Podcasts about microbudget

Christian Zyp interviews Morgan Evans (director/writer) and Patrick Noth (actor/writer) abou their film MICRO BUDGET. See it as part of NorthWest Film Fest Saturday May 10th at 9:30 pm at the Metro Cinema. MICRO BUDGET revolves around wannabe filmmaker Terry (Patrick Noth) on the cusp of discovering he's about to be a father. So, he does what any other sane person would do. He moves himself and his nine-month pregnant wife from Iowa to Los Angeles to shoot a low-budget indie movie and sell it to a streamer for a "f**k-ton of money." Documented by his cousin Devin's behind-the-scenes camera crew, Terry suddenly finds that his beliefs about diversity, the #MeToo movement, and what technically qualifies as an adequately financed film production put him at odds with anyone who meets him. This mockumentary features Bobby Moynihan, Chris Parnell, Maria Bamford, Carla Jimenez, Nichole Sakura and a very special cameo.INSTAGRAM @microbudgetmoviehttps://www.microbudgetmovie.com/THREADS @microbudgetmovie

Mike talks with director Stefan MacDonald-Labelle about Head Like a Hole (2024), a microbudget psychological horror film about a man hired to monitor a mysterious hole in a basement wall. They discuss the film's existential themes, low-budget ingenuity, and the challenges of blurring reality and delusion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike talks with director Stefan MacDonald-Labelle about Head Like a Hole (2024), a microbudget psychological horror film about a man hired to monitor a mysterious hole in a basement wall. They discuss the film's existential themes, low-budget ingenuity, and the challenges of blurring reality and delusion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

On this week's episode, I'm joined by Jake VerKesen—some of you in the comments might know him by his handle, Jake VK—on the long and winding road to turning an idea for a micro-budgeted indie movie like I Agree With You from a dream into a reality. We discuss the paperwork, the delays, the fundraising, the shooting, the food, the editing, and, finally, the showing, that goes into getting an indie movie made and delivered to the people.  As discussed on the episode, the movie's not out just yet, but hopefully y'all will get a chance to see it soon. You can follow the film's progress on its Substack and add I Agree With You to your Letterboxd watchlist. 

We're joined in this episode by writer/director/author/film critic BJ Colangelo, who tells us about making the holiday anthology DEATHCEMBER, surviving cancer, the Ohio wrestling scene, making films on a REAL microbudget, and the best way to wear a reindeer helmet cam! She also tells us about her great new book about SLEEPAWAY CAMP, which you must read!!!Follow BJ on instagram: @BJColangelo Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

In this episode, host GG Hawkins hosts a roundtable discussion with microbudget filmmakers at the Austin Film Festival. They share their journeys of creating feature films under tight budgets and high personal stakes. Each filmmaker provides insight into the emotional, physical, and financial tolls of producing indie films while managing personal challenges. Despite the struggles, their stories are underscored by the resilience and camaraderie that helped them see their projects through. The discussion touches on how these filmmakers greenlit their own projects, self-funded, and navigated logistical and emotional hurdles. From crafting stories inspired by personal traumas to relying on a supportive community to rally resources, the episode reveals what it truly takes to complete a microbudget film. The filmmakers open up about facing setbacks, from COVID shutdowns to creative crises, while pushing forward in pursuit of their vision. In this episode, No Film School's GG Hawkins speaks with indie filmmakers to discuss: The personal inspiration behind their microbudget films Emotional and physical tolls in the process of making a low-budget film Strategies for overcoming logistical challenges, from location scouting to equipment sourcing The importance of a supportive filmmaking community in DIY film production How each filmmaker dealt with setbacks and moments of doubt Key lessons from their experiences in indie filmmaking at AFF Memorable Quotes: “If I was going to do this and fail, it would be good to have a support system around us.” (20:10) “Making the movie, getting picture lock… you're only 60% there.” (44:13) “It's like a constant vulnerability. It's like cutting yourself open and letting your guts out every day.” (25:27) “I don't know if I'll do this again… It's incredible, but the toll is so high.” (50:42) Resources: Austin Film Festival GG Hawkins' Micro-Budget Filmmaking Newsletter: @LostinGraceland on Instagram Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming Up #OnWithMarioLopez – #TheOffice's #KateFlannery returns to talk #MicroBudget, #Christmas Tour w/ #JaneLynch, & more! Plus, new 2024 #HolidayMusic, a #TodayShow inspired #RandomQuestion, latest Buzz, your questions/comments, & more!See omnystudio.com/listener for privacy information.

