Podcasts about microbudget

We head to the Sydney Film Festival for a candid discussion with filmmakers on the highs and lows of low-budget production. Featuring voices from across this year's program, including Hyun Lee (French Girls), Anthony Frith (Mockbuster) and Christian Byers (Death of an Undertaker).Presented in partnership with UTS Creative Practice Research Group.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Carey Dell

We head to the Sydney Film Festival for a candid discussion with filmmakers on the highs and lows of low-budget production. Featuring voices from across this year's program, including Hyun Lee (French Girls), Anthony Frith (Mockbuster) and Christian Byers (Death of an Undertaker).Presented in partnership with UTS Creative Practice Research Group.Presenter, Jason Di RossoProducer, Sarah CorbettSound, Carey Dell

David discusses the movies he's been watching, including Micro Budget, Dolly, "The Singers," "A Friend of Dorothy," "Butcher's Stain," "Two People Exchanging Saliva" and "Jane Austen's Period Drama."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Allan and filmmaker Morgan Evans ( @totallymorgan , Micro-Budget) tour the cinematic casas of South Pasadena. Along the way, they feast their eyes on famous film locations, ponder the state of the TV & film industry, and discuss Morgan's hilarious new film Micro-Budget -out now on TUBI!  LINKS: Follow Morgan @totallymorgan on insta and TikTok! Morgan's Movie Location Map: https://shorturl.at/3ds9Y See what else Morgan is up to totallymorgan.com SUPPORT WALKIN' ABOUT: ​​https://maximumfun.org/joinwalk Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinwalk

"Know how you're going to market your film from day one." Markian Tarasiuk, Director, Hunting Matthew Nichols How do you take a $275,000 independent film from a 12-day shoot to more than 1,000 cinema screens across North America? In this episode, Alex Stolz speaks with Markian Tarasiuk about the release strategy behind Hunting Matthew Nichols — a genre-bending true-crime-style horror film that bypassed the traditional distribution playbook and went directly to exhibitors. Markian breaks down the realities of self-distribution at scale, including: why the team turned down conventional distribution deals how they built their marketing strategy years before release creating an audience-driven campaign blending ARGs, social storytelling and organic engagement working directly with cinema chains and the Fithian Group the economics and pressures of theatrical releasing what filmmakers should understand about audience, conversion and theatrical today The conversation also explores the wider challenges facing independent film distribution, from discoverability and marketing spend to the shrinking window for theatrical word-of-mouth. A candid and practical discussion about what it really takes to release an independent film theatrically in 2026. Powered by usheru, helping film distributors connect audiences with the films they love: www.usheru.com About Markian Tarasiuk Markian Tarasiuk is a Ukrainian Canadian actor, director, and producer working across film and television. As an actor, his credits include Surface, Virgin River, Blue Skies, and There's Someone Inside Your House, with nominations from both the Canadian Screen Awards and UBCP/ACTRA. He made his feature directorial debut with Hunting Matthew Nichols, a genre-bending mystery-thriller that blends true crime and found footage. The film was independently produced and theatrically released widely across North America, positioning Tarasiuk as part of a new wave of filmmakers taking a hands-on approach to both storytelling and distribution. Through both his work on screen and behind the camera, he continues to develop projects that push genre and audience expectations. About Alex Stolz Alex Stolz is Founder of Future of Film and Head of Audience at usheru, working at the intersection of storytelling, audience and ownership. His background spans leading audience strategy at the BFI and developing data-driven approaches to audience growth across film and media.

In this episode of the Podcast, your host Ashley Scott Meyers talks about how they made his latest movie Lynda Flynn. Ashley Scott Meyers is the writer/director/producer on Lynda Flynn. Ashley gives a step by step guide of how they went through each stage of producing this indie Rom-Com. This Comedy about a young social […]

#realconversations #director #Indie #actor #producer#AsburyPark #microbudget CONVERSATIONS WITH CALVIN — WE THE SPECIESHosted by Calvin SchwartzMeet ALEX ALESSI; “This was one of those' best of allworlds' interviews for me. Alex is a writer, producer, director, and actor. Anda Jersey guy. A consummate man of film. It's been his life for the past twodecades. There's radiation emanating from him. Film. Indie. Casting. Production team. Microbudget. Homebody. (the nameof his new film) As he eloquently said, “It was time to take a chance onmyself.” I wrote that down while we were on camera. Profound as Alex is. Awayfrom the camera, he's a drummer and feels the flow. I asked him if thistranslates to his work. Of course it does. I loved hearing about the mechanicsand eventualities of bringing acclaimed actor Richard Kind into the cast of‘Homebody.' Alex is a matrix of energy, mechanics, and passion for film. Apurist giving back to the next generation. He'd like to spend a day with StevenSpielberg. Resounding reasons. And he had to film in Asbury Park. Pure Jersey.Pure love of the business. And he's screening ‘Homebody,” of course, at the GardenState Film Festival in March.  GSFF.org“Calvin 

