The Bulwark Goes to Hollywood

On this week's episode, I'm joined by Evan Jonigkeit, the star and producer of Henry Johnson. Based on the play of the same name by David Mamet, Henry Johnson is Mamet's first film in a dozen years and a beguiling provocation; I greatly enjoyed discussing not only the meaning of the movie with Jonigkeit but also how difficult it is to get a picture like this—a series of Socratic dialogues, a movie of complex ideas made for adults—in front of audiences.  Henry Johnson is available to rent now from the film's website and is playing in a handful of locations (including a one-night stop at the Aero in Los Angeles and a residency at Bryn Mawr). I hope you check it out. And if you enjoyed this episode, please share it with a friend!

On this week's episode, I'm joined by Jeremy Workman, the director and producer of Secret Mall Apartment. We discussed the difficult process of getting your subjects to trust you, the trickiness of distributing an indie documentary in the modern cinematic landscape, and the importance of having a big star like Jesse Eisenberg willing to do a little press for you. The movie's playing in theaters now; you can see if it's in a cinema near you here. And if you enjoyed this episode, please share it with a friend!

On this week's episode I'm rejoined by Scott Mendelson of The Outside Scoop to talk about the state of the box office thus far through 2025. It's better than 2024—thank you, Minecraft—but not as good as 2023. Plus, we delve into some of the discussion surrounding Sinners's box office, particularly the foreign and domestic splits. Does its strength in North America demonstrate that Hollywood should be less concerned with appealing to foreign audiences and more worried about making big bucks (and better movies) for the homegrown crowd? All that and more on this episode; if you enjoyed it, I hope you share it with a friend!

On this week's episode, I talked to Andrew Ortenberg of Briarcliff Entertainment about distributing tricky movies like The Apprentice and Magazine Dreams. How have the economics of cinematic distribution improved for distributors with the infrastructure in place to handle it? How have the various video-on-demand tiers shifted over the last few years? What should folks keep in mind before they declare a movie a hit or a flop? And why are family movies an under-utilized resource for the indie set? All that and more on this week's episode. If you enjoyed it, please share it with a friend!

On this week's episode, I'm joined by New York Times film critic Alissa Wilkinson to discuss her new book about Joan Didion, We Tell Ourselves Stories. I mentioned the book in a newsletter a couple of weeks back, but I wanted to focus on the ways in which the political world has borrowed showbiz's penchant for image calibration, from the ways in which issues are decided upon to the means by which politicians decide which voters to target. Didion, of course, was a natural observer of these shifts, having spent years in Hollywood before becoming one of the nation's most interesting political observers. If you enjoyed this episode, I hope you both pick up a copy of Alissa's book and share this with friends!

On this week's episode, I'm joined by Ray Mendoza, who cowrote and codirected the new A24 movie Warfare with Alex Garland (Civil War, Ex Machina). We discussed the journalistic process of rebuilding the day's actions portrayed in the film from the memory of those who participated, Mendoza's work with Garland on Civil War, and the cinematic experience of trying to help people understand what it's like to go into battle after getting your brain rattled. The movie releases on April 11, and I strongly recommend watching it in a theater to get that fully immersive sonic effect. And if you enjoyed this episode, I hope you share it with a friend.

I am pleased to be rejoined this week by Bobby Miller to discuss his new novel, Situation Nowhere. Imagine Brazil by way of Idiocracy but goopier: That's Situation Nowhere. We talked about some of his influences, the state of our increasingly recursive culture, and why we need to bring back shaming folks for selling out. If you're in Los Angeles, check out Bobby's event on Saturday at The Redwood Bar! And if you enjoyed this episode, please share it with a friend. (And listen to last year's episode with Bobby about the Blu-ray release of his film, The Cleanse.)

On this week's episode I'm joined by Ross Benes, the author of the forthcoming book 1999: The Year Low Culture Conquered America and Kickstarted Our Bizarre Times. It comes out in a few weeks and I hope you take a gander at it; we spent most of our time discussing the ways in which professional wrestling and the Insane Clown Posse help explain the phenomenon that is Donald J. Trump and his ascent through the political landscape, but there's more to the book than that. And if you enjoyed this episode, I hope you share it with a friend!