This month we're doing the most with the least as we pit three horror films made for under $300,000 dollars against each other in: Habit (1995) vs The Video Dead (1987) vs Premutos: The Fallen Angel (1997) Will Brian keep up his habit of winning, or will he be drinking his sorrows away? Are the patrons setting their dial to their second victory, or will it end up a bloody nightmare for them? Can Steve tank his way to a win, or is his confidence in winning premu-ture?  Tune in as two mutant horror nerds and their fans rip each other's guts out on the way to deciding who's film reigns supreme!   Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

This month we're doing the most with the least as we pit three horror films made for under $300,000 dollars against each other in: Habit (1995) vs The Video Dead (1987) vs Premutos: The Fallen Angel (1997) Will Brian keep up his habit of winning, or will he be drinking his sorrows away? Are the patrons setting their dial to their second victory, or will it end up a bloody nightmare for them? Can Steve tank his way to a win, or is his confidence in winning premu-ture?  Tune in as two mutant horror nerds and their fans rip each other's guts out on the way to deciding who's film reigns supreme!   Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

What does it take to go from indie filmmaking on a shoestring budget to working with legends like Sam Raimi? Andrew Kightlinger's journey from Madagascar to Hollywood shows how personal experiences shape a filmmaker's voice. Filmmakers Adam Schindler and Brian Netto share how they moved from microbudget horror films to collaborating with one of the industry's icons. This episode explores the highs and lows of filmmaking, from preparation and improvisation to building trust on set.   Andrew Kightlinger grew up surrounded by the vibrant landscapes of Madagascar, which ignited his passion for filmmaking. Now directing in Hollywood, his films, like Lost on a Mountain in Maine, showcase his ability to merge personal experiences with visually captivating storytelling. Lost on a Mountain in Maine releases on November 1.   Adam Schindler and Brian Netto began their filmmaking journey with microbudget horror, mastering the craft of tension and suspense. Their latest film, Don't Move, produced by Sam Raimi, is set to release on October 25, 2024 on Netflix, proving that powerful stories don't require massive budgets   In today's episode, No Film School's Jason Hellerman and GG Hawkins speak with Andrew Kightlinger, Adam Schindler, and Brian Netto to discuss: Andrew Kightlinger's journey from Madagascar to Hollywood How his upbringing influenced Lost on a Mountain in Maine The need for preparation and improvisation with tight budgets Schindler and Netto's move from micro budget films to working with Sam Raimi on Don't Move Creating real-time horror with minimal voiceover and non-linear techniques The role of trust and collaboration in elevating a project     Memorable Quotes: “The big lesson I learned in that movie was who not to work with, and I won't go into more detail than that, but I think that's a very important lesson in a collaborative field like ours.” (12:03) “I believe that filmmaking is preparation. Like bar none, that's what your job as a director is to do. So prepare because it's gonna be chaos when you start shooting.” (18:02)  “I knew what I wanted the film to be. And then I also storyboarded the whole movie just with stick figures. I just had an iPad and I drew out all the really complicated stuff to the best of my ability.” (20:06) “He's the consummate collaborator, like… horror icon, but also like one of the best script to screen notes… he lives up to all of it.” (45:22) “We became directors together. Our passion for film began together. We founded together. I think the things that we enjoy are slightly different. We like the same movies, but we also have different tastes.” (55:17) “I think the filmmaking part of it is the fun part and the easy part. It's all the other things that you have to juggle and have the temperament for and the stomach for and the patience for and all those sorts of things.” (1:04:26)   Resources: Follow Andrew Kightlinger on Instagram   Andrew on IMDb   Lost on a Mountain in Maine on IMDb   Adam Schindler on IMDb   Follow Adam on Instagram   Brian Netto on IMDb   Follow Brian on Instagram   Don't Move on IMDB     Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook https://www.facebook.com/nofilmschool   Twitter https://twitter.com/nofilmschool   YouTube https://www.youtube.com/user/nofilmschool   Instagram https://www.instagram.com/nofilmschool   Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of "The Growth Minded Accountant," hosts Lee Reams and Rebekah Barton explore how AI can transform small accounting practices, enabling them to operate like large EA and CPA firms without a big budget. Discover the power of delegating seven essential tasks to AI, your tireless assistant that delivers flawless, up-to-date work around the clock.Learn how AI can boost your earnings on a micro-budget by saving you time and automating client workflows. From real-time tax research to handling client inquiries, AI enhances efficiency and client satisfaction. Streamline client onboarding, create impressive tax strategies, and generate cash flow reports in minutes—all with AI.AI also transforms your marketing efforts and client meetings, allowing you to focus on growing your practice and delivering top-notch service. Embrace AI as your secret workforce and position your firm as a forward-thinking, responsive powerhouse. Ready to elevate your practice? Tune in to discover how AI can help you reclaim hours and enhance your bottom line.

