Podcasts about bali ha

Send us a textAward-winning music educator Merlin B. Thompson (PhD, MA, BMus) is the Creator and Founder of Teach Music 21C - a music teacher professional development program that highlights 21st century teaching tools and philosophy. Merlin is recognized internationally for his expertise in music studio teaching. His recent projects include working with hundreds of teachers, students and parents throughout Canada, USA, China, New Zealand, Australia, and Finland. Merlin is author of More than Music Lessons: A Studio Teacher's Guide to Parents, Practicing, Projects, and Character. You can find out more at https://www.teachmusic21c.comTop 5 Songs of Encouragement1) "Bali Ha'i" from South Pacific by Rodgers and Hammersteinhttps://www.youtube.com/watch?v=RwYvWF5j0a8&t=10s2) "Jesu, Joy of Man's Desiring" by Bach, performed by the London Symphony Orchestra and the Norman Luboff choirhttps://www.youtube.com/watch?v=S6OgZCCoXWc&t=1s3) "Thankful" by Josh Groban, performed by the Rise Up Children's Choirhttps://www.youtube.com/watch?v=wkOEzP-nGZ84) "Summer" from the Four Seasons by Vivaldi, performed by Alexandr Hrustevich Vilniushttps://www.youtube.com/watch?v=9SE222v1eyM5) My Neighbor Totoro by Joe Hisaishihttps://www.youtube.com/watch?v=TrL9d4GrIGASupport the show

The boys discuss Ethan's Hawaiian vacation and whether or not a hot dog is a sandwich. And then they all take a trip to Bali Ha'i and discuss the milsurpy glory of the menswear in South Pacific! Show Notes: https://alittlebitofrest.com/2024/09/22/the-menswear-in-south-pacific-1958/ Support us on Patreon and join the Discord: https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ www.instagram.com/ethanmwong/ www.instagram.com/spencerdso/ www.instagram.com/awyeahmj

Inauguramos nueva estación con nuestro “Disco Subterráneo del Verano”. Y el galardón este año se va a Portland gracias a “Thomas Lauderdale meets The Pilgrims” (Heinz Records). Este trabajo ha unido a dos figuras de renombre; Thomas Lauderdale, pianista y líder de Pink Martini, y la poderosa banda de surf instrumental The Satan’s Pilgrims. Esta alianza comenzó a forjarse a mediados de los 90, cuando comenzaron a trabajar en un álbum conjunto que quedaría inacabado guardándose en un cajón. Veinticinco años después el proyecto llega a su fin con una selección de versiones de piezas clásicas procedentes de musicales, cine, televisión y cultura pop de mediados del siglo pasado, todo llevado a ese sonido que combina el piano clásico con la humedad de la música surf. Sencillamente fabuloso. Playlist; (sintonía) PAUL WHITEMAN ORCHESTRA and GEORGE GERSHWIN PIANO “Rhapsody In Blue pt. 1” (1924) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Rhapsody in Blue” FRANK SINATRA “Bali Ha’i” (1949) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Bali Ha’i” THE WAILERS “Tall cool one” (1959) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Tall cool one” LEO REISMAN and HIS ORCHESTRA with FRED ASTAIRE “Night and day” (1932) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Night and day” BILL CARLE with RALPH CARMICHAEL ORCHESTRA and CHORUS “How great thou art” (1954) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “How great thou art” THE BEACH BOYS “Girls on the beach” (1964) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Girls on the beach” THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Malagueña” TONY HATCH “Out of this world” (1962) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Out of this world” KYU SAKAMOTO “Sukiyaki” (1961) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Sukiyaki (Ue o Muite Arukou)” FRAN JEFFRIES “Meglio stasera (It had better be tonight)” (1963) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “It had better be tonight” LAWRENCE WELK “Calcutta” (1960) THOMAS LAUDERDALE and THE SATAN’S PILGRIMS “Calcutta” Escuchar audio

Thank you for listening to the Left of Str8 Show, hosted by Scott Fullerton. The Left of Str8 Show was created for the LGBTQ Community and our Straight Allies, and we interview celebrities and personalities from the worlds of Entertainment, Foodies, Books, and Advocacy. We post individual interviews and full podcasts featuring the news of the day. Please share with your friends, follow us on social media @leftofstr8 and if you like us, please give our episodes a 5 star rating so more people will find them in the Algorithm. I am delighted to welcome the incredibly talented Spencer Day back on the show. Spencer is not only an accomplished singer-songwriter but also a proud member of the LGBTQ+ community. He has played venues as diverse as Lincoln Center, the Hollywood Bowl and London's West End, and appeared all over the place including on my old favorite late night show, Craig Ferguson and collaborated with the amazing Post Modern Jukebox. Fluent in both English and Spanish, he has been immersing himself in the rich and vibrant culture of Mexico, where he loves to spend time and perform. Spencer's latest album, "Broadway by Day," showcases his versatile voice and unique interpretations of classic Broadway hits from Annie to Evita. We talk all about this and you get to hear two amazing songs by Spencer of "I Don't Know How to Love Him," from Jesus Christ Superstar, and "Bali Ha'i" from South Pacific. Without further ado, let's dive into our interview with the charming, inspiring, and also handsome as hell, Mr. Spencer Day.