Sonny Bunch sits down with filmmaker Jonathan Gruber to discuss his new documentary, Centered, which explores the life and legacy of Joe Lieberman. As the first Jewish Vice Presidential candidate, Lieberman made history—only to later shake up politics by breaking with his own party. With the film releasing today, they dive into his career, key political battles, and the impact of centrism in modern politics.

A weird question I sometimes get is this: “I want to get into buying movies on disc, Sonny, but I don't know where to start.” I say it's weird because the answer seems obvious to me: just buy movies you like to watch! But there are issues I take for granted like formats and resolutions, so I thought it would be useful to talk to Aidan Ryan of the Boston Globe about his recent piece in that newspaper's magazine focused on the Gen Z/Young Millennial cohort that has gotten really into collecting movies on disc. From the dollar DVD bins to the high-quality UHD 4K collectors sets put out by the boutique labels, these younger collectors run the gamut. If you have questions of your own, feel free to leave them in the comments and I'll do my best to answer them. And if you enjoyed this episode, please share it with a friend!

On this week's episode, I'm plesaed to be rejoined by Brandon Struessnig to discuss one of my favorite packages of the year, Vulture's annual stunt awards. Who were the big winners? What were some of the surprises? Just how long did it take George Miller to shoot that war rig sequence in Furiosa anyway? All that and more on this week's episode. Make sure to check out the winners before listening to us discuss them. And if you enjoyed this episode, please share it with a friend!

This week I was joined by Jake Rademacher, the director of Brothers After War to talk about his new documentary checking in with folks who have returned from the conflicts in Afghanistan and Iraq and how they are reintegrating into society. It's a powerful and moving documentary, and I highly recommend checking it out if you get the chance, particularly if you have a veteran in your life. You can find showtimes nearest you here. And if you're a veteran, you should still be able to get free tickets to the film by signing up at VetTix.org and searching for Brothers After War. If you enjoyed this episode, I hope you share it with a friend!

On this week's episode, I'm joined by the New York Times's James Poniewozik to discuss SNL's (rather lengthy) 50th anniversary celebration. (Here's a gift link to James's piece on his favorite episode of SNL.) We discuss the show, how it has changed, and how changes in how people watch the show change its meaning (and our relationship to it). I also asked James about his book, Audience of One: Donald Trump, Television, and the Fracturing of America and how to best cover Trump without succumbing to the siren song of scolding; that clip starts a little before minute 30 if you want to skip all the SNL chatter. (But why would you?) If you enjoyed the episode, I hope you share it with a friend!

On this week's episode, I'm joined by Jake VerKesen—some of you in the comments might know him by his handle, Jake VK—on the long and winding road to turning an idea for a micro-budgeted indie movie like I Agree With You from a dream into a reality. We discuss the paperwork, the delays, the fundraising, the shooting, the food, the editing, and, finally, the showing, that goes into getting an indie movie made and delivered to the people.  As discussed on the episode, the movie's not out just yet, but hopefully y'all will get a chance to see it soon. You can follow the film's progress on its Substack and add I Agree With You to your Letterboxd watchlist. 

On this week's episode, I'm rejoined by writer/director Philip Gelatt and novelist Paul Tremblay (author of Horror Movieand The Cabin at the End of the World, among other scary books) to discuss the new Substack-hosted docu-horror series Etch. The concept is pretty cool: Philip has interviewed a quintet of horror authors—Tremblay, Stephen Graham Jones, Laird Barron, Elizabeth Hand, and Mariana Enriquez—and every week he's dropping another episode that combines that interview with a reading of a short story and video illustration. (Not quite a movie, exactly, more like creepy imagery.) I'll say, as a longtime user/reader of Substack, it's exciting to see folks push the boundaries of what the site can be. I think most people see Substack as a newsletter/podcast site, and most of the video I've seen on Substack has been, more or less, video versions of podcasts. (We have a lot of those here at The Bulwark!) But this is a great example of a creator deciding to bypass the studios and the streamers and just make something he wants to see in the world using the broadcast tools provided by Hamish McKenzie and his team at Substack and doing so in a way that allows you to “own” the readers/followers, a stark contrast from YouTube, TikTok, and other user-generated video sites. (It'll be great when they drop a streaming-style app.) If you are into horror, I highly recommend checking this out. And if you enjoyed this episode, I hope you share it with a friend!

