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Episode 296-Trump Pushes National Constitutional Carry Also Available OnSearchable Podcast Transcript Gun Lawyer — Episode Transcript Page – 1 – of 12 Gun Lawyer — Episode 296 Transcript SUMMARY KEYWORDS Second Amendment, pistol brace, bump stock, Glock ban, iron pipeline, national constitutional carry, gun rights, anti-gun laws, gun safety, Hollywood depiction, firearm training, gun laws, civil rights, gun ownership, gun violence. SPEAKERS Speaker 3, Evan Nappen, Teddy Nappen Evan Nappen 00:18 I’m Evan Nappen. Teddy Nappen 00:21 And I’m Teddy Nappen. Evan Nappen 00:22 And welcome to Gun Lawyer. So, Teddy, what have you brought to the table today? Teddy Nappen 00:33 Well, I’m always amazed by every single time they always try to say Trump’s not doing enough. Like you hear the horseshoe, right? It’s amazing the idea of just, oh, he hasn’t done enough, or they do the goal post move. Where they move it. They say he hasn’t done anything, or they move in and say he hasn’t done enough. I keep hearing this all the time about people with regards to the Second Amendment. They always try to highlight that stupid thing regarding the, what was it? The pistol brace at the time, because the writing on the wall that they try. Evan Nappen 01:16 Well, remember, keep in mind that with the pistol brace originally, NRA was not real keen on them either. You may remember, you know. So, Trump was trying to also go along with what the organizations themselves were doing, remember, because the brace thing was. But what you eventually saw, and what you’re seeing now, just on that is the elimination of the brace being an SBR, and that whole Merrick Garland insanity of having to register pistol braces. They put the reg forward on their, which should be official shortly, getting rid of that completely. We’re going to, on another shows talk about anybody if you happened to register a braced pistol as an SBR, what you need to do. Because that’s all history, and Trump has ensured that it’s now history, and let’s give credit there for that. Page – 2 – of 12 Teddy Nappen 02:35 And they always highlight the bump stock thing. By the way, the writing was on the wall of why Obama wanted to let that through was because they were going to equate ARs to machine guns, and that led to where. Evan Nappen 02:50 That’s right. So, remember the anti-rights, the oppressionists, they always have a game plan. So, their game plan was, look, if we have the bump stock thing going, then we can claim that semi-automatics are like machine guns. Then we can go after them and get a ban on semi-automatics as machine guns. And what Trump was doing politically in that sense was thwarting their political move. Now, if you say, ‘Oh, well, that isn’t.. how do you know that’s their plan? Or that was.. well, I’ll tell you what. If you want to see that as their plan, you could see it in action right now as they ban Glocks. California just banned Glock pistols, and what is your basis for banning Glocks? Oh, well, they’re easily convertible with Glock switches, you see. So, this is always the gambit of the Second Amendment oppressionists. Now we ban handguns that are perfectly legal, the most popular handgun in America, and we ban it, how? Oh, because you can put an unlawful Glock switch, which turns it into select fire. These switches are in and of themselves, just possession of a switch, is the same as possessing a machine gun. The switches are banned! But they use it as the pretext to expand it, and then ban the handguns themselves. Evan Nappen 04:35 You also saw them attempt this with the so-called iron pipeline. Teddy Nappen 04:40 Operation Fast and Furious. Evan Nappen 04:40 They were laying the groundwork for the iron pipeline. They wanted to say, oh, American guns, semi-autos, are going to Mexico to the narco terrorists, and all. And what did they do? They changed the 4473 to ask, are you Hispanic or not? Like, why are they asking that? And then they had multiple rifle reporting on border states. Why are they doing that? And then, of course, they do Operation Fast and Furious, so they could paint the picture to then push a gun ban based on the iron pipeline down south. But lo and behold, they step on their own toes here. We’ll use that word instead. And Operation Fast and Furious blows up in their face because they’re selling the guns themselves to the narco terrorists, and end up killing a federal agent, no less. So, that plan went all to hell. Evan Nappen 05:35 But you see, this is what they do. They lay the groundwork with these things, and that’s really what was going on there, on that. But with this Administration, we’ve never had an administration this pro-Second Amendment rights that it’s ever been president, ever. They’re now saying to California, get rid of that Glock ban or the Justice Department of the federal government is going after California. In other words, we finally have the federal government not pursuing oppression of the Second Amendment, but of enforcing our rights and preserving and fighting for our rights. They did it, and they’re doing it in all different facets. They’re doing it by administrative reg changes, 34 great changes. They’re doing it by Page – 3 – of 12 the litigation. They’re doing it by getting a focus of civil rights and putting the Second Amendment into that category. Evan Nappen 06:40 And now President Trump, just recently at a rally in Pennsylvania, said he wants to see and is pushing for National Constitutional Carry. Now, keep in mind this is beyond national reciprocity. National Constitutional Carry is the ability to lawfully carry your handgun anywhere in the United States with no permission slip. Ending the requirements, in effect, for permits. Or at least having it so that there’s national reciprocity that respects the majority of states that don’t require any permit. So that with National Constitutional Carry, a person who is a resident of a Constitutional carry state can carry, for example, in New York or New Jersey and all these oppression states with no permit, because it will be national. If you think about what the Second Amendment means, the right to keep and bear arms bearing is carrying, and the Second Amendment means that very thing. And that’s why it’s constitutional. Teddy Nappen 08:17 You also have to remember, Dad, like think back to Shaneen Allen. If this law comes into play, that would have avoided that entire BS that she went through. Her only crime was crossing the Franklin Bridge. Evan Nappen 08:40 Without the piece of paper that New Jersey recognizes. That’s right! Think of how many completely law-abiding citizens are turned into criminals, have their life destroyed, forced into a criminal judicial system for exercising a Constitutional right. They weren’t committing any crimes. They weren’t robbing, stealing, raping. No, no, no, nothing. Just, oh, you have a gun, and we’re not recognizing your right in this jurisdiction. That’s why this has to go. That’s why it’s a civil right, and it’s really great to see President Trump pushing it again. Teddy Nappen 09:21 If they were robbing, stealing, or raping, they would just be let off, no bail, no nothing. Evan Nappen 09:26 Well, if they’re an illegal alien, of course. Teddy Nappen 09:30 Yes, of course. Evan Nappen 09:31 And not only that, they would not even cooperate with ICE to have them deported, but that’s separate. Teddy Nappen 09:38 Yeah. Page – 4 – of 12 Evan Nappen 09:38 We’re talking here about law-abiding Americans with rights that are getting oppressed. What’s really interesting is that President Trump is pushing it now, making it an issue. Not just leaving it in the shadows, but making it a specific issue out there. And at the same time, he’s pushing for the Save Act, so we have integrity in our voting system. He’s pushing like never before to get rid of the filibuster. The filibuster is what is stopping the Republican-controlled Congress from being able to pass the agenda that we voted for. It’s because of the filibuster. As it stands now, you need 60 votes, and that lets the oppressors still have power to stop these laws from going through. And you know, if the Democrats ever gained power again, the first thing they’re going to do is get rid of the filibuster. So, cut it out. I didn’t see the filibuster in our Constitution. It talks about majority for passing legislation in each house. Okay, that’s what it is. So, this filibuster thing is a contrivance, and it needs to go. It is time, because we can get these laws through, and we can get the changes that we need on so many fronts, including the Second Amendment rights. It’s very important, critical. Teddy Nappen 11:30 Yeah, and this also comes from this. It’s right an article from MSN. (https://www.msn.com/en-us/news/politics/trump-says-administration-is-working-on-nationwide-right-to-carry-legislation/ar-AA26oxMC) When he was unveiling the new aircraft at Andrews Air Force base, one of the attendees asked about it, and he said, “Yep, we’re working on it. That sends it right there, because that puts it in. Not only you just said not to the national spot, but it also had all the gun rights oppressionists jumping up, screaming, no, no, no. Like going, like just immediately. It’s so funny. Evan Nappen 12:07 It’s (Senator) Mike Lee’s bill. (https://www.congress.gov/bill/119th-congress/senate-bill/4013/text) (Senator) Mike Lee has the bill, and they are working on it. This is a major, major law. It’s probably the single most important pro-Second Amendment rights law that we could pass in modern times. First of all, it will have a wonderful effect on reducing crime. We’re facing these criminals that were let loose into our country through four years of Biden and his policies, plus the blue state policies of the revolving door with no cash bails and all that. So, we need to be able to defend ourselves. But it also will make it so that carry is every individual, who chooses to have a firearm to protect themselves, and this will make it much simpler for individuals to do that very thing. Has a vested interest in preserving and fighting for their Second Amendment rights. It will be the biggest game changer that we could look for. Evan Nappen 13:22 Because as we evolve in our Second Amendments, where the base used to be the strongest base of our gun rights was hunters, it really has shifted. There’s less hunting and less hunting lands, unfortunately, and it shifted to a major uptick, tremendous uptick, in firearms for self-defense and personal protection and individual carry. This will solidify it to the ultimate, the ultimate lifestyle of Constitutional carry for all. That’s what we want to see. We will have a safer society. We’ll have a safer country. Individuals will be able to protect their families, their themselves, their loved ones. It is absolutely the best thing we could do for public safety and the protection of our sacred Constitutional rights. Page – 5 – of 12 Teddy Nappen 14:32 I will say, as well, I love just.. I pulled this from Giffords. (https://giffords.org/press-release/2026/06/giffords-condemns-trumps-push-for-national-right-to-carry-legislation/) Gabby Giffords, of course, who is one of the.. you know, out of.. I would say. Would you say Gifford is probably the smallest out of the gun rights of oppressors? There’s still a factor, but out of comparatively, compared to, like. Evan Nappen 14:49 Well, The Trace and Bloomturd and his organization probably has the most influence, but then you know. Teddy Nappen 15:00 They fund each other, and yeah, they do fund them, too. Evan Nappen 15:04 But, you know, the whole thing that also is true is that the anti-Second Amendment rights groups themselves are not really made of that many members. They don’t have anywhere near the passion and the numbers of which there are gun owners in America and guns in America. They like to gloss over that little fact. They’re basically small but well heeled, well financed. Slick and propagandized, and have an agenda of billionaires that they try to jam down the overwhelming majority of Americans’ throats that actually support the Constitution, and particularly the Second Amendment. So, that’s really, I mean, you don’t see it in terms of numbers. Now, they’ll hold rallies or whatever, and they’ll pay people to turn out. They’ll link in with other groups that are Left wing and such to make their numbers appear big. But there’s a tremendous difference between the pro-Second Amendment rights forces people and the anti-Second Amendment rights forces people. Teddy Nappen 16:32 And it’s also they never changed the argument. Because right here, right out of her own quote, concealed carry reciprocity is a dangerously reckless proposal, and would jeopardize the lives of the children, families, and police. People should not have guns who have no training, who have never passed a background check, and would be able to carry concealed weapons in every community, no questions asked. Evan Nappen 17:01 Yes, and that is absolute garbage. The majority of America already has Constitutional Carry. In the majority of states, 70% of the land mass of the U.S., you can carry now with no permit. So, obviously it’s flawed. I mean, look, murder rates have gone down nationally. But, of course, in the Blue cities, where they have the failure to cooperate with the federal government, where crime is out of control, it’s problematic there. But overall, guess what? The incredible decline in violent crime and murder rates corresponds brilliantly to civilian expansion of carry. That’s what you don’t hear. When they talk about how great we’re doing overall in terms of stopping and fighting violent crime and how those statistics show that we’ve improved, it correlates, it follows expansion of our ability to carry, either by shall-issue permit and/or Constitutional Carry. That’s why a national carry will enshrine it and make it the law of the land. We’ll see even better statistics and less people being victims instead of defenders. Page – 6 – of 12 Teddy Nappen 18:42 You always have to go to the fact, and they always say, if it saves one life. How about 2 million to 2.5 million in defensive uses of firearms that have saved lives per year. Evan Nappen 18:54 Right! Teddy Nappen 18:55 Just going off, you can even ignore the correlation / causation factor, and you can just cite to the fact that 2 million lives are saved from defensive uses of a firearm. If they go for the “save one life”, we’ve got to protect the children, yet it saves lives. Just flat out argument to that. But no, they always go to you’re going to be arming criminals and traffickers and lead to more gun deaths. All right. That’s ridiculous. Evan Nappen 19:24 Here’s the bottom line. It’s real simple. You can sum it up real easy. Guns Save Lives. Do you need to write that down? I mean, Guns Save Lives. And unfortunately, the cohorts of the oppressionists is the media. The mainstream, lame stream media that loves to push the agenda of the billionaire elitists that want our rights destroyed and that’s a fact. Guns Save Lives. And when you can, as an individual, protect yourself and your loved ones. Anyone who’s a gun owner knows that feeling of security and safety when you’re trained and know how to shoot and have your own firearm. You know that you can do it. And that is what enshrines it to the person, what puts it right in their heart. They go, yeah, I get it. I get it. Especially individuals who have actually had to use firearms, or they realize the famous saying of “I’d rather have a gun and not need it than need it and not have it”. And those that have needed one and not had it. Yeah, they paid a price, and those that have had it when they needed, it saved lives. Teddy Nappen 20:57 It makes me think back to, I don’t know if you remember seeing this. Do you know who Jamal Bowman is? Mister pull the Fire Alarm, because I can’t open a door. Evan Nappen 21:05 Yeah, right. That guy. Teddy Nappen 21:07 I remember him having a shouting match. It was like a couple years ago. It was him and Massie. He was arguing about, arguing for, more restrictive guns measures. Calling Republicans cowards, and he was screaming, and say, ‘You want more guns, you’re gonna lead to more death. Like, just screaming, screaming that it would cause more death. Screaming, ‘You’re all cowards. You don’t save children. Like, just screaming about it. (https://www.nbcnews.com/politics/congress/democrat-calls-republicans-cowards-tense-exchange-gun-violence-rcna77342) They do not care about the statistics. They do not care about the facts and the logic behind it. They just see weapon bad. Weapon is used by the oppression. Page – 7 – of 12 Evan