Ivin won't shut up on this one, dudes. The talk about their week, they talk about politics..Ivin goes on and on about the state of things. --- Send in a voice message: https://anchor.fm/hotdogcitytime/message

Richard Rodgers & Oscar Hammerstein ya son viejos conocidos de nuestros podcasts. Hemos repasado sus carreras por separado y ahora les dedicamos un podcast a sus trabajos en equipo. No le fue fácil a Oscar Hammerstein convencer a los productores de la importancia del libreto y de que las canciones estuvieran integradas en la historia. Oscar Hammerstein y Richard Rodgers escribieron nueve musicales para el teatro, además de uno para el cine “State Fair” (1945) y otro para televisión “Cinderella” (1957), que con el tiempo terminaron también subiendo al teatro. Los musicales de Oscar Hammerstein tenían números divertidos y alegres, pero en sus trabajos siempre solía haber una llamada de atención a la sociedad frente al racismo, los malos tratos, una mujer enseñando a todo un rey, etc. El género denominado “comedia musical” a raíz de sus trabajos conectaron con el gran público, en una forma más directa que los comprometidos de Bertold Brecht y Kurt Weill y se perdió el término de “comedia”, abriendo el camino a musicales como “Cabaret” o “West Side Story”, a los que ya se denominarían sencillamente “musical”. 00h 00’00” Presentación 00h 02’17” Cabecera 00h 02’55” 1943 OKLAHOMA Overture 00h 08’15” Oh, what a beautiful mornin’ . Bryn Terfel 00h 11’07” 1945 CAROUSEL Overture 00h 19’16” If I loved you – Julie Andrews 00h 23’05” Soliloquy – Frank Sinatra 00h 31’10” You’ll never walk alone – Bryn Terfel 00h 34’04” 1946 STATE FAIR Overture 00h 40’47” It might as well be spring – Bernadette Peters 00h 45’36” 1947 ALLEGRO Overture 00h 51’17” A fellow needs a girl – Frank Sinatra 00h 54’27” The gentleman is a dope – Bernadette Peters 01h 57’15” 1949 SOUTH PACIFIC Overture 01h 04’05” Some enchanted evening – Bryn Terfel 01h 07’39” Bali Ha’i - Pat Suzuki 01h 11’44” There is nothing like a dame – Bryn Terfel 01h 15’25” This nearly was mine – Anthony Warlow 01h 17’33” 1951 THE KING AND I Overture 01h 23’47” I have dreamed – Julie Andrews 01h 28’18” Something wonderful - Bernadette Peters 01h 31’40” 1953 ME AND JULIET Overture 01h 36’05” No other love – Brent Barrett & Kim Criswell 01h 39’43” 1955 PIPE DREAM Overture 01h 44’06” Everybody’ got a home but me – Judy Blazer 01h 48’19” 1957 CINDERELLA Overture 01h 53’51” In my own little corner – Julie Andrews 01h 57’32” Impossible/It’s possible–Lea Salonga & Charlie Parker 02h 00’58” Ten minutes ago – Peter Saide & Lea Salonga 02h 03’50” Do I love you because you’re beautiful? - Peter & Lea 02h 06’06” 1958 FLOWER DRUM SONG Overture 02h 11’39” Love, look away – Sally Burgess 02h 14’55” 1959 THE SOUND OF MUSIC Overture 02h 21’27” The sound of music – Susan Egan 02h 24’33” Something good – Bernadette Peters 02h 26’57” Edelweiss – Bryn Terfel