On this week's episode, Sonny Bunch is rejoined by Jesse Nelson of DiabolikDVD and Cauldron Films to discuss the state of home video. We get to the tariff discussion around 32 minutes in, but before that, Jesse dispels some of the concerns about Sony's recent announcement that they're discontinuing recordable media like Blu-ray, what collectors are looking for from his store, and how he and his business partner go about deciding out what titles to distribute via their label, Cauldron Films. As mentioned on the episode, I enjoy Diabolik's “Browse by Label” page to see what weird stuff is hitting Blu-ray and UHD in the upcoming months. Make sure to check out Cauldron's lineup; that Mad Foxes set seems pretty cool. If you enjoyed the episode, please share it with a friend!

On this week's supersized episode of The Bulwark Goes to Hollywood, I'm rejoined by Matthew Ball to discuss his epic examination of the state of the video game industry and how its growing pains reflect what we've seen in other entertainment industries like film. I'd recommend at least scanning his report (you can download the pdf here) even if you're not a gamer—I am, as discussed in the opening moments, at best a “filthy casual”—because if you're familiar with the growth patterns of nearly any industry, you'll likely find some congruences. 

On this week's episode, I'm joined by Bill Ryan and Dennis Cozzalio to discuss their contribution to the new Arrow Limited Edition release of Inglourious Basterds on 4K. The booklet features a blog-era (remember blogs?) conversation about the film that occurred when it was initially released, in addition to, among other things, a postcard with a recipe for apple strudel (whip cream NOT optional). It's a great set with lots of extras and I highly recommend picking it up if you can find a copy. We discussed the initial response to the film and our own feelings about it some 15 years or so later, as well as that weirdly exciting moment of online film criticism. If you enjoyed the episode, I hope you share it with a friend!

This week I'm joined by Richard Rushfield and Katey Rich of The Ankler to discuss the state of the awards season post-Golden Globes and in the midst of the Los Angeles fires. (Indeed, Los Angeles resident Richard is in the city to give us an on-the-ground update of the state of things from his perspective. Please excuse any background noise/distortion that you may hear as a result!) We talked about how the Globes might affect the Oscars, how the Globes has devolved into an incestuous web of self-dealing, and how the fires might affect Academy Award voting patterns. We also discussed the new Ankler Pundits prediction site, which I am honored to have been asked to take part in. Check it out and feel free to mock my picks. And look: I understand the impulse to avoid discussing awards given everything that's going on out west. I want to reiterate that there are good charities that can be donated to if you're looking to help out: If you can't wait to donate, you can never go wrong with José Andrés's World Central Kitchen, which has teams on the ground helping feed first responders. Two additional charities I've had folks recommend are Global Empowerment Mission and the California Community Foundation. I'm sure they'll all make good use of every penny. I also think halting the awards will do little to improve anyone's financial standing and will in fact hurt the folks who work for all the ancillary events. Not just the awards shows themselves, but the parties, the limo drivers, the caterers, the dress designers, people whose whole year is made or broken by this stretch in Los Angeles. Awards may feel silly but even silly things can be worthwhile, particularly when your livelihood depends on it. If you enjoyed this show, I hope you share it with a friend.

On this week's episode, I'm joined by Steven Hyden, who—in addition to being the author of books on Bruce Springsteen, Pearl Jam, and Radiohead, and a prolific author at Uproxx—served as the story producer on HBO's new film, Yacht Rock: A Dockumentary. In addition to discussing just what it means to be a story producer on a documentary, we discussed the making of this film, the evolution of the term “yacht rock,” and why (some) artists have (slowly) warmed to the term. I really can't recommend the documentary enough: it's both entertaining and informative. And if you enjoyed this episode, I hope you share it with a friend!

