantes Backgroundwissen aus dem "Evolution Of Genré" Sammelsurium mit den feinsten handverlesenen Sounds.

Wer alte Kassetten-Aufnahmen digitalisieren will, muss kein Computer-Genie sein und braucht auch kaum Ausrüstung – bloss ein wenig Geduld. Alte Konzertaufnahmen, Hitparaden-Klassiker der Jugendjahre, die ersten Worte des Nachwuchses – es gibt viele Kassetten-Aufnahmen, die wir nicht verlieren wollen. Alte Tonbänder können zwar auch nach 40 oder 50 Jahren noch abgespielt werden, doch mit der Zeit nimmt die Tonqualität ab. Bei unsachgemässer Lagerung ist sogar nach 10 Jahren oder weniger schon Schluss. Kassetten digitalisieren Darum ist es eine gute Idee, wichtige Aufnahmen zu digitalisieren und auf den Computer zu retten. Das ist auch für Laien leicht möglich: Als Ausrüstung braucht es lediglich einen Kassettenspieler, einen Computer und das passende Kabel, um beide zu verbinden. Wer kein Kassettengerät hat, kann sich für wenig Geld eines kaufen, das extra zum Digitalisieren alter Aufnahmen gemacht ist. Solche Geräte findet man unter den Stichworten «Kassettenspieler» und «USB». Sie werden per USB-Kabel direkt an den Computer angeschlossen oder bieten sogar Platz für einen USB-Stick. Die abgespielte Musik wird direkt auf den Stick übertragen und kann danach am Computer angehört oder weiterbearbeitet werden. Kassettengerät am Computer Doch auch alte Kassettengeräte lassen sich leicht am Computer anschliessen – entweder mit den Cinch-Steckern in Rot und Weiss oder mit einem 3,5-Millimeter-Klinken-Stecker (auch als Mini-Klinke oder Mini-Jack bekannt). Am anderen Ende des Kabels befindet sich ein 3,5-Millimeter-Klinken-Stecker, der in den Line-In-Eingang der Soundkarte des Computers gesteckt wird. Ist beispielsweise bei einem Laptop kein solcher Eingang vorhanden, genügt auch der Mikrofoneingang. Es braucht Geduld Auf dem Computer ist ein einfaches Audio-Programm nötig, um den von der Kassette abgespielten Inhalt aufzunehmen. Die Gratis-Software Audacity, die es für Windows-PC, Mac und Linux gibt, leistet hier gute Dienste. Diese Webseite beschreibt, welche Einstellungen am Computer allenfalls vorgenommen werden müssen und wie Audacity richtig eingestellt wird. Für das Überspielen alter Aufnahmen braucht es Geduld, denn es ist nur in Echtzeit möglich – dauert bei einer 45 Minuten langen Kassetten-Seite also 45 Minuten. Die oben erwähnten, extra für das Digitalisieren alter Aufnahmen gemachten Kassettenspieler verfügen teilweise über die Möglichkeit, eine Aufnahme schneller ablaufen zu lassen. In der Regel ist das aber mit einem Qualitätsverlust verbunden. Rauschen lässt sich entfernen Die Tonqualität alter Musikkassetten lässt sich aber kaum mit der einer CD oder auch einer Vinyl-LP vergleichen. Immerhin macht das besondere Vorsichtsmassnahmen beim Überspielen unnötig. Trotzdem kann ein möglichst kurzes Verbindungskabel zwischen Kassettengerät und Computer zur besseren Qualität beitragen. Ausserdem sollte das Handy ausgeschaltet bleiben, falls es während dem Überspielen in der Nähe des Computers liegt, denn auch der Handyempfang kann sich negativ auf die Tonqualität auswirken. Mit Audacity und anderen Audioprogrammen können die digitalisierten Aufnahmen am Ende auf dem Computer nachbearbeitet werden, zum Beispiel um ein störendes Rauschen zu entfernen. Ausserdem kann die Aufnahme dort auch von Hand in einzelne Titel unterteilt werden, falls eine automatische Erkennung nicht funktioniert hat. So lassen sich die Titel dann auch als einzelne Files speichern.

What happens following the "Trifecta of Disappointment:" the Santa Claus Rally failed, the first five days of January failed, and the month of January failed--in years in which these occur, markets are down for the year. The odds of the size of a Fed Rate Hike are beginning to drop: Will the the FOMC be as aggressive as we've been led to believe? Will we see $90 Oil? Chasing Hard Assets & Commodities; News that boggles the mind; money flows indicate the market bottom is in. SEG-1: January was Brutal, RCA's 45's, & Vinyl LP's SEG-2: Will the Fed Be as Aggressive as Advertised? SEG-3: Chasing Hard Assets & Commodities SEG-4: Picking on Cali; The Market Bottom is In Hosted by RIA Advisors Chief Investment Strategist Lance Roberts, CIO -------- Articles mentioned in this podcast: https://realinvestmentadvice.com/hard-assets-are-they-a-trap-in-the-making/ https://realinvestmentadvice.com/fed-rate-hikes-risks-of-financial-instability-part-ii/ -------- Our Latest "Three Minutes on Markets & Money: Is the Market Bottom In?" https://www.youtube.com/watch?v=5tHCd1FkOxA&list=PLVT8LcWPeAujOhIFDH3jRhuLDpscQaq16&index=1 -------- Our previous show, "Why the Fed is Wrong (and what you can do about it)" is here: https://www.youtube.com/watch?v=C10wUG3jDMA&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=1&t=2959s -------- Get more info & commentary: https://realinvestmentadvice.com/newsletter/ -------- SUBSCRIBE to The Real Investment Show here: http://www.youtube.com/c/TheRealInvestmentShow -------- Visit our Site: www.realinvestmentadvice.com Contact Us: 1-855-RIA-PLAN -------- Subscribe to RIA Pro: https://riapro.net/home -------- Connect with us on social: https://twitter.com/RealInvAdvice https://twitter.com/LanceRoberts https://www.facebook.com/RealInvestmentAdvice/ https://www.linkedin.com/in/realinvestmentadvice/ #TrifectaOfDisappointment #FederalReserve #MarketRally #Inflation #Deflation #InterestRates #MarketRally #Markets #Money #investing

