Podcasts about canticum

Wir haben in den Laudes bei uns im Konvent ziemlich regelmäßige Mitbeter, die uns unterstützen. An einem Morgen, beim Canticum, hat einer der Beter mit kräftiger Stimme und aus vollem Brustton einen herrlichen Versprecher gehabt. Eigentlich heißt dieser Vers: "Gepriesen sei dein heiliger, herrlicher Name, gerühmt und verherrlich in Ewigkeit" und er hat gebetet: "Gepriesen sei dein heiliger herzlicher Name".Wer schon so viele Jahrzehnte die Tagzeiten mit Laudes, Sext, Vesper und Komplet betet, kennt vieles auswendig und wenn es dem normalen Klang des Textes entlanggeht, klingt es im Inneren normal weiter. Sowie aber ein Versprecher kommt, was einfach passiert und auch nicht schlimm ist, fällt es meistens auf. Ich musste schmunzeln und fand dieses andere Wort so schön. Um aber nicht aus dem Takt zu kommen, konnte ich erst später nochmal schauen. Statt "herrlicher Name" war "herzlicher Name" gebetet worden. Dieser Gesang aus dem Buch Daniel ist mindestens 150 vor Christus ins Buch eingefügt worden und besingt das Lob des großen Gottes durch die drei Jünglinge, die aus dem Feuerofen gerettet worden sind.Wenn der Herr unser Gott, der Schöpfer des Himmels und der Erde, dessen Lob hier gesungen wird, kein Herz für seine Menschen hätte, wäre er ein Dämon oder ein Abgott. Und er hätte nicht, um seine Menschen wieder zur Umkehr zu bewegen, seinen eigenen Sohn in die Welt geschickt, um seine BARM-HERZ-IGKEIT deutlich zu machen. "Barmherzigkeit will ich, nicht Opfer", also ein gütiges, warmes, liebevolles Herz zeigen, damit wir verstehen, warum Gott die Liebe und die Güte in Person ist. Diese Feier der Heiligen Woche, in die wir am Sonntag gestartet sind, ist eine Festwoche der Herzlichkeit Gottes zu uns, seinen Menschen.Gut, dass unser Mitbeter diesen schönen Versprecher hatte: "Gepriesen sei dein heiliger herzlicher Name" und mir das noch einmal klarer geworden ist.

Heinrich Schutz - Cantate Domino Canticum NovumWeser-Renaissance Bremen Manfred Cordes, conductorMore info about today's track: CPO 999405-2Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Giovanni Pierluigi da Palestrina (1525 – 594) - Canticum Canticorum 1. Osculetur me 2. Trahe me post te 3. Nigra sum sed formosa 4. Vineam meam non custodivi 5. Si ignoras te 6. Pulchrae sunt genae tuae 7. Fasciculus myrrhae 8. Ecce tu pulcher es 9. Tota pulchra es 10. Vulnerasti cor meum 11. Sicut lilium inter spinas 12. Introduxit me rex 13. Laeva eius 14.  Vox dilecti mei 15. Surge, propera, amica mea16. Surge, amica mea 17. Dilectus meus mihi 18. Surgam et circuibo civitatem 19. Adiuro vos filae Jerusalem 20. Caput eius 21. Dilectus meus descendit 22. Pulchra es 23. Quae est ista 24. Descendi in hortum nucum 25. Quam pulchri sunt 26. Duo ubera tua 27. Quam pulchra es et quam decora 28. Guttur tuum 29. Veni, dilecte mi  Gruppo vocale -  Hilliard Ensemble

The Voice - Abigail DohertySupport the showPatreon:    https://www.patreon.com/theeldritchhourKo-fi:  https://ko-fi.com/eldritch_thingBuy Merch:  https://www.teepublic.com/user/the-eldritch-hourBuy Music:  https://lorehunter.bandcamp.com/album/music-from-the-eldritch-hour-vol-1Join our discord:  https://discord.gg/VEFtx6xSkDFollow us onTwitter at:   https://twitter.com/TheEldritchHourFacebook at:  https://www.facebook.com/theeldritchhourInstagram:  https://www.instagram.com/theeldritchhour/?hl=enEmail us at:  theeldritchhour@gmail.comThis episode was produced and edited by Josh Richter.Music created by LOREHUNTER (Josh Richter)Art by Josh Richter

Das Ensemble Canticum Novum schaut auf seinem neuen Album Shiruku weit über den Tellerrand der Alten Musik. Der rote Faden des Albums reicht bis nach Japan und ist definitiv aus Seide.