Volvemos con Rodgers y Hammerstein de los que ya hemos visto “CAROUSEL” y “THE KING AND I“, ahora con otro de sus mega éxitos estrenado en 1949 basado en “Historias del Pacífico Sur” o “Tales of the South Pacific” que dirigido por Joshua Logan como “South Pacific” con la que ganaron 10 Premios Tony, incluyendo el de mejor musical, mejor partitura y mejor libreto además de ser todavía hoy el único musical ganador de los 4 Premios Tony a mejor actriz y actor principal y de reparto, además de hacerse con el Premio Pulitzer. Para que nos sirva de base a este podcast hemos escogido la grabación que hizo el reparto que la estrenó en el Lincoln Center de New York en 2008, dirigida por Bartlett Sher que ganó siete Premios Tony y 5 Drama Desk con Kelli O’Hara (Nellie), Paulo Szot (Emile), Matthew Morrison (Cable), Danny Burstein (BIllis) y Loretta Ables Sayre (Bloody Mary). 00h 00’00” Some enchanted evening – Perry Como 00h 03’25” Presentación 00h 05’42” Cabecera 00h 06’53” Inicio 00h 07’18” Overture 00h 14’48” Dites-moi 00h 16’05” A cockeyed optimistic 00h 17’58” Twin soliloquies 00h 20’55” Some enchanted evening 00h 24’53” Bloody Mary 00h 27’15” There is nothing like a dame 00h 31’33” Mary and Lootellan 00h 33’30” Bali Ha’i 00h 37’07” Cable hears Bali Ha’i 00h 42’07” My girl back home 00h 44’16” I’m gonna wash that man right out of my hair 00h 48’46” Some enchanted evening (Reprise) 00h 51’51” I’m in love with a wonderful guy 00h 55’43” Bali Ha'i (Girls reprise) 00h 57’35” Younger than springtime 01h 01’14” A wonderful guy (Reprise) 01h 02’33” This is how it feels 01h 04’40” Finale Act One 01h 08’46” Entr’acte 01h 12’04” Opening Act Two 01h 14’53” Entrance of Liat 01h 15’59” Happy talk 01h 21’01” Younger than springtime (Reprise) 01h 22’14” Honey bun 01h 26’43” You’ve got to be carefully taught 01h 29’08” This nearly was mine 01h 33’49” After Emile solo 01h 35’06” Communications established 01h 39’12” Communications discontinued 01h 43’26” Honey bun (Reprise) 01h 45’06” Finale ultimo 01h 46’46” Curiosidades 01h 48’02” Loneliness of evening – Mary Martin 01h 51’45” Now it’s the time – Philip Quast & Edward Baker-Dully 01h 57’01” You’ve got to be carefully taught - Harry Connick jr 01h 58’47” You’ve got to be carefully taught - Jason Danieley 02h 00’50” This nearly was mine – Brian Stokes Mitchell 02h 07’08” Exit music

Join Jamie & Simon as they Rewind cult TV Show Better Call Saul.  This week we deep dive S2 E5 Rebecca and S2 E6 Bali Ha'i and explore the show's symbolism, symmetry and plot twists. S2 E5 Rebecca In a flashback, Jimmy visits Chuck shortly after moving to Albuquerque. He meets Chuck's wife, Rebecca (Ann Cusack) and succeeds in charming her, making Chuck uncomfortable. Chuck's later attempt to imitate Jimmy falls flat. In the present, Jimmy meets Kim in the HHM document room and proposes she sue the firm. Kim refuses, pointing out that no firm would ever hire her again, and tells Jimmy to worry about his job while she worries about hers. Kim tries to get out of the document review room by working her professional and school contacts to land a major new client. She succeeds in securing the business of Mesa Verde Bank, a local institution planning to expand regionally. Howard is pleased to have the lucrative new client, but does not give Kim credit, and keeps her working in document review. Chuck tells Kim that when the McGills owned a store in Cicero, Jimmy supposedly embezzled money, which led to the store's failure. Having warned Kim about Jimmy, Chuck promises to approach Howard about moving her out of document review. Mike is approached by Tuco's uncle, Hector Salamanca, who offers Mike $5,000 to claim the gun Tuco was carrying at Mike's assault was Mike's, which will reduce Tuco's jail sentence. S2 E6 Bali Ha'i Jimmy finds it difficult adjusting to his new job at D&M, and is unable to sleep in his corporate apartment, finding comfort only when he returns to his old boiler room office. With Chuck's help, Kim is reinstated to her old position at HHM, but she is treated coldly by Howard who gives her the most humiliating and menial assignments, such as arguing unwinnable motions in court. Kim is approached by Rich Schweikart of Schweikart & Cokely, who tells her he was impressed with her performance in arguing a motion she was sure to lose, and offers to hire her at S&C. Unsure of what to do, Kim relieves her stress by running another con with Jimmy, fooling an investor into giving them a $10,000 check, which Kim keeps as a souvenir. Mike refuses Hector's deal, but Hector wages an intimidation campaign, including having subordinates break into Mike's house to scare him, and Leonel and Marco Salamanca silently threatening to kill Kaylee. Mike agrees to say the gun was his, but demands $50,000, to which Hector agrees. Mike gives $25,000 to Nacho and explains that since Tuco's sentence will be reduced, Mike has failed to uphold his part of their deal, so he is obligated to return what Nacho paid.

We travel out of time, out of sight to those far away places with the strange sounding names--Bali Ha'i, Camelot, Oz, Shangri-La--that have lent their mysteries to Broadway for decades.