Brilliant, talented, and Beatles-obsessed producer Tim Van Doorn stops by the pod to talk with Jeff about recording together in Antwerp, Belgium, crushing Indian food, the significance of good studio-vibes and the often heady notion of releasing music DIY. Tim van Doorn runs Big Dog Recording Studios in Belgium (which is now located in his beautiful new home) and has produced killer records by yours truly, Joe McMahon, Tim Vantol, Mike Noegraf and many, many more.The Berman Hour podcast Into OBLivION Series is presented by PunkNews.org.Order the new Divided Heaven record, Oblivion, on Vinyl LP and CD at dividedheaven.comWatch the new lyric video for 'Monuments' by Divided Heaven feat. Tim van Doorn here.#TimvanDoorn #JeffBerman #DividedHeaven #producer #Recordingstudio #Antwerp #belgium #joemcmahon #timvantol #mikenoegraf #Europe #beatles #thebeatles #oblivion #AFrecords #GunnerrecordsSupport this show http://supporter.acast.com/thebermanhour. See acast.com/privacy for privacy and opt-out information.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 105: On Repeat - Lockdown Playlist..  It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band : www.rewind80sband.com Facebook : the80smontagepodcast twitter: 80_montage instagram : the80smontage Links from Episode 105: On Repeat - Lockdown Playlist..Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: Madonna - Like A Virgin (Extended Dance Remix)https://youtu.be/JCQPo6vjlb4You're listening to the Extended Dance Remix of “Like A Virgin” from Madonna's album 'Like A Virgin' released on Warner Bros in 1984. Buy/Stream the 'Like A Virgin' album here: https://Madonna.lnk.to/LikeAVirginListen to Madonna's latest release here: https://Madonna.lnk.to/latest Subscribe to the Madonna Channel! https://Madonna.lnk.to/YouTubeID Check out the Official Madonna YouTube Playlists…The Complete Madonna Videography https://Madonna.lnk.to/Videography Live Performances https://Madonna.lnk.to/LiveYT MDNA Skin https://Madonna.lnk.to/MDNAskinYT Help Us Give Back…Raising Malawi http://www.raisingmalawi.org/The Ray of Light Foundation http://www.rayoflight.org/ Stay in touch with Madonna…http://madonna.comhttp://instagram.com/madonnahttp://twitter.com/madonnahttp://facebook.com/madonnahttp://www.madonna.com/newsletterThe Madonna Channel is the official YouTube home for Madonna. As the best-selling female recording artist of all time, Madonna continues to leave an indelible mark on the world through her art, music, activism and humanitarian leadership. Madonna consistently pushes boundaries, spurs conversations and unites us all through her revolutionary work. Subscribe for the latest videos, music, news and updates. Enjoy Madonna's groundbreaking music videos, live performances, humorous videos and more.The Cure - Pictures Of Youhttps://youtu.be/UmFFTkjs-O0#TearsForFears #HeadOverHeels #RemasteredTears For Fears - Head Over Heels (Official Music Video)https://youtu.be/CsHiG-43FzgListen to more from Tears For Fears: https://TearsForFears.lnk.to/EssentialsVote for your favourite 80s hit of all time: https://lnk.to/80BestHitsDiscover more about Tears For Fears here: https://www.udiscovermusic.com/artist...Stream a playlist of Tears For Fears' biggest tracks: https://TearsForFears.lnk.to/BestOfExperience Tears For Fears on CD & Vinyl LP:https://TearsForFears.lnk.to/UDstoreFollow Tears For Fearshttps://www.facebook.com/TearsForFears/https://twitter.com/tearsforfearshttps://www.instagram.com/tearsforfea...http://tearsforfears.com/Music video by Tears For Fears performing Head Over Heels. (C) 1985 PolyGram Video International#TearsForFears #HeadOverHeels #Remastered#BronskiBeat #SmalltownBoy #TheAgeOfConsentBronski Beat - Smalltown Boy (Official Video)https://youtu.be/88sARuFu-tcKajagoogoo - Too Shy (Official Music Video)https://youtu.be/rkpG4XApJ28IMPULSE TV Commercialhttps://youtu.be/l8dfZTWmpqMONE DICK WONDER : Nice one dick!Maria Vidal - Body Rock (official video)https://youtu.be/Nn4dR7purWs#BobMarley #BuffaloSoldier #RemasteredBob Marley & The Wailers - Buffalo Soldier (Official Music Video)https://youtu.be/uMUQMSXLlHMFleetwood Mac - Little Lies (Official Music Video)https://youtu.be/uCGD9dT12C0N.W.A. - Straight Outta Compton (Official Music Video)https://youtu.be/TMZi25Pq3T8Get N.W.A vinyl here: http://smarturl.it/NWAstoreListen to N.W.A on Spotify: http://smarturl.it/NWASpotifyFind N.W.A titles on Apple Music: http://smarturl.it/AppleMusicNWA and Google Play: http://smarturl.it/NWAGooglePlay Get the ‘Straight Outta Compton' CD here: http://smarturl.it/NWAOuttaComptonCDLike N.W.A on Facebook http://facebook.com/NWAmusicLike Eazy-E on Facebook http://facebook.com/EazyEMusic Find iconic hip hop albums reissued on vinyl here: http://respecttheclassics.com Official video of N.W.A. performing Straight Outta Compton from the album Straight Outta Compton.Thanks for listening! www.the80smontage.com

Playlist ARP demonstration. Roger Powell and Harry Coon, the ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 7:38 ARP demonstration. Roger Powell and Harry Coon, the ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 6:20 ARP demonstration, Dave Fredericks, “I Can See Clearly Now” from The ARP Pro Soloist Synthesizer (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, EP. 2:24 ARP demonstration, unknown artists, The First Symphonic Keyboard - ARP Omni (1976 ARP Instruments). Flexi-disc, 7", Promo, 33 ⅓ RPM, Single Sided. 5:05 ARP demonstration, Dave Fredericks, “Zarathustra” from The ARP Pro Soloist Synthesizer (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, EP. 2:58 ARP demonstration, Music and Narration By Roger Powell from side 1 of The ARP Family Of Synthesizers (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, Stereo Music By Dave Fredericks, Harry Coon. The narrator is credited as being musician Roger Powell, but I don't think that's true. Powell was an ARP sponsored artist around this time and some of his works from Cosmic Furnace are played on the disc, though. 7:08 PAiA Synthesizers demonstration. “Selections From Epsilon Boötis” by Richard Bugg from PAiA Synthesizers (1974 PAiA Electronics, Inc.). Flexi-disc, 7", 33 ⅓ RPM, Single Sided, Promo, Red.Uses the Paia 2720 and Paia 4700 synthesizers. Interesting demonstration that also includes instruments being processed through PAiA modules. PAiA demonstration record which included an 18-page booklet with pictures and schematics of the featured composition. 6:17 Electro-Harmonix demonstration of guitar pedals and effects. The Electro-Harmonix Work Band. “Fame and Fortune” from State-Of-The-Art Electronic Devices (1976 Electro-Harmonix). Vinyl LP. Directed by Elliott Randall who organized a band of studio musicians recruited to play a variety of Electro-Harmonix effects boxes and pedals. Bass, Will Lee; Drums, Gary Mure; Engineer, Joe Vanneri; Guitar, Dan White, Jim Miller; Producers, Dan Gershon, Elliott Randall, Mike Matthews; Vocals, Piano, Philip Namanworth. Record was basically made to feature and promote high-end electronic guitar/bass/voice effect devices by Electro-Harmonix. Detailed explanations of each device and its role in each given track are given in the liner notes on the sleeve. This track features the Golden Throat, a mouth filter device running guitar sound through a tube into the player's mouth; and Octave Multiplexer, a downward octave displacer with tone control possibilities, used here on voice. 5:08 Electro-Harmonix demonstration of guitar pedals and effects. The Electro-Harmonix Work Band. “I Am Not a Synthesizer” from State-Of-The-Art Electronic Devices (1976 Electro-Harmonix). Vinyl LP. Directed by Elliott Randall who organized a band of studio musicians recruited to play a variety of Electro-Harmonix effects boxes and pedals. Bass, Will Lee; Drums, Gary Mure; Engineer, Joe Vanneri; Guitar, Dan White, Jim Miller; Producers, Dan Gershon, Elliott Randall, Mike Matthews; Vocals, Piano, Philip Namanworth. This track features the Hot Foot universal pedal, “allowing real-time foot control of any potentiometer (knob) on any other device; Frequency Analyzer, or ring modulator; Memory Man, a solid state echo/analog delay line; Electric Mistress, a flanger; Doctor Q, an envelope follower and voltage controlled filter; and Big Muff Pi, a harmonic distortion and sustain device. Not synthesizer was used in the making of these sounds. 8:19 The Elektor Music Synthesiser demonstration , no artist, (1977 ESS). Flexi-disc, 7", 33 ⅓ RPM, Single Sided. This was a small, analog synthesizer with 3 VCO's, 1 VCF, and a dual VCA.The Elektor Formant had a three octave keyboard and was made in the Netherlands and available by kit. From the manual: “Formant is not a suitable project for the beginner. The complexity of the synthesiser demands a high degree of competency in soldering p.c. boards and interwiring if an unacceptably large number of faults are not to arise.” 7:35 RMI Keyboard Computer demonstration. Mike Mandel, “Mandel Does it” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Mike Mandel, RMI Keyboard Computer. 1:58 RMI Keyboard Computer demonstration. Clark Ferguson, “Voices” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Clark Ferguson, RMI Keyboard Computer. 1:38 RMI Keyboard Computer demonstration. Clark Ferguson, “Strings” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Clark Ferguson, RMI Keyboard Computer. 3:00 Prophet 5 demonstration. Part 1, Performed by John Bowen from The Prophet (1978 Sequential Circuits). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. Recorded at Music Annex, Menio Park, CA. 3:27 Prophet 5 demonstration. Part 2, “Sinfonia No. 11 in G minor” (Bach) performed by Dan Wyman from The Prophet (1978 Sequential Circuits). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. John Bowen, Recorded at Sound Arts, Los Angeles, CA. 2:23 Synclavier demonstration. Denny Jaeger and Patrick Gleeson, side 1 from The Incredible Sounds Of Synclavier II (1981 New England Digital Corp.). Vinyl, LP, Compilation, Stereo, Blue Translucent. Demonstration disc for Synclavier sampling system. Includes “Untitled,” composed, programmed, and performed by Denny Jaeger; additional programming, composition, and performances by Bill Keenan. 14:23 Equinox 380 MusiComputer demonstration , Bob Snyder, “Heaven Came Down” from Equinox - Featuring The Amazing Equinox 380 MusiComputer Electronic Keyboard (1982 CBS). Vinyl LP. Equinox 380.” All selections were recorded 'Live" with a standard production model of the Gulbransen Equinox 380 MusiComputer. No "over-dubbing" was utilized in the production of this album.” Snyder himself recorded the following demo tracks that are different than the album I am sourcing for this podcast, Here is that recording of a YouTube video that demos this organ synthesizer with added narration and audience clapping. 2:46 Equinox 380 MusiComputer demonstration, Danny Saliba, “Runaway” from Equinox - Featuring The Amazing Equinox 380 MusiComputer Electronic Keyboard (1982 CBS). Vinyl LP. Equinox 380.”All selections were recorded 'Live" with a standard production model of the Gulbransen Equinox 380 MusiComputer.” 2:18 LinnDrum demonstration. Side 1 from The Ultimate Drum Machine (1982 Linn Electronics, Inc.). Red Flexi-disc, 7", 33 ⅓ RPM, Single Sided, Promo. 2:25 Emulator Demonstration, Side 1, “The Andrew Wilson Emulator Demo” (written by Andrew Thomas Wilson); and “Batteries Not Included” (written by Marco Alpert); narrated by Marcus Hale from Emulator Demonstration (1982 E-mu Systems, Inc.). Flexi-disc, 8.” Featuring the E-mu Emulator sampler. 6:51 Fairlight Computer Music Instrument demonstration. Don Blacke, narrator. Side 1 of the cassette, Just Fairlight - Number Three (1982 Fairlight Instruments Pty Ltd). Cassette. “Cassette released by Fairlight Instruments Pty Ltd promoting the Fairlight Computer Musical Instrument - the first polyphonic digital sampling synthesizer. Cassette was available when purchasing the synthesizer from the company. Printed information and tracklisting included on a separate sheet of paper. Side A includes informative narration explaining the Fairlight CMI and features various samples and short compositions. The last quarter of Side A includes recording of a presentation by Dr Robert Moog commenting on the Fairlight CMI. Side B contains all musical extracts from Side A, though without the commentary.” 20:02 Yamaha Electone demonstration. Claude Dupras, “Pulstar” from Interface Yamaha FX-1 (1983 Yamaha). Vinyl LP. Dupras, a longtime Yamaha Electone user, recorded this album for Yamaha to showcase the features of the latest model, the digital Electone FX-1. Here he plays the Vangelis piece “Pulstar.” 3:21 Yamaha DX7 demonstration. Side 1 from DX7 Sound Sensation (1983 Yamaha). Flexi-disc, 33 ⅓ RPM, Stereo. Tracks: Bell, Female Voice (2); Bagpipe, Snare Drum, Footsteps (3); Stardust (1); Harp, Cello (2); Electric Guitar (2); Church Organ (1); Violin (1); Train, Banjo, Fiddle, Honky-Tonk Piano (4); Volcano (1); Pan-Flute, Timpani, Shimmer, Chinese Organ (4). Notes on DX7 settings per track: (1) Signal processors used on this recording: Reverb, Delay, Graphic Equalizer, Parametric Equalizer, Flanger (used on 'Guitar'); (2) Number in parentheses indicate the number of overdubs used for the corresponding voice; (3) The entire recording was made with a single Yamaha DX7." 6:37 Background Music Excerpts from the Moog 900, RCA Music Synthesizer, Sound of Moog, ARP family of instruments, E-mu Emulator, demonstration recordings. Blue Marvin, “Release Time” from the album With Arp Sinthesyzer 2600 (1973 Joker). Blue Marvin is Alberto Baldan Bembo in this Italian release of ARP Odyssey tracks. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