What happens when you make two micro-budget films back-to-back? For filmmakers Henry Loevner and Stephen Cantor, it sparks what they've dubbed the “micro-budget chain reaction,” inspiring others in their community to pick up cameras and start shooting. As the industry consolidates and traditional distribution becomes harder to navigate, indie filmmakers are finding new ways to create and share their work, embracing folk filmmaking and using platforms like YouTube to bypass traditional barriers. Peak Season, the duo's second feature, serves as a perfect example of this movement.   In today's episode, No Film School's GG Hawkins speaks with filmmakers Henry Loevner and Stephen Cantor to discuss: What the "micro-budget chain reaction" means and how it inspired others to follow in their footsteps The challenges of making two micro-budget films back-to-back The impact of friends and community on the rise of indie filmmaking Their experience shooting Peak Season in Wyoming with a small crew How the landscape of indie film distribution is changing and why many filmmakers are turning to YouTube The importance of flexibility and improvisation in low-budget filmmaking How Peak Season found its audience and landed a theatrical release Why Henry and Stephen are ready to transition to a studio film after their micro-budget projects   Memorable Quotes: "It's contagious for better or worse... we're making something, and we're not waiting for permission." [5:40] “Despite all the doom and gloom about the industry in general and how hard it is to make a living, there's never been an easier time to go out and make your film.” [6:43] “If you just put your movie on YouTube, you can get it out there immediately, which is amazing.” [8:19] “If you've written a script and it's going to take $10 million to make this movie and you don't have $10 million, then write a new script.” [51:33] “The only way to do it is you have to just write something small that you can manage. Write something that's set in a single location.” [51:56]   Mentioned Peak Season on IMDb Follow Henry Loevner on IG Follow Stephen Cantor on Instagram   Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dustin and Mike return to the podcast to talk about a film requested by a listener, Shane Carruth's 2004 micro-budget sci-fi classic, Primer! Music: "Aaron's Debt," "You're Talking About Making a Bigger One," "reverse engineering," & "Closing Credits" (Shane Carruth) Never miss an episode! Subscribe to the show on Apple Podcasts, Spotify, YouTube, and all good podcatchers. Check out the Official Site If you'd like to join the conversation follow us on Facebook or Twitter Please consider rating, reviewing, and sharing the show. Your support means a lot and goes a long way to helping grow the audience and the podcast so we can continue to bring you more fun and high quality FYC content in the future. All material not produced by Bonsai Digital Productions is used for review or educational purposes and is the property of the original copyright holder.

At sixteen years old, Shane Stanley had already received his first Emmy Award for his work on Desperate Passage (1987) which starred Michael Landon. Over the next few years he learned filmmaking under his father Lee Stanley on what became known as The Desperate Passage Series (1988 to 1995) starring Sharon Gless, Edward James Olmos, Marlo Thomas and Louis Gossett Jr..The self-produced series earned a total of thirty-three Emmy nominations, (winning thirteen) as well as numerous Christopher Awards and CINE Golden Eagles. In 1994, the Stanleys feature film, Street Pirates (1994) was a two-time winner of the CINE Golden Eagle Award for best feature documentary and film editing.In 2001, Shane launched Visual Arts Entertainment, his own production company, most notably credited with Gridiron Gang (2006) starring Dwayne Johnson & Xzibit as well as the critically acclaimed independent film, A Sight for Sore Eyes (2004) with Academy Award nominee, Gary Busey.The film, (produced for under $10,000) marked Shane's directorial debut and went on to win the Gold Special Jury Award at Worldfest Houston, Best Dramatic Short Film at the International Family Film Festival, a Telly Award for Outstanding Achievement in Film and Television as well as two Aurora Awards for writing & directing. The film was also invited to Cannes to compete in the annual international film festival.Please enjoy my conversation with Shane Stanley.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

This week we chat with filmmakers Stephanie Lynn and Bryden Lando about making their micro budget indie film 'Aloha Also Means Goodbye' with a one man rig and no crew. Husband and wife team Stephanie and Bryden sat down with hosts Giles Alderson and Dom Lenoir to chat making their feature and the trials and tribulations of doing so. They talk: Shooting where you know (Hawaii) Having a small cast. Buying your own equipment. Learning as go. Gettng favours and controlling the narrative. How to make a film with no crew and how you can too And the mistakes they made along the way. Getting the film distributed and seen. Aloha Also Means Goodbye is OUT NOW Trailer: https://youtu.be/m-KpX4F8d8E?si=wF_6ZUeU-vHPQsoI Watch Link: https://geni.us/AlohaAlsoMeansGoodbye Aloha Instagram: @alohaalsomeansgoodbye Personal Instagrams: @stephanielynnofficial @brydenlando PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is produced, edited and written by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode Ryan chats it up with fellow filmmmaker KELLY SCHWARZE about his amazing book "What Film Schools Don't Tell You" and his amazing approach to making Micro Budget Feature films.  Guest: Kelly Schwarze (Film Director / Producer) Instagram: @directorkelly  Host: Ryan Little (Film Director / Cinematographer) Instagram: @ryanlittle_director