Oscar Hammerstein está reconocido como uno de los mayores libretistas y letristas del musical americano. Su mayor éxito le llegó con Jerome Kern en 1925 y el musical "Show Boat", que hemos revisado en el podcast de “Cuéntame un musical” de este mes. Estableció las bases de lo que hoy entendemos como “musical”, donde guion, canciones y bailes deben estar integrados y ayudar a avanzar la acción. Trabajó en Hollywood en películas como “Swing time” con Fred Astaire y Ginger Rogers y ganó dos Oscar a la mejor canción original por “The last time I saw Paris” (1941) y “It might as well be spring” (1945), aunque se prodigó más en Broadway. Richard Rodgers, tras la muerte de su letrista Lorenz Hart, comenzó una colaboración con Oscar Hammerstein en los clásicos Oklahoma! (1943), Carousel (1945), Allegro (1947), South Pacific (1949), El rey y yo (1951), Me & Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958), y "Sonrisas y lágrimas" (1960). Su trabajo denunciando temas como el racismo, el respeto por otras culturas o la violencia doméstica, abrió el camino a generaciones posteriores, que escribirían musicales de corte dramático, como "West Side Story", "Sweeney Todd", "Company", "Los Miserables", etc. 00h 00'00" Presentación 00h 04'55" Cabecera 00h 05'30" I won't dance - Tony Bennett & Lady Gaga 00h 09'24" The folks who lives on the hill - Eric Clapton 00h 13'02" If I loved you - Sierra Boggess & Julian Ovenden 00h 18'29" Bali Ha'i - Sarah Vaughan 00h 22'14" Hello, young lovers - Laura Michelle Kelly 00h 25'29" I have dreamed - Bryn Terfel 00h 29'04" Indian love call - Jeanette MacDonald & Nelson Eddy 00h 32'01" Mister Snow - Audra McDonald 00h 35'34" A kiss to build a dream - Tony Bennett & k.d.lang 00h 38'53" Edelweiss - Bryn Terfel & Paul Daniel 00h 41'28" I enjoy being a girl - Sandra Allen 00h 47'21" No other love - Michael Feinstein 00h 51'35" My lord and master - Lea Salonga 00h 53'37" Bloody Mary - Ambrosian Singers 00h 55'40" Getting to know you - James Taylor 00h 58'21" You've got to be carefully taught - Harry Connick jr 00h 59'48" Love, look away - Lea Salonga 01h 02'35" Oh, what a beautiful morning - Hugh Jackman 01h 05'55" Something wonderful - Marilyn Horne 01h 09'23" Old man river - Inia Te Wiata 01h 13'56" The last time I saw Paris - Eartha Kitt 01h 17'38" Happy talk - Doris Day 01h 20'34" Soliloquy - Samuel Ramsey 01h 27'47" I'm gonna wash that man - Glenn Close, Ilene Graff & The nurses 01h 30'35" When I grow too old to dream - Nat King Cole 01h 34'02" A wonderful guy - Glenn Close & The nurses 01h 37'25" You'll never walk alone - Matthew Morrison 01h 40'14" My favorite things - Rebecca Luker 01h 42'55" Lover, come back - Nat King Cole 01h 45'22" I whistle a happy tune - Julie Andrews 01h 47'05" All the things you are - Carly Simon 01h 51'32" Some enchanted evening - Philip Quast 01h 54'23" This nearly was mine - José Carreras 01h 58'01" What's the use of wonderin' - Barbara Cook 02h 02'07" The song is you - Bing Crosby 02h 06'59" The sound of music - Petula Clark 02h 10'10" There is nothing like a dame - Ambrosian Singers 02h 13'59" Can't help lovin' that man - Kiri Te Kanawa & Natalie Cole 02h 19'34" The surrey with the fringe on top - Hugh Jackman & Josefina Gabrielle 02h 25'25" People will say we're in love - Doris Day 02h 28'16" Maria - Gina Ferrall, Ann Browne, Jeanne Lehman & Patti Cohenour 02h 30'33" Climb every mountain - Audra McDonald

MUSICALS MOODS Aflevering 43 – 23 oktober 2021 Korte speellijst: 1. “Buenos Aires” – Pia Douwes, Bill van Dijk Uit de musical Evita 2. “De Hunk Van...” – Brigitte Nijman Uit de musical The Mad Show 3. “Bali Ha'i” – Loretta Ables Sayre Uit de musical South Pacific 4. “Welcome to Kanagawa” – Francis Jue, B.D. Wong, Girls Uit de musical Pacific Overtures 5. “Heet is de zon als Saigon” – Willem Nijholt, Stanley Burleson, Tony Neef, Imelda de los Reyes, Linda Wagenmakers, Ensemble Uit de musical Miss Saigon 6. “One Night In Bangkok” – Murray Head Uit de musical Chess 7. “Child of the Philippines” – Conrad Ricamora, Ruthie Ann Miles Uit de musical Here Lies Love 8. “I Still Call Australia Home” – Hugh Jackman, Ensemble Uit de musical The Boy From Oz 9. “African Homeland” – Cynthia Erivo, Joaquina Kalukango, ens. Uit de musical The Color Purple 10. “I Am Africa” – Rory O'Malley, Ensemble Uit de musical The Book Of Mormon 11. “'t Was In Egypte” – Renee van Wegberg, Ensemble Uit de musical Joseph And The Amazing Technicolor Dreamcoat 12. “Return To Egypt” – Christine Allado, Adam Pearce, ensemble Uit de musical The Prince of Egypt 13. “Gezegend Nubië”- Chaira Borderslee, Peggy Sandaal, Marlon David Henry & ensemble Uit de musical Aida