On this week's episode, I'm joined by Brandon Wainerdi to discuss DK's hefty and handsome new reference book, Star Wars Encyclopedia: The Comprehensive Guide to the Star Wars Galaxy. We discussed how he broke into writing about Star Wars, researching his entries for the book, and why so much of what we obsessives know about Star Wars comes not from the films but the surrounding products. Brandon's interview podcast, Talking Bay 94, is a must-listen if you're a fan of the series. I'll just say, on a personal note, that this is a really beautiful book: lots of illustrations, tons of information. If you have a precocious tween who loves Star Wars in your life, you could do much worse than this as a gift for them this Christmas. And if you enjoyed this episode, I hope you share it with a friend!

On this week's episode, I'm joined by novelist and Broadway producer Michael Wolk to discuss his new interactive novel, Devil's Game. You can check it out yourself here; it's an interesting mix of web-first design and apocalyptic airport thriller. We talked about what drove him to write this novel and also discussed the state of Broadway and live theater more generally. If you enjoyed this episode, please share it with a friend!

On this week's episode, I talked to Alex Reisner about his pieces in The Atlantic highlighting the copyrighted material being hoovered into large language models to help AI chatbots simulate human speech. If you're a screenwriter and would like to see which of your work has been appropriated to aid in the effort, click here; he has assembled a searchable database of nearly 140,000 movie and TV scripts that have been used without permission. (And you should read his other stories about copyright law reaching its breaking point and “the memorization problem.”) In this episode, we also got into the metaphysics of art and asked what sort of questions need to be asked as we hurtle toward the future. If you enjoyed this episode, please share it with a friend!

This week I'm rejoined by Sean McNulty of The Ankler's morning roundup newsletter, The Wakeup, to discuss the big news in cable land: ComcastNBCUniversal's decision to spin (most of!) their cable properties into a new, separate company, called SpinCo for now. What does this mean for MSNBC, USA, and the rest of the impacted channels? Why is Bravo staying under the Comcast umbrella? What impact will this have on NBC? All of these questions are asked and some answers are given. Warning: There is a fair amount of rank speculation in this episode, but that couldn't be avoided. 

This week I'm thrilled to be joined by Jacob Navok, the CEO of Genvid Entertainment, to discuss his company's new partnership with DC Comics, DC Heroes United. A combination mobile game and Justice League television show, DC Heroes United is a fascinating hybrid entertainment experience, one that Navok has been working on in various forms for years now.  The first 20 minutes or so of the show are largely about DC Heroes United; after that, we discuss the evolution of this sort of interactive gaming/viewing more broadly, including earlier experiments on Facebook and with properties like The Walking Dead and Silent Hill. It's a fascinating new arena of entertainment, and I hope you learn something about how the next generation is interacting with media even if you're not that interested in the properties themselves.  If you enjoyed this episode, please share it with a friend!

This week I'm joined by Russell Hainline, the screenwriter of the forthcoming Netflix original Hot Frosty as well as a whole bunch of Hallmark original Christmas movies (including last year's The Santa Summit and the forthcoming The Santa Class). I asked him on today to talk about the burgeoning market for Christmas movies on channels like Hallmark and streaming services like Netflix, and we had a great chat about how Hallmark resembles a cable network less than the old Hollywood studios like RKO and MGM. What lessons can the rest of the industry learn from them? If you enjoyed this episode, share it with a friend!

This week I'm joined by Mark Cousins, the writer and director of the new documentary, My Name Is Alfred Hitchcock. We talked about his movie's unorthodox presentation, why Hitchcock remains eternally relevant, and how he puts together his incredible video essays. (If you've never seen his The Story of Film: An Odyssey, you really should.) And then he turned the tables on me with some closing questions! If you enjoyed this episode, please share it with a friend!