Eesti Vabariigi 105.

Erkki-Sven Tüüri esimene koorimuusika album, millele on koondatud kogu Tüüri a cappella koorilooming. Tüüri kooriteoseid esitab Collegium Musicale Endrik Üksvärava juhatusel.

Moveable Do starts season 6 with Finnish composer Jaakko Mäntyjärvi! Learn about what it's like growing up in Finland, how many languages he can speak, and what his real job is. Plus we introduce a new segment to the show which will have a different name every week. This week, we're calling it "Give Me Some Mo'! Some Mo'Zart!" Pieces featured on this episode "Come Away Death," "Warum toben die Heiden?" "Smoking Can Kill," and "Canticum calamitatis maritimae." To learn more about Jaakko and his music, visit http://www.jaakkomantyjarvi.fi/CVEN.html. For more information about this podcast and a full archive of episodes, visit https://sdcompose.com/moveabledo. Connect with us! Email: moveabledo@gmail.com Website: https://sdcompose.com/moveabledo Instagram: @Moveable_do_podcast Twitter: @MoveableDo --- Send in a voice message: https://podcasters.spotify.com/pod/show/moveabledo/message Support this podcast: https://podcasters.spotify.com/pod/show/moveabledo/support

durée : 00:17:50 - Samâ-ï - Canticum Novum - À la croisée des répertoires traditionnels syriens et de l'identité cosmopolite de Canticum Novum, Samâ-ï évoque ce carrefour culturel que fut l'ancienne Alep et l'imprégnation musicale des cultures en présence.

durée : 01:57:35 - En pistes ! du mardi 21 juin 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, Emilie et Rodolphe ont décidé de vous faire voyager : Ravel, Debussy, Bach, Brahms mais aussi des oeuvres issues de la musique traditionnelle grecque ou maronite interprétées par Canticum Novum. Allez, en pistes... on vous emmène !

John 16:5-15 English Standard Version 5 But now I am going to him who sent me, and none of you asks me, ‘Where are you going?' 6 But because I have said these things to you, sorrow has filled your heart. 7 Nevertheless, I tell you the truth: it is to your advantage that I go away, for if I do not go away, the Helper will not come to you. But if I go, I will send him to you. 8 And when he comes, he will convict the world concerning sin and righteousness and judgment: 9 concerning sin, because they do not believe in me; 10 concerning righteousness, because I go to the Father, and you will see me no longer; 11 concerning judgment, because the ruler of this world is judged. 12 “I still have many things to say to you, but you cannot bear them now. 13 When the Spirit of truth comes, he will guide you into all the truth, for he will not speak on his own authority, but whatever he hears he will speak, and he will declare to you the things that are to come. 14 He will glorify me, for he will take what is mine and declare it to you. 15 All that the Father has is mine; therefore I said that he will take what is mine and declare it to you.

