Fictional character from the Breaking Bad universe
POPULARITY
60 episodes with Saul Goodman
44 episodes with Saul Goodman
25 episodes with Saul Goodman
12 episodes with Saul Goodman
9 episodes with Saul Goodman
4 episodes with Saul Goodman
2 episodes with Saul Goodman
3 episodes with Saul Goodman
8 episodes with Saul Goodman
Have you ever had to do jury duty? Have you done jury duty for a murder? How hard is it to pass the bar exam? Did Marisa Tomei deserve her Oscar win for this movie? Is Vinny a 90's version of Saul Goodman? Why doesn't Ralph Macchio age? To help answer these questions and more, Jason welcomes the co-host of Hearsing Around podcast, The FBI's Most Unwanted Podcast, and his friend, an actual lawyer, Brenda, as they tell you WHY "My Cousin Vinny" is a hella rad movie from the '90s.Listen to Brenda on Hearsing Around: https://rabbitholepodcasts.com/hearsing-around/and The FBI's Most Unwanted: https://rabbitholepodcasts.com/the-fbis-most-unwanted-an-x-files-podcast/Check out all of our podcasts on our home website http://www.rabbitholepodcasts.comSupport us by giving us a dollar! www.patreon.com/rabbitholepodsQuestions, comments, concerns? Email Jason at whateverjasonsoto@gmail.com
In this action-packed and hilarious episode of Backstage Pass with Gentry Thomas, Bob Odenkirk joins Gentry to talk about his new film Normal, a kinetic neo-Western action thriller directed by Ben Wheatley and written by Derek Kolstad. Bob stars as Ulysses, an unassuming substitute sheriff with a troubled past who takes a quiet posting in a small town, only to get pulled into a dangerous conspiracy after a bank robbery reveals something far more explosive beneath the surface. Fans can watch the trailer for Normal Here --> Normal - Official Trailer Bob and Gentry dive into what makes Normal such a wild ride, including the fun of working on action movies filled with chaos, guns, danger, and dark comedy. Bob also talks about working alongside the great Henry Winkler, why he believes Henry is such a gifted actor, and what it was like sharing scenes with him. The conversation also goes deep into Bob’s comedy roots. He shares what it’s like writing sketch comedy, including the legendary “Motivational Speaker” sketch with Chris Farley, and how that kind of writing helped shape his voice as a performer. Of course, Bob also reflects on playing Saul Goodman in Breaking Bad and Better Call Saul, why audiences connected so deeply with the character, and how Saul became one of television’s most unforgettable personalities. From sketch comedy to prestige TV to full-throttle action, this episode is packed with stories, laughs, and insight from one of the most versatile performers in entertainment.
In this episode, Dr. K explores the psychological profiles of iconic fictional characters like Eren Yeager and Joe Goldberg before sitting down with an expert for a deep dive into the reality of Obsessive-Compulsive Disorder (OCD). He examines how trauma, stunted development, and personality disorders manifest in media and what these portrayals can teach us about real-world mental health. What to expect in this episode: Eren Yeager and Moral Injury: An analysis of the trauma of being forced to commit "vile acts" and how dehumanizing others serves as a survival mechanism to avoid falling apart. Joe Goldberg's Limerence: Why the star of You is a terrifying example of limerence (falling in love with a fantasy) combined with sociopathy, leading to a "morality of a pedestal" that ignores actual empathy. Michael Scott's Stunted Development: How the Dunder Mifflin manager acts as an "alien trying to be human" because he lacks a healthy template for relationships despite being world-class at a specific skill like sales. Saul Goodman and the Gambling Brain: A look at why some brilliant individuals fail to learn from their mistakes due to a deficit in counterfactual thinking and a drive to prioritize a "flashy fantasy" of success over actual stability. Levi Ackerman and Clinical Thresholds: Why being obsessively clean does not necessarily mean someone has OCD if they lack impaired function and ritualistic compulsions. Expert Guest Dr. McGrath: Dr. K is joined by Dr. Patrick McGrath, a clinical psychologist with over 26 years of experience specializing in OCD and Exposure and Response Prevention (ERP) therapy. The Reality of NOCD: An introduction to NOCD, a specialized online platform for OCD treatment that has been vetted by the Healthy Gamer scientific advisory board to provide evidence-based care. The Doubting Disorder: Dr. McGrath explains how OCD attacks the things people value most—such as religion (scrupulosity) or children—by using "what if" scenarios to trap individuals in a loop of searching for answers that don't exist. Living with Uncertainty: Why the gold standard treatment, ERP, focuses on teaching the brain to accept doubt rather than providing logical answers that the "OCD monster" would otherwise "eat for breakfast". HG Guide and Research: A first look at the new Guide to Love, Sex, and Relationships and the introduction of "QI" surveys designed to measure real-world mental health outcomes for the community. Dr. K's NEW Guide to Love, Sex, & Relationships is here! Order now: https://bit.ly/4dO3x0VHG Coaching : https://bit.ly/46bIkdo Dr. K's Guide to Mental Health: https://bit.ly/44z3SztHG Memberships : https://bit.ly/3TNoMVf Products & Services : https://bit.ly/44kz7x0 HealthyGamer.GG: https://bit.ly/3ZOopgQ Learn more about your ad choices. Visit megaphone.fm/adchoices
When the fun and games came crashing down, did the relationship have to crash down with it? What will the show look like now that Jimmy has reached peak Saul Goodman mode? Who pays people in Nutri Grain bars? All these questions and more are discussed and answered as we break down Better Call Saul episode by episode. This is Season 6 Episode 9 - "Fun and Games."Check back every Thursday morning for the latest episode of the Almost SideShow!Find the past seasons of the Almost SideShow here: http://almostsideways.com/Main%20Menu/Artice%20Archives%20Sub-Menus/AlmostSideways/Almost%20SideShow.htmlThe SideShow is meant to be a companion to listen to after you watch each episode, so join us on the journey! Watch the episode, then listen to our reaction and analysis. New episodes drop every week!The Almost SideShow is hosted by Terry Plucknett and Adam Daly and is a part of the AlmostSideways family.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m YouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
A White House Correspondents' Dinner party turns into journalist-on-journalist violence, Jim Acosta plays sanctimonious Ron Burgundy, and Justin accidentally becomes Saul Goodman for Michael Tracy. Get an extra episode every week only at https://www.patreon.com/greatnight!
