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2 episodes with man who shot liberty valance
2 episodes with man who shot liberty valance
3 episodes with man who shot liberty valance
Send us a textGet a little closer and don't be shy because for this round our new theme is "Close Encounters". We will be watching movies involving moments of connection, discovery, or revelation between people, or even between humanity and something unknown.The shakeup for this week is "classic film pre 70s". Combine that with our new theme, mix well and you get "The Man Who Shot Liberty Valance". This 1962 classic, directed by John Ford, stars James Stewart, John Wayne and Vera Miles. It tells the story of a senator who returns to a Western town for the funeral of an old friend and tells the story of his origins.We'll discuss the movie as well as Westerns in general and take an interesting deep dive into the world of smoking pipes, including GAME OF PIPES!
RMR 0316: Special Guest, Rick DellaRatta, joins your hosts, Chad Robinson and Bryan Frye for the Retro Movie Roundtable as they revisit The Man Who Shot Liberty Valance (1962) [PG] Genre: Western, Drama Starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan, John Qualen, Willis Bouchey, Carleton Young, Woody Strode, Denver Pyle, Strother Martin Floyd, Lee Van Cleef, Robert F. Simon, O.Z. Whitehead, Paul Birch Directed by: John Ford
This week, we traverse the American frontier by printing the legend with James Stewart and John Wayne starring in John Ford's The Man Who Shot Liberty Valance and Clint Eastwood's revisionist Western, Unforgiven. Timings for this week are: The Man Who Shot Liberty Valance: (05:37) Unforgiven: (31:38) Next episode our theme will be Courtroom Capers. Follow us on social media: Instagram Twitter Threads Bluesky Letterboxd Facebook Email: frame.to.frame250@gmail.com Join our Discord: Frame to Framers and that of the wider Film Stories Podcast Network Support Film Stories Podcast Network on Patreon: https://www.patreon.com/simonbrew Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: https://filmstories.co.uk/ Gothamlicious by Kevin MacLeod Link License Leave us a review on Podchaser or Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
Repasamos brevemente la carrera de Barbra Streisand. Vino Mery Linares con "Los revoltosos de antes" para analizar una obra maestra de la historia del cine: "Un tiro en la noche" (The Man Who Shot Liberty Valance, 1962) de John Ford. Facu desempolvó la extraordinaria "El informante" (The Insider, 1999) de Michael Mann. Para cerrar discurrimos sobre el cine de acción actual.
In this episode, I spoke with Christopher McKittrick about his latest book "Vera Miles: The Hitchcock Blonde Who Got Away". Captivating, talented, and beautiful, Vera Miles was destined for fame. Within a few years of making her way to Hollywood in 1949, she starred in such films as The Rose Bowl Story (1952), Tarzan's Hidden Jungle (1955), and Wichita (1955). Her frequent television performances so enthralled Alfred Hitchcock that he chose her to be Grace Kelly's successor for roles in The Wrong Man (1956) and the iconic film Psycho (1960). She also starred in John Ford's The Searchers (1956) and The Man Who Shot Liberty Valance (1962). Miles's illustrious film and television career spanned nearly fifty years in Hollywood, and yet she is still considered one of the most unsung film actresses of her era.The entire episode of "Medic" that Chris talks about is available on YouTube:https://www.youtube.com/watch?v=icO5-I4e0SQ
On the forty-seventh episode of The Constitutionalist, Shane Leary and Benjamin Kleinerman are joined by Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University, to discuss John Ford's classic film "The Man Who Shot Liberty Valance." We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast cohosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, and his student, Shane Leary. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.
EPISODE 74 - “SWEETHEARTS FROM THE GOLDEN AGE OF HOLLYWOOD" 2/10/2025 As Cupid sharpens his arrows, and the candy and greeting card companies prepare to make bank, we celebrate Valentine's Day. In this episode, we take a loving look at some of Hollywood's most enduring real-life love stories. From JOEL McCREA and FRANCES DEE to JEAN HARLOW and WILLIAM POWELL, join us as we discuss their lives, films, and, most importantly, their beautiful love stories. SHOW NOTES: Sources: Ladies of the Westerns (2015) by Michael C. Fitzgerald and Boyd Magers; Joel McCrea: Ride The High Country (1992), by Tony Thomas: “William Powell: Hollywood Star, Detective Film Icon," Jan. 27, 2025, Britannica,com; Letters From Hollywood: Jean Harlow , January 21, 2023 by David Stenn, TCM.com; The Love Story of Jean Harlow and William Power: Hollywood's Iconic Couple, Documentary (2023), Youtube.com; “McIntire and Nolan: A Romance Wright In Radio,” June 27, 2022, Travelanche; “12 Times Real Life Couple John McIntire and Jeanette Nolan Played a Couple Onscreen,” July 18, 2022, MeTV.com; “It Took Three Separate Actors To Bring Psycho's Norma Bates to Life,” November 30, 2022, www.slashfilm.com; “John McIntire and Jeanette Nolan Mix Business With Pleasure,” 2022, by J. Johnson, www.vocal.media/geeks; “John McIntire & Jeanette Nolan: Life Together,” by Jerry Skinner, YouTube.com; “Mary Pickford,” April 5, 2005, American Experience, PBS; “Douglas Fairbanks,” American Experience, PBS; Life and Times of Mary Pickford, Documentary (1998), Youtube.com; Harlow: The Blonde Bombshell, Documentary (1993), directed by Tom McQuade; “William Powell,” The State Historical Society of Missouri, www.missouriencyclopedia.com; Academy of Motion Picture Arts and Sciences (Oscars.org): Mary Pickford; “William Powell, Film Star, Dies at 91,”March 6, 1984, by Peter B. Flint, New York Times; “Jeanette Nolan, Spouse Rough it in Montana Wilderness Home,” March 24, 1974, The Indianapolis Star; TCM.com; MaryPickford.org; McCreaRanchFoundation.org; IMDBPro.com; IBDB.com; Wikipedia.com; AcademyMuseum.com Movies Mentioned: JOEL MCCREA & FRANCES DEE: The Jazz Age (1929); The Silver Horde (1930); Playboy of Paris (1930); King of the Jungle (1930); An American Tragedy (1931); Caught (1931); Born to Love (1931); Bird of Paradise (1932); The Silver Cord (1933); One Man's Journey (1933); Little Women (1933); Finishing School (1934); Of Human Bondage (1934); Gambling Lady (1934); Becky Sharp (1935); Barbary Coast (1935); These Three (1936); Come and Get It (1936); The Gay Deception (1936); Wells Fargo (1937); Dead End (1937); If I Were King (1938); Union Station (1939); Foreign Correspondent (1940); I Walked With A Zombie (1943); Four Faces West (1948); Ride The High Country (1962); JEAN HARLOW & WILLIAM POWELL: Man of the World (1931); Ladies Man (1931); Hell's Angels (1930); Reckless (1935); Libeled Lady (1936); After The Thin Man (1936); Saratoga (1937); My Man