Nappen 21:46 Wait. You’re telling me that Democrat issues are emotion-based? I find that hard to believe, Teddy. Teddy Nappen 21:53 I know, right. Whoops, sorry. Evan Nappen 21:55 Yeah, at least. Teddy Nappen 21:56 They banned logic in ’84. Evan Nappen 21:58 I guess they did. They did. Well, Teddy, let me talk about our good friends at WeShoot, our favorite range. It’s where you and I shoot and get our training and got our certificates, so that we can carry. WeShoot is a range in Lakewood, New Jersey, and a great facility. They are running an America 250th Anniversary sale. That’s right. This is a pretty cool sale, actually. They are offering 15% off all of their pre-loved firearms. You know what a pre-loved firearm is, right? Fifteen percent off for any of those, and 25% off their Heritage Collection. These are all these guns. There’s tremendously great guns that they have for sales, the 15% off sale across the board. You’ve got to check out what they have at WeShoot. They have an amazing selection and that’s of course on their pre-loved guns. Their Heritage Collection, man, is 25% off, and that is some sweet guns. Let me tell you. The Heritage Collection has, for example, I’ll just tell you about a few. Fox Sterlingworth shotgun, Fox “A” shotgun. You know, we’re talking these beauties. Fox AEs, and all these Richards. W. Richards SXs, you know, they’re the 10 gauge Richards. Fox CES, Parker Brothers, Trojan, the fevers, the nitros. We’re talking all the LC Smiths, Parkers. The classics of the scattergun world, man. The best of the best, and those are 25% off. Evan Nappen 24:17 So, you want to go to WeShoot and get your training there. It’s a great facility with a great indoor range. Conveniently located right off the Parkway, right in Lakewood, New Jersey. Central Jersey. Our ranges are critical. They are a resource. I mean, what good is it if you can’t shoot? If you don’t have any place to shoot? We’re lucky we have a great place to shoot. It’s called WeShoot. You can check out their website – weshootusa.com. Brilliant website with fantastic photography. They treat their customers so well. Teddy and I love WeShoot, and I know you will, too. Check out weshootusa.com. Evan Nappen 25:03 Let me also shamelessly promote my book, New Jersey Gun Law. It’s the bible of New Jersey gun law. It’s over 500 pages. It’s over 120 topics, all question and answer, making it easy, so that you don’t become the next GOFU. New Jersey’s laws are complicated, and it can be very perilous. As a matter of fact, the case law even says, when dealing with New Jersey gun laws, you act at your own peril. Even the courts recognize that the gun laws are perilous. So, to help defeat the peril and manage it, get a copy of my book, New Jersey Gun Law. Go to EvanNappen.com, EvanNappen.com, and get your copy today. You’ll be glad you did, Teddy. What else have you discovered in your travels? Page – 8 – of 12 Teddy Nappen 26:01 So, every time you turn on a TV show or movie, like out of modern Hollywood, you’ve probably seen some anti-gun messaging. It’s always there, some little. Evan Nappen 26:02 Yeah, some subliminal, some obvious. Nonsense. Teddy Nappen 26:12 An individual who is carrying, who ends up making the situation worse, or a kid finds the gun in the house and then shoots himself. These are others, or whatever, it’s always right, Evan Nappen 26:36 Mishandling. Teddy Nappen 26:37 You always see that. So, apparently this stems from Brady United, you know, Brady’s still a thing, apparently. They decided to meet with. This, is right from the NPR website. (https://www.npr.org/2022/06/13/1104594849/hollywood-pledge-onscreen-guns) Two hundred screenwriters, producers, studio executives, talking about responsibility of depicting firearms in film and television. We are partnering with major partners like Paramount, Walt Disney Studios, CBS Studios. To date, an estimated 150 viewers have watched Project Brady has influenced things like from HBO Euphoria – it’s not even cracking anywhere – from people caring about that show to Netflix, Little House on the Prairie reboot. Again, something no one else also isn’t really watching. Just bear in mind, I love how everyone’s screaming about, like, Paramount is like big in with conservatives and Trump. They’ve made some good shows, but they also produced the most woke Star Trek series known to man, where you had a retarded AI who was also a he/she/it. Like it’s that, so it’s that level. Evan Nappen 26:37 They almost covered all the bases. Teddy Nappen 27:23 I know, right? And then, like, there was a gay. Evan Nappen 27:26 I heard they modeled a lot of it after Tim Walsh, right? Anyway. Teddy Nappen 27:56 Well, good luck with that. But yeah, and so they outlined this. Our show gun safety principles. I think they ripped this off of our range principle, but okay. To help Hollywood model safer behaviors around guns. We’re not just changing the story, we’re saving lives. Page – 9 – of 12 Evan Nappen 28:27 Well, you know, okay. What they’re doing here is they love to call every gun rights oppression law is a “gun safety law”. Gun safety to them is just banning guns, banning gun rights, going after in every way they can us and our rights and our guns. They just put it under a banner of safety. So, anytime I hear that they’re promoting so-called “gun safety”, well, gun safety to them is not what gun safety is necessarily to us. Now, if it was honestly showing better gun safety in the media, I’m not against that. I’m all for safe gun handling, but I tell you what. I have an idea better than what the gun rights oppressionists are pushing, where they’re trying to get the writers to write it into the stories. Evan Nappen 29:39 Here’s something very simple that could be done, but they’ll never do it. Here’s what needs to be done. You know, at the beginning of many movies and shows, there are warnings. Warning” contains sexual or smoking. They even warn about, you know, violence. They warn about all kinds of racial stereotypes. They put all these warnings at the beginning. Here’s a warning I want to see on every show and movie before it’s shown. “The following shows improper handling of firearms.” Put it as a warning. Do you know how many times you would see that warning? On every show. And what it would do? It would show America just how bad the entertainment world is, just how bad these shows are for what they show. Anytime a gun is used illegally or improperly, that show should have the warning. “Firearms here are being shown used illegally and improperly.” However, you want to word the warning. Evan Nappen 31:00 Every time that warning would come up, it would send the message. Look who is showing wrongdoing. It’s the media. So, it would go hand in hand with arguably what The Trace and these guys, Brady and all are trying to do. It would go hand in hand with it. They want to promote safety. We’ll put warnings when the unsafety is being shown. I’d love to see that. Look, I don’t want to restrict anybody’s First Amendment. It’s just a warning about what’s coming up. I’m not looking to have any kind of censorship on it. They can show unsafe gun handling all day long, but just put a warning up front that that’s what’s coming. If you can warn about smoking, warn about offensive language, if you can warn about all this other, why not warn about that? Teddy Nappen 32:02 I remember there was a, I think it was either Bloomberg or Everytown who put out after there was a big shooting, and they got a lot of Hollywood actors who were just naming off mass shootings. Someone did a super cut showing them misusing firearms in movies, just to show the hypocrisy. It’s very hilarious. This is just them also running cover because of the violence depicted in movies, because they have that. Not talking about, they don’t talk about that. They want to talk about the gun. But here’s the three principles, just as a reminder. Model responsible gun ownership, especially secure storage. Show the consequences of reckless gun use. What’s reckless? Oh, you know, defending yourself with a firearm. Have at least one conversation during pre-production on the ways guns will be portrayed on screen. And this is most important of all. Limit scenes with children and guns. That right there is important, because you want to. Page – 10 – of 12 Evan Nappen 33:10 Because they want to make the younger generation not have any familiarity or love of firearms whatsoever. It’s not let’s teach how to shoot safely and properly, and enjoy shooting sports, and mature to be able to have the ability to defend yourself and your family. No, no, shut them out of it. Shut them out of it. Get them out of it. We don’t want to have the young being gun owners in the future, and this is how we stop it. Teddy Nappen 33:47 Yeah, and then they highlight their successes. They bring up. I love this one. They bring up Tulsa King. There’s a scene where a character is teaching his girl how to shoot. He’s just going through like the very first rule of gun safety first. Safety always. It’s especially important. Always assume the gun is loaded. Never point anything you’re not intending to shoot. I like how they take credit for just basic range safety. Like we did that. Evan Nappen 34:19 I like, you know, back when America was America, you had great movies like Shane. I mean, one of the greatest scenes in Shane is with Alan Ladd and the young boy, who’s enthralled with him and his firearm. Like any young boy should be. And remember the mom is like, “Oh, I don’t want my son, I don’t want my son having guns and dealing with guns. And what does he say? Marion, a gun is just a tool.” And there you go. One of the, you know, most awesome, pro-Second Amendment rights statement. Making it clear a gun is just a tool, Marion. And it is. It’s a tool for our safety. It’s a tool for our liberty. It’s a tool for our freedom. It’s a tool for our security. That’s the kind of message we love to see. Teddy Nappen 35:17 For me, I like “The River of No Return”. Evan Nappen 35:22 You would like that. Teddy Nappen 35:23 Yeah. Where the guy has his son, who wants to learn how to shoot. He learns, and he saves his dad through back shooting. After he gets. Evan Nappen 35:32 Hey, there you go, man. He saved his dad. Hey, look, didn’t John Wayne in (The Man Who Shot) Liberty Valance kind of do that anyway? In The Shootest, he didn’t want to shoot anybody in the back, but I kind of thought that happened in Liberty Valance. Maybe was not crystal clear, but he definitely ambushed him to save Jimmy Stewart, right? Teddy Nappen 35:52 Yeah, Jimmy Stewart. Page – 11 – of 12 Evan Nappen 35:53 He saved Jimmy Stewart’s ass with that shot. So, yeah, no, but look, what’s wrong with saving lives, and the good guys winning? I mean, that’s nice, you know. Beating the bad guys, not being a victim. Nothing wrong with that. As long as you’re justified and legal, and there you go. That works. Teddy Nappen 36:14 And then this is something I wanted to highlight, though, for people to remember. They got to all these show writers they had, for instance, like all signed this ridiculous letter. It was JJ Abrams, you know, the guy that ruined Star Trek. You have all these actors, producers, and directors signing this Brady show gun safety letter, this open letter. “Guns are prominently featured in TV and movies in every corner of the globe, but only America has a gun violence epidemic.” Okay, cut to the rest of the world. First, already debunked. “The responsibility lies with lax gun laws supported by those politicians more afraid of losing power than saving lives.” There we go. Another one right there. Lax laws. Thinking they’ll save lives. “We didn’t cause the problem, but we want to help fix it.” As America’s storytellers, our goal is to primarily entertain . . .” That’s not true in Hollywood. “. . . but we also acknowledge that stories have the power to effect change.” Evan Nappen 37:16 They’re a propaganda factory is what they are. Teddy Nappen 37:18 Correct. “Cultural attitude towards smoking, drunk driving, seat belts, and marriage equality have all evolved due in large part to movies’ and TV’s influence.” I’m pretty sure people are still drinking and driving. I’m pretty sure people are smoking, but now they’re vaping. So, that’s a whole.. and now, because that, they have to turn it towards vaping. And seat belts, okay, and marriage equality, okay. Now, the point now where they’ve lost. Evan Nappen 37:49 The whole political agenda through their propaganda efforts through entertainment. Hey, Teddy, I want to tell you about a very important GOFU this week. This week’s GOFU, remember, GOFUs are Gun Owner Fuck Ups. These are actual cases. Real deal things that you need to know. These are expensive lessons that somebody else has paid for that you get to learn for free. This week’s GOFU is really something that you may not have considered before, but you really should. If you ride motorcycles and such, make sure that the holster you use is not a clip-on style holster. You know, the kind. Make sure it’s an actual belt looped, so that your holster doesn’t come off while you’re riding your motorcycle. Because particularly susceptible. Evan Nappen 38:55 Now, granted, this can happen in a car, too. In a car, the firearm is going to end up on your floor of your car. But on a motorcycle, if that holster comes off the belt because it’s a clip on, even with the gun in it, or for that matter, if the gun falls out of the holster, you want to make sure your holster securely holds a firearm. You have to make sure the holster is secured to your belt. In motorcycling, with the vibration, the noise, etc., it’s very easy for an individual not to notice it falling off one’s body. You know you’re riding your bike and all that’s going on with the vibration and the road bumping and all these things Page – 12 – of 12 you’re dealing with, and it’s very easy to have that type of clip on holster come off. And then what happens? The gun and the holster fall off somewhere on your ride, and you don’t even realize it. Evan Nappen 40:12 Once you realize that you’ve lost it, you have 36 hours to report it lost or stolen in New Jersey, and this now jeopardizes, potentially, you being able to maintain your gun licenses. And if somebody else gets a hold of that gun, there can be further issues. So, please make sure that your holster is on your belt in a way that it cannot be removed unless you intentionally take it off through the loops. It’s very important. You don’t want to become a GOFU. Evan Nappen 40:54 This is Evan Nappen and Teddy Nappen reminding you that gun laws don’t protect honest citizens from criminals. They protect criminals from honest citizens. Speaker 3 41:05 Gun Lawyer is a CounterThink Media production. The music used in this broadcast was managed by Cosmo Music, New York, New York. Reach us by emailing Evan@gun.lawyer. The information and opinions in this broadcast do not constitute legal advice. Consult a licensed attorney in your state. Downloadable PDF TranscriptGun Lawyer S5 E296_Transcript About The HostEvan Nappen, Esq.Known as “America's Gun Lawyer,” Evan Nappen is above all a tireless defender of justice. Author of eight bestselling books and countless articles on firearms, knives, and weapons history and the law, a certified Firearms Instructor, and avid weapons collector and historian with a vast collection that spans almost five decades — it's no wonder he's become the trusted, go-to expert for local, industry and national media outlets. Regularly called on by radio, television and online news media for his commentary and expertise on breaking news Evan has appeared countless shows including Fox News – Judge Jeanine, CNN – Lou Dobbs, Court TV, Real Talk on WOR, It's Your Call with Lyn Doyle, Tom Gresham's Gun Talk, and Cam & Company/NRA News. As a creative arts consultant, he also lends his weapons law and historical expertise to an elite, discerning cadre of movie and television producers and directors, and novelists. He also provides expert testimony and consultations for defense attorneys across America. Email Evan Your Comments and Questions  talkback@gun.lawyer Join Evan's InnerCircleHere's your chance to join an elite group of the Savviest gun and knife owners in America.  Membership is totally FREE and Strictly CONFIDENTIAL.  Just enter your email to start receiving insider news, tips, and other valuable membership benefits.   Email (required) *First Name *Select list(s) to subscribe toInnerCircle Membership Yes, I would like to receive emails from Gun Lawyer Podcast. (You can unsubscribe anytime)Constant Contact Use. Please leave this field blank.var ajaxurl = "https://gun.lawyer/wp-admin/admin-ajax.php";