Good show, long show today with the Entertainment Strategy Guy (subscribe to his Substack here). I'm going to offer up timestamps here, which I don't usually do, because there's a ton of stuff covered in this podcast.  Amongst the topics we discussed: Marvel vs. DC in the TV realm (:40); Tulsa King's status as a surprise hit for Paramount+ (11:40); what the data about Netflix's second season of Monsters suggests about its completion rate and why that matters (16:06); why horror has a lower streaming ceiling than theatrical ceiling (21:29); Prime Video's moves into sports and news (30:56); the four horsemen of the media apocalypse (38:41); and a cautious defense of embattled WB-Discovery honcho David Zaslav (56:17). Phew! If you enjoyed this episode, please share it with a friend!

On this week's episode, I'm joined by Thomas Negovan, who oversaw the reconstruction of Caligula: The Ultimate Cut. Combing through 96 hours of the original negatives, Tom rebuilt the film from the ground up in order to bring it closer in line with the vision of writer Gore Vidal, director Tinto Brass, and star Malcolm McDowell. We discussed some of the technical challenges of tracking down source materials, the challenge of reconstructing a film that felt entirely different from every version previously known, and how McDowell and costar Helen Mirren responded to the reconstituted picture. The Ultimate Cut debuted at Cannes last year and is available now via streaming, Blu-ray, and 4K from Drafthouse Films and Unobstructed View. (The Blu-ray and 4K sets also include a previous cut of the film; for more on that cut and its odd provenance, I'd recommend reading this note at Diabolik DVD.) And if you enjoyed this episode, please share it with a friend!

I'm joined by Gabriel Sherman, the writer of The Apprentice, on this week's episode Sebastian Stan plays Donald Trump in this movie in theaters now about the future president's relationship with noted legal fixer and possible evil supervillain Roy Cohn (Jeremy Strong). The movie's path to distribution is almost as interesting as the film itself: following production and a decent response at Cannes, it found itself in limbo as the original financier got cold feet and studios worried about reprisals from Donald Trump if he were to win the presidency again. We discussed all that and more in our chat; if you found it interesting, I hope you share it with a friend!

On this week's episode, I'm rejoined by Parrot Analytics's Brandon Katz to discuss a vexing issues for streaming channels and audiences alike: why do the services have such a difficult time helping people find more things on the service to watch? Our chat is based in part on his column in the Observer, and you should read it if you have a second. But the long and the short of it is that streaming services are dealing with customers signing up for a month or two, binging what they want to watch, and then canceling their sub, over and over, hopping from service to service. Is this anyway for folks to live? 

This week I'm talking to a friend here in Dallas, Bart Weiss, about the Ernie Kovacs Award taking place this weekend at the Texas Theatre. This year's honoree is Jerry Casale from the band Devo, and we're discussing his work both with the band and as a pioneer of the music video artform. Check out the links above for tickets to the various events (the screening tonight is going to be pretty fun, I think, as the movie is super-interesting). If you're in the Dallas area I hope you check it out. And if you enjoyed this episode, I hope you share it with a friend!

NOTE: This is the correct audio file! Apologies, crossed my Audioboom streams the first time around. On this week's episode, I'm rejoined by Jason Pargin to discuss his latest novel, I'm Starting to Worry About This Black Box of Doom, a standalone comic adventure about life in the age of interconnectivity. It's out Tuesday; you can preorder it now. And I really hope you do: Pargin is among the most precise observers of life as it is lived in the digital age, and one of the things we really dive into in this episode is the way in which social media and smartphone living have really altered how we not only interact with each other but also ourselves. 

This week I'm joined by Amy Nicholson, the director of the documentary Happy Campers, which is now available for rental or purchase on VOD at Apple. We discussed the ragtag oceanside community Amy documented, how she came to find herself in a position to tell their story, and some of the stranger reactions to the film's decision to be less didactic and more emotionally compelling. If you're intrigued by what you hear here, make sure to check out the movie. And if you enjoyed this episode, please share it with a friend!

This week I talked to Steven Watts about his new book, Citizen Cowboy: Will Rogers and the American People. Rogers was a fascinating figure, one who straddled America's status as a largely agrarian, frontier-expanding nation to the more urban, cosmopolitan nation we have today. He helped people manage the cultural change with his humor and became one of the most famous (and beloved) men in America by riding the new mass media wave and gently sticking it to politicians of all stripes. If you want to learn more about Rogers, make sure to check out Steven's book. And if you enjoyed this episode, share it with a friend!