Microbudget in a good way, well thought out movie! ~ Older Gods (2023) - Review ROCKFILE Podcast 650 #horror #oldergodsmovie #podcast ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend and Goodpods with more on the way.  ~ -Join my group: https://www.facebook.com/groups/rockfilesroom -My Website: https://therockfile.com/ -My YouTube: https://www.youtube.com/@rockfile -Interview Archive: https://rockfileradio.com/Interviews/ ~ New Patreon: https://www.patreon.com/rockfilesprojects Support the channel, buy some merch:   https://rockfileradio.com/Shop/    https://davesdailylist.com/Shop/    ~ Music: "Teshio" By Niall Kearney Filmstro | Create custom royalty-free music in minutes  https://filmstro.com/ ~ Thank you for listening! ~

Today on the show we have writer/director, Adam William Ward. His new film is called Wally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in the City of Angels, Los Angeles. L.A. is probably the toughest city in the world to shoot a guerilla-style film.  His stories are not on filled with knowledge bombs but are entertaining as hell. Here's a bit about the film.“Wally Got Wasted” is like “The Hangover” meets “Weekend at Bernie's.” It follows the adventures of 3 friends who accidentally kill a scumbag, then screws up getting rid of the body, so they are forced to pretend he is alive as they are chased through downtown LA in one crazy night.Enjoy my entertaining conversation with Adam William Ward.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Welcome to another exciting episode of Filmmaking Stuff podcast. In this episode, we are delving into the world of creating brilliant micro-budget films. Our host, Tom Malloy, shares insights on how can you make your movie stand out, even with a limited budget. Citing examples from successful low-budget films like 'Blair Witch Project' and 'Paranormal Activity', Malloy discusses the importance of bringing a unique perspective to your movie. He emphasizes the opportunity to experiment and innovate when working with a micro-budget, highlighting a recently made film 'Skinnamarink' as an example of uniqueness in storytelling. Consequently, this uniqueness can happen when filmmakers take familiar concepts and tweak them a little, creating something entirely special and distinct. Moreover, Malloy asserts that filmmaking should never compromise on quality, regardless of budget constraints. Relating his personal experiences on co-financing three micro-budget movies, he encourages the dedication to improve the script and tell a good story from the ground up. In addition to this, he introduces his video series 'The Backyard Blockbuster Blueprint', which provides tips on making a low-budget film look like it costs much more than it actually does. He addresses common misconceptions regarding micro-budget films, reaffirming their potential to be full-fledged feature films, rather than just minimalist productions. He concludes the podcast episode with a call-to-action to all filmmakers: focus on creating movies you're proud of, irrespective of the budget size. That, according to him, is the true formula for making a micro-budget film that truly shines.

Filmmakers Tori Butler Hart & Matthew Butler Hart join us this week to chat about thier Making their Found Footage Indie Movie Dagr. The filmmakers behind Two Down, The Isle and Infinitum: Subject Unknown chat with Giles Alderson and Phil Hawkins about why they wanted to make another movie on an i-phone, why found footage and how they created another hit movie. They also discuss: How they found their location before they had written the script. Why they got their actors to be their crew. Found Footage tricks and tips What Apps and filters their used to elevate their film. Budget, casting and why you need good sound. We discuss acting and producing with Tori and Directing with Matt. Why they had a Q&A cinema run and why you should do it too! WATCH Dagr is OUT now on Apple, Prime and all other good and evil streaming services. BUY Tori and Matt's Book on Filmmaking. Fizz and Ginger Films https://www.fizzandgingerfilms.co.uk/films LINKS Check out the YES SHE CANNES workshop and get 20% off with the code “FILMPOD” Check out Terri Dwyer's latest film BOLANS SHOES Check out Giles Alderson's new documentary ALL TOWN AREN'T WE Check out Andrew Rodger's latest film NO WAY UP   PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we welcome Writer Director Travis Burgess on the show to talk about writing and directing his first feature film Hayseed and how he made a who done it on a budget. After that we play another round of You're the Expert, enjoy! A big note for all listeners! Apple podcasts has frozen all of your downloads of the show which is killing our numbers! The way to fix that is to click the icon for the show on your phone and in the top right corner there is a down arrow icon that needs to be turned on, click on that and select 'Turn on Automatic Downloads'. If you do that, the show will be saved! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

In this episode, I am joined by filmmaker Steven Pierce to talk all about his latest feature film Herd.The film follows a woman that ends up trapped between a zombie outbreak and warring militia groups while trying to outrun her past. An ambitious concept for a micro-budget, making the execution of it all that much more impressive.Throughout the episode Steven and I speak about his new film at length. We cover his tactics for shooting action sequences on a budget, how he covered 20+ locations, the process of editing his own film, and much more.Links from the show:Herd - Movie WebsiteHerd - InstagramSteven Pierce - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

How can you pick yourself, rather than wait for someone else to pick you? How can you take control of your independent career and bring your creative vision to life? Jeffrey Crane Graham talks about his experience as an indie filmmaker, with lots of tips for indie authors. In the intro, 6 Types of Submission […] The post Writing And Producing A Micro-Budget Film With Jeffrey Crane Graham first appeared on The Creative Penn.