A White House Correspondents' Dinner party turns into journalist-on-journalist violence, Jim Acosta plays sanctimonious Ron Burgundy, and Justin accidentally becomes Saul Goodman for Michael Tracy. Get an extra episode every week only at https://www.patreon.com/greatnight!
Bob Odenkirk joins us for a layered and unexpectedly vulnerable conversation about reinvention, ego, and mortality. Bob breaks down the exact moment he decided to pivot from comedy and Saul Goodman into full blown action films, why he refused to wink at the audience in Nobody, and how real life rage from a home invasion became creative fuel. He also opens up about collapsing on set from a heart attack, losing a week of memory, and the hard reality of limited time at 63. Thank you to our sponsors: ❤️ This episode is sponsored by BetterHelp. Give online therapy a try at https://betterhelp.com/inside and get on your way to being your best self
If you get into a scrape involving local government in North Dakota -- say a garbage truck side swipes your car, or you get hurt on park district property -- the organization you'd likely seek relief through is the North Dakota Insurance Reserve Fund. This is an entity created by local governments, and funded by local tax dollars, which acts essentially like an insurance company. But the organization has come under fire, with critics saying NDIRF can be ruthless when it comes to claims filed by the public, even as the organization passes along millions in conferments to its members. On this episode of Plain Talk, NDIRF CEO Keith Pic said the organization serves North Dakota by keeping costs down for local governments. "I think the important part here is that the coverages that we provide are unique to North Dakota," he said. "We can be responsive to North Dakota. We don't have the entire United States impacting the rates that would be charged for the risk that our political subdivisions have." I recently wrote an article critical of NDIRF over the organization's handling of the Northwood school bus crash, where dozens of students were injured. That happened back in 2023, but the litigation around it is still lingering, with some families and legal representatives blaming NDIRF for bogging the process down. "The easy thing for NDIRF in that situation would have been to just pay the $300,000 and just be done with it," Pic said, referring to the underinsured motorist coverage for the school district that is at issue. "But I think there would have been some major inequities that would happen or would have happened from that global settlement if we had participated in it. And here you had kids that were still treating well into 2025. Well, we don't know the extent of those injuries in 2024 when that global mediation happened." Pic also argued that the millions in conferments the organization has made back to local governments have nothing to do with claims decisions. "There's no thought as to how is this going to affect our financials. Our claims adjusters are very much examining, what is the legal liability? What's a legal standard as to what can make up this claim and is it an allowable claim to be paid?" he said. "Ultimately, the claims decisions are made afterwards after the year's over. We have an actuarial analysis that's completed to make sure that our our liabilities are set. So I think it's a misconception that there's this incentive uh to make that happen." Pic says he's an "open book" for critics. "I'm certainly hopeful that I can help resolve some of the issues that have come up. Every day is a day of improvement, little by little, and hopefully we can regain the public trust in what we do." Also on this episode, we talk about political troll Brandon Prichard directing inquiries about his organizations campaign finance disclosures to Saul Goodman, and the reality of North Dakota's three political parties. If you want to participate in Plain Talk, just give us a call or text at 701-587-3141. It's super easy — leave your message, tell us your name and where you're from, and we might feature it on an upcoming episode. To subscribe to Plain Talk, search for the show wherever you get your podcasts or use one of the links below. Apple Podcasts | Spotify | YouTube | Pocket Casts | Episode Archive
If you get into a scrape involving local government in North Dakota -- say a garbage truck side swipes your car, or you get hurt on park district property -- the organization you'd likely seek relief through is the North Dakota Insurance Reserve Fund. This is an entity created by local governments, and funded by local tax dollars, which acts essentially like an insurance company. But the organization has come under fire, with critics saying NDIRF can be ruthless when it comes to claims filed by the public, even as the organization passes along millions in conferments to its members. On this episode of Plain Talk, NDIRF CEO Keith Pic said the organization serves North Dakota by keeping costs down for local governments. "I think the important part here is that the coverages that we provide are unique to North Dakota," he said. "We can be responsive to North Dakota. We don't have the entire United States impacting the rates that would be charged for the risk that our political subdivisions have." I recently wrote an article critical of NDIRF over the organization's handling of the Northwood school bus crash, where dozens of students were injured. That happened back in 2023, but the litigation around it is still lingering, with some families and legal representatives blaming NDIRF for bogging the process down. "The easy thing for NDIRF in that situation would have been to just pay the $300,000 and just be done with it," Pic said, referring to the underinsured motorist coverage for the school district that is at issue. "But I think there would have been some major inequities that would happen or would have happened from that global settlement if we had participated in it. And here you had kids that were still treating well into 2025. Well, we don't know the extent of those injuries in 2024 when that global mediation happened." Pic also argued that the millions in conferments the organization has made back to local