The new DIVIDED HEAVEN album, OBLIVION, is coming out in February! To celebrate its release we are going to celebrate the personnel involved in the making of OBLIVION. Jeff worked an awesome array of producers on OBLIVION, as well as visual artists, audio engineers, guest musicians, record labels and more. We're going to be talking to them about their contribution to OBLIVION and their music/art/work/careers. Charlie Stavish, Jess Guise, Bradley Riot, Mike Bardzik, Tim van Doorn, Jen "Pop" Razavi and many more surprising and awesome guests to come!My good friend and fellow troubadour Bradley Palermo joins me on this mini-episode and we listen to the new DIVIDED HEAVEN single, Burn Me!You can pre-order OBLIVION on Vinyl LP and CD now!US/Canada -- pre-order here thru A-F Records.UK/Europe -- pre-order here thru Gunner Records. LISTEN to Burn Me on Spotify!Thank you and see you soon!#DividedHeaven #TheBermanHour #jeffberman #Oblivion #AFRecords #GunnerRecords #podcast #BradleyPalermoSupport this show http://supporter.acast.com/thebermanhour. See acast.com/privacy for privacy and opt-out information.

Episode 58   Synth Demonstration Records, Part 1 Playlist Ondioline demonstration disc. Side 1 (circa 1955 Gaveau). With French narration, demonstrates how the Ondioline can imitate other instruments. This was a monophonic, electronic organ made famous by Jean Jacques Perrey. 7:07 RCA music synthesizer demonstration. Programmed by Dr. Harry F. Olsen, narrated by john Preston. Excerpts from side 1, “The Physical Characteristics Of Musical Sounds - Synthesis By Parts - Excerpts From Musical Selections” from The Sounds And Music Of The RCA Electronic Music Synthesizer (1955 RCA Victor Red Seal). Vinyl LP, Mono. This recording was widely distributed in the US, Canada, and Australia. My copy is an Australian copy. "On side 1 you will hear demonstrations of frequency, waveform, envelope, intensity, portamento and vibrato, synthesis by parts and excerpts from musical selections, all produced on the RCA Electronic Music Synthesizer. On side 2 you will hear complete selections produced on the RCA Electronic Music Synthesizer." 22:01 Moog 900 Series demonstration, side 1 Music by Wendy Carlos using the Moog Modular Synthesizer circa 1967, narrated by Ed Stokes - Electronic Music Systems (1969 A. Moog Company, Inc.). Vinyl, 10", Promo, Mono. This is from the second version of the release, after Wendy Carlos had released Switched-on Bach for which there are excerpts on the second side. The first edition was released in 1967 with the help of Carlos and this side remained as side 1 of this second release. This was a promotional disc for the Moog Modular Synthesizer. 8:59 Moog synthesizers, Chris Swansen and Jim Johnston, side 1 from “The Sound Of Moog (1971 Moog Music Inc.). Flexi-disc, 7", Promo, 33 ⅓ RPM. Moog played by Swansen, narrated by Johnston. This flexi-disc provided examples of the Minimoog, Moog Modular and ensemble work by Swansen. 6:37 ElectroComp synthesizer demonstration. “Fugue in G Minor” (Bach) and “Puerto Vallarta”from The Sound of E.M.L. Synthesizers (circa 1972 Electronic Music Laboratories Inc.). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. Programmed and performed by W.M. Hartamon and P.J. Hartamon. Modular synthesizer circa 1972, probably including models 101 and 200. 9:47 Yamaha demonstration. Masa Matsuda, “In the World of Solitude” from International Electone Grand Prix Concours 1972 (1972 Yamaha). This is a rare album from 1972 featuring participants in the annual Electone performance competition sponsored, produced, and release on a double LP by Yamaha. This event took place at the Yamaha Music Camp in Nemu-no-Sato, Japan. Yamaha sponsored this camp around building enthusiasm and a repertory of artists who could play the Electone electronic synthesizer design for virtuosic keyboard performance. 7:25 Background Music Excerpts from the Moog 900, RCA Music Synthesizer, Sound of Moog, ARP family of instruments, E-mu Emulator, demonstration recordings. Blue Marvin, “Release Time” from the album With Arp Sinthesyzer 2600 (1973 Joker). Blue Marvin is Alberto Baldan Bembo in this Italian release of ARP Odyssey tracks. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

  Guest:  Frank Burke, businessman and author.....The vinyl LP is back and what does it mean.....and other stories............. Please check our blog .......... See Carlos Guedes' schedule!      