Dana Kippel joins fellow filmmaker Giles Alderson to chat about her journey creating her micro budget indie film, Reflect. She talks why she chose to direct, Addiction and mental health. Why having a beginners mind is useful and her planning and prep. She talks finance and crowdfunding, writing the script in two weeks and giving notes to fellow actors when you are also acting. She also discusses why she rushed her edit and release, marketing the movie and why you should be kind to yourself. Reflect is OUT NOW on Prime and all good and great streaming services. GIVEAWAY Get a FREE copy of the excellent Shotlister App. Just download the App using this link and you can get Shotlister App now (usually $99). Only 100 copies available so be quick and GET IT NOW! They need to be redeemed on an iPhone or iPad. But once redeemed Pro will also work on the Mac. shotlister.com/filmmakerspod PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is hosted, produced, written and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey CONTACT THE PODCAST email us: thefilmmakerspodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

A conversation with Adrew Rakich of  @AtunSheiFilms  on his micro-budget period horror movie The Sudbury Devil. Rent or Buy the Sudbury Devil here: https://atunsheifilms.vhx.tv/products/the-sudbury-devil 00:00:00 - Intro - why I'm doing this interview (TALKING ABOUT THE FILM'S CONTENT) 00:01:41 - What does it mean to shock with your work? 00:09:20 - Ema's feminist critique 00:25:27 - The historical basis of Puritan devil worship (END OF SPOILERS - TALKING ABOUT INDIE CREATING) 00:31:17 - Are YouTubers Indie or Mainstream? 00:39:22 - The YouTube branch of arts funding and why Andrew chose it 00:44:11 - Andrew's update to his optimistic video about YouTubing 00:55:24 - Andrew's advice for dealing with a crowdfunded platform 01:01:00 - The critics are always right 01:03:57 - The Co-Op model of film funding (I don't usually use title generators - but this AI-generated title was just hilarious)

If you are a micro budget filmmaker, you may think your lack of money is holding you back from having the tools or resources you need. Instead of approaching your project from this limited mindset, we want to challenge you to view your “limitations” as an opportunity, not an obstacle. In today's episode, No Film School's GG Hawkins speaks with director and podcast producer, Jeffrey Crane Graham to discuss: The beauty of podcasting and providing helpful tools to listeners Why Jeff advocates table reads throughout development of a project Exploring topics like grief, fear, and shame in his film, Always Lola How other people will feel seen through what you're making Tips and tricks to stay within your micro budget How to get talented people invested in your low budget film Simple, affordable, and effective production tools Why directors shouldn't cut their own material Balance - does it exist for creatives? Memorable Quotes “You need to bring on a lot of different perspectives and voices, even if they aren't necessarily your method or craft.” [4:25] “Because filmmaking is so hard, you have to will your way through it.” [10:09] “We were running around like highschool kids making a movie, but with really nice equipment.” [21:34] “It's really fun to see what people do without much money.” [31:20] “People will be so excited to watch you chase your dream. People still want to believe in the power of independent filmmaking.” [34:34] Mentioned: Always, Lola  Jeff's Instagram  The Screenwriting Life Podcast Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Tom Malloy in this eye-opening episode of the Filmmaking Stuff Podcast, where we dive into the revolutionary world of micro-budget filmmaking. We're unveiling the Backyard Blockbuster Blueprint – a game-changing approach that empowers indie filmmakers to create extraordinary films without the hefty budget. Discover practical tips, insider tactics, and the secrets behind making your film stand out in today's competitive market. Whether you're a first-time filmmaker or a seasoned pro, this episode is packed with insights to transform your filmmaking journey. Tune in to unlock the potential of micro-budget movies and start making your cinematic dreams a reality

This week, producer Jeff walks you through how he got his film Always, Lola from idea to distribution with a VERY low five figure microbudget...and you can too! TO WATCH THE FILM: https://www.alwayslolafilm.com/watchathome TO TAKE THE CLASS: www.jeffgrahamdigital.com/class Territory Info: United States/Canada - Amazon, Apple, Google Play, YouTube Australia/New Zealand - Apple, Google Play, YouTube UK/Ireland - Apple, Google Play, YouTube South Africa - Apple For non-English territories, google the movie, you might find it! If the film is not available in your territory and you want access, email press@alwayslolafilm.com. To sign up for our patreon: www.patreon.com/thescreenwritinglife