Godfrey (1936); JOHN McINTIRE & JEANETTE NOLAN: The Ramparts We Watch (1940); Northside 777 (1948); MacBeth (1948); Words and Music (1948); River Lady (1948); Command Decision (1948); Top of The Morning (1949); No Sad Song For Me (1950); The Asphalt Jungle (1950); Winchester '73 (1950); The Secret of Convict Lake (1951); The Happy Time (1952); The Big Heat (1953); Westward The Women (1951); Apache (1954); The Far County (1954); Flaming Star (1960); Summer and Smoke (1961); The Man Who Shot Liberty Valance (1962); Rooster Cogburn (1975); The Rescuers (1978); True Confessions (1981); Cloak and Dagger (1984); Turner and Hooch (1989); The Horse Whisperer (1998); MARY PICKFORD & DOUGLAS FAIRBANKS: *** Please email us for list of Pickford & Fairbanks movies*** --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Born in the 19th century, his career forged in the silent era, John Ford helped to invent the genre of the Western and still holds the record for the most Best Director Oscar wins of all time. Though he made films in all genres, and sometimes even tackled the same historical territory from different angles in different films, Ford had by the 1960s become synonymous with depictions of American history that honored maverick white men, while often villainizing, distorting or erasing Native Americans. In this episode, we will talk about the influence of Ford's last masterpiece, The Man Who Shot Liberty Valance, and will look at Ford's last two films, which to some extent feel like “mea culpas” for the offenses of his earlier career: the revisionist Western Cheyenne Autumn, and the female-centric adventure film 7 Women. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played another memorable frontiersman in “The Man Who Shot Liberty Valance,” which questions how society is constructed. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace the genre from these cinematic classics to its recent resurgence, marked by big-budget entries including “American Primeval,” which depicts nineteenth-century territorial conflicts in brutal, unsparing detail, and by the wild popularity of Taylor Sheridan's “neo-Westerns,” which bring the time-honored form to the modern day. Sheridan's series, namely “Yellowstone” and “Landman,” often center on a world-weary patriarch tasked with protecting land and property from outside forces waiting to seize it. Sometimes described as “red-state shows,” these works are deliberately slippery about their politics—but they pull in millions of viewers from across the ideological spectrum. What accounts for this success? “Whether or not we want to be living in a Western,” Schwartz says, “we very much still are.”Read, watch, and listen with the critics:“Yellowstone” (2018–24)“Landman” (2024—)“Horizon: An American Epic” (2024)“American Primeval” (2025—)“Stagecoach” (1939)“Dances with Wolves” (1990)“Doctor Quinn, Medicine Woman” (1993–98)Laura Ingalls Wilder's “Little House on the Prairie” series“The Man Who Shot Liberty Valance” (1962)“Shōgun” (2024)“The Treasure of the Sierra Madre” (1948)“Oppenheimer” (2023)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices
Sista avsnittet av Shinypodden säsong 15 John Ford-podden. Vi avslutar med huvudfilmen The Man Who Shot Liberty Valance. Långt snack. Henke har också sett mastodontfilmerna How the West Was Won samt Cheyenne Autumn. Avsnittet avslutas med varsin topplista från säsongnen. Kommentera avsnittet på Fripps Filmrevyer.
Since the days of John Wayne, the western genre has a special place in our hearts. The Plugged In team explores why these stories are so popular and looks at Netflix’s new western series American Primeval. Paul Asay then speaks with Bret Eckelberry about Plugged In’s Screen Fast 2025. Connect with us! www.ThePluggedInShow.com Connect on Facebook Find us on Instagram EMAIL: team@thepluggedinshow.com PHONE: 800-A-FAMILY (800-262-3459) Read the full review: · American Primeval · Yellowstone · Hell or High Water · 1883 · Open Range · Magnificent Seven · 3:10 to Yuma · Logan · The Man Who Shot Liberty Valance · Justified Are you Addicted to Technology? Take our quiz to find out! · Technology Addiction Quiz The Plugged In Tech Guide Focus on the Family with Jim Daly Episode: How Your Family Can Manage Technology Well Part 1 How You Can Make Wise Entertainment Choices for Your Family Donate Now! We'd love to hear from you! Visit our Homepage to leave us a voicemail. If you've listened to any of our podcasts, please give us your feedback.
One of the final collaborations between John Wayne and John Ford, The Man Who Shot Liberty Valance (1962) pits attorney Ransom Stoddard (James Stewart) against a cruel and violent gangster Liberty Valance (Lee Marvin). Stoddard must decide if he wants to stick to his principles and defeat Valance through legal means, or use frontier justice. Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle, with frequent appearances from film expert Juzo Greenwood. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.
AC Shadows Delayed, Ghosts of Yutei is coming, Meta announces the Quest 3s, and DC has found its Hal Jordan. Plus we got Sonic News, a Sony state of Play, and why Nintendo is suing Palworld. Ubisoft seems to be in a death spiral, hopefully they get out of it soon. We also have a Thunderbolts* trailer, more Netflix Geeked week trailers, and Robocop is headed to the small screen. Also a classic movie review of The Man Who Shot Liberty Valance starting John Wayne and Jimmy Stewart.
In the great John Ford western, "The Man Who Shot Liberty Valance," a reporter says, "When the legend becomes fact, print the legend." Few 19th Century players muddled the waters between fact and legend as did the great Louisville slugger, Pete Browning. Author Tim Newby's new book "The Original Louisville Slugger: The Life and Times of Forgotten Baseball Legend Pete Browning" ( University Press of Kentucky, 2024) dives into Pete's wild story head first, separating legend from fact and delivering an engaging and rewarding book. Newby is our guest this week to talk about myths, legends, Pete Browning and baseball in the wild and untamed 19th Century.Tim Newby's The Original Louisville Slugger is available through the publisher, through the Hooks & Runs affiliate site (see the link below) or wherever you buy your books.Tim Newby on Twitter/X (@Tim_Newby9)Tim Newby on Instagram (@tim_newby9)-->Join our Discord: https://discord.gg/tT8d3pVUsN-->You can support Hooks & Runs by purchasing books, including the books featured in this episode, through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Hooks & Runs - www.hooksandruns.com Email: hooksandruns@protonmail.com Hooks & Runs on TwitterCraig at BlueskyRex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Hosts Emeritus:Andrew Eckhoff on Tik TokEric on FacebookMusic: "Warrior of Light" by ikolics (via Premium Beat) This podcast and this episode are copyright Craig Estlinbaum, 2024.