Listen and identify the artist & tracks. Email completed answers in the order they appear to touchbass@bassagenda.co.uk by 1st July 2021. Prizes: 100% correct wins Bass Agenda stickers + 'Sub Sonic Survivor' Vinyl LP by Bass Junkie (or digital if preferred) - https://bassagendarecordings.bandcamp.com/album/sub-sonic-survivor Next highest score wins: Bass Agenda stickers + one Bass Agenda Recordings digital release of your choice (excluding Carebot$ and Touched Bass) - see here for catalogue -bassagendarecordings.bandcamp.com/ 2nd highest score wins: Bass Agenda Stickers * where multiple participants score the same there will be a draw to choose one winner. Good luck!

Wer alte Kassetten-Aufnahmen digitalisieren will muss kein Computer-Genie sein und braucht auch kaum Ausrüstung – bloss ein wenig Geduld. Alte Konzertaufnahmen, Hitparaden-Klassiker der Jugendjahre, die ersten Worte des Nachwuchses – es gibt viele Kassetten-Aufnahmen, die wir nicht verlieren wollen. Alte Tonbänder können zwar auch nach 40 oder 50 Jahren noch abgespielt werden, doch mit der Zeit nimmt die Tonqualität ab. Bei unsachgemässer Lagerung ist sogar nach 10 Jahren oder weniger schon Schluss. Darum ist es eine gute Idee, wichtige Aufnahmen zu digitalisieren und auf den Computer zu retten. Das ist auch für Laien leicht möglich: Als Ausrüstung braucht es lediglich einen Kassettenspieler, einen Computer und das passende Kabel, um beide zu verbinden. Geräte extra zum Digitalisieren Wer kein Kassettengerät hat, kann sich für wenig Geld eines kaufen, das extra zum Digitalisieren alter Aufnahmen gemacht ist. Solche Geräte findet man unter den Stichworten «Kassettenspieler» und «USB». Sie werden per USB-Kabel direkt an den Computer angeschlossen oder bieten sogar Platz für einen USB-Stick. Die abgespielte Musik wird direkt auf den Stick übertragen und kann danach am Computer angehört oder weiterbearbeitet werden. Doch auch alte Kassettengeräte lassen sich leicht am Computer anschliessen – entweder mit den Cinch-Steckern in rot und weiss oder mit einem 3,5-Millimeter-Klinken-Stecker (auch als Mini-Klinke oder Mini-Jack bekannt). Am anderen Ende des Kabels befindet sich ein 3,5-Millimeter-Klinken-Stecker, der in den Line-In-Eingang der Soundkarte des Computers gesteckt wird. Ist z.B. bei einem Laptop kein solcher Eingang vorhanden, genügt auch der Mikrofoneingang. Es braucht Geduld Auf dem Computer ist ein einfaches Audio-Programm nötig, um den von der Kassette abgespielten Inhalt aufzunehmen. Die Gratis-Software Audacity, die es für Windows PC, Mac und Linux gibt, leistet hier gute Dienste. Diese Webseite beschreibt, welche Einstellungen am Computer allenfalls vorgenommen werden müssen und wie Audacity richtig eingestellt wird. Für das Überspielen alter Aufnahmen braucht es Geduld, denn es ist nur in Echtzeit möglich – dauert bei einer 45 Minuten langen Kassetten-Seite also 45 Minuten. Die oben erwähnten, extra für das Digitalisieren alter Aufnahmen gemachten Kassettenspieler verfügen z.T. über die Möglichkeit, eine Aufnahme schneller ablaufen zu lassen. In der Regel ist das aber mit einem Qualitätsverlust verbunden. Rauschen lässt sich entfernen Die Tonqualität alter Musikkassetten lässt sich aber kaum mit der einer CD oder auch einer Vinyl-LP vergleichen. Immerhin macht das besondere Vorsichtsmassnahmen beim Überspielen unnötig. Trotzdem kann ein möglichst kurzes Verbindungskabel zwischen Kassettengerät und Computer zur besseren Qualität beitragen. Ausserdem sollte das Handy ausgeschaltet bleiben, falls es während dem Überspielen in der Nähe des Computers liegt, denn auch der Handyempfang kann sich negativ auf die Tonqualität auswirken. Mit Audacity und anderen Audioprogrammen können die digitalisierten Aufnahmen am Ende auf dem Computer nachbearbeitet werden, z.B. um ein störendes Rauschen zu entfernen. Ausserdem kann die Aufnahme dort auch von Hand in einzelne Titel unterteilt werden, falls eine automatische Erkennung nicht funktioniert hat. So lassen sich die Titel dann auch als einzelne Files speichern.

Buckle up kids! We are about to embark on an amazing journey to the land of the rising sun to discover and study all the lovely KISS Japanese LP's and extra goodies. This is the definitive KISS Japanese vinyl LP episode. Should we do the singles next?? Join us and our friends John Humphrey, John 5, and Alain Bellicha on our awesome adventure ;) https://youtu.be/V-QXZmm01HY www.patreon.com/kissmykollectibles www.klickteeshop.com www.kissmykollectibles.com www.facebook.com/groups/kissmykollectibles www.facebook.com/groups/kissmywax www.instagram.com/kissmykollectibles www.twitter.com/KMKollectibles

Miss Pat, one of the matriarchs of Jamaican music, co-founder of Randy's Records & Studio 17, as well as VP records, joins us to talk about her 60-plus years in the Reggae business. We discuss her new book that started as a scrap book for her grandchildren and became a 200 page 5 pound coffee table book full of never-before-seen photos and untold stories from the golden age of Jamaican Music. We talk about the ways that her time working the counter at Randy's Records helped her develop a keen ear for what tunes would hit with the Reggae-buying public, her relationships and friendships with virtually every Jamaican artist in the 60s and 70s, and much more. Her stories are captivating and inspiring. Enjoy this special conversation with one of the greats!Records of The Week:Devin's Record: The Terrors - "Assemble Not Thyself"Roger's Record: Randy's Allstars - "Endust Part 2"***Man-Like-Devin and Roger Rivas talk all things reggae with original and modern artists in the scene, Wednesday March 17, 2021 at 6pm PT on http://Rootfire.net/tv​​.In addition to their weekly discussion of hand-selected records from their collections of Jamaican music on vinyl, Roger and Devin are joined this week by Miss Pat of Randy’s Studio 17 & VP Records Fame.Sign the petition to get TOOTS HIBBERT into the Rock and Roll Hall of Fame: https://rootfire.net/sign-the-petition-to-induct-toots-hibbert-into-the-rock-roll-hall-of-fame/SHOP PODCLASH MERCH! Every sale helps support the show. Thank you. https://rootfire-intl.myshopify.com/collections/the-reggae-podclash​Listen to Past Episodes: https://podlink.to/ReggaePodclash​Enter to Win a Clive Hunt: "Bad Bad Bad" Vinyl LP courtesy of VP Records: https://gleam.io/ZjgXE/win-a-bad-bad-bad-vinyl-from-the-reggae-podclash​#ReggaePodclash​​ #MissPat​ #Rootfire​​http://www.TheReggaePodClash.comSupport the show (https://rootfire.net/tv/)