Sintonía: "Atlantis" - Les Baxter El primer volumen de la colección "Ultra-Lounge", editada por Capitol Records en 1996 "Swamp Fire" - Martin Denny; "Moon Mist" - The Out-Islanders; "Caravan" - 80 Drums Around The World; "Hypnotique" - Martin Denny; "Alika" - Webley Edwards; "Misirlou" - Martin Denny; "Lust" - Bas Sheva; "Hana Maui" - Chick Floyd & His Orchestra; "Voodoo Dreams/Voodoo" - Les Baxter; "Jungle Madness" - Martin Denny; "Babalu" - Yma Sumac; "Simba" - Les Baxter; "The Girlfriend of the Whirling Dervish" - Martin Denny; "Bali Ha i" - Tak Shindo; "Pyramid Of The Sun" - Les Baxter; "Quiet Village" - Martin Denny; "Wimoweh" - Yma Sumac Escuchar audio

This week Mackenzie, Autumn, and friend of the podcast Lynn Slotkin continue their exploration of the Rodgers and Hammerstein canon as they travel to Bali Ha'i to discuss the wartime musical South Pacific! Hear this trio discuss why this character of Nellie Forbush far more complex and isn't simply a character battling her internalized racial prejudice. They praise and explore the most critiqued song of the show You've Got to Be Carefully Taught and how it was both a timely and unfortunately timeless message about racism. Then discover what iconic song from the musical made Autumn's cut or skip list. All of this plus a cockeyed optimist and some enchanted evening on this Friday's all new episode of the podcast! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

Next week Autumn and Mackenzie are heading south all the way to the islands of the south pacific with friend of the podcast and reviewer Lynn Slotkin as they discuss the Rodgers and Hammerstein musical South Pacific. They discuss why this particular R&H musical has not been revived as often as others in the canon. They examine how this musical is the perfect case study into why these R&H musicals have such a timely and timeless quality about them. Plus find out what shady historical event has changed Autumn's perspective on Rodgers and Hammerstein and if it will jade her perception of them and their work going forward. All of this plus a boars tooth bracelet from Bali Ha'i on next weeks the podcast! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

Today on the Worn & Wound podcast, the team reminisces about some of the watches they regret selling. It happens to all of us: in the course of buying and selling watches, always looking to expand our horizons and build a solid collection, we inevitably let something go that we wish we could have kept. In this episode, we talk about the watches we regret selling, why we sold them in the first place, and whether or not we might someday try to get them back. Lots of watches have passed through the watch boxes of the Worn & Wound team, so this is a wide-ranging discussion that features watches of all stripes.Do you have any watch regrets? Be sure to post the watches you miss the most in the comments below.This week's episode is brought to you by the Windup Watch Shop.To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast — now available on all major platforms including iTunes, Google Play, Stitcher, Soundcloud, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review on iTunes.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.Show NotesBlake's wrist check: Lorier x Worn & Wound GeminiZach K's wrist check: vintage Zenith DefyEd's wrist check: Oak & Oscar OlmsteadZach W's wrist check: Omega Speedmaster 3520.50Tudor Pelagos LHD ReviewThe new Sinn U50Sinn 856 UTC ReviewReview: Helson SkindiverSpeedmaster Mark 4.5 on FratelloThe Lemania 5100Speedmaster Professional Wittnauer Super CompressorSinn 157 TiEd's original review of the Bali Ha'i QAffordable Vintage: The Bullitt BenrusHamilton Chrono-MaticA Brief History of the Universal Geneve Polerouter

S04 E05, "Quite a Ride": -> Breaking Goodman 405. Better Call Saul Insider 405. West Coast Project 405. Afterbuzz 405. Better Cast Saul 405. Better Cast Saul Instant Talk 405. Epic Old School Recaps 405. Better Talk Saul 405. Saulcast 405 Instant Take. Better Call Saul S02 E06, “Bali Ha’i” 2016. Better Call Saul S02 E07, “Inflatable” 2016. Breaking Bad S05 E03, “Hazard Pay” 2012. Better Call Saul S04 E01, “Smoke” 2018.

As a young girl growing up in Norway, Annicken R Day fell in love with old Hollywood movies, especially the musical South Pacific from 1958. When she visited the Hawaiian island of Kaua'i thirty years later, she learned by coincidence that South Pacific had been filmed there and that the mystical island of Bali Ha'i indeed existed. That was when the idea for the story about Maya Williams first came to her, a story inspired by Annicken's own life and experiences, and by people—and butterflies—she has met on her journey. After fifteen years as a leader and executive in the IT industry, Annicken jumped off the corporate treadmill in 2012 to start her own company, Corporate Spring, with a mission to make the corporate world a happier place. Since then she and her team have helped and trained thousands of leaders around the world on how to build thriving corporate cultures, high performing teams, and successful businesses. Annicken is the founder and CEO of Corporate Spring, co-author of the book Creative Superpowers, a public speaker, executive advisor, and a passionate maverick for new ways of thinking, working, and leading in the new world of work. Annicken spends the majority of her time between Oslo, London, and Los Angeles, where also her singer-songwriter daughter Matilde Redbridge lives. “enjoyed the ride, don't take things too seriously, have a laugh, things always work out in the end”…[Listen for More] Click Here for Show Notes To Listen or to Get the Show Notes go to https://wp.me/p6Tf4b-7lH