EPISODE 50 - “Birthday Tribute to Classic Film star Vera Miles” - 08/26/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** After placing 3rd runner up to Miss America in 1948 as Miss Kansas, VERA MILES soon embarked on a long and illustrious career in Hollywood and was soon working with great directors like ALFRED HITCHCOCK (“Psycho” and “The Wrong Man”) and JOHN FORD (“The Searchers” and “The Man Who Shot Liberty Valance”). This week, we pay tribute to Miles as she turns 95 on August 23rd. Listen as we celebrate this beautiful, talented, and somewhat underrated star. SHOW NOTES: Sources: Hitchcock's Heroines (2018), by Caroline Young; Women In The Films of John Ford (2014), by David Mevel; “Vera Miles: Country Girl in Hollywood,” May 13, 1956, by J.D. Spiro, Los Angeles, Times; “Vera Miles: She's Alfred Hitchcock's Newest Acting Find,” January 13, 1957, Parade Magazine; “Vera Miles Says: I'm Glad I Was Poor,” May 1959, by Amy Francis, Screenland Magazine; “Vera Miles: Official Biography,” September 1961, Paramount Pictures; “The Loser Who Became A Star,” May 15, 1973, by Earl Wilson, The New York Post; “Fighting Trim Vera Miles Still A Doer,” February 20, 1981, by Mark Hemeter, The Times-Picayne (New Orleans); “Psycho Actress Defends Hitchcock,” June 25, 1983, by Richard Freedman, The Spokesman-Review, Newhouse News Service; “Vera Miles: Hollywood Walk of Fame,” June 29, 2010, by Carina MacKenzie, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: For Men Only (1952), starring Paul Henried; The Rose Bowl Story (1952), starring Marshall Thompson; The Charge At Feather River (1953), starring Guy Madison and Helen Westcott; Pride of the Blue Grass (1954), starring Lloyd Bridges; Tarzan's Hidden Jungle (1955), starring Gordon Scott; Wichita (1955), starring Joel McCrea; The Searchers (1956), starring John Wayne and Jeffrey Hunter; The Wrong Man (1956), starring Henry Fonda; Beau James (1957), starring Bob Hope; Web Of Evidence (1959), starring Van Johnson; The FBI Story (1959), starring James Stewart; A Touch Of Larceny (1960), starring James Mason and George Sanders; 5 Banded Women (1960), starring Jeanne Moreau; Psycho (1960), starring Anthony Perkins, Janey Leigh, and John Gavin; Back Street (1961), starring Susan Hayward and John Gavin; The Man Who Shot Liberty Valance (1962), starring John Wayne and James Stewart; A Tiger Walks (1964), starring Brian Keith; Those Calloways (1965), starring Brian Keith, Brandon De Wilde, and Linda Evans; Follow Me Boys! (1966), starring Fred MacMurray; The Spirit Is Willing (1967), starring Sid Caesar; Gentle Giant (1967), starring Dennis Weaver and Ralph Meeker; Hellfighters (1968), starring John Wayne and Katharine Ross; The Wild Country (1970), starring Steve Forrest; One Little Indian (1973), starring James Garner; The Castaway Cowboy (1974), starring James Garner; Run For The Roses (1977), starring Stuart Whitman; Smash Up On Interstate 5 (1976), starring Robert Conrad, Buddy Ebson, Sue Lyon, Terry Moore, and Tommy Lee Jones; Psycho II (1983), starring Anthony Perkins; The Initiation (1984), starring Clu Galugar and Daphne Zuniga; Separate Lives (1995), starring Linda Hamilton and Jim Belushi; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
L'Homme qui tua Liberty Valance, The Man Who Shot Liberty Valance, de John Ford sort en 1962. Ce film est presque un testament, lʹantithèse des westerns auxquels il nous avait habitués, tourné en noir et blanc, en studio. Il est dʹun classicisme absolu, et détonne par rapport à son époque, les années 60 et leur renouveau esthétique. Lʹhistoire est simple, voir simpliste. Un sénateur et sa femme, les Stoddard, arrivent à la gare de Shinbone. Ils sont venus assister à lʹenterrement dʹun vieil ami, Tom Doniphon. Ransom Stoddard, pressé par les journalistes, se décide à leur raconter lʹhistoire de cet homme, de leur jeunesse, du bandit Liberty Valance, du duel qui les opposa et de ses idéaux ; la lutte contre lʹinjustice, la défense des opprimé, lʹexaltation du courage. Ford suit le récit de son intrigue, tranquillement, opposant le bien et le mal. Un homme a tué Liberty Valance. Mais qui est cet homme ? Ransom Stoddard ou Tom Doniphon ? Quelle est la vérité et quelle est la légende ? Rien nʹest jamais comme on le pense. " On est dans l'Ouest, ici. Quand la légende dépasse la réalité, alors on publie la légende. " affirmera un journaliste à la mort de Liberty Valance. Pour incarner ses personnage, John Ford convoque ses amis, John Wayne et James Stewart face à Lee Marvin. Vera Miles complète la distribution. Du grand art. Maîtrisé de bout en bout par un réalisateur qui parvient à prouver quʹil existe et quʹil peut offre au monde du cinéma une nostalgie de vieil homme. Avec ce film, disparaît toute une époque, celle du mythe de lʹOuest en tant quʹidéal du cinéma américain. Disparaît également John Ford, dont cʹest lʹavant-dernier western. Le film est très mal accueilli à sa sortie. La critique le traite de désuet, avant que lʹhistoire du cinéma ne sʹen empare et quʹil devienne un classique à voir une fois dans sa vie. REFERENCES Autour de John Ford Jean-Baptiste Thoret, 2017 TCM CINEMA James Stewart sur le tournage de Liberty Valance John Ford, le cinéma dans la peau, documentaire, 1994 LEUTRAT, Jean-Louis, Lʹhomme qui tua Liberty Valance, John Ford, étude critique, collection Synopsis, Editions Nathan, 1995 Directed by John Ford/Peter Bogdanovich/Film USA 2006 VOST (108 min)
Hope may be hard to come by in any corner of the world these days. But writer-producer Chap Taylor and producer Evan Astrowsky try their level best to help us keep our chins up in our first show business roundtable for season 3. Chap Taylor has written screenplays and television pilots for all of the major Hollywood studios. He's worked for such producers as Brian Grazer, Scott Rudin, Irwin Winkler, Arnold Kopelson, and for directors Wes Craven and Ridley Scott. He co-wrote the Paramount feature film Changing Lanes, starring Ben Affleck and Samuel L. Jackson, as well as uncredited work on National Treasure, Behind Enemy Lines and the remake of the horror classic, The Omen. Chap created the comic book series Haunted City and (in 2021) is currently adapting it into a television series for producers Tom Fontana and Barry Levinson. He served as Consulting Producer on the NBC/Sony Pictures Television drama The Blacklist and wrote episodes #407 and #414. In features, he most recently re-imagined the classic John Ford western The Man Who Shot Liberty Valance for producer Matt Jackson at Paramount. He is currently (in 2021) developing projects with eOne, Doug Liman's production company Hypnotic, Levinson/Fontana Television and Jay Carson, creator of The Morning Show. Chap Taylor IMDB Twitter Evan Astrowsky Evan is a seasoned film and commercial producer with ad agency , production company and film producing expertise. After graduating NYU Film School as the Lew Wasserman Fellow Evan went on to produce 10+ independently produced feature films including Cabin Fever, Fanboys, Ironclad, The Lazarus Project, and Mini's First Time. Evan now finds himself firmly in the brand world where he has produced commercials for companies like Microsoft, Bud Light, Chevy, Verizon and Oracle. Evan is part of the ‘abled-disabled' community in LA where he lives with wife and two kids. IMDB Instagram Twitter Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film. In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via nextchapterpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
The boys grab a beer and head to Shinbone, the fictional town in a western US territory in the old West, to discuss ‘The Man Who Shot Liberty Valance': Films of 1962. The newest edition to our “Random Year Generator” was tons of fun to discuss, making jabs at John Ford's notoriously fiery antics, John Wayne and Jimmy Stewarts contrasting acting styles, Lee Marvin's screen presence, and how there were that many steaks in the old west- how were any cows left! We also had a few mini-reviews, beginning with “A Quiet Place: Day One” and then segueing into “The Bikeriders”. Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 4:13 ‘A Quiet Place: Day One' mini-review; 13:10 ‘The Bikeriders' mini-review; 17:59 Gripes; 27:19 Films of 1962: The Man Who Show Liberty Valance; 01:08:44 What You Been Watching?; 01:16:16 Next Week's Episode Teaser Additional Cast/Crew/Mentions: Vera Miles, Edith Head, Austin Butler, Jodie Comer, Michael Shannon, Jeff Nichols, Tom Hardy, Lupita N'yongo, John Krasinski. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Michigan kicking GM's ass, Michael Moore, Syrian Aramaic, Matilda, The Sopranos, Star Wars, Acolyte, Uncle Buck, Godzilla Minus One, Auckland, New Zealand, Wilhelm Yell, Wilhelm Scream, Prince Charles, King Charles, John Wayne, Charleton Heston, Preparation H, Hemmoroids, Harr yDean Stanton, CVS, Duane Reade, Walgreens, Road Rash, The Lion King, Pivot, Ross, Friends, Couch, NASA, Killers of the Flower Moon, Leonardo DiCaprio, Robert DeNiro, Martin Scorcese, Lily Gladstone, Jesse Plemmons, David Ellison, David Zazlav, Al Jolson, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmatians, The Parent Trap, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir.