It's a Dan and Shan spectacular. Enjoy loves! :D (0:00) - Banter(09:11) - AITA for stopping my concert when people were taking pictures?(20:23) AITA for releasing 'Try that in a small town'? (27:14) - AITA for calling my brother's baby mama a guest and causing them to leave my family vacay?(38:16) - AITA for not paying my actors for a micro-budget web series?(46:22) - AITA for ruining my brother's wedding night?Free stickers at: https://aitapod.comSubmit to our Subreddit: https://www.reddit.com/r/AITApod/Join us on Patreon! https://patreon.com/aitapodWhat's on Patreon?- 160+ Bonus eps- Discord with awesome community- Call-in shows ($5 tier for call-in, $25 tier for full guest eps)TikTok - https://www.tiktok.com/@aitapodTwitter - https://twitter.com/aitapodInstagram - https://www.instagram.com/aita_pod/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5632822/advertisement

Oren Peli, an Israeli-American film producer, director, and screenwriter, is the creative genius behind the horror sensation Paranormal Activity. The movie single-handedly revolutionized the found-footage genre and spawned a successful franchise, all while being produced on a shoestring budget. In this article, we explore Peli's background, the making of Paranormal Activity, and its immense impact on the horror film industry.Oren had always been fascinated by the world of movies. After moving to the United States in his early twenties, Peli initially worked as a software programmer. However, his passion for films remained undiminished, and he soon turned his attention to filmmaking. With no prior experience, Peli embarked on an ambitious journey and created a movie that would leave a lasting impact on the horror genre.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jody swings by Short Ends to talk about the microbudget horror anthology Spookie Dookie, a film full of gross out horror and wonderful commericials.

Zanah Thirus is a filmmaker, creative strategist, and host of the The Microbudget Indie Filmmaker's Podcast. Zanah shares her process as an indie, budget filmmaker exploring topics of feminism, faith, and sexuality. She talks about how she maintains her autonomy as a filmmaker, and offers a wealth of information on how to bring your art to life on a budget. If you're an aspiring filmmaker or indie artist, this episode is for you! Follow Zanah: http://www.zanahthirus.com/ Resources Mentioned: The Inclusive Bible by Priests for Equality: http://bit.ly/3KavwHP Hebrew Bible: Feminist and Intersectional Perspectives by Gale A. Yee: http://bit.ly/3ZIUq7c Jesus Feminist by Sarah Bessey: http://bit.ly/3Ggp6pp --- Instagram: https://www.instagram.com/womanbeingpodcast/ TikTok: https://www.tiktok.com/@womanbeingpodcast Website: https://www.womanbeingcommunity.com/

Oren Peli, an Israeli-American film producer, director, and screenwriter, is the creative genius behind the horror sensation Paranormal Activity. The movie single-handedly revolutionized the found-footage genre and spawned a successful franchise, all while being produced on a shoestring budget. In this article, we explore Peli's background, the making of Paranormal Activity, and its immense impact on the horror film industry.Oren had always been fascinated by the world of movies.After moving to the United States in his early twenties, Peli initially worked as a software programmer. However, his passion for films remained undiminished, and he soon turned his attention to filmmaking. With no prior experience, Peli embarked on an ambitious journey and created a movie that would leave a lasting impact on the horror genre.Enjoy our conversation with Oren Peli.

Today I am thrilled to have writer/director/photographer Carter Smith back on the show to talk about his latest micro-budget feature film Swallowed.Carter's first short film (Bugcrush) won Sundance in 2006, and led to his feature film work which includes The Ruins, Jaime Marks is Dead, and multiple recent Blumhouse movies. His latest feature though, is a departure from larger studio productions to say the least. It was produced with a skeleton crew using very DIY tactics, yet managed to find incredible success at festivals and beyond.Throughout the interview, Carter and I discuss his experience in the micro-budget realm, his approach to creativity, and much more. Links from the show:Carter Smith - InstagramAll The Dead Boys - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

It's February aka FeBREWary aka Febberary. The weather is cold, but the podcast is a hot one when it's time to debate the best films made for under $400K. Get ready to pinch those pennies for: Henry: Portrait of a Serial Killer (1986) vs The Texas Chain Saw Massacre (1974) vs One Cut of the Dead (2017) Can Steve annihilate the opposition, or are his dreams circling the drain like used Old Style? Will Meg retain her championship with one of the most well known horror films in history, or is her budget bigger than her bluster? Can Brian take home the belt in one shot, or will his attempt be an error of comedy?   Tune in as three mutant horror nerds rip each other's guts out on the way to deciding who's film reigns supreme! Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

2/3rds of the Terror Train talk micro and no budget independent horror films with director Richard Tanner! Germ and Chris talk a little bit about Tanner's work and inspirations to get into this world, then the 3 gentlemen discuss their favorite low to no budget horror films from over the years! Got a movie recommendation? Email us at ReelVilePodcast@gmail.com Follow the podcast on Facebook Follow the podcast on Instagram Check out the Reel Vile Podcast Shop Check out Ruthless Pro Wrestling Check out some of Germ's writings Check out Kelli's work Producer Peapod's podcast Logos done by Kelli Miller and Ecko Randy of Slam Death Metal Logos