https://daredaniel.com/wp-content/uploads/2026/06/CANON-FODDER_S01_E64.mp3 Werckmeister Harmonies (2000; Dir.: Bela Tarr) Canon Fodder Episode 64 With the cold, dead eyes of stuffed whales, cinematic world travelers Daniel Barnes and Corky McDonnell finally arrive in a remote, fog-shrouded Hungarian village to review Béla Tarr's Werckmeister Harmonies. Composed of just 39 shots in 145 minutes, Tarr's mesmerizing millennium nightmare basks in cosmic disorder, civic unrest and an extremely disappointing circus. But did Tarr's vision of the apocalypse Werck for your hosts, or did his off-key Harmonies leave them singing a different tune? WERCKMEISTER HARMONIES FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #243 [tied] World premiere: May 2000 (Cannes Film Festival) IMDB synopsis: “A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.” CLIPS & CLIPPINGS 4K Restoration trailer for Werckmeister Harmonies Opening scene Let’s all go to the hospital Final scene NEXT EPISODE’S MOVIE The Man Who Shot Liberty Valance (1962; Dir.: John Ford) IMDB synopsis: “A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.” Our review of The Man Who Shot Liberty Valance comes out Tuesday, July 7! Follow Dare Daniel & Canon Fodder on Facebook and Instagram. Listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – Werckmeister Harmonies appeared first on Dare Daniel Family of Podcasts.

