Podcast appearances and mentions of bilge ebiri

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss one of the greatest film directors to ever live: Steven Spielberg! Our B-Sides are 1941, Hook, Amistad, and The Adventures of Tintin. Our guest is dear friend and incredible writer Bilge Ebiri! As of this writing, he just published his piece The Raider of a Lost Art, an oral history about Spielberg in conjunction with the release of his new film Disclosure Day. He's also discussed Spielberg with The Film Stage before! We chat about Spielberg's early start and the difficult production of 1941, his stratospheric ‘80s, the successful failure of Hook, and his underrated Amistad. There's a celebration of Spielberg's improbable millennium run of films, from Saving Private Ryan through Munich. The three of us dig into why Bilge loves Hook so much, he speaks on some additional, unpublished gems from his oral history piece, we appreciate the genius of John Milius, and the impossible camera that injects so much energy into The Adventures of Tintin.

Kondo wa kondo, ima wa ima.Hirayama wakes at dawn to the sound of a broom sweeping the streets outside his modest flat east of the Sumida River. He makes his bed, marks the page on his book, and goes downstairs to brush his teeth, water his plants, and grab his keys and some spare change before going outside to look at the sky, breathe in, and smile. He grabs a coffee from a nearby vending machine, climbs into his van, and gets his music cassette ready. After a quick swig from his can humorously labelled 'BOSS', Hirayama drives off to begin his day as a cleaner of public toilets in Shibuya.Wim Wenders' modern masterpiece, Perfect Days, is a complex meditation on work, routine, and meaning. It touches on a vast array of topics such as capitalism and class, existentialism and relationships, and estrangement and grief. Rarely do films feel so well-rounded in their nuanced exploration of context, politics, and aesthetics, while also being piercingly poignant in what they have to say about transcending the limits of the body and spirit.Perfect Days is undoubtedly one of the great films of the twenty-first century; we could not help but watch it time and again to see and feel everything it has to offer. It is also one that is and will be important in the years to come, owing in no small measure to its thoughtful tone and sublime message, relevant more than ever in a world of growing alienation and individualism.This latest episode is in two parts: this one on Perfect Days, and the other (right before), on a surprisingly similar film by Akira Kurosawa: Ikiru. We had a fantastic time thinking through both stories' impact, and hope you gain as much from our discussion as we did from the films! As always, we would love to hear your thoughts, so please don't hesitate to reach out to us on Instagram, e-mail, or using a voice note on Spotify!References:1) Criterion Collection article by Bilge Ebiri, on Wim Wenders' filmography.2) Reddit comment on abject loneliness in Perfect Days.3) Article on the importance of Lou Reed to Wim Wenders and the former's presence in Perfect Days - Wim Wenders' Life Was Saved by Rock and Roll: Lou Reed is a mighty voice in my new film.4) Dewansh mentions an article about how Perfect Days is a sanitized film. We are not able to link the source here (yet).5) Dewansh reads something about the person experiencing homelessness. We are not able to link the source here (yet).6) Aoi Yamada.

Film critic Bilge Ebiri ( NYMag, Vulture) returns to discuss more Costner! Dryland is a myth. Check out Bilge's work! : https://nymag.com/author/bilge-ebiri/Listen to our episode on Alan Dean Foster's memoir: https://open.spotify.com/episode/4nrkmdUXModFSPaKF4PrYR?si=YQF90Bn2TN-x4k8yfOGNzASubscribe to our patreon: patreon.com/authorizedpodJoin our Pregnant Maud Tier and send us to Arizona! : patreon.com/authorizedpodJoin Our Slow Maud Tier and pray us to Arizona: patreon.com/authorizedpodLeave us a five star review novelizing a scene from your favorite movie and we will try to guess what it is on the air! : https://podcasts.apple.com/us/podcast/authorized-novelizations-podcast/id1581002450Follow us on letterboxd:letterboxd.com/aoverbyeletterboxd.com/hsblechmanletterboxd.com/pomattovichletterboxd.com/j_goodman/

Film critic Bilge Ebiri ( NYMag, Vulture) returns to discuss more Costner! Dryland is a myth. Check out Bilge's work! : https://nymag.com/author/bilge-ebiri/Listen to our episode on Alan Dean Foster's memoir: https://open.spotify.com/episode/4nrkmdUXModFSPaKF4PrYR?si=YQF90Bn2TN-x4k8yfOGNzASubscribe to our patreon: patreon.com/authorizedpodJoin our Pregnant Maud Tier and send us to Arizona! : patreon.com/authorizedpodJoin Our Slow Maud Tier and pray us to Arizona: patreon.com/authorizedpodLeave us a five star review novelizing a scene from your favorite movie and we will try to guess what it is on the air! : https://podcasts.apple.com/us/podcast/authorized-novelizations-podcast/id1581002450Follow us on letterboxd:letterboxd.com/aoverbyeletterboxd.com/hsblechmanletterboxd.com/pomattovichletterboxd.com/j_goodman/