故事FM ❜ 第 308 期 今年的三·八妇女节，我们播出了一期关于 中国女孩「性教育」的故事。如果说女孩们的性探索是一场危机四伏的自学，那么男孩们的性觉醒之路又有着怎样隐秘的冲动和幻想呢？ /Staff/讲述者 | Random主播 | @寇爱哲制作人 | 也卜声音设计 | @故事FM 彭寒文字 | 也卜运营 | 翌辰 /BGM List/01. StoryFM Main Theme – 彭寒（片头曲）02. Oh, What a Beautiful Mornin' – Ray Conniff（发育）03. Bali Ha'i – Ray Conniff（大小鄙视链）04. Mr. Black & White – 彭寒（飞机）05. Tokyo Hot – Unknown Artist（Respect）06. Jungle Drum – Chet Atkins（黄书风波）07. static medium – Fat Jon（幻想）08. 三叶，盆的变奏 – 彭寒（初吻）09. 华芳 – 彭寒（片尾曲）

Spotlight on Lyn Larsen Name Artist Album Year Comments Hallelujah! Lyn Larsen Vintage Classics Vol 1 - Presenting Lyn Larsen [Musical Contrasts CD] 1965 3-27 Wurlitzer, Kearns/Carson Residence, Hollywood, CA Frankie And Johnny Lyn Larsen Premiere [Musical Contrasts MCI 105] 1984 3-19 Wurlitzer, Colorado State University, Ft. Collins, CO; ex-Piccadilly Theatre, Rochester, NY (3-13) (1927) Soliloquy Lyn Larsen Shea's Buffalo Theatre [Musical Contrasts CD] 1993 4-28 Wurlitzer (original), Shea's Buffalo Theatre, New York State High Hat Lyn Larsen Paradise Revisited [Musical Contrasts CD] 1995 5-80 Wurlitzer, Sanfilippo Residence, Barrington IL Cry Me A River Lyn Larsen San Sylmar - The Music Tour [Musical Contrasts CD] 1996 4-73 Wurlitzer, Nethercutt Collection, Sylmar, CA South Pacific medley - Bali Ha'i Lyn Larsen Give My Regards [ProArte CD] 1986 4-36 Paramount Wurlitzer, Century II, Wichita, KS (ex Paramount, New York) The Parrot Lyn Larsen Lyn [DTOS-1001] 2 3-?? Kimball, Dickinson High School, Wilmington, Delaware Bewitched, Bothered And Bewildered Lyn Larsen That Certain Hour [MCI 102] 1976 4-28 Fox-Capitol Wurlitzer-Moller, Richard F. Kline Residence, Auburn Springs, MD Sweet And Low-Down Lyn Larsen Good News [Musical Contrasts CD] 2000 4-78 Wurlitzer, Organ Stop Pizza, Mesa AZ

Spotlight on Lyn Larsen Name Artist Album Year Comments Hallelujah! Lyn Larsen Vintage Classics Vol 1 - Presenting Lyn Larsen [Musical Contrasts CD] 1965 3-27 Wurlitzer, Kearns/Carson Residence, Hollywood, CA Frankie And Johnny Lyn Larsen Premiere [Musical Contrasts MCI 105] 1984 3-19 Wurlitzer, Colorado State University, Ft. Collins, CO; ex-Piccadilly Theatre, Rochester, NY (3-13) (1927) Soliloquy Lyn Larsen Shea's Buffalo Theatre [Musical Contrasts CD] 1993 4-28 Wurlitzer (original), Shea's Buffalo Theatre, New York State High Hat Lyn Larsen Paradise Revisited [Musical Contrasts CD] 1995 5-80 Wurlitzer, Sanfilippo Residence, Barrington IL Cry Me A River Lyn Larsen San Sylmar - The Music Tour [Musical Contrasts CD] 1996 4-73 Wurlitzer, Nethercutt Collection, Sylmar, CA South Pacific medley - Bali Ha'i Lyn Larsen Give My Regards [ProArte CD] 1986 4-36 Paramount Wurlitzer, Century II, Wichita, KS (ex Paramount, New York) The Parrot Lyn Larsen Lyn [DTOS-1001] 2 3-?? Kimball, Dickinson High School, Wilmington, Delaware Bewitched, Bothered And Bewildered Lyn Larsen That Certain Hour [MCI 102] 1976 4-28 Fox-Capitol Wurlitzer-Moller, Richard F. Kline Residence, Auburn Springs, MD Sweet And Low-Down Lyn Larsen Good News [Musical Contrasts CD] 2000 4-78 Wurlitzer, Organ Stop Pizza, Mesa AZ

S04 E05, "Quite a Ride": Breaking Goodman 405, Better Call Saul Insider 405, West Coast Project 405, Afterbuzz 405, Better Cast Saul 405, Better Cast Saul Instant Talk 405, Better Talk Saul 405, Saulcast 405 Instant Take, Epic Old School Recaps 405. Better Call Saul 206, “Bali Ha’i”. Better Call Saul 207, “Inflatable”. Breaking Bad 503, “Hazard Pay”. Better Call Saul 401, “Smoke”.