On this week's episode, I'm joined by John Magary, editor of the new film Between the Temples. We discuss how he got into the editing business, the role of the editor in building the rhythm and flow of a picture, the aesthetic choices an editor can make in shaping the meaning of a movie, and a little about his work with the Criterion Channel. If you enjoyed this episode, try to find a theater playing the movie near you; it's in 500 or so screens, which means there's a decent chance there's a showing somewhere in your neighborhood. And make sure to share it with a friend!

My guest this week is Valentina El Harizi, an 18-year-old first-time filmmaker who has an entry at the DIFF Shorts Film Festival. (If you get this email early enough and happen to live in the Dallas area, you can head over to the Angelika Film Center Dallas on Mockingbird Lane and catch the film; the “High School Shorts” program starts at 3PM local time.) We discussed her film, “Behind the Scenes,” as well as the difficulties of growing up in a world where social media is the first, second, and third option most kids have to interact with each other. If you enjoyed this episode—or think someone with kids surrounded by social media should hear it—please share it with a friend!

On this week's episode, I'm joined by Robbie Whelan, who covers the wide world of Disney for the Wall Street Journal. We talked about all the stuff Disney rolled out at D23 (Sequels! Theme park additions! New Cruise ships!) and discussed the ways in which the softness in Disney's “Experiences” division (which includes, among other endeavors, the theme parks) may suggest general economic softness that's hidden by the success of movies like Inside Out 2 and Deadpool & Wolverine. If you enjoyed this episode, please share it with a friend!

This week I met with novelist (and Bulwark+ member!) Brad Thor in a shadowy location (upstairs at Dallas's magnificent flagship Half Price Books) to discuss his latest book of international intrigue, Shadow of Doubt. We also talked about the idea that men don't buy novels, smuggling real-world ideas into the universe of his fiction while maintaining their entertainment value, and a potential adaptation of his Scot Harvath novels into a streaming hit. If you're looking for a late-summer read, make sure to pick up Brad's book. And if you enjoyed this episode, please share it with a friend!

I'm joined this week by Thomas Doherty, Brandeis professor and author of Hollywood and Hitler, 1933-1939, and Maria Elena de las Carreras, assistant professor at UCLA's School of Theater, Film, and Television, to talk about the recent restoration and Blu-ray release of two documentaries by Herbert Kline: Crisis: A Film of ‘The Nazi Way' and Lights Out in Europe. Doherty and de las Carreras provided commentary tracks on the films and were kind enough to join me to discuss the historical import and context of these two important films, which chronicled the German annexation of Czechoslovakia and the beginning of Hitler's assault on Poland. Both movies are available on one Blu-ray directly from Flicker Alley (or Amazon), and they are must-owns for folks interested both in documentary film from the period and World War Two more broadly; I'd heard of Crisis before but had never seen it, and it was a real treat to finally get to watch it. 

This week I'm being rejoined by the Los Angeles Times's Ryan Faughnder to discuss the sale of Paramount to David Ellison. What does this mean for the various arms of Viacom? Then we discussed the collapse of Redbox and the state of the box office. If you enjoyed this episode, please sign up for Ryan's newsletter, The Wide Shot, here. It's free! And if you enjoyed this episode, share it with a friend!

On this week's episode I'm joined by Jennifer Esposito, the director, writer, and star of Fresh Kills, a mob movie told from the perspective of mob wives and mob daughters. We discussed her career in the movies and how that helped prep her to stand behind the camera, why it's hard to find audiences for original movies telling stories aimed at adults, how social media is helping build a base of support, and the powerfully feral performance of Odessa A'zion. You can watch Fresh Kills right now from the comfort of your own home on your preferred VOD provider. And if you enjoyed this episode, please share it with a friend!

Often, when people discuss television viewing these days they'll conclude their chat with something like “But we just don't know what people are watching.” That is an increasingly outdated view of the data, however. On this week's episode, I'm joined by Dierdre Thomas, the Chief Product Officer for Nielsen's Audience Measurement business unit. We talked about the evolution of Nielsen's business measuring market share, how the company captures what people are watching and where, and how overall viewing habits have changed in the streaming age. 