On episode 238 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to review the latest film releases, Kinds of Kindness and Horizon: An American Saga – Chapter 1, as well as discuss their Top 5 Westerns. While A Quiet Place: Day One was dominating the box office this past weekend, two other releases caught the attention of the AW team, Kinds of Kindness and Horizon: An American Saga – Chapter 1, both of which premiered at the Cannes Film Festival earlier this year. For Kinds of Kindness, we find acclaimed director Yorgos Lanthimos returning to the big screen with his follow up to Poor Things with a nearly three-hour anthology film with an all-star cast lead by Emma Stone, Jesse Plemons, Willem Dafoe, Hong Chau, Margaret Qualley, and more that focuses on three separate stories that center around the idea of control. In the case of Horizon: An American Saga – Chapter 1, we see the big screen return, and gamble, of director Kevin Costner, with a three hour sweeping epic set in the old west that takes place over five different storylines. Ryan and Josh (who saw both films at Cannes) break down their reactions to both films, the pros and cons of both, and whether they think they will dive into the remaining chapters of Horizon and what they hope to see in Lanthimos' next film coming out next fall. In the back half of the episode, the duo dive into a Top 5 based on the western genre, inspired by the release of Horizon. One of the oldest genres in the history of cinema, the western is one that speaks to the roots and fabric of America, while also being one to speak brilliantly of how our current world can be reflected so bold, brash, and violent as our past. This makes for the perfect conversation to talk about some of the best films in not just the genre, but some of greatest films of all time. Mentioned in this discussion were films like Butch Cassidy and the Sundance Kid, Unforgiven, The Man Who Shot Liberty Valance, Once Upon a Time in the West, McCabe and Mrs. Miller, The Assassination of Jesse James by the Coward Robert Ford, and so many more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h18m. We will be back next week to talk about latest film from A24, MaXXXine, and discuss their Top 5 films set in Los Angeles. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
In this episode, it's our monthly recap episode where we take one last look at our classic Westerns from May and we preview our theme and films for June! Listen now!
In this episode, we continue our month of classic Westerns with the 1962 John Ford classic, "The Man Who Shot Liberty Valance", starring James Stewart, John Wayne and Vera Miles! Listen now!
Welcome to our first Physical Media episode of 2024. Joining me today, we have a terrific quartet of movie minds discussing a handful of titles newly released on disc, including novelist Alison Gaylin on TO DIE FOR, podcaster-critic Blake Howard on CONTAGION, filmmaker Chris McKay on THE SHOOTIST & THE MAN WHO SHOT LIBERTY VALANCE, & podcaster-critic Rachel Wagner on FOOTLOOSE (1984). Additionally, you'll hear me cover the new Criterion box set of Eric Rohmer's TALES OF THE FOUR SEASONS & the new Blu-ray edition of the Anthony Mann western THE TIN STAR solo. A wonderful compilation episode that provides lively commentary, excellent film references, & double feature ideas, plus hilarity & tangents galore, I hope you have as much fun listening to this series of conversations as I did having them. Note: This is the last new episode of Watch With Jen before a brief April hiatus but rest assured, we have so much more in store for you this season when we return in May. Also, Patreon subscribers will begin finding more writing & other surprises waiting for them shortly. Originally Posted on Patreon (4/10/24) here: https://www.patreon.com/posts/102095895Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop
When people think of the American western movie, it's usually gunfights and cowboys and bank robbers and romance and, if we're being honest, a pretty rough portrayal of nearly anyone who isn't a white man. They can be fun and exciting but they are often devoid of substance and many times can end up promoting some unhealthy perspectives. The fact that John Ford and John Wayne were two of the most prolific and influential figures in this genre makes their work in The Man Who Shot Liberty Valance that much more interesting. Rather than being a simplistic tale of a strong, quiet man with a gun saving the day, the movie is far murkier than that and actually examines the legacy of that type of story as well as the American myth in general. Jimmy Stewart, John Wayne, Lee Marvin, and Vera Miles star in this subversive and deeply American tale of violence, deception, passion, disillusionment, and hope and whether or not you're a fan of the western genre, there's quite a lot here to consider and discuss. Which is why we are very excited to welcome Elliot Coen from the Boutique Blu-rays YT channel to the show! He's well versed in the genre and brings a wonderful perspective to it. We hope you enjoy and if you do, be sure to share the show with your friends who would appreciate it! **The Man Who Shot Liberty Valance is currently streaming on Prime Video in the US** Previous Substantive Cinema Shows Shoutouts: Kubrick: An Odyssey Universal monster movies Dune & Dune: Part Two Nightmare(s in a Damaged Brain) Peeping Tom Follow Elliot: YouTube Channel Instagram Follow Us: Instagram Twitter Facebook YouTube Channel Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support
We journey back to the pivotal year of 1962 to unpack two monumental films that left an indelible mark on the movies. First up, Jake brings to the table "The Manchurian Candidate," a political thriller that weaves a tale of intrigue and brainwashing, mirroring the tense Cold War atmosphere of its time. Its blend of suspense and political commentary continues to resonate today. Plus, Frank Sinatra runs funny. Then, shifting gears, Brad introduces David Lean's "Lawrence of Arabia," a sweeping epic renowned for its grand storytelling and breathtaking cinematography. This film's portrayal of T.E. Lawrence's enigmatic character and the intricate dynamics of wartime alliances offers much for the group to dissect. Hosted by Brad Garoon & Jake Ziegler, with guest Ryley Trahan from Nerd It Here First. And apologies to Lord of the Rings cinematographer Andrew Lesnie, who is the person who actually said, "Same place as the music." Movies mentioned in this episode: "The Ten Commandments" (1956), "Voice in the Mirror" (1958), "Cleo from 5 to 7" (1962), "Dr. No" (1962), "The Fabulous Baron Munchausen" (1962), "Hara Kiri" (1962), "Lolita" (1962), "Lonely Are the Brave" (1962), "The Man Who Shot Liberty Valance" (1962), "To Kill a Mockingbird" (1962), "Whatever Happened to Baby Jane" (1962), "A Guide for the Married Man" (1967), "El Topo" (1970), "That's Entertainment" (1974), "Network" (1976), "Death on the Nile" (1978), "Stop Making Sense" (1984), "Silence of the Lambs" (1991), "A Dangerous Man: Laurence After Arabia" (1992), "The English Patient" (1996), "The Manchurian Candidate" (2004), "Dune Part 1" (2021), "John Wick: Chapter 4" (2023), and "Dune Part 2" (2024).