Uur 1 1. Bali Ha?i - Perry Como 2. Love is like a butterfly - Dolly Parton 3. Ze zeet - Ton Engels 4. Dust in the wind - Melanie 5. Come to the sunshine - Harpers Bizarre 6. Bella Maria - Eugene Ruffolo 7. Any road - George Harrison 8. Straight street - Ry Cooder 9. Quand on n?a que l?amour - Jacques Brel 10. Seasons in the sun - Rod McKuen 11. Kekela da maro - Trio Mandili 12. Mijn hart kan dat niet aan - Frederique Spigt 13. Nothing rhymed - Gilbert O?Sullivan 14. Coward - Yael Naim Uur 2 1. Wild Montana skies - John Denver and Emmylou Harris 2. De messenwerper - Corry Brokken 3. Ne rien faire - Pauline Croze 4. Lover in Berlin - Kari Bremnes 5. More than this - Roxy Music 6. Camino al amor - Gizmo Varillas 7. Jantjes blues - Cornelis Vreeswijk 8. Motel 6 - River Whyless 9. Ask me again - Rosemary Clooney 10. At half past seven - Vic Damone 11. Walking on water - Rita Coolidge and Keb?Mo? 12. Malle Babbe - Adele Bloemendaal 13. Vanished world - Oi Va Voi 14. All aboard - Geert Chatrou and Ocobar

World War II didn’t seem like ancient history in 1949 when South Pacific made its Broadway premiere. Sadly, its warnings of the damage that bigotry and prejudice can do aren’t ancient history now as it bows at the Spreckels Performing Arts Center. Based on James Michener’s Pulitzer Prize-winning Tales of the South Pacific, Richard Rodgers, Oscar Hammerstein II and Joshua Logan took a couple of the stories, softened some of the characters and created an immensely popular musical tale of wartime love. Set on two islands in the South Pacific during the war, two love stories are at the center of this tale. Navy Nurse Nellie Forbush (Heather Buck) finds herself falling in love with French expatriate plantation owner Emile de Becque (William O’Neill). Mssr. de Becque has a somewhat mysterious past, which doesn’t seem to bother Nellie too much. Well, at least not as much as the fact that he has bi-racial children born of a youthful relationship with a Polynesian girl. Meanwhile, newly-arrived Lt. Joe Cable (James Raasch) flips head over heels (in what seems like record time, even for a Broadway musical) for local girl Liat (Maya Babow). Liat’s mother, Bloody Mary (Elsa Fulton), is anxious to marry her off. Joe, however, just can’t imagine bringing her back to his Philadelphia family. Nellie and Joe end their relationships. Emile and Joe head off on a dangerous military mission, but will love be the ultimate casualty? Classic songs like “There’s Nothing Like a Dame”, “I’m Gonna Wash That Man Right Outa My Hair”, the enchanting “Bali Ha’i” and the beautiful “Some Enchanted Evening” fill out the story, with the daring-for-1949 “You’ve Got to be Carefully Taught” driving home the source of people’s prejudices. Musical director Nancy Hayashibara and her 11-piece orchestra deliver the lush score and Buck and O’Neill are in excellent voice and character with O’Neill’s operatic training put to good use here. Nice comedic support comes from William Thompson as Seabee ‘entrepreneur’ Luther Billis and Jeff Coté as harried Captain Brackett. Elsa Fulton steals every scene in which Bloody Mary appears. Directors Jim Coleman and Sheri Lee Miller keep things moving at a good pace through the two-hour, forty-five-minute running time, but there are some flat spots and things do get a bit sluggish in Act II. Don’t dive too deeply in the waters and you’ll find yourself enjoying the music and appreciating the message of South Pacific. South Pacific runs through February 25 at the Spreckels Performing Arts Center in Rohnert Park. Friday and Saturday performances at 8pm with 2pm matinees on Sunday. There’s also a Thursday, February 22 performance at 7:30pm. For more information, google Spreckels Performing Arts Center. They’ve got a funky city web address.