How to Shoot and Sell a $5000 Micro-Budget Feature Film with Claudia PickeringToday's guest is writer/director/actor/producer Claudia Pickering. She recently wrote and directed the feature film "Frisky" for just $5000. I wanted to have her on the show to discuss the tricks of the trade when making a feature for such a low budget. The film has also played at countless film festivals and won a ton of awards. Check out the trialer below.Two twenty-somethings move to San Francisco to chase their career but end up chasing tail instead.When two twenty-something women move back to San Francisco, where they had met on exchange years earlier, their high career aspirations quickly become sidelined by their sexual interests. While wildly crass and charismatic in their public personas, they are in fact fundamentally at odds on many levels. Their opposing beliefs surrounding responsibility and romance, combined with their close quarters while crashing in an acquaintance's living room, find them thrust onto a fast track to discovering what their friendship is really made of. Based on true events, Frisky is an honest, tongue-in-cheek look at what it is to be a woman in the limbo years between college and "the real world".

Today's guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns. Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She's The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon't shoot with any more than a three-man crewActor's use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I'm honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.

In this episode, we hear from Dan Steadman of Circa 87 films (www.circa87.com.) Dan talks about how he got started in the industry at a young age, his adventures in Hollywood with folks like Melissa McCarthy, Jennifer Coolidge, Tony Hale, Octavia Spencer and so many more, and his transition from repped screenwriter at Endeavor to moving to the Midwest where he lives now. Now he focuses on teaching aspiring filmmakers and actors while working on his own micro-budget features. To date, he has written and directed 12 of them.  Dan Steadman has a ton of great stories and advice for filmmakers based in the Midwest. We talk a lot about the allure of hitting big, but also the benefits of doing work on your own terms. This podcast is sponsored by the MO Film Office (https://mofilm.org) and Shock City Studios (www.shockcitystudios.com) and is brought to you by Speak Up Productions (www.speakupproductions.com) and the In Motion team (www.inmotionconference.com) Music by Courtney Orlando Peebles of So Hot Productions (https://www.linkedin.com/in/courtney-jr-peebles-05a2a19/)

One of the most popular SAG-AFTRA contracts is the Micro-Budget Project Agreement, which allows low-budget productions to create content quickly and hassle-free. Giving us the lowdown on everything Micro, the Short Project Agreement (SPA), and other low-budget agreements, we are joined by Stacey Travis, chair of the National Low Budget Committee, and SAG-AFTRA National Director, Entertainment Contracts Jessica Johnson. **The views expressed by the guests are their own and not that of SAG-AFTRA. Any mention of products or services does not imply SAG-AFTRA's endorsement. For an instructional video and FAQs: https://sagaftra.org/micro To fill out the Micro-Budget form online: https://sagaftra.org/microform

Yes, we have another special episode for you, lovely listener. BUT this time it's not about another Giles Alderson movie, no. This time, we're talking about the rather fantastic mockumentary When The Screaming Starts (2021) with writer/director/producer Conor Boru, star/producer Octavia Gilmore AND producer Dom Lenoir. Yes, today it's Dom's turn to shed some light on his latest feature film. In their conversation with our host, Giles Alderson, they talk about: how they got involved in the project talking to investors how to produce a feature film dealing with problems on set making a mockumentary editing distribution & festivals Again, we would really appreciate your support. Do go watch the film, give it a nice rating, and write an honest review, it would mean the world to us. But for now, sit back, relax and listen to our amazing chat with the lovely team behind When The Screaming Starts, Conor Boru, Octavia Gilmore & Dom Lenoir.   WHEN THE SCREAMING STARTS is out NOW! When Norman Graysmith is invited into the home of an aspiring serial killer, Aidan Mendle, he believes he has the subject for the documentary that will make his career.   EPISODE LINKS Watch When The Screaming Starts | TRAILER   SPONSOR Check out Q SCRIPTS   PATREON Big thank you to: Lee Hutchings Marli J Monroe Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! Our new 4 tier structure is in place. Come join the community! https://www.patreon.com/thefilmmakerspodcast   MERCH Spread the Word with Our Merch T-Shirts, Hoodies, Mugs, Masks and Water Bottles all now available in some very cool designs.   SUPPORT THE PODCAST Read & Sign Up for The Wrap Up – Our weekly Newsletter with news and information from the world of film Subscribe on iTunes, Spotify, Podbean, or wherever you get your podcasts. Help us out and write us a review (a good one!), tell your friends and CHOOSE FILM. Get in touch? Email us thefilmmakerspodcast@gmail.com Follow us on Twitter Facebook and Instagram Check out our full episode archive at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is hosted, produced and written by Giles Alderson @gilesalderson Edited by @tobiasvees Social Media by Kalli Pasqualucci @kallieep Marketing Huw Siddle Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Part of the www.podfixnetwork.squarespace.com   WATCH OUR FILMS The Dare UK | Trailer The Dare Canada and USA A Serial Killers Guide to Life | Trailer Arthur & Merlin: Knights of Camelot The Stranger in Our Bed | Trailer Wolves of War | Trailer Winter Ridge UK The Isle Fanged Up The Marker Star Wars: Origins   MORE FROM OUR FRIENDS Follow our Regular Hosts @LucindaRhodes @DirDomLenoir @35mmdop @philmblog @IanSharp1 @Cjamesdirect @dan710ths Follow Make Your Film for Live Events @makeyourfilm20  Follow our Movies @thedaremovie @Food4ThoughtDoc @FangedUpFilm Raindance events www.raindance.org The Filmmakers Podcast recommends Performance Insurance Music from musicbed.com Giles Alderson's website