Amy & I are back to talk about the next Movie in our Series of the Top 10 westerns according to IMBD ratings. This one is The Man Who Shot Liberty Valance (1962) directed by John Ford from a screenplay by James Warner Bellah and Willis Goldbeck and adapted from a 1953 short story of the same name written by Dorothy M. Johnson. Also on YouTube: https://youtu.be/CGOFU6Yu9sw?si=aTX_t4JYwWqpoAee Intro & Outro Music by TJ Drennon. Cover clip art by Amy Lee Rodriguez. You can send me a message via the Anchor website, through DM on Discord, as an attachment to my email (gmologist@gmail.com) or to my speakpipe account: https://www.speakpipe.com/TheGmologistPresents.
On this last episode of 2023 Mr. Palumbo dives into American popular culture and attempts to analyze the classic western film "The Man Who Shot Liberty Valance". Our favorite social studies teacher looks into themes like truth versus legend, standing up to bullies and the responsibility that comes with freedom. The discussion also ventures into the challenges and opportunities faced for the people of the late 19th who were brave enough to venture into the American western frontier. There is also an acknowledgement of how movies help shape peoples' perceptions of who or what they are and what the can be. So grab your popcorn and hold on there pilgrim (as John Wayne would say) as we enjoy a conversation about classic American cinema
Get Lost So You Can Find Your Way Home | The Podcast-Memoir of M.K. Lott
M.K. wraps up his watchlist with a variety of genres from The Exorcist, to The Man Who Shot Liberty Valance, to The Menu and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/getlost-hypnotherapy/support
Each month we will be watching (and encouraging our listening audience to watch) a film that we think captures an important conversation in our culture. In this series, we explore one small corner of the world of cinema and ask, “why are some movies good and other movies… false?” We also hope to model how to get more out of your movies and see more clearly the messages Hollywood is sending us all the time! All of our films are selected to be totally family friendly!We continue our Reel Talk series looking at the western The Man Who Shot Liberty Valance (1962). This John Ford western starring James Stewart and John Wayne takes us back to the frontier of the American west where the law was in short supply and civilization struggled to establish itself among the greedy and the violent. A young lawyer works to make a life for himself in a small frontier town, but stumbles into a feud with the local bandit Liberty Valance. His friend, a gunslinging cowboy, and the rest of the town can't keep him safe. Will he betray his principles of law and order to fight back with the gun? This story asks deep questions about what brings civilization forward and how it deals with evil. Watch it as a family and then join the adventure next month in Reel Talk!
On this episode of I Am The Wiz, Wiz reviews the 1962 western drama "The Man Who Shot Liberty Valance" starring James Stewart, John Wayne and Lee Marvin, directed by John Ford.
In this episode, we talk about 1962 John Ford classic The Man Who Shot Liberty Valance. Glenn and I talk about John Wayne, James Stewart, and the rest of the cast.We talk about John Ford and his legacy. We also talk about how difficult Ford was during this shoot. We discuss the themes, characters, and the success of the film. Be sure to check out Glenn's work including his upcoming film about the space race.https://www.gofundme.com/f/47k7c-long-island-joins-the-space-racehttps://vimeo.com/glennandreievThanks for listening!
In honor of The Fugitive being released 30 years ago today, we're doing a special rerelease of this pod so you can experience the heart-pounding chase all over again! Special thanks to DrKen (previous commissioner of The Man Who Shot Liberty Valance) for commissioning this great thriller from the 90's, The Fugitive, starring Harrison Ford as brilliant doctor wrongfully accused of the murder of his wife evading the dogged pursuit of Tommy Lee Jones as U.S. Marshal. This is one of the tightest films you'll ever see, effortlessly moving from one set piece to another, drawing strength and vitality from the charisma and presence of it's two brightest stars, achieving the rare balance where you want the protagonist and antagonist to find a way to both win. We have fond memories of this film from our youth, and we found it held up like Ford's Finger 'O Doom. Thanks again, DrKen! If you ever have to evade justice, we got a couple of bucks and a bed in the basement for you! Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back with arguably the greatest western ever made about the evolution of the American spirit. It's heart felt, it's funny, it's shockingly violent. Thats right, its The Man Who Shot Liberty Valance aka Rashomon for the United States. Enjoy.
The writer and filmmaker Scout Tafoya, author of the new book But God Made Him a Poet: Watching John Ford in the 21st Century, joins the show to discuss one of Ford's greatest films, the 1962 western The Man Who Shot Liberty Valance, starring John Wayne, Jimmy Stewart and Lee Marvin. Made in the twilight of Ford's career, the downbeat Liberty Valance is an example of what we would now call a filmmaker's Late Style: a veteran director taking stock of their own legacy in their final works. Liberty Valance is a preview of the conclusion of the classic era of the Western genre in the tumult of the sixties, the end of the Old West as represented by Wayne, the cowboy archetype finally replaced by constitutional order and modern progress as embodied by Stewart, as a young eastern lawyer who travels west to the town of Shinbone, intending to introduce education and order to a lawless place approaching statehood, and is soon targeted for death by feared local outlaw Liberty Valance (Marvin). Scout has seen every one of John Ford's surviving films; we discuss Liberty Valance in the context of Ford's career and worldview, grapple with the ongoing question in our age of assessing the art of the problematic artist, and consider what this film has to say about the consequences of violence and the media's role in reinforcing the official version of historical facts. Become a patron of the podcast to access to exclusive episodes every month, including this summer's entire Miami Vice sidebar series. Sign up at https://www.patreon.com/junkfilter Follow Scout Tafoya on Twitter and support his work on Patreon. Scout's book, But God Made Him a Poet: Watching John Ford in the 21st Century is available now. Trailer for The Man Who Shot Liberty Valance (John Ford, 1962)
Notre Dame Football Coach Lewis Cook, Jr. and Gaylon White, the author of the soon-to-be-released book, Coach of a Lifetime: The Story of Lewis Cook Jr., Legendary High School Football Coach, join Discover Lafayette to discuss Louie's incredible and historical journey in coaching over the past 50 years. Coach Louie Cook is renowned for being among the best high school football coaches ever and for his winning teams. He has been inducted into the Louisiana Sports Hall of Fame and the Louisiana High School Sports Hall of Fame. In 2019, the New Orleans Saints honored him as their High School Coach of the Year. One of Coach Cook's favorite movies is "The Man Who Shot Liberty Valance." There is a great quote, " When the legend becomes fact, print the legend! Gaylon says, "We printed the legend!" Getting to the top of Coach Cook's field has involved staying true to the three F's: Faith, Family, and Football, in that order. Young men learn that character, discipline, and doing the right thing will lead to a bright future. Coach Cook playing quarterback for Rayne High School. Coach Cook's mission is to build young men into adults who respect others, follow the rules, and develop discipline in all areas of life. It's not about winning....it's about the process, about showing up and doing the right thing. All the other things, such as winning, take care of themselves if you get the fundamentals down. And Coach Cook motivates his young players to do the right thing by treating them as people who are capable of doing the right thing! We wish all young men had mentors such as Coach Louie Cook who took the time to look them in the eye when they are talking....and treat them as they were the only person in the room...in the world! Gaylon White's newest book on Lewis Cook, Jr. may be pre-ordered at Barnes & Noble or Amazon. One of his proteges was the outstanding Orlando Thomas who played under Coach Cook at Crowley High School and then USL, before going on to play for the Minnesota Vikings. Coach Cook and Thomas enjoyed a bond