Anne Aghion has been praised as a filmmaker of poetic vision and a unique documentarian whose films, in the words of one critic, “pull us deep into the social fabric” of the places she covers. She gained international renown for “The Gacaca Series” (pr. ga-CHA-cha), four films on post- genocide justice and social reconstruction in Rwanda. There, Anne Aghion charted the emotional impact of a controversial system of justice that returned killers to their homes to live side-by-side with the survivors of unimaginable violence. The final film in the series, “My Neighbor My Killer“, premiered in Official Selection at the 2009 Cannes Film Festival; was nominated for Best Documentary at the Gotham Awards; and earned Aghion the Nestor Almendros Award for courage in filmmaking at the Human Rights Watch International Film Festival. Additionally, other films in the series received an Emmy Award and the UNESCO Fellini Prize. The 2008 feature “Ice People” was described by Variety as “staggeringly beautiful,” and New York Magazine's noted critic Bilge Ebiri wrote that “it might be the most immersive documentary I've ever seen.” The film, which explores the physical, emotional and spiritual adventure of living and conducting science in Antarctica, was produced with ARTE France and ITVS International in association with Sundance Channel. Her award-winning 1996 directorial debut “Se Le Movió El Piso: A Portrait of Managua (The Earth Moved Under Him),” examines how Nicaraguan slum dwellers had survived the double ravages of political and natural disasters. In 2024, Anne Aghion finished “Turbulence” which poses the question: How do we overcome the heartbreaks, sorrow and traumas we endure or witness, and come out whole? The film, written, directed and produced by Aghion, is made in association with Arte France – La Lucarne, and with the participation of the French Centre national du cinéma et de l'image animée, Procirep & Angoa, Jewish Story Partners, and the New York State Council on the Arts. Anne Aghion has collected numerous prestigious awards for her work, among them a Guggenheim Fellowship. She has earned a host of grants from such organizations as the United States Institute of Peace, the National Science Foundation, the French Centre national du cinéma et de l'image animée, and the Soros and Sundance Institute Documentary Funds. She has had residencies at the MacDowell Colony in the United States, the Rockefeller Foundation's Bellagio Center, and others. For “Turbulence” she also received a Fulbright-Nehru Fellowship to India. She has served as a juror for La Scam's L'Oeil d'Or at the Cannes Film Festival, International Documentary Festival Amsterdam (IDFA) and the International Documentary Association (IDA), among others. She is an international speaker at universities and has conducted documentary workshops and master classes at film programs in countries including Haiti, India, Morocco, Lebanon, France and the United States. She serves on the board of Camargo Foundation's French association. https://www.youtube.com/watch?v=X0FgITLEiKE Both “My Neighbor My Killer” and “Turbulence may now be streamed on the platform kinema.com.

From Jay Kelly to Sentimental Value to One Battle After Another, Oscar season 2025 is overflowing with dads—absent ones, ambitious ones, ones who chose career over family and are now reckoning with the cost. We dig into how this year's best films moved beyond the “scary dad" trope to give us fathers who are flawed, human, and genuinely complicated, and what that shift says about how the world is thinking about fatherhood right now.CreditsHost: Kevin MaguireManaging Producer: Elizabeth Van BrocklinSound Editor: Sam WilliamsTheme Music: SohnMore of Bilge's work:Bilge's writing on VultureBilge's dad's film notebooks Review of Train Dreams Review of Jay Kelly Review of Hamnet Review of One Battle After Another Bilge's Dad WatchlistThe ChampThe ShiningBigger Than LifeTrain DreamsJay KellyOne Battle After AnotherWalking with DinosaursOther show references:Subscribe to TNF newsletter Kevin's essay on Train DreamsTimestamps00:00 Hello00:31 Becoming Nemo's Dad03:30 Let's talk movies!05:00 Film diaries c. 1940s06:10 Apocalypse Now07:20 Present dad award10:43 Core memory of The Shining15:00 Masculinity crisis16:48 [SPOILERS] Train Dreams19:15 Providing vs. protecting19:58 [SPOILERS] Hamnet20:20 [SPOILERS] Sentimental Value21:04 [SPOILERS] Jay Kelly23:50 [SPOILERS] More Train Dreams 27:24 [SPOILERS] Leo is best film dad 29:10 The Shining easter egg31:21 Letting go in the teen years33:00 Watching movies with your kids36:43 The outcast dinosaur Get full access to The New Fatherhood at www.thenewfatherhood.org/subscribe

On episode 142 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Bilge Ebiri discuss the latest film in their Powell and Pressburger series, The Life and Death of Colonel Blimp (1943). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. The latest film in the boy's P&P series is a showcase of when filmmakers don't go for propaganda, and instead try to tell a version of their own truth. During WWII, the filmmaking duo did films for audience's tailor-made to provoke the political agenda of their country. For The Life and Death of Colonel Blimp, they take a look inward at their own countrymen and system and how destructive is has been on the war as much as the enemies they are fighting across Europe, even making our protagonists best friend a German character, causing uproar about the inclusion of someone for whom the world was morally against. In doing this, they created one of their defining masterpieces where their thesis lies in someone who has given their whole life to fighting for their country, all for their wisdom and talent to be washed away as a new generation rises up, a brilliant work. Ryan, Jay, and Bilge break down their thoughts on the film, laserdisc physical media, the idea on romance at the heart of our main trio, showing no violence in a war picture, the films ending, and much more. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h33m. The guys will be back next week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, I Know Where I'm Going. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Ep. 382: Berlin 2026 – Bilge Ebiri on Mouse, Moscas (Flies), Everybody Digs Bill Evans Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the 2026 Berlinale concluded its second week, I continued my series covering the film highlights. This time I sat down with Bilge Ebiri of Vulture and New York Magazine, who was making his first visit to this festival. Among the titles discussed were Moscas (aka Flies, directed by Fernando Eimbcke), Mouse (Kelly O'Sullivan and Alex Thompson), and Everybody Digs Bill Evans (Grant Gee). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