#realconversations #cinematographer #director #actor #comedy#cult CONVERSATIONS WITH CALVIN — WE THESPECIESHosted by Calvin SchwartzMeet PETER PAVLAKIS: “The universe made it difficult to pulloff this interview. Crazy power failures and things lost in space. But it wasworth the wait. Peter is endearing, introspective, dedicated, illuminating, andbrilliant. Reminded me of Jimmy Stewart. He's an award-winning Brooklyn-basedfreelance cinematographer. Of course, I brought up the cinematography from Dr.Zhivago and how it magically transported me over time. He is the quintessenceof moving images, helping us see the world. He emanates devotion to craft andart. His film, ‘ApostasyBlues' is a feature comedy drama. He is the writer, director, not thecinematographer. The premise is unique. A cult-leader raptures with donationmoney and then a manhunt. Comedy. Drama. I asked him, as a cinematographer, if he sees himself as a technician ora philosopher with a camera. Emphatically, he said more cinematic. I sensedthat. Balance life for what you believe in. Cinema can unite a divided culture.Part of his living comes from making commercials. Microbudget. I mentioned how that word has come up invirtually every interview so far. My fantasy. Hitting Powerball and fixingthat. In the future, he'd like to make provocative films like this. He's theessence of deep thought. The power stayed on. Until we finished.” Calvin

This is my marketing plan for 2026 for the micro budget film that I made a few years ago. But, I won't give up; I'm going to try to make a profit off of it this year; while still making the world a better place. Let's follow our dreams together! Enjoy the episode.

Legendary standup comedian and actor MARIA BAMFORD makes her first appearance on The Best Show! Maria and Tom discuss classic TV, the new Judd Apatow-produced documentary about Maria, her role in the new film Micro Budget, medicine and more! Musician and audio engineer DEVON BRYANT comes to the studio to talk with Tom about his musical project PAINKILLER THE PIGEON, as well as his work as a podcast engineer! And finally, JASON GORE & GEOFF GARLOCK of the hit podcast 108.9 THE HAWK return to the Best Show! They chat with Tom about his legendary appearances on the Hawk, and they continue a conversation from last week with a new caller about THE BARENAKED LADIES! This is one for the books, folks! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In episode 2023, Miles and guest co-host Andrew Ti are joined by writer and director of Micro Budget, Morgan Evans, to discuss… SAVE SAVE ACT, Where Will The Votes Even Come From? MAGA Men: The Height of 9 Dimensional Thinking…, Don’t Worry, Chet Hanks Is Safe and more! Young Trump Voters Fume He ‘Betrayed’ Them by Launching His War MAGA Men Humiliated After Being Duped by AI Foot Fetish Model Chet Hanks resurfaces at Oscars party with mom Rita Wilson after begging to be ‘freed’ in Colombia Chet Hanks Has 100% Necessary Oral Surgery Because He's Okay LISTEN: 10 Hours Ambient Drone - The Eccy road Co-op freezer Symphony (Sheffield, UK)See omnystudio.com/listener for privacy information.

Pather, pas Panthère. Cette semaine, on explore un classique du cinéma indien avec Pather Panchali de Satyajit Ray. On jase aussi de Matusalem, de Peter Five Eight, de Scream 7, de Sumo Do Sumo Don't et de Micro Budget.