14 years ago this week, the Winnipeg independent music scene was crushed with the sudden loss of one of its finest, most prolific contributors. Devin Mitchell was a drummer and friend to many, many bands here in Winnipeg. He passed away suddenly on March 3, 2007. Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Carpe Diem. “Dead Mans Fall.” Irreconcilable Differences, [independent], 2002. CD EP. Barrymores, The. “Old Dogs.” New Invasion, C12 Records, 2006. CD LP. Farrell Bros., The. “New Invasion.” Rumble @ the Opry!, Teenage Rampage Records, 2003. CD LP. Barrymores, The. “Another Night With You.” New Invasion, C12 Records, 2006. CD LP. Clash, The. “Straight To Hell.” Combat Rock, CBS, Epic, 1982. Vinyl LP. Barrymores, The. “Our Ocean.” All Nighters, Bacteria Buffet Records, 2004. CD LP. Subcity. “St. David.” Where's The Noise?” Transistor 66 Records, 2009. CD LP. Link to I Walk A Fiery Line Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Join your tour guides Jason Thomason and George Falcione as they hang out at the music shop on Main Street U.S.A. and review the current vinyl pressing of the soundtrack to Disney's "Hercules" The album is available at the Disney Music Emporium: Hercules Picture Vinyl | Shop the Disney Music Emporium Official Store The Grand Circle Tour Podcast is in no way part of, endorsed or authorized by, or affiliated with the Walt Disney Company or its affiliates. As to Disney artwork/properties: © Disney. Disclosure | Privacy Policy

As we hit the last Monday in February, the podcast celebrates Black History Month with an offering of some incredibly influential black musicians. Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Armstrong, Louis. “Weatherbird.” Complete Hot Five & Hot Seven Recordings, Definitive Records, 2001. 4CD LP. Davis, Miles. “Deception.” Birth of the Cool, Capital Jazz, 2001. CD LP. Richard, Little. “I'll Never let You Go.” Specialty Records 645, 1958. 7” Record. Hendrix, Jimi. “The Wind Cries Mary.” Jimi Hendrix Experience Smash Hits, MCA, 2002. CD LP. Toots and the Maytals. “Do The Reggay.” Time Tough The Anthology, Island, 1996. 2CD LP. Gaye, Marvin. “Mercy Mercy Me (The Ecology).” What's Going On? Tamala Records, 1971. Vinyl LP. Bad Brains. “The Regulator.” Bar Brains, ROIR Records, 1982. Vinyl LP. Marsalis, Wynton. “Black Codes.” Black Codes (From the Underground), CGo! Disks, 1988. CD LP. Public Enemy. “Brother's Gonna Work It Out.” Fear of a Black Planet, Columbia Records 1985. CD LP. Barrymores, The. “New Invasion.” New Invasion, C12 Records, 2006. CD LP. Turre, Steve. “In A Sentimental Mood.” Steve Turre, Verve Records, 1997. CD LP. Jones, Sharon. “Matter of Time.” Soul of a Woman, Daptone Records, 2017. Vinyl LP. BDP. “Exhibit A.” Edutainment, Jive/RCA records, 1990. Cassette LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Great theme for you in this week's episode! Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Gentleman Reg (Vermue, Reg) “It's Not Safe.” Darby & Joan, Three Gut Records, 2004. CD LP. Wedgewoods, The. “Speechless.” The Wedgewoods, Bacteria Buffet Records. 2002. CD LP. Murray, Chris “4th of July.” 4-Trackaganza, Asian Man Records, 2001. CD LP. Isis. “Celestial (The Tower).” Celestial, Ipecac Records, 2013. Vinyl LP. Jackson 5, The. “I Want You Back.” 20th Century Masters – The Millennium Collection: The Best of The Jackson 5, Motown/Universal, 1999. CD EP. Promise Ring, The. “Why Did Ever We Meet?” Nothing Feels Good, Jade Tree Records, 1997. CD EP. Porter, Cole. “Night & Day.” Performed by Ella Fitzgerald. Ella Fitzgerald Sings the Cole Porter Song Book, 1997. 2 x CD LP. Mr. Bungle. “Goodbye Sober Day.” California, Warner Bros. Records, 1999. CD EP. Godspeed You Black Emperor! “String Loop Manufactured During Downpour....” f#a#∞, Constellation Records, 1997. Vinyl LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Join your tour guides Jason Thomason, George Falcione and Kris Banas as they hang out at the music shop on Main Street U.S.A. and review the current vinyl pressing of the soundtrack to Walt Disney's "Sleeping Beauty." The album is available at the Disney Music Emporium:  Sleeping Beauty Picture Vinyl | Shop the Disney Music Emporium Official Store The Grand Circle Tour Podcast is in no way part of, endorsed or authorized by, or affiliated with the Walt Disney Company or its affiliates. As to Disney artwork/properties: © Disney. Disclosure | Privacy Policy

KULTUR WAVE (Radio broadcast)Playlist N° 005...Lundi 13 Novembre 2017 - Horaire : 23:00 >> 00:00 GALAXIE RADIO 95.3FM (www.galaxieradio.fr) [ Kultur Wave Mix ] ...by EBMnator (S&SR) A SPLIT SECOND "Crime Wave" CD: Kiss Of Fury (Antler Subway Records) MIRRORS "Fear Of Drowning" CD: Lights And Offering (Skint) NITZER EBB "Hearts And Minds" CD: Belief (Mute Records) FLORENCE FOSTER FAN CLUB "On" DIG V/A : Their Music Our Lives (Room Tracks / Dark Scene Records) CARLOS PERON "Everything Is True, Nothing Is Permited" CD: Talks To The Nation [1981-2004 Revisited] (Rosegarden) LADYTRON "Seventeen" CD: Light & Magic (Telstar) LIAISONS DANGEREUSES "Peut-Être...Pas" CD: Liaisons Dangereuses (Roadrunner Records) AUSTRA "Beat And The Pulse" CD: Feel It Break (Domino Recordings) ADULT FANTAISIES "Fresh Kills" VINYL LP: 8 Neo-Pathetic Scenes (Antler Records) ORIGINAL BAND "Inside Of Me (2017 Version)" DIG: Demo... (Autoproduction) IN THE NURSERY "Groundloop" CD: Groundloop (ITN Corporation) VOID KAMPF "The Calling (DEATH IN JUNE cover)" CD: Funk Off (EK Product) PARADE GROUND "Action Replay" CD: Parade Ground (Daft Records) DAGEIST "In My City" CD: 40 (Danse Macabre) TRISOMIE 21 "One Last Play" CD: T21 Play The Pictures (Play It Again Sam Records) PROMO THANKS TO : ORIGINAL BAND (Pascal & Ludovic), EK PRODUCT (Amedeo Marchese), VOID KAMPF (Mister Body 98), ITN CORPORATION (Klive & Nigel Humberstone), DAGEIST (Davide & Frédéric) ...

For those of us of a certain age, was there anything more relaxing in our years of innocence and escapism than wandering off to the local record store and flipping through countless racks of vinyl LPs? Not for me, at least. I was fortunate enough to have a great place to go hunt for new or sometimes used records and just avoid the responsibilities of my teenage years. The downside was only the spending of money that didn't come easily. The upside was usually an hour's worth of vinyl euphoria once the needle dropped. But which one to choose? What would help me make that difficult decision? The listings of the tracks? Maybe...but almost always it was the beauty of the cover art that would catch my attention and make me explore the album even further. Ah what a life.Join my neighbor Jerry and I as we relive those thrilling days of yesteryear and discuss our personal vinyl collections in terms of the beauty that we found on the covers, which often times matched that of the music itself. Please enjoy our Spotify playlist to hear some of the music we loved, but couldn't squeeze into this episode:https://open.spotify.com/playlist/26OGLsbmRnZoRC5v6wXJNC?si=52f7f3417fd14558

Welcome Charlie Risso to Sonic Dorms. Charlie is an independent alternative singer-songwriter who has recently released her second album: "Tornado", which was released on 12/01/20.  Co-host of Sonic Dorms: Max Davallo & Charlie discuss her origin story, inspirations/influences, as well as the journey to her new album.  If you're a fan of the kind of ethereal yet heart-on-soul vocals/songwriting of artists such as: Tori Amos and Enya, as well as others of that same ilk, you'll find something to love about what Charlie Risso offers from both a vocal & songwriting standpoint.  This is an artist who sings from the heart and always has a story to tell with real passion & fire.  Follow Charlie Risso on Instagram, as well as her website, and check out her new album, available on ALL streaming platforms.   *If you would like to purchase the new album "Tornado", Charlie Risso is welcoming those who are interested to message her on Instagram, for a physical (CD) copy... with a Vinyl LP release due in the near future*  Instagram: @charlie_risso  Website: https://www.charlierisso.com/ Tornado - Music Video: https://www.youtube.com/watch?v=ru9RR... Follow Sonic Dorms on Instagram & Twitter for any updates! @sonicdorms  and make sure to listen to past & future episodes of our podcast exclusively on Spotify!  As always, thank you for listening & watching.