This week we're covering the history of the Pacific Northwest from the late 19th century to 1968 with Train Dreams! Join us as we learn about boot memorials, Chinese and Chinese-American railroad workers, women working as fire lookouts, and more! Sources: Dina Gachman, "The History of Lady Lookouts," Smithsonian Magazine, available at https://www.smithsonianmag.com/history/female-fire-lookouts-have-been-saving-wilderness-over-century-180977352/ Photo of Hallie Daggett and Her Dog, Fish and Wildlife: https://www.fws.gov/media/hallie-daggett https://www.facebook.com/ottawavalleywhereabouts/posts/loggers-memorial-griffith-on-45236783-77270483located-within-the-lower-madawaska/294395130019562/ https://www.google.com/books/edition/Canoe_Country/52-2DQAAQBAJ?hl=en&gbpv=1&dq=logging%20memorial%20boots%20nailed%20to%20tree&pg=PA66&printsec=frontcover https://www.facebook.com/100064525572391/posts/5518774848187361/ https://en.wikipedia.org/wiki/Dumoine_River https://www.imdb.com/title/tt29768334/ Bilge Ebiri, "Train Dreams Is a Staggering Work of Art," Vulture 21 November 2025, https://www.vulture.com/article/sundance-review-train-dreams-is-a-staggering-work-of-art.html  Bob Mondello, "The new film 'Train Dreams' is almost unbearably beautiful," NPR All Things Considered 7 November 2025. https://www.npr.org/2025/11/07/nx-s1-5598447/the-new-film-train-dreams-is-almost-unbearably-beautiful   Brian Tallerico, https://www.rogerebert.com/reviews/train-dreams-film-review-2025  Justin Chang, https://www.newyorker.com/culture/the-current-cinema/train-dreams-is-too-tidy-to-go-off-the-rails https://www.rottentomatoes.com/m/train_dreams  Jennifer Fang, "Erasure and Reclamation: Centering Diasporic Chinese Populations in Oregon History," Oregon Historical Quarterly 122, no.4 (2021): 324-41. https://www.jstor.org/stable/10.5403/oregonhistq.122.4.0324  Sarah M. Griffith, "Finding Chinese Immigrants in Unconventional Records," History News 58, no.1 (2003): 20-23.  John R. Wunder, "The Chinese and the Courts in the Pacific Northwest: Justice Denied?" Pacific Historical Review 52, no.2 (1983): 191-211. https://www.jstor.org/stable/3638795  Yukari Takai, "Asian Migrants, Exclusionary Laws, and Transborder Migration in North America, 1880-1940," OAH Magazine of History 23, No.4 (2009): 35-42. https://www.jstor.org/stable/40506013  Asian Workers in Kinsey Brothers Photographs of the Lumber Industry, 1890-1945, University of Washington Digital Libraries, https://digitalcollections.lib.washington.edu/digital/collection/clarkkinsey/search/searchterm/asian%20japanese/field/subjec/mode/any/conn/and/cosuppress/ https://digitalcollections.lib.washington.edu/digital/collection/clarkkinsey/id/416/rec/45 https://www.nationalgeographic.com/history/article/the-bloody-history-of-anti-asian-violence-in-the-west https://en.wikipedia.org/wiki/Lynching_of_Asian_Americans

This week we're brooding, Victorian style, with Vulture's Bilge Ebiri! Guillermo del Toro's Frankenstein is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi's hulking monster. It's of a piece with past craft-heavy Oscar contenders like Dune or The Lord of the Rings, but does Frankenstein actually stand a chance? We discuss the film itself, its lavish sets and costumes, del Toro's choice to center the monster as the hero, and how that decision reshapes the monster's opposite, Victor, played by Oscar Isaac. We also touch on the new Wuthering Heights, also starring Jacob Elordi, the history of Wuthering Heights adaptations, the shameless state of celebrity Super Bowl ads, and finally atone for our past sins, as Bilge defends previous subjects Train Dreams and Hamnet against our critiques. As it turns out, we were the monster all along. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's late January, and the intrepid Film Comment crew has been on the ground reporting from an extra special edition of the Sundance Film Festival—the last to take place on the snowy slopes of Park City, Utah, the festival's home since 1981, before moving to Boulder, Colorado in 2027. For the past week, we've gathered the best critics on the scene to talk about each day's premieres on the Podcast. For our final Podcast from Sundance 2026, critics Bilge Ebiri and Tim Grierson and programmer Madeline Whittle joined Film Comment Editor Devika Girish to close out the fest, discussing Padraic McKinley's The Weight (2:56), Noah Segan's The Only Living Pickpocket in New York (24:26), Dawn Porter's When a Witness Recants (28:46), Jason Osder and William Lafi Youmans's Who Killed Alex Odeh? (34:34), Josephine Decker's Chasing Summer (47:20), Walter Thompson-Hernández's If I Go Will They Miss Me? (1:05:46), Hossein Keshavarz and Maryam Ataei The Friend's House Is Here (1:10:28), Rafael Manuel's Filipiñana (1:14:05), and more. Catch up on all of our Sundance 2026 coverage at filmcomment.com

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is our NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:Based on Denis Johnson's beloved novella, Train Dreams is the moving portrait of Robert Grainier, a logger and railroad worker who leads a life of unexpected depth and beauty in the rapidly-changing America of the early 20th Century.BILGE EBIRI IS A FILM CRITIC/WRITER/EDITOR AT NEW YORK MAGAZINE. HE HAS CONTRIBUTED TO PUBLICATIONS SUCH AS L.A. WEEKLY, THE NEW YORK TIMES AND THE VILLAGE VOICE (RIP). BILGE IS ALSO A WRITER AND DIRECTOR, KNOWN FOR NEW GUY (2003), PURSE SNATCHER (2006) AND THE BARBER OF SIBERIA (1998).TWITTER: @BILGEEBIRI WEBSITES: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On December 11, 2025, as part our annual winter list extravaganza, Film Comment Editors Devika Girish and Clinton Krute were joined by esteemed critics Amy Taubin and Bilge Ebiri for a real-time countdown of the films topping our year-end critics' poll. The evening featured a lively discussion (and some hearty debate) about the films as they were unveiled—and now it's available in Podcast form, for your home-listening pleasure. Consider it a holiday gift from us to you, our loyal listeners. Read the full list, plus best undistributed films, individual ballots, and more, here: https://www.filmcomment.com/best-films-of-2025/