governments have nothing to do with claims decisions. "There's no thought as to how is this going to affect our financials. Our claims adjusters are very much examining, what is the legal liability? What's a legal standard as to what can make up this claim and is it an allowable claim to be paid?" he said. "Ultimately, the claims decisions are made afterwards after the year's over. We have an actuarial analysis that's completed to make sure that our our liabilities are set. So I think it's a misconception that there's this incentive uh to make that happen." Pic says he's an "open book" for critics. "I'm certainly hopeful that I can help resolve some of the issues that have come up. Every day is a day of improvement, little by little, and hopefully we can regain the public trust in what we do." Also on this episode, we talk about political troll Brandon Prichard directing inquiries about his organizations campaign finance disclosures to Saul Goodman, and the reality of North Dakota's three political parties. If you want to participate in Plain Talk, just give us a call or text at 701-587-3141. It's super easy — leave your message, tell us your name and where you're from, and we might feature it on an upcoming episode. To subscribe to Plain Talk, search for the show wherever you get your podcasts or use one of the links below. Apple Podcasts | Spotify | YouTube | Pocket Casts | Episode Archive
Bob Odenkirk says he was never supposed to be an action hero, but he's grateful for the way his career has turned out. Starting out as a sketch comedian, he never could have foreseen roles like Saul Goodman in “Better Call Saul” or Sheriff Ulysses in his newest film, “Normal.” He tells Rachel he takes none of it for granted, as he retraces his path from his humble Illinois roots. To listen sponsor-free and support the show, sign up for Wild Card+ at plus.npr.org/wildcard See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
STRIP LAW SERIES REVIEW “If you are committed enough, you can make any story work. I once told a woman I was Kevin Costner, and it worked because I believed it” – Saul Goodman from Better Call Saul. Netflix presents an animated series featuring legal counseling in Las Vegas, Strip Law. Lincoln Gumb (Adam Scott) […]
STRIP LAW SERIES REVIEW “If you are committed enough, you can make any story work. I once told a woman I was Kevin Costner, and it worked because I believed it” – Saul Goodman from Better Call Saul. Netflix presents an animated series featuring legal counseling in Las Vegas, Strip Law. Lincoln Gumb (Adam Scott) […]
Gmoney built an algorithmic trading engine, a personal legal team, an automated content pipeline, and a full website. All of this was done through OpenClaw running on a Mac Mini in his house.He walks us through his full Discord setup, how he spawned sub-agents like Saul Goodman for contracts and Milhouse for research, and why his OpenClaw pitches him new business ideas every morning like a daily Shark Tank.We cover:- Why He Ditched Telegram and Built OpenClaw on Discord- How He Structures Channels: Health, Legal, Trading, Content & More- His OpenClaw "Shark Tank" That Pitches Money-Making Ideas Daily- Spawning Sub-Agents- OpenClaw + Interactive Brokers- Auto-Generating Tweets in His Voice- The Gateway Restart Bug That Still Catches Him Off Guard- Why OpenClaw's Real Unlock Is Working From AnywhereThe RollupTimestamps:00:00 Intro00:34 Near Ad00:51 Gmoney's OpenClaw Journey01:14 Telegram's Limits03:56 Gateway Bugs & Response Time04:50 Relay Ad05:50 Early Friction08:17 Where Opus 4.5 Differs09:33 Buying a Mac Mini & First Setup10:24 OpenClaw's Mobile Productivity11:34 Building Websites Through OpenClaw11:56 Agent-First Websites16:35 Creating Auto Content20:55 Hibachi Ad, infiniFi Ad21:42 Backtesting 88,000 Trading Strategies23:24 Connecting OpenClaw to Interactive Brokers26:35 The Polymarket Bot That Lost $20030:25 Sub-Agent Framework33:02 Whoop Integration & Health Channel33:41 OpenClaw Upgrades Its Own Skills35:38 Curation Over Knowledge38:34 Whisper Flow & Closing ThoughtsWebsite: https://therollup.co/Spotify: https://open.spotify.com/show/1P6ZeYd...Podcast: https://therollup.co/category/podcastFollow us on X: https://www.x.com/therollupcoFollow Rob on X: https://www.x.com/robbie_rollupFollow Andy on X: https://www.x.com/ayyyeandyJoin our TG group: https://t.me/+TsM1CRpWFgk1NGZhThe Rollup Disclosures: https://goodidea.ventures
Stranger Things wrapped up last week, and it felt like one of those rare “everything stops” TV moments.In this episode, we react to Volume 2 and the series finale, break down our Rehashables categories (Jack Bauer Award, Desmond Hume, Saul Goodman spinoff talk, emotional gut punches, scene-stealers, and more), and dig into the final stretch that mirrors the beginning of the show in a way we didn't see coming. We talk big character moments, lingering questions, the ending choice, and where Stranger Things ultimately lands as one of the defining shows of its era. We also close out with what we're watching next as award season ramps up.Spoilers throughout. Hosted by Randy Forcier & Matt Forcier
Will Jimmy become a lawyer again? Or will it just be Saul Goodman? What's Mike going to do with Werner? Will Lalo find him first? What's James Austin Johnson doing in this episode? And what's your go to karaoke song? All these questions and more are discussed and answered as we break down Better Call Saul episode by episode. This is the Season 4 finale, Episode 10 - "Winner."Check back every Thursday morning for the latest episode of the Almost SideShow!Find the past seasons of the Almost SideShow here: http://almostsideways.com/Main%20Menu/Artice%20Archives%20Sub-Menus/AlmostSideways/Almost%20SideShow.htmlThe SideShow is meant to be a companion to listen to after you watch each episode, so join us on the journey! Watch the episode, then listen to our reaction and analysis. New episodes drop every week!The Almost SideShow is hosted by Terry Plucknett and Adam Daly and is a part of the AlmostSideways family.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m YouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