Calling all cork sniffers! Mike Mitchell, Armen Weitzman and Nick Corirossi from the hit movie "The Napa Boys" (among many other funny accomplishments) joined us in studio but were forbidden from promoting their new movie due to contractual obligations with Mike's other new movie "Micro Budget." Other than that we had a great time hanging out, Vic presented "Okay" starting Professor Jiang and we talked to some duds on zoom and the hotline!Support Office Hours, watch or listen to another hour of today's episode with a table turn the likes of which you've never seen and Doug's Wine Riddles game with OFFICE HOURS+ and get tons of additional content at patreon.com/officehourslive with a FREE seven-day trial.Shop our new merch items at officehours.merchtable.com.Watch the latest season of On Cinema at the Cinema and get tickets to The Certified Five Bags of Popcorn tour before it sells out at heinetwork.tv.Follow Office Hours Live at instagram.com/officialofficehours tiktok.com/@officehourslive & youtube.com/officehoursliveFind everything else officialofficehours.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's a Jam-packed Best Show tonight! CHRIS PARNELL zooms in to chat with Tom about his time on SNL and his latest movie MICRO BUDGET! DANNY AYALA and his band playing a rockin' set in the Best Show Theater! Danny chats with Tom for a little while about his music as well. BRYAN QUINBY from the podcast GUYS: WITH BRYAN QUINBY joins Tom in the studio to chat about his show, nu-metal, sports and much else! Joel and Tom chat about old TV shows, Tom riles up an aggrieved Barenaked Ladies fan, and much else, only on THE BEST SHOW BABY! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Reviews of Scream 7, Micro Budget, Pillion, Umamusume: Pretty Derby and K-Pops! Plus interviews with Undercard filmmaker Tamika Miller and Gunfighter Paradise director Jethro Waters. And the latest episode of Starfleet Academy. Hilarity ensues! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are joined this week by Mark Hampton, who has not only written, produced, directed and edited his British Independent Boxing Drama Thriller (described as "Rocky meets Wall Street") but starred in it too. Giles Alderson and Dom Lenoir sit and chat with Mark about how he made Unlicensed. How he raised the money, sales and distribution, why you have to push your own film out in the world. How he had been burnt and learnt from it, how he wrangled locations, worked with his great DP and crew and crew, why it so difficult for indie filmmakers and how the film went from concept to wrapping principal photography in an unusually fast three months. Unlicensed is about a disgraced, white-collar ex-con and former City broker, Danny Goode (played by Mark Hampton), is unable to return to his old life. Struggling with a secret gambling addiction and trying to reconnect with his estranged wife and son, he seeks a quick cash fix by entering an unlicensed, high-stakes boxing match. Unlicensed won the Jury Award for Best Feature at the London Independent Film Festival. Unlicensed is now available in the UK and Ireland on  Amazon:https://www.amazon.co.uk/gp/video/detail/B0FSC43MVK/ref=atv_dp_share_cu_rhttps://www.amazon.co.uk/gp/video/detail/B0FSC43MVK/ref=atv_dp_share_cu_r AppleTV:https://tv.apple.com/gb/movie/unlicensed/umc.cmc.56mt07mknw8lwaikymxif3sz7 And youtube:https://www.youtube.com/watch?v=YgJ3UVtZDcw Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Robert unravels spirals of obsession like a man who's seen too much, while Ira tries to remember how to add without using his phone. Join Robert and Ira as they discuss Pi and share their top 5 micro-budget movies. Listen for free through iTunes, Stitcher, Spotify, iHeart Radio, or Google Podcast Music. So, if you've ever wondered what it would be like to be a compulsive Jew and you're obsessed with patterns and mathematics and nature and a cute Latina neighbor tries to be your friend and you befriend an Hasidic Jew who talks about the Talmud and you see how everything in the world even the stock market is in the form of a Golden Ratio, Golden Triangle, Golden Rectangle and ultimately a Golden Spiral, and another Jew tries to talk you out of what you're doing, and a mysterious woman gives you a chip for your computer, but you trip out on drugs and try to pull a chip out of your head and you collapse and your cute Latina neighbor comes to your aid and you hit your head and you watch a bug and you go back to the old Jew and confront him, and that mysterious woman and her henchmen chase you and want what's in your head, and the Hasidic Jew saves you and wants what's in your head, and a group of orthodox rabbis want the number in your head, and the old Jew has a stroke and you smash your computer and burn a bunch of numbers and take a drill to your head, then this podcast is for you!

This week we dive deep into indie filmmaking with Joseph Millson and his debut movie as director Signs of Life. Giles Alderson, Dom Lenoir and Phil Hawkins talk to Joseph about writing his script, awards, directing, inspiration, financing his movie, getting the right people involved, why it worked for him, setting a date, what got him his 20 cinema screening run and distribution deal and what drove him to direct and they have a right laugh as well. Joseph has acted in films including: The Amateur, River of Blood, Hard Home, War Blade, Fyre Rises, Christmas at Plumhill Manor, Dragonheart: Vengeance, Angel Has Fallen, All the Devil's Men, Tango One, I Give It a Year, Casino Royale and our very own Phil Hawkins' movie Prancer: A Christmas Tale. Signs of Life is OUT NOW in cinemas and on Digital Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

https://tslworkshops.circle.com What does it take to make a celebrity-free, micro-budget feature and premiere at one of the most competitive festivals in the world? Filmmaker and No Film School host GG Hawkins joins Jeff to share how she turned a family house in Panama, a tiny team, and a three-month timeline into I Really Love My Husband, a breakout SXSW premiere with no celebrity attachments. They break down every stage of the journey: Writing a script around what you already have Casting for chemistry Financing in waves while production is underway Festival strategy and PR on a shoestring Why specificity and “weirdness” can be your biggest assets Whether you're a filmmaker planning your first feature or just curious how indie films actually get made, this episode pulls back the curtain on what it really takes to crack SXSW. Learn more about your ad choices. Visit megaphone.fm/adchoices