Zašto je Dejan Nikolić razočaran filmskom adaptacijom hita "Project Hail Mary", kako je serija "Euforija" u trećoj sezoni postala mračni kartel-triler i zbog čega je Jelisaveta preplakala ceo koncert Rosalije? U jubilarnoj 80. epizodi Njuz POPkasta, u goste nam se vraća jedan od osnivača Njuza i čovek iza Podmedije, Dejan Nikolić! Ova epizoda je prepuna ultimativnih preporuka: od fenomenalnog prikvel filma "The Bear: Gary" i mučnog grčkog horor/trilera "Miss Violence", pa sve do toga kako veštačka inteligencija (Claude) može da vam isprogramira retro "Asteroids" igricu za samo pet minuta. Obavezno ostavite lajk, subskrajbujte se i napišite nam u komentarima - koji "državotvorni" film sa ovih prostora bi oborio Dejanovu teoriju?

Today on Episode 237, the guys continue their Western Retrospective with their final John Ford film, The Man Who Shot Liberty Valance. Where will this film rank amongst the other two John Ford-John Wayne team-ups? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #TheManWhoShotLibertyValance #JohnWayne #JohnFord

On Episode 202 of Floating Through Film, we're concluding our series on John Ford! For this final week, we're reviewing two of Ford's most renowned Western films, starting with the all-time 1956 classic The Searchers, followed by 1962's The Man Who Shot Liberty Valance (1:44:39). We hope you enjoy! Episode Next Week: Top 10 Villains in Film Music:- Intro: The Searchers (https://www.youtube.com/watch?v=xc1iYRrMBWk)- Break: The Man Who Shot Libert Valance (https://www.youtube.com/watch?v=xc1iYRrMBWk)- Outro: The Searchers (https://www.youtube.com/watch?v=20jAtWu4CxM) Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press' "Reel West" series on 1962's The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford's eulogy to the Old West. The two break down the performances of Jimmy Stewart, John Wayne, Vera Miles and Lee Marvin as well as the themes of fact & fiction.  "The Man Who Shot Libert Valance (Reel West)" is available from UNM Press wherever books are sold. 

Print the Legend Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press’ “Reel West” series on 1962’s The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford’s eulogy to … Continue reading Ep. 422- The Man Who Shot Liberty Valance with Chris Yogerst →

Rivoli Theatre co-owners Clara and Jon Gelatt in studio discussing the changing landscape of movies — stemming from Matt Damon’s criticism of Netflix — a YouTuber’s horror film coming soon thanks to fan emails and how they stay relevant with community events ranging from politics to the outdoors. One of the nice things about going to a theatre is you’re basically commanded to put your phone away. We talked about comments recently by Damon suggesting movies are now being made to be the "second screen" — dumbing down the film because people aren’t paying attention. This led to Jon’s "research" on the ideal movie runtime. While long epics like Lord of the Rings have their place, Jon breaks down why 90 minutes is the sweet spot for both viewers and theatre owners, and why the 110-to-130 minute range is often a "cursed" era for film quality. On the flip side, fan requests have brought YouTuber Mark Fischbach’s film Iron Lung to the Rivoli at the end of the month. We talk about that changing landscape, plus how they decided to give the go ahead on bringing a YouTuber’s film to the big screen. Before that happens, Jon will host another Cult Movie Night on Saturday — if you want to get out of the house, despite the cold — featuring a 16-year-old Tom Cruise in Legend (1985) and a 36-year-old Arnold Schwarzenegger in Conan the Destroyer (1984). Beyond these unique ways to get people to the theatre, we also previewed the upcoming La Crosse Adventure Film (LAF) event and post-viewed the Civics and Cinema discussion. LAF happens Feb. 6 — a free event thanks to the Beer By Bike Brigade, B.L.A.C.K. and ORA Trails. It is at capacity, but check with LAF to get on the wait list — featuring multiple short films about the outdoors, including one about, coincidentally enough, Greenland. We also recapped the Civics and Cinema series that happened earlier this week, where they watched The Man Who Shot Liberty Valance. The viewing was followed by a civics conversation led by Sam Scinta and Rick Kyte as part of the Rebuilding American Civics series with Viterbo’s D.B. Reinhart Institute. Lastly, we talked about the perks of owning a theatre — 2 a.m. movies all to yourself, unlimited popcorn, Christmas gatherings or playing MarioKart on the big screen.See omnystudio.com/listener for privacy information.

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sometimes movies make cameos in other movies, that's what we are discussing with our double feature this week, 'The Man Who Shot Liberty Valance' and 'Munich.' Full spoilers ahead! The Man Who Shot Liberty Valance discussion starts 1:17, Munich discussion starts 29:26, Next episode recommendation starts 57:48

On this week's episode, I'm rejoined by Chris Yogerst, author of the new book from the University of New Mexico's “Reel West” series on The Man Who Shot Liberty Valance. We discussed the making of the film, its place in the western canon as a sort of natural ending point for the traditional westerns made by John Wayne and John Ford, and the surprisingly political nature of the film's central struggle between the frontier and civilization. If you enjoyed the episode, check out the book (or pick up the pristine 4K, on which Paramount did a fine job of making the film look good as new). And make sure to share it with a friend!

In this episode I spoke with author Chris Yogerst about his latest book "The Man Who Shot Liberty Valance". Few lines of movie dialogue have had greater impact than the most famous line from John Ford's 1962 masterpiece The Man Who Shot Liberty Valance: “This is the West, sir. When the legend becomes fact, print the legend.” Although critics of the day did not realize its magnitude, with time The Man Who Shot Liberty Valance has become cemented in our popular culture. This film connects to nearly every Western before or after, from Ford's own Stagecoach (1939) to Clint Eastwood's Unforgiven (1992).

We've got a lot to run down on the Wednesday edition of the Morning Pitt. Pitt made a big move on the NIL scene Tuesday; the Panthers have been very dangerous in one important area; and there's one weapon on the team that could be poised to break out in a big way. All that and more on today's Morning Pitt. Correction: In this episode of the Morning Pitt, we incorrectly stated that "The Searchers" was one of John Wayne's last Westerns when, in fact, he made several Westerns after that, including "Rio Bravo" and "The Man Who Shot Liberty Valance," among others. We apologize for that inaccuracy.

We're heading out west for the first episode in our Western mini series. We're watching the John Ford classic, The Man Who Shot Liberty Valance, this time on Harmless Phosphorescence! Support the show and get early access and exclusive content on Patreon! Watch us on YouTube! Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/ Siskel and Ebert Scale Josh - Up Brian - Up Al - Up Thoreau - Up

Blockbuster Summer continues! In this episode of THE STORY SONG PODCAST, your hosts review the 1962 hit, “(The Man Who Shot) Liberty Valance,” by Gene Pitney, written by Burt Bacharach and Hal David. “(The Man Who Shot) Liberty Valance” by Gene Pitney (from the album Only Love Can Break a Heart) is available on Apple Music, YouTube Music, Amazon Music, Pandora, Spotify, or wherever you listen to music. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Bluesky (@storysongpodcast.bsky.social), Instagram (storysongpodcast), Facebook (thestorysongpodcast), Threads (storysongpodcast), GoodPods, and Podchaser. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the latest Whisper in the Wings from Stage Whisper, we welcomed back on the director Thomas R. Gordon, and the actors Derek Jack Chariton, Daniel Sean, and Leighton Samuels, to talk about their current production of The Man Who Shot Liberty Valance. This was a great conversation about an amazing production. So make sure you tune in and turn up of this great production!The Man Who Shot Liberty ValanceNow- July 26th@ The Gene Frankel TheatreTickets and more information are available at genefrankeltheatre.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: genefrankeltheatre.com@thegenefrankeltheatre@dpopin@leightonsamuelsofficialleightonsamuels.com@djackchariton

Listen: Lauren Class Schneider talks to Thomas R. Gordon, the director of “The Man Who Shot Liberty Valance” playing at the Gene Frankel Theater “Class Notes” actively covers New York's current theater season on, off, and off-off Broadway. Leighton Samuels (Rance Foster) and Mari Blake (Hallie Jackson).Photo by Joshua Eichenbaum read more

"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 -  6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES:  Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey;  Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, ⁠www.oscars.com⁠; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938);  Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939);  The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949);  Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954);  Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954);  The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965);  Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960);  Blue Hawaii (1961);  Girls! Girls! Girls! (1962);  Fun In Acapulco (1963);  Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961);  Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);,  The Man Who Would Be King (1976);  Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- ⁠http://www.airwavemedia.com⁠ Please contact ⁠sales@advertisecast.com⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacob and Drew Review The Classic Western, John Wayne and Jimmy Stewart Film, The Man Who Shot Liberty Valance. They Also review The Batman The Animated Series episodes, "Terror in the Sky" and "Almost Got 'em"

Send us a textGet a little closer and don't be shy because for this round our new theme is "Close Encounters".  We will be watching movies involving moments of connection, discovery, or revelation between people, or even between humanity and something unknown.The shakeup for this week is "classic film pre 70s".  Combine that with our new theme, mix well and you get "The Man Who Shot Liberty Valance".  This 1962 classic, directed by John Ford,  stars James Stewart, John Wayne and Vera Miles.  It tells the story of a senator who returns to a Western town for the funeral of an old friend and tells the story of his origins.We'll discuss the movie as well as Westerns in general and take an interesting deep dive into the world of smoking pipes, including GAME OF PIPES!