In this episode, I talk with legendary timpanist, educator, and musical pioneer Jonathan Haas. Jonathan's journey weaves together St. Louis, Chicago, New York, Juilliard, Frank Zappa, Emerson Lake & Palmer, Philip Glass, and a powerful new project responding to the world we live in today.Jonathan tells the story of how a newspaper clipping from his mom led him to Washington University, where he studied with Rich O'Donnell, John Kasica, Tom Stubbs, and Rick Holmes—often taking four private lessons a week while subbing with the St. Louis Symphony.From there, he describes:Heading to Juilliard to study with Saul GoodmanSubbing with the New York PhilharmonicAuditioning for and touring with Emerson, Lake & Palmer (including opening Bolero in front of 50,000 people at Soldier Field!)A 20-year relationship and collaboration with Frank Zappa, sparked by a handwritten letterThe long road to commissioning the Philip Glass Double Timpani Concerto and why it had to become a double concertoHis work at NYU, including powerful new pieces by Lenny White and Tim Adams, connected to Black Lives Matter and the murder of George FloydJonathan is a phenomenal storyteller, and the combination of history, humor, honesty, and perspective makes this one of the most compelling conversations I've had.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
We finally have it! We have a time jump! Did they pull it off well? Are we close to Jimmy the lawyer again? Are we close to full-on Saul Goodman? How much longer does Kai last? What happened to Howard? All these questions and more are discussed and answered on this episode of the Almost SideShow where we break down Better Call Saul episode by episode. This is Season 4, Episode 7 - "Something Stupid."Check back every Thursday morning for the latest episode of the Almost SideShow!Find the past seasons of the Almost SideShow here: http://almostsideways.com/Main%20Menu/Artice%20Archives%20Sub-Menus/AlmostSideways/Almost%20SideShow.htmlThe SideShow is meant to be a companion to listen to after you watch each episode, so join us on the journey! Watch the episode, then listen to our reaction and analysis. New episodes drop every week!The Almost SideShow is hosted by Terry Plucknett and Adam Daly and is a part of the AlmostSideways family.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Todd: Too Cool for TwitterAdam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m YouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Ryan and Greg come together to discuss their all time favorite Antiheroes from Frank Castle to Saul Goodman. Ryan also informs Greg he has unlocked with Matrix within himself and now everything has changed…. Join our Patreonhttps://www.patreon.com/Yougonnaeatthatcrust? Find us and other great pods athttps://www.yourunpodcast.com
Why are advocates for children with autism comparing Ontario education minister Paul Calandra to Breaking Bad character Saul Goodman? Steve Paikin and John Michael McGrath discuss the implications of the comparison. Last year, Lieutenant-General Richard Rohmer issued a challenge to Ontario premier Doug Ford to have the north side of the Ontario Veterans' Memorial engraved. Steve and John Michael discuss how the premier rose to the challenge and what that means for veterans. Brian Lewis, Ontario's former chief economist from 2015 to 2021, joins Steve and JMM to dig further into the province's fall economic statement and discuss the province's fiscal future. Steve's column: https://www.tvo.org/article/i-sat-down-with-ontarios-living-former-premiers-heres-what-i-learned JMM's column: https://www.tvo.org/article/analysis-a-pro-cyclist-court-decision-could-create-headaches-for-rural-ontarioSee omnystudio.com/listener for privacy information.
Bob Odenkirk is an alt-comedy legend. He wrote for Saturday Night Live in the 90s. Then he got the part in Breaking Bad and Better Call Saul as Saul Goodman. He's also a writer. With the help of his children, he released a collection of poems called Zilot & Other Important Rhymes. Bob joins us to talk about writing poetry and how he turned his worn notebook into a book of poetry with the help of his children.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
"What happens when one of Breaking Bad's most unhinged villains gets arrested for… spraying someone with a garden hose?"In this wild and unpredictable episode of The Ben and Skin Show, hosts Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray dive into two juicy Breaking Bad stories that are equal parts hilarious and head-scratching. First up: Raymond Cruz, the actor behind the infamous Tuco Salamanca, finds himself in real-life trouble after allegedly blasting his neighbor's daughter with a garden hose. Was it an accident, or did Tuco go full Tuco?Then, the crew shifts gears to a fascinating behind-the-scenes revelation from Bob Odenkirk, who shares how he landed the role of Saul Goodman—without even auditioning. From sketch comedy roots to dramatic stardom, Odenkirk's journey is a testament to timing, talent, and the power of a good writers' room.
In this Best Of episode, we revisit our 2022 conversation with comedian and actor Bob Odenkirk! We got to hear from him about his memoir “Comedy, Comedy, Comedy, Drama” and his early beginnings writing comedy in grade school. We reminisce about our days together at Saturday Night Live and discuss some of our favorite sketches. We also talk about his sketch series, “Mr. Show with Bob and David.” Bob also shares about his 13 years playing Saul Goodman on Breaking Bad and Better Call Saul and how he nearly died of a heart attack on set. You'll also hear Bob discuss his then-new movie, Nobody, which was so successful, it got a sequel. Go see Nobody 2 in theatres now! https://www.fandango.com/nobody-2-2025-240144/movie-overview For information on our newest sponsor, Mint Mobile: www.mintmobile.com/franken
This week on "BETA," we're taking a look back at some of our favorite TV and film personalities. Bob Odenkirk will join us to talk about his well-known character, Saul Goodman. And we'll explore the creative and personal life of film director David Lynch with biographer Christine McKenna. Also, we'll spend some time with Black Mirror creator Charlie Brooker.