[16]A little while, and now you shall not see me; and again a little while, and you shall see me: because I go to the Father. Modicum, et jam non videbitis me; et iterum modicum, et videbitis me : quia vado ad Patrem. [17] Then some of the disciples said one to another: What is this that he saith to us: A little while, and you shall not see me; and again a little while, and you shall see me, and, because I go to the Father? Dixerunt ergo ex discipulis ejus ad invicem : Quid est hoc quod dicit nobis : Modicum, et non videbitis me; et iterum modicum, et videbitis me, et quia vado ad Patrem? [18] They said therefore: What is this that he saith, A little while? we know not what he speaketh. Dicebant ergo : Quid est hoc quod dicit : Modicum? nescimus quid loquitur. [19] And Jesus knew that they had a mind to ask him; and he said to them: Of this do you inquire among yourselves, because I said: A little while, and you shall not see me; and again a little while, and you shall see me? Cognovit autem Jesus, quia volebant eum interrogare, et dixit eis : De hoc quaeritis inter vos quia dixi : Modicum, et non videbitis me; et iterum modicum, et videbitis me. [20] Amen, amen I say to you, that you shall lament and weep, but the world shall rejoice; and you shall be made sorrowful, but your sorrow shall be turned into joy. Amen, amen dico vobis : quia plorabitis, et flebitis vos, mundus autem gaudebit; vos autem contristabimini, sed tristitia vestra vertetur in gaudium. [21] A woman, when she is in labour, hath sorrow, because her hour is come; but when she hath brought forth the child, she remembereth no more the anguish, for joy that a man is born into the world. Mulier cum parit, tristitiam habet, quia venit hora ejus; cum autem pepererit puerum, jam non meminit pressurae propter gaudium, quia natus est homo in mundum. [22] So also you now indeed have sorrow; but I will see you again, and your heart shall rejoice; and your joy no man shall take from you. Et vos igitur nunc quidem tristitiam habetis, iterum autem videbo vos, et gaudebit cor vestrum : et gaudium vestrum nemo tollet a vobis. Introit: Ps. 65.1-2 [1]Unto the end, a canticle of a psalm of the resurrection. Shout with joy to God, all the earth, In finem. Canticum psalmi resurrectionis. Jubilate Deo, omnis terra; [2] Sing ye a psalm to his name; give glory to his praise. psalmum dicite nomini ejus; date gloriam laudi ejus.

La nostra storia comincia nella regione di Laetis, le cui Terre fertili e foreste rigogliose nutrono i numerosi figli della Matrias.Le strade di giorno sono sicure e gli abitanti di Laetis vivono prosperi e ignari delle ombre che si muovono nella notte e delle note che portano.Solo quattro giovani figli della Matrias Lixia sembrano in grado di sentire la Canzone portata dalla notte.Inizia così la campagna di #DnD per festeggiare i nostri 9 anni #f9mblegdr

La nostra storia comincia nella regione di Laetis, le cui Terre fertili e foreste rigogliose nutrono i numerosi figli della Matrias. Le strade di giorno sono sicure e gli abitanti di Laetis vivono prosperi e ignari delle ombre che si muovono nella notte e delle note che portano. Solo quattro giovani figli della Matrias Lixia sembrano in grado di sentire la Canzone portata dalla notte. Inizia così la campagna di #DnD per festeggiare i nostri 9 anni #f9mblegdr

La nostra storia comincia nella regione di Laetis, le cui Terre fertili e foreste rigogliose nutrono i numerosi figli della Matrias. Le strade di giorno sono sicure e gli abitanti di Laetis vivono prosperi e ignari delle ombre che si muovono nella notte e delle note che portano. Solo quattro giovani figli della Matrias Lixia sembrano in grado di sentire la Canzone portata dalla notte. Inizia così la campagna di #DnD per festeggiare i nostri 9 anni #f9mblegdr