Get access to this entire episode, the entire Denzember catalog, and all of our premium episodes by becoming a Hit Factory Patron for just $5/month.Denzember 2 continues with the return of Vulture Film Critic Bilge Ebiri and a spirited discussion of Russel Mulcahy's 1991 thriller Ricochet, a film of lean premise that takes its story to absolutely batshit places at every turn. With the ever-capable journeyman director Mulcahy at the helm, a sturdy script from Die Hard writer Steven E. de Souza, and committed performances from Denzel Washington and John Lithgow, the film finds a way to make every one of its scenes memorable by maintaining its ludicrous energy from start to finish and finding lurid thrills behind every corner.We begin with an appraisal of our experiences with Ricochet, and the delight of finding a film marketed as a boilerplate thriller doing everything it can to shock and disarm you. Then, we examine the deceptively intelligent plotting of the film, pitting Denzel's Assistant DA Nick Styles - an ambitious Black lawyer seeking opportunity in the justice system- against not just Lithgow's psycopathic murderer on a quest for revenge but also the collective biases of the media and elite centers of institutional power that readily see Styles as an interloper in their predominantly white spaces. Finally, we discuss the rare position of Denzel as a movie star, how he stands singularly as both an actor of profound versatility and one that inhabits an intoxicating Movie Star persona.Follow Bilge Ebiri on Twitter....Our Denzember theme some is "Funk" by Oppo.

ONE HOT FEST – ADELAIDE FILM FESTIVAL is a special mini-series from One Heat Minute Productions, diving into Australia's most charismatic celebration of cinema. Host Blake Howard takes you inside the Adelaide Film Festival — from filmmaker interviews and festival dispatches to reviews and discussions with guests and critics — relaying the energy, stories, and spirit that make it one of Australia's most electric film events.Synopsis:A small mishap triggers a chain reaction of ever-growing problems.BILGE EBIRI IS A FILM CRITIC/WRITER/EDITOR AT NEW YORK MAGAZINE. HE HAS CONTRIBUTED TO PUBLICATIONS SUCH AS L.A. WEEKLY, THE NEW YORK TIMES AND THE VILLAGE VOICE (RIP). BILGE IS ALSO A WRITER AND DIRECTOR, KNOWN FOR NEW GUY (2003), PURSE SNATCHER (2006) AND THE BARBER OF SIBERIA (1998).TWITTER: @BILGEEBIRI WEBSITES: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sitting in New York, not much happening. Sitting in Cleveland, not much happening. How about we go to Florida? We discuss Jim Jarmusch's breakout film STRANGER THAN PARADISE (1984), a film that heroically swan against the current of Reagan-era culture and politics. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus OTTAWA - See Luke take part in a live podcast recording at Press Forward's Future of Independent Media Summit on Friday, October 3 - https://press-forward.ca/introducing-the-2025-future-of-independent-media-summit-in-ottawa/ NEW YORK - See Will present Plan 9 from Outer Space and sign copies of his book Ed Wood: Made in Hollywood USA at Metrograph on Thursday, October 9 - https://metrograph.com/film/?vista_film_id=9999004527 " 'Protect Empathy at All Costs. And Live Groovy Lives.' An Interview with Jim Jarmusch" by Bilge Ebiri - https://www.vulture.com/article/jim-jarmusch-father-mother-sister-brother-interview.html

One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Bob and Brad, along with guest Bilge Ebiri, delve into Terrence Malick's masterpiece, The Tree of Life. They explore the film's themes of grace and law, the cosmic and domestic narratives, and the emotional resonance of childhood memories. The conversation touches on the artistic experience of watching the film, the impact of memory, and the search for meaning and God. The hosts reflect on their personal journeys with the film, its significance in film criticism, and the complexities of parental relationships, ultimately celebrating the film's high artistic ambition and emotional depth. Then, they revisit Glenmorangie "The Original" 10-Year single malt scotch, which marked the hosts' first foray into the world of single malts back in season 1. As they revisit this classic, affordable scotch, they note its value and availability for beginner scotch drinkers.Chapters00:00 Introduction to The Tree of Life and Glenmorangie 10 Year14:36 Brad Explains: The Plot of The Tree of Life19:45 The Cosmic and Domestic Narrative29:48The Evolution of Terrence Malick's Vision01:06:21Transitioning to Whiskey Tasting01:22:43 Performance Analysis: Brad Pitt and Jessica Chastain01:29:59 Comparing Tree of Life and Interstellar01:48:58 Let's Make It a Double: Film PairingsFilm & Whiskey Podcast. New episodes every Tuesday.Theme music: "New Shoes" by Blue WednesdayFilm & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) teams up with the legendary Bilge Ebiri to unbox, unpack and unveil the upcoming IMPRINT FILMS physical media release of NEW YORK, NEW YORK (for which he authored a new essay).In this episode, we discuss:New York, New York (1977) – Imprint Collection #420Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall The lads grab their pencils and go back to the drawing board as they cover the never released behind-the-scenes documentary on the making of The Emperor's New Groove: The Sweatbox. Topics include the history of Disney animation, the similarities between the animating and acting life, and what it means to make art while walking the llama-llama and taking in the panorama. Media Referenced in this Episode: The Sweatbox. Dir. Trudy Styler. 2000. The Emperor's New Groove. Dir. Mark Dindal. 2000. “An Oral History of Disney's ‘The Emperor's New Groove'” by Bilge Ebiri. Vulture. July 26th, 2024. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Sting: The Kingdom of the Sun Sessions” // Written by A.J. Ditty // Featuring A.J. Ditty as “Sting/Announcer”

On this week's episode, I'm joined by New York Magazine's Bilge Ebiri, who has an enormous, career-spanning interview with Ron Howard in the latest issue. We discussed what makes a Ron Howard movie a “Ron Howard Movie,” the incredibly under-appreciated Thirteen Lives, and that movie about J.D. Vance. And then we talked a bit about his fascinating history of a key element of film technology in the latest issues of Mubi's quarterly film journal, Notebook. Why is 24 frames per second the accepted frame rate? And why does our eye revolt when the image, paradoxically, gets closer to “reality”? If you enjoyed this episode, please share it with a friend!