that was unbreakable and full of love. Orlando Thomas was one of many stars that Cook coached, including Brandon Stokley and Jake Delhomme. Pictured here with a sculpture given to him by NFL Defensive Back Orlando Thomas commemorating him as "Coach of a Lifetime" is Coach Lewis Cook, Jr. Sadly, Orlando Thomas who wore the number 42 on his jersey passed away at 42 years of age. His father passed away at the age of 42. Gaylon Thomas pointed out the poignancy of his life: Orlando was the 42nd draft pick in the NFL draft in 1995. Coach Cook was in effect, his father. "The one word you hear the least from our staff is 'winning.' We preach more to the kids that if you do the right thing, if you work hard, everything takes care of itself. We don't harp on the outcome of what they are doing. A winning record doesn't make you a winner. A losing record doesn't make you a loser. It's how you go about doing the things you do every day. We preach to the kids, just do things right." Coach Louie Cook, pictured center, being honored as Saints High School Football Coach of the Year in 2019. There are 160 young men at Notre Dame High School this year....and in this summer's first practice on June 5th at 5:30 a.m., 73 boys showed up. By 6 am, when everyone was present for practice, there were 121 boys. They average between 110 and 115 for seven days now! The coach doesn't cut players; anyone who wants to play is on the team. We first met Gaylon White a couple of years ago on this podcast when he released a book entitled, The Best Little Baseball Town in the World” which highlighted Crowley LA and the Evangeline Baseball League. His writing style is impeccable and he pulls the reader in with his attention to detail and ability to become a part of the story being shared. He is also able to solicit well-known sportsmen and coaches who vouch for the stories he tells. Interestingly,
This week Harrison and his special guest, "The Rogue Critic" will be discussing "The Man Who Shot Liberty Valance (1962)". Video Version: https://youtu.be/JQcZYhk-Xz8 #manwhoshotlibertyvalance #jamestewart #johnwayne #johnford #reelyoldmovies Theme Song: "The Good For Nothing" starring Charlie Chaplin Released 1914 https://youtu.be/3RKsuoX_bnU The Rogue Critic Letterboxd: https://letterboxd.com/theroguecritic/ Social Media Links: https://linktr.ee/reelyoldmovies --- Send in a voice message: https://podcasters.spotify.com/pod/show/reelyoldmovies/message
This Memorial Day we here at Mary B's 5th Son want to send our heartfelt appreciation for all of the people serving in the military and the hardworking people that support them. This episode is dedicated to you and your loved ones. This week Jeff will share the sneaky and fun story of him and his brother getting to and finding a surprise going to the movies! Anyone seen the film The Train? Get ready this is a perfect episode. -IF YOU LIKE THIS WEEKS EPISODE HELP US GROW THIS PODCAST BY RATING, SUBSCRIBE, AND FOLLOW US ON INSTAGRAM @MARYBS5THSON. FINALLY, PLEASE SHARE THIS PODCAST WITH THOSE YOU LOVE TO HELP US CONTINUE TO CREATE CONTENT FOR YOU TO ENJOY EVERY SUNDAY MORNING OR ANYTIME!
Matt and Meta sit down with a portion the cast of 176th NLT production The Man Who Shot Liberty Valance. The conversation delves into developing a western onstage, intimacy training, love triangles and more.Guests: Madeline Snow, Owen Lewis, Daniel E.D. Brown, Randall Lawrence-Hurt Host & Creator: Matt Gore *Producer: Meta Toole *Music by: Cody Walker *visit Neuse Little Theatre at www.neuselittlehteatre.orgfollow us on Twitter, Facebook and Instagram!Leave a review and let us know what you think.
There's no mistaking Austin band the Ransom Brothers' major musical influence; those slide and twinned guitar riffs, fierce fiddle solos and bluesy, soul-infused melodies pay proud homage to the Allman Brothers, Marshall Tucker Band and other '70s Southern rockers, though the band also pledges allegiance to red dirt, outlaw and outlier country, jam bands.But it's definitely their own musical chops and songwriting skills on display in each track of their debut album, Resurgence.“Our goal has always been to be ourselves and write and play what inspires us,” says lead singer and guitarist Sean McHargue, who formed the band with fellow Texas State University graduate Daniel “Sal” Solis (guitars, mandolin). They were a duo when they came up with the name, inspired by Jimmy Stewart's character in The Man Who Shot Liberty Valance, but have since added bassist Phil Eckhardt, drummer Aaron English, fiddler John Thomas and keyboardist James Rodman.“We all have our own styles and nobody tells anyone what to do; we just throw shit in the wok and see if it comes out crispy. It usually does,” says Solis.But the blend of past and present on Resurgence is intended to serve as more than the band's calling card: They also hope to reinvigorate some musical corners that have gone little stale.www.TheRansomBrothers.comwww.thetroutshow.comThanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/
4x4 JOHN FORD PART TWO: THE SEARCHERS & THE MAN WHO SHOT LIBERTY VALANCE W/RICK PATTLast week we talked about a few seminal Ford films that weren't westerns (The Informer and Grapes of Wrath). This week, get them saddles secure and oil them there spurs (??) because we have two of Ford's most famous collabs with John Wayne (the actor, not the airport). Their most enduring of 17 films together, THE SEARCHERS (1956) is a visual reminder of the power of film. You know the story: racist dude visits his brother, who lives in an inhospitable - but lovely piece - in Monument Valley. A band of Native Americans kills the family and kidnaps Natalie Wood, resulting into an obsessive years-long hunt by Wayne and Jeffrey Hunter. It's a difficult film, thematically, but Ford uses Wayne and his by-then sanctified screen persona to explore knotty issues in a visual way that has earned The Searchers its place at the top of the film pantheon.Speaking of doing interesting things with Wayne's screen persona, how about THE MAN WHO SHOT LIBERTY VALANCE (1962)? Wayne did the film as a favor to Ford, who was well past his sell-by date in Hollywood by this point. Wayne plays a total a-hole against Jimmy Stewart, who plays a kind of harbinger of modernity in a western town with Wayne as one of them violent western tamers no longer needed. Between them (besides a way too young Vera Miles) is hothead Lee Marvin as the titular Liberty Valance, a scourge of anarchy, both a reminder of the violent recent past and a promise of what always tags along with prosperity and the illusion of safety in a society. Ford's themes of community, violence and the intersection of a violent past and a bright future are in full display here.A couple good ones. Again Rick Patt curates this mini Ford fest and walks us through these films. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096
This is the second half of a two-part series about the legendary medieval outlaw Robin Hood. In the first episode, my co-host Dr. Jennifer Paxton and I discussed the evidence for a historical basis for the legend. In this one, we look at how Robin Hood has been portrayed in film and television from the silent era to the present--and how each generation has gotten (in Jenny's words) "the Robin Hood that you need in your particular time."Because there are so many films and television shows featuring Robin Hood, Jenny and I had to be very selective. From the fifty films and eight episodes we chose the best, the most influential--and the worst. We consider them as entertainments, but because we are historians, we also discuss how the film makers and show runners dealt with the Middle Ages. I hope you enjoy listening to this episode as much as we enjoyed recording it.This episode includes sound clips from:"The Adventures of Robin Hood" (1938), including Erich Korngold's magnificent musical score for that movie"The Man Who Shot Liberty Valance" (1962)"Robin Hood, Prince of Thieves" (1991)"Oo-De-Lally," composed and sung by Roger Miller, from Walt Disney's Robin Hood (1973)The television show "The Adventures of Robin Hood" (1955-9): exit theme by Carl Sigman, sung by Dick JamesThe podcast's intro music is composed by the talented and generous Alexander Nakarada (https://alexandernakarada.bandcamp.com/album/collection-celtic-medieval).If you are enjoying "'Tis But A Scratch: Fact & Fiction About the Middle Ages," please let friends, family, and students know about the podcast. Subscribing to the podcast doesn't cost anything and you will get a notification when a new episode is released. If you have the time and inclination, write a review. High ratings and good reviews will help new listeners find us.
Listen up maggots! This is our penultimate Kubrick episode, and we join the Marine Corps to talk about Full Metal Jacket (1987). Kubrick had been constantly attracted to war, but what exactly is it that makes this master of cinema return again and again? We attempt to find out! We talk about Vietnam, Tarantino and multiple takes! In our Trailers features we also talk about: The Man Who Shot Liberty Valance (1962), Monsieur Verdoux (1947), Electra Glide in Blue (1973), Triangle of Sadness (2022), Mad Max (1979), Mad Max 2 (1981), Weird: The Al Yankovic Story (2022). Time Stamps: Welcome and Introduction: - 0:00:01The Man Who Shot Liberty Valance - 0:03:13Monsieur Verdoux - 0:04:23Electra Glide in Blue - 0:07:16Triangle of Sadness - 0:12:32Mad Max & Mad Max 2 - 0:13:49Weird: The Al Yankovic Story - 0:16:48*Feature Presentation* Full Metal Jacket - 0:19:55The Ranking & Ratings - 1:10:47We hope that you enjoy the show and return in future to the congregation!Show Website: https://film-church-radio.captivate.fm/listenBranden's Letterboxd: https://letterboxd.com/selmanscope/Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927Instagram: https://www.instagram.com/filmchurchradio/
When discussing the history of the Western genre, there is no escaping the name or work of John Ford, so today Alex and Jonathan dive in to three of Ford's landmark films: My Darling Clementine (1946), The Searchers (1956), The Man Who Shot Liberty Valance (1962). We talk about the ways Western films elevate actual historical events to the level of mythology, the themes and tropes that are presented and deconstructed through Ford's films, and how Ford uses film to pull back the mythological curtain of his own early films in the genre. Skip to: (12:47) – My Darling Clementine (44:36) – The Searchers (1:04:27) – The Man Who Shot Liberty Valance (1:20:38) – Overall (1:30:56) – Coming Attractions Coming Attractions: Samurai I: Musashi Miyamoto (1954) Sanjuro (1962) The Sword of Doom (1966) For more information, visit the blog: https://thefilmlings.wordpress.com/2023/03/01/ford Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF
OUTLINE of today's show with TIMECODESWATCH: "American Carol" predicted FBI labeling Christians as terrorists AND predicted the underwear bomber, long before it happened — "It's the Christians!", those “Radical Traditionalists”. 2:28 A cop is praised for an incredibly kind gesture caught on body camera after stopping to help a weeping man in need of kindness. 7:39The most disturbing soundbite from Congressional Twitter hearings this week came from Democrats only witness who explained what their goal was… 17:32Jonathan Turley explains "the most regrettable and misunderstood judicial soundbite" — "you can't yell fire in a crowded theater". 25:00 WATCH: Trump's first campaign ad tackles Biden's "energy" policy and refers to the Paris Climate Accord. For the record, here's how Trump AVOIDING ENDING PARIS when he was President, as he continues to skirt the climate issue 30:18New York City is so bad that migrants are fleeing to Canada in the middle of winter! And NYC Mayor is paying for the bus trip. Perhaps Trump should've focused on building buses instead of "building the wall" 44:54Underwriters Lab and the growing threat of lithium battery fires as the devices go from cell phones to trucks and planes 50:02The mineral shortage in EVs. Making China the new Saudi Arabia of energy 54:18Biden & the Dems' plan to destroy suburbs and the single family home begins with every local jurisdiction required to report. NY Gov Hochul's scheme shows the specifics 59:25BANK ROBBERY: London steals Venezuela's gold. 1:07:05Burt Bacharach: The John Williams of Pop Music. Bacharach just died at the age of 94. Grammy & Oscar winning songwriter whose music was, as Paul McCartney said "more musical and technical" than the Beatles. And a quick look at the curmudgeon director John Ford who didn't use his "Man Who Shot Liberty Valance" 1:13:55 The Super Bowl is coming up and the sand Tom Brady was standing on when he retired again is on auction at Ebay and already at nearly $100,000 1:23:28SuperBowl "He Gets Us" Ad — But Do THEY "Get" Jesus? Jesus apparently needs a bloated ad campaign to reach people. But Edward Bernays, the father of Madison Ave advertising, was a propagandist pushing psy-ops. So why do Christians think the tactics of Satan are more powerful than the unashamed truth about Jesus? 1:27:18CNN's religion correspondent is trans, ex-evangelical who pushes #EmptyThePews campaign. No bias at all 1:35:12Archbishop Says He'll "Root Out" Anyone Who Holds Biblical Views of Marriage or Gender. Tolerance? No, his NEW religion is truly "homophobic", fearing homosexuals, and not "theophobic", fearing God. God as Father and trad marriage are NOT what the left think it's about 1:42:44INTERVIEW: Time to "Rage Against War". Gerald Celente, TrendsJournal.com, on the what the rapidly escalating events of the last week tell us about the warpath we're on and a rally for the public to push back - details at RageAgainstWar.com 2:02:47Business Insider's reporting on Syria and Iraq. 2:05:43What's going on in the world of cyber attacks. 2:11:15Rage Against War rally at Lincoln Memorial. 2:14:36WHAT? Fed Chair Powell says "wages are the main driver of the underlying inflation" — 2:48:37Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here:SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation through Mail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver
OUTLINE of today's show with TIMECODESWATCH: "American Carol" predicted FBI labeling Christians as terrorists AND predicted the underwear bomber, long before it happened — "It's the Christians!", those “Radical Traditionalists”. 2:28 A cop is praised for an incredibly kind gesture caught on body camera after stopping to help a weeping man in need of kindness. 7:39The most disturbing soundbite from Congressional Twitter hearings this week came from Democrats only witness who explained what their goal was… 17:32Jonathan Turley explains "the most regrettable and misunderstood judicial soundbite" — "you can't yell fire in a crowded theater". 25:00 WATCH: Trump's first campaign ad tackles Biden's "energy" policy and refers to the Paris Climate Accord. For the record, here's how Trump AVOIDING ENDING PARIS when he was President, as he continues to skirt the climate issue 30:18New York City is so bad that migrants are fleeing to Canada in the middle of winter! And NYC Mayor is paying for the bus trip. Perhaps Trump should've focused on building buses instead of "building the wall" 44:54Underwriters Lab and the growing threat of lithium battery fires as the devices go from cell phones to trucks and planes 50:02The mineral shortage in EVs. Making China the new Saudi Arabia of energy 54:18Biden & the Dems' plan to destroy suburbs and the single family home begins with every local jurisdiction required to report. NY Gov Hochul's scheme shows the specifics 59:25BANK ROBBERY: London steals Venezuela's gold. 1:07:05Burt Bacharach: The John Williams of Pop Music. Bacharach just died at the age of 94. Grammy & Oscar winning songwriter whose music was, as Paul McCartney said "more musical and technical" than the Beatles. And a quick look at the curmudgeon director John Ford who didn't use his "Man Who Shot Liberty Valance" 1:13:55 The Super Bowl is coming up and the sand Tom Brady was standing on when he retired again is on auction at Ebay and already at nearly $100,000 1:23:28SuperBowl "He Gets Us" Ad — But Do THEY "Get" Jesus? Jesus apparently needs a bloated ad campaign to reach people. But Edward Bernays, the father of Madison Ave advertising, was a propagandist pushing psy-ops. So why do Christians think the tactics of Satan are more powerful than the unashamed truth about Jesus? 