On les aime, on les déteste, mais on passe tellement de temps avec eux qu'on finit forcément par s'attacher : les personnages de série. Saul Goodman, Fleabag, Tyron Lannister, Buffy, ils nous accompagnent au fil des ans durant plusieurs saisons. Mais certains d'entre eux disparaissent avant le grand final, et on se demande à quoi jouent les scénaristes. Alors parfois, c'est pour les besoins de l'intrigue ou une vile manière de réveiller le spectateur. Mais parfois, c'est plus compliqué que ça. Disons qu'on peut ranger ces raisons de décès dans plusieurs catégories... Est-ce les acteurs qui veulent partir ? Ou les productions qui décident de les évincer ? Existent-ils d'autres raisons ? Ecoutez la suite dans cet épisode de "Maintenant vous savez". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Première diffusion : 19 mai 2023 À écouter aussi : Qu'est-ce que le chronoworking, qui vous rendrait plus efficace au travail ? Quelles sont les 3 techniques de manipulation les plus connues ? A quelle fréquence faut-il se laver les cheveux ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Première diffusion le 24/08/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices
From his long running role as Saul Goodman in Breaking Bad and Better Call Saul, to his recent Broadway appearance in Glenngary Glen Ross, and his new incarnation as an off-beat action hero in the movies Nobody and Nobody 2, Bob Odenkirk does it all.
“Tell me how it's fixed. We're not continuing this conversation until you explain exactly how.”That's the challenge Skin throws down in this wildly entertaining episode of The Ben and Skin Show, where conspiracy theories, celebrity run-ins, and hilarious weekend recaps collide in a perfect storm of chaos and comedy.Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray are back on 97.1 The Eagle, and they're bringing the heat—and the laughs. From Skin's yacht rock weekend and KT's electric night with Saul Goodman's secretary (yes, really), to Krystina's storm-shortened but stellar performance at the Wildflower Festival, the crew dives into their weekends. But the real fireworks start when Ben recounts a birthday party conversation gone off the rails: two friends, a few drinks, and a full-blown belief that the NBA Draft is rigged. What follows is a masterclass in comedic frustration, as Ben and Skin try to reason with the unreasonable. The result? One of the funniest and most relatable sports rants you'll hear all year.Memorable Moments:
We've officially joined the YouTube Partner Club! After grinding since 2008, juggling podcasts, vlogs, and random magic tricks, our channel hit the golden subscriber and watch-hour marks. Huge thanks to the 2,000+ of you who clicked “subscribe,” even though 67% of you apparently still haven't—seriously, what are we doing? Hit that button, ring the bell, and join the fam so we can analyze those new analytics together.All day every day I'm winning on Twitter. Want free stuff? Follow me: I stick to three rules—follow only the host and one other account, comment once (max one friend tag), and skip any extra hoops. That's how I snag Sheetz snack vouchers, a holographic Articuno card, and now… a one-of-one Saul Goodman apron straight from the Breaking Bad set. He's legit-verified, sent me a selfie request, and I'm flaunting Gustavo Fring's apron like it's the crown jewels. What are we doing? Follow, comment, win.The latest Internet obsession: can 100 men really take down a silverback gorilla with fists only? I dove into TikTok's “science,” debunked the timid 50% who'd bail after the first crack, and weighed bone density vs. human stamina. Spoiler: the gorilla would mop the floor with most of us… until exhaustion levels the playing field. But is this really peak 2025 entertainment? If you've paused your fiancé mid-text about this debate, you're officially part of the tribe. What are we doing?Big ups to DudeRobe.com—the coziest post-shower robes that belong in every closet (even yours, ladies). Think built-in towel liner, permanent belt, pockets for vape pens, and shark-tank cred. Use code WAWD at checkout for 20% off ‘cause Jonathan overpaid so you don't have to. Summer's coming: get your slides, lounge shorts, and robes lined up. What are we doing? Relax in style.Wiz Khalifa AppreciationIs Wiz Khalifa top ten rapper territory? Hell yes. We revisited his mixtape days, his weed empire, and the absurdly fire “Llama Llama Red Pajama” rap challenge—where he spits a kid's bedtime book over a beat so seamlessly it could melt your brain. If you think anyone else could nail nursery rhyme bars at 90 BPM, you're wrong. Google the freestyle after listening, but trust me, no one drops lines like Z's kush king. What are we doing?Magic heist or circus on a cruise ship? The trailer for Now You See Me 3 (yes, that's the real title) just crashed into the Internet. Daniel Atlas is back with fresh Horsemen recruits, minus most of the originals (RIP Woody?), planning a grand diamond heist against a terrorist clique. It's Fast & Furious meets card tricks—predictable twists, overstuffed CGI, and an eyeful of “diamonds are forever” cringe. November 14, 2025, get your tickets or stock up on popcorn. What are we doing?Our girl Katy blasted off with Blue Origin, then touched down to admit regret—because apparently floating 350,000 feet up isn't as fun as it looked. She channeled that budget-Air energy into the “Lifetime's Tour” (great name—really sells it), complete with audience-voted surprise songs via QR codes and white-girl twerking that defies anatomy. Ticket prices start at $350, so unless you want to see her wrestle aliens on wires, maybe skip this spectacle. What are we doing?Join the Conversation• Subscribe for more absurdity• Like if you lol'd at the gorilla debate• Comment your Twitter hack wins• Share with that friend who still hasn't subscribedStay ConnectedFind us on YouTube, X (formerly Twitter), Instagram, and Facebook for clips, shorts, and bonus rants. We're rolling out new content daily—so don't sleep on the podcast feed, or you might catch COVID… again.Thanks for sticking around. Hit that subscribe button (really), grab your Dude Robe code WAWD, and keep asking yourself: What are we doing?*************************************************************✅DUDEROBE - PROMO CODE: WAWD 20% OFFhttps://duderobe.com - promo code: WAWD*************************************************************
In this episode of Only Business, we break down the high-stakes world of Breaking Bad to uncover 12 powerful business lessons that go way beyond the drug trade. From brand identity and ego management to leadership failure, systems thinking, and the hidden cost of control, this program explores how Walter White's rise and fall holds a mirror up to entrepreneurs and leaders in the real world. Whether you're scaling a business or trying to reclaim your voice in the chaos, this isn't just about what went wrong—it's about how to build with clarity, power, and purpose.