Evan Kidd is a passionate indie filmmaker who believes great stories don't need big budgets—just big heart. In this episode, he shares how he created his feature film Son of Clowns using the resources he already had: friends, favors, and faith in the process. With a deep respect for collaboration, Evan emphasizes the importance of building a reliable team, staying grounded, and keeping ego out of the equation. His filmmaking philosophy leans heavily on authenticity, transparency, and making the most of real-world environments, often embracing the beautiful chaos that unfolds on set. Throughout the conversation, Evan offers wisdom for creatives struggling with fear and perfectionism. He encourages filmmakers to stop waiting for ideal circumstances and start where they are, even if that means running sound themselves or rewriting scenes to fit accessible locations. “Filmmaking is just a big game of improvisation,” he says, reminding us that adaptability and passion are more powerful than money. His journey is a heartfelt lesson in making art that matters—without asking permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Want to know how to make a micro-budget film look like it cost $1 million? In this episode, I reveal the simple but powerful strategies—big set pieces, smart casting, and professional sound—that can transform your indie film into something that looks like a blockbuster.

Evan Kidd is a passionate indie filmmaker who believes great stories don't need big budgets—just big heart. In this episode, he shares how he created his feature film Son of Clowns using the resources he already had: friends, favors, and faith in the process. With a deep respect for collaboration, Evan emphasizes the importance of building a reliable team, staying grounded, and keeping ego out of the equation. His filmmaking philosophy leans heavily on authenticity, transparency, and making the most of real-world environments, often embracing the beautiful chaos that unfolds on set. Throughout the conversation, Evan offers wisdom for creatives struggling with fear and perfectionism. He encourages filmmakers to stop waiting for ideal circumstances and start where they are, even if that means running sound themselves or rewriting scenes to fit accessible locations. “Filmmaking is just a big game of improvisation,” he says, reminding us that adaptability and passion are more powerful than money. His journey is a heartfelt lesson in making art that matters—without asking permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

BraveMaker Podcast -- Micro-Budget Filmmaking with special guest Noam Kroll!Noam Kroll is a Los Angeles-based narrative filmmaker and creative entrepreneur best known for his incredibly DIY approach to the craft. His micro-budget features Shadows on the Road, Psychosynthesis, and Disappearing Boy have earned acclaim at international festivals, and he's not stopping there.As the founder of Creative Rebellion, Noam has led projects for major brands like Google, NBC/Universal, and Warner Bros Technology. He also educates and inspires fellow filmmakers through his blog, podcast Show, Don't Tell, and newsletter Micro-Budget Weekly.Currently in post-production on his fourth feature Teacher's Pet, Noam joins us to talk all things micro-budget filmmaking: building a career on your terms, staying scrappy, and turning constraints into creative power.Watch the weekly LIVE stream on ⁠⁠BraveMaker ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow BraveMaker on social media:⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠#BraveMaker #BraveMakerPodcast #LIVEstream #NoamKroll #MicroBudgetFilmmaking #IndieFilm #CreativeRebellion #ShowDontTell #IndependentFilm #DIYFilmmaking #FilmmakingTips #BraveStories

In this episode, I break down everything indie filmmakers need to know from the 2025 Cannes Film Market. From shrinking mid-budget profitability to the rise of micro-budget films and AI tools, I'm covering the shifts that will impact your next project. Don't raise a dime in private equity until you hear this.

In this episode, we break down the myths around “micro-budget filmmaking” and how to shoot a real, marketable feature that looks like a million bucks—without spending it. We talk production value, tech tools, and why most people are doing it wrong. Perfect for indie filmmakers, first-timers, and anyone serious about building a career in film.

Mike talks with director Stefan MacDonald-Labelle about Head Like a Hole (2024), a microbudget psychological horror film about a man hired to monitor a mysterious hole in a basement wall. They discuss the film's existential themes, low-budget ingenuity, and the challenges of blurring reality and delusion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike talks with director Stefan MacDonald-Labelle about Head Like a Hole (2024), a microbudget psychological horror film about a man hired to monitor a mysterious hole in a basement wall. They discuss the film's existential themes, low-budget ingenuity, and the challenges of blurring reality and delusion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

On this week's episode, I'm joined by Jake VerKesen—some of you in the comments might know him by his handle, Jake VK—on the long and winding road to turning an idea for a micro-budgeted indie movie like I Agree With You from a dream into a reality. We discuss the paperwork, the delays, the fundraising, the shooting, the food, the editing, and, finally, the showing, that goes into getting an indie movie made and delivered to the people.  As discussed on the episode, the movie's not out just yet, but hopefully y'all will get a chance to see it soon. You can follow the film's progress on its Substack and add I Agree With You to your Letterboxd watchlist. 