On this week's episode, I'm joined by Stephen Robert Morse and Seth Porges, the producers and directors of How to Rob a Bank. Streaming now on Netflix, the true-crime doc's subject, Scott Scurlock (aka, the Hollywood Bandit), calls to mind Point Break in his commitment to living his life however he pleased and funding it through criminal activities. But, as Porges told me in our interview, How to Rob a Bank is also a subversion of the cinematic trope of the noble bank robber, a rejection of that idealized vision of criminality. It's a reminder that what filmmakers portray has some impact on how we see—and take part in—the world. If you enjoyed this episode, make sure to watch their movie. And if you enjoyed this episode, share it with a friend!

On this week's episode, I'm joined by John DeVore, author of Theatre Kids: A True Tale of Off-Off Broadway. In addition to discussing his life in the arts and the different species of theatre children—from the stage to politics to religion, theatre kids come in all shapes and size—we also talked a bit about the evolution of media in the post-9/11, pre-iPhone age. And we went back to one of my favorite topics: why no one can behave themselves in public these days! Get off our lawns! If you enjoyed this episode, you should pick up a copy of John's book; it's a quick read with just the right amount of melancholy. And please share this episode with a friend!

On this week's episode, I'm rejoined by Sean O'Connell to discuss his new book, Bruce Willis: Celebrating the Cinematic Legacy of an Unbreakable Hollywood Icon. Breaking down Willis's career—which has been sadly cut short following his diagnosis of aphasia—by comedies, action movies, work with auteurs, and “Die Hards,” the book is an exhaustive look at, mostly, the highs (and some of the lows) of Willis's career. If you enjoyed this episode, please share it with a friend!

On this week's episode, I invited David Poland on so he could talk us all of the ledge about the state of theatrical exhibition. And while he didn't quite do that—his opening words: “It's, it's bad! Things are bad”—he did highlight why things aren't necessarily disastrous and how both the studios and the exhibitors can help get everything back on track. If you enjoyed this episode, please share it with a friend!

This week, I'm joined by Bobby Miller, the writer/director of The Cleanse, to talk about the film's long and winding path to a Blu-ray release. (You can buy it at Amazon or for five bucks less at the great DiabolikDVD.) We discussed getting that film made, the struggle to secure a release, and why owning a physical copy of a movie packed with special features like commentary tracks and making-of docs is a real thrill for a filmmaker who grew up absorbing the extras on features like Boogie Nights. We also discussed his voice-directing and editing work and why he wrote a novel. If you enjoyed this episode, please check out Bobby's movie. And make sure to share it with a friend!

On this week's episode, I'm joined by Sean Fine and Andrea Nix-Fine to discuss their searing look at the assault on the Capitol on January 6 perpetrated by supporters of Donald Trump attempting to disrupt the peaceful transfer of power. We discussed how they got their footage, why the events are being memory-holed by embarrassed Republican politicians, and how you can help spread the word about this documentary so people aren't allowed to forget what, and who, they're supporting when they support Donald Trump. If this interview gets your blood boiling like it got mine boiling, you can watch The Sixth on your VOD provider of choice. And if you enjoyed this episode, please share it with a friend. 

I'm thrilled to have Adrienne LaFrance of The Atlantic on the show this week to discuss her profile of Albert Brooks and more generally celebrate his greatness. From movies like Broadcast News and Defending Your Life, to voicework on The Simpsons and Finding Nemo, to his under-appreciated villainy in Drive, Brooks's talents have wowed multiple generations of moviegoers and TV watchers. 

This week, I'm rejoined by Glenn Kenny to discuss his new book The World Is Yours: The Story of Scarface. Among the topics discussed: What a Scarface directed by Sidney Lumet might have looked like; how the movie secured an R rating rather than a commercially disastrous X; and whether or not Scarface is a “political” movie. If you enjoyed this episode, make sure to listen to our previous encounter (and pick up his book Made Men: The Story of Goodfellas, it's a hoot). And please share this with a friend!