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) teams up with the legendary Bilge Ebiri to unbox, unpack and unveil the upcoming IMPRINT FILMS physical media release of RAGING BULL (for which he authored a new essay - "No Man Can Endure This").In this episode, we discuss:Raging Bull (1980) – 4K UHD + Blu-ray – Imprint Collection #419Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Vulture and New York Magazine film critic Bilge Ebiri returns to discuss Bernardo Bertolucci's stunning mood piece Little Buddha, a rich and evocative story of an American family who travel to Bhutan after learning their son may be the reincarnation of the spiritual leader of a group of Tibetan Buddhist monks. The film also chronicles chapters in the life of Siddartha (played by Keanu Reeves) who rejects his life of sheltered privilege after learning of human suffering in order to seek a path of spiritual enlightenment. Exhibiting Berolucci's customary visual richness - emboldened by breathtaking images from Academy Award-winning cinematographer Vittorio Storaro - and an otherworldly emotional frankness, Little Buddha conjures the sensation and grandeur of a personal spiritual awakening. We discuss the career of Bertolucci and his "Eastern Trilogy" beginning with 1987's Best Picture winner The Last Emperor, in which Bertolucci's fascination with the spiritual and cultural practices of the Asian continent became a personal endeavor into a deeper understanding of his own artistic ethos. Then we unpack the splendid uncannines of Little Buddha and how Bertolucci's directorial mastery allows for a film of constant settling and de-escalation to feel thrilling and proulsive through it's evocation of a preternatural emotionality. Finally, we discuss the west's fascination with the Tibetan independence movement in the 1990s and the American films it inspired during the decade.   Follow Bilge Ebiri on TwitterOrder Little Buddha on 4K or Blu-ray from Kino LorberGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Bilge Ebiri returns to discuss a book and movie both pretty terrible, but together unifying into one interesting piece of storytelling. Hannah made the game! Check out Bilge's writing: https://www.vulture.com/author/bilge-ebiri/

Your mission, should you choose to accept it: Bilge Ebiri—the man, the myth, the legend—joins us to bookend our discussion of all things Mission: Impossible from a couple of summers ago, on the occasion of the final (?) film of a nearly 30 year franchise.We get into: the perils of Cruise-dom, building an extension on a plane you've already built, Luther!, missing Rebecca Ferguson, decompression chambers & gel manicures, Benji Impossible, no closure, loving these movies, and more.Relevant reading:Mission: Impossible — The Final Reckoning Is a Huge Mess. But It's a Fun Mess. - Bilge Ebiri, New York MagazineHow YouTube and Internet Journalism Destroyed Tom Cruise, Our Last Real Movie Star - Amy Nicholson, LA WeeklyWhere Does Tom Cruise Go From Here? - Bilge Ebiri, VultureThe Entity: On the Technologies of Late Cruisedom - Jadie Stillwell, Bright Wall/Dark Room--The Bright Wall/Dark Room Podcast is co-hosted by⁠⁠ Veronica Fitzpatrick⁠⁠ and⁠⁠ Chad Perman⁠⁠, and produced by⁠⁠ Eli Sands⁠⁠. Our theme music is composed by Chad (and remixed for this episode by Eli).You can find every single issue of Bright Wall/Dark Room at⁠⁠⁠ brightwalldarkroom.com⁠⁠⁠. We welcome comments and inquiries at ⁠⁠⁠podcast@brightwalldarkroom.com⁠⁠⁠. --This episode is sponsored by ⁠Galerie⁠, a new kind of film club. Listeners can sign up for one month of free access to curated film lists, essays, live discussions, and more at ⁠galerie.com⁠, code: BWDRThis message will self-destruct in—

Francis Ford Coppola is no stranger to highly publicized cinematic debacles, but few have been as long in the making as MEGALOPOLIS. The GODFATHER director put up $120 million of his own money to fund this decades-old passion project, a philosophical sci-fi epic plagued by trouble all the way from production to its disastrous reception. With help from VULTURE's Bilge Ebiri, we consider whether it's another misunderstood masterpiece— or if it was understood very well indeed.You can find more from Bilge at https://www.vulture.com/author/bilge-ebiri/Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next.Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod.