Themen: Livekommentar zur BluRay/DVD "1000 Jahre EAV" Weitere Infos: Nachtrag: ist die Version von "Was haben wir gelacht" Nachtrag: ist die Maxi-Version Nachtrag: Die "Zirkus-Melodie", die bei "Trick der Politik" kurz angespielt wurde, ist der "Einzug der Gladiatoren" von Julius Fucik (1899). Felix Meyer - Die im Dunkeln hört man doch Coldplay - Everday Life Leonard Coen - Thanks For The Dance Details zur Folge

There are people who still believe that the resurrection of vinyl is a fad, a passing trend, something of which people will tire and we’ll all move on… This, frankly, is insanity…total insanity… Vinyl LP sales have been going up by double digits year-over-year since 2008…and that’s just new releases…these figures don’t include the sales of used records in record shops, at record sales, or online through eBay or sites like discogs.com… The numbers also don’t include vinyl sold at the merch table at gigs…and it doesn’t include the millions of younger people who have been raiding their parents’ collections… People are deep into vinyl and are embracing (or re-embracing) the format more and more with every passing week…why?...maybe it’s a reaction to the digital age…people want something physical, tangible, something they can hold in their hands… Maybe it’s the idea that vinyl is inconvenient when compared to digital formats…listen to a vinyl record requires physical presence and care…or maybe it’s the warm, real sound of the audio… Whatever…I’m always getting email from people who want to know more about vinyl as people want to have a closer relationship with their music collections…okay…you asked for it…here’s more about vinyl that you ever need to know…

A singer and songwriter most famous for his work on the television show Scrubs, MIGHTY QUINN (aka Quinn Walker) grew up playing Rock, Funk, Soul, and Gospel, and he presently writes music and plays shows with his live Punk band, set to release their self-titled debut album MIGHTY QUINN & THE OAKLAND RONIN in stores and online worldwide November 2, 2018. The album will also be available as a Vinyl LP, and in true Punk fashion includes a ton of leftist political messages about social justice mixed with classic upbeat tunes about love, loss, addiction, depression, and a few pirate references.

Radio Brennt! hat diesmal wieder das Hamburger Garage Punk Power-Couple The Cheating Hearts zu Gast. Die Beiden machen bereits seit einigen Jahren kompromisslosen Garage Punk, der fast immer ordentlich nach vorne geht und keine Gefangenen macht. Das Bandkonzept sieht es dabei vor, dass Viva Valli und Stu Black im Outfit eines Las Vegas Hochzeitpaares auf die Bühne treten. Schließlich geht es in ihren Songs ja meist auch um die Schattenseite der Liebe. Jetzt bringen The Cheating Hearts eine frische Vinyl-LP beim legendären Londoner Label Trash Wax raus. Am 6. Juli sind sie darüber hinaus mal wieder im Hamburger Molotow zu sehen, zusammen mit den Italienern von Plutonium Baby. Im letzten Jahr waren die Hearts viel unterwegs und haben u.a. Clubs in Japan und Italien zum Kochen gebracht. Das und noch vieles mehr erzählen sie Mischa und Stefan in der Sendung. Wenn diese beiden am Moderationsmikro stehen geht es traditionell etwas chaotischer zu als sonst in dieser Sendung. So gibt es diesmal leider auch kleinere Tonprobleme, denn Alex musste über ein zusätzliches Mikro zugeschaltet werden, das noch nicht so gut funktionierte wie gewünscht und leider haben wir zwischendurch beim Interview den Plattenspieler angelassen, der dann etwas brummt. Nunja, this is Trash! Nächstes Mal wird bestimmt besser, haha. Mehr von den Cheating Hearts gibt es hier: http://thecheatinghearts.com/ https://www.facebook.com/thecheatinghearts/ Mehr von Radio Brennt!, u.a. alle bisherigen 72 Sendungen in voller Länge könnt Ihr auf http://www.radiobrennt.de/ hören. In der Podcast-Version dieser Sendung musste wir leider einige Songs aus rechtlichen Gründen raus lassen. Die „Vollversion“ gibt es am 05.07.2018 um 19 Uhr auf Tide.radio und unter www.tidenet.de zu hören. Wir bedanken uns bei allen Bands, die uns erlaubt haben ihre Songs im Podcast zu verwenden! Wir würden uns sehr freuen, wenn Ihr uns eine positive Bewertung bei iTunes bzw. Apple Podcasts da lasst, denn je mehr Menschen und (positiv) bewerten, desto prominenter zeigt der Algorithmus unseren Podcast anderen Menschen als Vorschlag an! Hier noch die Tracklist: 01. The Cheating Hearts – Bad Habit 02. The Cheating Hearts – Rock `n Wrestling 03. The Cheating Hearts – Lovehater 04. The Cheating Hearts – Gimme Gimme 05. The Black Drongos – Did I Tell You 06. Plutonium Baby – The Healer 07. The Cheating Hearts – Alright   Hamburgs Nummer 1 Underground-Musiksendung gibt es jetzt auch als Podcast. Einmal im Monat stellen sich Stefan, Alex und Mischa in unterschiedlichen Kombinationen ins Studio von Hamburgs führendem Musiksender Tide.radio und laden (meistens) eine Band aus der haseatischen Musikszene ein, die die Mehrheit der Hörer noch nicht kennen dürfte. Das macht Radio Brennt! (benannt nach dem Ärzte-Song) zu einer Sendung für Musikentdecker. Auf das Ohr gibt es so ziemlich alles, außer elektronischer Musik. Die Moderatoren hatten schon Singer/Songwriter, Punk-, Pop-, Rock ' n Roll und sogar Funkbands zu Gast. Eine Stunde reden die Moderatoren mit ihren Gästen über Gott und die Welt und vor allem natürlich über Musik. Das musikalische Programm bestimmen dabei immer die Gäste. Einige wollen gerne ihre eigene Musik vorstellen, andere Lieblingsbands promoten. Im Podcast hört Ihr Essenz der sonst 58 Minuten langen Sendung. Wer mehr will, schaltet immer am ersten Donnerstag im Monat um 19 Uhr Tide 96.0 ein oder streamt das Ganze unter www.tidenet.de! Reinhören könnt Ihr aber z.B. auch auf unserer Webseite www.radiobrennt.de.