Did Jimmy do the right thing sacrificing his future for Kim's? If Jimmy had gotten his office, would there ever have been a Saul Goodman? Did the artist even attempt to make Jimmy's face on the Bingo card a realistic resemblance? Is there a worse character than Betsy Kettleman? Would you watch a version of 25th Hour starring Ned Flanders? All these questions and more are discussed and answered on this episode of the Almost SideShow where you look into Better Call Saul episode by episode. This episode is Season 1, Episode 7 - "Bingo."Check back every Thursday morning for the latest episode of the Almost SideShow!Find the past seasons of the Almost SideShow here: http://almostsideways.com/Main%20Menu/Artice%20Archives%20Sub-Menus/AlmostSideways/Almost%20SideShow.htmlThe SideShow is meant to be a companion to listen to after you watch each episode, so join us on the journey! Watch the episode, then listen to our reaction and analysis. New episodes drop every week!The Almost SideShow is hosted by Terry Plucknett and Adam Daly and is a part of the AlmostSideways family.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Todd: Too Cool for TwitterAdam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m YouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Can Beavis beat Count Dooku? Could Tinky Winky kill Saul Goodman? On TGOFV's newest series, we use science and logic to power-scale characters who have never been power-scaled before. Eat your heart out, Goku vs Superman. Listen to an extra episode a week for $5, or all our bonus episodes for $7 or $10 at www.patreon.com/tgofv.
Alan Sepinwall joins us to discuss “Saul Goodman v. Jimmy McGill: The Complete Critical Companion to “Better Call Saul.” And Rachel Yoder on her surreal novel, “Nightbitch,” which is now a major motion picture starring Amy Adams. Also, singer/songwriter Kris Delmhorst discusses her latest album, “Ghosts in the Garden.”
Aaron Sarnecky is celebrating the 10th anniversary of Better Call Saul, but his brother is conspicuously absent. Filling in for Josh is Alex Marcus, Podcast Director of The Pop Break. Alex previously discussed Breaking Bad with Aaron. Better Call Saul is a legal crime drama created by Vince Gilligan and Peter Gould. It is a spinoff of Breaking Bad. It premiered on AMC on February 8, 2015. The show ran for six seasons and a total of 63 episodes. It ended on August 15, 2022. The show had a short-lived animated prequel on AMC+, entitled Slippin' Jimmy. The series chronicles the evolution of small-time attorney Jimmy McGill (Bob Odenkirk) into the morally corrupt lawyer Saul Goodman from Breaking Bad. It also reveals Saul's future living under an assumed name. Other returning characters include his eventual fixer Mike Ehrmantraut (Jonathan Banks) and drug distributor Gus Fring (Giancarlo Esposito). New characters include Jimmy's romantic interest Kim Wexler (Rhea Seehorn), his brother Chuck (Michael McKean), Chuck's legal partner Howard Hamlin (Patrick Fabian), drug dealer Nacho Varga (Michael Mando), and cartel leader Lalo Salamanca (Tony Dalton). Like Breaking Bad, many critics consider Better Call Saul one of the greatest television shows of all time. Some even hail it as better. It was nominated for 53 Emmy Awards with no wins (a record for nominations without a win). Nominations included Outstanding Drama Series and Outstanding Lead Actor in a Drama Series. Aaron and Alex chat about their exposure to Better Call Saul before going into the two-night series premiere, the general plot, the performances, the connections to Breaking Bad, and the series finale. They also ponder the potential for another show set in the Breaking Bad universe. For a podcast on another prestigious TV series, you can listen to Aaron and Josh talk about Game of Thrones. Better Call Saul is streaming on Netflix.