It's the OUT OF SIGHT episode, and our guest is Bilge Ebiri. Do we need to sell you on this? OK, fine: in 1998 Steven Soderbergh took a job for hire directing an Elmore Leonard adaptation and ended up finding the style that would define much of his career, minting George Clooney as a movie star, capturing Jennifer Lopez's best-ever performance, working with Don Cheadle and Luis Guzman and a bunch of other people for the first time, and making one of the most watchable films of the 1990s. Jake also read the whole book. We talk about Leonard's moral universe, prison stuff, cop stuff, crime fiction stuff. I mean, come on. It's the OUT OF SIGHT episode with Bilge. Further Reading: Out of Sight by Elmore Leonard Getting Away With It by Steven Soderbergh Steven Soderbergh: Interviews, ed. Anthony Kaufman "Louisiana's Angola: Proving ground for racialized capitalism" by W. T. Whitney, Jr.   Further Viewing: POINT BLANK (Boorman, 1967) DON'T LOOK NOW (Roeg, 1973) GET SHORTY (Sonnenfeld, 1995) JACKIE BROWN (Tarantino, 1997) THE FARM: ANGOLA, USA (Garbus, Rideau & Stack, 1998) "Karen Sisco" (2003) "Justified" (2010)   Follow Bilge Ebiri: https://x.com/BilgeEbiri https://www.vulture.com/author/bilge-ebiri/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's Die Hard on a suburban street!This week on DIE HARD ON A BLANK, we're looking into the most sinister street in America…ARLINGTON ROAD! And to investigate this mysterious neighborhood we enlisted special guest and returning DHOAB all-star Bilge Ebiri!After saving their son's life, widowed college professor and terrorism expert Michael Faraday (Jeff Bridges) gradually begins to suspect that his seemingly perfect new neighbors - Oliver and Cheryl Lang (Tim Robbins and Joan Cusack) - are involved in a domestic terror plot. As he mounts a rogue investigation into their lives, Faraday's obsession with uncovering the truth spirals into paranoia, isolation, and a deadly battle of wills, one that threatens not only his life, but that of his young son Grant (Spencer Treat Clark). During this wide-ranging discussion about this eerily prescient film, the guys go into detail on the career of boomer icon Jeff Bridges (with Bridges scholar Bilge) and discuss the genius of casting Tim Robbins against type as a terrifying villain. ARLINGTON ROAD trailer: https://www.youtube.com/watch?v=zfbBavo86qsAt the time of release, ARLINGTON ROAD is available to rent or buy on Amazon Prime Video, YouTube, Apple TV, Fandango and all the usual platforms!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES! Sign up on the website (instead of the app) to save $$$!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Bilge Ebiri (film critic/writer/editor at New York Magazine) collaborate to dissect a special CRITERION COLLECTION release.ThiefThe contemporary American auteur Michael Mann's bold artistic sensibility was already fully formed when he burst out of the gate with Thief, his debut feature. James Caan stars, in one of his most riveting performances, as a no-nonsense ex-con professional thief planning to leave the criminal world behind after one last score—but he discovers that escape is not as simple as he'd hoped. Finding hypnotic beauty in neon and rain-slick streets, sparks and steel, Thief effortlessly established the moody stylishness, tactile approach, and drama that would also define such later iconic Mann films as Heat, The Insider, Ali, and The Last of the Mohicans.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration of the director's cut, supervised and approved by director Michael Mann, with 5.0 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresAudio commentary featuring Mann and actor James CaanInterviews with Mann, Caan, and Johannes Schmoelling of the band Tangerine Dream, which contributed the film's soundtrackTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Nick JamesCover by Fred DavisBILGE EBIRI: BILGE EBIRI IS A FILM CRITIC/WRITER/EDITOR AT NEW YORK MAGAZINE. HE HAS CONTRIBUTED TO PUBLICATIONS SUCH AS L.A. WEEKLY, THE NEW YORK TIMES AND THE VILLAGE VOICE (RIP). BILGE IS ALSO A WRITER AND DIRECTOR, KNOWN FOR NEW GUY (2003), PURSE SNATCHER (2006) AND THE BARBER OF SIBERIA (1998).TWITTER: @BILGEEBIRI WEBSITES: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our Spielbergian journey takes us to new dramatic heights with 1987's Empire of the Sun, the film that brought us Christian Bale (discovered by Amy Irving!), unexpected Joey Pants and Ben Stiller appearances, and a perfect use of John Malkovich. Bilge Ebiri joins us (and the Five Timers Club) to chat about how underrated this film is within the Spielberg canon, and how this movie evolves Spielberg's perception as a serious dramatic artist. Read Bilge's writing at Vulture Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

The beloved Bong Joon-ho is finally back in cinemas after his global success with Parasite, and to help us celebrate Mickey 17, we invited Vulture film critic Bilge Ebiri to discuss director Bong's divisive Snowpiercer. Based on a French graphic novel, the film casts a global set of stars as the occupants of a train in the future … Continue reading "332 – Snowpiercer (with Bilge Ebiri!)"

We welcome back Bilge Ebiri (Vulture / New York Magazine) to discuss RaMell Ross's 2024 film, Nickel Boys! We talk about the film's formal stylistic innovations, its focus on interstitial moments, its exploration of different responses to injustice, how it invites us to integrate our own memories and experiences with its narrative, and more! Find us on the web and on Blue Sky!

Ep. 291: Bilge Ebiri on Sundance 2025: Peter Hujar's Day, Kiss of the Spider Woman, Sly Lives!, The Ugly Stepsister, The Thing... Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. In chilly Park City—but indoors—I sat down for another Sundance episode, this time with Bilge Ebiri of Vulture / New York magazine. Sorting through the movies we've seen, we talk about the new Ira Sachs movie, Peter Hujar's Day, and the new Kiss of the Spider Woman adaptation (directed by Bill Condon), plus the documentary Sly Lives! The Burden of Black Genius (Ahmir Questlove Thompson), and two genre films: The Thing with Feathers (Dylan Southern), The Ugly Stepsister (Emilie Blichfeldt), and Together (Michael Shanks). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Phil and Emily continue their Tom Cruise Mini-Series with a deep dive into Edward Zwick's sweeping 2003 historical epic, The Last Samurai. Joined by esteemed film critic Bilge Ebiri (New York Magazine), they explore Tom Cruise's transformation into a disillusioned American soldier who finds redemption and purpose within the samurai culture of 19th-century Japan.From its breathtaking cinematography and stirring performances to its complex cultural themes and historical context, the trio unpacks why The Last Samurai remains a fascinating—and sometimes polarizing—entry in Cruise's filmography. Is it a flawed epic, a cinematic triumph, or somewhere in between? Tune in to this thoughtful discussion to find out!Follow Bilge Ebiri:Twitter: @BilgeEbiri#TheLastSamurai #PodcastLikeIts2000s #TomCruise #BilgeEbiri #EdwardZwick #HistoricalEpics #2000sCinema #PopCulturePodcast #FilmDiscussion #TomCruiseMiniSeries Hosted on Acast. See acast.com/privacy for more information.