Synopsis The Grove Dictionary of Music defines the word “aleatory” as follows: “music whose composition and/or performance is, to a greater or lesser extent, undetermined by the composer.” But isn't music supposed to be organized, planned, determined sound? Isn't “aleatoric music” a contradiction in terms? Well, not necessarily. Musicians throughout the ages have delighted in spontaneous, improvised sound, or musical games in which the results will be different with each performance. In the 20th century, American composers like Charles Ives and Henry Cowell often gave performers a great deal of freedom in the realization of their scores, and John Cage developed what he called “chance operations” into an art form all its own. On September 13, 1986, at Avery Fisher Hall in New York City, Leonard Bernstein conducted the Israel Philharmonic in the premiere of his new Concerto for Orchestra subtitled “Jubilee Games,” which incorporates some aleatoric elements. Bernstein explained, “Its first movement is musical athletics, with cheers and all. It is also charades, anagrams, and children's counting games… therefore aleatoric, ranging from structured improvisation to totally free orchestral invention. It is thus inevitable that the movement will vary considerably from one performance to another, and even one rehearsal to another.” Music Played in Today's Program Leonard Bernstein (1900 –1990) Concerto for Orchestra (Jubilee Games) (Israel Philharmonic; Leonard Bernstein, cond.) DG 429 231 On This Day Births 1819 - German pianist, teacher and composer Clara Schumann (née Wieck), in Leipzig; 1874 - Austrian composer Arnold Schoenberg, in Vienna; 1917 - American composer Robert Ward, in Cleveland; 1924 - French film composer Maurice Jarre, in Lyons; He won an Academy Award in 1965 for his "Dr. Zhivago" film score; Deaths 1894 - French composer Emmanuel Chabrier, age 53, in Paris; 1977 - English-born American conductor, arranger and new music patron, Leopold Stokowski, age 95, in Nether Wallop, Hampshire (England); 1985 - French-born American composer, painter and mystical philosopher Dane Rudhyar, age 90, in San Francisco; Premieres 1948 - Cyril Scott: Oboe Concerto, at Royal Albert Hall in London; 1956 - Stravinsky: "Canticum sacrum ad honorem Sancti Marci nomiminis," at St. Mark's in Venice, with the composer conducting; 1967 - Copland: "Inscape" for Orchestra (commissioned by the New York Philharmonic for its 125th Anniversary Year), at Hill Auditorium in Ann Arbor, Michigan, by the New York Philharmonic conducted by Leonard Bernstein; 1986 - Bernstein: Concerto for Orchestra ("Jubilee Games"), at Avery Fisher Hall in New York, by the Israel Philharmonic with composer conducting. Links and Resources On Leonard Bernstein

SERMON (ENGLISH) Cantate Domino canticum novum. Sing to the Lord a new song. Sermon on the fourth Sunday after Easter

STRAVINSKY: Canticum sacrum (17.55). R. Robinson (ten.), H. Chitjian (bar.), Orq. y Coro del Festival de Los Ángeles, Orq. Sinf. del Festival de Los Ángeles. Dir.: I. Stravinsky. Agon (23.55). Orq. Sinf. del Festival de Los Ángeles. Dir.: I. Stravinsky. Escuchar audio

A cura di Massimiliano SamsaGiovanni Pierluigi da PalestrinaCanticum Canticorum1. Osculetur me2. Trahe me post te3. Nigra sum sed formosa4. Vineam meam non custodivi5. Si ignoras te6. Pulchrae sunt genae tuae7. Fasciculus myrrhae8. Ecce tu pulcher es9. Tota pulchra es10. Vulnerasti cor meum11. Sicut lilium inter spinas12. Introduxit me rex13. Laeva eius14. Vox dilecti mei15. Surge, propera, amica mea16. Surge, amica mea17. Dilectus meus mihi18. Surgam et circuibo civitatem19. Adiuro vos filae Jerusalem20. Caput eius21. Dilectus meus descendit22. Pulchra es23. Quae est ista24. Descendi in hortum nucum25. Quam pulchri sunt26. Duo ubera tua27. Quam pulchra es et quam decora28. Guttur tuum29. Veni, dilecte miGruppo vocale - Hilliard Ensemble

In this week's episode, Krystle and Kimber discuss the hit Netflix reality series: Love is Blind, discussing the economics of reality TV, crafting a brand, and why feeding wine to your dog is a very bad idea. Canticum finalem   Follow us on twitter! @BigBitchPod, @KimberMunford, and @KDinunzio Thanks to our wonderful premium patrons!! Become one at www.patreon.com/bigbitchenergy 

It's our biggest show ever, including a very special interview with Sam Baker about his upcoming appearance with the Sinfonietta, plus we talk to Voci member and early music devotee Brian Litt about our newest ensemble, Canticum. We talk holiday music, and some new trends in symphony concert etiquette. Weigh in at info@gorgeorchestra.org and you might win our limited edition CGOA t-shirt. Tickets and more at gorgeorchestra.org. Listen to Sam Baker with Terry Gross on NPR's Fresh Air here (https://www.npr.org/2014/05/06/310089151/sam-baker-finding-grace-in-the-wake-of-destruction) --- Send in a voice message: https://anchor.fm/cgoa/message