1:27:18CNN's religion correspondent is trans, ex-evangelical who pushes #EmptyThePews campaign. No bias at all 1:35:12Archbishop Says He'll "Root Out" Anyone Who Holds Biblical Views of Marriage or Gender. Tolerance? No, his NEW religion is truly "homophobic", fearing homosexuals, and not "theophobic", fearing God. God as Father and trad marriage are NOT what the left think it's about 1:42:44INTERVIEW: Time to "Rage Against War". Gerald Celente, TrendsJournal.com, on the what the rapidly escalating events of the last week tell us about the warpath we're on and a rally for the public to push back - details at RageAgainstWar.com 2:02:47Business Insider's reporting on Syria and Iraq. 2:05:43What's going on in the world of cyber attacks. 2:11:15Rage Against War rally at Lincoln Memorial. 2:14:36WHAT? Fed Chair Powell says "wages are the main driver of the underlying inflation" — 2:48:37Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here:SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation through Mail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver
To kick off a new series of episodes that will give an overview of the history of the western genre, Alex and Jonathan start off by talking about three early western films from the pre-sound era: The Testing Block (1920), Sky High (1922), and The Iron Horse (1924). We discuss the development of both the themes and the action of the western genre, how the early westerns lacked many of the common tropes we expect in westerns today, and how John Ford set himself apart early as one of the great western directors. Skip to: (19:34) – The Testing Block (44:30) – Sky High (58:36) – The Iron Horse (1:25:26) – Overall (1:36:17) – Coming Attractions Coming Attractions: My Darling Clementine (1946) The Searchers (1956) The Man Who Shot Liberty Valance (1962) For more information, visit the blog: https://thefilmlings.wordpress.com/2023/02/01/silent-westerns Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF
In this second installment of a 3-part episode, we continue our look at the top 10 films of 1962. Today: "Birdman of Alcatraz," "The Man Who Shot Liberty Valance," and "The Manchurian Candidate." Click here to listen to Part 1. Please subscribe to this podcast, and thanks for your support!
Welcome to the Western, pardner. What we gots here is the old cattle barons, gunslingers, and all sorts of rough and tumble folks who helped tame the wild land west of the Mississippi coming up against all the greenhorns from back east coming in with their fences, locomotive trains, and laws with them. Jason, Adam, and Josh talk about when civilization proper begins to encroach on the Wild West of open ranges and gun duels. Listen to the cowpokes sing the ballads of such films as The Wild Bunch, The Man Who Shot Liberty Valance, Open Range, Shane, No Country for Old Men, Unforgiven, Giant, and the Young Guns films. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/brickedpit/message
This week, Scott and Karl read Dorothy M. Johnson's Indian Country, a collection of eleven stories showing a frontier alive with complex struggles. You may be familiar with two of her most famous stories, “A Man Called Horse” and “The Man Who Shot Liberty Valance” which are included in this collection. Johnson, a Montana-based author, brings to western fiction a clear ideal of individuality and honor. Scott says, "The sense of life that comes out of this book and right into your face is astounding to me. The character of the author is all over the thing, I couldn't imagine her writing anything other than a western.” Tune in to learn more about a book that Karl classifies as "desert literature"— set in a mysterious, forgotten place where all of one's actions become magnified. Brought to you by onlinegreatbooks.com.
Continuing our series of posthumous interviews, Cinema60 summons up Andrew Sarris from beyond the grave to talk about one of his favorite films: The Man Who Shot Liberty Valance. Best known for having popularized the auteur theory to the English speaking world, Sarris was a powerhouse film critic in the 1960s who wrote primarily for The Village Voice. In this episode, Bart and Jenna discuss Sarris' career and his unique voice in the world of film criticism before they get lost in a tangle of wildly differing opinions on the John Ford film of the hour. See, Jenna rides into town with a specific view on how things should be going down in this film, while Bart, with decades of teaching and rewatching experience, defends its honor in a more traditional way. Then Lee Marvin gets shot in the crossfire and everything really goes to hell! The following film is discussed:• The Man Who Shot Liberty Valance (1962) Directed by John Ford Starring John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan, John Qualen, Woody Strode, Strother Martin, Lee Van CleefAlso mentioned:• The Informer (1935) Directed by John Ford Starring Victor McLaglen, Heather Angel, Preston Foster• Mr. Smith Goes To Washington (1939) Directed by Frank Capra Starring James Stewart, Jean Arthur, Claude Rains• Stagecoach (1939) Directed by John Ford Starring John Wayne, Claire Trevor, Andy Devine• The Grapes of Wrath (1940) Directed by John Ford Starring Henry Fonda, Jane Darwell, John Carradine• The Long Voyage Home (1940) Directed by John Ford Starring John Wayne, Thomas Mitchell, Ian Hunter• They Were Expendable (1945) Directed by John Ford Starring Robert Montgomery, John Wayne, Donna Reed• Fort Apache (1948) Directed by John Ford Starring John Wayne, Henry Fonda, Shirley Temple• 3 Godfathers (1948) Directed by John Ford Starring John Wayne, Pedro Armendáriz, Harry Carey Jr.• She Wore a Yellow Ribbon (1949) Directed by John Ford Starring John Wayne, Joanne Dru, John Agar• Rio Grande (1950) Directed by John Ford Starring John Wayne, Maureen O'Hara, Ben Johnson• Winchester ‘73 (1950) Directed by Anthony Mann Starring James Stewart, Shelley Winters, Dan Duryea• High Noon (1952) Directed by Fred Zinnemann Starring Gary Cooper, Grace Kelly, Thomas Mitchell• The Hanging Tree (1959) Directed by Delmer Daves Starring Gary Cooper, Maria Schell, Karl Malden
This week we head out west to start a new review cask called "The Western Four Ways" and up first we tackle the traditional with The Man Who Shot Liberty Valance with special guest Mark. Journey with us as we discuss the themes of the west and this particular story. Is this a western classic or does it deserved to be forgotten? Our Flight this week is discussing our all time favorite Westerns. We wrap with a Nightcap talking about our recast picks for a Liberty Valance remake. So pour some Rye, grab your steak and apple pie, and get ready for a showdown. Cheers! Click Here for Rye Smile Films Merchandise. Please rate, review, and subscribe on all your favorite podcast apps.
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