Puntata a cura di Jacopo Bulgarini d'Elci e Livio Pacella.Ci perdonerete se vi ripoponiamo una puntata dell'anno scorso, ma come potevamo non celebrare l'anniversario di uno degli show più belli dell'ultimo quarto di secolo? 10 anni fa, l'8 febbraio 2015, debuttava la straordinaria Better Call Saul. Insieme prequel, sequel e spin-off di Breaking Bad, serie-capolavoro che è riuscita miracolosamente a non far mai rimpiangere. In onda per 6 stagioni e 63 episodi, è stata acclamata da pubblico e critica. Eppure, lo show detiene il record per il maggior numero di candidature agli Emmy senza alcuna vittoria: 53. Ponendosi prima, durante e dopo le vicende di Breaking Bad, Better Call Saul racconta come il modesto Jimmy McGill (Bob Odenkirk) diventi il fiammeggiante, assurdo e pittoresco Saul Goodman, avvocato della malavita di Albuquerque (e dunque di Walter White e Jesse Pinkman, i due protagonisti della serie madre). “1 classico in 2” è uno dei format del podcast di Mondoserie: conversazioni a due voci su serie che hanno segnato l'immaginario.Leggi il nostro articolo su Better Call Saul: https://www.mondoserie.it/better-call-saul/ Ascolta il podcast su Breaking Bad sulla tua piattaforma preferita o su Spreaker: https://www.spreaker.com/episode/breaking-bad-contro-la-societa-borghese-1-classico-in-2-republish--53398485 Parte del progetto: https://www.mondoserie.it/ Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/
Terry and Adam are back with Season 5 of the Almost SideShow where we march through a show episode by episode. After taking on "Breaking Bad" in a previous season, we are now diving into the part sequel / part prequel spin-off of the iconic show: "Better Call Saul." Let's see what made Saul Goodman the man he became and what kind of man he is now. This is a first-time watch for both of our hosts, so watch the episodes and react along as we tackle a new episode every week. The first episode is Season 1, Episode 1 - "Uno." Check back every Thursday morning for the latest episode of the Almost SideShow! Find the past seasons of the Almost SideShow here: http://almostsideways.com/Main%20Menu/Artice%20Archives%20Sub-Menus/AlmostSideways/Almost%20SideShow.html The SideShow is meant to be a companion to listen to after you watch each episode, so join us on the journey! Watch the episode, then listen to our reaction and analysis. New episodes drop every week! The Almost SideShow is hosted by Terry Plucknett and Adam Daly and is a part of the AlmostSideways family. Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Todd: Too Cool for Twitter Adam's Twitter: @adamsideways Apple Podcasts https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m Stitcher https://www.stitcher.com/podcast/almost-sideways-movie-podcast YouTube https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Sterling K. Brown takes the lead in Paradise, and in the investigation that drives Hulu's new paranoid thriller -- and Rolling Stone's lead TV critic, Alan Sepinwall, is back to discuss both. Do the layered flashbacks work better for this material than for Brown's previous Dan Fogelman project, This Is Us? Does the dumb world-building outweigh the watchable acting? After we talked about how this underground/domed world stacked up against others on TV, we went Around The Dial with Common Side Effects, Mythic Quest, and the latest documentary from the Ken Burns Industrial Complex before Alan carefully constructed a Canon pitch for a Better Call Saul episode. Jennifer Garner won, Don Lemon lost, and what hark through yonder earbud breaks but a Shakespearean Game Time. Pack a bag for Colorado and join us! GUESTS
Epizodik'in 3. bölümü, bir önceki bölümde işlenen Breaking Bad'in spin-off'u Better Call Saul'un yalnızca bir kısmını ele alıyor. Jimmy McGill'in "televizyon reklamlarıyla ünlü avukat Saul Goodman"a dönüşümünün anlatıldığı bu bölümde; Jimmy ve Kim'in seyircilere sorgulattığı iyilik ve kötülük kavramları, Chuck'ın öngörüleri ve aşkın "kendin olabilme" hissiyatıyla alakası sıklıkla altı çizilen konu başlıkları oldu. Can Bilge ve Şemi Umut Karataş'ın yalnızca Jimmy ve Saul'un arasındaki baskın çıkma savaşımına odaklandığı bu bölümün hemen ardından, dizinin genelinin değerlendireceği Better Call Saul II bölümü sizlerle buluşacak. #bettercallsaul #saulgoodman #breakingbad
Epizodik'te klasik dizilere yapılan yolculuğun ikinci ayağı, 2010'lara damgasını vuran ve televizyon tarihine geçen dizisi Breaking Bad oldu. Can Bilge ve Şemi Umut Karataş'ın bu bölümdeki konu başlıkları arasında Walter White, Skylar sorunsalı, Saul Goodman, Salamancalar, Gus Fring, Albuquerque ve Sergio Leone esintilerini Orta Amerika'ya adapte eden Vince Gilligan yer alıyor. Bir sonraki bölümde ise, Breaking Bad'den çıkan ve tarihin en iyi spin-off'u olarak değerlendirilen Better Call Sall'un değerlendirmesi sizlerle buluşacak. Epizodik #2 yayında! #dizi #breakingbad #bryancranston
Rolling Stone's chief TV critic Alan Sepinwall is back to talk about Apple TV's latest prestige limited series -- starring Cate Blanchett and Kevin Kline, directed and written by Alfonso Cuarón, and maaaaybe a little too fond of its own shot compositions. Is the hinted-at conclusion worth sticking around for -- or are we mostly seeing it through for Kline's cardigan acting? Next, we went Around The Dial with Georgie & Mandy's First Marriage, Happy's Place, Shrinking, and the Platonic (not) ideal of "this should have been a feature" docuserieses, before Tara nominated a third-season Harley Quinn episode for the Canon. An Office reboot won, Succession lost, and a new scoring wrinkle scared the hell out of us in Game Time. Throw your drawers out the train window and have a listen! GUESTS
Joel Rothman is the renowned author of almost 100 drum and percussion method books, many of which are among the most popular books used by teachers in private music studios as well as schools and universities worldwide. Born in Brooklyn, New York, Joel studied drums and percussion, as well as piano, with well-known teachers such as Sam Ulano, Ed Shaughnessey, Jim Chapin, Joe Morello, Saul Goodman, and others. He first opened his own private drum studio, then later, after graduating from university, he taught in the New York City school system for many years. During that time Joel was a free-lance drummer playing with various bands and orchestras at private functions, nightclubs and musical shows. Writing his first book at fifteen, Joel also established his own highly successful publishing company JR Publications, which has been going for over half a century. In this episode, Joel talks about: The inspiration for writing drum books Using humor when writing Joel's System(s) for teachers to use How he started Studying with Ed Shaughnessy Connecting with teachers Here's our Patreon Here's our Youtube Here's our Homepage