We're joined in this episode by writer/director/author/film critic BJ Colangelo, who tells us about making the holiday anthology DEATHCEMBER, surviving cancer, the Ohio wrestling scene, making films on a REAL microbudget, and the best way to wear a reindeer helmet cam! She also tells us about her great new book about SLEEPAWAY CAMP, which you must read!!!Follow BJ on instagram: @BJColangelo Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

In this episode, host GG Hawkins hosts a roundtable discussion with microbudget filmmakers at the Austin Film Festival. They share their journeys of creating feature films under tight budgets and high personal stakes. Each filmmaker provides insight into the emotional, physical, and financial tolls of producing indie films while managing personal challenges. Despite the struggles, their stories are underscored by the resilience and camaraderie that helped them see their projects through. The discussion touches on how these filmmakers greenlit their own projects, self-funded, and navigated logistical and emotional hurdles. From crafting stories inspired by personal traumas to relying on a supportive community to rally resources, the episode reveals what it truly takes to complete a microbudget film. The filmmakers open up about facing setbacks, from COVID shutdowns to creative crises, while pushing forward in pursuit of their vision. In this episode, No Film School's GG Hawkins speaks with indie filmmakers to discuss: The personal inspiration behind their microbudget films Emotional and physical tolls in the process of making a low-budget film Strategies for overcoming logistical challenges, from location scouting to equipment sourcing The importance of a supportive filmmaking community in DIY film production How each filmmaker dealt with setbacks and moments of doubt Key lessons from their experiences in indie filmmaking at AFF Memorable Quotes: “If I was going to do this and fail, it would be good to have a support system around us.” (20:10) “Making the movie, getting picture lock… you're only 60% there.” (44:13) “It's like a constant vulnerability. It's like cutting yourself open and letting your guts out every day.” (25:27) “I don't know if I'll do this again… It's incredible, but the toll is so high.” (50:42) Resources: Austin Film Festival GG Hawkins' Micro-Budget Filmmaking Newsletter: @LostinGraceland on Instagram Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming Up #OnWithMarioLopez – #TheOffice's #KateFlannery returns to talk #MicroBudget, #Christmas Tour w/ #JaneLynch, & more! Plus, new 2024 #HolidayMusic, a #TodayShow inspired #RandomQuestion, latest Buzz, your questions/comments, & more!See omnystudio.com/listener for privacy information.

This month we're doing the most with the least as we pit three horror films made for under $300,000 dollars against each other in: Habit (1995) vs The Video Dead (1987) vs Premutos: The Fallen Angel (1997) Will Brian keep up his habit of winning, or will he be drinking his sorrows away? Are the patrons setting their dial to their second victory, or will it end up a bloody nightmare for them? Can Steve tank his way to a win, or is his confidence in winning premu-ture?  Tune in as two mutant horror nerds and their fans rip each other's guts out on the way to deciding who's film reigns supreme!   Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

This month we're doing the most with the least as we pit three horror films made for under $300,000 dollars against each other in: Habit (1995) vs The Video Dead (1987) vs Premutos: The Fallen Angel (1997) Will Brian keep up his habit of winning, or will he be drinking his sorrows away? Are the patrons setting their dial to their second victory, or will it end up a bloody nightmare for them? Can Steve tank his way to a win, or is his confidence in winning premu-ture?  Tune in as two mutant horror nerds and their fans rip each other's guts out on the way to deciding who's film reigns supreme!   Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