Terrence Malick's 6th film premiered at the Venice Film Festival and starred Ben Affleck and Olga Kurylenko as a pair of lovers watching their relationship fall apart. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

A film critic for publications & companies such as LA Weekly, New York Magazine, Vulture, The New York Times, The Criterion Collection, & formerly, The Village Voice, the brilliant Bilge Ebiri is one of my favorite journalists working today. Reuniting with Bilge to celebrate & evaluate the filmography of the great actor Russell Crowe, in this warm, chatty conversation, we look back at the movies that made Crowe a star along with some of his most legendary turns, including PROOF, ROMPER STOMPER, THE INSIDER, GLADIATOR, CINDERELLA MAN, & THE NICE GUYS. Originally Posted on Patreon (12/2/24) here: https://www.patreon.com/posts/117182519 Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop Donate to the Pod via Ko-fi

Well, we've reached the end of our Paul Schrader retrospective - for a couple weeks until OH, CANADA comes out - and it's time to discuss our findings. What did we learn about Schrader? About film? About podcasting? About ourselves? Can we remember all the different ways we got sick and hurt since March? Where are we going next, and when? Thank you to everyone who has followed along on our lonely journey toward transcendence. A very special thanks to all the guests who joined us and made the show listenable whenever we let them get a word in: Aaron and Carlee from Hit Factory, Manuela Lazić, Marya E. Gates, Brandon Streussnig, Bilge Ebiri, Esmé Holden, Comrade Yui, Ryan and Este from Altmania, Robert Rubsam, Jordan Fish, Ray Tintori, Jake Tropila, Jack Sinclair, Jane Altoids, Glenn Heath, Jr., Soraya Sebghati, Nick Wiger, Chadd Harbold, Charles Lyons-Burt, Darryl and Petros from Getting Dafoe You, Roxana Hadadi, Matthew Germenis, and Bob Martin. Another extra special thanks to our Patreon supporters who help us make this whole thing make at least some sense to our families. We still can't believe any of you listen to the show. Can't and don't! We'll see you all in 2025 with a brand new subject - and episodes on OH, CANADA and JUROR #2 before the end of the year. Plus some cool surprises, maybe. Who can know the mind of God?   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

As the 62nd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. This year, the end-of-fest ritual took place in collaboration with the New York Film Critics Circle, which will celebrate its 90th anniversary in 2025. Devika and Clint were joined by NYFCC members Bilge Ebiri and Lovia Gyarkye for a spirited wrap-up analysis of the highlights and lowlights from the NYFF62 lineup. In front of a lively audience, the panel discussed and debated RaMell Ross's Nickel Boys, Brady Corbet's The Brutalist, Mike Leigh's Hard Truths, David Cronenberg's The Shrouds, Pedro Almodóvar's The Room Next Door, Payal Kapadia's All We Imagine as Light, Trương Minh Quý's Việt and Nam, and many more. The Questions: Favorite moment in an NYFF62 film? (4:25) Favorite performance? (19:30) Best film about a real person? (32:30) A film that you can't shake, for good or bad? (50:17)

In this highly anticipated episode of Film & Whiskey, Bob and Brad sit down with film critic Bilge Ebiri to review the 2023 cinematic masterpiece Oppenheimer, directed by Christopher Nolan. They delve into the performances, particularly Cillian Murphy's portrayal of J. Robert Oppenheimer, while examining the film's themes, historical accuracy, and visual spectacle. Alongside this in-depth film discussion, they also review Old Fitzgerald Bottled in Bond, a premium Kentucky bourbon whiskey, exploring its flavor profile, history, and whether it pairs well with the intensity of Oppenheimer. Is Oppenheimer one of the best films of 2023? Does Old Fitzgerald Bottled in Bond live up to its reputation as one of the top bottled-in-bond bourbons? Listen now to find out! 0:00 - Intro 16:18 - Brad Explains 18:20 - Performances, Themes 43:47 - Old Fitzgerald Bottled in Bond Review 54:8 - Two Facts and a Falsehood 1:01:00 - Final Analysis 1:04:38 - Let's Make it a Double and Final Scores This episode of Film & Whiskey tackles one of the most critically-acclaimed films of 2023, Oppenheimer, directed by Christopher Nolan. Known for his meticulously crafted films, Nolan delivers an intense historical drama about the creation of the atomic bomb and the moral dilemmas faced by J. Robert Oppenheimer, played by Cillian Murphy. Bob and Brad discuss Oppenheimer's narrative structure, its powerful performances by a star-studded cast, and how the film addresses themes of scientific responsibility, war, and personal sacrifice. Cinematography and sound design play pivotal roles in Oppenheimer, creating a visceral experience for viewers. Bob, Brad, and Bilge Ebiri analyze how Oppenheimer stands out from other biopics and how it compares to Nolan's previous works like Dunkirk. They also explore the film's critical reception, historical accuracy, and its success at the box office. Following the film review, Bob and Brad switch gears to taste and review Old Fitzgerald Bottled in Bond Bourbon. This celebrated Kentucky straight bourbon whiskey has been known for its rich flavor profile and balanced complexity, making it a favorite among bourbon enthusiasts. The hosts dive into its tasting notes, including caramel, oak, and vanilla, while discussing its smooth finish and where it ranks among the best bottled-in-bond bourbons available. Whether you're a film buff or a whiskey lover, this episode promises an insightful blend of cinema and spirits. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