Crawford began performing standup comedy professionally in 1990. He frequently performed on BET's ComicView during the 1990s. He was a contestant on NBC's Last Comic Standing in 2007, where in the two-hour season finale he lost to Jon Reep. In 2011 at the Roberts Orpheum Theatre in St. Louis, he recorded Lavell Crawford: Can a Brother Get Some Love. Crawford portrayed Saul Goodman's iconic bodyguard Huell Babineaux in the crime drama series Breaking Bad and its spinoff, Better Call Saul, from 2011 to 2022. He also played Babineaux in Huell's Rules, a non-canonical comedy short set after the events of Breaking Bad. Crawford has also appeared in comedic roles in It's Always Sunny in Philadelphia, Tosh.0, The Nightly Show with Larry Wilmore, and Aqua TV Show Show. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scott Dikkers, Founder of The Onion and Bestselling Author of How to Write Funny, joins the show to share his journey from cartoonist to building one of the funniest newspapers and websites in history. Hear the time he got stalked by Saul Goodman, how The Onion comes up with its headlines, how it evolved formats over the years, how to write funny jokes, and his all-time favorite article from The Onion. Connect with Scott at ScottDikkers.Substack.com
I'm so excited to to share this week's episode of the Talkhouse Podcast, which features a fascinating, deep yet kind of low-key conversation between two really talented people that you might not have expected to be paired up: Bob Odenkirk and Marcellus Hall. I'm guessing most people listening to this podcast will know who Odenkirk is. A longtime comedian and writer, he and his pal David Cross gifted the world some of the funniest TV ever created in Mr. Show With Bob And David, and if that was the only thing Odenkirk ever did, it'd be plenty. But of course the other really huge thing in his career is his portrayal of Saul Goodman on both Breaking Bad and Better Call Saul, two dramas that stand among some of the best TV ever. And I haven't even mentioned his books, the movies he's produced and directed, or the many things he's starred in. Without Bob, there would be no motivational speaker Matt Foley from SNL or any Tim and Eric Awesome Show. He's a legend, and he probably wouldn't want me saying that, which makes him a legend even more. Bob has also been a huge booster for things that he loves over the course of his career, including the aforementioned Tim and Eric plus things like the Birthday Boys and the unheralded movie Girlfriends Day, which he also stars in. And Bob has been a vocal fan of today's other guest, Marcellus Hall, for many years, too. Hall's music career goes back to the 1990s, when he was the frontman of the band Railroad Jerk, a clattering blues-punk band whose self-titled debut was one of the first albums ever released by Matador Records. Railroad Jerk is one of those bands that never quite hit it big, but those who saw them play live—I did once, in Madison Wisconsin—never forgot it. After that band broke up, Hall started another one, called White Hassle, and eventually started releasing albums under his own name while simultaneously enjoying a career as an illustrator—he's done a bunch of New Yorker covers and put out a really touching graphic novel a few years back called Kaleidoscope City. But this conversation was inspired by Hall's return to music after some years away. He just released a brand new album called I Will Never Let You Down. Here's the album's title track, which these guys chat about. In this lengthy and intimate conversation, which took place at Hall's New York apartment, he and Odenkirk start and end by talking about Jack Kerouac, and in between they go to a ton of interesting places. Sometimes these Talkhouse chats really feel like you're eavesdropping, and this is definitely one of those. They talk about Hall's work as well as Odenkirk's, and they dive into the notion that it gets harder as you get older to find that spark of inspiration. Odenkirk admits to some feelings of imposter syndrome, even after all of his success, and they both come across as guys who are still seeking, even after all these years. It's contemplative, but I think ultimately inspiring. This may be the last podcast you hear Odenkirk on for a while, as he's decided to stop saying “yes” to quite as many things as he did in the past. I love that, too. So get yourself some headphones and give this one your full attention—you won't regret it. Thanks for listening to the Talkhouse Podcast, and thanks to Marcellus Hall and Bob Odenkirk for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was recorded by Mark Yoshizumi and produced by Myron Kaplan. The Talkhouse theme is composed and performed by the Range. See you next time!
Bob Odenkirk is an alt-comedy legend. He wrote for Saturday Night Live in the 90s. Then he got the part in Breaking Bad and Better Call Saul as Saul Goodman. And he went from the funny-guy behind the scenes to the main screen. He's also a writer. On Bullseye, he stops by to talk about how he turned his worn notebook into a book of poetry with the help of his children. Plus, he gets into how he's embraced his transition from funny guy to serious actor.
Though this might be news to Paula, TV didn't begin with Perry Mason and end with Saul Goodman. There's more to it, and Dr. Michael Kackman is here to tell us all about it. And then, prepare to be deceived - it's the return of “Two Truths and a Lie.” Or IS it!? GUEST Michael Kackman Television Historian and University of Notre Dame Professor @mkackman https://ftt.nd.edu/ HOUSE BAND Gabe Terracciano gabeterracciano.com Learn more about your ad choices. Visit megaphone.fm/adchoices
A great chapter in the history of TV is about to end. Better Call Saul, the prequel and spin-off to Breaking Bad, has only 4 episodes left. We talk with the show's star, Bob Odenkirk. In Breaking Bad, he was the sleazy, fast-talking lawyer Saul Goodman, known for his slip-and-fall cases and frivolous lawsuits. Secretly, he represented drug lords. In the prequel, we learn Saul's origin story. We'll also talk with Peter Gould, the writer who created the character Saul on Breaking Bad, and went on to co-create Better Call Saul and become the showrunner. While filming Better Call Saul, one scene was interrupted for the worst imaginable reason: Odenkirk had a heart attack that was nearly fatal. He'll tell us about returning to life–and to that scene.
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