Raymond Scott & The Evolution Control Committee, A Bigger, More Important Sound, Rewired Rodion G.A., OST Misiunea Spatiala Delta [fragment2], Misiunea Spațială Delta Guy Bonnet, Roland Romanelli, Jannick Top, Cosmic Pursuit, Sysmo Records Vol. 1 John Harrison, The Dead Walk, George A. Romero's Day Of The Dead Salta & Roma, I Don't Believe, Voices Sfire, Sfire 2, Sfire Near Paris, Visions, Near Paris Digital Game, With & Without, I'm Your Boogieman! Joe Yellow, I'm Your Lover, I'm Your Lover Sun-La-Shan, Catch, Catch Raja, Drum Sequence (Psychemagik Edit), لبنان = Lebanon Disconnection, Bali Ha'i, Bali Ha'i Cli-N-Tel, 2030 (Instrumental), 2030 The Hasbeens, Maybe, Maybe Antoni Maiovvi, Love Magnetic (Junior Fairplay Remix), Psychoplasmics EP Jackmaster Curt, It's A Man's World (SMACKOS Remix), It's A Man's World Antoni Maiovvi, Black Jesus, Psychoplasmics EP Shinichi Atobe, Plug And Delay, Ship-Scope Black Merlin, Full Denim Jacket, Amazing Exotics Nothing But Blood, White Of The Eye (Silent Servant Remix), White Of The Eye Yello, Daily Disco (Magda vs NYMA re-construct), DTR005 Zeus, Cowboy On The Beach, Attack Time Raymond Scott And The Secret 7, And The Cow Jumped Over The Moon, The Unexpected Jean-Pierre Savelli & Francis Rimbert, Shimes, Passing Shot Red Point Orchestra, Space Man, Space Man The Yetians, Funky Disco Sound, Yeti / Funky Disco Sound Bappi Lahiri, Kya Jane Yeh Duniya Kya Jane (from Toote Khilone), The Bombay Connection Chorus & Disco Company, Karawana Długowłosych (The Caravan Of The Long-Haired), Discoland The Witch, Erotic Delight, Kuomboka Kingcats, Down In California (Albion Edit), Down In California Montezumas Rache, Wu Du Wu, Wu Du Wu The Starkiller, Here Come Ol' Flat Top, Here Come Ol' Flat Top (https://soundcloud.com/the-starkiller/here-come-ol-flat-top) Epsilon, Ayayaya, Ayayaya Guru Guru, Globetrotter, Globetrotter Black Brothers, Saman Doye, Those Shocking Shaking Days. Indonesian Hard, Psychedelic, Progressive Rock And Funk: 1970 - 1978 Samson & Delilah With The Boss Four, Don't Listen To Your Friends, Don't Listen To Your Friends / Instrumental Fifty Foot Hose, God Bless The Child, Cauldron Cecil Leuter, Electro Sounds N° 2, TVMusic 104 Cults Percussion Ensemble, The Little Dancer, Cults Percussion Ensemble Alphataurus, La Mente Vola, Alphataurus Vytas Brenner Ofrenda, 6 Por Electron, Jayeche Hailu Mergia, Ambasel, Hailu Mergia & His Classical Instrument: Shemonmuanaye Dave Sarkys, Andre Perry, Canadian Colours (Theme 4 & 1), First Encounter Software, Island-Sunrise, Digital-Dance

Es geht munter weiter, der Daniel ist wieder am Start und neu in der Runde ist der Andi. Zu dritt schaffen wir es in einer knappen Stunde Folge 6 zu besprechen.

This week Anthony Lewis and Glenn Boisvert sit down to talk season 2 episode 6 of AMC’s Better Call Saul entitled “Bali Ha’i” we break the episodes down and talk about what we loved and what we didn’t plus where we think the show will be headed going forward!

In this episode, David, his brother Michael, and Joanna Robinson discuss Better Call Saul‘s sixth ep this season, “Bali Ha’i.” E-mail us and let us know what you thought of the episode, as well as of the podcast, at theoneswhoknock@gmail.com. You can find every episode of the show at bettercallsaul.audio. If you like the show, feel free to leave us a review […] The post The Ones Who Knock S2E06 – Bali Ha’i appeared first on /Film.

It’s episode 206 of Better Call Saul, “Bali Ha’i”, and the cameos keep coming.  When will Jim’s hands start shaking worse than Mike after bouncing two wannabee tough guys out of his hacienda?  We discuss the various deals, scams, and schemes that make up the bulk of this episode, undertake the complex task of figuring out what the chameleon Howard is all about, wonder what’s next for Mike, and worry about the future of Kim’s career.  Is the S&C offer genuine, or an Akbar-esque trap. Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV — Better Call Saul edition, is a weekly "after show" for fans of Better Call Saul. In this episode hosts Zach Wilson, Kevin Ellis, Stephen Lemieux and Lacretia Lyon discuss episode 6. Better Call Saul is an American television crime drama series created by Vince Gilligan and Peter Gould. It is a spin-off prequel of Breaking Bad, which was also created by Gilligan. Set in 2002, Better Call Saul follows the story of small-time lawyer James Morgan "Jimmy" McGill (Bob Odenkirk), six years before his appearance on Breaking Bad as Saul Goodman; events after the original series are briefly explored. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

03/21/16 - Rob Cesternino and Antonio Mazzaro recap Season 2, Episode 6 of Better Call Saul, "Bali Ha'i" on AMC and answer some of the listener questions. The post Better Call Saul Season 2, Episode 6 Recap | Bali Ha’i appeared first on PostShowRecaps.com.