“Adiuro vos, filiae Ierusalem, per capreas cervasque camporum, ne suscitetis neque evigilare faciatis dilectam, quoadusque ipsa velit.” The quote is from the Latin text of the Song of Songs in the Old Testament. “I adjure you, O daughters of Jerusalem, by the gazelles or the hinds of the field, that you stir not up nor awaken love until it please.” (Song 2:7) That biblical book in Latin is the subject of one of four Latin reading groups here at Wyoming Catholic. Juniors and seniors hone the Latin skills they learned as freshmen and sophomores. The best way to retain and grow language skills is, of course, to use them. The group working way through Canticum Canticorum ably led by Dr. Michael Bolin, our guest for this After Dinner Scholar.

durée : 01:29:00 - Génération France Musique du samedi 15 juin 2019 - par : Jean-Baptiste Urbain - réalisé par : Laurent Lefrançois

durée : 00:17:13 - Emmanuel Bardon, directeur musical de l'ensemble Canticum Novum - Emmanuel Bardon nous parle de son projet pédagogique "Ecole de l'oralité" qui a pour ambition une nouvelle façon de vivre la pratique artistique en la replaçant dans les gestes simples vécus en communauté. La pédagogie mise en œuvre est fondée sur l’écoute et l’observation : l’oralité.

"Når man er teenager, opsøger man det ekstreme. Og for mig var musikken ekstrem. Det var måske derfor, jeg blev fascineret af den." Komponist og kunstnerisk leder af KLANG Festival (http://klang.dk/) Christian Winther Christensen fik sin første store oplevelse med avantgardemusik, da han som 13-årig på biblioteket faldt over en cd med Krzysztof Pendereckis kor- og orkesterværk Canticum Canticorum Salomonis. "Det fik mine ører til at lytte anderledes og åbnede vejen til at forstå moderne kompositionsmusik, som jeg beskæftiger mig med i dag." Varighed: 6:51

Los monjes benedictinos del monasterio de Leyre, en Navarra, han querido celebrar al “santo de la vida ordinaria”, al que tanto quieren, con la especialidad de la casa: el canto gregoriano del Oficio Divino. Por eso, han musicalizado los Himnos propios de la festividad de San Josemaría. +info https://opusdei.org/es-es/article/monasterio-leyre-josemaria-escriva-oficio-divino-canto-gregoriano/

Los monjes benedictinos del monasterio de Leyre, en Navarra, han querido celebrar al “santo de la vida ordinaria”, al que tanto quieren, con la especialidad de la casa: el canto gregoriano del Oficio Divino. Por eso, han musicalizado los Himnos propios de la festividad de San Josemaría. +info https://opusdei.org/es-es/article/monasterio-leyre-josemaria-escriva-oficio-divino-canto-gregoriano/

Fri, 13 Jan 2012 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11038/ http://epub.ub.uni-muenchen.de/11038/1/Cim._48.pdf Unbekannter Autor Cim. 48 (= 2° Xylogr. 6) Canticum canticorum Entstehungsort: unbekannt Entstehungszeit: unbekannt Provenienz: Der Holztafeldruck enthält keine Vorbesitzerspuren. Eine Bleistiftnotiz wohl des 19. Jahrhunderts verweist auf das Benediktinerkloster Tegernsee, aus dessen Bibliothek 1.434 Bände im Zuge der Säkularisation 1803 in die UB Landshut gelangten.

Thu, 1 Jan 2004 12:00:00 +0100 http://epub.ub.uni-muenchen.de/10998/ http://epub.ub.uni-muenchen.de/10998/1/Blockbuecher_UBM.pdf Lengenfelder, Helga Lengenfelder, Helga (2004): Bibel der Armen — Speculum humanae salvationis — Canticum canticorum — Ars memorandi — Defensorium virginitatis Mariae — Apocalypsis — Der Endkrist und die 15 Zeichen — Ars moriendi — Regiomonta