RMR 0316: Special Guest, Rick DellaRatta, joins your hosts, Chad Robinson and Bryan Frye for the Retro Movie Roundtable as they revisit The Man Who Shot Liberty Valance  (1962) [PG] Genre: Western, Drama   Starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan, John Qualen, Willis Bouchey, Carleton Young, Woody Strode, Denver Pyle, Strother Martin Floyd, Lee Van Cleef, Robert F. Simon, O.Z. Whitehead, Paul Birch   Directed by: John Ford

In this episode, I spoke with Christopher McKittrick about his latest book "Vera Miles: The Hitchcock Blonde Who Got Away". Captivating, talented, and beautiful, Vera Miles was destined for fame. Within a few years of making her way to Hollywood in 1949, she starred in such films as The Rose Bowl Story (1952), Tarzan's Hidden Jungle (1955), and Wichita (1955). Her frequent television performances so enthralled Alfred Hitchcock that he chose her to be Grace Kelly's successor for roles in The Wrong Man (1956) and the iconic film Psycho (1960). She also starred in John Ford's The Searchers (1956) and The Man Who Shot Liberty Valance (1962). Miles's illustrious film and television career spanned nearly fifty years in Hollywood, and yet she is still considered one of the most unsung film actresses of her era.The entire episode of "Medic" that Chris talks about is available on YouTube:https://www.youtube.com/watch?v=icO5-I4e0SQ

On the forty-seventh episode of The Constitutionalist, Shane Leary and Benjamin Kleinerman are joined by Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University, to discuss John Ford's classic film "The Man Who Shot Liberty Valance." We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org. The Constitutionalist is a podcast cohosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, and his student, Shane Leary. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.

EPISODE 74 - “SWEETHEARTS FROM THE GOLDEN AGE OF HOLLYWOOD" 2/10/2025 As Cupid sharpens his arrows, and the candy and greeting card companies prepare to make bank, we celebrate Valentine's Day. In this episode, we take a loving look at some of Hollywood's most enduring real-life love stories. From JOEL McCREA and FRANCES DEE to JEAN HARLOW and WILLIAM POWELL, join us as we discuss their lives, films, and, most importantly, their beautiful love stories.  SHOW NOTES:  Sources: Ladies of the Westerns (2015) by Michael C. Fitzgerald and Boyd Magers; Joel McCrea: Ride The High Country (1992), by Tony Thomas: “William Powell: Hollywood Star, Detective Film Icon," Jan. 27, 2025, Britannica,com; Letters From Hollywood: Jean Harlow , January 21, 2023 by David Stenn, TCM.com; The Love Story of Jean Harlow and William Power: Hollywood's Iconic Couple, Documentary (2023), Youtube.com; “McIntire and Nolan: A Romance Wright In Radio,” June 27, 2022, Travelanche; “12 Times Real Life Couple John McIntire and Jeanette Nolan Played a Couple Onscreen,” July 18, 2022, MeTV.com; “It Took Three Separate Actors To Bring Psycho's Norma Bates to Life,” November 30, 2022, www.slashfilm.com; “John McIntire and Jeanette Nolan Mix Business With Pleasure,” 2022, by J. Johnson, www.vocal.media/geeks; “John McIntire & Jeanette Nolan: Life Together,” by Jerry Skinner, YouTube.com; “Mary Pickford,” April 5, 2005, American Experience, PBS; “Douglas Fairbanks,” American Experience, PBS; Life and Times of Mary Pickford, Documentary (1998), Youtube.com; Harlow: The Blonde Bombshell, Documentary (1993), directed by Tom McQuade; “William Powell,” The State Historical Society of Missouri, www.missouriencyclopedia.com; Academy of Motion Picture Arts and Sciences (Oscars.org): Mary Pickford; “William Powell, Film Star, Dies at 91,”March 6, 1984, by Peter B. Flint, New York Times; “Jeanette Nolan, Spouse Rough it in Montana Wilderness Home,” March 24, 1974, The Indianapolis Star; TCM.com; MaryPickford.org; McCreaRanchFoundation.org; IMDBPro.com; IBDB.com; Wikipedia.com; AcademyMuseum.com Movies Mentioned:  JOEL MCCREA & FRANCES DEE: The Jazz Age  (1929); The Silver Horde (1930); Playboy of Paris (1930); King of the Jungle (1930); An American Tragedy (1931); Caught (1931); Born to Love (1931); Bird of Paradise (1932); The Silver Cord (1933); One Man's Journey (1933); Little Women (1933); Finishing School (1934); Of Human Bondage (1934); Gambling Lady (1934); Becky Sharp (1935); Barbary Coast (1935); These Three (1936); Come and Get It (1936); The Gay Deception (1936);   Wells Fargo (1937); Dead End (1937); If I Were King (1938); Union Station (1939); Foreign Correspondent (1940); I Walked With A Zombie (1943); Four Faces West (1948); Ride The High Country (1962); JEAN HARLOW & WILLIAM POWELL: Man of the World (1931); Ladies Man (1931); Hell's Angels (1930); Reckless (1935); Libeled Lady (1936); After The Thin Man (1936); Saratoga (1937); My Man Godfrey (1936); JOHN McINTIRE & JEANETTE NOLAN: The Ramparts We Watch (1940); Northside 777 (1948); MacBeth (1948); Words and Music (1948); River Lady (1948);   Command Decision (1948); Top of The Morning (1949); No Sad Song For Me (1950); The Asphalt Jungle (1950); Winchester '73 (1950); The Secret of Convict Lake (1951); The Happy Time (1952); The Big Heat (1953); Westward The Women (1951); Apache (1954);  The Far County (1954); Flaming Star (1960);  Summer and Smoke (1961); The Man Who Shot Liberty Valance (1962); Rooster Cogburn (1975); The Rescuers (1978); True Confessions (1981); Cloak and Dagger (1984); Turner and Hooch (1989); The Horse Whisperer (1998); MARY PICKFORD & DOUGLAS FAIRBANKS: *** Please email us for list of Pickford & Fairbanks movies*** --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in the 19th century, his career forged in the silent era, John Ford helped to invent the genre of the Western and still holds the record for the most Best Director Oscar wins of all time. Though he made films in all genres, and sometimes even tackled the same historical territory from different angles in different films, Ford had by the 1960s become synonymous with depictions of American history that honored maverick white men, while often villainizing, distorting or erasing Native Americans. In this episode, we will talk about the influence of Ford's last masterpiece, The Man Who Shot Liberty Valance, and will look at Ford's last two films, which to some extent feel like “mea culpas” for the offenses of his earlier career: the revisionist Western Cheyenne Autumn, and the female-centric adventure film 7 Women. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Westward expansion has been mythologized onscreen for more than a century—and its depiction has always been entwined with the politics and anxieties of the era. In the 1939 film “Stagecoach,” John Wayne crystallized our image of the archetypal cowboy; decades later, he played another memorable frontiersman in “The Man Who Shot Liberty Valance,” which questions how society is constructed. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace the genre from these cinematic classics to its recent resurgence, marked by big-budget entries including “American Primeval,” which depicts nineteenth-century territorial conflicts in brutal, unsparing detail, and by the wild popularity of Taylor Sheridan's “neo-Westerns,” which bring the time-honored form to the modern day. Sheridan's series, namely “Yellowstone” and “Landman,” often center on a world-weary patriarch tasked with protecting land and property from outside forces waiting to seize it. Sometimes described as “red-state shows,” these works are deliberately slippery about their politics—but they pull in millions of viewers from across the ideological spectrum. What accounts for this success? “Whether or not we want to be living in a Western,” Schwartz says, “we very much still are.”Read, watch, and listen with the critics:“Yellowstone” (2018–24)“Landman” (2024—)“Horizon: An American Epic” (2024)“American Primeval” (2025—)“Stagecoach” (1939)“Dances with Wolves” (1990)“Doctor Quinn, Medicine Woman” (1993–98)Laura Ingalls Wilder's “Little House on the Prairie” series“The Man Who Shot Liberty Valance” (1962)“Shōgun” (2024)“The Treasure of the Sierra Madre” (1948)“Oppenheimer” (2023)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Since the days of John Wayne, the western genre has a special place in our hearts. The Plugged In team explores why these stories are so popular and looks at Netflix’s new western series American Primeval. Paul Asay then speaks with Bret Eckelberry about Plugged In’s Screen Fast 2025. Connect with us! www.ThePluggedInShow.com Connect on Facebook Find us on Instagram EMAIL: team@thepluggedinshow.com PHONE: 800-A-FAMILY (800-262-3459) Read the full review: · American Primeval · Yellowstone · Hell or High Water · 1883 · Open Range · Magnificent Seven · 3:10 to Yuma · Logan · The Man Who Shot Liberty Valance · Justified Are you Addicted to Technology? Take our quiz to find out! · Technology Addiction Quiz The Plugged In Tech Guide Focus on the Family with Jim Daly Episode: How Your Family Can Manage Technology Well Part 1 How You Can Make Wise Entertainment Choices for Your Family Donate Now! We'd love to hear from you! Visit our Homepage to leave us a voicemail. If you've listened to any of our podcasts, please give us your feedback.