I would expect nothing less than ultimatums like, “if you don't like this shot, you're an asshole,” from the best in the business, Bilge Ebiri.BILGE EBIRI IS A FILM CRITIC/WRITER/EDITOR AT NEW YORK MAGAZINE. HE HAS CONTRIBUTED TO PUBLICATIONS SUCH AS L.A. WEEKLY, THE NEW YORK TIMES AND THE VILLAGE VOICE (RIP). BILGE IS ALSO A WRITER AND DIRECTOR, KNOWN FOR NEW GUY (2003), PURSE SNATCHER (2006) AND THE BARBER OF SIBERIA (1998).TWITTER: @BILGEEBIRI WEBSITES: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bilge Ebiri and Brandon Streussnig (Vulture) are back for 2017's harrowing ONLY THE BRAVE! Tgether we discuss the secret genius with Joe Kosinski, the career of Miles Teller and comparisons we see to Michael Bay --- Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

Merriam-Webster's Word of the Day for July 20, 2024 is: amiable • AY-mee-uh-bul • adjective Someone or something described as amiable is friendly and agreeable. // Both children have amiable dispositions, which makes them easy to travel with. See the entry > Examples: "An amiable, Honda Civic–driving, bird-watching Everyman in shorts and glasses, Gary somehow turns out to be the perfect fake assassin." — Bilge Ebiri, Vulture, 24 May 2024 Did you know? Amiable has its roots in amīcus the Latin word for "friend," and can ultimately be traced back to the verb amare, meaning "to love." English has been friendly with amiable since the 14th century, at which time it meant "pleasing" or "admirable" (a sense that is now obsolete). The current, familiar senses of "generally agreeable" and "friendly and sociable" came centuries later. Amare has also given English speakers such words as amative and amorous (both meaning "strongly moved by love"), amour ("a usually illicit love affair"), and even amateur (which originally meant "admirer"). And that's just the tip of the amare iceberg: its influence on Romance languages is nothing short of integral. The Spanish word for "friendship" is amistad, the French word for "friend" is ami, and the Italian word for "love"? That's amore.

In this episode: Bilge Ebiri, esteemed film critic (New York, Vulture) and friend of the show drops by to discuss where FURIOSA fits in George Miller's MAD MAX saga, Netflix, ATHENA, IN A VIOLENT NATURE, and the how going out to the movies is more fun and may just make you a better dresser.  https://youtu.be/y4kKxIX707w

Bilge Ebiri (@BilgeEbiri, Vulture) joins gabrus to talk everything Gerard Butler.Check out Bilge's interview with the legend himself.Check out gabrus' other podcast, Action Boyz at actionboyz.biz.Catch 101 Places to Party Before You Die no streaming on Max.Shout out to our sponsors AG1 for sponsoring this episode.Try AG1 and get a FREE 1-year supply of Vitamin D3+K2 AND 5 free AG1 Travel Packs with your first purchase exclusively at drinkAG1.com/MIGHTYAdvertise on High & Mighty via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vroom vroom! Michael Mann is BACK. Bilge Ebiri is BACK. How do you say “we're so back” in Italian? Join us as we talk about cars that go fast (Ferraris), hair that grows long (Adam Driver's, normally), faces that have seen smart phones (Shailene Woodley's) and character actors that could have been in this movie (Paul Giamatti, but specifically as Pig Vomit). Masculinity is a cage, machines that work the best are the most beautiful, and we all think that the Mille Miglia seems like a bad idea. No grazie! This episode is sponsored by: Read Bilge's writing  This episode is sponsored by: Masterclass (masterclass.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check

On this week's show, the hosts begin by jumping into the fantastical world of Wonka, a prequel to Roald Dahl's enduring novel that explores the origins of its famously impish character, Willy Wonka, portrayed here by a wide-eyed, sugary sweet Timothée Chalamet. The musical film, directed by Paul King (Paddington, Paddington 2) isn't the kind of movie you want to pick on–it undoubtedly has a warm heart–but has the effect of watching a lucrative homework assignment. Then, the three switch gears and review Maestro, a biopic (if you can even call it that) about one of America's greatest cultural luminaries and public educators, Leonard Bernstein. Directed by and starring Bradley Cooper as “Lenny,” the film explores Bernstein's complicated marriage with Felicia Montealegre (played spectacularly by Carey Mulligan) and the couple's struggle to balance Lenny's public genius with his life as a closeted gay man. (For more on Cooper's prosthetic nose, read Mark Harris' comprehensive essay for Slate, “The Bradley Cooper ‘Jewface' Controversy Isn't Really About That Nose.”) Finally, the panel is led by ringmaster extraordinaire, Dana Stevens, through Slate's 2023 Movie Club, an annual digital roundtable featuring conversations between prominent film critics and writers as they look back through a year in film. This year, Bilge Ebiri (film critic for New York Magazine and Vulture), entertainment writer Esther Zuckerman, and film historian Mark Harris contribute, along with features from Nadira Goffe, Sam Adams, and the project's editor, Dan Kois.  In the exclusive Slate Plus segment, the panel embraces a post-holiday theme and discusses memorable gifts: their favorites and the ones that got away, inspired by a recent episode from the podcast Scriptnotes.  Email us at culturefest@slate.com. Outro music: “Spinning the Wheels” by Dusty Decks Learn more about your ad choices. Visit megaphone.fm/adchoices