This week Alrik and Liz welcome director Meera Menon on the show to talk about her career from her microbudget first feature, her Sundance premiering second, and her prolific career in TV directing. After that we play another round of Eric Tom's 'The Game,' where we figure out what to do during an on-set indie film emergency. Enjoy! Sign up for Casting Networks today at: https://www.castingnetworks.com/movies/ For 20% off your Jambox subscription use code MMIH @ jambox.io Check out the ISA at: www.networkisa.org

We wanted to give our listeners a preview of our PATREON, so you'll hearing three bite-sized samples for some of our workshops. If you're interested in joining the Patreon, you can sign up here: www.patreon.com/TheScreenwritingLife For questions/sign up info: https://www.youtube.com/watch?v=FHnbm7i9udM --- Support this podcast: https://anchor.fm/thescreenwritinglife/support

We have made it to 450 episodes of the Indie Film Hustle Podcast. The IFH Tribe has given me 450 opportunities to serve them and for that I am humbled. Thank you all for allowing me to do what I love to do so much. With that said I wanted to bring you a massive guest for this remarkable milestone. Today's guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns.Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She's The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon't shoot with any more than a three-man crewActor's use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I'm honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.

At sixteen years old, Shane had already received his first Emmy Award for his work on Desperate Passage (1987) which starred Michael Landon. Over the next few years he learned filmmaking under his father Lee Stanley on what became known as The Desperate Passage Series (1988 to 1995) starring Sharon Gless, Edward James Olmos, Marlo Thomas and Louis Gossett Jr..The self-produced series earned a total of thirty-three Emmy nominations, (winning thirteen) as well as numerous Christopher Awards and CINE Golden Eagles. In 1994, the Stanleys feature film, Street Pirates (1994) was a two-time winner of the CINE Golden Eagle Award for best feature documentary and film editing.In 2001, Shane launched Visual Arts Entertainment, his own production company, most notably credited with Gridiron Gang (2006) starring Dwayne Johnson & Xzibit as well as the critically acclaimed independent film, A Sight for Sore Eyes (2004) with Academy Award nominee, Gary Busey.The film, (produced for under $10,000) marked Shane's directorial debut and went on to win the Gold Special Jury Award at Worldfest Houston, Best Dramatic Short Film at the International Family Film Festival, a Telly Award for Outstanding Achievement in Film and Television as well as two Aurora Awards for writing & directing. The film was also invited to Cannes to compete in the annual international film festival.His new film is Double Threat.After skimming money from the mob, a, well-trained fighter, Natasha (Danielle C. Ryan), finds herself on the run with a kind, naïve accountant, Jimmy (Matthew Lawrence) whose life is about to get more thrilling than he could ever imagine.

In this episode, I am joined by Brooklyn based micro-budget filmmaker Sujewa Ekanayake, for a discussion that re-imagines the way we approach making indie films.I first connected with Sujewa over Twitter, after discovering he and I share a similar filmmaking philosophy that prioritizes creative expression above budget. Throughout the conversation, we unpack this concept at length and discuss various strategies and unconventional tactics that can be used to execute any feature film.Links from the show:Sujewa on Twitter - https://twitter.com/sujewafantasticSlow Romance - https://slowromancemovie.comSujewa's Website - https://sujewa.comFor more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter

This week, Alrik and Liz chat with seven-time feature filmmaker Richard Ledes about his latest feature, Adieu Lacan. Richard talks about how he was able to shoot the film in ten days and his minimalist approach to indie filmmaking which makes it possible. After that we discuss an article about the Rotterdam film festival firing its programming team and then we read a listener email. Enjoy!

This week Alrik and Liz welcome filmmaker Chris Makoto Yogi to talk about his experience going through the Sundance Labs, making his first feature film August at Akikos and how that led to him making his second feature I was a Simple Man that premiered at Sundance in 2021! After that, we discuss an article about how a new NFT platform is hoping to boost indie filmmakers. Enjoy! For 20% off your Jambox subscription use code MMIH @ jambox.io Check out the ISA at: www.networkisa.org This Weeks Article: https://www.indiewire.com/2022/01/sundance-filmmakers-direct-blockbusters-1234692811/