One of the final collaborations between John Wayne and John Ford, The Man Who Shot Liberty Valance (1962) pits attorney Ransom Stoddard (James Stewart) against a cruel and violent gangster Liberty Valance (Lee Marvin). Stoddard must decide if he wants to stick to his principles and defeat Valance through legal means, or use frontier justice.    Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle, with frequent appearances from film expert Juzo Greenwood. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

AC Shadows Delayed, Ghosts of Yutei is coming, Meta announces the Quest 3s, and DC has found its Hal Jordan. Plus we got Sonic News, a Sony state of Play, and why Nintendo is suing Palworld. Ubisoft seems to be in a death spiral, hopefully they get out of it soon. We also have a Thunderbolts* trailer, more Netflix Geeked week trailers, and Robocop is headed to the small screen. Also a classic movie review of The Man Who Shot Liberty Valance starting John Wayne and Jimmy Stewart.

In the great John Ford western, "The Man Who Shot Liberty Valance," a reporter says, "When the legend becomes fact, print the legend." Few 19th Century players muddled the waters between fact and legend as did the great Louisville slugger, Pete Browning. Author Tim Newby's new book "The Original Louisville Slugger: The Life and Times of Forgotten Baseball Legend Pete Browning" ( University Press of Kentucky, 2024) dives into Pete's wild story head first, separating legend from fact and delivering an engaging and rewarding book. Newby is our guest this week to talk about myths, legends, Pete Browning and baseball in the wild and untamed 19th Century.Tim Newby's The Original Louisville Slugger is available through the publisher, through the Hooks & Runs affiliate site (see the link below) or wherever you buy your books.Tim Newby on Twitter/X (@Tim_Newby9)Tim Newby on Instagram (@tim_newby9)-->Join our Discord: https://discord.gg/tT8d3pVUsN-->You can support Hooks & Runs by purchasing books, including the books featured in this episode, through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Hooks & Runs - www.hooksandruns.com Email: hooksandruns@protonmail.com Hooks & Runs on TwitterCraig at BlueskyRex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Hosts Emeritus:Andrew Eckhoff on Tik TokEric on FacebookMusic: "Warrior of Light" by ikolics (via Premium Beat)     This podcast and this episode are copyright Craig Estlinbaum, 2024. 

EPISODE 50 - “Birthday Tribute to Classic Film star Vera Miles” - 08/26/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** After placing 3rd runner up to Miss America in 1948 as Miss Kansas, VERA MILES soon embarked on a long and illustrious career in Hollywood and was soon working with great directors like ALFRED HITCHCOCK (“Psycho” and “The Wrong Man”) and JOHN FORD (“The Searchers” and “The Man Who Shot Liberty Valance”). This week, we pay tribute to Miles as she turns 95 on August 23rd. Listen as we celebrate this beautiful, talented, and somewhat underrated star.  SHOW NOTES:  Sources: Hitchcock's Heroines (2018), by Caroline Young; Women In The Films of John Ford (2014), by David Mevel; “Vera Miles: Country Girl in Hollywood,” May 13, 1956, by J.D. Spiro, Los Angeles, Times; “Vera Miles: She's Alfred Hitchcock's Newest Acting Find,” January 13, 1957, Parade Magazine; “Vera Miles Says: I'm Glad I Was Poor,” May 1959, by Amy Francis, Screenland Magazine; “Vera Miles: Official Biography,” September 1961, Paramount Pictures; “The Loser Who Became A Star,” May 15, 1973, by Earl Wilson, The New York Post; “Fighting Trim Vera Miles Still A Doer,” February 20, 1981, by Mark Hemeter, The Times-Picayne (New Orleans); “Psycho Actress Defends Hitchcock,” June 25, 1983, by Richard Freedman, The Spokesman-Review, Newhouse News Service; “Vera Miles: Hollywood Walk of Fame,” June 29, 2010, by Carina MacKenzie, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  For Men Only (1952), starring Paul Henried; The Rose Bowl Story (1952), starring Marshall Thompson; The Charge At Feather River (1953), starring Guy Madison and Helen Westcott; Pride of the Blue Grass (1954), starring Lloyd Bridges; Tarzan's Hidden Jungle (1955), starring Gordon Scott; Wichita (1955), starring Joel McCrea; The Searchers (1956), starring John Wayne and Jeffrey Hunter; The Wrong Man (1956), starring Henry Fonda; Beau James (1957), starring Bob Hope; Web Of Evidence (1959), starring Van Johnson; The FBI Story (1959), starring James Stewart; A Touch Of Larceny (1960), starring James Mason and George Sanders; 5 Banded Women (1960), starring Jeanne Moreau; Psycho (1960), starring Anthony Perkins, Janey Leigh, and John Gavin;  Back Street (1961), starring Susan Hayward and John Gavin; The Man Who Shot Liberty Valance (1962), starring John Wayne and James Stewart; A Tiger Walks (1964), starring Brian Keith; Those Calloways (1965), starring Brian Keith, Brandon De Wilde, and Linda Evans; Follow Me Boys! (1966), starring Fred MacMurray; The Spirit Is Willing (1967), starring Sid Caesar; Gentle Giant (1967), starring Dennis Weaver and Ralph Meeker; Hellfighters (1968), starring John Wayne and Katharine Ross; The Wild Country (1970), starring Steve Forrest; One Little Indian (1973), starring James Garner; The Castaway Cowboy (1974), starring James Garner; Run For The Roses (1977), starring Stuart Whitman; Smash Up On Interstate 5 (1976), starring Robert Conrad, Buddy Ebson, Sue Lyon, Terry Moore, and Tommy Lee Jones; Psycho II (1983), starring Anthony Perkins; The Initiation (1984), starring Clu Galugar and Daphne Zuniga; Separate Lives (1995), starring Linda Hamilton and Jim Belushi; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

L'Homme qui tua Liberty Valance, The Man Who Shot Liberty Valance, de John Ford sort en 1962. Ce film est presque un testament, lʹantithèse des westerns auxquels il nous avait habitués, tourné en noir et blanc, en studio. Il est dʹun classicisme absolu, et détonne par rapport à son époque, les années 60 et leur renouveau esthétique. Lʹhistoire est simple, voir simpliste. Un sénateur et sa femme, les Stoddard, arrivent à la gare de Shinbone. Ils sont venus assister à lʹenterrement dʹun vieil ami, Tom Doniphon. Ransom Stoddard, pressé par les journalistes, se décide à leur raconter lʹhistoire de cet homme, de leur jeunesse, du bandit Liberty Valance, du duel qui les opposa et de ses idéaux ; la lutte contre lʹinjustice, la défense des opprimé, lʹexaltation du courage. Ford suit le récit de son intrigue, tranquillement, opposant le bien et le mal. Un homme a tué Liberty Valance. Mais qui est cet homme ? Ransom Stoddard ou Tom Doniphon ? Quelle est la vérité et quelle est la légende ? Rien nʹest jamais comme on le pense. " On est dans l'Ouest, ici. Quand la légende dépasse la réalité, alors on publie la légende. " affirmera un journaliste à la mort de Liberty Valance. Pour incarner ses personnage, John Ford convoque ses amis, John Wayne et James Stewart face à Lee Marvin. Vera Miles complète la distribution. Du grand art. Maîtrisé de bout en bout par un réalisateur qui parvient à prouver quʹil existe et quʹil peut offre au monde du cinéma une nostalgie de vieil homme. Avec ce film, disparaît toute une époque, celle du mythe de lʹOuest en tant quʹidéal du cinéma américain. Disparaît également John Ford, dont cʹest lʹavant-dernier western. Le film est très mal accueilli à sa sortie. La critique le traite de désuet, avant que lʹhistoire du cinéma ne sʹen empare et quʹil devienne un classique à voir une fois dans sa vie. REFERENCES Autour de John Ford Jean-Baptiste Thoret, 2017 TCM CINEMA James Stewart sur le tournage de Liberty Valance John Ford, le cinéma dans la peau, documentaire, 1994 LEUTRAT, Jean-Louis, Lʹhomme qui tua Liberty Valance, John Ford, étude critique, collection Synopsis, Editions Nathan, 1995 Directed by John Ford/Peter Bogdanovich/Film USA 2006 VOST (108 min)