What does it take to go from indie filmmaking on a shoestring budget to working with legends like Sam Raimi? Andrew Kightlinger's journey from Madagascar to Hollywood shows how personal experiences shape a filmmaker's voice. Filmmakers Adam Schindler and Brian Netto share how they moved from microbudget horror films to collaborating with one of the industry's icons. This episode explores the highs and lows of filmmaking, from preparation and improvisation to building trust on set.   Andrew Kightlinger grew up surrounded by the vibrant landscapes of Madagascar, which ignited his passion for filmmaking. Now directing in Hollywood, his films, like Lost on a Mountain in Maine, showcase his ability to merge personal experiences with visually captivating storytelling. Lost on a Mountain in Maine releases on November 1.   Adam Schindler and Brian Netto began their filmmaking journey with microbudget horror, mastering the craft of tension and suspense. Their latest film, Don't Move, produced by Sam Raimi, is set to release on October 25, 2024 on Netflix, proving that powerful stories don't require massive budgets   In today's episode, No Film School's Jason Hellerman and GG Hawkins speak with Andrew Kightlinger, Adam Schindler, and Brian Netto to discuss: Andrew Kightlinger's journey from Madagascar to Hollywood How his upbringing influenced Lost on a Mountain in Maine The need for preparation and improvisation with tight budgets Schindler and Netto's move from micro budget films to working with Sam Raimi on Don't Move Creating real-time horror with minimal voiceover and non-linear techniques The role of trust and collaboration in elevating a project     Memorable Quotes: “The big lesson I learned in that movie was who not to work with, and I won't go into more detail than that, but I think that's a very important lesson in a collaborative field like ours.” (12:03) “I believe that filmmaking is preparation. Like bar none, that's what your job as a director is to do. So prepare because it's gonna be chaos when you start shooting.” (18:02)  “I knew what I wanted the film to be. And then I also storyboarded the whole movie just with stick figures. I just had an iPad and I drew out all the really complicated stuff to the best of my ability.” (20:06) “He's the consummate collaborator, like… horror icon, but also like one of the best script to screen notes… he lives up to all of it.” (45:22) “We became directors together. Our passion for film began together. We founded together. I think the things that we enjoy are slightly different. We like the same movies, but we also have different tastes.” (55:17) “I think the filmmaking part of it is the fun part and the easy part. It's all the other things that you have to juggle and have the temperament for and the stomach for and the patience for and all those sorts of things.” (1:04:26)   Resources: Follow Andrew Kightlinger on Instagram   Andrew on IMDb   Lost on a Mountain in Maine on IMDb   Adam Schindler on IMDb   Follow Adam on Instagram   Brian Netto on IMDb   Follow Brian on Instagram   Don't Move on IMDB     Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook https://www.facebook.com/nofilmschool   Twitter https://twitter.com/nofilmschool   YouTube https://www.youtube.com/user/nofilmschool   Instagram https://www.instagram.com/nofilmschool   Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of "The Growth Minded Accountant," hosts Lee Reams and Rebekah Barton explore how AI can transform small accounting practices, enabling them to operate like large EA and CPA firms without a big budget. Discover the power of delegating seven essential tasks to AI, your tireless assistant that delivers flawless, up-to-date work around the clock.Learn how AI can boost your earnings on a micro-budget by saving you time and automating client workflows. From real-time tax research to handling client inquiries, AI enhances efficiency and client satisfaction. Streamline client onboarding, create impressive tax strategies, and generate cash flow reports in minutes—all with AI.AI also transforms your marketing efforts and client meetings, allowing you to focus on growing your practice and delivering top-notch service. Embrace AI as your secret workforce and position your firm as a forward-thinking, responsive powerhouse. Ready to elevate your practice? Tune in to discover how AI can help you reclaim hours and enhance your bottom line.

What happens when you make two micro-budget films back-to-back? For filmmakers Henry Loevner and Stephen Cantor, it sparks what they've dubbed the “micro-budget chain reaction,” inspiring others in their community to pick up cameras and start shooting. As the industry consolidates and traditional distribution becomes harder to navigate, indie filmmakers are finding new ways to create and share their work, embracing folk filmmaking and using platforms like YouTube to bypass traditional barriers. Peak Season, the duo's second feature, serves as a perfect example of this movement.   In today's episode, No Film School's GG Hawkins speaks with filmmakers Henry Loevner and Stephen Cantor to discuss: What the "micro-budget chain reaction" means and how it inspired others to follow in their footsteps The challenges of making two micro-budget films back-to-back The impact of friends and community on the rise of indie filmmaking Their experience shooting Peak Season in Wyoming with a small crew How the landscape of indie film distribution is changing and why many filmmakers are turning to YouTube The importance of flexibility and improvisation in low-budget filmmaking How Peak Season found its audience and landed a theatrical release Why Henry and Stephen are ready to transition to a studio film after their micro-budget projects   Memorable Quotes: "It's contagious for better or worse... we're making something, and we're not waiting for permission." [5:40] “Despite all the doom and gloom about the industry in general and how hard it is to make a living, there's never been an easier time to go out and make your film.” [6:43] “If you just put your movie on YouTube, you can get it out there immediately, which is amazing.” [8:19] “If you've written a script and it's going to take $10 million to make this movie and you don't have $10 million, then write a new script.” [51:33] “The only way to do it is you have to just write something small that you can manage. Write something that's set in a single location.” [51:56]   Mentioned Peak Season on IMDb Follow Henry Loevner on IG Follow Stephen Cantor on Instagram   Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dustin and Mike return to the podcast to talk about a film requested by a listener, Shane Carruth's 2004 micro-budget sci-fi classic, Primer! Music: "Aaron's Debt," "You're Talking About Making a Bigger One," "reverse engineering," & "Closing Credits" (Shane Carruth) Never miss an episode! Subscribe to the show on Apple Podcasts, Spotify, YouTube, and all good podcatchers. Check out the Official Site If you'd like to join the conversation follow us on Facebook or Twitter Please consider rating, reviewing, and sharing the show. Your support means a lot and goes a long way to helping grow the audience and the podcast so we can continue to bring you more fun and high quality FYC content in the future. All material not produced by Bonsai Digital Productions is used for review or educational purposes and is the property of the original copyright holder.

At sixteen years old, Shane Stanley had already received his first Emmy Award for his work on Desperate Passage (1987) which starred Michael Landon. Over the next few years he learned filmmaking under his father Lee Stanley on what became known as The Desperate Passage Series (1988 to 1995) starring Sharon Gless, Edward James Olmos, Marlo Thomas and Louis Gossett Jr..The self-produced series earned a total of thirty-three Emmy nominations, (winning thirteen) as well as numerous Christopher Awards and CINE Golden Eagles. In 1994, the Stanleys feature film, Street Pirates (1994) was a two-time winner of the CINE Golden Eagle Award for best feature documentary and film editing.In 2001, Shane launched Visual Arts Entertainment, his own production company, most notably credited with Gridiron Gang (2006) starring Dwayne Johnson & Xzibit as well as the critically acclaimed independent film, A Sight for Sore Eyes (2004) with Academy Award nominee, Gary Busey.The film, (produced for under $10,000) marked Shane's directorial debut and went on to win the Gold Special Jury Award at Worldfest Houston, Best Dramatic Short Film at the International Family Film Festival, a Telly Award for Outstanding Achievement in Film and Television as well as two Aurora Awards for writing & directing. The film was also invited to Cannes to compete in the annual international film festival.Please enjoy my conversation with Shane Stanley.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

This week we chat with filmmakers Stephanie Lynn and Bryden Lando about making their micro budget indie film 'Aloha Also Means Goodbye' with a one man rig and no crew. Husband and wife team Stephanie and Bryden sat down with hosts Giles Alderson and Dom Lenoir to chat making their feature and the trials and tribulations of doing so. They talk: Shooting where you know (Hawaii) Having a small cast. Buying your own equipment. Learning as go. Gettng favours and controlling the narrative. How to make a film with no crew and how you can too And the mistakes they made along the way. Getting the film distributed and seen. Aloha Also Means Goodbye is OUT NOW Trailer: https://youtu.be/m-KpX4F8d8E?si=wF_6ZUeU-vHPQsoI Watch Link: https://geni.us/AlohaAlsoMeansGoodbye Aloha Instagram: @alohaalsomeansgoodbye Personal Instagrams: @stephanielynnofficial @brydenlando PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is produced, edited and written by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode Ryan chats it up with fellow filmmmaker KELLY SCHWARZE about his amazing book "What Film Schools Don't Tell You" and his amazing approach to making Micro Budget Feature films.  Guest: Kelly Schwarze (Film Director / Producer) Instagram: @directorkelly  Host: Ryan Little (Film Director / Cinematographer) Instagram: @ryanlittle_director

Microbudget in a good way, well thought out movie! ~ Older Gods (2023) - Review ROCKFILE Podcast 650 #horror #oldergodsmovie #podcast ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend and Goodpods with more on the way.  ~ -Join my group: https://www.facebook.com/groups/rockfilesroom -My Website: https://therockfile.com/ -My YouTube: https://www.youtube.com/@rockfile -Interview Archive: https://rockfileradio.com/Interviews/ ~ New Patreon: https://www.patreon.com/rockfilesprojects Support the channel, buy some merch:   https://rockfileradio.com/Shop/    https://davesdailylist.com/Shop/    ~ Music: "Teshio" By Niall Kearney Filmstro | Create custom royalty-free music in minutes  https://filmstro.com/ ~ Thank you for listening! ~

Today on the show we have writer/director, Adam William Ward. His new film is called Wally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in the City of Angels, Los Angeles. L.A. is probably the toughest city in the world to shoot a guerilla-style film.  His stories are not on filled with knowledge bombs but are entertaining as hell. Here's a bit about the film.“Wally Got Wasted” is like “The Hangover” meets “Weekend at Bernie's.” It follows the adventures of 3 friends who accidentally kill a scumbag, then screws up getting rid of the body, so they are forced to pretend he is alive as they are chased through downtown LA in one crazy night.Enjoy my entertaining conversation with Adam William Ward.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Welcome to another exciting episode of Filmmaking Stuff podcast. In this episode, we are delving into the world of creating brilliant micro-budget films. Our host, Tom Malloy, shares insights on how can you make your movie stand out, even with a limited budget. Citing examples from successful low-budget films like 'Blair Witch Project' and 'Paranormal Activity', Malloy discusses the importance of bringing a unique perspective to your movie. He emphasizes the opportunity to experiment and innovate when working with a micro-budget, highlighting a recently made film 'Skinnamarink' as an example of uniqueness in storytelling. Consequently, this uniqueness can happen when filmmakers take familiar concepts and tweak them a little, creating something entirely special and distinct. Moreover, Malloy asserts that filmmaking should never compromise on quality, regardless of budget constraints. Relating his personal experiences on co-financing three micro-budget movies, he encourages the dedication to improve the script and tell a good story from the ground up. In addition to this, he introduces his video series 'The Backyard Blockbuster Blueprint', which provides tips on making a low-budget film look like it costs much more than it actually does. He addresses common misconceptions regarding micro-budget films, reaffirming their potential to be full-fledged feature films, rather than just minimalist productions. He concludes the podcast episode with a call-to-action to all filmmakers: focus on creating movies you're proud of, irrespective of the budget size. That, according to him, is the true formula for making a micro-budget film that truly shines.

Filmmakers Tori Butler Hart & Matthew Butler Hart join us this week to chat about thier Making their Found Footage Indie Movie Dagr. The filmmakers behind Two Down, The Isle and Infinitum: Subject Unknown chat with Giles Alderson and Phil Hawkins about why they wanted to make another movie on an i-phone, why found footage and how they created another hit movie. They also discuss: How they found their location before they had written the script. Why they got their actors to be their crew. Found Footage tricks and tips What Apps and filters their used to elevate their film. Budget, casting and why you need good sound. We discuss acting and producing with Tori and Directing with Matt. Why they had a Q&A cinema run and why you should do it too! WATCH Dagr is OUT now on Apple, Prime and all other good and evil streaming services. BUY Tori and Matt's Book on Filmmaking. Fizz and Ginger Films https://www.fizzandgingerfilms.co.uk/films LINKS Check out the YES SHE CANNES workshop and get 20% off with the code “FILMPOD” Check out Terri Dwyer's latest film BOLANS SHOES Check out Giles Alderson's new documentary ALL TOWN AREN'T WE Check out Andrew Rodger's latest film NO WAY UP   PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we welcome Writer Director Travis Burgess on the show to talk about writing and directing his first feature film Hayseed and how he made a who done it on a budget. After that we play another round of You're the Expert, enjoy! A big note for all listeners! Apple podcasts has frozen all of your downloads of the show which is killing our numbers! The way to fix that is to click the icon for the show on your phone and in the top right corner there is a down arrow icon that needs to be turned on, click on that and select 'Turn on Automatic Downloads'. If you do that, the show will be saved! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

In this episode, I am joined by filmmaker Steven Pierce to talk all about his latest feature film Herd.The film follows a woman that ends up trapped between a zombie outbreak and warring militia groups while trying to outrun her past. An ambitious concept for a micro-budget, making the execution of it all that much more impressive.Throughout the episode Steven and I speak about his new film at length. We cover his tactics for shooting action sequences on a budget, how he covered 20+ locations, the process of editing his own film, and much more.Links from the show:Herd - Movie WebsiteHerd - InstagramSteven Pierce - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

How can you pick yourself, rather than wait for someone else to pick you? How can you take control of your independent career and bring your creative vision to life? Jeffrey Crane Graham talks about his experience as an indie filmmaker, with lots of tips for indie authors. In the intro, 6 Types of Submission […] The post Writing And Producing A Micro-Budget Film With Jeffrey Crane Graham first appeared on The Creative Penn.

If you are a micro budget filmmaker, you may think your lack of money is holding you back from having the tools or resources you need. Instead of approaching your project from this limited mindset, we want to challenge you to view your “limitations” as an opportunity, not an obstacle. In today's episode, No Film School's GG Hawkins speaks with director and podcast producer, Jeffrey Crane Graham to discuss: The beauty of podcasting and providing helpful tools to listeners Why Jeff advocates table reads throughout development of a project Exploring topics like grief, fear, and shame in his film, Always Lola How other people will feel seen through what you're making Tips and tricks to stay within your micro budget How to get talented people invested in your low budget film Simple, affordable, and effective production tools Why directors shouldn't cut their own material Balance - does it exist for creatives? Memorable Quotes “You need to bring on a lot of different perspectives and voices, even if they aren't necessarily your method or craft.” [4:25] “Because filmmaking is so hard, you have to will your way through it.” [10:09] “We were running around like highschool kids making a movie, but with really nice equipment.” [21:34] “It's really fun to see what people do without much money.” [31:20] “People will be so excited to watch you chase your dream. People still want to believe in the power of independent filmmaking.” [34:34] Mentioned: Always, Lola  Jeff's Instagram  The Screenwriting Life Podcast Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, producer Jeff walks you through how he got his film Always, Lola from idea to distribution with a VERY low five figure microbudget...and you can too! TO WATCH THE FILM: https://www.alwayslolafilm.com/watchathome TO TAKE THE CLASS: www.jeffgrahamdigital.com/class Territory Info: United States/Canada - Amazon, Apple, Google Play, YouTube Australia/New Zealand - Apple, Google Play, YouTube UK/Ireland - Apple, Google Play, YouTube South Africa - Apple For non-English territories, google the movie, you might find it! If the film is not available in your territory and you want access, email press@alwayslolafilm.com. To sign up for our patreon: www.patreon.com/thescreenwritinglife