In today's VINYL VIBRATIONS podcast, I tour some LP records that showcase guitarist greats in the emerging jazz fusion music era. These performances are found on Vinyl LP and today’s show is called GUITARISTS - JAZZ FUSION GREATS. In today’s podcast, we will hear jazz and jazz fusion guitarists from the 17-year period of 1960 to 1977, including…   1 Charlie Byrd Trio The Guitar Artistry of Charlie Byrd Nuages (Rheinhardt) Riverside 1960 2 Wes Montgomery Incredible Jazz Guitar of Wes Montgomery Four On Six (Montgomery) Riverside-OJC 1960 3 Frank Zappa Chunga’s Revenge Chunga’s Revenge (Zappa) Reprise-Warner Bros 1970 4 Mahavishnu Orchestra Birds of Fire Open Country Joy (McLaughlin) 1973 Columbia 5 Pat Metheny Bright Size Life Missouri Uncompromised (Metheny) ECM 1975 6 Larry Coryell Philip Catherine Twin-House Guitar Duos Mortgage on Your Soul (Keith Jarrett) WEA Musik 1977 7 Al Di Meola Elegant Gypsy Suite Elegant Gypsy Suite (Di Meola) Columbia 1977 We will hear examples of guitarists playing various forms of jazz, leading up to the emerging jazz-rock fusion genre of the 1970s. These are LP records, produced between the years 1960 and 1977. We will hear influences of gypsy jazz in Reinhardt, ear-trained Montomery, zany Zappa, mahavishnu McLaughlin, modal Metheny and elegant gypsy DiMeola …as composers of the songs in this podcast. M1 Charlie Byrd Trio, Nuages. Charlie Byrd was born in Suffolk, Virginia, in 1925. He was an American guitarist playing the genres of bossa nova, brasilian jazz, latin jazz and swing. Byrd played fingerstyle on a classical guitar. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. In 1943 he was drafted into the United States Army for World War II, and was stationed in Paris in 1945 where he played in an Army Special Services band. Byrd's greatest influence was the gypsy guitarist Django Reinhardt, whom he saw perform in Paris. After the war, Byrd returned to the United States and went to New York, where he studied composition and he began playing a classical guitar. In 1954 he became a pupil of the Spanish classical guitarist Andres Segovia and spent time studying in Italy with Segovia. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, Charlie Byrd collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music. This song, Nuages is one of the best-known compositions by Django Reinhardt. Reinhardt recorded about thirteen versions of the song, and today it is a jazz standard and a main portion of the gypsy swing repertoire. It was originally an instrumental piece. Charlie Byrd Trio, The Guitar Artistry of Charlie Byrd , Nuages (Django Rheinhardt) , Riverside OLP 1960, 3:05 Personnel Charlie Byrd guitar  1925-1999 Keter Betts  bass Buddy Deppenschmidt  drummer M2 Wes Montgomery , Incredible Jazz Guitar of Wes Montgomery , Four On Six (Montgomery) , Riverside-OJC 1960, 6:14 Personnel • Wes Montgomery- electric guitar • Tommy Flanagan - piano • Percy Heath – bass • Albert Heath - drums Wes Montgomery was born in Indianapolis. and came from a musical family. Two brothers were also jazz performers. Monk on bass and Buddy on vibraphone and piano. The brothers released a number of albums together as the Montgomery Brothers, on the Pacific Jazz label. As a band leader, Wes produced many albums, 31 albums over a 10 year period, with three labels, Riverside, Verve and A&M. He also is recorded only three times as a guitar sideman- - showing that Wes Montgomery preferred to lead his own band. Montgomery toured with Lionel Hampton early in his career, age 25-27, however he returned home to Indianapols to support his family of eight. Montgomery worked in a factory from 7:00 am to 3:00 pm, then performed in local clubs from 9:00 pm to 2:00 am.

PROGRAM EPISODE: ROCK THE CLASSICS PROGRAM NOTES In today's VINYL VIBRATIONS podcast, I tour LP records from the 1960s and 1970s where the rock or pop artist is performing classical music, or giving a new dimension to classical music. These performances are found on Vinyl LP and today’s show is called ROCK THE CLASSICS ! We will hear from Frank Zappa, Blood Sweat & Tears, Jethro Tull, Emerson Lake & Palmer, Deodato, Steely Dan, today … on ROCK THE CLASSICS. INTRO to ROCK THE CLASSICS (narrate only the names of the groups) Today we hear ROCK THE CLASSICS …  we will hear… Zappa entertain us with time riddles from Stravinsky Wendy Carlos reinvents a Cantata from JS Bach,  Blood Sweat & Tears soothes us….with music from Erik Satie Jethro Tull and a jazz rendition of a dance from JS Bach Emerson Lake & Palmer rocks us with Bela Bartok Deodato provides fanfare from Richard Strauss … and Steely Dan celebrates a ragtime classic from jazz great, Duke Ellington Tracks Today: M1 Petrushka (I. Stravinsky), Frank Zappa, ‘Tis The Season To Be Jelly M2 Cantata 147, 10th mvt) (J.S. Bach), Wendy Carlos M3 Trois Gymnopedies On A Theme (Erik Satie), Blood Sweat & Tears M4 Bouree (J.S. Bach), Jethro Tull M5 The Barbarian (Bela Bartok) Emerson Lake & Palmer M6 Also Sprach Zarathustra 2001, (Richard Strauss) Deodato M7 East St. Louis Toodle-Oo, (Duke Ellington) Steely Dan In today's podcast we will hear seven examples of a rock or pop artist, in one case a classical music rocker, performing classical music, and with striking interpretations, new instruments or technology, or change to the musical meter as influenced by pop or rock rhythm… produced between 1965 and 1977. M1 Song  Petrushka, Album ‘Tis The Season To Be Jelly, Album Artist Frank Zappa, Composer I. Stravinsky (1911), Year 1967, Released By - Bootleg album Petrushka is a ballet with music by Russian composer Igor Stravinsky, composed in 1911. It was premièred in Paris and although the production was a success, music was reviewed as brittle, caustic and even grotesque. Two years later, in 1913, the Vienna Philharmonic initially refused to play the score, considering the score as “dirty music”. As for Frank Zappa and The Mothers of Invention, the album ‘Tis the Season to Be Jelly was recorded at Konserthuset, Stockholm, Sweden on September 30, 1967. Pretty cool really, because The Stockholm Concert Hall (Konserthuset) is the main hall for orchestral music in Stockholm, Sweden, it is the home to the Royal Stockholm Philharmonic Orchestra. Bringing us back to the design of this hall for classical music. Was Zappa compelled or inspired by this great house to include SOMETHING classical? This song, Petrushka, was originally recorded by Zappa and distributed on a bootleg album. So now, going back to the 1913 sentiment about Petrushka being “dirty music”, interesting that the bootleg album cover features a caricature of Zappa’s foot and a smelly sock. Perhaps this truly is… “dirty music”? At the time of this recording, Zappa was 26 years old, so this is very early in his recording career. Only one year earlier, in 1966, Zappa released his debut album FREAK OUT with The Mothers of Invention. And only a week before this concert performance, Frank Zappa wed Gail Sloatman, with whom he was married and produced four children, right until his untimely death in 1993. Today we hear a short rendition of Petrushka, as arranged for rock band, by Frank Zappa and the Mothers of Invention, and as performed in the Konserthuset in Stockholm, in 1967. M2 Song Cantata 147, (Heart and Mouth and Deed and Life), 10th mvt, Album Switched On Bach, Album Artist Wendy Carlos, Composer Johann S. Bach (1716), Year 1968, Released By Columbia Masterworks Records Cantata 147, is written by Johann Sebastian Bach. A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often with a choir.

This is the first post of VINYL VIBRATIONS by Brian Frederick. In today's podcast we look at Part ONE of a two-part program on JAZZ FUSION. Today, we focus on the decade of development of JAZZ FUSION during the late 1960s and into the 1970s -- during the "Golden Age of Vinyl" when many of the early works we will hear are found in Vinyl LP format. Jazz Fusion maybe not as much a musical style, but more of a MUSICAL APPROACH. PROGRAM SUMMARY M1 Gary Burton Quartet, their first album DUSTER in 1967 on RCA Records, vibraphonist Gary Burton, the song "LITANY". Gary Burton - the jazz vibraphonist from Anderson Indiana.  Burton plays with Larry Coryell [guitar], Roy Haynes [drums], Steve Swallow [bass].  Burton developed a pianistic style of four-mallet technique as an alternative to the usual two-mallets. He is also known for pioneering fusion jazz.   In 1967 BURTON formed the Gary Burton Quartet.   Predating the jazz-rock fusion craze of the 1970s, the group's first record, Duster, combined jazz, country and rock and roll elements. M2 John McLaughlin and the Mahavishnu Orchestra and the album APOCALYPSE, 1974 on CBS. With the London Symphony Orchestra, with Michael Tilson Thomas conductor. The song titled WINGS OF KARMA track one side 2. This album is produced by George Martin. Recorded in London 1974. McLaughlin is flexing his creative muscles, demonstrating, convincingly, that he can compose and arrange in a symphonic format, and work in his electric instruments, the electric piano, guitar and bass, and the rock drum set with . Jean Luc-Ponty is featured on electric violin. John McLaughlin on electric guitar, Gayle Morgan on keyboards, plus 9 other members of the LSO. Very powerful, a very new musical dimension, this sound, in 1974. M3 The MOTHERS, and the album ..The Grand Wazoo, and the song "EAT THAT QUESTION", on Reprise Records, Warner Bros Records, 1972. Produced by Frank Zappa. On woodwinds Mike Altshul and Joel Peskin, Sal Marquez on all brass, George Duke on Keyboards, Frank Zappa percussion, and Guitar Frank Zappa, Drums Aynsley Dunbar and Bass-the credit shows as "erroneous"! All selections composed and arranged (and produced) by Frank Zappa. M4 Jean-Luc Ponty on electric violin and the album King Kong, the song "IDIOT BASTARD SON" by Frank Zappa, The album cover indicates "music for electric violin and low budget orchestra - composed and arranged by Frank Zappa. The electric violin has a natural footing, a solid role as a solo instrument in this new JAZZ FUSION genre. M5 Jerry Goodman and Jan Hammer  the song "Stepping Tones, composed by Rick Laird on the "Like Children" album, Nemporer Records 1974. This is an interesting album from the standpoint that all of the performance talent on this record is supplied by only two persons --- Jerry Goodman on on violins, electric guitar, electric mandolin, acoustic guitar, viola and --- Jan Hammer on piano, drums, moog bass, moog lead, percussion. M6 The MOTHERS "Peaches en Regalia" live track from  The MOTHERS and the "Fillmore East, June 1971" album, distributed on Reprise (Warner Bros) Records. Zappa is on electric guitar, Ian Underwood on keyboards, Aynsley Dunbar on drums, Jim Pons on bass, Don Preston on the mini-moog, and Bob Harris on 2nd keyboard. "Peaches en Regalia" was written by Frank Zappa and published by Frank Zappa Music.  

This week we are talking with Janet Borgerson and Jonathan Schroeder. These avid vinyl collectors eventually realized that they were seeing themes within the albums they had, specifically with their cover designs. This lead them down the path to writing their book “Designed for Hi Fi Living: The vinyl LP in mid-century America.” We were lucky enough to be welcomed into their home to discuss their project amid their collection. It was so fascinating learning about American culture through these covers. You definitely do not want to miss this episode!

Louise Huebner -Seduction Through Witchcraft (vinyl LP version) En 1969 Louise Huebner, la bruja “oficial” de los Ángeles, grabó un disco hablado de su exitoso libro “Seducción por medio de la Brujería” para Warner Brothers Records, que sin duda saco provecho de su notoriedad como celebridad ocultista en la era de Anton LaVey y Sybil Leek. Un extraño material difícil de encontrar, aquí dejo el material completo para los curiosos en temas de brujería, ocultismo y cultura Pop de los sesentas y setentas.

Louise Huebner -Seduction Through Witchcraft (vinyl LP version) En 1969 Louise Huebner, la bruja “oficial” de los Ángeles, grabó un disco hablado de su exitoso libro “Seducción por medio de la Brujería” para Warner Brothers Records, que sin duda saco provecho de su notoriedad como celebridad ocultista en la era de Anton LaVey y Sybil Leek. Un extraño material difícil de encontrar, aquí dejo el material completo para los curiosos en temas de brujería, ocultismo y cultura Pop de los sesentas y setentas.

Louise Huebner -Seduction Through Witchcraft (vinyl LP version) En 1969 Louise Huebner, la bruja “oficial” de los Ángeles, grabó un disco hablado de su exitoso libro “Seducción por medio de la Brujería” para Warner Brothers Records, que sin duda saco provecho de su notoriedad como celebridad ocultista en la era de Anton LaVey y Sybil Leek. Un extraño material difícil de encontrar, aquí dejo el material completo para los curiosos en temas de brujería, ocultismo y cultura Pop de los sesentas y setentas.

Today's Throwback Thursday looks at the continued strength of the vinyl revival. Tune in during the 8 am hour when Jeff Spurgeon plays a special vinyl track. The numbers are striking: CD sales declined nearly 15 percent last year. But vinyl sales moved in the opposite direction: up 32 percent from 2012, according to Nielsen SoundScan. Trendy retailers such as Urban Outfitters and Whole Foods are stocking vinyl records. Sales of turntables are up and artists like conductor Gustavo Dudamel, pianist Valentina Lisitsa and the Brooklyn Rider string quartet are releasing LPs. While the black disc never went away among purist deejays and audiophiles, it has made a broader comeback, especially among hipsters, college students and nostalgic baby boomers. “The whole idea of actually holding a piece of music in your hand has become sort of a quaint concept because you can carry thousands of songs around in your pocket," said Greg Milner, author of Perfecting Sound Forever: The Story Of Recorded Music. However, "if you are going to have a material object, it may as well be something that’s so far removed from digital formats.” Brooklyn Rider violist Nicholas Cords believes that vinyl records put a listener in a physical space, such as a living room or bedroom. For the quartet, "it connects us to a past, a heritage of string quartet playing that we very much admire. It was a symbolic connection to something we really love." When Brooklyn Rider released its 2012 album “Seven Steps” on vinyl (as well as MP3 and CD) the group invoked past greats like the Capet, Rosé, and Busch String Quartets, who first became known to the world through their pioneering 78 rpm releases in the 1930s and '40s. Cords dismisses the suggestion that LPs are a gimmick, noting that their creation can be painstaking and costly given the different mastering processes involved. What's more, a vinyl release is a way to connect with a specific fan base. Detractors argue that vinyl has plenty of drawbacks: it's not portable, it scratches, it warps and player needles wear out. But its advocates point out that, unlike MP3s, the sound of vinyl is not compressed and any surface noise actually adds warmth to the listening experience. “One of the reasons why people like vinyl is it imparts a kind of unreality to the sound,” said Milner. “People think of it as real but it actually gives you this thing that maybe you don’t hear in real life because in real life you’re not hearing things through the veil of hiss and noise.” But despite the love heaped on vinyl and its reported comeback, it barely moved the needle for the music industry in 2013. "Vinyl is only about two percent of total album sales, so when you talk about a revival you have to talk about it in the context of everything everyone is listening to,” said Claire Suddath, a writer for Bloomberg Businessweek. In October, Suddath reported that the number of LPs sold in the U.S. represented only 1.4 percent of all albums sold. While vinyl may not save a troubled industry – one that saw even download sales drop last year – Cords notes that it represents a link with tradition in an age when music formats can seem overly disposable. "I just don’t see vinyl going away," added Milner. “It’s a good format, it’s durable, it will last a long time.” Listen to the full segment above, take our poll and leave a comment: Do you listen to vinyl? If so, why? .chart_div { width: 600px; height: 300px; } loadSurvey( "vinyl-comeback", "survey_vinyl-comeback");

The Unknown Quantity Radio Show...pt 1. "Jazzreloaded is a space dedicated to AfroPean jazz in all its forms; Nu Jazz, Soul, Swing, Spoken word, Blues, Bebop, Hip Hop, Leftfield, Broken Beat, Fusion, Post Bop…and styles yet to be imagined! Celebrating jazz legends in their lifetime; from the roots to the fruits. All music and content retains the copyright of the respective artist, unless indicated. Produced @ Merlin Studios, London" 1: COURTNEY PINE – ‘Toussaint L’ouverture’ Album: Transition in Tradition (En hommage à Sidney Bechet) (CD) (2009 Creative People) 2: LENNOX “BOOGSIE” SHARPE – ‘Can’t You See Me’ Album: Phase II (Vinyl LP) (1979 Sharc Productions) 3: ANDRE TANKER – ‘River Come Down’ Album: Greatest Hits Vol 1 (CD) (2008 Andre Tanker Music Limited) 4: CHRIS JEROME – ‘Confluence’ Album: Long Distance (CD) (2006 Self Released) 5: BATTI MAMZELLE - ‘San Juan’ Album: I See The Light. (Vinyl LP) (1974 Cube Records) 6: ALEX WILSON – ‘Antonio’ Album: Salsa Con Soul (CD) (Alex Wilson Records 2008) 7: GILBERTO GIL – ‘Toda Menina Baiana’ Album: The Beat of Brazil, Vol. 2 (CD) (Warner Music 2004) 8: CECILIA STALIN – ‘Everything Must Change’ (Bernhard Inger) Album: Straight Up (CD) (Firefly Productions 2005) 9: TIGER – ‘Gold in Africa’ Album: Calypso – Best of Trinidad (MP3) (Caribbean Music Group) 10: MULATU ASTATQE – ‘Yekatit’ Album: The Very Best Of Ethiopiques (CD) (2007 Manteca)

A conversation about the rise, fall and rise of the long-playing album format both technologically and artistically with journalist Travis Elborough, author of The Vinyl Countdown: The Album from LP to iPod and Back Again.