Hope may be hard to come by in any corner of the world these days. But writer-producer Chap Taylor and producer Evan Astrowsky try their level best to help us keep our chins up in our first show business roundtable for season 3. Chap Taylor has written screenplays and television pilots for all of the major Hollywood studios. He's worked for such producers as Brian Grazer, Scott Rudin, Irwin Winkler, Arnold Kopelson, and for directors Wes Craven and Ridley Scott. He co-wrote the Paramount feature film Changing Lanes, starring Ben Affleck and Samuel L. Jackson, as well as uncredited work on National Treasure, Behind Enemy Lines and the remake of the horror classic, The Omen. Chap created the comic book series Haunted City and (in 2021) is currently adapting it into a television series for producers Tom Fontana and Barry Levinson. He served as Consulting Producer on the NBC/Sony Pictures Television drama The Blacklist and wrote episodes #407 and #414. In features, he most recently re-imagined the classic John Ford western The Man Who Shot Liberty Valance for producer Matt Jackson at Paramount. He is currently (in 2021) developing projects with eOne, Doug Liman's production company Hypnotic, Levinson/Fontana Television and Jay Carson, creator of The Morning Show. Chap Taylor IMDB Twitter Evan Astrowsky Evan is a seasoned film and commercial producer with ad agency , production company and film producing expertise. After graduating NYU Film School as the Lew Wasserman Fellow Evan went on to produce 10+ independently produced feature films including Cabin Fever, Fanboys, Ironclad, The Lazarus Project, and Mini's First Time. Evan now finds himself firmly in the brand world where he has produced commercials for companies like Microsoft, Bud Light, Chevy, Verizon and Oracle. Evan is part of the ‘abled-disabled' community in LA where he lives with wife and two kids. IMDB Instagram Twitter Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via nextchapterpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The boys grab a beer and head to Shinbone, the fictional town in a western US territory in the old West, to discuss ‘The Man Who Shot Liberty Valance': Films of 1962. The newest edition to our “Random Year Generator” was tons of fun to discuss, making jabs at John Ford's notoriously fiery antics, John Wayne and Jimmy Stewarts contrasting acting styles, Lee Marvin's screen presence, and how there were that many steaks in the old west- how were any cows left! We also had a few mini-reviews, beginning with “A Quiet Place: Day One” and then segueing into “The Bikeriders”.  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 4:13 ‘A Quiet Place: Day One' mini-review; 13:10 ‘The Bikeriders' mini-review; 17:59 Gripes; 27:19 Films of 1962: The Man Who Show Liberty Valance; 01:08:44 What You Been Watching?; 01:16:16 Next Week's Episode Teaser Additional Cast/Crew/Mentions: Vera Miles, Edith Head, Austin Butler, Jodie Comer, Michael Shannon, Jeff Nichols, Tom Hardy, Lupita N'yongo, John Krasinski. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
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On episode 238 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to review the latest film releases, Kinds of Kindness and Horizon: An American Saga – Chapter 1, as well as discuss their Top 5 Westerns. While A Quiet Place: Day One was dominating the box office this past weekend, two other releases caught the attention of the AW team, Kinds of Kindness and Horizon: An American Saga – Chapter 1, both of which premiered at the Cannes Film Festival earlier this year. For Kinds of Kindness, we find acclaimed director Yorgos Lanthimos returning to the big screen with his follow up to Poor Things with a nearly three-hour anthology film with an all-star cast lead by Emma Stone, Jesse Plemons, Willem Dafoe, Hong Chau, Margaret Qualley, and more that focuses on three separate stories that center around the idea of control. In the case of Horizon: An American Saga – Chapter 1, we see the big screen return, and gamble, of director Kevin Costner, with a three hour sweeping epic set in the old west that takes place over five different storylines. Ryan and Josh (who saw both films at Cannes) break down their reactions to both films, the pros and cons of both, and whether they think they will dive into the remaining chapters of Horizon and what they hope to see in Lanthimos' next film coming out next fall. In the back half of the episode, the duo dive into a Top 5 based on the western genre, inspired by the release of Horizon. One of the oldest genres in the history of cinema, the western is one that speaks to the roots and fabric of America, while also being one to speak brilliantly of how our current world can be reflected so bold, brash, and violent as our past. This makes for the perfect conversation to talk about some of the best films in not just the genre, but some of greatest films of all time. Mentioned in this discussion were films like Butch Cassidy and the Sundance Kid, Unforgiven, The Man Who Shot Liberty Valance, Once Upon a Time in the West, McCabe and Mrs. Miller, The Assassination of Jesse James by the Coward Robert Ford, and so many more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h18m. We will be back next week to talk about latest film from A24, MaXXXine, and discuss their Top 5 films set in Los Angeles. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this episode, it's our monthly recap episode where we take one last look at our classic Westerns from May and we preview our theme and films for June! Listen now!

In this episode, we continue our month of classic Westerns with the 1962 John Ford classic, "The Man Who Shot Liberty Valance", starring James Stewart, John Wayne and Vera Miles! Listen now!

Welcome to our first Physical Media episode of 2024. Joining me today, we have a terrific quartet of movie minds discussing a handful of titles newly released on disc, including novelist Alison Gaylin on TO DIE FOR, podcaster-critic Blake Howard on CONTAGION, filmmaker Chris McKay on THE SHOOTIST & THE MAN WHO SHOT LIBERTY VALANCE, & podcaster-critic Rachel Wagner on FOOTLOOSE (1984). Additionally, you'll hear me cover the new Criterion box set of Eric Rohmer's TALES OF THE FOUR SEASONS & the new Blu-ray edition of the Anthony Mann western THE TIN STAR solo. A wonderful compilation episode that provides lively commentary, excellent film references, & double feature ideas, plus hilarity & tangents galore, I hope you have as much fun listening to this series of conversations as I did having them. Note: This is the last new episode of Watch With Jen before a brief April hiatus but rest assured, we have so much more in store for you this season when we return in May. Also, Patreon subscribers will begin finding more writing & other surprises waiting for them shortly. Originally Posted on Patreon (4/10/24) here: https://www.patreon.com/posts/102095895Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop

When people think of the American western movie, it's usually gunfights and cowboys and bank robbers and romance and, if we're being honest, a pretty rough portrayal of nearly anyone who isn't a white man. They can be fun and exciting but they are often devoid of substance and many times can end up promoting some unhealthy perspectives. The fact that John Ford and John Wayne were two of the most prolific and influential figures in this genre makes their work in The Man Who Shot Liberty Valance that much more interesting. Rather than being a simplistic tale of a strong, quiet man with a gun saving the day, the movie is far murkier than that and actually examines the legacy of that type of story as well as the American myth in general. Jimmy Stewart, John Wayne, Lee Marvin, and Vera Miles star in this subversive and deeply American tale of violence, deception, passion, disillusionment, and hope and whether or not you're a fan of the western genre, there's quite a lot here to consider and discuss. Which is why we are very excited to welcome Elliot Coen from the Boutique Blu-rays YT channel to the show! He's well versed in the genre and brings a wonderful perspective to it. We hope you enjoy and if you do, be sure to share the show with your friends who would appreciate it! **The Man Who Shot Liberty Valance is currently streaming on Prime Video in the US** Previous Substantive Cinema Shows Shoutouts: Kubrick: An Odyssey Universal monster movies Dune & Dune: Part Two Nightmare(s in a Damaged Brain) Peeping Tom Follow Elliot: YouTube Channel Instagram Follow Us: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠ ⁠⁠⁠⁠⁠⁠Facebook⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠ Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

We journey back to the pivotal year of 1962 to unpack two monumental films that left an indelible mark on the movies. First up, Jake brings to the table "The Manchurian Candidate," a political thriller that weaves a tale of intrigue and brainwashing, mirroring the tense Cold War atmosphere of its time. Its blend of suspense and political commentary continues to resonate today. Plus, Frank Sinatra runs funny. Then, shifting gears, Brad introduces David Lean's "Lawrence of Arabia," a sweeping epic renowned for its grand storytelling and breathtaking cinematography. This film's portrayal of T.E. Lawrence's enigmatic character and the intricate dynamics of wartime alliances offers much for the group to dissect. Hosted by Brad Garoon & Jake Ziegler, with guest Ryley Trahan from Nerd It Here First. And apologies to Lord of the Rings cinematographer Andrew Lesnie, who is the person who actually said, "Same place as the music." Movies mentioned in this episode: "The Ten Commandments" (1956), "Voice in the Mirror" (1958), "Cleo from 5 to 7" (1962), "Dr. No" (1962), "The Fabulous Baron Munchausen" (1962), "Hara Kiri" (1962), "Lolita" (1962), "Lonely Are the Brave" (1962), "The Man Who Shot Liberty Valance" (1962), "To Kill a Mockingbird" (1962), "Whatever Happened to Baby Jane" (1962), "A Guide for the Married Man" (1967), "El Topo" (1970), "That's Entertainment" (1974), "Network" (1976), "Death on the Nile" (1978), "Stop Making Sense" (1984), "Silence of the Lambs" (1991), "A Dangerous Man: Laurence After Arabia" (1992), "The English Patient" (1996), "The Manchurian Candidate" (2004), "Dune Part 1" (2021), "John Wick: Chapter 4" (2023), and "Dune Part 2" (2024).

On this last episode of 2023 Mr. Palumbo dives into American popular culture and attempts to analyze the classic western film "The Man Who Shot Liberty Valance". Our favorite social studies teacher looks into themes like truth versus legend, standing up to bullies and the responsibility that comes with freedom. The discussion also ventures into the challenges and opportunities faced for the people of the late 19th who were brave enough to venture into the American western frontier. There is also an acknowledgement of how movies help shape peoples' perceptions of who or what they are and what the can be. So grab your popcorn and hold on there pilgrim (as John Wayne would say) as we enjoy a conversation about classic American cinema 

M.K. wraps up his watchlist with a variety of genres from The Exorcist, to The Man Who Shot Liberty Valance, to The Menu and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/getlost-hypnotherapy/support

In honor of The Fugitive being released 30 years ago today, we're doing a special rerelease of this pod so you can experience the heart-pounding chase all over again! Special thanks to DrKen (previous commissioner of The Man Who Shot Liberty Valance) for commissioning this great thriller from the 90's, The Fugitive, starring Harrison Ford as brilliant doctor wrongfully accused of the murder of his wife evading the dogged pursuit of Tommy Lee Jones as U.S. Marshal. This is one of the tightest films you'll ever see, effortlessly moving from one set piece to another, drawing strength and vitality from the charisma and presence of it's two brightest stars, achieving the rare balance where you want the protagonist and antagonist to find a way to both win. We have fond memories of this film from our youth, and we found it held up like Ford's Finger 'O Doom.  Thanks again, DrKen! If you ever have to evade justice, we got a couple of bucks and a bed in the basement for you! Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with arguably the greatest western ever made about the evolution of the American spirit. It's heart felt, it's funny, it's shockingly violent. Thats right, its The Man Who Shot Liberty Valance aka Rashomon for the United States. Enjoy. 

The writer and filmmaker Scout Tafoya, author of the new book But God Made Him a Poet: Watching John Ford in the 21st Century, joins the show to discuss one of Ford's greatest films, the 1962 western The Man Who Shot Liberty Valance, starring John Wayne, Jimmy Stewart and Lee Marvin. Made in the twilight of Ford's career, the downbeat Liberty Valance is an example of what we would now call a filmmaker's Late Style: a veteran director taking stock of their own legacy in their final works. Liberty Valance is a preview of the conclusion of the classic era of the Western genre in the tumult of the sixties, the end of the Old West as represented by Wayne, the cowboy archetype finally replaced by constitutional order and modern progress as embodied by Stewart, as a young eastern lawyer who travels west to the town of Shinbone, intending to introduce education and order to a lawless place approaching statehood, and is soon targeted for death by feared local outlaw Liberty Valance (Marvin). Scout has seen every one of John Ford's surviving films; we discuss Liberty Valance in the context of Ford's career and worldview, grapple with the ongoing question in our age of assessing the art of the problematic artist, and consider what this film has to say about the consequences of violence and the media's role in reinforcing the official version of historical facts. Become a patron of the podcast to access to exclusive episodes every month, including this summer's entire Miami Vice sidebar series. Sign up at ⁠⁠https://www.patreon.com/junkfilter Follow Scout Tafoya on Twitter and support his work on Patreon. Scout's book, But God Made Him a Poet: Watching John Ford in the 21st Century is available now. Trailer for The Man Who Shot Liberty Valance (John Ford, 1962)

There's no mistaking Austin band the Ransom Brothers' major musical influence; those slide and twinned guitar riffs, fierce fiddle solos and bluesy, soul-infused melodies pay proud homage to the Allman Brothers, Marshall Tucker Band and other '70s Southern rockers, though the band also pledges allegiance to red dirt, outlaw and outlier country, jam bands.But it's definitely their own musical chops and songwriting skills on display in each track of their debut album, Resurgence.“Our goal has always been to be ourselves and write and play what inspires us,” says lead singer and guitarist Sean McHargue, who formed the band with fellow Texas State University graduate Daniel “Sal” Solis (guitars, mandolin). They were a duo when they came up with the name, inspired by Jimmy Stewart's character in The Man Who Shot Liberty Valance, but have since added bassist Phil Eckhardt, drummer Aaron English, fiddler John Thomas and keyboardist James Rodman.“We all have our own styles and nobody tells anyone what to do; we just throw shit in the wok and see if it comes out crispy. It usually does,” says Solis.But the blend of past and present on Resurgence is intended to serve as more than the band's calling card: They also hope to reinvigorate some musical corners that have gone little stale.www.TheRansomBrothers.comwww.thetroutshow.comThanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/

OUTLINE of today's show with TIMECODESWATCH: "American Carol" predicted FBI labeling Christians as terrorists AND predicted the underwear bomber, long before it happened — "It's the Christians!", those “Radical Traditionalists”. 2:28 A cop is praised for an incredibly kind gesture caught on body camera after stopping to help a weeping man in need of kindness. 7:39The most disturbing soundbite from Congressional Twitter hearings this week came from Democrats only witness who explained what their goal was… 17:32Jonathan Turley explains "the most regrettable and misunderstood judicial soundbite" — "you can't yell fire in a crowded theater". 25:00 WATCH: Trump's first campaign ad tackles Biden's "energy" policy and refers to the Paris Climate Accord. For the record, here's how Trump AVOIDING ENDING PARIS when he was President, as he continues to skirt the climate issue 30:18New York City is so bad that migrants are fleeing to Canada in the middle of winter! And NYC Mayor is paying for the bus trip. Perhaps Trump should've focused on building buses instead of "building the wall" 44:54Underwriters Lab and the growing threat of lithium battery fires as the devices go from cell phones to trucks and planes 50:02The mineral shortage in EVs. Making China the new Saudi Arabia of energy 54:18Biden & the Dems' plan to destroy suburbs and the single family home begins with every local jurisdiction required to report. NY Gov Hochul's scheme shows the specifics 59:25BANK ROBBERY: London steals Venezuela's gold. 1:07:05Burt Bacharach: The John Williams of Pop Music. Bacharach just died at the age of 94. Grammy & Oscar winning songwriter whose music was, as Paul McCartney said "more musical and technical" than the Beatles. And a quick look at the curmudgeon director John Ford who didn't use his "Man Who Shot Liberty Valance" 1:13:55 The Super Bowl is coming up and the sand Tom Brady was standing on when he retired again is on auction at Ebay and already at nearly $100,000 1:23:28SuperBowl "He Gets Us" Ad — But Do THEY "Get" Jesus? Jesus apparently needs a bloated ad campaign to reach people. But Edward Bernays, the father of Madison Ave advertising, was a propagandist pushing psy-ops. So why do Christians think the tactics of Satan are more powerful than the unashamed truth about Jesus? 1:27:18CNN's religion correspondent is trans, ex-evangelical who pushes #EmptyThePews campaign. No bias at all 1:35:12Archbishop Says He'll "Root Out" Anyone Who Holds Biblical Views of Marriage or Gender. Tolerance? No, his NEW religion is truly "homophobic", fearing homosexuals, and not "theophobic", fearing God. God as Father and trad marriage are NOT what the left think it's about 1:42:44INTERVIEW: Time to "Rage Against War". Gerald Celente, TrendsJournal.com, on the what the rapidly escalating events of the last week tell us about the warpath we're on and a rally for the public to push back - details at RageAgainstWar.com 2:02:47Business Insider's reporting on Syria and Iraq. 2:05:43What's going on in the world of cyber attacks. 2:11:15Rage Against War rally at Lincoln Memorial. 2:14:36WHAT? Fed Chair Powell says "wages are the main driver of the underlying inflation" — 2:48:37Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here:SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation through Mail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver

OUTLINE of today's show with TIMECODESWATCH: "American Carol" predicted FBI labeling Christians as terrorists AND predicted the underwear bomber, long before it happened — "It's the Christians!", those “Radical Traditionalists”. 2:28 A cop is praised for an incredibly kind gesture caught on body camera after stopping to help a weeping man in need of kindness. 7:39The most disturbing soundbite from Congressional Twitter hearings this week came from Democrats only witness who explained what their goal was… 17:32Jonathan Turley explains "the most regrettable and misunderstood judicial soundbite" — "you can't yell fire in a crowded theater". 25:00 WATCH: Trump's first campaign ad tackles Biden's "energy" policy and refers to the Paris Climate Accord. For the record, here's how Trump AVOIDING ENDING PARIS when he was President, as he continues to skirt the climate issue 30:18New York City is so bad that migrants are fleeing to Canada in the middle of winter! And NYC Mayor is paying for the bus trip. Perhaps Trump should've focused on building buses instead of "building the wall" 44:54Underwriters Lab and the growing threat of lithium battery fires as the devices go from cell phones to trucks and planes 50:02The mineral shortage in EVs. Making China the new Saudi Arabia of energy 54:18Biden & the Dems' plan to destroy suburbs and the single family home begins with every local jurisdiction required to report. NY Gov Hochul's scheme shows the specifics 59:25BANK ROBBERY: London steals Venezuela's gold. 1:07:05Burt Bacharach: The John Williams of Pop Music. Bacharach just died at the age of 94. Grammy & Oscar winning songwriter whose music was, as Paul McCartney said "more musical and technical" than the Beatles. And a quick look at the curmudgeon director John Ford who didn't use his "Man Who Shot Liberty Valance" 1:13:55 The Super Bowl is coming up and the sand Tom Brady was standing on when he retired again is on auction at Ebay and already at nearly $100,000 1:23:28SuperBowl "He Gets Us" Ad — But Do THEY "Get" Jesus? Jesus apparently needs a bloated ad campaign to reach people. But Edward Bernays, the father of Madison Ave advertising, was a propagandist pushing psy-ops. So why do Christians think the tactics of Satan are more powerful than the unashamed truth about Jesus? 1:27:18CNN's religion correspondent is trans, ex-evangelical who pushes #EmptyThePews campaign. No bias at all 1:35:12Archbishop Says He'll "Root Out" Anyone Who Holds Biblical Views of Marriage or Gender. Tolerance? No, his NEW religion is truly "homophobic", fearing homosexuals, and not "theophobic", fearing God. God as Father and trad marriage are NOT what the left think it's about 1:42:44INTERVIEW: Time to "Rage Against War". Gerald Celente, TrendsJournal.com, on the what the rapidly escalating events of the last week tell us about the warpath we're on and a rally for the public to push back - details at RageAgainstWar.com 2:02:47Business Insider's reporting on Syria and Iraq. 2:05:43What's going on in the world of cyber attacks. 2:11:15Rage Against War rally at Lincoln Memorial. 2:14:36WHAT? Fed Chair Powell says "wages are the main driver of the underlying inflation" — 2:48:37Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here:SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation through Mail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver